The Nation Newspaper

Category: Life – The Midweek Magazine

  • At Door of Return, Diasporans reconnect to their roots

    At Door of Return, Diasporans reconnect to their roots

    For two days, October 17 and 18, Badagry, the old slave port, hosted descendants of enslaved Africans at this year’s 5th Badagry Door of Return Festival, attracting no fewer than 57 delegates from US, UK, Brasil, Haiti and Cuba. To the community and the guests, the festival was a huge joy of return to motherland, Assistant Editor (Arts) OZOLUA UHAKHEME reports.

    The Marina Road in Badagry is an uncommon street. Beyond being a waterfront neighbourhood hemmed with leisure spots, it also houses some rich heritage sites in a community famous for its centuries old Trans-Atlantic Slave Trade and slave port. Within the same axis, are different museums (Mobee Family Slave Museum, The Seriki Abass Slave Baracoon, and the Point of No Return Monument) that hold many relics of the trajectory of the dark era of slavery, and lately the Door of Return. It is now a convergence point for Diaspora Africans who return home in droves to reconnect to their ancestral roots every year.

    Last weekend was another of such emotional homecoming. No fewer than 57 delegates from US, UK, Brasil, Haiti and Cuba including the families of Mere Jah from the United Kingdom were hosted to a huge reunion at the grand finale of the two-day 5th Badagry Diaspora Door of Return Festival by the Nigerians In Diaspora Commission (NIDCOM). Nobel laureate Prof Wole Soyinka who was special guest at the festival, presented the delegates with Certificate of Return amid fanfare.

    This year’s festival was in reverent memory of Mere Jah, a die hard Pan-Africanist who passed on April 2024 at Ouida in Benin Republic after spending 28 years as a returnee on African soil having voluntarily repatriated to Africa from Guadeloupe in 1977.

    Among the delegates at the festival were American singer and songwriter of the famous Shalamar musical group, Jeffrey Glenn Daniels, Dr. David Anderson, Cuban Ambassador to Nigeria Miriam Morales Palmero, and Brazilian Consul General Mr. Celso de Arruda Franca, among others.

    The Door of Return ceremony accentuates the objective of diaspora return and integration and seeks to provide concrete vehicle for the actualisation of this goal. It is no-gainsaying that the diaspora is in constant search for a place to reconstruct its identity, history, culture and beliefs.

    One major highpoint of the celebration was the slave reminiscence trekking undertaken by delegates through the Slave Route to the Point of No Return monument at Gberefu ancient sea-port, before returning through the symbolic Door of Return, accompanied by colourful boat regatta. Other events were the Badagry Royal carnival procession, Ogun Badagry (Aje goddess of wealth) festival celebrations, cultural display featuring Sato Drums and Vothun ritual Performances, and Zangbeto masqueraders’ procession.

    In his remark, Prof. Soyinka said every journey had two parts, departure and return, noting that the voyage of the African people remained incomplete until they reconnected with their ancestral roots. He described the festival as a symbolic launch-pad for the long-awaited return, praying for the safe homecoming of all Africans in Diaspora.

    READ ALSO: Sowore: When activism becomes complicity

    Chairman/CEO, Nigerians in Diaspora Commission (NiDCOM), Abike Dabiri-Erewa, assured that President Bola Tinubu would receive more than 2,000 people coming on a historical voyage to Badagry, Lagos State by next year’s edition of the festival. According to her, the voyage will be organised by Prof. Wole Soyinka.

    “Next year, under the chairmanship of Prof Soyinka, we are planning historical voyage events where we will experience a real journey from Brazil and Cuba to Nigeria. Today’s event is just a test run. President Tinubu started Black Heritage Festival in Lagos when he was the Governor of Lagos State, so he will be here to receive those coming in on Soyinka’s historical voyage.” She commended Lagos State Governor Babajide Sanwo-Olu for building the permanent Door of Return in Badagry.

    Representative of Governor Sanwo-Olu, the Special Adviser on Tourism, Arts and Culture, Mr. Idris Aregbe, described the festival as a “living testament to Lagos’s commitment to cultural renaissance and diaspora unity” while commending the people of Badagry for sustaining its legacy as the cradle of return and pledging the state’s continued support to amplify its global recognition.

    Chairman, House Committee on Tourism, Lagos State House of Assembly, Hon Bonu Solomon, lauded the festival’s symbolic value, saying it was ‘a heritage bridge between Africa and her children abroad.’ He assured of continued legislative backing for initiatives that promote tourism, culture and the preservation of Lagos’s historical identity.

    Chairman, Badagry Local Government, Babatunde Hunpe, highlighted the sacred role of Badagry as the soil of return reaffirming his administration’s readiness to keep supporting the festival and other cultural programmes that deepened the town’s tourism and economic growth. Ambassador of Cuba to Nigeria Miriam Palmero expressed delight at the enduring spiritual and cultural bond between Africa and the Caribbean. Dr. David Anderson, the leader of the returnees from United States, described the door of return as a door of joy and happiness. For Jeffrey Daniels, the festival was simply a joy of return. 

    Festival Dedication

    According to the founder, African Renaissance Foundation, inventor of the Badagry Diaspora Door of Return Festival, Dr. Babatunde Olaide-Mesewaku, this year’s edition of the festival is dedicated to the Ngoumou Edima Jah Evejah popularly called Mere Jah.

    He recalled that the concept of dedicating the diaspora festival to people of African heritage was first accomplished in 2014 when the festival was dedicated to Marcus Garvey in 2014, ‘Touissant L’ouverture in 2015, Alouada Aquinno 2016, Descoredes Maximiliano Do Santos in 2017; cultural icon of the Brazilian Community who returned to Africa in 1970 to trace his ancestral root Ketu kingdom in today’s Benin Republic after 500 years of linage slavery in Brazil.

    “The objective is to locate and honour people of African heritage cither living or late who had control significantly to socio-political or economic emancipation of Africa. This is the class to white memory of Mere Jah belongs in the heart of Badagry people and Africa as a whole. Her contributions to the development of the Diaspora Door of Return Festival was quite imppactful since she started to participate in the festival.

    “She was very instrumental to the annual home pilgrimage’ to Badagry of a number of diaspora family across the world who had participate in the festival to reconstruct their history, culture and identity since 2014. Beyond the festival, her impact on the lives of numerous individuals and children through the establishment of ECOLOJAH at Ahozon in Ouidah, a pan-African alternative school t shaped the lives of many through the teachings of the knowledge of Africa and her relationship with world.

    “Mere Jah deserves every single honour the Badagry people and especially African Re: Foundation leadership could accord her memory. The festival and its cultural programmes including the Door Of Return ceremony offer the diaspora a concrete opportunity where it will reconstruct its past, imaginary future, identities, roles, rituals and beliefs and of course to reconnect, redefine, re-establish and reinforce its relationship with the primordial homeland. ‘To actualise this, the festival aggregates both the tangible and intangible cultural resources as expressed in the history of the Trans-Atlantic Slave Trade and genealogy, artifacts, monuments, places of memory, religion and natural environmental  ambiance of the homeland as instigator for homeland return.

    The Door of Return ceremony (as against the Point of No Return trajectory of the dark era of slavery) accentuates diaspora return and homecoming objective of the Festival. The Door of Return ceremony is a symbolic event in which our brothers and sisters in the diaspora shall be welcome back to Nigeria through Badagry in a symbolic return celebration from across the Badagry Lagoon in a cruise boat decorated in green-white green colour. The importance of this speaks to the fact that as their progenitors were taken away as slaves, Africa, in this context Badagry/ Nigeria, is welcoming them back home as kings and queens.”

    In The Beginning

    Olaide-Mesewaku stated that the Badagry Diaspora Door of Return festival was originally conceptualised and designed by African Renaissance Foundation in 2014 as a national event, because festivals that incorporate diaspora content across the coast of West Africa are being organised with direct involvement of the Presidency or Federal Government hence our collaboration with Hon. Mrs. Abike Dabiri-Erewa of Nigerians in Diaspora Commission in 2017.

    Quoting Harold Preston, an American and consultant to the Bob Marley’s family, Olaide–Mesewaku said:    “Badagry is quite significant. That was one of the places a lot of our Black brothers and sisters were shipped as slaves abroad, some to Jamaica. So any black man coming home to Africa will find in Badagry a beautiful home. Its historical significance is part of the reason we chose Badagry to bring Bob’s family there.”

    He said Badagry is a memorial community reputed for its active participation in the Trans-Atlantic Slave Trade since the 15th Century to the early 20th centuries. “Badagry was an emporium of the slave trade activities having served as the major slave market for the sales of enslaved Africans and one of the major ports along the Coast of West Africa known then as Slave Coast. Millions of Africans were said to have been sold into slavery through the Badagry ports. In fact, Badagry came third after Dahomey and Congo in the volume of enslaved Africans that were forcibly dispersed to other regions of the world. Badagry people don’t gloat in this experience but history is history, it must be presented as a matter of fact for generations,” he added. 

    Continuing, he said: “To preserve this heinous experience of African in the hands of the western world, just as the Holocaust is preserved in Museums across major cities in the world for generations coming, individuals and governments had made efforts to preserve this experience in relics, monuments, drama and in books. Hence today in Badagry we have the Mobee Family Slave Museum, The Seriki Abass Slave Baracoon, the Badagry Heritage Museum and the Point of No Return Monument all these built by Government.

    “The Badagry diaspora Door of Return Festival was therefore inspired by the historical antecedents of Badagry. The Badagry Diaspora Door of Return Festival is the initiative of African Renaissance Oundation and NGO registered with Nigeria Corporate Affairs Commission since 1999. It was conceived, designed and being organised annually by African Renaissance Foundation. One of the major objectives of African Renaissance Foundation (AREFO) is the annual organisation of the Diaspora Festival, the only festival in Nigeria with diasporic content focusing on salient issues of Return and Homecoming, Engagement and Re-integration with implicit objective of  socio-economic and cultural synergy, This vent, which started far back in 2013 had its first  collaborative experience with Motherland Beckons led by  Chief Akinboboye of the  La Campagne Tropicana Beach Resort at Ibeju Lekki but later on blossomed in 2017 with the involvement of and collaborative efforts of such institutions as Nigeria In Diaspora Commission, headed by Hon. Abika Dabiri Erewa and the Institute of African Studies, University of Ibadan and lately Lagos State University.”

  • The course and the pulse of a country

    The course and the pulse of a country

    By Ugochukwu J. Echeazu

    From the money to the Niger-company

    To the country formed from each protectorate, 

    To those who lost faith in the inequity of the polity

    And those who chose to use force

    To steer her down the course of chaos

    Down to the Dirge that never was.

    For the fallen heroes and those who lost their lives in the wars.

    Our journey from the 1st through to the 4th Republic may be bleak public history,

    Still we stare death in the face and sneer,

    READ ALSO: A new leaf?

    As we bare our bodies to brutality,

    Butteresses against the breach of free speech

    Which is branded, treason and still we find a reason to battle cattle,

    While we drive on roads that have become traps for kidnaps and – unsafe for travel

    And it is a marvel to imagine the number of the bereaved, displaced, raped and razed down homes.

    Atrocities, in communities committed with impunity to law and order –

    Our borders have become so porous to insurgency,

    And the urgency of insecurity tempt us to arm ourselves, defend ourselves,

    And we ourselves know that politics is simply a game played for gain,

    By a certain clique who trick us every time it’s time to vote again –

    With promises they never fulfill

    And how hurt we feel when they abuse this power they possess

    And the mess that is our power industry – we – in-this-country, continue to be the casualty of a dysfunctional polity, buried in the depth of duplicity and disparity that continue to breed disunity among each ethnicity,

    And so we will continue to wander within the limits our history circumscribes

    Until we all become scribes for a new story, with each chapter embodying the character that will build an enduring legacy,

    And there is no exception for leader or laity.

    So, this is for the country formed from each protectorate,

    To those who have lost faith in the inequity of the polity and

    To those who continue to use force to steer her down the course of chaos –

    Because, every choice has a voice that echoes consequence

    For every actor in this script of deceit

    And no matter how intense moments get –

    Never forget that the resilience of (a people) will continue to be their defense.

    Ugochukwu J. Echeazu is a passionate creative personality – pianist, poet, and Project Management Professional (PMP). He studied architectural technology at the University of Salford in the United Kingdom (UK), where he currently resides. He still plays, writes, hopes, and prays that Nigeria isn’t a lost cause.

  • Abuja Continental Hotel gets legacy award

    Abuja Continental Hotel gets legacy award

    For its out-standing contributions to elevating hospitality standards in Nigeria’s capital city, Abuja Continental Hotel (ACH) has been presented with the Distinguished Legacy Award  by Edvans Consult Limited, in collaboration with the Institute of Hospitality (UK, Nigeria Region) and the Association of Tourism and Hospitality Consultants in Nigeria (ATH- CON).

    The award is in appreciation of the hotel’s enduring commitment to excellence, operational innovation, and its impact on the nation’s hospitality landscape. Both Edvans Consult Ltd and the Institute of Hospitality have been instrumental partners in the Distinguished Legacy Award initiative, designed to recognize visionary leadership, sustainable operations, and lasting contributions within Nigeria’s tourism and hospitality sectors.

    The presentation held at the second edition of the Hotel Owners’ Dinner Outreach; a premier annual gathering of key stakeholders, investors, regulators, and innovators, shaping the future of the Nigerian hospitality industry.

    Presenting the award, Mr Femi Olowoyo, Head of Edvans Consult Ltd, commended the hotel for its exemplary performance and brand legacy.

    He stated that the Distinguished Legacy Award programme aims; “to support hotel owners, operators, and investors in building sustainable, globally competitive brands that reflect the true potential of Nigeria’s hospitality sector.”

    READ ALSO: Sowore: When activism becomes complicity

    The Group General Manager of Continental Hotels, Karl Hala, expressed delight at the recognition, describing it as; “a great honour and splendid news for both employees and our esteemed guests. We’re thrilled and delighted that Abuja Continental Hotel has received the Distinguished Legacy Award.

    “This recognition celebrates the hotel’s ongoing transformation and commitment to elevating hospitality in Nigeria’s capital city.” He noted that the hotel’s success stemmed from its continuous drive for service excellence, innovation, and guest satisfaction – values that have solidified its position as one of Nigeria’s leading hospitality brands.

    “This award is a testament to our team’s dedication and to the trust of our guests. I dedicate this recognition to the staff and management team for their hard work, passion, and pursuit of excellence,” Hala added.

  • Foundation holds Love Festival in Lagos

    Foundation holds Love Festival in Lagos

    Street Project Foundation (SPF), in partnership with Naija Youth Entrepreneurship Network (NYEN), has held its art festival to celebrate young people’s creativity, resilience and innovation.  According to SPF Visioner, Mrs Rita Ezenwa-Okoro (REO), the foundation’s flagship yearly event, celebrates young people’s creativity, resilience, and innovation.

    She said: “Since inception, it has become a hub where artists, entrepreneurs, thinkers, and changemakers gather to explore how creativity can transform communities and drive economic growth.”

    This year’s theme Can creativity change the world? underscores the transformative power of the arts to inspire social change, empower youth, and shape the future of work.  Mrs Rita Ezenwa- Okoro added: “With Nigeria’s youths at the heart of the creative economy, the festival creates opportunities for self-expression, networking, capacity building, and recognition. It also provides a platform to showcase groundbreaking ideas through competitions, awards, and performances that highlight courage, innovation, and social impact.”

    READ ALSO: A new leaf?

    There were prizes for outstanding youths. Recipients of the Wole Oguntokun Legacy Award and  Creative Pitch Competition Winners received N1million, she added.  The award immortalises the spirit of fearless storytelling and advocacy.

    The Pitch Competition empowers youths to turn creative ideas into viable businesses, while registration and participation is free.  “The Do What You Love Festival is Nigeria’s foremost platform celebrating youth innovation and creativity. Creativity is not just entertainment; it is a tool for social transformation and economic empowerment,” she said.

  • Enugu govt: invest at home

    Enugu govt: invest at home

    The Enugu State Government has renewed its call for indigenes living outside the state, particularly in Lagos, to bring their investments, resources, and political strength back home to support development and governance.

    Speaking at the Association of Enugu State Development Unions (AESDU), Lagos Women Wing August Meeting and Continuation of Women Empowerment Programme 2025, in Lagos, the Honourable Commissioner for Culture and Tourism, Dame Ugochi Madueke, who represented the Enugu State Governor, Peter Mbah, emphasised the importance of indigenes participating fully in the state’s growth.

    She said: “It’s time to go home; it’s time to invest at home. It’s time for the wealth to come home.

    “Charity begins at home. We thank you for all you are doing, but we need you in Enugu—especially your voting strength. Imagine the impact if every Enugu woman and indigene in Lagos returned during elections to decide who becomes their governor, senator, or representative, that is very important.”

    The August Meeting is a platform that brings together women from all local government areas of Enugu State. It provides a space for meaningful interaction, cultural exchange, and the strengthening of bonds among the diverse communities.

    Distinguished individuals—men and women of integrity—who have exemplified love, selfless service, dedication, and uprightness in their contributions to humanity were honoured at the occasion.

    READ ALSO: A new leaf?

    Madueke assured the women that the government was ready to facilitate the process, including transportation for those willing to transfer their voter registration and participate during elections.

    On development, she noted that Enugu women remained the first beneficiaries of state programmes, empowerment initiatives, and social support.

    Similarly, the PDP State Woman Leader in Enugu, Ambassador Peace Patrick, urged the women to redirect their investments to Enugu, stressing that Governor Mbah’s administration was delivering social amenities, housing estates, and infrastructure to encourage returnees.

    “We are here to celebrate culture, but also to remind you of the importance of bringing your investments home,” she said.

    “Why build houses in Lagos only to see them demolished in the name of development projects, when Enugu has vast land, low-cost housing schemes, and industrial opportunities? Our governor is laying the foundation—you need to come and be part of it.”

    The gathering was marked by cultural displays, empowerment initiatives, and awards, but the key message remained clear: indigenes of Enugu living in Lagos should unite, celebrate their heritage, and channel their wealth and influence back to their home state.

    The President of AESDU, Evangelist (Mrs) Uche Nwankwo, explained the essence of the annual Women’s August Meeting and the group’s mission of empowerment.

    Speaking at the 2025 edition of the event in Lagos, she said: “The August Meeting is a unique time when women from different town unions come together once a year. Each town union in Lagos is represented by two members, and after the meeting, they return to their communities to share ideas, mobilise support, and encourage others. This occasion helps us to know one another, exchange skills, and empower our members.”

    On empowerment, she stressed that the focus was on widows, women who lost businesses, and other less privileged members:

    “We can’t reach everyone, but we do what we can with the little we have. In the last two years, we empowered 18 people, last year 23, and this year 17. Though small, it goes a long way because we teach them practical skills—tie and dye, soap making, pastries, and more. We also provide financial support within our capacity.”

    The AESDU President noted that although the initiative has reached beyond Igbo women—sometimes attracting Yoruba participants during training and outreach programmes—the major limitation is funding.

    “Our biggest challenge is finance. We tax ourselves to raise funds, but we would do far more if government support comes. We’ve written to the Lagos State government severally. Other states get sponsorships, but here we are often ignored because of how they look down on Igbos. Still, we won’t relent. One day, God will touch their hearts.”

    Looking ahead, she revealed the association’s broader vision: “In the next few years, we want to establish a permanent entrepreneurship centre in Lagos and replicate it back home. Our target is to empower not just dozens, but thousands—if we get the resources.”

    In a message of perseverance Nwankwo siad “Our watchword is continuity. We are starting small, but with God on our side, we will grow big, we are not relenting.” She said currently, AESDU has representatives from about 136 town unions across the three senatorial zones of Enugu state; all united under one umbrella in Lagos.

    One of the recipients of the meritorious award, Lady Ada Chidozie Ofoegbu, described the recognition as a celebration of collective service, women’s empowerment, and the enduring spirit of humanity, rather than a personal honour.

    A distinguished civil servant, visionary leader, and humanitarian, Ofoegbu has dedicated her life to empowering women, advancing education, promoting community development, and strengthening faith-based initiatives—earning both national and international acclaim. Currently a Director in the Civil Service, she has made immense contributions to governance and public administration.

    In her remarks, Ofoegbu dedicated the award to God Almighty, her family, colleagues, and the communities she has had the privilege to serve. She expressed gratitude to the association for the honour and pledged to continue serving with integrity, dedication, and love for humanity.

    Adding her voice, Violet Uchenna Obiora, immediate past Woman Leader of Ohaneze Ndigbo, Lagos State, and the current Publicity Secretary, spoke glowingly of Ofoegbu’s leadership style.

    “She taught me how to carry out my duties with excellence and commitment. Because of that, I was drawn to her leadership, and over time we bonded—not just as colleagues but as sisters and friends. When I got the invitation to today’s event and saw that she would be honoured, I felt it was well-deserved. She truly earned it.”

    Obiora also used the occasion to send a message to women: “Women should respect one another’s dignity and interests. We must learn from the achievements of our predecessors and preserve a legacy worth passing on. There should be love, respect, and friendliness among women. That is the only way we can unite for a brighter future, for our blessings, and for every good thing that comes to women.”

  • Reflections on progressive politics

    Reflections on progressive politics

    Book title:   A Decade of Impactful Progressive Governance In Nigeria

    Author:        Hope Uzodimma

    Reviewer:     Prof Bennett C. Nwanguma

    Publishers:   Scribble City Publications

    Nos. of pages:    373

    The author starts by revealing when and why he decided to write the book. Then gives due credit to the founder of the All Progressives Congress (APC), Ashiwaju Bola Ahmed Tinubu, President of the Federal Republic of Nigeria and all those who played a key role in turning this coalition of smaller opposition parties into the success it has become. He wraps up the introduction by highlighting the main goals of APC how it took advantage of the ruling PDP to mount a successful campaign of change in 2015.

    Chapter 1: Early Progressive Movements and Parties in Nigeria.

    In this leading chapter of 71 pages, the author traces the history of progressive politics in the country, starting from the years before independence until the present time, – culminating in the formation of the All Progressives Congress (APC) in 2013. In his opinion, all the nationalist movements of the pre-independence era, as well as the political parties of the 1st, 2nd and 3rd republics had varying degrees of progressive agenda in their DNA. The grain of this chapter is the contribution of progressive governance or policies to the development of the country over the years.

    Chapter 2: Defining Progressive: A Clear and Concise Exploration of the Term (49 pages)

    In this chapter, the author does the following: First, he defines the term (progressive) as applied in politics and governance, successfully traces the origin of progressive politics to the 19th and 20th centuries, and makes a distinction between progressive and conservative governance. This chapter is further enriched by a section on the evolution and impact of progressive governance in Europe, Latin America, Asia and, to a less extent, Africa.

    Chapter 3: The APC Manifesto and its Core Policies

    In this chapter, the author sets out to show the between the key progressive policies and programmes implemented in the last 10 years to the main tenets of the APC manifesto. He emphasizes the policies and programmes around social welfare, inclusiveness, economic reforms, investment in infrastructure, the fight against corruption and insecurity, as well as the establishment of the regional development commissions, etc.

    READ ALSO: Sowore: When activism becomes complicity

    Chapters 4:

    “A Decade of Progressive Governance: Sectoral Achievements and Chapter 5:  “Progressive Governance in Action”(48 pages).

    Chapters 4 and 5 constitute what I consider the kernel of this book, A Decade of Impactful Progressive Governance in Nigeria. This is because in these chapters, the author successfully highlights and discusses the many and far-reaching achievements of the APC-led administrations in the last decade.

    Prominent amongst these are the social security programmes, the economic reforms (including the removal of the petrol subsidy and the harmonization of exchange rates), efforts at job creation, poverty alleviation, infrastructural development, especially housing and transportation infrastructure, including rail, road, air and sea transport. The others are improved access to education and healthcare, innovation and skills development, improved food security, agriculture, environmental sustainability, securityand defence. The author did not leave out the fiscal policies and reforms, which have brought the much-needed stability to the economy.

    The information of chapter five is that these policies, programmes and reforms were well thought – through, articulated and carefully implemented as part of the progressive governance, hence the title, Progressive Governance in Action.

    Chapter Six: Comparative analysis of – Pre APC Era Vs APC Era.

    In this chapter, the author made an interesting attempt to compare the rate of progress recorded in the country between 2005 and 2015, when the country was led by a different political party, PDP, and the last decade, between 2015 and 2025, since the APC has been at the helm of affairs.

    The author used five major parameters, namely economic performance, social development, infrastructure and global perception of Nigeria for the comparison. The verdict is summed up in this sentence, quote: In the last decade of APC governance, we have begun to transform Nigeria. Economically, Nigeria is more resilient and self – reliant today than we were ten years ago. Nigeria is also reclaiming respect globally. This is the decade that Nigeria turned the corner from years of promise to years of achievement. The Nigeria of 2025 is far better than the Nigeria of 2015, judging by such indicators as the economy, health, education, infrastructure and all other indices by which development is assessed.

    Chapter 7: APC’S Approach to Inclusive Governance

    In this chapter, the author highlighted the policies, programmes and legislations by which the APC administrations managed the diversity of the country, ensuring inclusiveness and equity between the many ethnic nationalities and other marginalized groups, such as women, the youth, the poor and persons living with disabilities.

    It is commendable that the author considered it necessary to dedicate an entire chapter to inclusiveness. In doing so, the author reiterated the fact that inclusiveness was one of the policy objectives of APC. The former president, Muhammadu Buhari put this poetically when he said, I belong to everybody and I belong to nobody. The incumbent president, Ashiwaju Bola Ahmed Tinubu put it more elaborately when he declared that his objective is to foster a new society based on shared prosperity, tolerance and compassion.

    Chapter 8: Nigeria on the Global Stage

    The author dedicated this chapter of 20 pages to Nigerian foreign policy. This, he said, is in keeping with the APC manifesto to “work towards a more engaged, more effective and more influential Nigeria on the global scene”. Here, the author acknowledges the achievements of the two APC – led governments of Buhari and Tinubu, not just in maintaining existing relationships but in strengthening them. He highlights how the APC governments improved the global standing of Nigeria and in their relationship with America, Europe and South Africa, and how they exploited these renewed global standing for both economic and security benefits.

    Chapter 9: Common Criticisms of the APC Governance in the Last Decade.

    In this rather unique chapter, the author made a brave attempt to acknowledge and respond to some of the common criticisms which the APC – led administrations have faced over the years. The criticisms, as highlighted, bother on the management of the economy, policy direction, internal party crisis and threat to democratic norms. Others are ineffective fight against corruption, institutional weaknesses, the slow delivery of economic diversification and public service reforms. The inclusion of this chapter must be seen as an attempt by the author to write a balanced book, that does not only heap praises on the party in power.

    Chapter 10: The Way Forward for Democratic Governance in Nigeria.

    In this final chapter of 30 pages, the author sounded quite positive and optimistic about the future of Nigeria under the watch of the All Progressives Congress. This is due to his conviction that the policies, programmes,legislations and reforms needed to transform Nigeria have now been put in place. He likened this to the planting of seeds which are sure to bring forth a bountiful harvest.

    The Epilogue

    Here, the author simply summed up the key achievements or successes of the APC administrations under the familiar headings of economy, insecurity, the fight against corruption, social welfare, infrastructure, food security and agriculture, education and health, digital economy, workers welfare and , regional development.

    Thereafter, the author gives credit to members of the APC, especially, the founder, President Bola Ahmed Tinubu, GCFR,  the past and present leaders of the party, former and present holders of elected and appointed offices, whose ideas shaped the policies and programmes of APC.

    The author ends the book with a peep into the future, and urged leaders to be prepared for the challenges that will be posed by climate change, artificial intelligence and other new technologies.

    The Strength of the book:

    The author set out to articulate, chronicle and document the impact of progressive governance in Nigeria as delivered by the All Progressives Party in the last decade. Without an iota of doubt, the author has achieved this. The book is brilliantly written and the timing of the publication is also apt, more like a book whose time has come. The book deserves credit first for its originality, the uniqueness and the rigour that went into it. The coverage is extensive and the analysisis deep. The true value of the book lies not only in the rigour and dept of research, but also in the presentation.

    The Weakness:

    Like all works of man, the book is not without flaws. Most of it, however, are of editorial nature, and can be easily dealt with in subsequent editions or publications. The other flaw, as expected, is that the author may have left some gaps. In books of this nature, such gaps are seen as opportunities for others to contribute to the subject of progressive governance in the country.

    Recommendation:

    This is a book about governance and politics. So, Who should read this book. My sincere response is: everyone who has an interest in governance and politics in Nigeria. To be honest, this should include all literate Nigerians.

    Conclusion Mr Chairman, His Excellencies, distinguished ladies and gentlemen, I have had the privilege of reviewing a good number of books in my career. This one stands out for its originality, the uniqueness and the purpose for which it was written. Without doubt, this book would serve as a valuable reference document for a long time to come. But, please do not take my word for it. Make an effort to read the book and draw your own conclusions.

     My Final Words:

    The Chairman, if you give me the latitude to share one of my favorite sections of the book, it would be found in the last paragraph of the conclusion, where the author acknowledged the contribution of the opposition to the success of the All Progressive Congress in the last decade, and I quote:

    “I thank the opposition for keeping us on our toes and for challenging us to be a better political party”. We know we have not solved all the problems of this country, and this was never our promise. But, as progressives, have we set Nigeria on a part of renewed hope? The answer is Yes”.

  • DNGTC backs First Lady’s Renewed Hope Initiative

    DNGTC backs First Lady’s Renewed Hope Initiative

    The Destination Nigeria Governors’ Tourism Conference (DNGTC) has shared its solidarity with the Nigerian First Lady, Senator Oluremi Tinubu, towards the Green Sustainable Development across the states.

    Report has it that Enugu State bagged a N100 million award as the cleanest state as the First Lady of Nigeria, Senator Oluremi Tinubu, unveiled the Renewed Hope Initiative, RHI, Green Nigeria Challenge at the Presidential Villa recently.

    The Green Challenge which is a nationwide environmental competition aimed at families, youth groups, communities, and states to engage in tree planting and environmental cleanliness.

    With the motto: “Go Green Today for a Greener Tomorrow,” the Green Challenge was reported to be in three categories: Households, Communities, and States, offering a grand prize of N20 million for the best-performing household, N50 million for the best community, and N100 million for the best state.

    The DNGTC Convener, Ambassador Ayo Omotoso stated that a clean and green environment engenders tourism development as globally promoted by the United Nations.

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    According to him, “Climate Change is an ever-pressing reality that profoundly impacts our daily lives. Our environment is a dominant factor in a sustainable way of living. A safe environment is a healthy environment for everyone.

    “The fauna and flora of ecotourism flourish in a viable environment. At DNGTC, we embark on a journey to foster a more sustainable future, which aligns with the UN SDGs and preserves the well-being of our planet for generations to come”, he said.

    Amb. Omotoso said the DNGTC is desirous to collaborate with the First Lady towards the Renewed Hope Initiative on Green Environment across the country.

    He stated further that this is a testament to Senator Oluremi Tinubu’s passion for environmental tourism which helps to raise awareness on environmental conservation both at the federal level and across the states.

    Amb Omotoso made it known that the forthcoming 2025 Destination Nigeria Governors Tourism Conference, DNGTC, scheduled for 7th October, 2025 at the Banquet Hall, Presidential Villa, Abuja, will harp on Climate Change, among others.

    “This is in relation to environmental tourism sustainability through insights that will shed light on the challenges posed by Climate Change while highlighting the innovative approaches and initiatives that strive to mitigate its impact globally”.

    The Destination Nigeria Governors Tourism Conference and Awards is in collaboration with the Nigeria Governors’ Forum, Federal Ministry of Arts, Culture, Tourism and Creative Economy, and the Africa- International Tourism Economic Council, AITEC World.

    The DNGTC, an historic event is being supported by the corporate sponsors which include the MTN, Aero Contractor, AirPeace, Eko Hotels, Envoy Hotel, Radisson Hotels Group, Nigeria Bottling Company, MUSIAD Nigeria, among others.

  • Ofala Festival: The catalyst for socio-economic growth of Onitsha

    Ofala Festival: The catalyst for socio-economic growth of Onitsha

    The annual Ofala Festival holding in Onitsha, Anambra State has grown in scope and recognition, incorporating international art exhibitions, lecture series, medical outreach and the youth carnival. This year, it will hold between October 17 and 18 with the theme Njiko na Ntachi (Unity and Perseverance). It has received endorsements from Nigerian Tourism Development Authority (NTDA) and a certificate of recognition for excellence in culture from United Nations World Tourism Organisation (UNTWO). In a chat with OZOLUA UHAKHEME, the Strategic Marketing and Communications Lead, Ofala Steering Committee, Mr. Nn’emeka Maduegbuna speaks on how the festival has become a big boost to local commerce with about N1 billion circulating through festival-related activities, how it fosters unity and sense of belonging, as well as serves as platform for heritage promotion and sustenance.

    With this year, the festival will be running for about six editions or more. What is the journey like since its maiden edition and the acceptability by the citizens till now?

    The Ofala Festival is indigenous to Onitsha, and it goes back to the founding of the town in the 16th century and is the highpoint of the Onitsha ceremonial cycle.  Rooted in deep spirituality, it usually falls due early to mid-October and is an occasion for the monarch to fulfill certain obligations. Ofala is essentially a celebration by the monarch and his subjects of the monarch’s inyepu ukwu na nlo eze (emergence from annual spiritual seclusion) during which period the monarch has successfully negotiated the fortunes of the kingdom. Ofala is also a reenactment of the joy which the monarch shared with his subjects, at the discovery that yam is non-toxic, and a valuable source of food. 

    The Ofala runs over two days. The first day, Iru ofala, is primarily for the monarch. It is attended by the Ndichie (redcap chiefs) and the monarch wearing his full regalia parades the arena of his palace on three different occasions, in full view of all present, and dances to the war drums. The second day Azu ofala is an elaborate display by the monarch’s subjects usually made up of age grade societies in their very colourful uniforms. Each society dances past the throne paying homage to the monarch.

    Beyond heritage promotion and sustenance, how has Ofala festival impacted the socio-economic well-being of an average Onitsha person?

    The growing popularity of Ofala Onicha also brings tangible social and economic benefits. Increased attendance translates into boosted local commerce, with nearly ₦1 billion circulating through festival-related activities. This direct investment benefits local traders, caterers, fashion designers, hoteliers, transporters, and other small businesses that support various festival stages.

    Participants and groups typically don elaborate and beautifully crafted attires. Age grades and dance troupes wear coordinated outfits, often commissioning new designs for the occasion. The Ndichie, Agbalanze and Otu Odu also invest in traditional regalias, creating substantial business opportunities for local tailors and designers. Food and drink expenditures for guests and performers provide additional income for local service providers. While these economic benefits may be subtle to the casual observer, they represent a vital revenue stream for the community.

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    The rise in business also drives employment, leading to broader social improvements such as reduced crime rates and enhanced quality of life. Beyond direct festival spending, there is also a sustained effort to develop and support young entrepreneurs and micro-businesses in the community through training and financing. Throughout the year, programmes supporting youth, women, and entrepreneurs including training, financing, and cultural events like the Golibe Festival are facilitated by the Onitsha Development Fund and other stakeholders, sustaining the festival’s socio-economic momentum.

    What level of inclusiveness has the festival achieved among women and youths?

    The entire community cutting across positions, age and gender is involved in the festival and has roles to play. This is also evident in the ceremonies preceding the Ofala. The Owuwaji (eating of new yam) is celebrated by all sections of the community. The monarch’s diviners prepare him for inye ukwu na nlo (annual spiritual seclusion). Whilst he is secluded, Ogbalido (feast of atonement) by brave men including ndichie takes place during which these warlords rejuvenate themselves. It is also an opportunity for the three senior ndichie to review the chiefs under their command. The women are quite active in the Ofala, their culinary activities, the display by the elite Otu Odu titled women, and their very visible role within the age grade societies that are a prominent feature of Azu Ofala, which is the second day. Ofala Youth carnival, which has evolved from the traditional early morning igba ilo Ofala, a round the town youth procession is designed to create awareness for the Ofala has become a major component of the Ofala.

    What makes this year’s edition unique?

    By its very nature, every Ofala is unique arising from the essence of the festival and the colourful display that characterises it. With these as a pedestal, we choose a theme for each year. Njiko na Ntachi (Unity and Perseverance), which is the theme for the 2025 Ofala Festival, serves as a reminder of the importance of community and resilience. By embracing this theme, the festival aims to: Foster Unity: Encourage individuals to come together, promoting a sense of belonging and purpose.

  • A painter’s penchant for dualism

    A painter’s penchant for dualism

    UK-based Nigerian contemporary artist, Abisoye Ojosipe is a chip off the old block, having trained at the Obafemi Awolowo University, Ile Ife, Osun State, renowned for its impactful creative influence of its famous ONA Movement. For him, bold colour, rich textures and expressive forms define his signature. He uses oil and acrylic paints to create captivating portraits while exploring powerful themes of resilience, identity and the intricate stories that make up the human experience.

    Thematically, Abisoye’s works are not only deep and thought-provoking but act as mirrors, which prompt viewers to reflect on fragility and resilience as well as the unspoken narratives of mankind. Some of his recent paintings speak to these themes as exemplified in works such as Echoes of Grace II, an exploration of quiet strength and the enduring presence of dignity. Painted in oil, the portrait captures a woman whose gaze extends beyond the canvas firm yet tender, reflective yet unshaken. Her natural hair frames her face like a crown, emphasising both her individuality and her rooted connection to heritage.

    The artist uses the golden background to provide a sense of timeless radiance, while the textured layers etched into the surface suggest the invisible marks of experience, memory, and resilience. But, the subtle contrasts between shadow and light across her skin embody the delicate balance between vulnerability and power, stillness and movement, softness and defiance. No doubt Echoes of Grace II is not a mere representation of a figure, but an evocation of presence as it calls forth the essence of grace as something lived and echoed across generations, an inner poise that cannot be diminished by time or circumstance.

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    In honour of African belief that the ‘self is never fully destroyed, only reshaped,’ the artist highlights that within brokenness lives a deeper wholeness waiting to be seen—not with the outer eyes, but with the inner one. Ojú Inú (The Inner Eye) in Yorùbá language speaks to the African understanding that true vision does not come only from what the eyes perceive, but from what the spirit feels. Painted in thick oil strokes that cut and drag across the canvas, the portrait becomes less about physical likeness and more about the unseen world of thought, memory, and silent endurance. The palette knife effect of the painting resonates with the underlining message.

    The fiery oranges and deep crimson tones recall the earth, blood, and ancestral presence, while the textured background of blue suggests the sky, vastness, and spirit. The tilted head and fractured features embody both vulnerability and quiet strength, echoing the African wisdom that resilience is not found in perfection, but in the ability to bend without breaking. Accentuating the content and forms of the painting in one breadth is the ‘duality of silence: silence as wound, silence as shield.’ But, in another, it is a meditation on identity, survival, and the fragments of the self that persist even when fractured.

    Drawing from his personal memories, cultural background and lived experiences, the artist excites the viewers with rare paintings that connect with people no matter where they are from. Such artworks include Whispers of Innocence, Whispers of Stillness and The Hope.

    In particular, Whispers of Stillness is a contemplative portrait that explores serenity, inner reflection, and the quiet power of self-awareness. The subject, rendered in warm earthy tones and delicate highlights, is caught in a moment of pause—eyes gently closed, lips softly held, and face turned slightly upward as though listening to an unspoken truth.

    Whispers of stillness’ textured surface, with its subtle ridges and flowing patterns, mirrors the unseen layers of identity, memory, and experience etched into the human spirit. The interplay of light and shadow across the figure emphasises both vulnerability and resilience, suggesting that true strength often resides in silence. At a much closer range, one finds that by allowing the figure to emerge from a deep, almost cosmic background, the painting generates a sense of intimacy and timelessness. It also invites viewers to encounter not only the likeness of a person, but the essence of stillness itself—a reminder of the beauty in slowing down, breathing deeply, and reconnecting with one’s inner world.

    The Hope is Abisoye’s throwback at the consequences of the global pandemic of COVID-19, during which lives were lost, businesses collapsed, thus forcing the world into a new way of living on virtual means.

    In 2021, the pandemic also provided opportunity for the artist to approach his practice with renewed energy and a deep sense of hope, which he captured in The Hope. The painting embodies his belief in new beginnings and the possibility of a brighter future not only for himself but for the world as a whole.

    With these five pieces, he sorts the images into thematic clusters that invite critical examination. But, each image prompts further reflection, underscoring paintings’ potential to spark new ideas and challenge existing ones.

  • The Drive To Start to be launched in Lagos

    The Drive To Start to be launched in Lagos

    A book, The Drive to Start – A Practical Roadmap to Building Businesses from Nothing by the convener of TRAVCONEXPO and Group CEO Aeroport Group, Dr. Oludayo Taiwo Gideon, a trailblazing entrepreneur known for turning challenges into opportunities will be launched at the Federal Palace Hotel, Lagos, on September 27, during the maiden edition of TRAVCONEXPO. 

    The book is designed to equip aspiring entrepreneurs with the tools, mindset, and strategies needed to transform business ideas into thriving enterprises. From business planning and operational management to cultivating the entrepreneurial mindset, The Drive to Start offers a clear, step-by-step guide to building and sustaining success even when starting with zero capital. Dr. Oludayo’s practical insights, drawn from over a decade of leadership and multi-sector business growth, make this work an invaluable resource for the next generation of business builders. Divided into four transformative parts, the book takes readers on a journey: Part One: The Struggle That Shaped Me: A raw and inspiring memoir of Dr. Oludayo’s rise from humble beginnings, navigating setbacks, and staying laser-focused on his goals.

    Part Two: The Mindset to Start from Zero: A powerful exploration of faith, courage, and grit, offering actionable steps for building with limited resources. Part Three: Building What Lasts: A blueprint for creating sustainable businesses through systems, structure, and people.

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    Part Four: Becoming a Builder of Builders: A call to leadership, legacy, and purpose-driven entrepreneurship.

    Dr. Oludayo said of his book: “This book is more than a business manual, it’s my life’s journey distilled into principles anyone can apply. If I could start with nothing and build something significant, you can too.”

    TRAVCONEXPO 2025 will be a perfect stage for the unveiling, bringing together travel and tourism leaders, innovators, and entrepreneurs in one of the year’s most anticipated industry events.