Category: Arts & Life

  • Late Evelyn Osagie bags copyright award

    Late Evelyn Osagie bags copyright award

    The Nigerian Copyright Commission (NCC) has named The Nation’s former Assistant Editor, late Evelyn Osagie, as the winner of this year’s Moses Ekpo Prize for Innovative Copyright Reporting.

    The announcement was made on Wednesday by the Director-General of the Commission, Dr. John Asein, during the NCC’s Annual Dialogue in Abuja.

    Asein said Osagie, who received the inaugural award posthumously, was until her passing on August 17 not only a distinguished journalist but “a rare gift to the Nigerian creative and copyright community.”

    “She showed remarkable empathy that enabled her to amplify the voices of young and emerging creators who otherwise would have remained unheard. 

    “Her coverage of copyright issues reflected clarity, balance and an unwavering commitment to national development. She was a steadfast ally of the Commission, highlighting policy milestones, supporting our enforcement efforts and exposing the deepening threats of piracy with candour a d courage,” Asein said.

    He noted that the annual award which was inaugurated on Wednesday will celebrate media practitioners who in their reporting, contribute significantly to copyright education, public awareness, the Commission’s campaign for a more wholesome copyright system and a better creative sector in Nigeria..

  • Adebowale appointed executive member International Council on Archives

    Adebowale appointed executive member International Council on Archives

    Nigeria’s Dr. Oludamola Adebowale has been appointed to the Executive Committee of the International Council on Archives (ICA) Section on Archives of Literature and Art (SLA) for the 2025–2029 term.

    His appointment places Nigeria on the global archival map, positioning the country at the centre of international conversations on the preservation, accessibility, and advancement of literary and artistic heritage.

    The SLA Executive Committee is composed of renowned experts from leading archival institutions across the world and is responsible for shaping global policies, strengthening scholarly exchange, driving cross-border collaborations, and developing ethical archival standards.

    Dr. Adebowale’s inclusion on the committee signals a strategic gain for Nigeria’s archival development, particularly as the country intensifies efforts to document its creative and historical memory.

    His role is expected to strengthen Nigeria’s visibility and influence within global cultural-heritage networks, expand international collaborations in digitisation, preservation training and institutional partnerships, position Nigerian literary and artistic archives within global research ecosystems, and champion the integration of African narratives, histories and languages into international archival standards.

    Other members of the 2025–2029 SLA Executive Committee include Heather Dean (Canada), Chair; Dr. André Derval (France); Dr. Heidi Egginton (Scotland); Dr. Sebastian Gurciullo (Australia); Sandrine Guérin (USA); Catherine Hobbs (Canada); Dr. David Sutton (UK); Yayoi Tsutsui (Japan); and Elisabetta Zonca (Switzerland). The team will oversee major initiatives such as global virtual events, training programmes, collaborative research networks, and the expansion of the World-Wide Directory of Repositories Holding Archives of Literature and Art—one of SLA’s most significant international resources.

    As a member of the committee, Dr. Adebowale will contribute to shaping the future of archival practice worldwide. His responsibilities include enhancing multilingual and inclusive metadata systems, strengthening ethical archival practices, supporting global archival standards, advancing digital innovation, and ensuring broader visibility for African creative archives on the international stage.

    Dr. Adebowale is a Senior Curator with the Nigeria-Brazilian Public History Project and founder of ASIRI Magazine. An Associate Fellow of the Royal Historical Society (UK), he has curated landmark exhibitions, including Wole Soyinka: Timeless Memories and the British Council 75th Anniversary Virtual Exhibition. His innovative works, among them the 1851 Agidingbi Historical Chess Game, have contributed significantly to Nigeria’s contemporary memory culture.

    His appointment underscores the rising global recognition of African archivists and solidifies Nigeria’s growing leadership in cultural preservation, historical documentation, and archival innovation.

  • UNIZIK Alumni focus on future, cultural heritage at convention

    UNIZIK Alumni focus on future, cultural heritage at convention

    The International Alumni Convention of Nnamdi Azikiwe University (UNIZIK), Awka, held at the Welcome Centre Hotels, Ikeja, Lagos, brought together members of the university’s alumni association from across Nigeria and the diaspora for an engaging discourse on the future of alumni collaboration and national development.

    The event, themed “The Future is Now,” explored how different generations of graduates, Gen X, Gen Y, and Gen Z, can collectively harness their strengths to impact their alma mater and contribute to national progress.

    Speaking at the convention, Global President of the UNIZIK Alumni Association, Professor Ikechukwu Ubeh, emphasized that the gathering was more than a reunion, it was a strategic platform for rethinking the future of alumni engagement.

    “This convention is our annual event, and this time around, we are focusing on the future of the alumni. Our university has produced thousands, if not millions, of graduates, and now we are looking at how to harness the potential of the new generation, the Gen Zs, alongside Gen X and Y,” he said.

    He said that the association is transitioning into a more digital and globally connected network, with over 2,000 registered members and more in the diaspora.

    According to him, the goal is to strengthen the link between past and present students while fostering mentorship, innovation, and institutional growth.

     “Participants will go home with a renewed understanding of what alumni truly represent at this point in time, a force for institutional greatness. We are harnessing our members, students, and affiliates to make our alma mater greater,” he added.

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    Beyond academic and professional goals, the convention also spotlighted the role of culture in national development, with attendees proudly dressed in traditional Nigerian attires.

    “We are proud of our culture and heritage. Nobody here is wearing foreign attire. We are Nigerians and proud of it. That pride is part of what we are promoting even in our dress,” he said

    Chairman of the Lagos Mainland Branch and host of the convention, Kenneth Kenechukwu, underscored the need for intentional planning in an increasingly unpredictable world.

    “The focus of this convention is to encourage ourselves to plan our lives, our resources, our families, and our future. The economy globally is not encouraging, so we need to be proactive. The theme, The Future is Now, reminds us that if we don’t plan, we are already planning to fail,” he said.

    Kenechukwu also highlighted the importance of unity, social interaction, and shared learning among members, stressing that such gatherings strengthen professional networks and preserve the cultural values that define the Nigerian identity.

    “When we come together, listen, and interact, we make meaningful headway toward our various achievements. This convention gives everyone a reason to move forward and thank God for new opportunities,” he said.

    The UNIZIK Alumni Convention concluded with a renewed commitment to digital transformation, mentorship of younger graduates, and the continuous promotion of Nigeria’s cultural heritage as a cornerstone of national development.

  • Yoruba community marks cultural day

    Yoruba community marks cultural day

    The Yoruba Community in Enugu State has celebrated its 2025 Cultural Day with a strong call for deeper cultural integration and national cohesion among Nigeria’s diverse ethnic groups.

    Held at the Federal Neuropsychiatric Hospital, New Haven, Enugu, the event, anchored on the theme Cultural Integration and Exchange: A Veritable Tool for National Unity and Cohesion, attracted traditional rulers from Imo, Anambra, Ebonyi and Enugu states, Yoruba cultural associations, students, community leaders and political stakeholders.

    The celebration featured colourful cultural dances from various Yoruba age groups, traditional music, and displays that highlighted the rich heritage of the Yoruba nation.

    Leader of the Yoruba Community in Enugu State, Oba Engr. Isiaka A. Salmon, Ilufemiloye I, said the gathering was not just a cultural display but a reaffirmation of Nigeria’s unity through diversity.

    He described culture as the “memory and value system that shapes collective identity,” adding that meaningful cultural exchange builds bridges and eliminates suspicion among ethnic groups.

    “In a land blessed with over 250 ethnic groups… we are a masterpiece designed by God’s own hands,” the monarch said. “When cultures meet in mutual respect, a nation finds its soul and direction.”

    Citing national icons such as Nnamdi Azikiwe, Chinua Achebe, and Obafemi Awolowo, Oba Salmon stressed that unity must go beyond rhetoric.

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    He also congratulated the beneficiaries of the community’s scholarship scheme, which expanded from five recipients in its first batch to 20 in the current cycle.

    “Kindly make use of this rare opportunity with all seriousness. Our partners increased the slots because the first batch performed excellently,” he said.

    The royal father praised Governor Peter Mbah for what he described as “innovative, inclusive and transformative governance,” while commending President Bola Ahmed Tinubu for steering the country with “bold and futuristic reforms.”

    Chairman of the occasion, Hon. Justice Anthony Onovo, described the cultural celebration as an opportunity for the Yoruba community to reconnect with its heritage while strengthening ties with their Igbo hosts.

    He highlighted the importance of cultural pride, community service and integration.

    “Today, we gather to celebrate our heritage and the unity that binds us. From the rhythms of dùndún to the elegance of àdìrẹ, our culture speaks of beauty and resilience,” Justice Onovo said.

    Quoting an Igbo proverb, “Ebe onye bi ka ọ na-awachi” (It is where you reside that you must protect), he urged Yoruba residents in Enugu to contribute actively to the progress of the state.

    The state caretaker committee chairman of APC in Enugu State, Dr. Ben Nwoye, hailed Yoruba community for their peaceful coexistence in Enugu, which is a testament to their community’s values and their unwavering commitment to harmony.

    “During these decades, your contributions to the development of Enugu State have been nothing short of immense and multifaceted.

    “From the bustling marketplaces to the quiet corridors of academia, the indelible mark of the Yoruba community is evident. We have observed, with admiration, your entrepreneurial spirit and your dedication to excellence across various sectors,” he said.

    Nwoye urged the Yoruba community to take advantage of their growing population in the state by participating more actively in local politics.

    “As we enter the election year, please get your PVCs and influence decisions. We look forward to the day a Yoruba man will become a councillor or member of the Enugu State House of Assembly,” Nwoye said.

    He recalled that a Hausa man served as the first Mayor of Enugu before independence, stressing that diversity has always enriched the Coal City.

    The ceremony also recognised distinguished Nigerians with meritorious awards for contributing to national development, while the scholarship segment provided financial support to deserving undergraduates of different ethnic backgrounds.

    The event closed with a renewed pledge by the Yoruba community to deepen cultural exchange, promote peaceful coexistence and support development efforts in Enugu State and Nigeria as a whole.

  • Rare treasures of Nigerian heritage

    Rare treasures of Nigerian heritage

    By Uzordinma Esther C

    Nigeria is a culturally vibrant nation with diverse ethnic groups and has about 250 languages, which have been documented as being spoken. The richness of Nigeria’s present sculptural styles is rooted in ancient artistic traditions. These wonderful archaeological and ethnographical collections helped to show that there was a civilization in this country before external influences on our culture, technology and societal issues.

    Our treasure, our asset is the cultural heritage of the past inhabitants which depicts the African ideas, philosophy and psychology as an African man, Nigeria in particular. It has a great cultural heritage which shows indigenous technology of the people that produced them. For we not to lose all, Mr. K.C Murray in 1943 did what is called rescue operation by stopping illegal traffickers to stop taking away our treasure because losing it all is like a country without history and foundation. He did this by purchasing these wonderful and enduring artworks of Nigeria (old era), which is our today’s asset because it has revealed the truly frame work of Nigeria history in the world heritage map or record. For the world to see these objects, he established museums to harness, protect and create awareness of what we have for the future generations.

    NOK culture or terracotta objects was dated about 500BC – 200AD and was the earliest sculptural tradition in Sub-Sahara Africa, found at NOK, Jemma, etc. in Kaduna state in 1928 by miners. Later more collections were made by Mr. Bernard Fagg in 1944. NOK provides the earliest evidence of the molding of naturalistic work in West Africa and it shows the ideology, worries and philosophy of the people.

    Igboukwu bronze object was dated between 9th AD – 10th AD (century) and was the earliest bronze casting tradition in Sub Sahara Africa, found at the compound of three brothers in 1938 named: Igbo Jonah, Igbo Richard and Igbo Isaiah. Igbo Jonah site; which several copper alloys was uncovered at the site. Igbo Richard site; revealed the cultural way of burial rite of a chief priest in Igbo culture. Igbo Isaiah site; the objects found there suggested that it was a ritual site, in a village called Igboukwu near Akwa in Anambra state scientifically excavated by professor Thurstan Shaw and others in 1959.

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    Ife Art: was expressed in copper and copper alloy. Terracotta, stone and beads was dated between 12th – 15th centuries. Ife is a city in Osun state and a religious center of the Yoruba people. The founder named Oduduwa and was said to have sixteen children who later formed many communities at different places and Ife king was titled Ooni. Ife Art discovered by Landers, John and Richard which Leo Frobenius discovered more Ife Art in 1910. The collections were often naturalistic and probably for memorial or glorification of the past Ooni, queens and some of the attendants in the palace.

    Owo Art: Come mainly in terracotta and wood dated 15th century, according to William Fagg in 1951 and history of the people states that they migrated from Ife to Owo during the 12th century, which archaeological excavations was conducted at the site of Igbolaja near Okitisegbo in Owo revealed evidence that supports the story that they migrated from Ife and the overlay of Benin influence on Owo. (Ekpo Eyo in 1972, 1974, 1976). Owo is a city in Ondo state, located between Ife and Benin city. The Owo facial scarifications are bolder and more widely spread than that of Ife and their objects was for sacrifice/ritual probably for appeasement.

    Benin Art: was dated between 15th to 19th century and was made of Bronze, Wood, Bead and Ivory. Benin Art was popularly referred to as cult art because its highly monopolized by the king (Oba). Benin Art was used for glorification of their kings and their gods and they also use them to immortalize the dead royal ancestors and represent the history of their dynasty. Benin was a civilized city in Edo state that had contact with the Europeans and they also established trade with the Portuguese within the period 15th century.

    Esie Art: Nobody knows the origin of these images, the makers, and what has happened, it was accidentally found by a hunter named Baragbon. The sculptures show the ideology and philosophy of the people they are artistic in nature. According to scientific explanation, the soapstone figures of Esie are the largest collection of stone carvings in Sub-Sahara Africa and they are about one thousand soapstone sculptures representing human beings possibly ancestors and some are beaded, seated and wearing a great variety of headdresses and hairstyle which depicts royalty and affluence. Exhibits in Esie museum since 1945, the first museum so far. Esie town is located about 50 km South-East of Ilorin in Kwara state.

    Tada Art: Tada bronze figures are works of arts and the largest cast bronze and copper works in Sub-Sahara Africa, found in Tada, Niger state. Also, it is the most monumental bronzes in Black Africa dated 12th-16th century (AD). The origin and context of these monumental bronzes was unknown but according to oral tradition, Tsoede was the legendary founder of Nupe kingdom. It is located in the middle belt of Nigeria, in Niger state.

    Calabar Art: It was expressed in wood and terracotta with Nsibidi motifs, according to scientific research Nsibidi was the earliest indigenous writing system in old Calabar region that is still in use today by many cultures throughout the Cross River region dated between 15th and 16th AD. Nsibidi motifs include multitude of abstract of linear and curvilinear shapes such as concentric circles, spirals, stars, cruciform, zigzagging, arrow heads, etc. It was adapted by nature and was a system of recording, hiding and conveying knowledge used by members of various men’s and women’s association. Nsibidi may be drawn on human skin, painted on the walls of building, inscribed with chalk on the ground, incised on calabashes, printed on textiles such as the Ukara cloth worn by Leopard Society members (Ekpe cult). The terracotta of Calabar shows us the ideographic language and provides archaeological evidence that body decoration is indeed an ancient practice in the region. Also, it was known that if you are not a member of the society, they will not reveal or tell you the full knowledge or the meaning of the signs.

    Nsibidi was the oldest West Africa writing system dated 3,500 B.C. All these are some of the master pieces which show the ideology, cares and worries of the society that produced them and has produced the bulk of the archaeological evidence used in the reconstruction of Archaeological Framework of Nigeria.

    *Uzordinma is of the National Museum, Onikan, Lagos

  • Odi hosts Ogori Ba Uge festival

    Odi hosts Ogori Ba Uge festival

    The Odi community in Bayelsa State is gearing up for the 69th edition of its annual Odi Ogori Ba Uge Festival, scheduled to hold from July 27 to August 2, 2026. The announcement was made at a pre-festival media and marketing luncheon held in Lagos, where organisers outlined plans for an expanded celebration that will blend culture, tourism, entertainment, and heritage preservation.

    The Odi Ogori Ba Uge Festival, translated as the “Festival of Victory over a Buffalo in Odi,” commemorates the historic event of July 27, 1957, when residents united to kill a destructive buffalo that had terrorised the community. What began as a thanksgiving has grown into a major cultural carnival that attracts indigenes, tourists, and culture enthusiasts from across Nigeria and beyond.

    With an expected attendance of more than 100,000 visitors, next year’s edition will feature its signature attractions: the Boat Regatta, Love Boat cruise, War Boat display, traditional wrestling, masquerade performances, and a rich offering of Ijaw cuisine. Organisers say the 2026 celebration will emphasise spectacle, creativity, and an immersive cultural experience.

    Festival consultant, Israel Eboh, described the annual event as a vibrant showcase of the Niger Delta’s aquatic culture. He noted that elements such as the Love Boat, famous for its blend of music, dance, and culinary treats continue to draw high anticipation each year.

    He added that the War Boat display symbolises Odi’s historical strength and communal bravery, while plans are underway to expand the beachfront to accommodate a growing audience.

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    Eboh also hinted at wider global visibility for the festival through live streaming, celebrity engagements, and increased digital engagement, which he said will help amplify the festival’s message of unity and resilience.

    Director-General Nigerian Tourism Development Authority (NTDA), Olayiwola Awakan, stressed the importance of cultural preservation and tourism as key drivers of national development.

    He urged Nigerians to take ownership of their cultural narratives. “Let’s tell our story. Nobody will do it for us,” he said, encouraging stronger collaboration between public and private stakeholders to elevate festivals such as Odi’s.

    Awakan described tourism as one of the country’s most sustainable economic assets, saying it holds long-term potential for job creation and youth engagement. He called for a repackaging of the Odi festival to strengthen its appeal to younger generations.

    Chairman of the Festival Planning Committee, Ebi Udisi, described the Odi Ogori Ba Uge Festival as a people driven celebration that has endured for nearly seven decades due to communal ownership and unity of purpose.

    He explained that hosting the pre-festival engagement in Lagos was strategic, aimed at attracting corporate partners and sponsors.

    According to him, digital platforms will play a central role in widening the festival’s reach in 2026.  “We want to make it even more global. The festival tells the story of our people their resilience, their victory, and their unity,” Udisi said.

    He appealed for partnerships that will help transform the festival into a world-class tourism brand while preserving Ijaw culture for future generations.

    Beyond its cultural significance, the festival also serves as a homecoming for the Ijaw people, fostering peace, reconciliation, and economic activity within the Niger Delta. Odi’s history of resilience especially following the 1999 military invasion, adds deeper meaning to the annual celebration. Organisers say the festival’s official theme for the 2026 edition will be announced early next year.

  • Edo community sustains self-help development

    Edo community sustains self-help development

    Residents of Sobe community in Owan-West Local Government Area of Edo State, in a landmark moment of civic pride and collective aspiration recently converged to witness the groundbreaking ceremony of its N100million ultra-modern Civic Centre, an ambitious initiative positioned to redefine social engagement, cultural exchange and community development in the town.

    The event brought together community elders, development partners, stakeholders and residents in an ecstatic atmosphere that reflected both gratitude and expectation. The ceremony, which was held at St. Stephen’s School Playground, Sobe, was spiced with cultural performances by the Igoro Osi Cultural Troupe.

    His Royal Highness Anthony Ero Aleburu, the Odibiado of Sobe, commended the selfless efforts of the project committee recalling that most developmental projects in the community have been achieved through self-help championed by illustrious sons and daughters of Sobe. He cited projects such as Sobe High School, Post Office, Police Station, Town Hall and Primary Health Centre as examples. He lamented the lack of government presence in the community until its merger with Edo state in September 1991. 

    While paying tributes to some heroes of the community for their selfless services, the Odibiado assured that the Civic Centre must be a reality. “My dear people of Uhebe, let us continue with the spirit of unity of purpose in order to develop our dear community,” he urged the people. 

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    Chairman, Sobe Civic Center Initiative, Pastor Joseph Omozoje described the new civic centre as ‘more than a building, but a symbol of our shared identity,’ emphasizing that the centre will function as a nucleus for cultural preservation, economic empowerment and intergenerational connection. Anchoring his remarks on values of trust, integrity and collective responsibility, he encouraged citizens to embrace selflessness and unity, quoting inspirational figures such as Mahatma Gandhi and Nelson Mandela to affirm the transformative power of service and communal effort. He added that with faith in God and belief in their own capacity, the people of Sobe are ‘shaping their destiny and building a future that honours both their heritage and their dreams.’

    Reflecting on the resilience required to achieve this milestone, he noted that while many doubted the feasibility of such a project, the unity and determination of the community “moved mountains,” paving the way to this historic beginning.

    “As we take this momentous step forward, let us inspire one another to actively participate in nation-building and development. Each of us has a role to play, and every contribution, no matter how small, counts. Let us be the change we wish to see in our community, embodying the values of service, compassion, and dedication.

    This Civic Center represents far more than bricks and mortar. It embodies our collective vision for a prosperous Sobe where our children and future generations will thrive. As we break ground today, we are planting seeds that will blossom into a hub of cultural exchange, education, economic empowerment, and social cohesion,” he added.

    Continuing, he said: “Let me speak directly to the significance of what we are building together. This center will serve as a sanctuary where our rich cultural heritage can be preserved and celebrated. It will be a place where our elders can pass down wisdom to our youth, where traditional knowledge meets modern innovation, and where the soul of Sobe continues to flourish.

    This project also teaches us an important lesson about self-reliance. While we appreciate external support, we have demonstrated that we possess the capacity to initiate and drive our own development. This sense of ownership ensures sustainability and fosters dignity within our community.

    When completed, this Civic Center will stand as a testament to what is possible when we believe in ourselves and work together with purpose. It will inspire neighboring communities and show that grassroots development initiatives, driven by local leadership and participation, can transform societies.”

    Expressing his optimism, Omozoje assurted that the future of Sobe is bright and ‘it is in our hands. And together, with God’s guidance, we will build not just a Civic Center, but a community that stands as a beacon of hope, unity, and progress.’

    In his goodwill message, Mr. Ozolua Kally Uhakheme, a founding member of the project committee and Assistant Editor with The Nation newspaper, commended the spirit of persistence and self-reliance that has defined Sobe’s development history. He recalled that during the project’s conceptual stage, many dismissed it as unrealistic, even labeling it a ‘white elephant project.’ But, the groundbreaking ceremony, he said, is a proof of what communal vision and faith can achieve.

    Tracing Sobe’s age-long tradition of self-help driven infrastructural advancement dating back to the 1960s, Uhakheme said that sustainable growth must come from within calling for unity across religious and political divides.

    He acknowledged the contributions of every donor and supporter particularly Pastor Joseph Omozoje, praising his leadership and personal sacrifices in coordinating the project. “One thing that gladdens my heart about this project is the fact that everyone is a donor, promoter, supporter and marketer of it,” he said. 

    Uhakheme affirmed that ‘by this time next year, by His grace, we shall return to sing the full Hallelujah.’

    Mr. Martins Ige Ilegoma who represented Sobe People’s Progressive Association, Abuja, described the civic centre as ‘the physical manifestation of our shared aspirations and community spirit.’ He said the project represents the community’s collective commitment to creating a space that all residents can be proud of-a vibrant hub for gathering, learning, cultural expression and civic participation.

    He expressed optimism that the centre will stand as a reminder of what Sobe can accomplish through collaboration, solidarity and shared vision, adding that the project will promote local development, civic participation and long-term prosperity.

    As work officially began with the turning of the sod by the Odibiado of Sobe and Pastor Omozoje, the mood in Sobe remains that of optimism and collective triumph. The ceremony was preceded by prayers by several clergymen followed by handshakes, embraces and renewed commitment from all stakeholders. The coming months will see the transformation ground zero into a landmark structure destined to become a heartbeat of communal life one that future generations will inherit with pride.

  • Nigerians to miss favourites channels on Dstv

    Nigerians to miss favourites channels on Dstv

    Following plans by Netflix to acquire Warner Bros. Discovery’s studio and streaming assets in a deal valued at $82.7 billion, including debt, thousands of Nigerian subscribers will miss their favourite channels on Dstv. According to The New York Times, 11 Warner Bros. Discovery channels will exit its DStv platform when their distribution deal expires on December 31, 2025. The transaction is expected to close by the third quarter of 2026. Among the favourite channels to be missed by Nigerians are CNN International, Food Network and Cartoon Network among others. Already, the impending sale has sent ripples through the global media landscape.

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    “Together, we can give audiences more of what they love and help define the next century of storytelling,” Ted Sarandos, Netflix’s co-chief executive, said in a statement. Industry reports previously indicated that Netflix, the company credited with transforming at-home movie streaming and now boasting more than 300 million subscribers, was well-positioned to win the bidding war for Warner Bros. Discovery, beating out Paramount and Comcast.

    Netflix’s pitch reportedly included a pledge to maintain theatrical releases for Warner Bros. Discovery films, a surprising concession given Netflix’s longstanding preference for bypassing cinemas for most of its titles.

    If approved by federal regulators, the acquisition will make Warner Bros. Discovery the first major legacy Hollywood studio to be absorbed by a Silicon Valley rival. The impending sale has already sent ripples through the global media landscape.

  • Continental Hotel unveils Festive Season Escape

    Continental Hotel unveils Festive Season Escape

    With Detty December celebration already in full swing in Lagos, one of the leading hospitality groups, the Continental Hotel Group in Lagos and Abuja, is unveiling exciting packages for its clients this Christmas season.

    According to a statement by the Cluster Director of Marketing, Continental Hotel Group, Mr. Richards Mutanda the twin city festive season escape will include exclusive accommodation packages, gourmet dining experiences, and joyful activities for families. It commenced with a Christmas Mystery Tree Lighting ceremony at its lobby last Thursday.

    The tree lighting ceremony witnessed by the hotel’s in-house guests and some high-profile personalities, featured choir renditions, while also transforming the Lobby Café into a Christmas boutique as well as marking the return of Ginger Tree House with festive treats and Macallan Bar shelves with a generous showcase of boutique holiday gifts.

    He assured that though there are limited rooms for the Lagos hotel’s festive accommodation package, but that special rates for Christmas and New Year stays are available upon request.

    Speaking on the specially curated festive food and beverage offerings at the Lagos hotel, he said they include Santa Brunch at the Ekaabo Restaurant on December 21, to Christmas Day Brunch also at Ekaabo and to New Year’s Eve Crossover on December 31 at Sugar 52, the hotel is promising an enthralling experience for the guests.

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    He noted that the festive food and beverage offerings are inclusive of Champagne, canapés, buffet, live BBQ, fire show, and late-night entertainment. For the Abuja hotel, there is an early bird Christmas offer on accommodation from December 19, 2025 – January 10, 2026.

    Mutanda disclosed that rooms are available at giveaway rates per night, inclusive of breakfast for two adults and two children under 12 years at the Obudu Grill.

    “The festive food and beverage offerings at the Abuja hotel will commence on December 21, with brunch at the Obudu Grill Restaurant, and will be followed by lunch and dinner on the 24th at the same restaurant.

    “Christmas Day brunch and Boxing Day lunch and dinner will run on December 25th and 26th respectively at the Obudu Grill.

    “The excitement will be heightened on December 31st at the poolside with dinner and the chef’s special and Champagne toast, while the new year will be welcomed with brunch and dinner as well on January 1, 2026, he added.

    The family is not left out of the pack as there are activities such as sip & paint, creative workshops, and exclusive access to the Children’s Fun Village, Mutanda assured guests of memorable experiences at the group’s two hotels.

  • Flyzone boss to Nigerians: beware of fake work visas

    Flyzone boss to Nigerians: beware of fake work visas

    The Chief Executive Officer Flyzone Tourism, Mr. Ayodeji Awomoyi has cautioned Nigerians on the rising travel scams, especially fake work visa offers that have continued to defraud unsuspecting citizens across the country.

    He said it was important for travel consultants and the general public to understand that there is no such thing as a direct work visa for Canada, Germany, Australia or New Zealand, describing such promises as outright fraud. He urged Nigerians to stop paying millions of naira for offers that do not exist, emphasising that the trend has become a major source of exploitation for many young people seeking opportunities abroad.

    Awomoyi who spoke at the Flyzone appreciation event held at the weekend in Lagos, disclosed that only 400 guests were selected for the event even though Flyzone currently works with over 8,000 consultants nationwide. He said the company could not logistically host all its partners in one gathering and appealed to those whose friends felt left out, noting that the limitation was strictly based on capacity. Many consultants travelled in from Abuja, Port Harcourt, Ibadan, Ife and Owerri to attend the celebration, which became one of the most vibrant industry events of the season.

    The Flyzone boss used the moment to express deep gratitude to the travel consultants who have contributed to the company’s growth from its early days as Africa’s leading Dubai visa processor. He recalled the period when Flyzone handled more than 100 visa applications daily and airlines were shocked that almost everyone travelling to Dubai had processed their visa through the company. Awomoyi credited that success entirely to the consultants in the room, saying the company’s strength came from the trust they consistently placed in Flyzone. He shared stories of consultants who transferred tens of millions of naira in advance and allowed the company to hold the funds for months, deducting gradually as applications arose. According to him, that level of confidence was the backbone on which Flyzone was built.

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    On the recent surge in fraudulent agencies, he referenced the widely discussed TNT Travels case in Owerri, urging professionals to conduct proper checks before partnering any company. Awomoyi advised consultants to ask specific referral questions such as whether an agency genuinely handles certain visas, rather than general questions about familiarity.

    He stressed that clarity and due diligence were essential in an industry that has become increasingly vulnerable to manipulation.

    The evening was not all business, as the event transformed into a lively atmosphere filled with music, comedy, karaoke and African cuisine. Music star Oritse Femi thrilled the audience with an energetic performance, while comedian Danfo-S kept the room lively with jokes that sent guests laughing throughout. The karaoke segment drew enthusiastic participation from travel consultants and guests who took turns grabbing the microphone for both impressive and humorous performances. The culinary experience became another highlight of the night, with a wide spread of African dishes ranging from jollof rice, asun, pepper soup, grilled fish, suya and traditional soups, creating what many described as a mini African gastronomy festival.

    Awomoyi praised his staff for what he called their unmatched discipline and commitment, revealing that Flyzone operates a three-second response time and an unusual 3:00 a.m. resumption culture that he believes strengthens their efficiency. He joked that a Flyzone staff member could outperform a Microsoft employee in responsiveness, a remark that drew applause and laughter from the audience. He thanked his wife for her patience and support, noting that the demands of the job often require him to attend to clients at odd hours, even when the conversations have nothing to do with travel.

    The event ended with renewed optimism for stronger collaboration between Flyzone and Nigeria’s community of travel consultants, with Awomoyi expressing confidence that the coming year would bring deeper partnerships, more innovation and continued growth for the sector.