Category: Life – The Midweek Magazine

  • Rare treasures of Nigerian heritage

    Rare treasures of Nigerian heritage

    By Uzordinma Esther C

    Nigeria is a culturally vibrant nation with diverse ethnic groups and has about 250 languages, which have been documented as being spoken. The richness of Nigeria’s present sculptural styles is rooted in ancient artistic traditions. These wonderful archaeological and ethnographical collections helped to show that there was a civilization in this country before external influences on our culture, technology and societal issues.

    Our treasure, our asset is the cultural heritage of the past inhabitants which depicts the African ideas, philosophy and psychology as an African man, Nigeria in particular. It has a great cultural heritage which shows indigenous technology of the people that produced them. For we not to lose all, Mr. K.C Murray in 1943 did what is called rescue operation by stopping illegal traffickers to stop taking away our treasure because losing it all is like a country without history and foundation. He did this by purchasing these wonderful and enduring artworks of Nigeria (old era), which is our today’s asset because it has revealed the truly frame work of Nigeria history in the world heritage map or record. For the world to see these objects, he established museums to harness, protect and create awareness of what we have for the future generations.

    NOK culture or terracotta objects was dated about 500BC – 200AD and was the earliest sculptural tradition in Sub-Sahara Africa, found at NOK, Jemma, etc. in Kaduna state in 1928 by miners. Later more collections were made by Mr. Bernard Fagg in 1944. NOK provides the earliest evidence of the molding of naturalistic work in West Africa and it shows the ideology, worries and philosophy of the people.

    Igboukwu bronze object was dated between 9th AD – 10th AD (century) and was the earliest bronze casting tradition in Sub Sahara Africa, found at the compound of three brothers in 1938 named: Igbo Jonah, Igbo Richard and Igbo Isaiah. Igbo Jonah site; which several copper alloys was uncovered at the site. Igbo Richard site; revealed the cultural way of burial rite of a chief priest in Igbo culture. Igbo Isaiah site; the objects found there suggested that it was a ritual site, in a village called Igboukwu near Akwa in Anambra state scientifically excavated by professor Thurstan Shaw and others in 1959.

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    Ife Art: was expressed in copper and copper alloy. Terracotta, stone and beads was dated between 12th – 15th centuries. Ife is a city in Osun state and a religious center of the Yoruba people. The founder named Oduduwa and was said to have sixteen children who later formed many communities at different places and Ife king was titled Ooni. Ife Art discovered by Landers, John and Richard which Leo Frobenius discovered more Ife Art in 1910. The collections were often naturalistic and probably for memorial or glorification of the past Ooni, queens and some of the attendants in the palace.

    Owo Art: Come mainly in terracotta and wood dated 15th century, according to William Fagg in 1951 and history of the people states that they migrated from Ife to Owo during the 12th century, which archaeological excavations was conducted at the site of Igbolaja near Okitisegbo in Owo revealed evidence that supports the story that they migrated from Ife and the overlay of Benin influence on Owo. (Ekpo Eyo in 1972, 1974, 1976). Owo is a city in Ondo state, located between Ife and Benin city. The Owo facial scarifications are bolder and more widely spread than that of Ife and their objects was for sacrifice/ritual probably for appeasement.

    Benin Art: was dated between 15th to 19th century and was made of Bronze, Wood, Bead and Ivory. Benin Art was popularly referred to as cult art because its highly monopolized by the king (Oba). Benin Art was used for glorification of their kings and their gods and they also use them to immortalize the dead royal ancestors and represent the history of their dynasty. Benin was a civilized city in Edo state that had contact with the Europeans and they also established trade with the Portuguese within the period 15th century.

    Esie Art: Nobody knows the origin of these images, the makers, and what has happened, it was accidentally found by a hunter named Baragbon. The sculptures show the ideology and philosophy of the people they are artistic in nature. According to scientific explanation, the soapstone figures of Esie are the largest collection of stone carvings in Sub-Sahara Africa and they are about one thousand soapstone sculptures representing human beings possibly ancestors and some are beaded, seated and wearing a great variety of headdresses and hairstyle which depicts royalty and affluence. Exhibits in Esie museum since 1945, the first museum so far. Esie town is located about 50 km South-East of Ilorin in Kwara state.

    Tada Art: Tada bronze figures are works of arts and the largest cast bronze and copper works in Sub-Sahara Africa, found in Tada, Niger state. Also, it is the most monumental bronzes in Black Africa dated 12th-16th century (AD). The origin and context of these monumental bronzes was unknown but according to oral tradition, Tsoede was the legendary founder of Nupe kingdom. It is located in the middle belt of Nigeria, in Niger state.

    Calabar Art: It was expressed in wood and terracotta with Nsibidi motifs, according to scientific research Nsibidi was the earliest indigenous writing system in old Calabar region that is still in use today by many cultures throughout the Cross River region dated between 15th and 16th AD. Nsibidi motifs include multitude of abstract of linear and curvilinear shapes such as concentric circles, spirals, stars, cruciform, zigzagging, arrow heads, etc. It was adapted by nature and was a system of recording, hiding and conveying knowledge used by members of various men’s and women’s association. Nsibidi may be drawn on human skin, painted on the walls of building, inscribed with chalk on the ground, incised on calabashes, printed on textiles such as the Ukara cloth worn by Leopard Society members (Ekpe cult). The terracotta of Calabar shows us the ideographic language and provides archaeological evidence that body decoration is indeed an ancient practice in the region. Also, it was known that if you are not a member of the society, they will not reveal or tell you the full knowledge or the meaning of the signs.

    Nsibidi was the oldest West Africa writing system dated 3,500 B.C. All these are some of the master pieces which show the ideology, cares and worries of the society that produced them and has produced the bulk of the archaeological evidence used in the reconstruction of Archaeological Framework of Nigeria.

    *Uzordinma is of the National Museum, Onikan, Lagos

  • Odi hosts Ogori Ba Uge festival

    Odi hosts Ogori Ba Uge festival

    The Odi community in Bayelsa State is gearing up for the 69th edition of its annual Odi Ogori Ba Uge Festival, scheduled to hold from July 27 to August 2, 2026. The announcement was made at a pre-festival media and marketing luncheon held in Lagos, where organisers outlined plans for an expanded celebration that will blend culture, tourism, entertainment, and heritage preservation.

    The Odi Ogori Ba Uge Festival, translated as the “Festival of Victory over a Buffalo in Odi,” commemorates the historic event of July 27, 1957, when residents united to kill a destructive buffalo that had terrorised the community. What began as a thanksgiving has grown into a major cultural carnival that attracts indigenes, tourists, and culture enthusiasts from across Nigeria and beyond.

    With an expected attendance of more than 100,000 visitors, next year’s edition will feature its signature attractions: the Boat Regatta, Love Boat cruise, War Boat display, traditional wrestling, masquerade performances, and a rich offering of Ijaw cuisine. Organisers say the 2026 celebration will emphasise spectacle, creativity, and an immersive cultural experience.

    Festival consultant, Israel Eboh, described the annual event as a vibrant showcase of the Niger Delta’s aquatic culture. He noted that elements such as the Love Boat, famous for its blend of music, dance, and culinary treats continue to draw high anticipation each year.

    He added that the War Boat display symbolises Odi’s historical strength and communal bravery, while plans are underway to expand the beachfront to accommodate a growing audience.

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    Eboh also hinted at wider global visibility for the festival through live streaming, celebrity engagements, and increased digital engagement, which he said will help amplify the festival’s message of unity and resilience.

    Director-General Nigerian Tourism Development Authority (NTDA), Olayiwola Awakan, stressed the importance of cultural preservation and tourism as key drivers of national development.

    He urged Nigerians to take ownership of their cultural narratives. “Let’s tell our story. Nobody will do it for us,” he said, encouraging stronger collaboration between public and private stakeholders to elevate festivals such as Odi’s.

    Awakan described tourism as one of the country’s most sustainable economic assets, saying it holds long-term potential for job creation and youth engagement. He called for a repackaging of the Odi festival to strengthen its appeal to younger generations.

    Chairman of the Festival Planning Committee, Ebi Udisi, described the Odi Ogori Ba Uge Festival as a people driven celebration that has endured for nearly seven decades due to communal ownership and unity of purpose.

    He explained that hosting the pre-festival engagement in Lagos was strategic, aimed at attracting corporate partners and sponsors.

    According to him, digital platforms will play a central role in widening the festival’s reach in 2026.  “We want to make it even more global. The festival tells the story of our people their resilience, their victory, and their unity,” Udisi said.

    He appealed for partnerships that will help transform the festival into a world-class tourism brand while preserving Ijaw culture for future generations.

    Beyond its cultural significance, the festival also serves as a homecoming for the Ijaw people, fostering peace, reconciliation, and economic activity within the Niger Delta. Odi’s history of resilience especially following the 1999 military invasion, adds deeper meaning to the annual celebration. Organisers say the festival’s official theme for the 2026 edition will be announced early next year.

  • Edo community sustains self-help development

    Edo community sustains self-help development

    Residents of Sobe community in Owan-West Local Government Area of Edo State, in a landmark moment of civic pride and collective aspiration recently converged to witness the groundbreaking ceremony of its N100million ultra-modern Civic Centre, an ambitious initiative positioned to redefine social engagement, cultural exchange and community development in the town.

    The event brought together community elders, development partners, stakeholders and residents in an ecstatic atmosphere that reflected both gratitude and expectation. The ceremony, which was held at St. Stephen’s School Playground, Sobe, was spiced with cultural performances by the Igoro Osi Cultural Troupe.

    His Royal Highness Anthony Ero Aleburu, the Odibiado of Sobe, commended the selfless efforts of the project committee recalling that most developmental projects in the community have been achieved through self-help championed by illustrious sons and daughters of Sobe. He cited projects such as Sobe High School, Post Office, Police Station, Town Hall and Primary Health Centre as examples. He lamented the lack of government presence in the community until its merger with Edo state in September 1991. 

    While paying tributes to some heroes of the community for their selfless services, the Odibiado assured that the Civic Centre must be a reality. “My dear people of Uhebe, let us continue with the spirit of unity of purpose in order to develop our dear community,” he urged the people. 

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    Chairman, Sobe Civic Center Initiative, Pastor Joseph Omozoje described the new civic centre as ‘more than a building, but a symbol of our shared identity,’ emphasizing that the centre will function as a nucleus for cultural preservation, economic empowerment and intergenerational connection. Anchoring his remarks on values of trust, integrity and collective responsibility, he encouraged citizens to embrace selflessness and unity, quoting inspirational figures such as Mahatma Gandhi and Nelson Mandela to affirm the transformative power of service and communal effort. He added that with faith in God and belief in their own capacity, the people of Sobe are ‘shaping their destiny and building a future that honours both their heritage and their dreams.’

    Reflecting on the resilience required to achieve this milestone, he noted that while many doubted the feasibility of such a project, the unity and determination of the community “moved mountains,” paving the way to this historic beginning.

    “As we take this momentous step forward, let us inspire one another to actively participate in nation-building and development. Each of us has a role to play, and every contribution, no matter how small, counts. Let us be the change we wish to see in our community, embodying the values of service, compassion, and dedication.

    This Civic Center represents far more than bricks and mortar. It embodies our collective vision for a prosperous Sobe where our children and future generations will thrive. As we break ground today, we are planting seeds that will blossom into a hub of cultural exchange, education, economic empowerment, and social cohesion,” he added.

    Continuing, he said: “Let me speak directly to the significance of what we are building together. This center will serve as a sanctuary where our rich cultural heritage can be preserved and celebrated. It will be a place where our elders can pass down wisdom to our youth, where traditional knowledge meets modern innovation, and where the soul of Sobe continues to flourish.

    This project also teaches us an important lesson about self-reliance. While we appreciate external support, we have demonstrated that we possess the capacity to initiate and drive our own development. This sense of ownership ensures sustainability and fosters dignity within our community.

    When completed, this Civic Center will stand as a testament to what is possible when we believe in ourselves and work together with purpose. It will inspire neighboring communities and show that grassroots development initiatives, driven by local leadership and participation, can transform societies.”

    Expressing his optimism, Omozoje assurted that the future of Sobe is bright and ‘it is in our hands. And together, with God’s guidance, we will build not just a Civic Center, but a community that stands as a beacon of hope, unity, and progress.’

    In his goodwill message, Mr. Ozolua Kally Uhakheme, a founding member of the project committee and Assistant Editor with The Nation newspaper, commended the spirit of persistence and self-reliance that has defined Sobe’s development history. He recalled that during the project’s conceptual stage, many dismissed it as unrealistic, even labeling it a ‘white elephant project.’ But, the groundbreaking ceremony, he said, is a proof of what communal vision and faith can achieve.

    Tracing Sobe’s age-long tradition of self-help driven infrastructural advancement dating back to the 1960s, Uhakheme said that sustainable growth must come from within calling for unity across religious and political divides.

    He acknowledged the contributions of every donor and supporter particularly Pastor Joseph Omozoje, praising his leadership and personal sacrifices in coordinating the project. “One thing that gladdens my heart about this project is the fact that everyone is a donor, promoter, supporter and marketer of it,” he said. 

    Uhakheme affirmed that ‘by this time next year, by His grace, we shall return to sing the full Hallelujah.’

    Mr. Martins Ige Ilegoma who represented Sobe People’s Progressive Association, Abuja, described the civic centre as ‘the physical manifestation of our shared aspirations and community spirit.’ He said the project represents the community’s collective commitment to creating a space that all residents can be proud of-a vibrant hub for gathering, learning, cultural expression and civic participation.

    He expressed optimism that the centre will stand as a reminder of what Sobe can accomplish through collaboration, solidarity and shared vision, adding that the project will promote local development, civic participation and long-term prosperity.

    As work officially began with the turning of the sod by the Odibiado of Sobe and Pastor Omozoje, the mood in Sobe remains that of optimism and collective triumph. The ceremony was preceded by prayers by several clergymen followed by handshakes, embraces and renewed commitment from all stakeholders. The coming months will see the transformation ground zero into a landmark structure destined to become a heartbeat of communal life one that future generations will inherit with pride.

  • Nigerians to miss favourites channels on Dstv

    Nigerians to miss favourites channels on Dstv

    Following plans by Netflix to acquire Warner Bros. Discovery’s studio and streaming assets in a deal valued at $82.7 billion, including debt, thousands of Nigerian subscribers will miss their favourite channels on Dstv. According to The New York Times, 11 Warner Bros. Discovery channels will exit its DStv platform when their distribution deal expires on December 31, 2025. The transaction is expected to close by the third quarter of 2026. Among the favourite channels to be missed by Nigerians are CNN International, Food Network and Cartoon Network among others. Already, the impending sale has sent ripples through the global media landscape.

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    “Together, we can give audiences more of what they love and help define the next century of storytelling,” Ted Sarandos, Netflix’s co-chief executive, said in a statement. Industry reports previously indicated that Netflix, the company credited with transforming at-home movie streaming and now boasting more than 300 million subscribers, was well-positioned to win the bidding war for Warner Bros. Discovery, beating out Paramount and Comcast.

    Netflix’s pitch reportedly included a pledge to maintain theatrical releases for Warner Bros. Discovery films, a surprising concession given Netflix’s longstanding preference for bypassing cinemas for most of its titles.

    If approved by federal regulators, the acquisition will make Warner Bros. Discovery the first major legacy Hollywood studio to be absorbed by a Silicon Valley rival. The impending sale has already sent ripples through the global media landscape.

  • Continental Hotel unveils Festive Season Escape

    Continental Hotel unveils Festive Season Escape

    With Detty December celebration already in full swing in Lagos, one of the leading hospitality groups, the Continental Hotel Group in Lagos and Abuja, is unveiling exciting packages for its clients this Christmas season.

    According to a statement by the Cluster Director of Marketing, Continental Hotel Group, Mr. Richards Mutanda the twin city festive season escape will include exclusive accommodation packages, gourmet dining experiences, and joyful activities for families. It commenced with a Christmas Mystery Tree Lighting ceremony at its lobby last Thursday.

    The tree lighting ceremony witnessed by the hotel’s in-house guests and some high-profile personalities, featured choir renditions, while also transforming the Lobby Café into a Christmas boutique as well as marking the return of Ginger Tree House with festive treats and Macallan Bar shelves with a generous showcase of boutique holiday gifts.

    He assured that though there are limited rooms for the Lagos hotel’s festive accommodation package, but that special rates for Christmas and New Year stays are available upon request.

    Speaking on the specially curated festive food and beverage offerings at the Lagos hotel, he said they include Santa Brunch at the Ekaabo Restaurant on December 21, to Christmas Day Brunch also at Ekaabo and to New Year’s Eve Crossover on December 31 at Sugar 52, the hotel is promising an enthralling experience for the guests.

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    He noted that the festive food and beverage offerings are inclusive of Champagne, canapés, buffet, live BBQ, fire show, and late-night entertainment. For the Abuja hotel, there is an early bird Christmas offer on accommodation from December 19, 2025 – January 10, 2026.

    Mutanda disclosed that rooms are available at giveaway rates per night, inclusive of breakfast for two adults and two children under 12 years at the Obudu Grill.

    “The festive food and beverage offerings at the Abuja hotel will commence on December 21, with brunch at the Obudu Grill Restaurant, and will be followed by lunch and dinner on the 24th at the same restaurant.

    “Christmas Day brunch and Boxing Day lunch and dinner will run on December 25th and 26th respectively at the Obudu Grill.

    “The excitement will be heightened on December 31st at the poolside with dinner and the chef’s special and Champagne toast, while the new year will be welcomed with brunch and dinner as well on January 1, 2026, he added.

    The family is not left out of the pack as there are activities such as sip & paint, creative workshops, and exclusive access to the Children’s Fun Village, Mutanda assured guests of memorable experiences at the group’s two hotels.

  • Flyzone boss to Nigerians: beware of fake work visas

    Flyzone boss to Nigerians: beware of fake work visas

    The Chief Executive Officer Flyzone Tourism, Mr. Ayodeji Awomoyi has cautioned Nigerians on the rising travel scams, especially fake work visa offers that have continued to defraud unsuspecting citizens across the country.

    He said it was important for travel consultants and the general public to understand that there is no such thing as a direct work visa for Canada, Germany, Australia or New Zealand, describing such promises as outright fraud. He urged Nigerians to stop paying millions of naira for offers that do not exist, emphasising that the trend has become a major source of exploitation for many young people seeking opportunities abroad.

    Awomoyi who spoke at the Flyzone appreciation event held at the weekend in Lagos, disclosed that only 400 guests were selected for the event even though Flyzone currently works with over 8,000 consultants nationwide. He said the company could not logistically host all its partners in one gathering and appealed to those whose friends felt left out, noting that the limitation was strictly based on capacity. Many consultants travelled in from Abuja, Port Harcourt, Ibadan, Ife and Owerri to attend the celebration, which became one of the most vibrant industry events of the season.

    The Flyzone boss used the moment to express deep gratitude to the travel consultants who have contributed to the company’s growth from its early days as Africa’s leading Dubai visa processor. He recalled the period when Flyzone handled more than 100 visa applications daily and airlines were shocked that almost everyone travelling to Dubai had processed their visa through the company. Awomoyi credited that success entirely to the consultants in the room, saying the company’s strength came from the trust they consistently placed in Flyzone. He shared stories of consultants who transferred tens of millions of naira in advance and allowed the company to hold the funds for months, deducting gradually as applications arose. According to him, that level of confidence was the backbone on which Flyzone was built.

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    On the recent surge in fraudulent agencies, he referenced the widely discussed TNT Travels case in Owerri, urging professionals to conduct proper checks before partnering any company. Awomoyi advised consultants to ask specific referral questions such as whether an agency genuinely handles certain visas, rather than general questions about familiarity.

    He stressed that clarity and due diligence were essential in an industry that has become increasingly vulnerable to manipulation.

    The evening was not all business, as the event transformed into a lively atmosphere filled with music, comedy, karaoke and African cuisine. Music star Oritse Femi thrilled the audience with an energetic performance, while comedian Danfo-S kept the room lively with jokes that sent guests laughing throughout. The karaoke segment drew enthusiastic participation from travel consultants and guests who took turns grabbing the microphone for both impressive and humorous performances. The culinary experience became another highlight of the night, with a wide spread of African dishes ranging from jollof rice, asun, pepper soup, grilled fish, suya and traditional soups, creating what many described as a mini African gastronomy festival.

    Awomoyi praised his staff for what he called their unmatched discipline and commitment, revealing that Flyzone operates a three-second response time and an unusual 3:00 a.m. resumption culture that he believes strengthens their efficiency. He joked that a Flyzone staff member could outperform a Microsoft employee in responsiveness, a remark that drew applause and laughter from the audience. He thanked his wife for her patience and support, noting that the demands of the job often require him to attend to clients at odd hours, even when the conversations have nothing to do with travel.

    The event ended with renewed optimism for stronger collaboration between Flyzone and Nigeria’s community of travel consultants, with Awomoyi expressing confidence that the coming year would bring deeper partnerships, more innovation and continued growth for the sector.

  • SNA honours Oshinowo, Shyllon, others

    SNA honours Oshinowo, Shyllon, others

    The celebration of artistic excellence took centre stage as the Society of Nigerian Artists (SNA) honoured 60 outstanding contributors to Nigerian art at the 8th International Conference on Art and Development (CONADEV 2025), held at the Wings Complex, Oando Towers, Lagos.

    The conference, themed, Creative Economy and Cultural Sustainability: Reimagining Art for Development, honoured practitioners across multiple categories, highlighting the works of veteran artists, emerging talents, patrons, institutions and professional associations.

    Former President of the society, Mr. Kolade Oshinowo received the Meritorious Service Award for his distinguished leadership and commitment to artistic advancement, while foremost collector and philanthropist, Omooba Engr. Yemisi Shyllon was honoured with the African Legacy Art Award for his decades of advocacy and investment in the preservation and propagation of Nigerian art.

    One of the most inspiring honourees was 15-year-old Guinness World Record breaker, Kanyechukwu Tagbo-Okeke, recognised as “Outstanding Young Artist of the Year,” for his record-setting 12,303.87 square-metre canvas painting, a remarkable achievement that surpassed the previous global record.

    National President of SNA, Muhammed Suleiman, said that the honours were meant to recognise exemplary impact.

    “These awards are for our past presidents, individuals promoting art independently through galleries and museums, as well as institutions supporting the sector. Kanyechukwu inspired the nation by breaking a Guinness World Record, and we want young Nigerians to know that artistic excellence is seen and rewarded,” he said.

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    Describing art as an essential seed of national socio-economic advancement, he noted that art drives every aspect of the economy, fashion, design, technology, even artificial intelligence. “The core of AI is creative imagination. Parents must encourage children to embrace creativity. Art is the future,” he added.

    Renowned art collector, Omooba Yemisi Shyllon who expressed gratitude for the award, reflected on his legacy of artistic support.

    “I do not know what I did to deserve this award, but I am deeply honoured. I solely funded the Yemisi Shyllon Museum of Art by selling several properties abroad and at home. I am happy because it is impacting lives,” he said.

    He revealed that the museum continues to train and empower creatives, including an officer currently on an 18–month residency at the Toledo Museum in Ohio, United States.

    He disclosed plans to unveil a life-size bronze statue of Chief Obafemi Awolowo at OAU, Ile-Ife and sponsorship of a new Guinness World Record attempt for the world’s longest single painting. “I believe wealth is meant to serve humanity. Happiness is in giving, not receiving,” he said.

    Chairman Central Working Committee and SNA Vice President (North), Dr Aondover Gyeawe, described CONADEV as a celebration of artistic influence and intellectual labour.

    “Tonight, we celebrate dedication and impact. CONADEV is not only about ideas, but about recognising those shaping our cultural identity through resilience and creativity,” he said.

    Beyond individuals, the Society also honoured institutions such as Ahmadu Bello University, Zaria, and Yaba College of Technology, Lagos, for strengthening art education.

    International organisations honoured included Alliance Française, Goethe Institut, the Nigerian Copyright Commission, and the Spanish Embassy for supporting cultural development and creative exchange.

    Professional bodies such as the Sculptors Association of Nigeria and the Female Artists Association of Nigeria were acknowledged alongside galleries such as Shaky’s Art Gallery in Awka and Herwa Heart of Art Initiative in Kano.

    Veteran artist John Amanam emerged as Distinguished Artist of the Year. Notable personalities conferred Fellowship status for their enduring contributions to art development included scholars, practitioners, and cultural advocates across the nation.

    Past presidents including Prof Osa Egonwa, Prof Funke Ifeta, Kolade Oshinowo, Dele Jegede, and Oliver Enwonwu also received the Meritorious Service Award. Honorary Fellowships were presented to Adewole Tinubu, Alhaji Tashiu Sodangi, Dr Hassan Nasir Aliyu, Rukayat Yusuf and Aliyu Sadiq Ahmed.

    The ceremony formed part of CONADEV 2025’s activities, which brought together artists, academics, curators, cultural leaders, and stakeholders to reflect on the place of art in economic growth and cultural sustainability.

  • Culture, myth take spotlight at launch of The Bone River

    Culture, myth take spotlight at launch of The Bone River

    By Glorious Idowu

    The Lagos literary community turned its spotlight on Ouida Bookstore, Opebi Ikeja Lagos, on penultimate Thursday as writer Nkereuwem Albert unveiled his new urban-fantasy novel, The Bone River.

    The launch drew readers, writers, culture enthusiasts and young creatives who settled in for an evening of book readings, cultural reflection and an engaging conversation with the author.

    The novel, set in present-day Calabar, blends local mythology, matrilineal traditions and spiritual lore with modern storytelling.

    Albert, said the prominence of strong female characters in the book emerged naturally from Calabar’s cultural landscape, where mothers, aunties and grandmothers play defining roles. He explained that his storytelling approach is character-driven, allowing the figures in the book to determine the direction of the plot rather than forcing them into a rigid outline.

    Fielding questions from journalists about his writing process and whether he experienced writer’s block, the author said: “Ceative pauses are part of his routine. I don’t consider it writer’s block, but a part of the creative process. Many times, I would stare at my laptop and wait for hours and nothing comes. Then I know okay, nothing for today.” He added that deadlines actually help him work faster, noting that The Bone River took over two years to complete but would have moved quicker if he had been given a strict timeline.

    Audience members praised the book’s accurate depiction of Calabar’s spiritual symbols, particularly the portrayal of Ndiyam, a revered truth-binding oracle. Others commended the use of rare mythical creatures and the careful handling of cultural references often overlooked in mainstream narratives.

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    Albert further explained that the book’s magic system and fast-paced action sequences were partly inspired by anime, a genre he said explores supernatural abilities with depth and creativity. This influence, he noted, allowed him to craft fight scenes that pull readers into the emotional tension of each moment.

    He also revealed that some characters in the novel were inspired by close friends whose personalities shaped emotional arcs such as those of H and Aphmau. His hope, he said, is that readers from different backgrounds will see aspects of themselves reflected in the journey of the characters.

    The Bone River, now trending among readers across Lagos, is proving to be more than a novel—it is an electrifying adventure for book lovers and enthusiasts seeking fresh storytelling rooted in culture, myth and imagination.

  • A community’s endless flood crisis

    A community’s endless flood crisis

    Every rainy season in Tudun Wada, Kaduna, brings more than rain—it brings fear, displacement, and loss. For over 30 years, residents have battled recurring floods that destroy homes, livelihoods, and health. As another season approaches, their demand is no longer for relief, but for a permanent solution, reports FAITH YAHAYA.

    For residents of Tudun Wada in Kaduna South Local Government Area, flooding is no longer just an environmental problem; it is a yearly crisis that disrupts lives, destroys livelihoods, and forces families into a painful cycle of loss and recovery. What many communities experience as an occasional natural disaster has become an annual emergency in Tudun Wada. Each rainy season brings fear, displacement, damaged homes, closed schools and mounting health risks. When the most recent flood swept through the community, muddy water submerged houses, washed away property and pushed families into temporary shelters.

    In front of Rukaya Muhammad’s home, the evidence of destruction lay scattered — broken wooden bed frames, soaked cushions and household items ruined beyond repair. Rukaya, a mother of three who was seven months pregnant when the flood struck, recalled the sense of powerlessness that overwhelmed her. “I was helpless because my children are still very small, and the neighbours who might have helped were busy trying to save their own belongings,” she said.

    Dirty water filled her room, carrying debris from a nearby dumpsite into her home. Her children’s school uniforms, bags, clothes, bed, chairs and food supplies were all destroyed. Having recently given birth, Rukaya said coping with the aftermath has been physically and emotionally exhausting. Since moving to Tudun Wada eight years ago, she explained, flooding has been a constant threat. “We experience flooding every year. Our children always have rashes and fall sick. Even the water we use is not clean,” she added.

    Although deeply familiar with flooding, this year’s disaster once again exposed how vulnerable the community remains, and how the problem extends far beyond Tudun Wada. Rukaya’s experience reflects a wider national crisis. Flooding has become so regular that many communities now brace for it as part of the rainy season. Despite early warnings from the Nigerian Meteorological Agency (NiMet) through its annual Seasonal Climate Prediction, destruction continues across the country.

    According to the National Emergency Management Agency (NEMA), as of October 10, 2025, flooding affected 409,714 people across 117 local government areas in 27 states. Of this number, 135,764 persons were displaced, 238 lives lost, 826 injured, 47,708 houses damaged and 62,653 farmlands destroyed. Children were the most affected, accounting for 188,118 victims, alongside 125,307 women, 77,423 men, 18,866 elderly persons and 2,418 people living with disabilities. No fewer than 115 people remain missing. In Kaduna State alone, 24,240 persons were affected across 11 local governments. Though emergency agencies evacuated Rukaya and her family to safety, returning home meant starting all over again. “When we came back from the camp, we had to clean and fix everything. The flood washed away the things I sell. Nothing is the same again,” she said.

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    Even after the floodwaters receded, the danger in Tudun Wada did not end. For many families, returning home only revealed new fears and deeper losses. “This year when we returned, we killed three snakes inside my room. I am sure it was the flood that brought them,” Rukaya said. “Our mattresses are in bad shape even after drying them in the sun. They smell badly now, and we don’t have money to buy new ones.” She explained that even families who can afford new mattresses are hesitant to buy because they are certain that another flood will destroy them again. “For us, we are managing with the blankets and mosquito nets they gave us in the camp,” she added.

    Living with a 30-year flood crisis

    After years of recurring floods, drained savings and repeated appeals for help, many residents say they have reached a breaking point. Their demands are now direct: the dredging of the river that borders the community, and for some, relocation to a safer area entirely. For many in Tudun Wada, flooding has been a constant part of life. Nassim Suleiman, who has lived in the area for over 30 years, described the disaster as “normal” — but no longer acceptable.

    His house, located near Salamatu Islamic Nursery and Primary School, is frequently submerged during the rainy season. He explained that classes are suspended almost every year because the classrooms become flooded. The dumpsites lining the riverbank, he said, worsen the problem, as refuse is swept into homes whenever the river overflows. “This has been happening for more than 30 years,” Suleiman said. “When I returned from a journey this year, I was told my family had been taken to a camp because our house and others close to the river were flooded. All we want is for the government to expand the river path. “NEMA and others really tried this year with awareness,” he added. “But the government should help us clear the dumpsites and expand the river because when the water comes back, the refuse enters our houses.”

    Community women leader, Husseina Liman, said the days spent at the camp felt like relief compared to the suffering at home. She appealed for dredging as a long-term solution. “What took me to the camp was not pleasant,” she said, “but we were well taken care of there. We were given proper meals with meat and eggs. I cannot remember the last time I ate meat or eggs before then. NEMA really tried for us, but fixing the river will end this problem permanently.”

    For 77-year-old Sani Ibrahim Kamakasa, the cycle of flooding is both familiar and painful. “I have lived in this community for over 70 years. Flooding is not new, but it should not continue like this,” he said. “We keep telling the authorities to dredge the river. They attempted earlier this year, but the rains had already started. If they are serious, they should use the dry season.”

    Fatimatu Mustapha, who lives closest to the dumpsite, believes relocation is the only realistic solution. “My house is near the dumpsite. People still dump refuse there despite efforts to stop them. The smell is terrible, but we have no alternative,” she said. “We are ignoring the health risks because we have nowhere else to go. I am begging the government to relocate us.”

    Emergency response efforts

    Kaduna Red Cross official, Tijani Inuwa, said swift coordination helped prevent casualties this year. “We arrived around 4:00 a.m. with SEMA and NEMA and rescued people from their houses. About 239 households were affected and taken to Asipitin Yara camp. They stayed for four days and were fed well, while medical personnel attended to the sick,” he said. To stop the cycle of destruction, Inuwa recommended two urgent solutions: relocation and dredging. “This problem has lasted over 30 years. The people are used to it, but it should not continue like this,” he said.

    NEMA’s North West Zonal Director, Sani Lokoja, said the agency is intensifying simulation exercises and advocacy to ensure communities receive timely support that reduces disaster risks. “We will continue to collaborate with relevant agencies to ensure that we mitigate and prevent disaster risks across the country. Our goal is to make communities resilient and prepared for any emergency because disasters do not give notice before they strike,” he said.

    NEMA’s Director General, Zubaida Umar, explained that the agency’s preparedness this year was driven by early climate-risk planning based on predictions from the Nigerian Meteorological Agency (NiMet) and the Nigeria Hydrological Services Agency (NIHSA). According to her, vulnerability maps were developed nationwide to help states identify communities most at risk. Before the onset of the rains, NEMA formally notified state governments through letters and physical visits, highlighting areas likely to experience flooding.

    “These efforts were deliberately put in place to mitigate and possibly prevent the widespread impact of this year’s flooding,” Umar said.

    The contrast with the previous year is striking. In 2024, flooding affected 5,264,097 persons across 35 states and 401 local government areas. Out of these, 1,243,638 people were displaced, 1,237 lives were lost, 16,469 persons sustained injuries, 116,172 houses were destroyed, and 1,439,296 farmlands were damaged. Umar attributed the significantly lower figures recorded in 2025 to the expanded national preparedness campaign, which grew from coverage in 24 states last year to all states and vulnerable communities nationwide this year.

    Any hope for a permanent solution?

    As the year draws to a close and another rainy season approaches, anxiety is already building in Tudun Wada. For residents who have endured more than three decades of seasonal destruction, the desire for a permanent solution has moved beyond appeals to a desperate plea for survival.

    Many say the cycle of flooding has stolen too much—homes, livelihoods, peace of mind, and in some cases, their health. Residents are united in their belief that temporary relief measures are no longer enough. While emergency camps provide short-term safety during peak floods, families often return to the same damaged houses, polluted water sources, and unmanaged dumpsites that worsen each year’s disaster.

    What they are demanding now is long-term intervention that addresses the root causes of the flooding. For some, dredging the river remains the most immediate and practical solution. They believe that clearing and widening the water channel would reduce overflow and prevent floodwaters from forcing their way into homes. Others argue that the community’s location—close to dumpsites and natural floodplains—makes relocation the only realistic option, especially for households closest to the riverbank.

    Humanitarian workers and emergency responders who have repeatedly rescued families from rising waters share similar concerns. After years of evacuations, relief distributions, and temporary resettlements, many agree that the pattern is clear: without structural solutions, flooding will continue to destroy lives and properties. For Tudun Wada, the hope is simple but urgent—that government intervention will go beyond emergency response and focus on long-term planning. Whether through dredging, relocation, or a combination of both, residents say they are ready for a future where the rainy season no longer brings fear, displacement, and loss, but safety, stability, and normal life.

  • Ill-fated NAFEST 2025: Like Bayelsa, like Enugu

    Ill-fated NAFEST 2025: Like Bayelsa, like Enugu

    What befell Bayelsa state 19 years ago, repeated itself last Friday night. Enugu state lost the chance of hosting this year’s National Festival of Arts and Culture (NAFEST), Nigeria’s flagship cultural festival. The glittering lights and burgeoning economic activities in Coal City, that characterised its preparation for the hosting of this year’s NAFEST, suddenly lost their verves. No thanks to last minute postponement of the festival by the Federal Ministry of Art, Culture, Tourism and the Creative Economy due to state of insecurity in the country, Assistant Editor (Arts) OZOLUA UHAKHEME reports.

    Few days to the opening of this year’s NAFEST, preparations and expectations were quite high. Enugu, the host state, reassured participating states of its readiness to host a memorable cultural festival like no other. NAFEST was scheduled to hold between November 22 and 29.

    Like Bayelsa state, the notice of postponement of this year’s festival was not only sudden and shocking, but also destabilising to the organising agency, the National Council for Arts and Culture (NCAC), the participating states as well as Enugu artists’ community.  

    As at Friday November 21, no fewer than 26 states contingents were on ground in Enugu including a trailer load of horses by Katsina state delegates who had arrived much earlier. Katsina was to hold a mini-Durbar at the festival. The 84-member team of the organising agency, NCAC, was also in Enugu by Friday evening to put finishing touches to the colourful opening ceremony on Saturday that never was. They had to return to Abuja on Sunday after a briefing by Enugu State Commissioner for Culture and Tourism, Mrs Ugochi Madueke on Saturday morning.  

    Among the states contingents that arrived Enugu on Friday were Lagos (100 delegates) Benue (120 delegates), Ebonyi (80 delegates), Oyo (120 delegates), Sokoto (70 delegates) Jigawa (120 delegates), and Delta (150 delegates). Others were Nasarawa (150 delegates), Niger (120 delegates), Plateau (110 delegates), FCT (60 delegates), Adamawa (70 delegates), Kwara (78 delegates), Ondo (50 delegates), Imo (100 delegates), Yobe (220 delegates), Osun (60 delegates), Abia (110 delegates), Cross River (80 delegates), Rivers (235), Ekiti (103) and Katsina (171 delegates).

    Unfortunately, many of the contingents returned to their home states without a single appearance on stage leaving a trail of losses and frustrations. Some had to turn back on the way to Enugu. Michael Okpara Square and the International Conference Centre, Enugu, which wore new looks as venues of the cultural festival lost the opportunity of adding the festival to its A-list events. 

    The rhythmic dance steps of the various states contingents that would have flagged off the festival turned cold and still. The vibrant, energetic and acrobatic dance of Atilogwu dancers and its vigorous but seemingly effortless movements were missed. Mmanwu masquerade from host state, Enugu, couldn’t showcase its elaborate costumes and performances. And from Benue state, the popular Swange, a lively and rhythmic dance of the Tiv people, couldn’t find its rhythm and so for all the cultural events lined up for the festival.

    The Federal Ministry of Art, Culture, Tourism and the Creative Economy on Friday night announced the postponement of the festival due to state of insecurity in the country. The decision, according to the Ministry followed a careful assessment of the national mood amid rising insecurity across various parts of the country.t

    “In solidarity with affected families and communities, and out of deep respect for lives lost, the Minister, Hannatu Musawa, in consultation with stakeholders, has approved postponing the festival to a later date.

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    “NAFEST has always played a powerful role in nation-building by bringing Nigerians together, strengthening social cohesion and offering a platform for cultural diplomacy and soft power.

     “As one of the few national events capable of projecting a positive and inclusive image of Nigeria, showcasing unity, hospitality and national confidence, this year’s edition, with over 28 states preparing to participate, was poised to send a strong message of resilience and unity.

    “However, given the current national mood, the Federal Government believes it is more respectful and responsible to postpone the festival rather than proceed while many citizens are grieving,” the statement added.

    The Minister emphasised that the decision reflects values of empathy, national unity, and collective sensitivity. A new date for NAFEST 2025 will be announced following further consultations with stakeholders, including security agencies.

    “The Ministry appreciates the understanding and support of participating states, cultural troupes, partners, and the Nigerian public. Our commitment to showcasing Nigeria’s rich cultural diversity remains unwavering and we look forward to delivering an even stronger, more unifying NAFEST at the appropriate time,” she added.

    Reacting to the postponement of the festival, Enugu state government expressed disappointment and understanding. According to a statement issued on Saturday, Enugu State Commissioner for Culture and Tourism, Mrs Ugochi Madueke, said the decision was painful, especially when Enugu had concluded preparations to host thousands of delegates from across Nigeria. She stated that cultural troupes, support staff and officials had already arrived in the city in anticipation of the festival’s opening activities.

    Madueke noted that although the postponement came at a time when the state was fully ready to showcase what she described as “one of the most anticipated cultural festivals in recent years,” the government understood why the Federal Ministry had taken the step. According to her, the escalating security concerns nationwide made it necessary for authorities to prioritise the safety of participants, visitors and residents.

    While urging delegates, partners and the cultural community to remain calm while awaiting further communication from the Federal Government on the next steps, she assured that Enugu’s readiness had not diminished. She noted that the state would continue to work with all relevant agencies to ensure that NAFEST takes place under conditions that guarantee the safety and enjoyment of everyone involvement. She commended the efforts of Minister of Art, Culture, Tourism and the Creative Economy and the Director General National Council for Arts and Culture, noting that their leadership reflected a responsible approach in a period of heightened national concern.

    She also commended the Governor of Enugu State for his support throughout the preparations and assured stakeholders that the state remains committed to hosting the festival once a new date is announced.

    Recall that in September 2006 NAFEST was cancelled in honour of the military personnel that died in a plane crash in Benue state. Then acting Governor Goodluck Jonathan did the opening and closing of the national festival same day.

    The plane crash involved military officers comprising 10 army generals, a lieutenant-colonel, and two wing commanders who were on a Dornier 228-212 aircraft. The officers were heading to the Obudu Cattle Ranch in Cross River state for a retreat.

    Nineteen years after, the same fate has befallen Enugu NAFEST 2025 due to insecurity in the country, particularly the recent attack of the CAC Church at Eruku, in Kwara state and abduction of school girls in Maga, Kebbi state last Monday.  Fortunately, 38 of the Kwara abductees and 51 Niger pupils were rescued by security forces on Sunday and have since returned home.

    President Bola Tinubu reassured Nigerians of their safety anywhere in the country adding, “Let me be clear. I will not relent. Every Nigerian, in every state, has the right to safety. Under my watch, we will secure this nation and protect our people,” he said.

    Part of the fallout of the postponement is the economic loss incurred by many players in the creative sector. From travel to leisure operators, hoteliers, artists, arts and crafts dealers and food vendors in the Coal City. Their losses are better imagined.

    Hotels such as Utopia Hotel, which accommodated some of the NCAC team from Abuja, only provided two night services before they returned to Abuja, thereby losing about six days revenue from lodging. Others such as Universal Hotel, Bon Platinum and Carlton Swiss were expectant, but never got clients before the postponement of the festival. In particular, Bon Platinum and Carlton Swiss were contacted for reservations, but didn’t get any guest.