Category: Arts & Life

  • Nnena Kalu makes history with Turner Prize win

    Nnena Kalu makes history with Turner Prize win

    Nnena Kalu has won this year’s Turner Prize, the UK’s most high-profile art award, for her “bold and compelling” sculptures and drawings – and has made history as the first artist with a learning disability to win.

    The judges praised Kalu’s brightly coloured sculptures – which are haphazardly wrapped in layers of ribbon, string, card and shiny VHS tape – and her drawings of swirling, tornado-like shapes. Kalu, 59, is an autistic, learning disabled artist with limited verbal communication.

    Charlotte Hollinshead, who has worked with her for 25 years, said on stage at the ceremony: “This is a major, major moment for a lot of people. It’s seismic. It’s broken a very stubborn glass ceiling.”

    ‘Idol, legend, winner’

    In a moving speech delivered alongside Kalu, she said: “This amazing lady has worked so hard for such a long time.

    “It’s wonderful she’s finally getting the recognition she rightly, rightly deserves.”

    Kalu and her supporters wore rosettes saying “Idol, legend, winner, whatever”

    Glasgow-born, London-based Kalu was announced as the winner of the award – and its £25,000 prize money – at a ceremony in Bradford, the UK’s current city of culture, on Tuesday.

    She accepted the honour while wearing a rosette bearing her photo and the words: “Idol, legend, winner, whatever.”

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    Kalu has been gradually gaining recognition in the art world in recent years after working as a resident artist with Action Space, which supports artists with learning disabilities, since 1999.

    ‘Incredible amount of discrimination’

    Ms Hollinshead, her studio manager and artistic facilitator, said: “We are so happy that Nnena’s talent and beautiful work is now out in the world for you all to see this complex artist who creates gorgeous, complex forms – all while listening to disco music, often as loud as possible.

    “Nnena’s career reflects the long, often very frustrating journey we’ve been on together… to challenge people’s preconceptions about differently abled artists, but especially learning disabled artists, an important creative community so undervalued.

    “When Nnena first began working with Action Space in 1999, the art world was not interested. “Her work wasn’t respected, not seen, and certainly wasn’t regarded as cool.

    “Nnena has faced an incredible amount of discrimination, which continues to this day, so hopefully this award smashes that prejudice away. “Nnena Kalu, you’ve made history!”

    ‘Beautiful intricacy’

    Kalu’s work has divided opinion among art critics, but the Turner Prize judges were impressed by the “really compelling sculptures and drawings that could only be made by Nnena”, according to the jury chairman, Tate Britain director Alex Farquharson.

    Her drawings, which come in sets of two or three near-identical shapes, have “a beautiful intricacy to them” and “look like swirling vortexes”, he said.

    Her sculptures, meanwhile, are hanging shapes covered in reams of re-purposed materials including fabric, rope, parcel tape, cling film and paper. They resemble three-dimensional versions of abstract expressionist paintings, Mr Farquharson said.

    “But they’re not paintings, they’re not flat on the wall. They’re suspended in the space that you’re in, like brightly coloured rocks or creatures.

    “They’re at almost your eye level. Although there are no figurative features at all, they appear to be communing among themselves and with you.

    “The use of materials is highly unusual, including video tape that gets wrapped round and round. “The colours and the lines the materials make are very like brush marks translated into three dimensions. They’re very gestural, they’re very expressive, they’re very compelling.”

    ‘Quality and uniqueness’

    The judges deliberated for two or three hours, Mr Farquharson said, and stressed that their choice of winner was based purely on merit.

    “The result wasn’t about wanting, first and foremost, to give the prize to Nnena as a neurodiverse artist. That wasn’t a driving factor,” he said.

    “It was an interest in, and a real belief in, the quality and uniqueness of her practice, which is inseparable from who she is.”

    “It breaks down walls between, if you like, neurotypical and neurodiverse artists. It becomes really about the power and quality of the work itself, whatever the artist’s identity is.

    “So maybe what’s historic about it is it’s one more move to include really great neurodiverse artists in the picture we present of art today.”

    All of the shortlisted artists’ works are on show at the Cartwright Hall gallery in Bradford. The result was announced at a ceremony at Bradford Grammar School, the former school of artist David Hockney.

    Works by all four shortlisted artists are currently on show at the Turner Prize exhibition at the nearby Cartwright Hall gallery, which will run until 22 February 2026. The other nominees were Rene Matić, Zadie Xa and Mohammed Sami, who will receive £10,000 each. The Turner Prize has been the UK’s most coveted and controversial art award since it was founded in 1984. Past winners include Lubaina Himid, Jeremy Deller, Grayson Perry, Steve McQueen and Damien Hirst.

    • Culled from BBC

  • The Pounding Widow: Simple, powerful story that stays with you

    The Pounding Widow: Simple, powerful story that stays with you

    Ngozi Uma has made a beautiful entrance into the world of children’s literature with her captivating book, The Pounding Widow. Though short and written in very simple language, the story carries deep emotions, strong lessons, and moments that young readers will not forget.

    The book follows the life of Efere, a young widow whose husband dies only a few days after their wedding. Her grief is so heavy that it affects her mind and her daily life. She stops eating, refuses to bathe, and spends hours crying at his grave. At night, she pounds away at something in her mortar, making loud sounds that disturb the entire village. No one knows what she is pounding, and this mystery keeps readers curious.

    The turning point comes when a brave little girl pretends to be possessed by a spirit and runs into Efere’s room, determined to find out the truth. This moment pushes the story forward and keeps children eager to turn the next page.

    Ngozi Uma writes with clarity and purpose. She uses simple words, clean narration, and vivid descriptions that make the scenes easy for children to imagine. One touching moment in the book describes Efere remembering how she had once hit her head on a mud bed during one of her episodes  a memory that shows both her pain and her strength without being too heavy for young readers.

    Each chapter ends with questions to help children understand and remember what they’ve read. This makes the book not just entertaining but also educational.

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    With 86 pages of simple, relatable storytelling, The Pounding Widow is perfect for young readers. Many have described it as short, engaging, and straight to the point. Beyond the mystery and emotions, the book teaches important lessons about loyalty, promises, and staying true to one’s word.

    Ngozi Uma is a Mass Communication graduate from the Nigerian Institute of Journalism and has spent over a decade as a professional journalist. She writes for Daily Independent Newspaper as a columnist, relationship counselor, and a reporter.

    In 2025, she won the Diamond Excellence Award as the Top Female Media Performer of the Year. She is also a content creator who uses her communication skills to produce meaningful and engaging content for a wide audience.

    With The Pounding Widow, she adds “children’s author” to her growing list of achievements and she does it with grace, heart, and simplicity.

  • Breakfast Club hosts strategic dialogue

    Breakfast Club hosts strategic dialogue

    Lagos Business School (LBS) Breakfast Club recently convened an exclusive session that brought together senior executives and industry leaders, to examine Nigeria’s trajectory toward becoming Africa’s leading hub for manufacturing and services.

    The LBS Breakfast Club serves as a premier platform for knowledge exchange among top-tier business leaders. It provides actionable insights on economic trends shaping organisational success across Africa and fosters dialogue that drives strategic decision-making.

    The session began with an in-depth briefing on Nigeria’s 2026 Economic Outlook, delivered by Managing Director of Financial Derivatives Company (FDC), Bismarck Rewane.

    The analysis highlighted macroeconomic shifts, market dynamics, and policy indicators critical for long-term growth strategies.

    Following this, a fireside chat featuring Aliko Dangote, Chairman of Dangote Group, moderated by Prof Olawale Ajai of LBS, explored the theme: Challenges and Opportunities for Making Nigeria the Leading Manufacturing and Services Hub in Africa. Discussions focused on structural drivers of industrial growth, including backward integration, local production, and leveraging the African Continental Free Trade Area (AfCFTA).

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    Participants engaged in an interactive session addressing supply chain resilience, private-sector-led growth, and the role of innovation in strengthening Nigeria’s competitiveness. The dialogue underscored the urgency of aligning policy and investment to unlock industrial potential and position Nigeria as a regional powerhouse.

    This event was supported by First Bank of Nigeria, Optimus Bank, Cowry Asset Management Limited, and Afrinvest Limited partners committed to advancing executive education and fostering a robust business environment in Africa.

    By convening critical conversations on Africa’s economic future, the LBS Breakfast Club reinforces its mission to develop responsible leaders equipped to navigate and shape the continent’s evolving business landscape.

  • NCC presents Moses Ekpo prize to Evelyn Osagie’s family

    NCC presents Moses Ekpo prize to Evelyn Osagie’s family

    The Nigerian Copyright Commission (NCC) has posthumously conferred the maiden Moses Ekpo Prize for Innovative Copyright Reporting on Evelyn Osagie, former Assistant Editor (Arts) with The Nation Newspaper. The award honours her outstanding commitment to Nigeria’s creative sector, her distinctive and incisive reporting style, her sustained support for the Commission’s enforcement initiatives, and her exceptional courage in exposing the dangers of piracy while deepening public understanding of copyright.

    The presentation of the prize was held on Monday, 22 December, in the premises of The Nation Newspapers and it coincided with the birthday of Mr. Moses Ekpo, MFR.

    Presenting the prize, the Director-General NCC, Dr. John Asein expressed the hope that the award, comprising a commemorative plaque and a cash prize, would inspire a new generation of journalists to pursue excellence, curiosity, and courage in telling Nigeria’s copyright story. He described Evelyn Osagie’s journalism as thoughtful, accurate, and people-centred, noting that her work consistently amplified the voices of creators and translated complex copyright issues with clarity, integrity, and empathy.

    According to him, the Prize also affirms the indispensable role of responsible journalism in shaping public understanding and informing policy outcomes within the creative economy.

    Speaking via telephone, Moses Ekpo, MFR, in whose honour the prize was instituted, thanked The Nation for its longstanding support of the Commission and its consistent promotion of copyright awareness. He noted that the award reflects the enduring partnership between the media and the copyright community in advancing respect for creativity and the rule of law. Mr. Ekpo is the immediate past Deputy Governor of Akwa Ibom State and the pioneer Director-General of the NCC.

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    In her remarks, the Director of the NCC Lagos Office, Lynda Alphaeus, commended Evelyn Osagie’s contributions to copyright education among children, particularly her support for the strengthening of Copyright Clubs in schools. She expressed appreciation to The Nation and the Osagie family for what she described as “the gift of a soul like Evelyn to the Commission,” and prayed for the peaceful repose of her soul.

    Responding on behalf of the newspaper, the Editor, Adeniyi Adesina, thanked the Director-General and the NCC team for honouring their late colleague and reaffirmed The Nation’s continued support for the Commission’s mandate and programmes.

    In accepting the Prize on behalf of her family, Evelyn’s sister, Ms. Patience Osagie thanked the NCC for the noble gesture and for demonstrating its love for the creative writers and showing that her sister’s efforts were not in vain.

  • Lagos Business School graduates 436 executives

    Lagos Business School graduates 436 executives

    Pan-Atlantic University (PAU) and its graduate business school, Lagos Business School (LBS), recently concluded two weeks of academic celebrations, reaffirming the university’s commitment to developing ethical leaders and industry-ready professionals. The season of excellence culminated on December 13, with the graduation of 436 executives from LBS, following the University’s 22nd convocation ceremonies for 266 undergraduate and 236 graduate students the previous weekend.

    The executive graduation, held at the Honeywell Auditorium on the LBS campus, marked the completion of seven flagship Executive Education programmes: Global CEO Africa Programme (GCEO-A), Chief Executive Programme (CEP), Advanced Management Programme (AMP), Owner-Manager Programme (OMP), Senior Manager Programme (SMP), Agribusiness Management Programme (AgMP) and Management Acceleration Programme (MAP).

    Drawn from diverse industries, including finance, technology, manufacturing, healthcare, and agribusiness, and representing multiple African countries, these leaders are now equipped to drive innovation and sustainable growth in an increasingly complex global landscape.

    Prof Olayinka David-West, Dean of Lagos Business School, emphasised the school’s mission to nurture responsible leadership. She stated:

    “Africa’s future will be shaped by leaders who combine competence with character, strategy with stewardship, and empathy with a focus on goals. That is why business ethics, sustainability, and good governance are embedded in all our programmes. They are not electives, but pillars of our identity as a school.”

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    Founder and CEO of SecureID Group and an alumna of the LBS Chief Executive Programme Mrs Kofo Akinkugbe delivered keynote address, and shared lessons on resilience while highlighting the importance of values-driven leadership. She noted that ‘ethical leadership goes beyond pecuniary issues. It means benchmarking and adhering to global standards and best practices even when the local laws, regulations, and standards do not demand it.’

    Earlier, the University’s convocation ceremonies celebrated academic excellence across its schools: the School of Media and Communication (SMC), the School of Science and Technology (SST), the School of Management and Social Sciences (SMSS), and Lagos Business School (LBS). The event spotlighted Dumebi Valerie Duru, who emerged as the best graduating student with a perfect 5.0 CGPA.

     In her charge to the class, Vice-Chancellor Prof Enase Okonedo urged graduates to act as ambassadors of integrity and professional excellence as they transition into the workforce.

    Both ceremonies concluded with the formal induction of graduates into the Pan-Atlantic University and Lagos Business School Alumni Associations. Welcoming the executive graduates, Mr Valentine Okelu, Vice-President of the LBS Alumni Association and CEO of Neimeth International Pharmaceuticals, encouraged the newly inducted alumni to leverage the globally connected network for collaboration and impact.

  • Lagos empowers next generation of business leaders

    Lagos empowers next generation of business leaders

    Lagos State Government has reaffirmed its commitment to economic inclusion, wealth creation, and job sustainability as beneficiaries of the Startright Lagos Entrepreneurship Programme graduated and pitched innovative business ideas at a graduation and business pitching ceremony held last Thursday at the Adeyemi-Bero Auditorium, Alausa, Ikeja.

    The programme, which commenced with 250 aspiring entrepreneurs and MSME owners from across the state, was designed to equip participants with practical skills, the right entrepreneurial mindset and strong business foundations required to build viable enterprises capable of creating jobs and contributing meaningfully to Lagos’ growing economy.

    Chairman  House Committee on Wealth Creation and Employment, Hon. Foluke Osafile described the programme as a timely and strategic intervention that empowers young people to build financially sustainable businesses.

    She commended Governor Babajide Olusola Sanwo-Olu and the Ministry of Wealth Creation and Employment for their sustained commitment to youth empowerment and economic development, noting that the programme clearly reflects a Lagos that is working.

    Honourable Commissioner for Wealth Creation and Employment, Hon. Akinyemi Ajigbotafe described Startright Lagos as a deliberate, results-driven initiative designed to move Lagosians from ideas to execution and from survival to sustainability.

    According to him, the programme goes beyond conventional training, focusing on building confidence, discipline, and capacity, stressing that “Startright Lagos is about helping our people start right, grow right, and build businesses that will stand the test of time,” while reaffirming the state government’s commitment to empowering citizens to become wealth creators and employers of labour.

    Implemented in partnership with W-Holistic Business Solutions, the programme featured weeks of intensive training in financial literacy, record keeping, brand development, digital skills, and business growth strategies. Participants underwent a blend of physical and virtual bootcamps supported by hands-on mentorship and exposure to real-world business tools.

    Permanent Secretary, Ministry of Wealth Creation and Employment, Mrs Lolade Aina emphasised that StartRight Lagos was designed to help entrepreneurs build strong foundations from the outset, noting that many businesses fail not because ideas lack potential but because they are built on weak structures. She added that the quality of ideas presented reflected the effectiveness of the training and the readiness of the graduates for long-term success.

    Also, Permanent Secretary of the Ministry of Youth and Social Development, Pharm. Mrs. Oluwatoyin Oke-Osanyintolu, highlighted Lagos’ youth population, estimated at 60 per cent, as a major asset for economic growth while stressing the need for targeted skills development and strategic collaboration to fully harness its potential.

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    Managing Director of Prothrive Astute Heights Ltd Mrs. Oluyemisi Obe emphasised the importance of intentional foundations, resilience and continuous learning in building sustainable businesses.

    Providing an overview of the programme, the founder and Chief Executive Officer of W-Holistic Business Solutions, Mrs. Lanre Oniyitan outlined the structure and outcomes of the initiative, while the Ministry commended facilitators, mentors, and members of the panel of judges for their professionalism and dedication.

    The high point of the ceremony was the final pitching session, where Ms. Oluwakemi Olajiyan of Nutraboom Nutrition emerged overall winner, receiving ₦2 million. Ms. Olamide Olajide of Shoniverse Leathers emerged winner of second prize of ₦1.5 million, while Ms. Deborah Fadunsanya of The De Savour Shop emerged third with ₦1 million. In addition, 30 existing business owners received laptops, while 170 participants were supported with financial grants.

    The event rounded off with certificate presentations and moments of celebration, with the cutting of the graduation cake reflecting the Ministry’s core values of purpose, excellence, and growth.

    Startright Lagos is a flagship initiative under the THEMES Plus Agenda of Governor Babajide Olusola Sanwo-Olu, aligned with the administration’s vision for economic inclusion, skills development, wealth creation, and sustainable employment.

  • Nigerian Breweries, Terra Kulture partner to celebrate women resilience

    Nigerian Breweries, Terra Kulture partner to celebrate women resilience

    Nigerian Breweries Plc has hosted industry leaders, partners, creatives, and cultural stakeholders to an inspiring and thought-provoking theatre experience tagged An Evening with Thibaut Boidin, featuring the premiere of the new stage play Dear Kaffy – The Diary of a Single Woman in Nigeria, held recently at the Terra Kulture, Lagos.

    The play, written and directed by Bolanle Austin-Peters, Managing Director Terra Kulture, presents a multi-layered narrative that interrogates identity, womanhood, resilience, and the often-ignored struggles faced by women who are judged by societal marital timelines rather than personal fulfillment.

    Managing Director, Nigerian Breweries Plc, Thibaut Boidin highlighted the significance of hosting the evening in a theatre, noting that the initiative mirrors the ecosystem within which the company operates, where collaboration, discipline, and creativity come together to create shared meaning.

    “Art is one of the most powerful forms of communication because it transcends boundaries and speaks directly to the soul. As we enter the festive season, we wanted to connect differently – with heart, with culture, and with the creativity that makes Nigeria so special. I hope tonight touched you the way Nigeria has touched me in my first five months here,” he said.

    Austin-Peters expressed profound gratitude to Nigerian Breweries for their unwavering support of the arts, noting that their partnership has sustained and expanded the creative economy for over two decades.

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    She stressed that the company’s immeasurable contribution to culture has helped elevate Nigerian theatre to international stages, from London to Egypt, enabling thousands of young people to build sustainable creative careers.

    “I am deeply grateful to Nigerian Breweries and Amstel Malta for their unwavering support over the years. Their commitment to the arts has enabled thousands of young creatives to find their voice and build sustainable careers. This partnership continues to remind us that when organisations invest in culture and storytelling, they invest in the soul of a nation. For us at Terra Kulture, Dear Kaffy is more than a stage play; it is a bold reflection of the silent struggles, resilience, and emotional journeys that many women face in our society. We wanted to tell a story that is honest, relatable, and empowering, especially for women who are constantly judged by timelines that are not their own,” she added.

    The event brought together an ensemble cast in a production that explores the realities, stereotypes, and emotional journey of unmarried women navigating societal pressures in contemporary Nigeria.

  • LAWMA: Pushing for a cleaner Lagos

    LAWMA: Pushing for a cleaner Lagos

    Recently, Lagos State environment has been dotted with garbage heaps. This is contrary to the environmental policy of the state to achieve a beautiful or smart city in the near future. To help in achieving this environmental policy, the state had empowered private sector participation (PSP) operators with Compressed Natural Gas (CNG) compactors and licensed new ones across the state with smaller equipment to access inner streets. Against those who contravene this policy that aims at making Lagos clean, the government has declared war on offenders, reports OKWY IROEGBU-CHIKEZIE.

    The Lagos Waste Management Authority (LAWMA) has intensified its enforcement operations across the state, cracking down on indiscriminate dumping of garbage, black spots and persistent environmental violations that threaten public health and urban resilience. Speaking on the latest operation, Managing Director of LAWMA, Dr Muyiwa Gbadegesin, revealed that what is driving the recent pile-ups at specific corridors such as nuisance spots along Apapa–Mile 2–Oshodi, Ikotun–Ejigbo–Egbeda, Iyana Ipaja, LASU–Iyana Iba and around large markets reflect localised pressure points, not a system-wide failure.

    He refuted some unfounded rumours peddled by uninformed critics who may not have the details of what the agency is currently doing to minimise indiscriminate refuse dumping on our streets.

    He noted that three major factors dominate the seeming neglect of the metropolis.

    In an interview with The Nation, the LAWMA boss stated that night-time illegal dumping on medians and setbacks is carried out by residents or unlicensed collectors trying to avoid PSP service fees.  However, he said that the Lagos State Government has increased penalties that defaulters would pay toN250,000 or three months’ imprisonment for illegal dumping and littering, even as he said enforcement is active and ongoing.

    He also said that market-area surge waste as a result of high, continuous inflows from traders and non-traders who bring street waste to market frontages, overwhelming day-time loading windows amid heavy traffic.

    According to him, LAWMA has repeatedly cautioned against using medians as collection points and backs up PSPs with targeted “intervention” clearances. He also lamented the return of banned, illegal collectors and cart pushers in some districts, who typically dump at night into canals and road medians, creating the very eyesores residents decry.

    Gbadegesin stressed that LAWMA and partner agencies have undertaken arrests and prosecutions for these offences with over 700 people through day and night surveillance with Lagos State Environmental Sanitation Corps (LAGESC).

    On what  LAWMA is doing to create sanity, he stated that they are undertaking hotspot clearance and night operations, intensified “intervention” sweeps on the named corridors, including Apapa–Mile 2–Oshodi; Ikotun–Jakande Gate; LASU–Iyana Iba, with night evacuations to prevent daytime re-accumulation, paired with targeted enforcement.

    Others are PSP performance management, including ongoing route reviews, backup services where private capacity is thin, and directory transparency so residents can reach assigned PSP operators.

    He said: ‘Beyond day-to-day clearance, Lagos is executing structural reforms to remove the root causes of highway pile-ups and improve long-term service quality, decommissioning legacy landfills and building modern infrastructure.

    “Lagos is transitioning Olusosun (Ojota) and Solous III (Igando) away from open dumping towards a network built around Transfer Loading Stations (TLS) and Material Recovery Facilities (MRFs)—with timelines publicly stated and preparatory works ongoing. This shift shortens haulage; speeds turn-around for PSP trucks and keeps markets and highways clear.”

    “As part of the end-state system, the state has outlined waste-to-energy capacity (for instance, Epe) to handle residuals after recycling/composting, reducing landfill reliance and methane emissions.”

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    To stop medians from becoming de facto dumps, he said that LAWMA has advanced plans to introduce compact/mobile TLS that will relocate loading off the roadway and into controlled nodes—especially around large markets and dense corridors.

    He further disclosed that 90 per cent of the waste disposed of in the state is worth about $2.5 billion. He also reaffirmed his agency’s commitment to maintaining a cleaner environment. He urged residents to desist from dumping refuse on the roads and in canals, warning that anyone caught in the act of dumping refuse in unauthorised places will face the full wrath of the law. He advised all residents to embrace waste separation, adding that we must all stop throwing everything away and start sorting as it is done in advanced countries.

    “Ninety per cent of what you throw away has value to the tune of $2.5 billion. We must start sorting that waste, collecting it and giving it to those who are in need of it. Waste to wealth is the key to the survival of Lagos. When you go to Olusosun and Solous 3, you will see it,” he stated.

    He said:  “In Lagos State, we must move to a point where we ban landfill sites, and that is what we are moving towards as a state government. We have commenced the process of decommissioning Olusosun and Soluos 3 within the next 18 months. We have already gone two months out of those 18 months. Just give us an allowance for plus or minus. We are committed to decommissioning them.”

    Gbadegesin reaffirmed his agency’s commitment to maintaining a cleaner environment, urging residents to stop dumping refuse on the roads and in canals, warning that anyone caught disposing of refuse in drainage channels and unauthorised places will contend with the provisions of the state sanitation laws.

    He advised all residents to embrace waste separation, adding that “we must all stop throwing everything away and start sorting things as is done in advanced countries.

    He disclosed plans to recruit 377 environmental health officers, aka wole-wole, as part of the new drive of the government to tame the waste challenge in the state.

    He said they will be empowered by law to arrest and prosecute offenders.

    He said recruitment will begin from January 2026, and the officers will be deployed to each ward in the state.

    “Mr Governor granted us approval to engage 377 environmental health officers.

     “That means we are going to have one in each ward. And if you are familiar with the environmental law, the environmental health officers, alias wole-wole of the olden days, have a lot of powers. They can take you to court; they can prosecute and put you in jail if you violate any of the environmental laws.

    “By the time we have one in each ward, we now empower them so that we go back to those old systems. That’s the kind of enforcement system I think you are asking for,” he said.

    The LAWMA Chief said the state requires at least 2,000 tricycle compactors to tackle the waste challenge, especially in the hard-to-reach areas of the state.

    According to him, the state generates between 13,000 and 15,000 tons of waste daily, out of which 4,000 to 5,000 tons are collected by 450 Private Sector Partnership (PSP) operators.

     “The balance is going into the drains, canals, lagoons and wetlands, among others.

     “We have about 12 per cent of wetlands in Lagos, and people have been dumping waste on the wetlands,” Gbadegesin said.

    Gbadegesin stated that about 22 PSP operators had been fired for inefficiency in the collection of waste.

    The LAWMA boss described infrastructure as the biggest challenge in the state’s waste management system.

     “The biggest issue right now in waste management is the infrastructure.

     “When I talk of infrastructure, I am talking about the equipment and facilities that we will use to collect, transport, treat and dispose of the 13,000 tons of waste generated daily in the state.

    “The infrastructure includes the whole logistics chain from the bins. Risk management begins from the containerisation, the households, the business and the industry.

     “We don’t have enough bins. Right now, we have 80,000 smart bins that we are rolling out, and we need a lot more,” he said.

    Gbadegesin added that the agency has been working closely with the council chairmen across the state to take charge of waste management and street trading in their areas.

    He said at least 25 councils have already created waste management task forces as part of the synergy with LAWMA.

    He pledged that LAWMA would continue to work with relevant stakeholders to ensure a cleaner Lagos.

    He also stated that as part of measures to ensure a cleaner city, the Lagos State Government is committed to a 10-year development plan under which 100 new CNG compactor trucks would be procured for use next year.

    According to him, to keep Lagos clean, we still need compactor trucks. Altogether, we need about 2,000 trucks; 1,000 for the day-to-day fleet and 1,000 for backup.

    “This is a long-term investment package that would be supported by a statewide billing system. We will undertake an enumeration of every household and billing by the state government. Through automation, you will now get a bill from the state government. When you pay, we confirm that the PSP operator has done the job. We pay them.”

    Gbadegesin reiterated that what LAWMA is working towards is to have transparency and accountability in the system.

    “We believe that Lagos residents are ready to pay for waste collection if they get good service, and that is what we will ensure going forward.

    “LAWMA is in advanced stages of procurement of additional compactor trucks for PSP waste collectors. This will improve service delivery and reliability statewide when coupled with the introduction of the new Transfer Loading Stations (TLS) that will reduce turnaround time, enabling the PSP operators to evacuate waste more rapidly from the doorsteps of Lagos residents,” he said.

    Setting the record straight, he said that Lagos’ scale is unique in managing 13,000 tons per day in a megacity of over 20 million people, which requires continuous upgrading of assets and rules and not a one-time fix. That upgrade is underway and publicly documented.

    “Eyesores are preventable; where residents bag waste, keep bins, pay their assigned PSPs and avoid illegal collectors, medians do not become loading points—and enforcement will continue against violators under the updated penalty regime.

    “Enforcement is real, arrests and prosecutions have increased; penalties are stiffer; surveillance now targets night-time dumping, when most infractions occur,” he added.

    The bottom line is that Lagos is not returning to “the bad old days.” The city is tightening enforcement against illegal dumping, clearing hotspots, and most importantly, building the next-generation system.

    In the latest operation, Gbadegesin acknowledged the waste management challenges experienced in key areas in the state, reiterating the authority’s firm commitment to ending all forms of reckless disposal habits.

    He said: “The state’s coastal geography made enforcement very important to prevent environmental hazards. A bag of refuse tossed into a drain anywhere in the metropolis does not disappear. It blocks culverts, worsens flooding, exposes households to contaminated water and sends plastics and debris into our canals and lagoon systems. Illegal dumping has consequences far beyond the act itself.”

    He revealed that LAWMA has moved from episodic crackdowns to a steady, intelligence-driven enforcement model that links surveillance, community reporting and swift prosecution.

    The LAWMA boss said the state is considering reintroducing the monthly sanitation exercise.

    He added that the state government would soon roll out smart bins with notifications for all houses, stressing that the chips attached to the bins would notify LAWMA when the PSP Operators fail to pick up wastes at the appropriate time.

  • A Migration Story That Refuses to Prettify The Dream

    A Migration Story That Refuses to Prettify The Dream

    ..Review of ‘I Want to be a Writer’ by Olanrewaju Olajumoke Akinla

    There is a moment midway through this work that stops you cold. The protagonist, having ripped apart every notebook and textbook in a fit of despair, creates a collage from the shreds and titles it “Carcass of a Dream.” That moment is brutal. It is honest. And it captures what this novella does best, a blatant refusal to prettify the migrant experience.

    I Want to be a Writer tells the story of a young Nigerian woman, Olanrewaju, who boldly dubs herself “Shakespeare” as she leaves Lagos for England to study Creative Writing in defiance of her father’s dream of seeing her become Chief Judge. What unfolds is not the glossy narrative of “making it” abroad. It is far messier, funnier, and far more human. What begins as a whimsical tale of epiphanies inspired by “Dundee” the randy red-headed lizard, evolves into a raw meditation on grief, cultural dislocation, and the elusive nature of dreams.

    The novella’s greatest strength is its cultural authenticity and unapologetically fresh voice. Akinla is new but she does not deny that she is. The novella paints Nigeria with loving, unflinching detail, from the bustling danfo buses, to hawkers dodging traffic with Gala sausages, to family prayers laced with spiritual warfare, and to the protagonist’s internal battles with “Daddy Hallelu” and the church’s expectations. These scenes contrast sharply with the sterile orderliness of England – its silent trains, overpriced McDonald’s (when converted to Nigerian Naira), and the quiet alienation of migrant life. 

    The prose swings quite effortlessly between poetic meditation and sharp observation, between sometimes letting herself flow in Yoruba and pidgin, and mostly in Queen’s English, never smoothing out the contradictions.

    Akinla’s observations cut deep. There is a constant warning of a possibility of turning into “another thing” upon emigration abroad, a phrase that haunts the narrative. She captures how migration can feel like betrayal to those left behind, and how conformity can feel like self-erasure to those who leave. 

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    The protagonist’s internal monologues are laced with metaphors that feel uniquely hers: the randy lizard “Dundee” which becomes a symbol of relentless pursuit of passion; migration as a “psychological dislocation” where one’s identity splits into warring Nigerian and English selves. When she describes “the Paper Dream” as a deity governing many migrants, she is naming something devastating yet real.

    The supporting characters work as mirrors and also as warnings. Friends like Oriade devolve into strangers stuck in the rat race that comes with being a migrant in England influence. She transforms from a close, reliable confidante to someone willing to deceive her fiancé, and this becomes one of the book’s most painful threads. Arodan abandons his studies for marriage papers with an elderly white woman. 

    Osanle sees pregnancy as a visa strategy. All of these are manifestations of “the Paper Dream,” all asking the same questions: Should migrants prioritise emotional satisfaction or material comfort? Should they adapt or preserve their identity? Akinla does not preach or dictate. She merely shows the grind.

    And that is the theme of this work – that interrogation of belonging and ambition. Throughout the work and embedded in all its subplots is the tension between “organic joy” (the raw, unpolished warmth of home) and the cold pragmatism of abroad. The funeral sequence, where grief and celebration compete for the same body, where Olanrewaju dances herself into exhaustion under her pastor’s disapproving gaze, is the book in miniature. Life does not pause for sorrow. Neither does the pressure to perform propriety, to meet expectations, to be what others need you to be.

    The writing in this book is not always polished. The episodic structure, which jumps between taxi rides, funerals, and existential crises, can feel disjointed sometimes, with the flashbacks interrupting momentum. The pacing also varies: early chapters burst with energy and wit, while later sections slow into reflective poetry that borders on repetitive. Side characters also sometimes serve as colourful archetypes rather than fully fleshed-out individuals. At times, the protagonist’s voice veers into a kind of melodrama (dramatic confrontations with “Logic” or the “Future”), which could alienate readers seeking subtlety.

    Yet these rough edges feel appropriate for a story about finding your voice while the ground shifts beneath you. This isn’t a writer performing confidence she doesn’t feel. It is a writer showing you the work of becoming. The quirks feel intentional, almost like the perfect imperfection which John Legend describes in his hit song, “All of You.” It demonstrates the raw, unpolished ambition of someone finding her footing, exactly like the story’s theme.

    By the end, when Olanrewaju introduces herself by her real name instead of the aspirational “Shakespeare,” it lands quietly. There, we only see a woman who has stopped performing and started inhabiting her own skin. The final image, a Black woman writer wondering where she fits in an egg “white within, prize-gold at the centre,” asks questions this book wisely refuses to answer.

    I Want to be a Writer will not be for everyone. It is too raw, too specific, too willing to show the parts of migration that promotional brochures ignore. But for readers tired of sanitised narratives, for anyone who has felt split between worlds, for those who understand that dreams do not die cleanly, this book speaks directly to you. It echoes works like Chimamanda Ngozi Adichie’s Americanah but with a more playful, introspective edge.

    Akinla has written something rare. She has told a migration story that honours both the leaving and the loss, the ambition and its cost. And in the end, the protagonist is not a triumphant “Shakespeare,” but a resilient Olanrewaju, a Nigerian emigrant who is flawed, adaptable, and true to her roots. It is a reminder that thriving “wholly” means embracing the knots of identity without fully untying them. This is a debut that announces a writer worth watching, not despite its imperfections, but exactly because of them.

    Shalom Success Ìbírónkẹ́, PhD

    Lecturer, Theatre Arts Programme, Bowen University, Iwo, Nigeria.

    +234-810-109-5808 (ibironkeshalom1@gmail.com)

  • Thespian theatre to the rescue

    Thespian theatre to the rescue

    Ayo Jaiyesimi is a theatre entrepreneur, playwright, promoter and producer.  She owns the Thespian Family Theatre that has been in existence since 2003.  So far she has written about 9 stage plays which have been staged in several locations in Nigeria. On 25th and 26th of December, her play Itan, The Story, will mount the stage at the Muson Centre, Onikan, Lagos.  She spoke to Edozie Udeze on this and more.

    Most people in life engage in what make them happy.  Mrs. Ayo Jaiyesimi, a chartered accountant who worked with some corporate establishments loved her profession.  But her deep concerns about using theatre, stage plays, drama, to effect lives in the society had always taken an upper hand in her life.  This was what she stared more than twenty years ago when she established the Thespian Family Theatre.  Through this outfit, Jaiyesimi set out on time to write and produce scripts, stage plays and dramas that have been consistently staged in parts of Nigeria.  Her plays are usually profound, instructive.

    Essentially, her plays dwell on issues that help to rebuild the society.  She concentrates more in ensuring that her plays appeal to the younger generation.  She likes catching them young through the moral lessons imbued in her scripts.  This time around, Jaiyesimi is all out to indoctrinate the society with her plays.  It is titled Itan.  Itan means story.  It is a story of life.  The story that touches the heart of the people.  Come December 25th and 26th, the play will be staged at the Muson Centre, Onikan, Lagos, where Itan will be replicated.

    In an interaction with reporters , she said: “Apart from the drama which is our main focus, we also do some other projects.  We have been on this for the past twenty years or so.  Twenty years of impacting drama on the people, on the society.  I write the plays myself.  I ensure that my stories have sound moral lessons for all.  The programmes mainly talk to teenagers.  Our plays have been staged in different parts of Nigeria, in schools, in other places.  We also use the opportunity to talk to the young people about life, about moral responsibilities and so on.

    “I got into theatre from the corporate world.  Actually, I am a chartered accountant, but the love I have for theatre overwhelmed me at a point.  I started with a few friends.  What we wanted to do to was use our positions to do good, to effect information that would nourish the society.  But in between we got into theatre. In fact, people do not know how powerful theatre is; how you can effectively use it to make the desired changes in the minds of people”.  Based on this fact, Jaiyesimi and her gang went into full theatre production.  She writes, she produces, she also adds her own personal values to it all.

    Today, she does not only live theatre where she perfects her scripts with thorough professional acumen, she also touches lives with the moral lessons she brings to bear on the conscience of the people.  Jaiyesimi writes scripts with unbridled profusion.  A thorough-bred playwright, she loves perfection.  She loves watching stories unfold around her.  She grew up listening to stories told by elders around her.  But her father did not want her to go into theatre full time at that moment.  So while she got into Accounting, her natural penchant for theatre still predominated.  As a matter of fact, that love eventually graduated into the Thespian, the height of stage theatre as it is today.

    Jaiyesimi discusses theatre with impeccable smiles on her chubby face.  She finds it extremely rewarding discussing all aspects of issues that generate stories, stage plays for that matter.  She rolls her eyes, she swings in her seat, she demonstrates lots and lots of sequences as she takes her guests down into the fabric of issues that agitate her mind once she is set to write.

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     “Theatre is a form of therapy”, she remonstrates with ease.  “Theatre is the most effective way to etch into the minds of the people some sound moral lessons.  In our own time, identity was passed on by story-telling.  There was plenty of morals in those stories.  Your father, for instance, would tell you, remember the daughter of whom you are.  That means that good name is better than gold.  Most of my plays these days try to bring back those sound moral lessons.  Even now, I still remind my children about the stories my father told me, how he kept reminding me about the daughter of whom I am.  All these spill into the plays I write and then bring them into the stage to teach lessons”.

    For her, all these were a trigger for her to move on without resorting to undue behaviour or the sort.  So when the Thespian Family Theatre productions began in 2003, what she did was to go straight into stage drama.  So she then wrote Itan.  Today she has 9 plays to her credit all on the problem areas of the society.  She has also done some epics, on Bode Showande, others.  Last year, she got an award on some of these issues particularly as she discusses the environment and then sustainability in her works, in her writings.

    As a playwright, Jaiyesimi is tenacious.  She is passionate about her vocation, a vocation that helps to remold a decadent society.  “We also had a project called unity.  It was a group of people who looked at problem and then addressed the problems as they arose.  We went to several universities to interact with them.  Some, we told to write scripts and then we gave them grants to do so.  The scripts, we then did workshop on them, developed and stage in town and gown programme.

    In fact, that way, “we noticed that theatre was more powerful than we imagined”.  With First Bank and  other corporate organizations as our sponsors, Jaiyesimi also brings in her personal resources to promote and project her dreams.  But she wishes that government should come in more to help a lot in this regard so that we do not disregard our identity, our cultural values.  So, the play Itan as it goes on stage for this yuletide period to encourage people to return to their identity; identity that encourages our cultural properties to thrive.