Category: Life – The Midweek Magazine

  • Ayo Lijadu, Bimbo Manuel lead actors in Shijuwomi

    Ayo Lijadu, Bimbo Manuel lead actors in Shijuwomi

    Top flight thespians, such as Ayo Lijadu, Bimbo Manuel and Tina Mba, are among leading dramatists featuring in Shijuwomi, a post-colonial cinematic adaptation of Rasheed Gbadamosi’s book, Behold My Redeemer. Other members of the cast are Judith Audu, Femi Adebayo, Olu Okekanye and Jude Chukwuka.  The filming of Shijuwomi led by award winning and director/screenwriter Niji Akanni started last Sunday.

    Renowned economist and accomplished art collector Chief Rasheed Abiodun Gbadamosi is Executive Producer for the project. He is the author of many short stories and plays for radio, television and the theatre, including Tree Grows in the Desert, Behold my Redeemer, Echoes from the Lagoon, and Sunset over Nairobi, which won first prize in Radio Netherlands Golden Windmill short story competition.

    When a pampered girl,Shijuwomi, who has travelled to England to study attempts suicide, prompting the decision to repatriate her home. At home, she is moved to an institution where she meets Dr. Ilori, a lecturer in Anthropology who eventually marries her. The marriage does not however provide the desired harmony and succor as Shijuwomi and Ilori are on a parallel scale in terms of pursuing their interests, forcing her to make another suicidal attempt.

    SHIJUWOMI is riddled with love and conflict from start to finish. It is a cerebral metaphor for Nigeria as a nation state and many African countries whose dreams of Utopia after freedom from colonial powers have all but evaporated, leaving behind hopelessness and frustration.

    Adapted for the screen by the trio of Prof. Ola Rotimi, Dr. Femi Olugbile and Bayo Awala, the man behind the project, Awala is neither new to adaptations nor directing. As a filmmaker, he acquired a lot of experience at the Nigerian Television Authority, NTA, where he directed such successful drama series as Village Headmaster, as well as independently produced series such as Winds against My Soul, Adio Family, By the Road Side, The Turning Wheel, The Young Ones, Jagua Nana’s Daughter, Tight Rope, Trauma and Doctors Quarters.

    In 2005, Awala directed the award winning political thriller, Prince of the Savannah, written by Yinka Ogun and starred Tunde Laniyan, Sam Loco Efe, Teni Aofiyebi, and Chidi Ukwu, who won the Best Actor Award at the ZUMA Film Festival 2011 for his role in the movie.

    “This project has been in the works for over two decades. I have always being fascinated with this story since I first directed it on stage in 1969. Its thematic relevance, the tempo-spatial canvass against which the narrative plays out and an opportunity to increase the volume of works adapted from our rich literary traditions are some of the reasons why we have decided to showcase this piece,” Awala said.

    SHIJUWOMI has received support from the Nigerian government’s Nollywood interventionist project; ProjectActNollywood’s Film Production Fund (FPF) and is being produced with the active collaboration of Ogun State Government.

     

  • Music and my life

    Music and my life

    Taiwo Iyere Osiname, popularly known as Shekinah (God’s divine presence), speaks of her marriage and  music career in this interview with Toyin Olasinde .

    How did you come about the name Shekinah?

    Shekinah is a Hebrew word, which means “divine presence of God”.  It is the name given to me after my encounter with the Lord few years back when I was at a stand still of my life. And all things that represented shame was my closet associate and I was faced with many challenges that made me feel God can never use me again in his vainyard. But God changed my shame to fame.

    I have always had passion burning inside of me to reach out to the people, expressing God’s love through songs and also to lead people into God’s presence. Having done a couple of studio recording in the time past, I finally released a debut single a few month ago titled Not Enough , which has been a tremendous blessing to the body of Christ. It is currently enjoying airplay on several radio stations.

    My fulfillment comes from the testimonies shared by people whose lives have been transformed by my music. The official video of my single is set for release soon and the debut album would be released before the end of the year.

    Under whose ministration did you have the encounter   with Holy Spirit?

    Funny enough it was not under any pastor’s ministration, it was just between myself and God alone in my room because then, I hardly go out of my apartment in order to avoid people asking me questions about the challenges of my life. But on that fateful day, while I was singing worship songs  to God and  all I felt was that I was totally lost in spirit and began to feel divine presence of God in my room. And all I could hear that very day was Taiwo am going to change you, change  your name and even change everything around you for good, just rightly there I started crying that God could this ever be? And that was how my life was broken down and remolded for God.

    What has been the secret of your musical career and how will you describe the journey so far?

    Actually, I will say God has been the secret and a strong pillar to my success because my journey so far was full of mysteries and many ups and downs, because I started singing and going to studio at the age of 10. I was born into a Christian family where the fear of God was all my parents at all time teach us, and  which really helped me stand through my tough time and that took me this far.

    I got most of my song inspiration through my past experience, which always lead me to praise God

    What should people expect from your next album?

    For the upcoming album it going to be wonderful and will be tracks that years after people will still be going back to it.

    How have you been coping with your office work and your music career?

    I must first of all give thanks to God who has always been the author and finisher of my faith and thanks to my wonderful husband and the glorious children God gave me for their understanding and support at all time. Even when am hooked up with some things they are still always there for me, I thank God for the kind of job He gave me because I have been able to manage both together without any conflict.

    Between your job and your music career, which is more fulfilling?

    I love the both but I feel more fulfilled in my music career because it always brings smiles to my face any time am singing.

    Why did you choose to sing gospel song instead of any other?

    Just like everyone know gospel means Good news and to anyone who hear of good news it always brings joy to the heart of people, so I choose to sing gospel in other to make people feel the happiness in Christ.

    Where did you get your song inspirations from?

    I must say I get my inspiration from God and also from beautiful things that happens around me, and from my past experience  because anytime I look at God faithfulness to me I get inspired.

    Why did you choose to sing worship songs and not praise songs?

    I choose to sing worship because I saw a longing for worship in the body of Christ. People really  love to praise and dance and not remembering that the two need to be balanced both praise and worship is what God wants and that  why I have choose to be a worshipper.

    When is your album due?

    My first album will be launched soonest, which I could assure you that it going to be life touching album and will always be album people will always at all time want to listen to.

    What period of your life has been unforgettable?

    It was in a concert at Ile-Ife when together with my band we went for a show only for them not to show any concern,  not to even talk of ministering there after all the time we wasted in order to make it to Ile-Ife from Lagos. It is really an unforgettable day for me, I will not like to mention the concert because it always a big concert organize yearly in Ife.

    Which is your happiest day?

    The happiest day of my life was when God change what was about bringing reproach to God’s name in my life to testimony. It was when I gavedth birth to my first child and only to see that he couldn’t open his at all for a month just more or less like a blind child, but God of wonders  opened his eyes to see for the first time ever during the second month of delivery. That real marked the happiest moment in my life.

    So far, it’s been God’s grace and favour at work. To get an excellent production you have to give it your best especially financial and as a gospel artist you don’t readily get sponsors compared with the secular world.

  • Prophetic declaration

    Prophetic declaration

    Life is a challenge; confront it, the maxim aptly advises. To live life in the illusion that there would not be challenges is as good as assuming that life can go on without oxygen. But confronting life’s challenges without adequate divine inspiration may lead to frustration and despondency. Make no mistake about it; inspiration is the backbone of any confrontation that would bring result.

    In his characteristic manner of being on-point in his writings, Ayodeji Ayopo’s new book titled The spring of inspiration’ is timely and re-assuring, moreso when the dwindling economic situation of the country is making the heart of many to be ‘feverish’ and ‘low’.

    Stylishingly packaged with accompanying book divider ribbon, the book might be mistaken for the Holy Bible from a distance. The 366-page hard cover pocket size book takes readers through 365 days of any year with nugget and insightful prophetic declaration that stand as motivation in the face of whatever challenge each day of the year might birth.

    Though not encumbered with Biblical references, but one cannot miss the point that the writer is clear with the fact that God remains the ultimate source of strength in the face of challenges of life. Expectedly, the book affirms the supremacy of almighty God, and is explicit enough as to the fact that God is able to lift man beyond and above challenges that might be confronting him. Undoubtedly, the writer in a subtle manner crusade the position that light must come at the end of every tunnel.

    Each chapter is dedicated to each day of the year. And the general concern of man in his frantic effort to succeed is carefully taken care of. Is there any man, overtly and covertly, who is not concerned about breakthrough, success, fear of failure, storms of life, purpose, helper, sustenance, fulfillment, God’s presence, limitation, protection, tomorrow, guidance etc? These inner cries of many hearts are well addressed with prophetic insight.

    It is said language is the vehicle of thought. Though ability to wave thoughts into words is not common, but Ayodeji was able to articulate and convey his thoughts in fluid and flowing manner. His diction is simple enough to engage and connect with all strata of literate minds. Equally, they are flowery, descriptive and call to action. The writer’s ability to craft word must have been informed by his background in Business Communication and Strategy as well as Public Relations, the fields he has chosen to practice as a seasoned professional.

    The book is worth taking space in a serious library. It is more or less a daily companion that should actually form the content of any hand bag, be it male or female.

     

  • Tamuno: The sacred canopy of our rainbow coalition

    Tamuno: The sacred canopy of our rainbow coalition

    He who exalts himself will be humbled and he who humbles himself will be exalted” (Matthew 23:12) “Blessed are the meek” (Matthew 5: 5)

    Professor Tekena Tamuno (1932-2015), a former Vice-Chancellor of the University of Ibadan, joined his ancestors on Saturday, April 11, 2015. He once used the metaphor of the “mother banana” and the “banana family” to illustrate the dynamics of the continuum and how our universe functions: that as the mother banana dies it gives birth to a new one! In essence, Professor Tamuno was this “mother banana,” forever green, immortal, and transcendental.

    Most certainly, there are greater minds to attest to Professor Tamuno’s long career; furthermore, there are hundreds of eye-witnesses to recount his days as the Vice Chancellor of the University of Ibadan; while there are also far more talented historians than my humble self to highlight his contributions to the writing of Nigerian history. Yet, as an act of fate as someone who interacted with him for over three decades, I have had the privilege of producing this tribute in his honor, and he deserves every laudatory statement I can make. I was drawn to Prof Tamuno in equal percentages: a third because of his personality; another third for his style; and a final third on behalf of his professionalism. Therefore, my tribute is arranged to touch upon each of these triple perspectives that together constitute his heritage. When Malcolm X died in February of 1965, Ossie Davis described him in his eulogy as a shining black star.  Similarly, Prof Tamuno, in my estimation, was one of our shining stars in the sky, one that we looked up to for the light that could illuminate the path on which we walked.

    Professionally, Prof Tamuno was a prolific historian, and without exaggeration, I can underscore, also without reservation, that there was none in his generation that out-produced him. On the leadership front, he was a talented leader, and there was no one that served on more committees, commissions and fact-finding missions more than he did. He got things done, and he produced consensus, indeed far more than anyone of his generation. His overall success, I had come to assume, was because he understood himself: He was open as well as being mutually respectful of others while still being conscious of his terrain and his place in history, unique qualities that he never exaggerated, not even for a moment.

    On my part, I can only offer a summation—indeed a précis—of his glorious career as a professional historian. In it Prof Tamuno was Ibadan personified in a variety of ways: he entered the University of Ibadan in 1953 and he continued to live in Ibadan City, with a few interruptions, courtesy of national and international engagements, till 2015. He was a citizen of the city of Ibadan and he was certainly pre-eminently far more qualified than I, the “son of the soil,” to be an Ibadan chief. There was no significant academic or administrative position at the University of Ibadan that he was not invited to occupy; and as the records clearly demonstrate, he never struggled for any of them, from the Head of Department to the Vice-Chancellor, all positions in which he served with distinction. From his PhD thesis to his very last piece of writing, he was perpetually pre-occupied by not less than six inter-related investigations: (i) the evolution of Nigeria, from its pre-colonial indigenous culture to the modern, and from the creation of amalgamated Nigeria through colonial conquest to the end of British rule; (ii) the creation of roads and railways to provide modern infrastructure and communication systems; (iii) law and order in a changing state, in terms of an indigenous security system, the police force, and the army; (iv) institutions of governance (how federalism evolved, and how our leaders managed and betrayed us); (v) the stages in our growth from 1885 to the present; and  (vi) our various predicaments, including issues of underdevelopment, poverty and leadership deficit.  In all, after offering a sober analysis, he would confess, as he once did in a keynote address delivered in 1983 for a conference on nation-building:

    We are humble enough to acknowledge that we know not yet all we wish to know about this great country, Nigeria, about its great people, and their great problems.

    Limited space is often a thief of money and time, sadly disempowering me from a detailed critical elaboration of the aforementioned points. Yet, I also know very well that space cannot steal reflexivity. “Nigeria matters,” Tamuno proclaimed to all listening ears. In all of his writings, he persuasively argued that the problems of Nigeria would ultimately yield to its success. He gathered tremendous amounts of data on specific institutions, always trying to highlight the weight and import of evidence, and more so the importance of the explicit over the implicit. He was, in varied ways, a masterful storyteller, bringing out variation upon variation in dealing with topics and themes, mapping debates, respecting various opinions, and creating his own ideas. He certainly understood the workings of a nation in formation, a political elite that was conflicted, and of institutions that were in the process of maturation. He had a firm grounding in archival sources, for many years unearthing more archival “gems” than many of his peers. His perspective was both regional and national, as he was always offering nuanced understanding of the Nigerian condition. Irrespective of the moment in our history, our anguish and sorrow, Prof Tamuno applied the gentle balm, as he wiped our tears, and he sang joyful songs, indeed as, inter alia, he once did in the following words:

    Hence, they are

    Songs of joy and sorrow,

    Paeans of pleasure,

    Groans of pain,

    That blends moments of mirth

    With those of wrath,

    But with no target enemies,

    With no firm friends

    With an appeal, or whatever,

    To all of goodwill over the world

    [Songs of an Egg-head (Alafeni: Port Harcourt, 1982).]

    I knew him well as a Nigerian! As I still recall, I was with him for a few days in 1990, when he was at the National Institute for Policy and Strategic Studies at Kuru where he worked temporarily as a Visiting Professor.  In excitement, he took me to visit a plot of land that he bought in Jos to build his retirement house. To my surprise, he confided his retirement plan with me, saying that living in that part of Nigeria, the center of the country, represented his affirmation of the country’s oneness.

    The seriousness of his “oneness” understanding of Nigeria as a nation was the driving force of his intellectual career of well over half a century. He chose themes of oneness, from the evolution of the country’s boundaries to the institutions of managing the state, such as the police. Bothered by issues around violence, he devoted considerable space in his scholarship to the analysis of conflicts and strategies for peace. His demeanour, words, and strategic choices represented peace—both in over a dozen private discussions as well as in public where his humility was always fresh and striking. He was never tired of welcoming guests, giving them food from his garden, laughter from his heart, and generosity from his spirit.

    Symbolically, Prof Tamuno was one of the few lines in the colours of rainbow, the arch in the middle that formed in the sky for us to see and admire. He constituted a shield linked with the cosmos, the extraordinary being of colours, dispersed by the sun’s light, blessed by water droplets from the far sky. We cannot chase the rainbows, as they are too far high in the sky, but Baba Tekena Tamuno brought the lines and colours closer to us, making them reachable and touchable, and ever projecting as well as displaying his light and sunshine.

    He was not easy to imitate, and impossible to clone, for no one can ever garner the rainbow of medals that adorned his walls; and no one can ever come close to the rainbow of love that filled his heart and chest. We have to keep struggling to reach the silver-lining of his illustrious clouds and the gold located at the end of his rainbow. I won’t even try, for his resilience is uncommon, his patience is legendary, and I am too small to learn at his feet.

    A master of long narratives, his nuanced conclusions were open-ended, elastic, and never threatening. Our personality can be embedded in our intellectual projects and self affirmation, as it is possible to link Wole Soyinka’s iconoclasm to Ogun, the Yoruba god of iron. Prof Tamuno was probably seeking to imitate some aged saints or, like a riverine man, he was guided by the calmness of the sea. The rough waves possibly frightened him, and he rather stayed at the banks. That calmness of the sea crystalised into a “Tekena formation” that became defined as the “Tamuno’s humility.”

    There was one Saint Humility during the European Medieval Ages, a real saint, not an imaginary one. In fact, I am suspicious that Prof Tamuno, at one time or the other, might have read about this saint! For, as those who knew him well, as I did, would attest to, he had multiple faces to his personality: one face that looked to spiritual forces, humbling himself before God and His agents. Grace becomes superior to one’s achievements, as Prof Tamuno magnified his own limitations. But there was also the levelling equality with fellow men, in which he constantly lowered his being and self in relation to his colleagues, superiors, and subordinates.

    Being agreeable is no sign of weakness. The definition of a place in history, in space and time, is a recognition of one’s influence. Walking gently, to avoid hubris, does not compromise pride. Recording a life history devoid of narcissism is no limitation to being grounded in humilitas. As one thinks of all of these unique qualities, what comes to mind is the Tamuno magic!

    Prof Tamuno’s writing and life-style became the way to encode the spirit of humilitas, a careful use of oneself to teach practical ethics. I visited his house at Ibadan where he wore his simple top and shorts with many pockets, showing me his plants, his fruits, and his seeds. On one occasion in 2005, in the company of Prof Chris Ogbogbo, the amiable Head of the History Department and Prof Ademola Dasylva, both of the University of Ibadan, Prof Tamuno tried to recruit us into his way of thinking and lifestyle, warning us to be cautious, to exercise restraint, to cultivate wisdom. He invited me to dinner the next day, an appointment that I was unable to keep, thus denying myself of valuable fatherly lessons.

    As younger scholars, the moment we entered our car, we were united in our conversations, engaged in comparing Prof Tamuno to another professor we visited before him, who was full of arrogance and vain words; we chose instead to praise Prof Tamuno’s wisdom. He was modest in prosperity, honourable in status, and graceful in moderate opulence. The visitation, one of many, triggered a series of reflections in me: the Kantian formulation of linking truth-telling with humility; and the Jesusian formulation of death and agony as sacrifice and redemption.

    If the great Prof Tamuno learned from history, and he prospered by it, let us learn from him as well. In violating the tenets of his modesty and humility, I want to create a template for the Tamuno model of living: love Nigeria; read and cultivate skills; use talents; promote virtues; be meek; think of and appreciate others; make your ego small to realise your true humanity and place in the universe; and appreciate your smallness, but remain steadfast and true to your principles!

    Nietzsche, the philosopher, will quibble with my generosity, for he sees humility not as a virtue but as a weakness, a strategy of survival, deployed by the weak to minimise the damage done by the strong, the Übermensch. Prof Tamuno would be a dysfunctional element in the pool that Nietzsche studied made a study of.  To the contrary, Prof Tamuno recognised my own talent and was in praise of it, just as he recognised the talents of others. He did not deny others their honour, even when he was unjustly attacked. He did not build a cult of individualism and never asked anyone to worship him.

    Our star has relocated, not extinguished: you and I are like dust, insignificant, but hopeful: hopeful that what he wanted, a peaceful and united Nigeria, will surely eventually be created.

    Professor Tamuno, sleep well, the great one, and permit me to sing a dirge:

    ‘The honey eater

    Looks not at the edge of the axe

    The astute trader

    Bothers not with the din of the marketplace

    The egg lover

    Regards not the anus of the hen

    Thirsty throat befriends weeping palm tree

    Stretch out your calabashes

    I have poured libation

    Come join the spree

    Baba, rejoice, for you are already fit to receive grace:

    Poet, sing your song

    To the resonant din of the bell

    Ko ko, ko ko, ko ko, ko ko

    At its instance, the rhumba

    Là là, ko ko, là là, ko ko

    The earth must open for the earthworm

    Là là ko ko fè fè, là là ko ko fè fè

    The potter must get her clay

    And the painter his colors

    With a face and nose to the ground

    The writer surely must find his words

    To make flow the rivers of ink

    Là là, là là, là là, là là

    Là là, ko ko, là là ko.’

    Prof Tamuno, I offer a promise: we will keep history alive: If we stay alive, songs and drama will come from Mouths of truth that seek no rewards enduring pain without any gain.

    Great one, we will serve others as a constant reminder of your humility and greatness:

    Judge us: this is all that you know

    Condemn us: the passion of your spirit

    We forgive: when we cross the passage of

    Time, asking questions:

    Were you with us in the grasslands?

    Who laughed with us in the savannah?

    Who cried in the forest?

    Did you hear the story before the stream?

    What did we say at the bank?

    Did you cross the river with us?

    Sir, be assured, we will descale our obsequiousness but enscale our memory of you:

    Flourish Greenfingers

    Like the cornstalk

    Rising in its season

    Flourish, Greenfingers

    The years of your triumph

    Call for celebration

    The labour of truth

    Is evergreen.

    Flourish, Greenfingers

    The one

    Who has earned

    His purple robe

    Swirl, Sway, Swirl Greenfingers

    Ignore the heads in the clouds

    The sure footed

    Must reap bountiful harvest

    Swirl, Sway, Swirl, Greenfingers

    With royal gait

    As you arrive to dine

    At His pavilioned regal tables.

     

    •Prof Falola is of The University of Texas at Austin, US.  

  • Proudly Nigeria

    Proudly Nigeria

    Dream Chasers is an anthology of short stories by different writers, however, in its diversity; the stories are relatively close to the Nigerian experience through the names, locale and themes. The seasoned writers wrote wonderful pieces in few words and each storyline cannot be easily determined by the reader because of the heavy use of suspense.

    Major Nigerian cities mentioned in the anthology include Ibadan and Port-Harcourt in Camouflage; Nsukka, Orba, Onitsha in the Magic Ring; Iseyin, Okeho and Oyo in the Great Discovery; Marina, Lagos in Love on the Marina; Ile-Ife, Onitsha, Surulere, Lagos in Tough Guys write poetry; Bere, Ibadan in the House that Hunger Built. Other locations mentioned in the book include USA, South Africa, Paris and Zimbabwe.

    The Nigerian content of the book is found in the themes of each story except in How I met Steve Biko and What Would Saffron Do?The themes include: deception, intricacies of intercultural marriage, armed robbery, single parenthood and depression in Camouflage; Incest, Western influences are the evident in The Little Girl with Bussing Breasts and a Bubble Gum Laugh; Insecurity, Insurgence, HIV/AIDS, Death of Neighbour, Information shared via Social Media were mentioned in The Curtain.

    Others are   Voodooism, Gambling, Apprenticeship, Western education, Assumption, Religiosity explored in The Magic Ring; Traditions in The Great Discovery, Depression, Loss of a grown-child, Foreign education, dashed hope in Love on The Marina, Intertribal marriage, Affection in Too Much Pepper; Extra-marital affairs, Reminiscence in “Fur Elsie”.

    Additional themes in the book include Fraud, Impersonation, Disgrace, Financial challenge as reflected in Double Wahala; Joy of reunion, joblessnesness, desire to travel abroad, daring nature, love in Tough Guys Write Poetry. The House that Hunger Built is related to the tall Yoruba narrative similar to the Amos Tutuola’s style of Africanism.

    The other two stories have African themes such as Xenophobia, Supporting acquaintance, bribery, doggedness, professional knowledge and assault in How I met Steve Biko while suspicion, unaccomplished mission, despotic leadership in What Would Saffron Do?

    The language of the text is lucid and concise. Interestingly, the text is domesticated because Pidgin is infused into the book and this makes the book relate closely with Nigerian readers. There are few errors in the book, however, it might be limited to the particular copy, which are negligible.

    The book is largely and proudly Nigerian. It is a way of exporting our literary culture and nuances to other cultures and countries. The book is another distinct piece from Nigerian writers.

  • Life and times of Joseph Adeleye Obutu

    Life and times of Joseph Adeleye Obutu

    My earliest memory of my father is a bit foggy: rather like a camera trying to focus on its subject. I can barely make out a guy that was always trying to tell me something by mouth when we are alone or through his eyes when there were other people. However, I have a vivid, cinematic picture of locations, of people and my father who was always watching me.

    In the years gone by, the message was constant, the teaching repeatedly drilled to avoid any chance of being lost. My father’s teaching was a whole life motion picture that continued to the very last day of his life on earth. His teaching was at first in those early days a monologue to a little boy, later a dialogue, a conversation that was so unique that I am particularly privileged to have been part of.

     

    The Man

     

    At about the turn of the nineteenth century, a powerful (very powerful) exiled Prince from the Benin Kingdom ended up at Igbo Ajagun an outpost not far from present day Iju and Itaogbolu with his battle weary entourage after a protracted and monumental journey through the woods of Akoko-Edo and beyond. The settlement made up of arriving groups in the area was a form of a military camp from where the nucleus of early settlers of Iju and Itaogbolu eventually migrated. At this unsettled war period in Yoruba land, affiliations were made and groups emerged making decisions on choice of place of permanent settlement.

    The Benin Prince, Prince Obutu Akenzua took his entourage to Itaogbolu which along with Iju were the two main evolving settlements at the time. Consequentially, the elders of Itaogbolu invited him to ascend to the throne. But, he declined stating he was there to rest after a long and difficult journey. In the local parlance, he was there to Simi with a proviso that his offspring should reserve this right in the future. The elders immediately made Imi a traditional title with Obutu as the first and the family a ruling house in Itaogbolu. The revered Prince had nine wives as was the practice of nobility at the time.

    One of the nine wives was a maiden chosen from the prominent Isaoye family of Iju- Ifasote Olofinsusi. She arrived as the eight and one of the two junior wives. This union yielded four male children of which Papa Joseph Adeleye was the third born in the year 1927. His early years were in the royal household under a close watch of his father who took a special interest in him.

    Unfortunately, this early romance that Papa used to talk fondly of, ended in his early teen with the death of the patriarch of the family. This momentous event in the early life of the young Adeleye led to his mother taking her four boys back to her paternal household of Isaoye in Iju where Papa continued his early childhood.

    Papa taught himself to read and write and used this knowledge to travel extensively engaging in various merchandising; he traded in clothing materials and Agro chemical products. In 1951, he came back to Iju, settled down, took up extensive cocoa cultivation in addition to his commodity trading business. In 1953 he married a beautiful Princess – Juliana Ademolahan from the royal household of Oloofe of Oke-Iju a union that produced Papa’s greatest treasure of all-his children who he brought up as Princes and Princess. Till his later years, papa remained a very active and successful cocoa buyer and exporter.

     

    Education

     

    For someone who did not have the benefit of formal education, Papa understood the imperative of it. He realised very early that the only way his Princes and Princess would not be labourers and messengers to others was for them to have good education.

    Papa thrived in knowing his children were educated. He saw this as his own education and his window to the world.

     

    Faith……

     

    Papa was a man of extraordinary faith. Till his last days on earth, he conducted his early morning family prayer. His prayer was really a command. Papa always asked that we speak with our Eleda. One particular instance has stuck with me over the years; I was sent home for my school fees during my secondary school days: it was one of those years when cocoa was under-priced and the market was bad. In the morning, Papa prayed, commanded his Eleda to provide so that his Prince can return to school. Daily prayers time was six o’ clock in the morning.

    This particular morning, as Papa opened the outside door, there was a man waiting. He came to buy Agro chemical. Strangely, this was old stock that had been there for years. Like it was a normal, regular day, he bought his stuff in cash and went. I looked at Papa and said so “your Eleda heard you.” He said yes with a big smile. “You must learn to communicate with your Eleda,” he said. He gave me my school fees and I went back to school.

     

    Remember who you are

     

    When I was preparing to leave home for the first time to the boarding school, Papa and I had the first in the many series of admonition never to forget who I am and where I am came from. “Life can never really be a happy place for anyone that forgets his root”. Again, we had this conversation when I was travelling overseas. I found this particularly profound as I discovered that man is just a number the moment he is detached from his root. There is something abouta man’s root that cannot be replaced. “You are special” Papa would say.

     

    Never look at someone else’s plate

     

    I earlier intimated how unique it was being my father’s son; this is without any chance of exaggeration. How do you bring up a child that would literarily never look at someone else’s plate? “What is in your plate is the sweetest and the best there is, what is in the other person’s plate is of no concern to you” Papa always thought us to envy no one, to be confident of who we are and be content with that which is ours.

    For a man to thoroughly enjoy life, he must love himself, be able to smile at the face in the mirror. Papa loved, he cherished the company of the man in the mirror, enjoyed life, his smile, his unhindered laughter and the acknowledgment of his self.

     

    Give

     

    Papa thrived on giving to people. “Through giving you might appear to help someone else but in fact you are helping yourself”. The joy of giving is an intrinsic pleasure that cannot be measured.

     

    Think no evil

     

    This of Papa’s teaching is rooted in his faith and believes that no evil can come his way for he wished no one evil. By extension Papa was convinced that no evil would ever befall his children since all he wish everyone was good-will.

     

    Forgive

     

    The capacity to forgive is an immeasurable strength. What it means is that you, the forgiver know something the other party is incapable of. Papa never had someone he would call an enemy. Throughout his life challenges and tribulations, he never had anyone he called his enemy. I was always surprised as a kid when people that I thought had wronged him would come back to the house to eat and drink with him.

     

    Have no fear

     

    Fear is a conscious recognition of a superior force, an unconscious acceptance of a faith and belief that might not be. As a kid growing up with Papa in an environment where witches and juju were prevalent, fear of something or certain people was the norm. But, Papa had no fear and thought us to have no fear. I know he had no fear because he thought me very early in life that the darkness at night is only the other side of the sun.

     

    Be strong

     

    If you know your place in the world, you would feel strong. Papa was strong in his spirit and as a physical specimen. As a kid I thought he was strong, as an adult I know he was immensely strong. “Food you must only eat to live but never live to eat” Papa taught me how to live and stay hungry.

     

    Conclusion

     

    Papa’s life and teaching is about the age old riddle of man and the process of his journey on earth. If you know who you are, you would have genuine faith, be strong, have confidence, imbibe the capacity to forgive your fellow being, help, give, have no fear and draw strength from being who you are.

    Thank you Papa. I know you are smiling.

    Rest in peace.

     

    •Akinsoji Adeleye, CEO, Infex HC is the eldest son of Late Pa Joseph Adeleye Obutu.

     

     

  • National Troupe for Festival of Drums in Egypt

    National Troupe for Festival of Drums in Egypt

    A delegation of  the National Troupe of Nigeria and officials of  the Ministry of Tourism, Culture and National Orientation has  for  the International Festival for Drums and Traditional Arts holding in Cairo, Egypt.  It is organised by the Arab Republic of Egypt with the theme Drums Dialogue for Peace.

    Artistic Director of the National Troupe Mr  Akin Adejuwon, who is leader of delegation, said shortly before the Troupe’s depature last weekend…. for the week long festival that the artiste would showcase a special production of drums.

    He said: ‘’I understand that this is the third edition of the festival and it is aimed at promoting peace and unity in Africa and addressing the spate of terrorism in Africa as well as showcasing the rich cultural heritage of Africa.  Luckily this is the focus of our productions for this period.

    Using the performing arts to resolve conflicts and promote peace. That is what we tried to achieve with ‘Ajoyo’ and then ‘Spectacle’ which we just staged. So we have worked on a package based on this theme which we will be showcasing at the festival’’.

    The Troupe is expected back on Sunday April 26, but Adejuwon hinted that he would not return with the delegation as he is billed to travel to Brazil to sign a memorandum of understanding that will facilitate co-production in the area of performing arts between Nigeria and Brazil.

     

  • ‘Living Legend is no  political project’

    ‘Living Legend is no political project’

    IT  is becoming tougher getting a Nigerian to be honoured as a living legend because many do not meet the criteria, the project initiator, Mr Olu Ajayi, has said.

    “This year, we are still searching for who deserves to be honoured as a living legend. However, we are considering notable Nigerians such as former Secretary General of Commonwealth Chief Emeka Anyaoku, Emeritus Bishop of Lagos Cardinal Olubunmi Okogie; General Overseer of Redeemed Christian Church of God, Pastor Enoch Adeboye, among others,”, he said.

    Ajayi, who spoke to Arts Writers at his Onikan Studio in Lagos, said the choice is not influenced by political considerations but mainly by the positive contributions of the selected personality  to Nigeria. He said that Living Legend project does not consider any political balancing in the choice of legends to be honoured.  He stressed that the project started in 2008 to ‘record in our time, those that we encountered and who impacted and contributed to the growth of the society and humanity’.

    He noted that a coffee table-book containing all the drawings and paintings as well as contributions from art historians and scholars would be published soon. Past legends documented are Omo N’Oba Nedo Uku Akpolokpolo, Erediauwa Oba of Benin; Prof. Yusuf Grillo; Prof. Wole Soyinka; Prof. Bruce Onobrakpeya, Prof. John Pepper Clark and General Yakubu Gowon.

    According to Ajayi, his studio is working with some Nigerian artists in Diaspora for a painting workshop as part of activities to keep the artists community vibrant and productive. He, however, lamented the lack of proper museum of modern art in the country saying it is high time politicians addressed the fundamental issues challenging the culture sector. This dearth of relevant infrastructure in the sector, he said, has denied artists adequate space to showcase their works of art, which would have impacted on the tourism growth.

    “This will serve as a focal point to generate employment, enhance education opportunity for the youths and promotion of tourism destinations. Another aspect is the provision of artists with seed money to grow their creative industry. The creation of Artists District for the development of a robust sector is not out of place,” he said.

    He blamed lack of political will on the part of government not to appreciate the relevance of arts to national development. He noted that it is a misnomer for people to think art is for the elites, adding that a visit to a modern museum provides inspiration and kills boredom.

    Ajayi said the seeming low patronage of art by most people is a function of balancing up economic reality.

    Ajayi said that patronage of visual arts has improved but not yet at the level ‘we hope to reach’. “There are more private art galleries, growing army of collectors and more exhibitions. Art collection is no more diplomats’ dominated. However, art is still a luxury item to many,’’ he said.

  • 2015 elections: How women became change agents

    2015 elections: How women became change agents

    If the just-concluded 2015 elections could be likened to a dramat crafted by an invincible wordsmith, then the participants would be actors interpreting the ‘2015 election script’. In the many tales characterising the period, the role of womenfolk was grossly under-reported. Evelyn Osagie writes on the inputs of some women in Lagos in the making of ‘2015 elections script’.

    Children with toys in hand scampered everywhere as movement and business activities were halted. The middle of streets/roads became makeshift playgrounds for football and other sports.

    The pin-drop silence in certain areas was torn to shreds by the sirens of police vans that drove pass at intervals. It was holiday like no other. It was the 2015 election.

    The curtain may have fallen on yet another electoral process, but the many spectacles and side shows it paraded would be remembered by all.

    As men thronged out to vote, the women were also prepared for the occasion. They came decked in different attires. There was no room for merrymaking. It was a day Nigerian women “decided”… and decided they were on who became leaders in the next dispensation. And so, to the polling centres, each and everyone marched to cast their vote. And loud on the streets was “Change”.

    The percentage of women that often register to vote in each election, according to the Gender in Nigeria (GIN) Report by British Council, is relatively small compared to the men. This year’s was no different. But some women in Ifako, a Lagos suburb, were undaunted by their number. However small, they were determined to make their votes count.

     

    Why women vote

     

    Mrs Ayeni, was part of that percentage of women, who registered and determined to make their votes count in 2015 elections. But what could have made these women leave their children at home very early on a sit-at-home holiday morning to queue up in a voting centre?

    “Change is the reason we, women, vote,” said Mrs Ayeni, a self-acclaimed women’s right advocate, who wanted her first name off the prints. “The election,” she said, “gave us the power to choose our next leaders and call them to accountability. We want leaders, who can understand our needs as women and make laws that would help us harness our potentials. We are very talented and need leaders to brush us up and use our talents to the fullest.”

    For Mrs Ladipo, a businesswoman, who also did not want her first name in print, 2015 election meant hope for her and her family. “Electing the right person would bring about change that would affect me and my family positively,” she said, adding: “We need a lot of changes in Nigeria. Election is not only a time to decide who would pilot the country, but the future of my children. That is why I have come out today to vote.”

     

    Fears before elections and effects on business

     

    Before the elections there were scares of violence because of provocative statements by some. This trend, Mrs Badmus said, affected her business negatively. “I am happy the elections went well. Before the elections, people were also afraid because of past experiences of violence during elections. But in my area, a day before, people went about their business. However, market was dull because lots of people were uncertain and didn’t want to spend much. We pray that at the end of the day, the mandate would be given to the leaders that understand the need of the people,” she said.

    Speaking to Mrs Badmus after the elections, she said, she was elated that some of those she voted for emerged winners. “I think the card reader made the election more credible. We hope they will not disappoint us,” she remarked.

     

    Centre where women received special treatment

     

    Women’s participation in political processes, gender experts say, is of strategic importance, not only for women’s empowerment, but because it has wider benefits and impacts. In a joint agreement, the men and the INEC officials of Ward 004 on Mojisola Street in Ifako-Ijaye allowed women to be accredited and vote without having to join the long queue during the elections, it was learnt.

    Describing the gesture as “strategic”, Mrs Badmus observed: “I did not spend more than 10 minutes during my accreditation. Our men understand the importance of women in an election process and nation-building. Our role doesn’t only stop in making sure our families are properly taken care of, we must join hands to make our country better for our children’s sake.”

    On Mrs Ayeni’s part, it showed that “Nigeria is moving forward”. “The work of women, mothers, is never done. The centre made it very easy for us, women. They eased our work a lot. As I came to the centre, I was told to go to the front of the line that women have been given special privilege today to do their accreditation and vote. We are grateful to the men in this area for such initiative; the gesture encouraged lots of women to come out as you can see today. We were able to quickly return to children, and prepare food for our husbands, who may not be returning home until after the election in the evening. Others should learn from this example,” she said.

     

    Big Show’s corner

     

    Big Show as she is known in the area perhaps, because of her size, had a different story. Located in front of a light brown three-storey building, Big Show’s open-air eating spot, Tummy’s Corner, served as relief spot for voters, who arrived early to perform their civic duties. Although that is her usual spot on other days, with a polling booth about 10 metres away, the elections gave it a renewed relevance. She is one of many business-savvy folks, especially women, who used the period to make some quick money. So, while the country gained a new government, they also prospered in business.

    Queuing up to vote under the scourging sun can be dehydrating and energy-sapping. Tummy’s Corner, specialising in boiled noodles, came as a relief from such hunger and thirst. Depending on each customer’s needs and for the right price, she provided quick noodle snack garnished with fried egg or boiled one.

    But providing food for customers was not the only item on Big Show’s list that morning. “I have my PVC. I am also here to vote. I have already been accredited and would vote later. I just felt that if nothing is done to help the situation, our people would be very hungry today. Some have left their homes – from far away Lekki – early to come here to vote and would not be returning until evening. That is why I chosen to provide food,” she said.

    One of her customers, Mr Yemi Fashiku, in his 30s, came from Lekki that morning to vote. He said: “Thank God for her O. I had registered here, but relocated to Lekki. So, by 6am I left Lekki to come here to vote. The men in this area believe women have a great role to play in election. I praise INEC for the card readers. It is better, safer, easier and gives no room for rigging. But in the future INEC should ensure that no matter where we register, we can vote anywhere in the country as long as we have our PVCs.”

    “Big Show is helping to provide for the community. My sister, where would we have gone to find food today? And a lot of us came from very far away. I have come from Obawole far away since morning. Now it is about noon. In fact, she should be praised for helping the election process go smoothly,” Sunday Anibire said.

    This reporter was unable to engage women from other polling centres in the area because her election monitoring programme was cut short due to a police arrest.

     

    Words of experts

     

    The elections have ended with a record of progresses made since 2011. However, experts say, more needs to be done by INEC and the government to increase the percentage of women registering to vote. They advised that the newly elected administration should pay attention to the assertions of the GIN report. Although published in 2012, they say, it remains apt and valid to achieving gender parity in all spheres of the nationhood.

    With 49 per cent of Nigeria’s population as female (about 80.2 million girls and women), the report argues that “any discussion about Nigeria’s future must necessarily entail consideration of girls and women, the role they play and the barriers they face in making the future”. It suggests further that “a rethink is required with a two-pronged approach which should combine building the capacity of women candidates and reform of the general political environment (violence, corruption, registration conditions)”.

     

  • Support creative industry, artistes urge Buhari

    Support creative industry, artistes urge Buhari

    Secretary-General, Pan African Writers Association (PAWA) Prof Atukwei Okai has hailed Nigerians for the successful conduct of the elections.

    In a statement, the association said: “We congratulate Nigerians and take the opportunity to welcome the President-elect of this great African nation, Gen. Muhammadu Buhari. It is our fervent hope that the Nigerian shining example will inspire and inform Africa’s political governance, and promote the creation of peaceful conditions that would unleash upon the world the bottle-up transformative potential as well as the legendary creative genius of the African people.”

    President, Association of Nigerian Authors (ANA), Prof. Remi Raji-Oyelade, said  with  Buhari’s victory, it is ‘our belief that more focus shall be given to the development of the creative industry, particularly the official and corporate support of the literary enterprise, including the author, the book and the culture of reading.’

    Africa’s largest writers’ body congratulated the President-elect, Muhammadu Buhari, on his success at the just concluded presidential elections.

    “We hold that the civilisation of national development is only attainable with the actualisation of policies which emphasise and fund the sustenance of education, culture and the arts. As a body, we pledge to contribute in strategic ways towards the achievement of greater progress for our literature and our nation…

    “We followed the campaign trails of both major candidates – incumbent President Goodluck Jonathan and General Buhari with objective detachment, and impartial involvement and prayers for the overall survival of the Nigerian nation. The contest, the eventual victory, and the post-election engagement are clearly instructive and symbolic of a nation that has truly arrived at the junction of change,” he added.

    Former Vice President of ANA, Prof May Ifeoma Nwoye said it is hoped that the new administration would seek to promotean environment that nurtures writing, reading, publishing and promotion of Nigerian writers in particular and Africa in general.

    Mrs Nwoye, who was Bursar of the University of Benin (UNIBEN)  said: “Under this obligation, we look forward  to having a leader that can develop programmes that will boost and support writing and publishing in Nigeria, through creative writing and editorial skills development workshops, internships, conferences and mentorship programmes; organise creative writing workshops; editorial skills development workshops aimed at equipping book editors and proofreaders with practical editorial and publishing skills; online mentoring scheme; website/blog and digital writing- a platform for African writers to interact, share information and other resources on writing and other literary activities; share literary news, announcements and commission articles on book reviews.”

    Former chairman Society of Nigerian Artists (Lagos State Chapter) Mr Olu Ajayi urged the incoming administration to as a matter of urgency address the culture sector especially in the areas of facilities, seed grant for artists and creation of Artists’ District to boost creativity.

    Chairman/CEO, Literamed Publications (Nig) Ltd, Olayinka Lawal-Solarin,  observed that the incoming government has plenty to do to correct the ills, especially the fall in standard of education, noting that past administrations, whether military or civilian didn’t pay enough attention to education.

    “There is a National Book Policy that nobody is paying attention to. I have written a lot about it and nobody is listening. I said “if we don’t get things right this time as we have not done in the last 40 years, we may continue to grope in the dark and breed more illiterates,” she added.

    Founder Thespian Family Theatre (TFT) Productions, Mrs Ayodele Jaiyesimi said Nigeria is blessed with many resources, noting that it is painful to see such a blessed country living in poverty and corruption.

    According to her lots of people are not even expecting; they are just living everyday as they come.

    “We hope to see a leader who understands what leadership is all about, leaders who are purpose-driven, selfless and have a burning passion to take Nigeria to where we ought to be as a nation such that our educational system and industries can work again; unemployment can be reduced,” she added.