Category: Life – The Midweek Magazine

  • Facelift for 188-year-old Owu house

    Facelift for 188-year-old Owu house

    Balogun of Owu and former President Olusegun Obasanjo and other well-meaning sons and daughters of Owu Kingdom have been charged to make Itapa Olowu (Imoosa) a tourist centre, so people from across the world can visit the abode of Obatala.

    The call came from the Alojee of Owu Kingdom, Chief Babatunde Ojerinde, during the opening ceremony of the Itapa Olowu (Imoosa), renovated by the Sarunmi Owu Akinale of Abeokuta, Aremo Olusegun Oyindasola Ajani.

    The event, which coincided with the annual Aala Festival (Odun Obatala), the prime deity of the Owu people, brought together sons and daughters of Owu Kingdom from all walks of life in an atmosphere of immeasurable delight and celebration.

    The Owu sub-ethnic group is a part of the Yoruba people of West Africa. Ago-Owu in Abeokuta is where the Owus are mostly concentrated, however, large Owu settlements are found throughout Yorubaland

    The Itapa Olowu is the ancient abode where the Olowu must be domiciled pre-crowning. This is said to be the first building in Owu Kingdom built in 1834.

    According to Chief Ojerinde, Itapa Olowu means different things to different people.

    “It serves as the sacred house for  Owus where the Alojee presides in all traditional affairs. This house also serves as a centre where Alojee received visitors; it also serves as Alojee traditional court where Alojee presides over cases and passes judgment on all traditional worshipers. It is also said that all judgment presents Obatala pronouncements, and only  people with Obatala rites are only authorised to work with Alojee in Itapa Olowu (Imoosa),” he said.

    On the significance of the tittle Alojee, Chief Ojerinde said Alojee was the custodian of the Owu crowns, and they possessed the traditional responsibility of crowning the king. And this entails taking the king through all the relevant learning protocols and exposures in the course of his time in seclusion at Itapa Olowu over a period of three months.

    On when to expect a traditional ruler in Owu Kingdom, he said such information was the exclusive preserve of the king makers. He, however, talked about the check and balance system that provides for the sharing of powers between ruling house that produced the crown prince, the Alojee, and the Iwarefa who serves as the cabinet members in the kingdom. According to him, the separation of powers helps to maintain law and order in the governing systems in Owu Kingdom.

    “The Olowu for example, cannot be absolute in terms of decision making, as he cannot solely take decisions of community concern without the Iwarefas. The king cannot crown himself. That is the job of the Alojee who also represents a ruling house,” he said.

    He added that even though the Alojee is the custodian of the crown, he cannot wear the crown.

    The Alojee is also said to be the immediate brother of Obatala who assumed the functions of Obatala when he was no more.

    The Abore Owu who also is the Baba Orisa gbogbo Egba, Chief Oluwole Ogunlolu Ishola, expressed happiness to see this edifice which according to him, has been neglected for close to two decades being renovated and commissioned. Ishola who is the custodian of Obatala deity, disclosed that this is the first house that was built when Owu people moved to Abeokuta from Orile Owu, and the house contains the items of cultural and religious significance that came with them from Orile. He also charged the people to remember home and move towards contributing to the development of their roots.

    Aremo Olusegun Oyindasola attributed his decision to identify with the project to his great love for his people and the cultural identity that defines them as a people. He decried the state of backwardness among people of African descent which is not unconnected with  the disregard for culture and traditions unlike the Chinese, Japanese, Indians and Koreans, who are still very much  in tune with their cultural definition even in the face of globalisation.

    Oyindasola, who didn’t see any reason for people to be paupers in Africa, lamented that colonialism and its legacy were made possible because the whites succeeded in depriving us of our history, cultures and traditions. According to him, they demonise our monuments and artefats, but cart them away to become income generating objects in their musuems in Europe and America.

    Oyindasola also faulted the education system as counterproductive instrument of underdevelopment, rather than constructive instrument of development. “The system handed over to us is exploitative in nature. They determine the price of our raw materials which they buy at ridiculously low prices, and they determine the price to sell it to us after they have added value to the raw materials. We must take proactive steps to stop this narrative”, he said.

    He pledged to use every opportunity at his disposal to continue to stir up cultural rebirth to the end that so that Africans begin to place the right value on their traditions and culture for the common good of our society.

    Addressing the youths, he quoted the words of Lenin who said “he who has the youths has the future.” He, therefore, charged the youth not to allow themselves to be used as tools in the hands of politicians as thugs. The Chairman of the All Progressives Congress, Eti Osa Local Government, Lagos State, charged politicians to show genuine love to the youth by empowering them to take positive actions along the line of self-empowerment and skills, instead of being used as political thugs.

    Iyalode of Owu Kingdom Chief Adenike Lawal expressed gratitude to God for the opportunity of this great occasion, thanking Oyindasola who was instrumental to the renovation.  She urged other sons and daughters of Owu Kingdom to emulate such gesture.

     

  • Foundation extends services to Lagos

    Foundation extends services to Lagos

    Since 2012,  what started as a family passion of reaching out to indigent members within a community in Abia State, Connak Foundation has been actualising its aim of equipping  young people with vocational and trade skills to achieve self-sustainability; provide enabling social environment and support the socio-economic development of low-income communities.

    Within a decade, it has implemented various empowerment schemes and developmental projects that have impacted the lives of over 10,000 beneficiaries within southeastern Nigeria. At the last count, 179 students have been enrolled in ICT, 75 business ventures awarded startup grants of N63 million and 463 trained entrepreneurs.

    To help bridge the gap in healthcare services, the foundation has been carrying out free quality medical and surgical missions in partnership with healthcare professionals and it has been able to reach about 8,500 beneficiaries.

    Within Abia State, the foundation has executed many infrastructural projects such as the construction of Eze Utah Ring Road and the road into Ibeku High School, rehabilitation of Old Timber Road, in Afaraukwu, installation of 189 solar-powered streetlights; installation of five boreholes in Afugiri; renovation of Afugiri Primary Health Centre (PHC), and construction of a wellness fountain park at Federal Medical Centre, Umuahia.

    At the launch of the Lagos arm operations of the foundation, the CEO, Connak Foundation, Mrs. Caroline Emeka Sunday, said the foundation began its journey from Afugiri in Umuahia North Local Government Area of Abia State, and expanded to the 17 local government areas in the state,  with two state-of-the-art resource centres in Umuahia and Aba. She said the foundation leveraged community participation to deploy programmes which were carried out under five thematic areas: Educational development; ICT Training; Entrepreneurship Development; Healthcare Services and Community and Infrastructural Development.

    Mrs. Sunday said: “To commemorate this milestone of a decade in service to humanity, we are here to officially launch Connak Foundation in Lagos. Through the foundation’s presence in Lagos, we would provide empowerment and developmental opportunities to underprivileged persons in this part of the country. To start with, we conducted a need assessment in Igando community, Alimosho LGA and observed the challenge of access to clean and safe water. We have undertaken the installation of a borehole with complete water treatment and filtration device setup. This infrastructural development will alleviate the regular search and lift the financial burden of buying water amongst indigent families and guarantee access to clean, safe and potable water.

    “It is our goal to strategically implement sustainable projects that resolve critical needs amongst the underserved population. We have already deployed our field resources to carry out need assessment surveys in the region, to guide us in channeling available resources appropriately.”

    It was learnt that the foundation founded by philanthropist Mr. Ken Nnamdi Ukeagu, will embark on a three-month online training and two weeks training boot camp where participants can get funding up to $5,000. However, the programme is eligible for only Nigerians.

    Subsequently, in the evening of same day, there was an unveiling dinner that had lots of dignitaries in attendance. It was an evening of short speeches but more of entertainment. Popular comedian, Okey Bakassi and winner of last year’s talent hunt show, thrilled the gathering. There were performances by other artistes.

  • Origami expert tours Africa for peace

    Origami expert tours Africa for peace

    Origami expert, under the auspices of the Origami Society Nigeria, Oluwatobi Sodimu, has embarked on a tour to use the art of Origami as an intervention to improve post genocide healing, and help build social interaction in Rwanda and Kenya.

    The tour, which touched the East African and Central African countries, was targeted at integrating and helping the rest of Africa harness the Japanese Art which has immense and untapped benefits especially in improving wellness, social interaction and peaceable coexistence amongst Africans and globally.

    “Sharing the joy of Origami was a success in both countries as the people embraced the simple yet aesthetic Art of folding paper. They could relate with a childhood hobby that brought so much fun and spark. Origami the art of sculpting paper through simple folds into many objects, characters and animals need no talent or formal education like other art forms.

    “All that is required is a piece of paper and a mind ready to create.  It offers all the benefits of Art and greatly inspires creativity, improves focused attention, builds social interaction, helps reuse/recycle paper, bridge equality, a foundation for Engineering, Architecture and technology,” according to the founder of the Origami Society Nigeria, Sodimu.

    With the mind of use Origami as an intervention to improve post genocide healing, help build social interaction, promote peace across Africa. He said: “Rwanda is a community that is freshly recovering from the Genocide and the trip was a bid to use Origami as an intervention to improve post genocide healing, help build social interaction, promote peace and improve mental health.

    “Origami, an Art form that has served as a transformational catalyst in developed nations of the world with impacts in health, education, engineering and technology is still alien to Rwanda, Kenya and the rest of Africa.” he said.

    Sodimu is a creative entrepreneur that is focused on using creative engagements to improve mental health, creativity, critical thinking, promote disability inclusion, equality and peaceful coexistence.

    He was of the view that the art will greatly improve creativity in students. ”With its fast developing education, Origami will greatly improve creativity in students as it has diverse applications in maths, engineering and technology. And my interaction with native Kenya’s showed a lot of excitement to get the art across board. In 2018,the World Bank ranked Kenya the top African country for education outcomes,” he said.

    He is a member of the British Origami Society, Origami USA, Origami Therapy Association in New York, an Art in Medicine fellow and a recipient of the COVID Hero Award. He is also the Creative Director of iFoldedit Origami, a social enterprise and the Founder of Origami Society Nigeria, an initiative of iFoldedit and a registered Charity Organisation with the vision of creating global change and improving lives by helping others harness the several benefits of the creative art of folding paper. This, according to him, was done through their Origami Fellowship for students and professionals, workshops, collaborations with NGO’s, Health and educational Institutions, NGO’s, religious institutions, disability facilities and adult homes.

    For over five years, Sodimu worked with more than 4000 children and 1500 professionals to help channel their power of imagination into improved mental health, education and living a more productive life.

    Speaking on their experiences, some of the participants from across expressed their excitement. For a Kenyan Tourist I met in Rwanda, Nuseybah Hassan, learning the art was an emotional experience for her. “I am excited to have learnt an Origami art that she dropped at the mass graves to pay a last respect to the departed 250,000 souls that was put to rest at the memorial mass grave. Now I must say, this is Africa to the world.

    In fact this experience has taught me to make sure to spread kindness, love and more smiles even as you share art everywhere you go”.

    For Bonhare from Rwanda, “Origami is so much fun, I really would love to know more about the beautiful art and introduce it to my friends”.

    Daniela from Romania said:  ”It was so much fun. I will teach it to our children. We have a mission in Uganda.”

  • 42 years after, ex-Olowu family hosts anniversary

    42 years after, ex-Olowu family hosts anniversary

    The Chairman, All Progressives Congress,  Eti Osa Local Government of Lagos State, Aremo Olusegun Oyindamola, has made a case for the revival of African cultures and values, which are facing extinction.

    He spoke at the 42nd remembrance service of the late Oba Samuel Adebowale Akinjobi 1, who reigned as Olowu of Owu between 1975 and 1980.

    The service was held at the Chapel of Christ the Glorious King, Olusegun Obasanjo Presidential Library, Abeokuta, recently.

    Ajani said the many crises bedeviling Nigerians as a people were not unconnected with our inability to keep in touch with cultural values that serve as the bedrock for fostering peace, respect, human dignity, unity, progress and development in families, communities and nation.

    Oyindamola, who doubles as the Aremo of Itori Egba Land and Sarumi Owu Akinale of Abeokuta, decried the erosion of the communal reality which makes us unique as Africans. This, to him, largely influences the decadence, selfishness, corruption, and lack of accountability today in African societies.

    For him, the communal configuration of Africa makes everyone to be his brother’s keeper. It also ensured that children are well trained as everybody is a commitment for everybody.

    On the rationale for the remembrance, he said the event was organised to create a platform for reunion and unity among the ruling house and family members both at home and abroad.

    The first born of the deceased king, Erelu Christainah Aduke Adebowale Ogunkoya, thanked God who has kept the family in the last 42 years. She said it was a rare opportunity to connect with other family members some of whom she had not seen in many years.

    In his admonition and prayers, the Chaplain of the church, Reverend Femi Olajide, thanked God for the remembrance, but admonished the family to remain united in the bond of love.

  • RECTEM hosts conference on high-tech

    RECTEM hosts conference on high-tech

    In keeping with their mission to promote  students’ entrepreneurial and self-reliant skills and prepare them for the emerging challenges of post-COVID economy, Redeemer’s College of Technology and Management (RECTEM), Mowe, Ogun State has announced its screening of both students and non-students candidates for vocational and technical education.

    The programme, which will hold from May 17 to 19, is part of the second international conference of the institution with the theme: Vocational and Technical Education: Catalyst to National Development. The three-day event, which will be both online and on-site, seeks to develop in students transferable technological  skills such as Cyber security, ICT and software design, website development as well as other vocational and entrepreneurial trainings.

    Interested participants are expected to register on the school website, providing necessary information as well as the submission of necessary documents for sensitisation.

    The programme will also include presentation of scholarly papers on varieties of topics on technology, humanity, liberal art and nation building by students from diverse institutions. Papers are expected to be submitted on the school website, and are to be published in the school’s journal.

    Led by its Rector, Dr. Stella Mofunanya, the conference will feature lectures on liberal art and national development, electrical training and technological development, digital marketing and nation building, food nutrition and health technology, architectural designs, automation and control system, accountability and budget implementation, as well as other academic topics.

    In order to provide a suitable learning facility for candidates, the institution will also make available accommodations for both foreign and indigenous participants at a very affordable price.

    Other guests expected at the event include Mrs. Jahou Saamba Faal, Prof. Ibiwunmi Alade, Dr. Funso Odesola and Dr. Gbolade Soneye.

  • How Veeesax tells stories from the heart

    How Veeesax tells stories from the heart

    To ‘tell a story’ and most particularly to ‘tell your story’ is the well-worn advice for building a successful jazz solo.

    According to trumpeter and vocalist, Doc Cheatham, “If a guy plays a beautiful solo and he’s playing from the heart or he’s talking with his horn, we say, he’s telling a story.”

    Originality cannot be faked. I recently had the privilege and good fortune of listening to an album that embodies this fact. Sit back, relax and let me take you on a smooth jazz ride with Victor Ajayi, who performs under the moniker, Veeesax.

    A prolific musician and multi-instrumentalist, Veeesax’s passion for the brass has made him to specialise on the saxophone. The artiste, whose speciality is a core genre of Afro smooth jazz, has featured in more than 10 albums. Not only that, within the last five years, he has played in more than 30 stages across Nigeria and the UK.

    Right now, he has a fresh 2-track jazz album, Life’s Journey on the rack. The opening track, Peaceful Storm combines smooth vocals and cool guitar riffs to achieve an intricate sequence of notes that are musically satisfying. However, the piercing sound of a lone trumpet interrupts the melody, but this is immediately muffled by the throaty, powerful sound of Veeesax’s saxophone. It’s like experiencing peace in the midst of a storm.

    Veeesax’s diverse orchestra experience and his background as an instrumentalist in the choir all come to play in the track, Not Alone. The result is a gospel infused, smooth jazz. For over a decade, Veeesax has been a part of the Living Faith Church choir brass team, garnering a record of over 1,000 appearances as well as performing in front of a live audience of over 100,000 every week. He has also championed and arranged at least 10 brass bands that performed at Shiloh, an annual event that welcomes over a million congregants.

    On this album, Veeesax is a jazz musician, composer and soul healer who splashes his sheets of sound over the troubled waters of our everyday life. In deed, for over three weeks, I haven’t stopped listening to this album. Whether drawn from his own experiences or those of others, Veeesax speaks to us all: men and women; husbands and wives, lovers and lost loves. We hear his rich, plaintive saxophone and somehow we know that everything is going to be alright.

  • ‘Why I wrote book on Leah Sharibu’

    ‘Why I wrote book on Leah Sharibu’

    A new book on Boko Haram captive Leah Sharibu will be unveiled at the Sheraton Hotel, Lagos, on May 14. She was in 2018 kidnapped with more than 100 other schoolgirls in Dapchi, Yobe State, by Boko Haram terrorists, and is the only one still in captivity because she refused to renounce her Christian faith.  The book, titled Heroine of Faith, also deals with the nature and essence of religious faith and the country’s fight against terrorism. The author, Rafiu Kuteyi, a pastor of the Redeemed Christian Church of God (RCCG), Victory Court Parish, Lagos, in this interview with Femi Macaulay, speaks about his new book.  

    Why did you write this book, Heroine of Faith?

    This book came into being by divine leading. God drew my attention to the significance of the unbeatable decision that Leah took at the expense of her life and freedom as a little Christian, which many of us as adult believers may find extremely difficult, if not totally impossible, to take if we were to be in her shoes. So, for this reason, Leah is a heroine of the Christian faith that deserves to be celebrated by all. My goal as the author of this book is to create global awareness and draw attention to the story of Leah Sharibu, the heroine of faith of our time, to get us better informed about the global issue of terrorism and also to get us involved in finding solutions to this menace.

    How long did it take to write the book?

    If I remember correctly, it took a period of one year and three months.

    What challenges, if any, did you face?

    Yes, there were a few challenges while putting the book together. And this is due to the socio-political nature of this particular book which made it much different from the other two Christian faith-based books l had written before now. So it is as a result of the uniqueness of the book that it became pretty difficult for me, as I had to engage myself in a whole lot of research, both social and political. I tell you, this is something I was not used to prior to this time. However, the grace of God was there to help me through. And this I will never take for granted, May His name be praised forever.

    What lessons can people learn from Leah’s experience?

    Thank you for this question. Really, there are a whole lot of lessons we can learn from this heroine of faith called Leah. And I believe you wouldn’t want to dispute what I have just said, considering her display of extraordinary courage and unwavering faith in God as a little Christian girl. This is why she remains in captivity with her abductors up till now. However, we shouldn’t forget that it is her unequalled faith in God that has made Him promote her from obscurity to a girl of global relevance. Believe it or not, Leah has today become a global icon of the Christian faith. The lessons here are clear, just as seen in Leah, which are: demonstration of big faith in God has nothing to do with age, education, pedigree, or spiritual titles as a person. And also God is able to raise anyone who can conquer his or her fear, and would not deny Him before men but rather stand with Him in faith even in the face of possible martyrdom.

    It’s been four years since she was kidnapped. Do you think she will be released or rescued someday?

    This question is thoroughly addressed in the book under the sub-title: For Leah, Any Hope? Yes, I strongly believe that one day Leah will regain her freedom. God will bring her back to us, for with God all things are possible. For as Christians, we do not walk by sight, but by faith in the God who can do all things. So, I will never give up on the hope of seeing this “little but mighty” heroine of faith, returning home to our welcome embrace. I will also want the admirers of Leah all over the world to have faith and hope even as we press for her release from her abductors.

    What is your view on the level of insecurity in the country? 

    Truly, the answer to this question can also be found in the book. Without doubt, it is evident that the issue of insecurity in our dear country Nigeria that led to the kidnapping of Leah alongside her other schoolmates has not in any way decreased. This is a fact that no reasonable person will deny. In my view, though, the Nigerian government is doing the best they can to address this menace but the monster of insecurity ravaging our land seems to be too large for the government alone to deal with. However, even as our government takes the lead since the provision of security remains their primary responsibility, we all should be ready to give them our necessary support.

    Thus, we must all come together in unity and stay strong on this issue so as to defeat the common enemy threatening the sovereignty of our country. All hands must be on deck concerning this needless bloodshed. And I trust God to fight for us as a nation.

    What do you think should be done to tackle the security crisis?

    Our government really needs to do more than they are presently doing. The present security architecture needs to be critically looked into with changes made where necessary. Basically, every crime is local; therefore the Federal Government must be willing to give more power, in terms of security, to both state and local governments, for effective policing. The Federal Government should be attentive enough to listen to this popular cry from the majority of Nigerians. So also the government must have the political willpower to name, shame and bring to justice those people responsible for our current security crisis. Finally, our government must pay serious attention to the issue of remunerations and general well-being of our security personnel as this will motivate and embolden them to be more offensive in operation and more aggressive than they are presently in the war against terrorism and other criminal acts going on in our dear nation.

  • Plights of widows in The trial and other stories

    Plights of widows in The trial and other stories

    Title: The Trial and Other Stories

    Author: Ifeoma Okoye

    Reviewer: Dr. Bukar Usman

    Publisher: African Heritage Press New York, Lagos (2005)

    Pagination: 86

    The book, The Trial and Other Stories written by Ifeoma Okoye, contained nine stories about widowhood in Igbo land. Much of the settings are in Enugu, Enugu State where the author is based. Other places mainly in Igbo land include Onitsha, Abakaliki and Owerri and several villages. Outside Igbo land the settings include Lagos, Kano, Ibadan and Calabar.

    The first story, Soul Healers, is about a woman who resides in Lagos but had her two children schooling at Owerri. One was aged five and half while the other was 4. Her husband was a civil engineer at Kano when his business collapsed. Though the woman was a graduate she was jobless. A friend of hers found her a job in a bank in Lagos. She defied her husband and left with the children to take up the job. The husband who refused to follow them died suddenly from stroke. His relations accused the woman of the death of her husband by abandoning him in Kano. To punish her, they took away the children from her, put them in custody of the husband’s elder sister at Owerri where they were put in school. She was warned not to visit them. She did not obey the instruction. The children are her soul healers and was prepared to die for them.

    The second story titled: Between Women is about a woman who was an orphan and a widow. Her five and half year-old daughter lived with her mother-in-law in a village in Ebonyi State while she took a job at Enugu as a domestic servant and had not seen her daughter for nearly two years. She had wanted to bring the daughter to Enugu but the wife of her employer would not agree. She asked for permission several times to go and visit the daughter, but the wife of the employer who proved to be insensitive to her plight would not agree. The widow could not afford to leave the job even though she was paid a pittance.

    “Strange Disease” is the title of the third story in which a widow’s brother-in-law insisted on marrying her. She did not want to but was afraid to tell him because he might harm her and her two teenage children. As a way out, she pretended that she had a strange venereal disease and stripped naked before the man to prove her point. It was at that stage that the brother-in-law left her for good.

    “The Trial” is the fifth story that also doubles as the title of the book. It is a story about another widow in a village who was put on trial by a team of 30     women made up of her husband’s relations, accused her of poisoning him. Hence, the traditional trial which if proven she would die within 28 days of the trial. Even her mother advised her to undergo the trial or else she and her relations would be ostracised by the whole town and condemned her as a husband killer.

    Other stories included “The New Business Woman” (the tale of a woman whose husband was a motor spare part dealer at Enugu before he died of hepatitis but resolved to continue running the business even though she doesn’t know how and the business was virtually a male dominated business); “From Wife to Concubine” (a narrative of a widow who aside from being subjected to dehumanising widowhood rites, her brother-in-law went about telling people that she was only a concubine); “Second Chance” (a case of a widow in a dilemma as to whether to marry and leave the children or remain alone in poverty); and “Daughter for Sale”.

    The fate of widows and their children in Igbo land depicted in the stories as it concerns inheritance and the traditional rites widows are made to pass through, is somewhat pitiful and horrifying. While some of the practices might have served the society in the past, they evidently require a serious review in modern times.

  • Amstel partners The Mix Africa to launch PUMA store

    Amstel partners The Mix Africa to launch PUMA store

    Amstel Malta Ultra and top-quality sports brand, The Mix Africa, brought all the fun and lit up the walls of the Jabi Lake Mall at the grand opening of the flagship PUMA store in Abuja.

    The event was an eclectic mix of athletic style, fashion and great vibes as guests celebrated yet another PUMA store opening in Nigeria. Attendees included A-list socialites, Abuja sport and fashion influencers, fitness enthusiasts and the brand’s esteemed customers, who had the opportunity to meet and network with ace musician and global PUMA ambassador, Davido and former Senate President Dr. Bukola Saraki at the event.  Guests had their fill of delicious hors d’oeuvres and, of course, were refreshed by chilled cans of Amstel Malta Ultra.

    Senior Key Accounts Manager, Nigerian Breweries Mr. Olukayode Akintola affirmed the brand’s commitment to promoting a healthy lifestyle through sports. “With health and fitness being our greatest priority at Amstel Malta Ultra, the brand believes in the importance of advancing sports culture in Nigeria. This is why we are supporting PUMA on the grand opening of this exquisite outlet to make sports wears accessible to all Nigerians. Being a brand of so many firsts in championing a healthier alternative for Nigerians, Amstel Malta Ultra has repositioned itself as the number one malt drink of choice for all consumers, especially among the teeming health-conscious class,” Akintola said.

    As a health and fitness inspired brand, Amstel Malta Ultra remains a top choice of healthy refreshment for sportsmen, health and fitness enthusiasts. It is the first-ever, no-added-sugar malt drink in Nigeria, fully enriched with Vitamins and Minerals to deliver healthy refreshments, premium nourishment with superior taste.

  • Fresh move to regenerate tradition, identity at Pantheon

    Fresh move to regenerate tradition, identity at Pantheon

    Afro beat legend, the late Fela Anikulapo Kuti and Lagbaja, the masked man and saxophone wizard share many things in common. Beyond being talented as Afro beat singers and composers, they are both masters in wing instrument. But, last week, the legacies of the two musical icons took centre stage at a joint art exhibition held in Lagos.

    While one of the two exhibiting artists showcased the portrait of Fela and Gele Odun, a thread on linen, showing a lady with a head gear reminds viewers of Lagbaja’s Gele odun, classical songs by the two musicians welcomed guests to the opening ceremony. Interestingly, the two artworks are positioned on opposite walls of the hall.

    The exhibition tagged Me & Him, by Oluwatosin Toromade and Temitayo Badru opened last Monday at The Art Pantheon Gallery, Oniru, Lagos to honour tradition and personal history. It also offered a space to reflect, appreciatively, on individuals’ identity as well as on the various phases of the artists’ journey that make them who they are.

    The two artists are graduates of the same department at the Obafemi Awolowo University (OAU), Ile Ife and are making success of their careers. In 2019 they held individual solo exhibition between October and September.

    Badru, who hails from Abeokuta in Ogun State, has built an œuvre that draws inspiration from Yoruba tradition and cosmology. According to him, he is keenly interested in amplifying the etymological meanings of traditional adire eleko patterns. Myths, folklore, proverbs, and spirituality animate his works.

    Explaining the concept behind a fitting Gele (head gear), Badru said: “In Yoruba setting, there is a proverb that says Gele o dun bi ka mo we, ka mo we ko dabi ko yeni. When women wear their attire, they have to put Gelé. It is not that you know how to tie it, that is a different ball game. But, for the Gelé to fit you is another thing entirely.

    Badru who specialises in textile started using thread while at the university. “And there’s no way you’ll pass through textile department, that you won’t be given embroidering assignment,” he recalled.

    For Toromade, he started the sojourner series in his last solo exhibition and also showcased it here.  “So basically, it’s just the same person. We are looking for the same thing. The guy pushing the wheelbarrow, a woman carrying the child, everybody is on a journey to better themselves. It is a complimentary series,” he said of Celebrating Sojourner.

    With this show, Art Pantheon Gallery is regenerating new approach in promoting identity, tradition and personal history. And capturing the theme in incendiary visual culture are two artists whose individual skills generate unique aesthetics and insights.

    Among artworks showcased at the exhibition Breathe, Problem No Dey Finish (acrylic on canvas); Balloon Series Masked and Proud (acrylic and charcoal on canvas); and Tribute To Eden II (oil on canvas). Others are King Makers (The osugbo), acrylic and new print on canvas, Gele Odun III, (thread on linen, TRMW (gratitude) acrylic on canvas, Self portrait (Taste and feeling series) thread acrylic on linen, Ayaba and Celebrating sojourners.

    With these and other artworks, the artists weave some kind of suspense around the Me & Him theme of their painterly convergence. Curator and Founder Art Pantheon Gallery, Nana Sonoiki said. “What energies and renewed awareness are created at the boundaries of interaction between the sojourn of the individual and the legacies of tradition?” Sonoiki explained: “Me & Him is, among other things, about the insights we reap from this kind of reflection. The two artists are Nigerians who grew up in the country, and their works reflect this much.”

    Toromade, born in Lagos and educated in Ife, paints figures that bear the dissatisfaction, struggle, tenacity, and joy that Nigerians anywhere would recognise. His figures in his Balloon and Sojourner series typify these aspects of our character as a people and invite us to ponder them closely. The exhibition will remain open till May 22.

    Art Pantheon, which opened in 2020 consists of a team of professional and creative minds who believe strongly in contemporary African art. The team specialises in exhibitions, documenting private and corporate collections. Also, they contribute to global art economy by offering services such as appraisals and valuations for insurance and market evaluations.