Category: Life – The Midweek Magazine

  • ANA Lagos holds monthly reading

    The Association of Nigerian Authors (ANA) has held its monthly reading at the senior staff club, University of Lagos.

    The programme featured resolution of new policies, issues facing the association and profering solution and reading from different books by different authors.

    Femi Onileagbon, ANA, Lagos Chairman enjoined the members of the association to endeavour to study the constitution of the association, noting that for any organisation to function well, the constitution must be studied and understood.

    “It is high time we took this association more seriously. Things get done easily when you look at it dispassionately. ANA should not be run based on the whims and caprices of anyone”

    Besides, the writers discussed  was the “purported suspension of the General Secretary, in person of Tanko Okodua.

    In response, Tanko said that, “an individual cannot be bigger than the larger society. I was trained to be truthful and respectful. Integrity is a price that I have placed on myself and I will not sell it cheap. Since this matter began, I have apologized to the Congress.”

    This month reading was done from different books which were basically centered on prose and poetry. Femi Onileagbon read a poem titled Battles; Yemi Adebiyi read from a book, which encouraged young girls in secondary school to hold on to their virginity; Margaret Iragbo chose a poem named, “Golden Jubilee and True Independence”; Vincent Ikedinachi delivered a beautiful rendition of a poem titled This World My Hope authored by Femi Onileagbon; Ngwuli Oliver read from his book, The Naughty Sheep; Daggar Tolar read a poem titled, How the world gave us prison while Tanko Okodua read a lengthy poem titled An Island of Self.

    A major highlight of the reading was an acted out scene from Olatunbosun Taofeek’s yet to be published book, Mr. Grammar which he did with Iquo Eke. It illustrated how security workers in the country adopt an indifferent attitude towards the discharge of their duty.

    Subsequently the books and poems read were also criticized by the writers and different modern methods of writing were suggested in order to create a more creative and well-written books or poem.

    Onileagbon also unleashed proposed plan of organizing a play-reading workshop within the next four to five months. He explained that, “this will further enable a professional touch to the readings, and it will also help us to have a better and more interesting reading.”

    Conversely, another matter of discourse at the meeting was the release of the names of people in the Local Organizing Committee. It included distinguished individuals from different fields of human endeavour. It comprised names of journalists, writers, activists, poets among others.

    The names included; Chairman Editorial Board, the Nation newspaper, Sam Omatseye; Writer and lecturer, Prof Akachi Ezeigbo, a Medical doctor, Dr. Tolu Ajayi, Mrs Iquo Eke, activist and environmentalist, Mrs Sola Alamutu; Writer and poet, Austin Njokwu, A.J. Daggar Tolar, Dr. Arnold Ndoka, Akin Adeoya, Yemi Adebiyi, Oluwakemi Omoyare, Chukwuyere Chukwu, Adetokunbo Pierse, Chief Larry Williams, Nike Adesuyi Ojeikere among others.

  • Catching them young

    The 7th edition of the Children’s Art Competition/exhibition, organised by the King’s Children’s Foundation was held recently at the Terra Kulture, Victoria Island Lagos.

    The competition was set up in 2008 to encourage children gifted in Fine Arts.

    The theme of this year was Nigeria at 100.  The event drew pupils from primary schools across Lagos State. They included Indian Language School, Word of Power; Lagoon School, King’s School, Topgrade; Reagan Memorial Baptist; Avesina International School; Supreme Education Foundation; Regency College; Lagoon College and Amvil schools.

    This year’s edition was organised by King’s Children Foundation in conjunction with the National Gallery of Art. The judges were Mr Folusho Ajanaku; Mr Isreal Benamaisia; Mr John Igwatu and Mr Anointing Aminu.

    Director of the foundation, Mrs Victoria Tandoh, said that in the past such competitions were mostly held for adults and secondary school students. This, she said informed  the initiation of the competition to provide a unique way for the children to express themselves.

    “This is a platform that will allow them experiment with texture and colour shades. Their skills too will come to play,” she added.

    Head of Planning, Lagos State Ministry of Youth, Sports and Social Development, Mrs Shade Lawal, urged the  participants to see arts as life which is interpreted differently by different individuals and as a means of uplifting the inner minds. She noted that numerous opportunities abound in the world of art.

    “Dream of good dreams and begin to aspire for greater heights. Numerous opportunities abound in the industry because your parents have given you all it takes to excel.”

    Mr Ajanaku said the National Gallery of Art shares in the vision of Kings Foundation, thus the partnership. He noted that it is the concern of the foundation to see the growth of the young ones, just like great men of arts began in such fashion.

    He also explained that just as art encompasses every facet of life, those who ventured into the  profession don’t look for jobs as it is something one can begin alone. To him, the destinies of the young ones begin in such fashion.

    Among guests was a Magistrate of the Lagos State High Court Hon Funmi Demi-Ajayi, who recalled that such event reminded her of her childhood when she once ventured into the world of paintings.

    The Magistrate who applauded the talents and gift of the pupils, urged them to use such talents properly. Not only are the exhibits pleasing to the eye, they are of international standard .

    Principal of Redeemers Secondary School Mrs Olatundun Adetoye said God endowed people in different ways and it is the ability to use it wisely that sets one apart. she described art works as a means of expressing emotions and feelings, a feature that has been before the time of Jesus, where people sculpture using woods, iron and stone.

    She observed that the rich these days now store their wealth in form of artworks, which is the beginning of something big to come.

    “You will not only enjoy yourself doing what you love, it will be a source of wealth. We parents often emphasis academics more than arts, forgetting that it can also be a source of livelihood,” Mrs Adetoye added.

    The principal urged the students not to look down on whatever they do no matter how little, but rather take their God given talent to greater heights.

    The winning painting for the competition that was held in 2010 was displayed in the museum in England to commemorate Nigeria at 50. There will be a grand exhibition of the winning works in December, where they will be put on sale.

  • Soyinka at 80: I am going  to celebrate in the forest

    Soyinka at 80: I am going to celebrate in the forest

    There was poetry. There was music. There were tributes, reflections and speeches on the state of the country. The grand finale of the Wole Soyinka Prize for Literature drew the literati to the prestigious Civic Centre on Victoria Island, Lagos. It was also a night of revelations – Soyinka announced where he would celebrate his 80th birthday. Evelyn Osagie writes.

     

    Prof Wole Soyinka will be 80 on Sunday. Ever wondered where the Nobel laureate would be celebrating this year’s birthday?

    “I am going into the forest to celebrate my birthday. I invite you all. But bring your own weapons, because most of them are in the wrong hands,” Soyinka told guests at the grand finale of the Wole Soyinka Prize for Literature held at the Civic Centre, Lagos.

    The event drew eminent personalities, particularly from the academia, the literati and the theatre. They include renowned playwright and poet, Prof John Pepper Clark; former presidents of the Association of Nigerian Authors (ANA), Prof Femi Osofisan, Prof Olu Obafemi, who is one of the prize’s judges and ace poet Odia Ofeimun; Prof Akin Oyebode, who gave the keynote address; University of Lagos (UNILAG) Deputy Vice-Chancellor (Management Services), Prof Duro Oni; Founding President, WRITA, Mrs Mobolaji Adenubi and Prof Akachi Adimora-Ezeigbo.

    Others were Rivers State Governor Rotimi Chibuike Amaechi; Delta State Commissioner for Information and Strategy, Richard Mofe Damijo and human rights activist, Mr Femi Falana.

    This year’s prize was dedicated to the drama genre. And it was no surprise that the Lumina Foundation, organisers of the prize which seeks to promote excellence in the literary arts on the continent, chose to hold the event eight days to Soyinka’s birthday.

    In fact, it was deliberate, and the Nobel laureate knew. “This is not when they run their show but they meant to bring it around Wole Soyinka’s birthday,” he said.

    And as in most events featuring the eminent scholar, what was meant to be a night announcing the winner for the fifth edition  of the prize turned out to be one of revelations, reflections and well-crafted speeches on the state of the country, in addition to accolades, poetry by Crown Troupe and Dr Promise  Ogochukwu as well as music by the Steve Rhodes Orchestra and Glo ambassador, Bez.

    No doubt, the state of the nation has remained a topical issue in the public space and at intellectual  events. This event was no different.

    Indeed, if it were to be a dramatic piece where naming of the title were open to the audience, given the speeches of Soyinka, Prof Oyebode and  Governor Amaechi, guests would have forenamed the script; “Our Military has Gone Mad Again”; “Stop bullying us”; “Role of the Military in Nigeria’s underdevelopment”; and “The Travail of Nigerians in recent times”. “The Constitution has outlived its usefulness”; or perhaps “The National CONFAB: Nigeria’s last stop before final descent into anarchy”, and not forgetting “My Only regrets as Soyinka turns 80”.

     

    Soyinka’s argument

     

    The Nobel laureate condemned the killing of Youth Corps members after the last Presidential election, expressing regrets over the Chibok girls, adding that the older generation has failed the present. He also spoke against the burning of BRT buses and public harassment by soldiers in Lagos last Friday. He described the soldiers’ action as an act of “madness”, likening the pandemonium that ensued after the death of an army officer in an accident involving a BRT bus, to the late playwright Ola Rotimi’s play, entitled: Our Husband has Gone Mad Again.

    “When Oyebode catalogued some of the woes of this nation, I think he forgot one item. Our lives are exposed to political hazards as listed by him but he forgot one of them, and that is the military. Our military have gone mad! How many people die every day in this nation? How many citizens have we lost because of the lunacy of Boko Haram? We haven’t gone in the streets, burning down buses, terrorising the populace simply because we’ve lost one of us. Go and study how the military behaves in other societies and stop bullying us. What makes you different from the ordinary people: because you carry guns?”

    While noting the efforts of the military in fighting the Boko Haram insurgency, Soyinka, however, demanded that the culprits in the Lagos incident be brought to book.

    He said: “I have been in support of the indomitable role the military have been playing in the fight against the most horrendous menace that has besieged our existence in this country. But when they turn around, simply because of one of them accidentally killed on the road, I now consider these, as allies of Boko Haram. And so, I demand of the Commander-in-Chief himself, we want an example made. Somebody somewhere is guilty for this assault on our security.  We take enough every day…we take enough!”

     

    Oyebode’s musings on the nation

     

    From how Nigeria came into its present state to the consequence of military intrusion into its political space, which he referred to as “the years of the locust”, to the need for a new constitution that would “capture the spirit of the age” and the responsibilities of leaders and the led, Prof Oyebode called for a complete overhaul of the system.

    While urging the government to take drastic proactive steps and establish legal frameworks that would curb corruption, insurgencies and kidnappings, the scholar said salvaging the country from descent depended on all. He described the on-going National Conference (CONFAB) as Nigeria’s last resort from anarchy.

    “There is a universal consensus that things cannot continue the way they have been. With an enlightened and forward-looking leadership in place to formulate policies and ensure the implementation of same, the overall progress and development of society is guaranteed. Also, the quality distinguishing dictatorship from democracy is the ability of the populace to reject all mouth-teasers of public office holders and insist on full compliance with due process. People must constantly keep the leaders on their toes; and ensure that laws and due process, accountability, transparency and good governance are strictly observed in the polity.”

     

    Amaechi’s regret

     

    Eulogising Soyinka, Amaechi described him as “man of great policy”. As he marks his 80th birthday, Amaechi said: “I have only one regret and it derives from the fact that while we all know you’re a connoisseur of wines, I do not drink alcohol – in whatever form. And, therefore, I cannot even drink to toast to your good health. But I give you my word, sir, that when next you go hunting for wildlife, I will accompany you. I salute you sir and wish you well and a happy birthday in advance!”

     

    Adenuga’s words

     

    In his goodwill message read by Globacom Head of Corporate Sales, Kamaldeen Shonibare, Globacom Chairman Dr Mike Adenuga, said Soyinka’s contribution to the development of Literature in the continent serves as inspiration to all, including the brand. “As a teacher, role model, social activist and advocate, Soyinka has directly impacted millions of lives on the continent of Africa and beyond. We are deeply honoured to be part of a project like this, which celebrates this living legend and seeks to encourage the coming generation to aspire to attain such academic excellence in the literary world,” Adenuga said.

    The prize is sponsored by Globacom along with Macmillan Nigeria Publishers Limited, SAPETRO, among others.

     

    And the winner emerges…

     

    And like a dramatic piece, the foregoing scenes at the grand finale added to the suspense of the air as guests waited patiently for the announcement of the eventual winner. But that part of the script came towards the end of the event.

    After months of rigorous assessment by the five-man panel, Obafemi announced former Association of Nigerian Authors (ANA), Oyo State Branch Chairman, Mr Akin Bello winner of the prize. He was crowned by Soyinka, assisted by the organisers, Governor Amaechi and Globacom Head of GloWorld, Titi Ebinisi.

    His work beat those of Othuke Ominiabohs, Toyin Abiodun and 160 others to the $20,000 prize money and the prestigious trophy made up of a matchet handle with a pen as its blade, resting on a scroll.

    And in waiting for the announcement, joyous Bello said: “It was more of a wait and see game: while waiting for the announcement, I had said may the best entry win!”

    Winning the prize, he said “felt great!”

    “Next to being published, recognition brings joy and buoys up one’s confidence as a writer. At my being nominated people’s reception to the book changed: it’s heartening that people are noticing and talking about the book again. Now as winner, I can only imagine what is to come,” he said.

    Other guests in attendance were ace actresses Taiwo Ajai-Lycett and Abiola Atanda; members of the Lumina Foundation  board, Mrs Francesca Emanuel (Chairperson); Lumina Foundation Founder, Dr Ogochukwu, Dr Yemi Ogunbiyi; Mr Akin Ajayi; Mrs Oyebola Adetola; Mr Jahman Anikulapo formerly of The Guardian and Mr Toyin Akinosho of CORA, among others.

  • ‘The Ado Bayero I knew’

    ‘The Ado Bayero I knew’

    In this tribute, renowned environmentalist Chief Newton Jibunoh relives his friendship with the late Emir of Kano, Alhaji Ado Bayero

    It was Kenneth Blanchard that said “The key to successful leadership today is influence not authority”. This statement depicts the person of  the late Emir of Kano, Alhaji Dr Ado Bayero, who successfully ruled his subjects for 50 years but whose reign unfortunately ended in the early hours of June 6, 2014 after his recent return from an overseas medical trip. He led with influence, he was a propagator of peace, an ambassador of goodwill and a leader full of wisdom.

    I have numerous fond thoughts and memories about the person of His Royal Highness The Emir of Kano.  I will attempt to share some.

    I first came into contact with him when I returned from my expedition across the Sahara Desert in 1967. He was very interested in knowing why I would venture into a risky sojourn like that and I could see his curiosity was heightened by his own desire for adventure.  I would later on get to know that he was passionate about the impact the encroaching Sahara Desert was having on his constituents. He went on to ask to go with me when next I was embarking on another trip across the Sahara Desert which unfortunately did not materialise until over 30 years after. That marked the beginning of our close friendship, which has spanned over 40 years.

    A true leader to his subjects, HRH Emir of Kano stood by me when I started campaigning about the dangers of the encroaching desert in Northern Nigeria. His support for my cause for a better environment proved to be invaluable especially with the establishment of Fight Against Desert Encroachment (FADE) in May 2000. Our pilot project was flagged off in Makoda town located in the Makoda/Danbatta Local Government Area in Kano under the chairmanship of His Royal Highness.He was extremely supportive from the beginning and was present not only at the unveiling ceremony but also at subsequent tree planting secondary schools’ competition ceremonies that FADE holds biennially. He has been gracious enough to allow these ceremonies take place within the Emirate Palace and had personally handed out prizes to students from winning schools. He was to his death, the Chairman of FADE, a position he held from inception.

    I recall we travelled together on a number of environmental Summits worldwide such as to the World Summit on Sustainable Development in South Africa, the Festival of the People of the Desert in Algeria and another in Dubai.

    A lover of peace and huge promoter of Arts, he was present at the official opening of DIDI Museum in Lagos in May 1983 and DIDI Museum Skills Acquisition Centre in Akwukwu-Igbo, Delta State in 2008 and also attended a number of exhibitions in DIDI Museum Lagos. He later became the Chairman Board of Trustees for DIDI Museum. He recently sent his brother, Tafindan Kano AlhajiTijani, who unfortunately passed on this year, to represent him at the unveiling of the new DIDI Museum in July 2012.

    When I decided to host an exhibition to celebrate “The Masters of Arts” that had passed on, he agreed to host the exhibition which was to be tagged “How Legends are made”. In his usual jovial self, he told me a joke of how ancient legends were made. He recalled one night roughly at about 2 a.m, he was unable to sleep and decided to walk out to his balcony and enjoy the view of the stars. This was shortly after the annual festivities and the palace had just received scores of bags of rice as gifts which were inside the courtyard. Out of the dark came one of his most senior security guards who snuck in to steal not one but a number of the bags of rice while checking to be sure he was not seen. Unknown to him, His Royal Highness could see him from his vantage position at the balcony and even saw his cap fall down. Commotion broke loose the following morning when palace guards noticed that there were missing bags of rice. The voice of this security guard was the loudest calling out on knowing who the thief was. The Emir in his usual demeanour calmly told everyone gathered that he knew what happened the previous night before going ahead to narrate what transpired without mentioning who was responsible. The culprit’s voice defensively rang out shrilly saying “Our Emir is a god, even when he is asleep, he sees everything that goes on” because he assumed the Emir could only have known what transpired that night because of his supernatural powers. That to him exemplified how Legends were made. His Royal Highness was gracious enough to keep him in his employ.

    Despite his position, he respected me as a friend. I recall during President Shagari’s era, sometime in the early 1980’s when the Emir was the Chairman of Foundation Construction (now Costain West Africa) and I was the Managing Director. He arrived at the Lagos airport to attend our quarterly board meeting and I went to the airport to receive him with the usual escorts and was even able to get the escorts to the tarmac, to wait for him at the foot of the arriving plane. About the same time, President Shagari was traveling out of the country and immediately most of the ministers that came to see off Shagari, when they heard the Emir was arriving, about seven of them trooped down with me to receive him particularly those from Northern Nigeria. Unfortunately in their excited state, I was pushed back till I found myself being the last person in the group of eight! As soon as he alighted, he offered his hand the way he normally does. Practically all of them who lined up ahead of me refused to shake him in reverence to his position but when he got to me I also decidednot to shake his hand but instead,he grabbed my hand from my chest where I had placed it with a firm grip and shook it. That was the kind of affirmation he gave friends and that act touched me.

    Despite his busy schedule, whenever he was in Lagos, he would pay me a visit at some of the project sites where I was responsible for the foundation works such as the Federal Palace Hotel Ikoyi, Eko Bridge and National Theatre, Iganmu. A dear friend, he has stayed in my houses both in Lagos and Akwukwu-Igbo on a number of occasions and it was always a delight to host him. He was diligent with remembering the names of all my children and always asked after them whenever he was in Europe and America.

    I also remember when I decided to build a mosque for the Muslims in my community. The nearest mosque was in Issele-uku and when my security guard had an accident while going to observe the Friday Jumat, upon his recovery I decided to help them build a mosque that could cater for the immediate locality. To avoid grieving anyone morally, I paid the Emir a visit to enquire if it was acceptable for a non-Muslim to build a Mosque. Then he told me of Prophet Mohammed’s commission that the three things a man could do to enter paradise were namely to plant economic trees, provide water for the masses and finally build a place of worship for his followers. He said I was already doing the first two due to my environmental projects and the building of the mosque meant I qualified on all three counts. He later on went on to assist financially, physically and morally and it is interesting to note that the mosque is the only well-structured mosque in that vicinity till date.

    He was a strong promoter of national peace, developmental growth for his people and a strong advocate for environmental causes and women empowerment.

    My friend, my brother, an endearing philanthropist, a quintessential gentleman, a pacifier, a bridge builder and a wonderful diplomat, he was His Royal Highness Emir of Kano, Alhaji (Dr.) Ado Bayero.

    We pray that God gives the Ado Bayero family, Kano Emirate Council and the entire country the grace and fortitude to bear the loss. In a country bereft of moderate and genuinely socially accommodating monarchs, he was such a refreshing, peace-loving, approachable and extraordinary ruler and he will be sorely missed.

  • Martyrs  of democracy

    Martyrs of democracy

    Hafsat: This is not the Nigeria my parents died for

    Abdul: The money you steal will mean nothing if Nigeria breaks up

    Like their parents, Mrs Hafsat Abiola-Costello and her brother Abdul are rights activists. Years after the death of their parents – Alhaji Moshood And Alhaja Kudirat Abiola – they are keeping their legacies alive. The Kudirat Initiative for Democracy (KIND) seeks to strengthen civil society and promote democracy. In this chat with Evelyn Osagie, they speak on their parents’ legacies and national issues. 

     

    What is the lesson behind your parents’ legacy?

    Hafsat: It urges us to be a voice of courage and of hope for Nigerian people. We should show others the way; and be like a candle in the darkness. And by our own examples the government would be awaken to its responsibilities. They cannot be so far from the dangers pointing fingers, casting blames. Nobody is interested in blames; we are interested in solutions. We know that the problems in Nigeria were not created by this administration but so long as this administration is governing Nigeria now, we expect it to solve the problems. And to show that that is why they are here; not giving us explanations why they cannot.

    As we remember our parents’ sacrifice, we say to the Nigerian government that people laid down their lives: not just Kudirat, not just MKO, but hundreds of Nigerians. And if we count the thousands of Nigerians who die daily because the country has not been working, it would  be a million. How many died in Libya because they were running for saver pastures when the insurgency occurred. How many have died trying to cross to North Africa to go to Europe and in the waters of the Mediterranean on their way in search of better life. If we think of all these Nigerians, in this anniversary, let us commit ourselves to standing for truth and for Nigerians martyrs so that the labours of our heroes past should be in vain.

    We say their blood is calling for change and for a better Nigeria. We may be ants today but we can be giants tomorrow and it takes the decisions that we make from here on. Nobody wants to be away from his own country. If Nigeria were working, so many of our people out there would be on their way home.

    Could you recount those years of struggle after the cancellation of the June 12 election?

    I remember after my father had been jailed and was imprisoned, my mother started working to protest and be part of the movement. And at that time, one of the things she told me she had to do was go on a meeting with an elder that has since passed on, Pa Adekunle Ajasin, who was one of the leaders of NADECO. All of the activists would usually go to him faraway in Owo. And I remember that for one reason or the other there was no one to take her to one those meetings. She was alerted about the meeting at 11pm: she got in her car and drove the six hours to that meeting and I know she would have seen Dr Joe and others there that night.

    What have you done to ensure parents’ legacy is kept alive?

    I feel that we have to emulate their courage. That is the mind behind KIND, an organisation I founded in my mother’s honour and try to live in my parents’ spirit.

    For those years, Campaign for Democracy (CD), led initially by Dr Joe Okei-Odumakin and the late Dr Ransome-Kuti, has been coming for an annual pilgrimage to our house, especially my mother’s grave. I appreciate all CD members for their dedication and commitment. There are no words with which to thank them for being steadfast to my family.

    I, on behalf of the Abiola family, thank them for staying true to the values that my parents were seeking in the June 12 struggle. I also want to encourage you that you must not allow the politicians who have their own agenda to divide us as a country and as a people. MKO won that June 12 election, in large part, because of the northern people. Had he not had the northern votes, we would not have had June 12 today. And yet today, there are people that are saying that the North is against democracy and the Boko Haram issue is because the north is against a democratic government that is run by somebody from the South. Had the North been against a democratic government that is run by somebody from the South; would we have had June 12? This is because the North had most of the votes and they gave those votes to MKO in that election. Let’s not allow ourselves to be divided and distracted. The fundamental problem in Nigeria right now is poverty. MKO knew it and said in the midst of poverty all you’d have is to groom guerilla cells cross Nigeria; and it is what we are seeing today. He said this over 20 years ago and it is coming to pass.

    First, we have the militants in the South-south; and now Boko Haram in the North-east. Until we solve this problem of poverty in Nigeria, we’d continue to have this problem to deal with. Today, it is in the North-east; tomorrow it could anywhere else.

    Do your parents sacrifices hold lessons for politicians?

    Of course. When a leader says he is a leader for Nigeria, he has to decide which Nigeria is he a leader for? There are so many Nigerians and so many different kinds of Nigerians: there are those who do all kinds of cruel and evil things but you also have decent people in Nigeria. And I’d like to think that they are the majority: those who work in an honest way, doing the right thing every day, living by the rules and sacrificing themselves for a better tomorrow.

    We need our leaders to live and work and dedicate themselves to those Nigerians and not to those who would sell themselves for a pot of porridge. We want a leader that is going to lead Nigeria to greatness now. We don’t want to be second best or second class; that is not the country that Nigerians dream of and my parents gave themselves for because they really believed in the greater Nigeria –the country that all the 170 million people can get a fair share of our resources and essential services –and they died for that country. My father knew always what was at risk; and he used to say this pro-democracy struggle is like a man standing in front of a moving train. He knew that he could die, but he thought that it was better to have lived for something worthwhile than to live for nothing – is it oil wells, is it money? And then when you die, people will vilify your name. But today, he has been dead for a very long time, and he is still remembered in a way that does my family proud. My mother is still remembered in that way and so, we are very thankful.

    And I think our leaders should remember that if what they are doing is making sure a few people get private jets, that’s not the path to Nigeria’s greatness. The path to Nigeria’s greatness is when Nigeria people are building the planes that the world is buying. The path to Nigeria‘s greatness is not whether we have limousines and the latest Mercedes G-wagon and all of that nonsense. The path is when Mercedes opens a factory in many cities across Nigeria to employ our teeming youths; it is when graduates are coming out of universities and can find jobs. We don’t need our president to be a multi-billionaire; but we want Nigerians to have a decent life – to have what they need and be able to access quality healthcare.

    We need our mothers to go to hospitals when they want to have a baby and not be wondering if there is going to be light in the theatre; and if the baby is born early like my daughter was, whether there is going to be a working incubator? We need those simple questions answered before our leaders can take care of their own needs or wants because frankly, who needs a private jet? Many of the world leaders don’t even have this. So, we want our leaders to awaken to the real greatness that is possible and open to Nigeria. Also, for Nigeria to attain that greatness, they must be willing to sacrifice their own greed. Nobody is going to remember whether our president had a private jet in a hundred years from now, but they would remember that Nigerians lacked good leaders and those leaders sold our people in the way that hundreds of years ago, many of our leaders sold Nigerians and black people into slavery. We still remember that. We don’t even remember the names of those leaders and if we were to remember them, we would curse them. That is the opportunities that are before our leaders today: the opportunity for greatness and the opportunity for greed and pertinence. And we have seen enough greed and pertinence. We hope they embrace the latter now.

    But like I’ve said before, we still have new blood coming in. Even while we have so many sycophants, opportunists and people who would probably sell their own parents for money, we also have Nigerians that you could not buy for billions of Naira. You could not just buy them because they are committed to Nigeria and would not sell their countries. They are committed to not only remembering our heroes, but also dedicating themselves to living the ways our heroes did; and give themselves for Nigeria to be better.

    Two months ago, President Obasanjo recognised your father, how do you feel about it?

    If he wanted to recognise MKO Abiola now, it’s good for him but MKO Abiola was always the greater man. And you cannot recognise somebody that is more than yourself. MKO Abiola did not require General Obasanjo to recognise him, he required the Nigerian people to see his heart and they did, and that was why they rewarded him with the June 12 election, an election that was so free and fair that no Nigerian leader can claim that kind of mandate even till today.

    How would you describe the growth of democracy in Nigeria, given the fact that people like your father and mother actually stood and died for that cause?

    Abdul: The fact we still have democracy is something that we should hold up. I think if not for the death of both my parents, we would not have this democracy even at this point. The way Nigeria is now and with the problems it is facing, if there were to be a military coup, they would have a basis to form a coup. And this is a fundamental problem.

    I call on the leaders, people who have benefitted from the sacrifices that my parents made, to standup. Nigeria must be sustainable. Whatever the amount of money they have stolen or they are planning to steal would only make sense if Nigeria stays one. If they continue stealing and Nigeria should break up then the money is basically useless.

    Do you think government is doing enough to honour the memory of your parents?

    I do not think that they are doing enough, but again, it is not about them honouring my parents – they should honour the people because they are the ones that will still vote for them in 2015.

    Many remember your mother persistent and dedication towards the struggle for a better Nigeria, how would you describe her?

    Alhaja Kudirat Abiola, ahhh! She was amazing, that I can say. Although I knew when I was born that I was not just born into any regular family: we had everything we wanted, she did not ever want me to feel that way at all. As a matter of fact, she’d always ask me to go to school in a 504; and I used to always wonder “Why would Momsi always tell me to go to school in a 504 when there were many cars in front of the gate that we could easily have gone in; why do we always have to go in a car that we used to park at the back which they used it to go to the market?” But she was trying to teach me a lesson: she wanted to let us know, at that point which was a critical time for one to learn that kind of lesson, that even though one had everything, there were other people who did not have so that one was able to appreciate the fact that and at the same time, put oneself into the shoes of others.

    And I think that basic lesson should be taught to every child because I see the new crop of kids now and wonder where we are going. Because when I was growing up and my mother asked what I wanted to be: I wanted to be a soldier or a policeman. As far as I am concerned, those are jobs where you were putting your life down to serve or help other people. But now we find that is not so with the kids. I actually asked a girl what she would like to be when she grows up, and she said she wanted to be the wife of a Senator. I don’t think that is where we want our children to be right now. If she had said she wanted to be a Senator, I would have been happier. I think that my mother was a woman ahead of her time, the same way my father was. She knew the intricacies of the world we live in and how it’s an up-and-down circle. That one day you might have it all and the next, you might lose it all. So you always have to be very careful in all the decision you make because you might not be the one to face the consequences but your family. So, the decision we make and the way we bring up our children are very important.

    And so, my mother was a woman that all women should aspire to be like: she was the best that a wife and the best that a mother could be. She was always caring and always nurturing. She was a complete woman.

    How would you describe the fight she was in at the time and what is obtainable right now.

    18 years down the line, the questions to mind is that everybody accused of the crime of the murder of my mother are still out there and, basically, all of them have all been released. We have an arm of government that is supposed to take responsibilities for this sort of crimes; so I call on the Judiciary to really step-up for the common man because I do not see any true change in Nigeria.

    Comparing 1993 when the whole thing started till date, Nigeria has become worse over the years. In 1993, I could remember that a dollar to naira was 1 to 1.Nowit is one to 160, it’s ridiculous! And I don’t see how anyone is supposed to cope with this. We have a standard that says that the average Nigerian is making $2 per day, how are we supposed to survive? I have two children and I know how much I’m spending on school fees – and its kindergarten. If we continue this way, I’d get to my gate one day and the gate man would start beating me.

    18 years on, do you still miss her?

    I don’t think it is a matter of her being gone for 18 years but what we have been able to do with those 18 years. 18 years is a very long time. I remember I left Nigeria in 1996, I saw things had gone worse and I was upset because  I felt this was not what my family sacrificed so much for.

    One minute I was at the top, the next everything scattered. I felt if we all, that is all Nigerians, would benefit from this things would be okay. But unfortunately, I don’t those for whom my parents died for benefiting. And all I can do is talk and use the platform that I have to campaign for change. But what we need is for you the people to stand up and question your leaders and tell them that you are not happy. If you see them, stop them and say “our roads are not fixed”. Nobody is going to give you anything, if you don’t demand it of them.

    With my parents gone, no one would give me anything; I have to go out there and work and make things happen. Let everybody go out there and try to make things happen in their own little way.

    Could you share with us on the experience that morning your mother died and its relevance to Nigeria’s democracy?

    That day I remember that I didn’t want to go to school… I was 11-and-a-halfthen…And I remember there were so many reasons why I didn’t want to go to school. I felt something was going to happen. A couple days before the day she died, she was arrested and I didn’t see her when I got back from school. And that seemed strange because Momsi was always at home. She came back the next day and made-up a statement that something happened. But I later found out she was arrested. So that morning she died even though she had wanted me to go to school, I wasn’t particularly enthusiastic about school. I don’t know who at that age would have wanted to go to school with all that was happening then. But she wanted to make it clear to me that education is important, and that, I think, is a fundamental. The polytechnics have been on strike for over nine months. We have kids graduating without finding any job. Before you know it, things are going to implode.

    If I had gotten my way and stayed home that day, God knows what would have happened. I’m happy that she sent me to school. And even after she was gone, I knew one thing that I should be in school all the time. So I went to school; I’m through and I’m back home. I have a family now; and I’m thinking about how to sustain Nigeria because my kids are here in Nigeria – not in America or London. And I don’t want them to be in America or London. The foreigners are not going to do anything for us; we are going to be the ones to things for ourselves. I want Nigerians to look within themselves, if Abiola was once in Abeokuta and was cutting grass to go to school and now made all the money that he made to have this big house that he has in Ikeja with all the private jets, everything, then I am telling you the power is within us.

    If I was put in my father’s shoes, I don’t even know if I would have left Ogun State. So, if we think the problems of this country are too much, we are just pushing the blame on somebody else. We shouldn’t have anybody come and tell us how to take care of ourselves. We are adults, smart and intelligent. We are the giant of Africa: so, if other African countries are not calling for foreign support, I don’t see why we should and if any other African wants to call for foreign support, that support should come from Nigeria.

  • Now that  Ake Film  is done

    Now that Ake Film is done

    After about one year, the producation of Ake film has been concluded, Temitope Olorufunmi, reports.

    As work ends at the locations of the film production of Wole Soyinka’s childhood memoir Ake which has been continuously in production for about a year, the film is showing off its ‘’galaxy of stars”, its impressive show of leading Nigerian actors and actresses.

    The film’s executive producer and director Dapo Adeniyi reveals that more than 15 hours of film rushes have been shot and they will eventually be whittled down to two hours in the final cinema cut. “This is a challenge with any epic movie originating from a major literature text. There is too much content and it is difficult to leave any item out. Many viewers would love to see specific episodes in the narrative reproduced in the adaptation but the cinema  mode has its own constraint in terms of time. No one would endure more than two hours in the cinema and this is a major consideration “ he said. The film has a cast of more than 300 out of which stand out names of artists who are already famous through premium productions.

    The matron of the Nigerian English Language theatre, Mrs Taiwo Ajayi-Lycett, features as one of the outspoken Egba women in the wake of the famous Egba women’s riots of 1945. Yinka Davies, the musical icon, features as Mrs Funmilayo Ransome Kuti, Toyin Abiodun the writer and actor is Reverend I.O Ransome Kuti. A big surprise is Chief Festus Onigbinde, former national technical director and head coach of the Super Eagles, currently a top ranking Fifa official who appears in the film as Rev. J.J Ransome Kuti, father of I.O Kuti. Lanike Onimisi and Gbenga Ajiboye are Mr and Mrs Soyinka (Wole’s parents) respectively. Wale Adebayo (of the Sango fame) is spirit man while Bayo Bankole (Boy Alinco) in Papa Ajasco TV series features as Iku, the scoundrel student of Abeokuta Grammar School who led the team that stole Mrs Kuti’s fowl. Yeni Anikulapo Kuti stars as Mrs Odufuwa and Yemi Solade is Broda Pupa. Afeez Oyetoro  (Saka) is Mr Latinwo, a guest who constantly devoured the HM (Mr Soyinka’s) meals, who called regularly at lunch times. Joke Muyiwa is the old woman from Ago-owu. Bose Oladele and Mel Ogunremi are Lawanle and Mrs Buko respectively. Samsideen Adesiyan is Mr Buko among a whole host that includes the current British Council Director Alex Bratt and diplomats from the British Consulate and French schools.

    Three child actors took on the role of Wole in the ascending order of years four, six and 11. Wole at four is Fumbi Oladele, Wole at six is Mofiyinfoluwa Oladele whose part is the longest and Jedidiah Ogunremi. They are considered as very outstanding performers and their choices quite apt especially in terms of their physical resemblances to the Nobel laureate at those age grades. The director and his advisers made enormous uses of archival photographs and footages in the production preparations and design.

    According to the director,“We were attentive to the importance of physical resemblances to the actual people whose stories are told in Ake. And we were very fortunate in that we did not have to labour too much or travel too far in finding those we wanted. In one or two cases, we had to live down that factor and favour performance ability. I will cite the example of Rev. I.O Ransome Kuti. The actual  Rev Kuti was full bodied and huge but the gravitas which Abiodun brings into that role was too good to miss.

    “One other distinction of Ake production is our introduction of set replacement and set extension by means of green screening. Through the use of green screens also known as croma key, buildings can be added to a set or replaced. An automobile can run on the streets of Abeokuta and Lagos  but were actually driven at a corner of England. This is a case of what you see is not what you get. It is the world of make believe, isn’t it? When all is said and done.

    ‘’We have also deliberately privileged old architecture in this production. Many Brazilian and colonial  styled houses are bought into the feature film to celebrate aspects of our oral history that we are losing very fast.

    ‘’ It is our hope that Ake would revive our interest in pristine architecture and other monuments. The most challenging  part of the work had been to keep faith with the period that the film covers, 1935 to 1945. The changes are enormous. We are dealing with a lot of visual noises. We dealt with many in production. Post-production which would be completed in the UK will take care of the rest’’.

    Ake is planned for a very limited  VIP viewing in July 2014. The main premiere is scheduled for September. And as for its involvement with Professor Soyinka’s 80th birthday, the director says:

    ‘’Soyinka’s 80th birhday is not a matter of a few days. The celebration is already in the air and will remain in the air for some time. The film is too big and too important. It is a spectacle not only for our time but for generations to come. One of our goals is to send the readers of Ake back to the book. And we hope we will really succeed in doing that.’’

  • Literary feast for Gowon, Wood

    Literary feast for Gowon, Wood

    Sifa Asani Gowon and Molara Wood were guests at Writer Session last Friday. The event, which is a long-running literary initiative by the Abuja Writers Forum, held at Nanet Suites in Abuja’s Central District. It featured side poetry performance, a raffle-draw for books, and an exciting dose of live music.

    Sifa, a mother of two, lives in the raggedly beautiful and somewhat tortured city of Jos and spends most of her time between writing, doing wife and mommy ‘runs, and baking (for both business and pleasure). She began by writing short stories sporadically as she was growing up- nothing serious. She never had a real desire to become a writer as such. She had other dreams, other pursuits. That and the fact that before she got a laptop she was just too lazy to pick up a pan and write in a book! But then, that all changed when she turned 28 (and had a laptop) and decided to sit down and type out a short story that slowly became a book.

    Her debut novel, Playing by Her Rules, is a love story set in Nigeria that incorporates aspects of faith, humour and easy going dialogue among characters. Readers will be able to recognise the nuances in relationships between these characters as well delve into issues ranging from mixed-race identity, tense family situations and clashes of personalities and core principles.

    Sifa is currently working on short stories to be included in two anthologies (that will hopefully be published) and has just finished the first draft of the sequel to Playing by Her Rules. It is her hope that she will publish more of her work in the future.

    Molara won the inaugural John La Rose Memorial Short Story Competition, and received an award from the Commonwealth Broadcasting Association. A journalist, essayist and critic, and sometimes, a poet, she has lived and studied in Nigeria and the United Kingdom. She has lived in what she terms the 3 Ls – Lagos, London and Los Angeles – with more life spent in the first two, than the third.

    Her writings have appeared in a number of publications and for a while ran a popular literary blog. She maintained an Arts column in the Sunday Guardian; and later served as Arts and Culture Editor of NEXT Newspaper. She is currently Special Assistant to the President on Documentation.

    Indigo, her first book is a collection of short stories. From Nigeria to the Diaspora, joy, sadness, anxieties and triumphs fill the canvas with lush, vivid colours. Themes of loss and longing, past and present, home and away, mysticism and modernity, trauma and healing, truth and lies, masculinity and a woman’s place – all are deftly explored in this mesmerising, sometimes devastating collection of short stories.

     

    • Iyorngurum is General Secreatary, Abuja Writers’ Forum (AWF).

  • Homeland Memories at Temple Muse

    The beauty and synergy between architecture and fine art manifested in the collection of paintings by Onyema Offoedu-Okeke in a solo art exhibition tagged Homeland Memories. It also brought to the fore sweet memories of his roots, especially his Ibo cosmetology. The solo show featuring 25 paintings in acrylic opened recently at Temple Muse, Victoria Island, Lagos.

    The works are a spectacular body of recent works, which showcases incredible artistry of different techniques ranging from his well known rectilinear panels with vertical lines, looking like visual totems, to his powerful ‘Cranioglyph’ face series, to intricate grid-like pattern tapestroid paintings and including a few internationally celebrated ‘headload’ paintings.

    Offedu-Okeke use of color and geometric alignment and balance shows an artist who has used his training in architecture and art history to create a new, highly textured and stylistic visual language that has clear roots in African traditional forms but also offers art enthusiasts a fresh perspective on contemporary Nigerian expression.

    In Homeland Memories viewers will encounter an artist whose subjects and interpretations are both steeped in local tradition while tapping into global themes; his works are infused with rich symbols which reflect African roots and are grounded in Ibo cosmology and indentity. While his face series, influenced by classic mask-like profiles, are unmistakably modernist in their bold, colorful, wide-eyed gaze and natural afro-centric styled heads and hairdos.

    “I am inspired by the theme such as memories of histories and home, human resilience, ascendency of the subaltern, though-scrapes as mechanisms of conflict resolution which address challenges and triumphs in women societies’’, he said. Offedu-Okeke described himself as a Modernist interested in creating his own unique lexicon of symbols or iconography.

    Offoedu-Okeke’s style of building narrative based on human experiences uses the face-topography. Titled craniography, it borrows from the cultural memories of comedy theatre, artistic enunciation of beauty and reverence.

    Some of the works which will be on display include Otanjele, which indicates his excursion into the traditional corridors of artistic display to enhance his understanding of architecture. Otangle or Eye kohl as indicate a revisit to a traditional black powder used by my grandmothers as cosmetic eye-shadow.

    Another painting, Yesterday, all my troubles seem so far away recalls a classical musical line from The Beatles. Closely regarding the circle next to it, face shows reflected textures from the glittering orb, inferring telephonic gaze to the past or a recall of an experience. Also, Young blood regarding the street of Anarchy indicates how the youth act as firewood in most conflicts proposes and proposes a redemptive evaluation of youthful energy.

    Other works include Indexing a begotten, Isi anyanwu, League of Plenipotentiaries and Reverie.

    The curator Sandra Mbanefo Obiago said that after four years hiatus from the Nigerian exhibition circuit, ‘we are delighted to host Homeland Memories in which Offoedu-Okeke presents a powerful fresh body of works steeped in ancient symbolism.

    “Memories Of Homeland provides a thinker inside scenery quickly disappearing from the African heartlands. If the jungle was the protector, muse and space which held and supplied countries ideas to African artists since the creation of man, then the fate of art in the present dispensation of careless deforestation, and also using the medium to say a very thank you to the sponsor international art sponsor Ruinart,” she said. The exhibition will run till August 30 at Temple Muse, Victoria Island, Lagos

  • ‘Achebe’s, Nwapa’s, Ike’s writings inspired me’

    ‘Achebe’s, Nwapa’s, Ike’s writings inspired me’

    Award winning writer and author of Half Of A Yellow Sun, Purple Hibiscus and Americanah Chimamanda Ngozi Adichie was a guest speaker at the ceremony to mark Governor Willie Obiano’s 100 days in office at Awka, Anambra State. She spoke of good governance and her love for Igbo language and culture, which she said should be promoted at all times, reports Assistant Editor (Arts) OZOLUA UHAKHEME.

    At intervals, Chimamanda Ngozi Adichie wiped her forehead with her left hand as balls of sweat rolled down her cheeks. On her right hand was the paper she was going to present. Minutes after her citation was read by the Anambra State Commissioner for Education, Prof. Kate Azuka Omenugha, Adichie, who was key note speaker heaved a deep sigh followed by a broad smile. Her smart purple fitted gown gives her away as silhouette on the podium facing the expectant crowd.

    The main hall of the Women Development Centre, Awka, Anambra State capital, venue of the event, was filled to capacity. But, it was not very conducive for the guests because the cooling system was not effective. It was the marking of the 100 days of Governor Willie Obiano of Anambra State in office penultimate Wednesday.

    Guests at the event included Governor Obiano, his wife, top government functionaries, Anambra State Commissioner for Information, Culture and Tourism, Chief Tony Onyima, traditional rulers, party members and women leaders among others.

    For Adichie, the event offered a rare opportunity to address fundamental issues affecting her people and the state. Her presentation centered on good governance and the need to restore the rich Igbo values, especially the promotion of Ibo language at home and in the Diaspora.

    She described community life and consensus

    as two values that are common to Iboland, which are also relevant to good governance. She noted that ‘conscience and integrity are central to Igbo culture, and to any culture that has strong communitarian principles. Conscience means that we cannot think only of ourselves, that we think of a greater good, that we remain aware of ourselves as part of a larger whole.’

    She however decried the series of abuses and oppression of the common man by political office holders, especially executive governors’ convoys that use horse whip and siren to drive citizens off the road.

    She observed that for a longtime, Onitsha has been a security nightmare as travelers do not want to be in Upper Iweka in Onitsha after 6 pm because of the fear of armed robbers. “But today, because of our new governor’s initiative, people in Onitsha no longer live in fear. My sincere hope is that under the leadership of Governor Obiano Anambra State will continue its journey of progress with strides that are wide and firm and sure…I am proud of Anambra State. And if our sisters and brothers who are not from Anambra will excuse my unreasonable chauvinism, I have always found Igbo as spoken by ndi Anambra to be the most elegant form of Igbo,” she added.

    She acknowledged that ‘if Chinua Achebe and Flora Nwapa and Chukwuemeka Ike had not written the books they did, when they did, and how they did, she would perhaps not have had the emotional courage to write her own books. ‘Today, I honour them and all the other writers who came before me. I stand respectfully in their shadow. I also stand with great pride in the shadow of so many other daughters and sons of Anambra State.’

    Continuing, she said: “But the truth is that I have not always been proud of Anambra. I was ashamed when Anambra became a metaphor for poor governance, when our political culture was about malevolent shrines and kidnappings and burnt buildings, when our teachers were forced to become petty traders and our school children stayed at home, when Anambra was in such disarray that one of the world’s greatest storytellers, Chinua Achebe, raised the proverbial alarm by rejecting a national award.”

    Adichie, who described language as a wholesome way of identifying a people, stressed the need for the promotion of Ibo language noting that she loves English and Ibo languages. According to her, to deprive children of the gift of their language when they are still young enough to learn it easily is an unnecessary loss.

    “We now have grandparents who cannot talk to their grandchildren because there is a hulking, impermeable obstacle between them called language. Even when the grandparents speak English, there is often an awkwardness in their conversations with their grandchildren, because they do not have the luxury of slipping back to Igbo when they need to, because they are navigating unfamiliar spaces, because their grandchildren become virtual strangers with whom they speak in stilted prose.

  • Ilorin National Museum  is  toast of tourists

    Ilorin National Museum is toast of tourists

    t is the policy of the Federal Government to establish in each of the state capital a museum station. The museum is a visible symbol of our common cultural heritage. The laudable policy, which was initiated by the Nigerian Antiquities Commission has not yet been fully realised due to financial constraint. However, temporary arrangements have been made to bring museum facilities to many parts of the country.

    The National Museum, Ilorin, located at No. 14 Abdulkadir Road, GRA Ilorin. is one of the museums created by the former Director-General of National Commission for Museums and Monuments, the late Prof Ade Obayemi in 1988 and till today it is still waxing stronger and has indeed been a centre for education, entertainment, relaxation and enjoyment.

    It has on display archaeological, ethnographic and craft shop units. Other features include the hair-do centre, barbing salon centre and relaxation centre (museum kitchen). All these attract lot of visitors and tourists to the museum.

    A new exhibition titled: Nigerian Governments, classical Artwork and Pottery” is ongoing at the museum. Its gallery 1 exhibits Nigerian classical art pieces that include Calabar culture, Igbo-Ukwu, Owo, Ife, lower Niger Bronze (Tsoede) Esie Soap stones and Benin culture. Gallery 2 is housing a collection of a pictorial of the Nigerian government’s leaders from the pre-colonial period till the present time. Gallery 3 showcases Nigerian pottery as an ancient form of art and their uses which include domestic, ceremonial, decorative and ritual purposes. The exhibition is aimed at celebrating Nigerian cultural heritage for the promotion of peace and unity for National development.

    At the Hair-do Centre, different traditional hair styles are made for customers based on their request, these styles ranges from Suku, Suku Ologede, Ipako-elede, Koroba, Koju-soko, Konkoso, Ojo-n-peti etc with token amount charged.

    The Barbing Centre is for outsiders and as well the staff who wishes to cut their hair. Moderate amount of money is charged. The barbing shop was reconstructed with thatched roof to reflect the Hausa traditional architectural design. But the floor is well tiled.

    In the craft shop, there are various from of artworks for sale ranging from beads, candle stand, frames in different shapes, aso-oke etc all these are available at affordable prices.

    The Museum kitchen is where traditional food of different tribes is been prepared and sold  at very reasonable amount.  also drinks are available including palm wine. The kitchen has been attracting customers from all works of life.

    There is adequate parking space for visitors to park vehicles and maximum security guaranteed as here are guards that patrol from time to time. In addition, the services rendered by the National Museum Professional include, Educational, Ethnographic, Curatorial, Heritage, Archaeological and Library. Each potential professional carries out a research for publication and public consumption. Assistance is rendered to researchers such as undergraduates, tourists and other visitors from outside whenever the need arises.

    An Art club is organised by education department for children of primary and secondary schools age who are taught various form of art works to improve their creative abilities.

    Another facility rendered by Ilorin museum is the issuance of Export Permit to travellers who intend to travel out with contemporary art works from Nigeria. Ten percent of the amount is charged for rendering such service under the law of the land.

    The landscape within the premises is good and well beautified with flowers and carpet grasses. There is a roundabout that houses a town crier; decorated with horses head to show the strength of the museum.

    All these and lots more provide the visitors a pleasurable visit. In fact a visit to the National Museum Ilorin is not a visit and time wasted.

     

    •Daniel is of National Museum, Ilorin.