Category: Life – The Midweek Magazine

  • Discovering pleasure in fellowship

    Discovering pleasure in fellowship

     

    The book Pleasure in Fellowship is a fascinating narrative of the travelogue of the author to so many countries, cities, destinations and sites, enriched by analytical commentaries on many topics and subjects.

    Though a practising medical doctor, Bayo proved to be an accomplished observer and reporter of people, places in the flowing prose, while leading the reader through an adventurous journey of our world through an enlightened prism of his personal experience and feelings.

    I did not know this extraordinary dimension of Bayo Windapo’s basket of talents, though I worked with him in the Literary and Library Committee this Rotary Year where he performed excellently.

    He is able through enchanting narrative to hold you spell-bound by hand, and lead you through his passionate tours of the cities he visits, while he focuses your gaze at different sights and sounds of each environment that you will otherwise have overlooked or missed.

    Though I have visited most of the places featured in Windapo’s junket around the world, I can hardly recognise the spell and spirit he has so vividly captured in his travelogue.

    Many Rotarians, including my good self, have attended many Rotary International Conventions along with Bayo Windapo, but very few of us are blessed with the keen and detailed power of recall and narration captured in the book “Pleasure in Fellowship”. After reading this book, I began to wonder if the same places that I visited are the same locations described by this writer in this iconic book.

    This book is a great contribution to the world of international tourism and I believe many tourists and tourism organisations around the world will benefit from this colourful depiction of many historic and modern destinations.

    The centre piece of their beautiful book is focused on service above self. This essence of Rotary is vividly captured by Arthur F. Sheldon when he states that “He profits most who serves best”.

    The writer emphasises this central theme throughout the book in various forms as he regales the reader with account of Rotary interventions in the service to mankind, Polio eradication from our world being one of those initiatives by Rotary.

    Dr Windapo is the current Chairman of Rotary Wheel Schools, a project that was conceived to rid our streets of beggars, by breaking the chain of begging and poverty through education, beginning with the children of beggars who are forced to assist their parents in begging. This stewardship of his at the Rotary Wheel Schools shows great commitment in the service to mankind.

    As laudable as this programme is, it is suffering the danger of paralysis and extinction because of the shortage of funds, amongst other things, to run the schools. Surprisingly too, many Rotarians and non Rotarians are hardly aware of the existence of these schools, not to talk of knowing the challenges the schools are facing.

    For the record, there are three Rotary Wheel Schools located in Ebute-Metta, Idi-Araba and Agege run by Rotary International District 9110, which are all endangered because of paucity of funds and personnel to run the schools as required.

    The book is rich in fine, thought-provoking quotations.

    For example, he quoted copiously from mother Theresa, the saintly nun in the Slum of Calcutta, India, who posits that people should “Give until it pains”.

    He also quoted the past District Governor of Rotary District 7210, New York, USA, Roterian Mustapha, who admonishes us to commit to serve mankind, because, that is the “rent we all pay for living”.

    On education, the writer repeatedly comments thus: “Education, they say, makes a people easy to lead but difficult to drive; easy to govern but impossible to enslave”.

    From Paul Harris the father of Rotary he quotes, “the power of combined effort knows no limitations, especially when we work together.

    Dr Bayo Windapo is a scientist and practising medical practitioner, yet he exhibits vast knowledge in all areas of human affairs that typifies him as a well-read man of the world.

    He approaches even the most serious topics with wit and candour such that his advocacy for high ideals and values trenchantly rings aloud like the sermon of a preacher from the pulpit.

    Though the printing paper is not of the highest quality, the quality of the content of the book more than compensates for the low quality of the print.

    The book “Pleasure in Fellowship” is a sumptuous menu of tales, comments, reportage and analysis, spread through 160 pages of enchanting adventure written in fluid narrative.

    Through a journey of about 30 short chapters and/ or sections, the book thrills the reader with well written stories and articles on subjects such as travels and places, medicine, philosophy, Rotary service, account of the author’s stewardship as a Rotary President, politics and politicians, tributes to Icons dead or alive, world peace and understanding, and religion, I particularly enjoyed the tribute he paid to my friend and old classmate Dr.Yombo Awojobi. Dr.Windapo’s passion for service to humanity runs through the pages of the book like a flowing stream. His diction is simple and clear, even when he is discussing technical matters.

    The book is replete with deep quotations from outstanding people which he employs to support his position as if he was an advocate in the court of Law. Regular check-up and test to prevent cervical cancer in women, is treated humanely and equally humorously.

    While I highly recommend the book to readers, I will suggest some areas of improvement in the event the author chooses to reprint “Pleasure in Fellowship”. The quality of the book deserves better printing paper and editorial attention.

    I looked for the ISBN in the book and could not find it, which could mean it might not be registered in the National Library. A book of this quality should be so registered to make it accessible to all readers.

    The book could also do with a table of content, to guide the reader through the delightful maze of stories and comments.

    The different topics and sections of the book can be better categorised in editorial classification.

    The illustration on the front cover is apt and suitable, but omitted picture of a bicycle which is a symbol of his daring bicycle junkets in new terrains. The pictures in each chapter are quite appropriately good and relevant.

    In conclusion, I strongly recommend this book to all lovers of service, education, healthy living, good governance, adventure, scholarship and goodwill, whether Rotarian or non-Rotarian.

  • Love and relationship

    Love, relationship and sex, in the order of important hot topics in the minds of young people rank next to career and money. Youths feel highly misunderstood by parents, teachers, churches and society. Youths have little or no experience about life; no past and no tradition and therefore feel as free agents. They are risk takers and adventurous and like to explore and experiment.

    Bola Dada has dedicated a great portion of this book to the topic of sex the way most authors have not. Sex is the topic most churches do not like to highlight. Parents hope that their wards will not get into it early and the fear is that they may get into trouble.

    Since these issues; Love, relationship and sex are front burners of the existence of man particularly the younger generation, they dominate man’s thoughts and faculty and also represent the key topics of discussion among friends, in the media, social media and books. These issues also play a major role in many decisions and interactions with the opposite sex.

    Bola Dada, in this book, ‘Love, Relationship and Sex’ tries to explain these issues from the perspective of being a christian. In his view, pains,agonies, heart breaks, disappointments, betrayals, frustrations and losses can all be avoided if choices concerning love, relationship and sex are made under the influence of GOD.

    The book contains eight chapters. Chapter one is titled, ‘Let’s talk about Love’; chapter two talks about ‘Chastity’; chapter three is titled ‘The Sex Drive’; chapter four is titled ‘The trials, the temptation and the test’; chapter five discusses ‘Appearance’; chapter six is titled ‘Who are your friends?’; chapter seven is ‘Building a successful future’ and the last chapter is titled ‘Where are the sons and daughters’.

    The first chapter talks about love which is the greatest desire of man; to be cared for. In history, the greatest songs of all time are songs about love. William Shakespeare attained a high ground as a playwright and poet with his plays and poems on love. Romantic novels are usually best sellers and even when thrillers are about crime and adventure, the authors more often create romantic dimensions.

    Most of the movies produced all over the world are on love and when they are not, romance is still included in the plot. In musical videos, makers of music maximise sales with the creation of a form of romance with sexual appeal through dance steps and in the appearance of characters in the videos. Regardless of what is adertised; soft drinks, tissue paper, toothpaste and so on, television commercials also displays a form of love,romance and affection. So, if love is seen in all these and shown everywhere, when young persons come into the world, they like everyone else have to satisfy their love desires because it does not take much to learn from the environment.

    Therefore,the book postulates that what the world preaches in the movies,books, soap operas and songs as love is not love at all. The world teaches lust, infractuation and obsession.

    Chapter two talks about chastity. The book explains that chastity is the quality of practising sexual purity. Sexual feelings are part of what makes us human. That is why married couples can have romantic feelings. Sex, invigorates a marriage and adds zest to life and it enables a husband and wife to be truly one. So, there should be a proper outlet to build the sexual feelings and the only outlet that God recognises is marriage.

    Young individuals play around with sex in the community with reasons which the book refers to as ‘Common lies of the devil’ which are: Everyone is doing it so we should not be different.Nothing is wrong with it, boys saying that they will get married as soon as possible and many girls are falling for the line ‘I cannot help myself’, ‘If you love me, you would let me’, ‘Just this once’ and ‘If you do not let me, I will do it with someone else’.

    The author, gave reasons  why young individuals should avoid pre-marital sex. He said one may never know real love with such act, sex before marriage may affect sexual relations with one’s spouse, there is loss of dignity and self-esteem, it leaves an individual with a life-long guilt, there is loss of God’s presence, there is exposure to devil’s attacks, there is a danger of contacting sexually transmitted diseases, possibility of marrying just anybody and danger to hell fire.

    Purity on the other hand is beautiful. It means that a person has character, self respect and courage. The book encourages that individuals should always turn to God in prayer.

    Chapter three is on sex drive; a powerful force in the body of males and females which creates appetite for sex. According to the book,young individuals should not allow movies, soap operas, and commercials on television to shape their minds. It is important to understand sex drive and learn to control it before marriage. This is possible because God would not ask of it if it was not possible.

    All young people are bound to go through difficult times and face trials(betrayals and disappointments) in life. Chapter four of the book talks about ‘the trials, the temptation and the tests’. Trials can manifest in form of lack which makes concentration on important things impossible. Whatever an individual goes through in life, is nothing compared to a bright future by God.

    In Chapter five, titled ‘Appearance’, it reflects the different ways of dressing around the world that centers on multiple cultures, values and religious beliefs. Like Moses, a way of dressing may be used to identify a civilsation one belongs to and may even reveal one’s religious inclination. Dressings which reflects people’s cultural background and scriptural admonition have been done away with. Dressing seems to have gone haywire everywhere.

    In the nation’s higher institutions, most female students now dress so provocatively and this is also seen in the ‘well modernised’ Pentecostal churches. When you wear clothes that are revealing, you send wrong messages to people. The boys are not left out. The waist of their trousers are lowered and fastened tightly at the middle of the two bottom lobes to reveal their inner wears. This is known as ‘sagging’. In the aspect of bearing tattoos, he examines that throughout history, the tattoo bears the mark of paganism, demonism, baal worship, shamanism, mysticism and every other pagan beliefs known. He attributes bad dressing to poor parenting and wrong influence of the society to individuals.

    Indecent dressing is not good for a christian. It encourages rape and sexual harassment.A fine boy and girl does not need to go semi-nude or sag.

    Chapter six assists young individuals in defining friendship. A good friendship is progressive, there are quality discussions, good behaviour and advice, love, concern and understanding.

    In ‘building a successful future’ in chapter seven, the author advises as one journeys through life, one should be moving in the direction of set goals and ambition. Achieving goals will not be an easy task. An individual will go through a lot of obstacles and distractions and one could only get to the desired destination through focus, good strategies, determination, discipline and diligence.

    The last chapter titled ‘Where are the sons and daughters?’  discusses Abraham’s faith in God which is legendary and it remains a model for children of God today in putting unalloyed confidence in God. In the story of creation, God created man to be fruitful and multiply and replenish the earth. But satan ensured he scuttled the fellowship between God and man. The satan knows that God hates sin and being the great deceiver and liar, he deceives Eve and man into sin.

    One lesson to learn is that satan can go to any length just to destroy one life. If he has to kill everyone in a commercial bus, derail a train filled with passengers or sink a ‘Titanic’ just to get one soul, he will not think twice. The good news is despite the onslaught of the devil against the church, the church will continue to march on and the gate of hell can never prevail on the church. Which side are you on? The author asks readers in this last chapter.

    A new earth created by God is a place of continual fellowship with God. No more sickness, diseases, poverty, anxiety and darkness. Death will be thrown into the lake of fire and therefore, there will be no more death.

  • Writers’ residency at World Book Capital

     

    Port Harcourt is  in its third month as the United Nations Educational Scientific and Cultural Organisation (UNESCO) World Book Capital.

    With a mind of fulfilling its mandate as the World Book Capital (WBC) expressed in the winning bid, it has kicked-off several projects, such as the Reading Tree and Book Clubs, the Walking Book and National Essay competition for students in primary, secondary and tertiary institutions across Port Harcourt and the country, the Port Harcourt World Book Capital project administrators have said.

    According to them, they have started a monthly Book-of-the-Month discussions and drama performance, Books in the Air, and Library Support programmes.

    Besides these, they say, the Port Harcourt Book Festival, the Port Harcourt Book Centre, new Public libraries and the Writers in Residence projects are soon to be unveiled.

    The Writers in Residence project will bring together 12 selected writers (published and unpublished) from all over Nigeria to reside in the city of Port Harcourt for three weeks. Throughout their stay, they are expected to exchange ideas and engage in intense training sessions that will be anchored by seasoned literary professionals. They are also expected to draw inspiration and ideas for new works based on the theme of the Port Harcourt World Book Capital 2014: Books Windows to our World of Possibilities, which would then be published in an anthology.

    The residency, the WBC administrators said, is expected to foster cooperation, unity and friendship among the writers thereby encouraging national integration and promote tourist activities in Rivers State. There would be Writers’ Workshops onScript writing and fiction with Mr Chris Ihidero and Chika Unigwe.

    “The objectives of the programme include inspiring a new generation of creative writers from all over Nigeria, showing the importance of intercultural communication and exchange in order to encourage creative collaboration, raising the profile of aspiring writers participating in the programme and enhancing the exchange of ideas, skills and experience amongst the participating writers.”

    They have announced a call for interested participants who wish to part of the residency programme. “The application is open to emerging writers from all parts of Nigeria with interests in fiction and creative non-fiction. To participate, writers must be Nigerian citizens or permanent residents of Nigeria, be at least 21 years old and possess a portfolio of good quality written material.”

    Applications for the Writers in Residence programme is expected to include a statement of what the writer hopes to achieve during the residency, a detailed curriculum vitae and a 1200-1500 words excerpt from a published or unpublished work. Application forms can be downloaded from the website below:

    www.portharcourtworldbookcapital.org<http://www.portharcourtworldbookcapital.org.

    Entries should be submitted electronically to wir@portharcourtworldbookcapital.org not later than Friday, August 22. “All enquiries should be addressed to the Writers in Residence Programme Coordinator via wir@portharcourtworldbookcapital.org  or via telephone on 08023187731.

     

     

     

     

     

     

     

  • Young at Art holiday workshop is 10

    Young at Art is 10. The holiday art workshop made its debut in 2004 as a yearly event for children and young adults between the ages of four and 19.

    Young At Art Children Creative Workshop  started on August 4, 2004 at Specifics Gallery in Ikeja, Lagos, with only three participants: two boys and a girl – the children of the founder Biodun Omolayo.

    According to the organiser, this year’s anniversary will hold in the  second week of next month because most of the people involved would have been back from summer vacation. “We do not want anyone connected with Young at Art to be left out,” it was said.

    Activities marking the anniversary include Special Creative Workshop for children from selected orphanages, homes and public schools in Lagos; presentation of photo book featuring its old and new members with all the activities from inception to date; presentation of special paper on the Role Of Children Creative Education In National Development; and anniversary dinner; awards for the initiative’s facilitators, class governors, parents, supporters, sponsors and the media.

    According to Omolayo, the art initiative has grown without losing focus of the original vision of developing the creative potential of the child for future benefits of the larger society along with engaging the best human and material resources to develop a happy creative well-motivated and culturally-sound child.

    The initiative has since added other events, such as May 27 Children Day and Free Art Workshops, especially for children from public schools, orphanages and the physically challenged. In addition, the initiative provides employment opportunities for undergraduates and graduates on permanent and part time.

    Its quarterly publications Young at Art Express is distributed free to schools, colleges, organisation and missions across Nigeria.

    The initiative, an institution operating through Biodun Omolayo Art Gallery is also consultant to the British Council Lagos  It has facilitated a one week art workshops Young at Art 100 for teachers of junior and senior secondary schools sponsored by the British Council, to celebrate Nigerian centenary. “We are looking forward to having workshops in Mathematics in other to assist those children who are weak in the subject, since some of the parents complain that a lot of the children who love art seem not  good enough in Mathematics,” Omolayo discloses the future pals of the workshop.

    Part of its plan is to have our own permanent facility where the children can camp during the workshop. This will be referred to as Young at Art Village.

  • Ayo Banjo’s day of honour

    Ayo Banjo’s day of honour

    An Evening with Prof Ayo Banjo at 80. So the ceremony was called by the Nigerian Liquefied Natural Gas Ltd (NLNG). It was all to celebrate the erudite professor who joined the octogenarian club this year. It was a heart-warming moment for all as distinguished friends, colleagues, former students, family members and admirers thronged the prestigious Eko Hotel and Suites, Lagos to celebrate him with fond memories. At 80, the professor is thankful, especially for one of the lucky things in his life, reports Evelyn Osagie.

     

    As one walked into the Orchid hall of the prestigious Eko Hotel and Suites, Lagos, three professors stood talking about their former teacher – the erudite Emeritus Prof Ladipo Ayodeji Banjo, whom they had come to honour that evening. They called him “humble”, “a man of integrity who is not only tall in stature but also in wisdom and his quest for excellence” and more.

    Oblivious of their discussion, their teacher waved and smiled at them from the far end of the hall, they bowed and smiled back and added “a man of sunny smiles”to his many admirable qualities.

    “He is a good teacher and very good Christian. I am the first PhD student produced by Banjo in 1974; I was 28 years old then. He is always willing to fight for the underdog; absolutely accessible and very affable. His steadfastness and accomplishment is an inspiration to us,” said Prof Festus Adesanoye of the Department of Communication and Language Arts, University of Ibadan (UI), Oyo State.

    For the President of the Academy of Science, Prof Oyewale Tomori, Prof Banjo is his role model. “Without him most of us would not be where we are today. He is a giant on whose shoulders we stood to see further off. Prof taught me in Government College, Ughelli, in Class Four in 1961/62. He was my English teacher then; and later became my VC in 1980 when I was Head of the Department of Virology. He is very discipline. And he has not changed from the person I knew him to be back then.”

    It was no school reunion, but An Evening with Prof Ayo Banjo at 80 organised by the Nigerian Liquefied Natural Gas Ltd (NLNG). The event was a night of reflection and reminiscences in which eggheads from across the country, many, who were his former classmates and students, friends, colleagues, admirers and family gathered to celebrate him. Guests were treated to cocktail, classical music and popular highlife and Afrobeat tunes by MUSON duet and Top life Band, with poetic tributes by 2013 NLNG Prize for Literature winner, Tade Irapade, who read On Turning 80 from Derek Walcott’s collection entitled White Egrets and Tunde Onikoye.

    It was his night of glory and the professor beamed with smiles as guests took turns to share their fond memories of him. In their words, one could see a man committed to his God, family, friends and nation.

    Prof Banjo, who is  currently the chairman of the Nigerian Prize for Literature Advisory Board that is sponsored by the NLNG, is said to be a foresighted academic, administrator with over 60 years of service in the educational sector.

    “This is a day to honour a man who symbolises what Nigeria should be,” began the Managing Director, Nigerian Liquefied Natural Gas Ltd (NLNG), Mr Babs Omotowa as he welcomed the guests. “He is a man of integrity; a man that has put in so much for this country, not just in education. He was such a colossus.  Prof… tonight is your night; and we are so proud of you. You are a role model to us and we have learnt a lot from you; you have mentored us. I think you are the kind of Nigerian we need to celebrate. I join me in appreciating Prof tonight!”

    Although Prof Banjo’s birthday was initially on May 2, he and his family had planned to mark the day in the month of July. On hearing it, NLNG said, it seized the occasion to celebrate the man and his contributions to education and literature.

    If NLNG were a human, according to NLNG General Manager, External Relations, Mr Kudo Eresia-Eke, it would like to be formed with the qualities for Prof Banjo. “At NLNG, Prof Banjo shows us the way and we try to follow. We look to a new Nigeria, that is, if we were to personify our country, it would look like Ayo Banjo. He is a man of honour, who has put in so much for this country.”

    Born on 1934 into the family of late Pa. Reverend Samuel Ayodele Banjo, an educationist and teacher at St. Andrew Primary School, Oyo town, Prof Banjo hails from Ijebu-Igbo, Ogun State. Aside his academic and professional qualifications, his contributions towards the development of the sector has also earned him the several recognitions and awards such as Justice of the Peace (JP), Oyo State; Commander of the order of the Niger (CON); Nigerian National Order of Merit (NNOM); Fellow and President of the Nigeria Academy of Letters; Fellow of the Nigeria English Studies Association and Chairman, Sigma Foundation.

    Ever wondered what could be one of the lucky things in the life of an 80 year-old erudite professor? In the words of Emeritus Prof Banjo:  “One of the lucky things in my life is that I have a wonderful family and that I have a brother and a sister who are very supportive; and I couldn’t ask for a better children and the larger family – my cousins. You have seen the way they rally round me – this is how they are and I thank them from the bottom of my heart.”

    He is married to Mrs Alice Banjo, retired a matron from the University Teaching Hospital (UCH) that hails from Anambra State and their marriage is blessed with four children. Although his wife, who is presently in London, was absent, three of his children were at the event along with his junior brother, Gboyega Banjo; Mr and Mrs Babs Okuyemi and cousins. His first son, Tunde described his father, thus: “He places a lot of emphasis on excellence”. For his daughter, Ayoyinka, the fond memories of her father were those years of travelling with him.

    His close friends – Emeritus Prof John Pepper Clark; past President, Nigerian Academy of Letters, Emeritus Prof Ayo Bamgbose; Prof Ladipo Wusu; Prof Isaac Jide Desalu; the Executive Chairman, Safari Books Ltd, Chief Joop Berkhout and his son Ernest and those from Igbobi College – were also there to celebrate him.

    His close friend, Prof Ayo Bamgbose praised the celebrator’s loyalty to his friends –especially his friends from school. “He set a good example for others to follow.”

    Prof Wusu, who is a former classmate of the celebrator, said he possesses the attributes of a good leader. “I fondly call him LAB. He is very humble. He has all the attributes of a good leader – he was discipline, just like Awolowo was; focus, had vision; led by example and did that which is right. And as he grew older, those attributes matured like wine.  I thanked the Lord that he is my egbon (senior). We attended class in primary, secondary in Igbobi College – his bed was next to mine –and the University of Glasgow, Scotland.”

    UI Vice-Chancellor, Prof Isaac Adewole, referred him as “My referee”. Ajayi Crowther University VC, Prof Kolawole Jaiyeoba praised Banjo’s respect towards his younger colleagues, saying he is an astute administrator. He said: “He was VC when I joined UI and when I was VC of Ajayi Crowther University, he was Pro-Chancellor. He is patience to things grow and a fine a gentleman. He is not only tall in stature but he also tall in wisdom and quest for excellence.”

    Responding to the entire encomium showered on him, the celebrator said: “I am short of words and it is funny for somebody who has made a living out of talking. I really do not know what to say. I am really speechless to see that the little I have been able to do is being appreciated. NLNG has really surprised bowed me out tonight.” He praised the efforts of the Gas Company in promoting science and literature in the country, while calling on others to borrow a leaf from NLNG’s example.

    Also in attendance were UI Deputy Vice-Chancellor (Academic), Prof Idowu Olayinka;  a member of NLNG Prize literary committee, Prof Akachi Ezeigbo; NLNG Advisory Board member, Prof Ben Elugbe; Tade Irapade; former Presidents of the Association of Nigerian Authors (ANA), Dr Jerry Agada, who is also a member of the advisory board, and Dr Wale Okediran; CORA executives, Mr Jahman Anikulapo, who is a former student of the celebrator and Mr Toyin Akinosho; his former students: President of the Academy of Science, Prof Oyewale Tomori: Emeritus Prof Femi Osofisan; Prof Festus Adesanoye; Prof Akanji Nasiru and ace filmammaker Tunde Kelani.

  • Before The Siege

    Before The Siege

    A play written by Sam Omatseye in celebration of Nobel laureate Prof. Wole Soyinka’s 80th birthday will be staged tomorrow at MUSON Centre, Lagos. FEMI MACAULAY, a member of the Editorial Board, writes a preview of the production

    It began as a poem but became a play, by the playwright’s account.  So, it has both poetic and dramatic qualities.  The Siege, a new play by Sam Omatseye, which will premiere on July 24 at MUSON Centre, Lagos, promises the audience an intense experience of both genres, which means double edutainment. The portmanteau word is appropriate because this is a thinker’s play as well as a thinking play. It is informed by historical reality and intended to promote a fundamental socio-political understanding.

    The play’s director, Wole Oguntokun, captured the historical inspiration in an interview. He said: “Charles Gordon was a British Army General, who was in charge of Sudan, Khartoum in the 19th century. He was asked to leave Sudan by his government, which felt they couldn’t hold Khartoum anymore but he thought he could hold it for his country. So, he refused to leave. Unfortunately, he met a man who was as zealous and strong as him in the person of the Mahdi, who fought to hold his country back from the British. The play is about the siege laid on Khartoum with Gordon unwilling to give up the city. It led to the death of Gordon during the face-off between Gordon and Mahdi’s men. The play is about people who hold and believe in their own ideologies; the two men fundamentally believed in the cause they were fighting. It’s based on a true-life story.”  Still on history, the drama doesn’t end with Gordon’s defeat and includes the British reprisal attack spearheaded by Lord Kitchener.

    It is intriguing that Omatseye, who is also a poet, novelist and journalist, was captivated by this grim sequence of events that happened long ago in a distant land. Remarkably, his mind drew parallels between Sudan of past times and Nigeria of today in particular. “A historical play chides us out of our historical and anti-historical mindset. It also reminds us that we are not as far apart from our past as we think,” said Omatseye in a prefatory note. He added: “I could not have realised in the course of writing that I was influenced more by the various stories of religious angst in Nigeria in recent memory. The Boko Haram insurgency in Nigeria has brought to the open the danger of faith on both sides of the Christian and Islamic extremities.”

    Indeed, an undercurrent of religious radicalism runs through the play; and his reference to the Islamist guerilla force that has continued to terrorise the country since 2009 is instructive. However, the play’s overriding thrust embraces all philosophies of exclusion, especially what Omatseye described as “fanaticism of faith and country.”  In other words, The Siege is both literal and metaphorical. Figuratively, it is about self-promoting ideologies that deny the relevance of diversity.

    Notably, the play’s colonial setting and the implications take the issue beyond the spiritual realm and address its physical and materialist dimension. In this connection, the idea of political subjugation is spotlighted in all its intolerant glory. Omatseye referred to “zeal, powered not only by a murderous zealotry but also a fiery nationalism.”

    There is an interesting angle that the play offers as food for thought. It can be formulated as a question: What role does individual ego, or self-promotion, play in the psychology of bigotry? Or put differently: How many expressions of hostility have been triggered by personal pursuits?

    Omatseye’s script has a decidedly international colour; and it is a testimony to the impressive professionalism of Oguntokun, who has been in the theatre business for a decade and runs a company called Renegade Theatre, that the international complexion is treated with striking fidelity. To achieve a compelling interpretation, the director has four UK-based British actors in the cast, Sam Quinn, Angus Scott-Miller, John Glynn and Paul Garayo.  One of them, Quinn, is no stranger to the country and has been around twice before. He said: “Being Gordon is an interesting role to play. Colonialism is not something I’m proud of as an English person. It’s a dark chapter when you consider what happened to local people. It’s a difficult role to play being the bad guy.”

    In addition, Oguntokun said of the production, “It’s challenging because it deals with another culture, and we have to be careful that we stay true to the Sudanese culture in terms of dresses, music and mindset that existed at the time.” So, the serious issues will be spiced with spectacle, what Oguntokun called “a fusion of play and dance.”

    Without being frontally didactic, the play nevertheless drives its message home through subtleties that underline its artistic strength. Despite the dramatist’s obviously strongly felt conviction, his skillful handling of the material escapes the stamp of propaganda. Through an imaginative use of creative license, he succeeds in achieving a believable presentation of a “truthful lie”, meaning that he gives a fictional spin to history that is at once realistic and fantastic.

    Of particular significance is the drama’s contrived ending. A triumphal Kitchener, having routed the Sudanese and avenged Gordon’s death after the Mahdi’s peaceful passing, orders the desecration of the Mahdi’s resting place and demands his skull which he turns into an improvised “ink bottle.”  However, two defiant locals break into Kitchener’s office with another skull which introduces uncertainty about the Mahdi’s skull. So, in the end, it would appear that the Mahdi is unconquered, especially as Kitchener has to discard the skulls following a royal order from his homeland. The play ends on this note of open-ended interpretation.

    Essentially, The Siege, Omatseye’s debut play, is a statement on human freedom and the man-made encumbrances that often complicate its flowering. In this sense, it represents a fitting contribution to the celebration of the milestone 80th birthday of the 1986 Nobel laureate in Literature, Wole Soyinka, on July 13.  A legendary symbol of justice and freedom, he was garlanded by the Nobel Committee as a playwright and poet “who in a wide cultural perspective and with poetic overtones fashions the drama of existence.” It may be a passable hyperbole to see The Siege in this context.

  • Museum hosts Limcaf exhibition

    Museum hosts Limcaf exhibition

    The Lagos Zone Exhibition of the Life In My City Art Festival (LIMCAF) opens at the National Museum, Onikan Lagos on Saturday a t 4 pm.

    Life In My City Art Festival aims to promote art pan-Nigeria through a yearly competition that offers young people an avenue to showcase and commercialise their productions, win handsome prizes and interact with the larger art community on a national and progressively international platform.

    LIMCAF also enables young artists to  express themselves on the state of their lived environment through their art.

    According to a statement by the Executive Director of LIMCAF, Mr. Kevin Ejiofor, Prince Yemisi Shyllon, renowned art collector and the founder / proprietor and of Lagos based Omoba Yemisi Adedoyin Shyllon Art Foundation (OYASAF) will be the special guest of honour at this second Lagos Zone Exhibition.

    The exhibition is one of the eleven such exhibitions in various zones around the country including Abuja, Ibadan, Kaduna, Jos, Auchi, Enugu, Calabar, Uyo Owerri and Port Harcourt.

    The best 100 works from these zones will be selected to be part of the one week Grand Finale Exhibition at the Nike Lake Resort Hotel Enugu from Monday the 21st of October. The climax of the festival will hold on Saturday  October 25, at the same venue where the top 25 works will win prizes, including the overall winner’s prize of N500,000 cash donated by Diamond Bank PlC.

    Meanwhile, a renowned art scholar and Professor of the Department of Art & Art History, St. Lawrence University, Canton, New York Prof  Obiora Udechukwu has paid glowing tribute to the Board and Organising Committee of the Life In My City Art Festival (LIMCAF), for what he called an unprecedented innovation in the promotion of art and art appreciation in Nigeria.

    Prof. Udechukwu spoke at a reception for him by the Board of LIMCAF hosted by Elder Dr. Kalu Uke Kalu CON, former Chairman of Union Bank of Nigeria and Chairman of the Life In My City Art Festival.

    Udechukwu who is one of the founders of the once premier art association, the Aka Circle and a famed proponent of the Uli School of the University of Nigeria Nsukka, particularly commended Chief Robert Oji who single handedly gave birth to the LIMCAF initiative through his Rocana Nigeria outfit, the Alliance Francaise Network and the French Embassy in Nigeria which gave him initial support as well as Diamond Bank PLC and the various organizations and individuals who have donated prizes. Udechukwu predicted the inevitable snowballing of this project into internationally significant art event and urged the Board and Organising Committee not to relent in their efforts.

    Chairman of the Board, Elder Kalu has thankedProf  Udechukwu  for his support for LIMCAF in various ways, including pointing the Board to various special persons and organisations who have made a great deal of difference in its growth over the past eight years of the struggle to expand and sustain the development of the project.

    Elder Kalu told Prof Udechukwu that the LIMCAF Board had big dreams for the project and solicited his continued support especially in seeking sponsorship from international organizations interested in the development of contemporary art in Africa. He noted that support was growing across Nigeria with such notable organizations and individuals as Senator Ayogu Eze,  the Justice Anthony Aniagolu family in Enugu , Bisi Silva’s Centre for Contemporary Art in Lagos and Mrs Mfon Usoro among others for endowing special prizes of LIMCAF.

    Notable connoisseurs and art personalities at the occasion included Chief  Robert Oji, founder of LIMCAF, Barrister Peter Eze,  Ayo Adewunmi Head of Design at the IMT Enugu School of Fine Arts, Obiora Amidi sculptor and Chair of the Enugu State Council For Arts and Culture and Bona Ezudu  of Bona’s Gallery, Enugu and the Director Alliance Francaise, Enugu Mr. Dominique Fancelli.

  • Walker and the restitution of two Benin bronzes

    Walker and the restitution of two Benin bronzes

    Dr Peju Layiwola recalls the historic return of the stolen Benin bronzes.

    June 20, 2014 would go down in history as a memorable day for the people of Benin and advocates for the return of looted Benin artefacts taken during the infamous 1897 British expedition to Benin. About 4,000 objects were reportedly stolen from Benin by the British while some were destroyed during the imbroglio that occurred in 1897. The King of Benin, Oba Ovoranmwen was exiled to Calabar where he later died in 1914.  This important return comes on the centennial commemoration of his passing.

    I arrived at the Benin Palace at about 10am, two hours before the presentation ceremony was to begin on that fateful day. As I alighted from the car, I could hear Christian choruses blaring from the direction of the harem. It was difficult to reconcile the choruses and the shrines I just saw as I came onto the palace grounds.  There was a huge tree tied with red and white cloth with chalk configurations at the entrance to the palace. I later found out that the music was emanating from a music shop located along right behind the palace.  I had wondered- in a postmodern and postcolonial society, there could be many possibilities.  The possibility that came to my mind was stretching the imagination too far.  As is usual of large events, the palace grounds were filled with several canopies and chairs.  From the quality of chairs under a particular canopy, it was obvious where the distinguished visitors were to sit.  From afar, Segun Alile, a popular Edo musician and his band were setting up for the day. Cars were beginning to arrive. All of a sudden a black jeep arrived with armed policemen literally flying out from the doors. The car stopped close to the shelter under which the several wall plaques and cement statuary made by an Edo artist, Ovia Idah were mounted.  Very gently, a tall slim ‘Oyinbo’ man, suave and impeccably dressed in a suit alighted from the car accompanied by two other men. This was the man everyone had been waiting to see in Benin, Dr Adrian Mark Walker.

    In the past two weeks, television stations had been announcing the event of the return.  Posters of the event were pasted in front of the palace and around the central part of the city. The last time such an event had occurred in Benin was 78 years ago when the British returned the regalia of Oba Ovoranmwen to Oba Akenzua II in 1936.  There were armed police men everywhere- understandably so.  Two priceless works of art were about to be unveiled to the pubic.  It was difficult to tell if anyone had a different plan.  It was safer to have these fierce looking officers around and about to scare away kidnappers or thieves in a city where the duo gangsters, Lawrence Anini and Osunbor had held sway in the mid 1980s.

    History was about to be made again with the return of two looted Benin bronze works.  Amidst fanfare and emotionally-laden speeches by government functionaries, Edo personalities, the Oba and members of the Benin royal family, the guest was heartily welcomed. Dr Adrian Mark Walker is a grandson of Captain Herbert Sutherland Walker.  His grandfather was not primarily a fighter but was a Special Forces agent, otherwise known as a spy attached to the British Expeditionary forces that conquered Benin. On seeing the mammoth crowd that had gathered in the Benin palace he remarked to the King “I would like to stress how very honoured I feel to be invited here by you and how very humbled I am by the warmth and enthusiasm that my colleagues and I have been given.  It makes me feel that this is a very special occasion and not just for me… I was very aware of the importance of this myself but I had no idea that it would cause so much excitement.  Seeing all these proves to me that this is the right thing to do.”  He presented the king with two bronze works – a bird (Ahianmwen Oro) and a bell (Egogo) looted by his grandfather.  The works had been in the possession of the Walker family since 1897. He also donated a copy of Captain Walker’s war diary to the king. I would be discussing Adrian Mark Walker’s return in the context of contemporary Benin history as it relates to the restitution of looted Benin artefacts.  Restitution being the willful return of artefacts that have been looted, or taken by force and had been in possession of an institution, museum or  individual to the rightful owners.

    Adrian Mark Walker is the son of Richard Sutherland Walker. Captain Walker, his grandfather, was a specialist in discovering potential enemy strains and had spent many years in East Africa.  After the Benin expedition, he went off to Ghana to continue with his profession as a spy. As a young boy, Captain Walker was born and had lived in India for 35 years.  This perhaps gave him the opportunity of living with people of different classes and appreciating them for whom they were.  His own father had been a surgeon attached to the Indian army. On his return from his sojourn in Africa, Captain Walker rose to the rank of a Lieutenant Colonel and later became the Chief Constable of Worcestershire until he retired in 1902.  He died in 1934 and was buried in a churchyard at Powick, Worcestershire, UK.

    Adrian Mark Walker is a retired medical doctor.  He spent a sizeable part of his childhood in South Africa, having done his primary education in Johannesburg. After the Sharpeville Massacre, he moved over to England where he studied at Leighton Park, Quaker School in Reading and Cambridge University. He later studied medicine at the Middlesex Hospital in London after obtaining a degree in natural sciences from Cambridge.  Inspired by the earlier donation of a carved Benin six foot tall Benin Ivory tusk his grandmother, Josephine Walker, to the Jos museum, in 1957, Mark Walker believes that the two works should be returned to Benin where they are likely to be of the greatest cultural and historical significance.

    He narrates a long personal history of how he came to return the Benin objects.

    ‘These objects have come on a rather long journey.  These objects only came into my formal possession recently with the death of my mother.  I remember seeing them in my grandmother’s house 55 years ago and really coveting them.  I thought I would really be proud to own such beautiful objects.  However, as soon as they came into my possession, I realised that if they meant a lot to me because of their connection with my grandfather, they must mean a lot more to the people of the place from where they had come.  Before my mother died I took the precaution of asking her if I could take care of them… I knew that she would not consent to my returning them at that stage because she is one from a very materialist generation.  My children, on the other hand, had no such materialist ambition.  I was very pleased to be in possession of them because they reminded me of my grandparents.  But when I heard from my children that they were not interested in the stuff (objects), I knew that I had to do something to protect their future.”

    I have quoted Walker in extenso to understand and appreciate the commitment Walker has to correct the ills of the past.  Paraphrasing would lose the strength of his conviction. It becomes obvious that his urge to make peace overrode his desire to keep the Benin objects for their artistry and links to his family ties.  Furthermore,  Mark is convinced that neither his children nor himself would be adversely judged by posterity since he had done the right thing by coming to Benin to return works that were stolen 177 years ago.  He remarked ‘I will not be condemned as the grandson of a racist’. He went an extra mile to prove this by extracting excerpts from his grandfather’s diary.  Walker remarked that his grandfather was far ahead of his time in the civil manner he referred toBenin natives. Although accounts by ‘white men’ at that time used derogatory words in describing the natives, he on the contrary, had described them as gentlemen as much as his own countrymen and women and showed them milk of human kindness particularly natives at his mercy.  In welcoming Mark Walker to Benin, the Iyase of Benin, Chief Sam Igbe, remarked that by this kind gesture, he has become a friend of the city and would be welcome anytime. More importantly, he added that he was free of age-long curses the Edo people had placed on the looters.  The Oba remarked: ‘Walker would now have peace having done what is expected of him’.

     

     

     

  • ‘We’ll propagate domestic tourism through Osun Osogbo festival’

    ‘We’ll propagate domestic tourism through Osun Osogbo festival’

    For a successful outing this year,

    the Director-General of the Nigerian Tourism Development Corporation (NTDC), Mrs Sally Mbanefo has promised to join forces with the Osun Osogbo Festival Advisory Council to ensure a hitch-free festival. The NTDC boss who made the pledge during the courtesy visit of the delegation of the Ataoja of Osogbo to the Director General said that the corporation will explore the festival to further propagate the gospel of domestic tourism promotion in the country.

    “God brought me to the helms of affairs of NTDC for a purpose, to make a positive change, to reposition the Nigerian tourism industry, to make Nigeria proud in the global tourism world, to enable Nigeria and Nigerians benefit from the inestimable goodies of the money-spinning industry through creation of wealth and employment at the grassroots level. And these, by the grace of God, I will achieve,” she said.

    Interestingly, there are so much tourism potentials in the Southwest, but many of these potentials are suffering from neglect in terms of development and patronage. A case is Moremi in Ile-Ife, Osun State. There is nothing to show the inestimable work and influence of Moremi in Yorubaland. All one could see is a statue of the virtuous woman.

    “But by the grace of God, NTDC shall make a statement in this year edition of Osun Osogbo festival, exploring the opportunity of the festival to further preach the gospel of domestic tourism, which remains a viable weapon to promote tourism in Nigeria and create wealth and employment at the grassroots, to reduce urban migration, promote unity and encourage integration of culture within Nigeria,” Mbanefo said.

    She described Yoruba cultures and heritage as richest in the world, noting that Sango festival is being celebrated in 43 countries of the world. She charged the organisers of Osun Osogbo festival to ensure that it is taken to other parts of the world. Mbanefo reiterated the commitment of the corporation to develop one tourist site in each of the six geo-political zones in the country, noting that Moremi tourist centre will be developed to an international standard.

    She gave the assurance of full participation of the corporation, saying, “We are not just coming to distribute fliers and souvenirs, but we will be fully involved.”

    Mbanefo thereafter constituted a committee to ensure proper and fruitful engagement of the corporation in the festival. Chairman, Osun Osogbo Festival Advisory Council, Chief Jimoh Buraimoh, lauded the efforts of the NTDC boss at promoting domestic tourism in the country, saying that is what Osun Osogbo stands for.”We are not celebrating Osun Osogbo cultural festival for the fun of it, but to promote the Yoruba culture and heritage, and to promote tourism in the country,” Buraimoh said.

    The chairman of Osun Osogbo Festival Advisory Council expressed the council’s expectation of a better collaboration, saying, “We wanted NTDC as a twin in promoting Osun Osogbo festival. And we shall continue to improve on the planning and celebration of the festival.”The Chief Executive Officer of INFOGEM and Chief Consultant of Osun Osogbo Festival, Mr Ayo Olumoko, described the NTDC boss as a stunt advocate of domestic tourism. Olumoko noted that Osun Osogbo festival is the festival that has entered into the corporate world, unlike when it used to solely rely on the government for sponsorship. ”We want to use the opportunity the Osun Osogbo festival provides to support the domestic tourism promotion initiative of the Mbanefo led-administration,” Olumoko said.

  • A strong voice for the adolescent

    A strong voice for the adolescent

    If you think your teenager is unaware of teenage pregnancy, sexuality and HIV scourge, you will be shocked to learn what he knows when you read My Daughters and I by Ifeoma Theodore Jnr, Assistant Editor (Arts) Ozolua Uhakheme reports.

    A re you having challenges in providing relevant guidance to your children about their fears and concerns, especially the girl child? Or you are in denial habits and too busy to spend quality time with them? Then, there are two books you must read o overcome all these challenges and be a true and responsible parent.

    Last year November, social awareness consultant, Mrs Ifeoma Theodore Jnr published two books-Trapped In Oblivion and My Daughters and I as her contributions to bridge the gap between the informal and formal education of adolescents who could be misinformed by their peers. The graduate of English and Literary Studies is passionate about developing the girl-child focusing on the informal education aspect in order for her to gain confidence and grow morally.

    She is a strong voice in the most challenging race to instill core values in adolescent, particularly the girl-child. In about one year, Ifeoma who is into social awareness and counseling put all her old materials together for publishing and her husband gave the first push and read through the manuscript.

    “We need to start advocating for both formal and informal education of every child using up to date and relevant books or literature. Every parent talks about the recurring socio problems such as sex and sexuality that affect their adolescent every day.  But, no one is ready to address the roots of the challenges. In fact, no parents want to talk the issues with their children. Now is the time to give correct information. We must demystify sex for proper upbringing. So, my books will fill such gap,” she said.

    The debutant who is into architecture and interior design, finds the zeal to author the two books in her passion to read all kinds of books and publications. “All of that capability is a function of my passion for reading. Also, I think outside the box in dealing with issues and people. In fact, I query some old fashioned norms. I am inquisitive by nature, “ she added.

    With the success of the two books, she is planning to reprint more copies for readers who, she said, were touched by the content of the books, especially parents.

    On the choice of titles for the books, she said: “I felt that when I wrote about these socio issues many parents shy away from, my daughter will read it in case am no longer around. Also, every girl-child that reads is like my daughter, hence the title My daughters and I. As for Trapped in oblivion, I see everyone trapped in oblivion because parents are in denial habits. Unfortunately, most of the kids are informed but misinformed by their peers.”

    She disclosed that writing on socio issues affecting adolescent isn’t a big challenge as she interacts freely with them while feeling their pulse. According to her, she always transports herself to when she was younger in order to do the writing. “My interaction with them gives me the opportunity to balance the choice of language to convey the message,” Ifeoma said, noting that she was impressed and fulfilled by the responses from readers of the two books.

    She is however not in a hurry to write another book for now. That will only happen after she has successfully taken the books to every home.