Category: Arts & Life

  • ANA fellowship is good — Onuoha

    ANA fellowship is good — Onuoha

    Ernest Onuoha is an author, administrator and politician. In this encounter with Edozie Udeze, he talks about why he was conferred with the fellow of the Association of Nigerian Authors. He was one of those that received it during the last convention in Abuja.

    You were one of those inducted into the fellow of the Association of Nigerian Authors during the 2023 convention. What does this mean to you as an Author and to the body of Writers generally?

    The “Fellow” distinction is bestowed by professional organizations upon individuals who are recognized as leaders in their field, and the Association of Nigerian Authors, a body of Writers deemed it fit to induct me into the revered College of Fellows of the Association.  As a Writer, a novelist, a Poet and Essayist, with four major publications in two genres of literature; Challenges of Existence(1999); Biafra: the Victims(2012); Tomorrow in our Hands(2013) and Beauty in the Rubble(2018) and contributions into various anthologies, journals and newspapers with over thirty five participations in various Colloquiums, workshops, conventions and seminars, I feel fulfilled.

    I have previously served the Association of Nigerian Authors at the State level, as State Chairman; I have also served the National body for four years as a Member of the National Executive Council and Chairman, Finance and general purpose Committee. With this elevation I am dedicated to serve even more the Association and make more contributions to its development and literary creativity.

     Abia State chapter of ANA seems to be in a lull now in terms of activities. What is the correct situation?

    The Association of Nigeria Authors, Abia State Chapter is not in any lull. We elected new executive members and led by Mr Uzoma Chukwudifu, a Senior lecturer with Abia State Polytechnic. We are having our monthly readings; some of our old members are giving more attention to the Association. The new Executive have mapped out 2024 to publish volume two of ANA Abia Journal, which will be a collection of poems, short stories, drama and essays.

    As an Author, administrator and politician, how do you combine the three?

    Good time management helps a lot in planning ones activities to optimize the best possible outcome. There was a time I participated actively in politics, became a law maker, and thereafter joined the corporate world. Yes I have once in a while interrogated the actions of those in government; sometimes too I have given suggestions on good governance to those in government. I have also criticized them through radio talk programs and newspaper interviews. I teach in Sunday school on Sundays. I work with passion and  drive as God Almighty allows me. You know the demanding nature of the corporate world, it is target driven and I ensure that my numerous engagements are properly timed. Writers are “Righters”they are Patriots and are weighed heavily by the burdens of society, we are the Griots, the Town Criers and we cannot keep still.

    What to you is the future of ANA national given the misgivings here and there?

    The Association of Nigerian Authors is stronger than ever. We have the best Writers Village in Africa.

    Our members are dedicated, every year, they are producing quality literature despite the difficulties in publications and patronage. We are united in our talents, we are Writers first before any offices. During election year as it was this year, there will be Writers who may have other preferences in leadership; that is part of human nature. They are not wrong, but when new leaders emerge, we give them our support and hope that they will produce quality leadership for the common good of all. Where they failed, we vote them out.

    Read Also: Excessive litigation over electoral outcome eroding people’s confidence in leadership

    Tell us, is there any concrete programme to nurse and nurture young Writers in the Association?

    At the 2023 National convention held from 1st November 2023 to 4th November 2023, the first batch of graduates from ANA institute of Creative Writing and Film passed out and they were mainly young Writers. There are two Writers residences funded by Dr Wale Okediran, PAWA, General Secretary and past President of the Association and current ANA President, Dr Dipo Akanbi to help young Writers. The Mbari series made more vibrant by the immediate past President of ANA, Mr Camillus Ukah is also there for young and old Writers to dialogue and hear from those who are masters of the craft. ANA has donated thousands of literary works to many of our secondary schools to catch them young and through Teen Authorship programme started by Mallam Denja Abdullahi(Past President) and the immediate Past President.

    Time has come for the Government both Federal and States to partner with the Association of Nigeria Authors to create endowment fund to support literary creativity in Nigeria.

  • Samuel’s paintings blossom with images and flowers

    Samuel’s paintings blossom with images and flowers

    He has adopted a peculiar style that applies flowers and butterflies to give special beauties to human figures and images. Mainly female images, Samuel Godwin also uses brighter colours to perfect his art pieces. He uses his art to celebrate women naturalness and other gifts of human nature bestowed on man by God. A recent visit to his studios at Alagbole in Ogun State showed an artist who has chosen to be different in style and form. Edozie Udeze encountered him in his studio.

    Samuel Godwin is a fantastic artist. When he graduated from University of Lagos Akoka, where he read Fine Arts some years ago, his immediate concern was to establish an endearing private art studio. Today he has had that dream fulfilled with a studio at Alagbole area of Ogun State. A visit to the studio showed a young man who is profoundly committed to his profession. As he prepares to showcase his first solo exhibition Samuel is poised and ready in his studio churning out works of art that amaze the world with beauty.

    Cocooned in his sombre, quiet abode/studio in this cool area of Alagbole, Samuel feels good with himself. What it shows is that even self-imposed seclusion helps creativity to thrive. This is what he has going for him that all his works justify that level of excellence that surpass the mundane. He is a man who loves images and figures, more so, beautiful models that have imposing figures and shapes. These young female figures come in different shapes and colours. But they all turn out wonderfully well when Samuel ends up giving them different strokes of colours of oil on canvass and so on.

    An encounter with him was interesting. He showed that he is not just passionate about what he does; he is also enigmatic, imbued with the zeal to ensure his first solo show comes out big and impressive. “Yes”, he began, “I am an artist, a painter. I use oil on canvass. I paint naturalism with a bit of mixture of nature which I infuse into my figures as you can see from almost all the works here in the studio. I go more for images. As you can see in this work, this particular one, it also shows when a man goes to ask a woman’s hand in marriage. This is the sort of scene that you witness in our society. I have now turned it into canvass. The inspiration behind my love for female figures is that of the narrative of when a man goes out to ask for a woman’s hand in marriage. It is the most interesting part of love life.

    “The scene is usually remarkable, unforgettable. It shows how much we cherish love, marriage and family” he said. In the figures, Samuel uses flowers not just for beautification and impression but to also intersperse the naturalness of the female figures. The flowers, coming in multiple colours are then placed on the head of the lady. At times the flowers replace the heads in order to show the different blend of artistic experiment. Looked at closely, the flowers embody nature, multi-layers of beauty unprecedented in the annals of experimental pieces of visual art.

    The flowers go to enhance the figurative images as well as showing that women are like flowers; they bloom, they blossom, they sprout out in their time and season. Usually the presence of beautiful women is like a decoration done with flowers of multiple colours and which come with multiple appeals as well. The models are captured in different postures and locations. They are adorned in different fashion and styles. Mostly, Samuel prefers his figures turning out in local fabrics of adire and ankara. These local African fabrics go on to accentuate their natural beauty. The result is an assemblage of images that are totally irresistible.

    He said further, “What I am trying to interpret is that there are women that are doing well in their profession. There are women who are adding value not just to the family but to the entire society. You can see from one of these images how resilient the woman is in her top career and fashion. Women shouldn’t all end up in the kitchen”. In some of the adornments, he also provided information on how women use palm kernel oil for beauty. In those days and even now, some women prefer to use local juice to enhance their beauty. As an artist, Samuel is a reference point in some sense. He sees African beauty in its naturalness as something that must be preserved and celebrated.

    “The body adornment of some of our women glow more when they apply this

    palm kernel oil to their body. It works; it is good to the skin”, he said with some measure of assurance. Interestingly, one of the women in the pictures was even carrying an oil made from palm kernel. She carried it with care and she made it clear that it is the source of her glowing skin beauty. In the painting, Samuel used plenty of colours to demonstrate this outstanding elegance. He loves to apply deep, lovely and bright colours to impress or to bring out the subject matter better and clearer. For him, brighter colours used judiciously help to bring out all the contours of figures and images.

    He said, “Yes I have this as a series. This one is titled patience. The woman is waiting for a suitor, sitting quietly and patiently. You can see how innocently and patiently she sits out there. I also tend to use beautiful colours a lot. It is what people see at first that catch their attention. Therefore I use contrast of colours to do my work. However, women generally love bright colours and I use same to bring out that attraction. I capture that to bring out the narrative. Brighter colours indeed do it for me. I also use ankara mostly because it is colourful, it is our own fashion statement and style.

    Mostly also, he does his paintings under the colourful influence of gardens and parks and some homes where flowers exist. One of them taken in a park depicted a woman in total submission to nature. She glows resplendently. She is at home with the flowers as they adorned the public park. One thing is however clear in Samuel’s works. His series on maidens, on these women with different needs and in different situations, shows how desparate some women can be when they are in need of husband. Beyond the exquisite postures and the many beauties attached to the paintings, Samuel is clear about how to make women look desirable. The pictures say it all. The paintings introduce you into the habits of women, more so, when they are intent on how to ensure they leave nothing to chance to look good and appreciated.

    Read Also: Joy as Kano gov reunites parents with their stolen children

    Right from time, Samuel chose to use plenty colours to enhance his works. Even though he loves other medium and tries to replicate some in his works the choice of oil on canvass is deliberate and purposeful. “My points of attraction as a painter are colours. Colours inspire me; they also glow in your imagination. In fact paintings should be about contrasting colours and brighter colours that enhance the eyes. Some of my arts are just beyond painting and what have you. You need to appreciate the narratives involved in it. You need to see the application of colours and what they are meant to represent”. Samuel also does landscapes whenever it is necessary. But generally he focuses on those ingredients he learnt in the university. “Unilag taught me to look beyond my training as an artist to see even why I studied it as a course. That is the difference and it helps me to aspire, to move on fast and to be better focused. You work to make your art sellable and to appeal to people as well.

    The tentative title for his exhibition in January is blossoming flowers. As at now Samuel is still on the threshold of completing his works to make enough for a solo. Usually solos come with an appreciable number of art pieces so as to attract maximum attention and patronage. Even though he has not concluded the arrangement about the art gallery to use for the exhibition, his eyes are a bit on the Thought Pyramid Gallery located at Ikoyi, Lagos. This exhibition according to him is an opportunity for him to step out into the mainstream art. “It will motivate me to do more”, he said hopefully. With some of his works done in digital form, Samuel has actually plenty to offer the art world. It is therefore an ample time to follow him into 2024 for more wonderful art pieces.

  • Chidozie Oliver Maduka Captures the Spirit of Calabar Carnival 2023 Through Artistic Photography

    Chidozie Oliver Maduka Captures the Spirit of Calabar Carnival 2023 Through Artistic Photography

    In December 2023, the vibrant streets of Calabar, Cross River State, Nigeria, came alive with the annual Calabar Carnival, renowned as Africa’s biggest street party. Amidst the colorful parades, elaborate costumes, and energetic performances, fine art photographer Chidozie Oliver Maduka stood out by capturing the festival’s essence through his evocative imagery. 

    The 2023 edition of the carnival, themed “Season of Sweetness,” featured a 12-kilometer parade route filled with dancers, musicians, and performers from across Nigeria and neighboring Cameroon. Maduka’s photographs offered a fresh perspective on this cultural extravaganza, highlighting the intricate details of the costumes, the dynamism of the performances, and the communal spirit of the celebration. 

    Maduka’s work at the carnival not only documented the event but also interpreted it, providing viewers with a deeper understanding of its cultural significance. His ability to intertwine traditional narratives with contemporary artistry has earned him recognition, including being named “Visual Artist of the Year” in 2023 by La Mode Magazine. 

    Through his lens, Maduka continues to bridge the gap between the past and the present, ensuring that the rich tapestry of Nigerian culture is both honored and reimagined for future generations.

  • Benin to celebrate Vodun feast

    Benin to celebrate Vodun feast

    All is set for the Benin to celebrate the Vodun festival on January 9 and 10, 2024, in Ouidah in Benin Republic

    A journey from the city centre to the seaside, the ceremony will feature rhythms, songs, dances, and symbols of Vodun.  

    The Vodun Festival, celebrated every January 10, has transformed a new gathering dedicated to the arts, culture, and Vodun spirituality. The celebrations will take place within the historic city and on the beach, near the famous ‘Door of No Return’.

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     It will feature performances at the Vodun squares and convents in the heart of the historic city of Ouidah, the Vodun Days Village, with stands showcasing crafts, food, and entertainment, the artistic stage with an evening concert and show on the beach, expectedly, to be attended by dignitaries, parading faithful Vodun convents.

    From Vodun Hounve dances to Zangbetos and Egungun, including honouring deities such as Yaoïtcha or Vodun Mami Dan, to concerts on the seashore featuring renowned international and Beninese artists, Ouidah, the City-Museum, will offer a unique cultural and spiritual experience.

      Benin, the heart of Vodun Benin, is on a journey of rediscovery and it aims to share with the world the richness of arts and culture to Vodun. Major projects are on the horizon, including the construction of an International Vodun Museum, the establishment of the Vodun Convents Route, and the organisation of Vodun Days.

    Acknowledging the vitality and significance of its cultural and spiritual heritage, Benin emphasises this shared legacy with many countries and cultures worldwide, asserting itself as the birthplace of Vodun.

  • BOOK REVIEW: The story behind the glory

    BOOK REVIEW: The story behind the glory

    Author:      Dr. Toyin Banjo

    Reviewer:  Tunde Oladunjoye

    Publisher:  Giant Bull Consulting

    The Story Behind the Glory is the first memoir of the founder of Abeokuta-based Gideon Orphanage and Home for the Elderly, Dr. Oluwatoyin Olayemi Banjo, published in September, this year to mark her 50th birthday.

    The 92-page mini-autobiography spread across nine chapters could best be described as a testament of appreciation by the author to give her Creator the glory of attaining the golden age; this is evident in her dedication: “This book is dedicated to God Almighty”.

    Chapter One, entitled: “Relocation”, tells the story of the school days, from nursery school through primary school, to secondary and tertiary institution where she obtained what is called “National Diploma”. She recounts her early life and the adolescent years in which she did what most young teenagers would do; escape from school, change locations without parents’ knowledge, and what have you. Since these youthful exuberances have implications, she also suffered the consequences, however, the way she escaped some negative occurrences, including accidents, frame-up and kidnapping, was, from benefit of the hindsight, indicative of the eyes of God watching over her as those escapes from escapades were nothing short of God’s  miracles.

    Fate made her to meet an immigration Officer at the airport where she has gone to serve her internship and the meeting and relationship tallied with that of her mother who was already making arrangements to make her travel to the United Kingdom in search of the Golden Fleece. The undiluted and uncommon love of mother infested here as she recounted how her mother sold almost all that she had to support her trip abroad.

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    “The Odd Jobs”, as chapter two of the book is titled, brought the author to the reality that there is no land where “milk and honey freely flow”; and there is no paradise anywhere on earth. Though accommodated by a relative on arrival, she initially  had to do “odd jobs” to find her feet as a new comer into the United Kingdom, even when she constantly looked over her shoulders for immigration officials as her papers were not yet completed. From working as cleaner, attendant and serving food at parties, and so on, this determined young lady just had to survive.

    As a determined immigrant, with non-resident status, she was resilient in forging ahead, perhaps afraid of going back to the country she practically ran away from.Yet, she maintained her faith in God even at such a young and pliable period. She confessed holding on the God: “The Bible says in Proverbs 3:5-6 “Trust in the Lord with all your heart and lean not on your own understanding; in all your ways submit to him, and he will make your paths straight. That was all I needed to hold unto, and I surely held on unto this.”

    Eventually her faith helped her fate as she got admitted to read Mental Health Nursing at the Middlesex University, despite the initial hurdles and nervousness recounted in chapter three of the interesting and inspirational book.

    Chapter Four, “The In-Betweens”, was the story of how she met the love of her life, her husband, where she was working as a cleaner, the initial attractions, the contradictions, marriage, then motherhood, followed by her confirmation as a resident. The much sought-after citizenship is attained!

    “Charitable Calling” the title of Chapter Five, underlines the adage that “to whom much is given, much is expected”. Since God has shown mercy to the little hitherto ‘unknown girl’ from Osun State, beyond her desires and expectations, it was not surprising that she got a call to charity; to serve God and humanity through charity.

    So she picked the call and Gideon Orphanage was born. This was after she had tried her hands on businesses via a classy boutique named Bubbles. This business made her travelled frequently to Nigeria, China, U.S., Dubai and other parts of the world.

    She was attending a yearly convention of her church when she got the call to charity and the name Gideon. She relayed that she started studying the life of Gideon and realised that the most important thing was that “God wanted to use me to free the abandoned, the orphans, the less privileged children from the oppression of the society. The important thing for me was that Gideon’s life stands to show us that God sees the best in us when when we do not.

    Of course, the author has gone from orphanage to care for the elderly, young widows and the physically challenged: in her words: Many years later, I felt the burden to expand and include elderly women in the care of Gideon Orphanage Home. This was a significant undertaking, as I had not yet finished caring for the children.

    Once again, I struggled with myself, discussed it with my spiritual parents, and they blessed me, saying,”If it is the Lord’s will, we will support you.” That’s how added the elderly to my charitable mission.

    The other chapters, “The Great Step”, “The Challenges”, The Pain” and  “My Breakthrough”; chapters six, seven, eight and nine respectively, like the previous chapters, also encapsulate Dr. Banjo’s story which she “generously shares the invaluable secrets to her success and her unwavering belief in God’s grand design for each individual. This autobiography offers profound lessons in faith, perseverance, and fulfilling one’s divine purpose, making it an inspiring read for readers of all ages.”

    As described, “The Story Behind the Glory” is a captivating autobiography that tells the remarkable tale of her journey from obscurity to prominence, guided by divine providence. Her life embodies the transformation from insignificance to stardom, from zero to hero, and from anonymity to acclaim. Throughout the narrative, the unwavering threads of God’s mercy, favor, faithfulness, and gratitude are interwoven.

    “Within its pages, Dr. Banjo generously shares the invaluable secrets to her success and her unwavering belief in God’s grand design for each individual. This autobiography offers profound lessons in faith, perseverance, and fulfilling one’s divine purpose, making it an inspiring read for readers of all ages.

    Apostle Lawrence Achudumen, who wrote the foreword to the autobiography, that could be rightly called Book of Testimony, summed it all: “it is a story of a golden girl, a girl who will not quit the story of a graced girl who not only surprised the people around her, but also surprised herself.”

    This book is difficult to put down once you start reading and you will want to start over again when you finished reading. The author narrated her story in simple captivating prose that skillfully holds on to the reader. The chapters are well interconnected, but the pictures, many of which were taken with telephone camera, could be improved upon.

    The inspirational autobiography is highly recommended.

  • Homage to African novels

    Homage to African novels

    Ayobami Adebayo’s sophomore novel, A Spell of Good Things, made the longlist of this year’s Booker Prize. Her first novel, Stay With Me, won the 9Mobile Prize for Literature and was shortlisted for the Women Prize for Fiction. In this interview with OLUKOREDE YISHAU, the author sheds light on her latest work, writing and related issues.

    In ‘A Spell of Good Things’, your worthy sibling to the phenomenal ‘Stay With Me’, you never mentioned the name of the town the story is set. What informed this decision? 

    I wanted the language to indicate its setting to readers who recognise the dialect. For those who don’t, I was happy for them to read the location as a town in Nigeria’s Southwest.

    Unlike your first novel, A Spell of Good Things is heavily political. Why did you decide to take on this monster subject that is at the heart of Nigeria’s inequities?

    Nigerian history and politics have always been fascinating to me.When I was working on my first novel, some of the earlier drafts explored the coups of the eighties, both failed and successful, more heavily. However, at some point I realised that most of the detours I’d included did not work seamlessly with the story at the heart of the book. I cut out what I felt was extraneous and retained only traces of what had been there before. That way I was able to craft Stay with Me into the intimate novel it needed to be.  In A Spell of Good Things, I think I struck the right note from the beginning. Such that the politics doesn’t feel extraneous but is as integral as every other aspect of the novel.

    Until now, readers of Half of A Yellow Sun are still asking Chimamanda where Kainene is. I suspect that in the case of A Spell of Good Things, readers will be asking you who won the election. Should we just take it that the violent one had his way?

    I like to leave a few things in my books to the reader’s imagination, and this is one of them.

    Eniola’s father apparently becomes depressed after his retrenchment. In Nigeria, mental health is downplayed despite our socioeconomic situation which promotes depression and other mental health issues. Lakunle’s violent ways also suggest a demented mind. Were you trying to point attention to this serious issue which we sweep under the carpet in Nigeria?

    Definitely.

    Wuraola’s mother, Yeye, experienced poverty growing up and sees life as “war, a series of battles with the occasional spell of good things”. Yeye also believes that in Nigeria “real wealth was intergenerational, and the way Nigeria was set up, your parentage would often matter more than your qualifications”. Is our reality this grim?

    For many young people who are born into poverty, things are quite grim.There are obviously exceptions but on the whole, many options that people have for some kind of upward mobility continue to disappear. One that the novel illustrates is access to education. There is a generation of Nigerians who got stellar secondary school education from public schools. It is unfortunate and ironic that some of them have supervised the collapse of those same institutions.

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    The book indicts a political class with little or no concern for the people’s needs, but capitalises on a largely poverty-stricken population to achieve selfish goals. Have you had a politician taking you on for pointing out their flaws?

    That hasn’t happened yet. There are also journalists doing the work to point out this vicious dynamic every day.

    This book is proudly Ijesha, proudly Yoruba and proudly Nigerian, because you freely used Ijesha, Yoruba allusions and Nigerian English without bothering whose ox is gored. Are you an apostle of Chinua Achebe’s desire for African writers to do with English language what the owners didn’t dream of?

    Considerations around language are critical for any writer, particularly writers from post-colonial spaces. If we look back at submissions from the Makerere African Writers conference of 1962, it is clear that the conversation around language has been an ongoing for a while. I do lean towards Prof. Achebe’s intervention about this question. For me, such considerations are threaded through with the awareness that there is another language pulsing through the English I write. I think it often stands out when I am translating dialogue, since I am trying to replicate not only semantics but also rhythm and syntax. I am a Yorùbá woman writing in English, mostly about Yorùbá people. The metaphors with which many of the characters would articulate their lives shape the language I write in, and with each book, I ask myself how my work can honour these realities.

    The novel pays homage to some great African novels whose titles serve as the sub-titles for its parts. The first part is named after Sefi Ata’s Everything Good Will Come, the second part is named after Chika Unigwe’s On Black Sister’s Street and the third part is titled Waiting for An Angel, Helon Habila’s first novel. The fourth part is named after Teju Cole’s Everyday Is for The Thief and the last part is named after T.M Aluko’s Foreman. Why did you do this?

    There are several reasons. For one, these are all books that are engaging in insightful ways with Nigeria. Each one of them has been significant to me as a writer and I wanted to highlight that in some way. Also, as I travel the world, I’m always asked to recommend books by other Nigerian writers, and these are some of the books I hope anyone who is curious about contemporary Nigerian fiction will pick up.

    What does your writing look like?

    I go through several drafts before I start sharing my work with my first readers for feedback. When I’m working on the first draft, I’m pretty consistent and going at it every day, with a word count in mind. And when I get to the end of that, usually I take a break from it. Then I come back to read what I’ve written, and that’s when I really feel that I start working on a novel, or on a story or on an essay. I start revising and tinkering with things. My first drafts are quite messy. I have things in caps – a scene might end with, ‘There needs to be a conversation about x and y’, or ‘Why does this person do this?’ Then I go into the second draft thinking through those questions that I asked myself. I go from the beginning to the end again, and by the third draft, I’m considering how things connect to each other. I’m thinking about the structure. I probably do at least five drafts before I send it to my first readers for initial feedback that I can incorporate into a subsequent draft.

    How will you describe a great writer?

    I’m going to quote Maya Angelou here because I think she described it aptly when she wrote as follows in Letters to my Daughter, “All great artists draw from the same resource: the human heart, which tells us that we are more alike than we are unalike.”

  • ‘Yaba Evergreen Happy Hour’

    ‘Yaba Evergreen Happy Hour’

    It was an unprecedented collaboration. Lagos-based Evergreen Musical Company, described as “Africa’s greatest custodian and producer of music of yesteryears,” and the authorities of the Yaba Local Council Development Area (LCDA), Lagos, organised Yaba Evergreen Happy Hour to promote live bands in the community and celebrate the music of notable Nigerian musicians, particularly in the highlife category. The event, held recently at Akinwunmi Centre, Yaba, marked the end of the year and boosted the month’s atmosphere of celebration.

    Chairman Yaba LCDA, Kayode Omiyale, the event chair, welcomed guests to “the home of music.”  Interestingly, Yaba area is associated with the musical careers of giants like Sunny Ade, Fela Kuti, Ebenezer Obey, Roy Chicago, Adeolu Akisanya, Victor Olaiya, Orlando Owoh, and Bobby Benson, who used to play regularly at popular clubs located in Yaba and its environs.

    The Royal Bell Band and MFM Band supplied evergreen highlife melodies, much to the delight of the guests. Artistes Kofo Wonder, Pedro Agidigbo, Lady Julie and Omileyan spiced up the event with their performances.

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    It was also a time for recognition and reward for two distinguished musicians, who received awards and cash gifts. Omiyale presented the Evergreen Musical Company Lifetime Achievement Award to Segun Adewale, a veteran Juju musician, and Yinka Davies, a multi-genre performer.  Adewale said the honour would make him “work more.” The master of ceremonies, Yemi Sodimu, a well-known thespian, described Davies as “an exciting package of entertainment.”  She showed her stuff.

     The Chairman/CEO of the musical company, Femi Esho, and his daughter, who is its managing director, Bimbo Esho were at the centre of the show. The Evergreen boss, who is in his 70s, has been described as “the undisputed largest collector of music of yesteryears with over 150,000 vinyl plates made up of 78rpm breakable plates, 45rpm and 33rpm, hundreds of reel-to-reel tapes, thousands of cassette tapes of various music along with archival materials such as His Master’s Voice (HMV), various reel-to-reel machines, various turntables with the oldest 100 years old, books and newspaper articles on Nigerian music, video recordings of early Nigerian music icons.” The company also has a band that is known for its rich highlife repertoire. 

    The ‘Yaba Evergreen Happy Hour’ showed that there is a lot of room for cultural collaboration between the company and culture-friendly entities in the public and private sectors.

  • Ode to ‘lexical beautician’ Adepoju

    Ode to ‘lexical beautician’ Adepoju

    Chief Lanrewaju Adepoju, a poet, writer and social critic was one man who elevated Yoruba language to the level worthy of embrace. As a poet, his messages were conveyed in one of the most beautiful word usage styles which drove home their importance.

    Taking on socio-economic and, later religious issues, Adepoju spoke truth to power, and addressed moral and cultural issues in ways that helped the young and old mould character for better standing in the society.

    His expressions were captivating. They attracted Yoruba and non-Yoruba to the language.

    With his many albums and regular poetry renditions on radio, Adepoju dazzled from the 1970s to 1990s. He was a household name until he embraced Islamic religion to almost an extreme level that eventually isolated him from many of his lovers.

    The poet was battling reputation crisis due to his extremist Islamic views when he was struck by sight challenge. He made efforts to correct his vision in the one eye that was troubled but the second eye was affected in the process.The situation confined him to his expansive residence around Challenge area of Ibadan, the Oyo State capital, till he died earlier this month. He struggled with his vision for about 15 years.

    Reflecting on the huge impact Adepoju’s works made on him and other people in his ilk in the 70s and 80s, a renown activist and social crusader Comrade Adeola Soetan explained that Adepoju’s poems deepened his understanding and love for Yoruba. He said the beauty of his language usage was unparalleled which made him stay glued to the radio to listen to him in the 70s.

    He described Adepoju as a lexical beautician.

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    Soetan, who is the President, Citizenship Civic Awareness Centre, said: “Yoruba language is a sweet, beautiful language of communication with many tastes depending on coinage, usage, purpose, expression, medium, condition and situation where it’s deployed. No single Yoruba word is meaningless in spoken form, lyrics or rhythm, in content or context.

    “Lanre Adepoju made Yoruba language sweeter, more beautiful and more tasteful in his simple and complex usage of words as a lyrical poet, author, composer, story teller and a gifted wordsmith.

    “When I entered Ibadan in 1970 to join my parents, I first “met” Lanrewaju Adepoju in the 70s through his early morning “Ewi”, a unique rendition of Yoruba poetry on radio.”

    Soetan said Adepoju shone along with other poets in the period but that he was distinct for his beautiful labguage use, thematic focus and style.

    His words: “There were few indigenous Yoruba Akewi (poets) then in Ibadan and its environs  who used to dazzle us on radio with concentrated Yoruba language Ewi, courtesy of Western Nigeria Broadcasting Services (Corporation), Radio Nigeria and later Broadcasting Corporation of Oyo State (BCOS) aka “Ile Akede” Orita Bashorun joined.

    “Among these Akewi were Lanrewaju Adepoju, Yemi Elebuibon, Oyewole Olowomojuore and Tunbosun Oladapo. They had a lot of influence on children and adults. My special interest in Yoruba language was enhanced having had a good elementary knowledge of the language with the J. F. Odunjo Alawiye series. I remember scripting some Ewi and read them before the class in my secondary school days to fill up the time before the next lesson.

    “I  still remember the sign off of Baba Elebuibon after his Ewi rendition on the radio then. “E ma ma je ko jo bi ara leti eyin, Yemi lo wi be, Yemi Omo Elebuibon, Emi Ayinde lo so be lewi”. (Don’t let it surprise you, this is the voice of Yemi the son of Elebuibon, saying this message in poetry.)

    “The core objectives of these brilliant Akewi with  their daily rendition were Yoruba cultural revival, moral rectitude, character and integrity moulding, Yoruba virtues of “Omoluabi”, good parentage, respect for elders, good governance, unity in diversity, education and moral teaching among others. They adopted words, ironies, metaphors, moral story telling among others to drive their messages on radio and in recorded albums to the minds of all.

    “Lanre Adepoju in his heyday, appeared to be the most prolific, daring, courageous and , punchy in his style. He did not suffer fools gladly. And for this he was very prominent and loved  for deploying words as tools for social change and combat with his very authoritative, assertive melodious voice. For this, he ran into trouble water on some occasions with the  authority, local influential people, those  politicians who he didn’t support, and Isese Yoruba traditionalists when he unnecessarily delved into Islamic fundamentalism which I consider as an anti-climax to his former balanced worldview as a poet for all.

    “The Aare Alasa of Ibadan land, Baba Lanrewaju Adepoju, would forever be remembered as an outstanding Yoruba poet, writer, author of “Ladepo Omo Adanwo” his popular story book, for his dexterity in the usage and beautification  of Yoruba language, its values and as a Yoruba culture promoter of his generation.”

    Also speaking on his father, one of Adepoju’s sons, Ibrahim, said the late poet used his gift to reshape the society, stressing that he was a man with great courage.

    “Baba was a lovely and passionate father who stood by his conviction, He was a kind of person who cared for the plight of the masses, and this always reflected in his works.

    “He used his gift, the ewi prowess to always fight for the masses, correct societal ills, caution the government and all those who engaged in dubious acts either political or religious leaders. He was a kind of person that would not ignore any evil or anything bad that he ever came across. He was a fearless man who always said it as it is.” Ibrahim said.

    Ibrahim revealed that the family was already making plans to immortalise him.

    He also described his father as one-in-a-generation man whose memory should not be allowed to be easily forgotten.

    He said: “On the part of the family, we expect the government to show concern and do something to immortalise or recognise him so that his legacy will not just disappear like that.

    “The family is trying to immortalise him, to preserve his legacy. In a couple of months, we are looking forward to organising an event to put together his artistic works both written and poetic rendition, preserve them and have a kind of foundation for him.

    “We are reaching out to government officials both at federal and state level to inform them officially to do something.

    Ibrahim also called on the Federal Government to bestow a national honour on his late father based on the impact of his works.

  • Stemming gender-based violence in FBOs

    Stemming gender-based violence in FBOs

    As the world marks this year’s 16 Days of activism against Gender-Based Violence (GBV), PRECIOUS IGBONWELUNDU reports that the Ruth Sisters Fellowship International and non-profit organisations converged on New York, United States to chart a way forward against abuses in faith-based organisations (FBOs).

    In April, last year, Nigeria and, indeed, the entire world, were shocked by the news of the death of Gospel singer, Mrs Osinachi Nwachukwu. More shocking were allegations that the woman with the golden voice, whose songs touched many lives, was a victim of domestic violence from her alleged abusive husband.

    Worst still were allegations that her spiritual parents knew about her ordeal but persuaded her to endure and continue to pray/fast for her husband to change instead of walking away from the union.

    Like Osinachi, many victims of gender-based violence in ministries across the world have been conditioned to embrace the culture of silence. There are several wives of pastors, imams, gurus and other heads of spiritual organisations who are daily subjected to sexual, physical, mental, emotional or socio-economic abuse by their spouses but cannot speak out because their voices have been silenced.

    Against this backdrop, the Ruth Sisters Fellowship International, through its ‘Our Voices Because We are Involved’ initiative, collaborated with the Veteran Association of America to spotlight the rising cases of abuses in FBOs at a conference themed “Invest to prevent gender-based violence” which held on December 9 in New York City, United States (U.S.).

    Setting the tone for the discussions, the Rector of the fellowship, Prof. Adaeze Okika said GBV in FBOs has continued to rise despite various enactments and resolutions by the UN.

    She said her organisation saw the need to be the voice of victims of GBV in FBOs and to educate them on the need to speak out.

    The rector said the fellowship had in the past few years, partnered over 6,000 civil societies to create awareness about GBV on women in FBOs as well as develop indices for advocacy and improved pulpit vocabulary for women ministries.

    “To further this course, we launched the initiative ‘Our Voices Because We Are Involved’ and have maintained our stand that women in FBOs should be protected to advance their inherent potential and kingdom skills in advocating Generation Equality and gender equality…”

    Okika also noted that several actions geared towards the elimination of GBV had been government-centred with very little done to get FBOs involved since the menaces were prevalent in such communities.

    “Since 2015, the UN SDG 2030 has advocated that no one should be left behind. So, it is expected that policies on GBV will be inclusive. Generally, it has been observed that these laws usually end with the government and their agencies.

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    “Those in FBOs are not usually in the know of these laws. As a result, when such things happen, they resort to praying, fasting and enduring. This has led to avoidable deaths.

    “From social media posts, it is evident that there is a high rate of GBV in FBOs. We have seen wives of ministers suffer domestic violence and they cannot speak out for fear of being judged by society.

    “This is why the Ruth Sisters Fellowship came up with the initiative to take the message to FBOs so that we can educate them about what the UN Women is doing on GBV, get them actively involved in eliminating the menace by shunning the culture of silence. “We believe that voices must reach out. We believe that by the time we begin to rent our voices in churches, mosques and other religious gatherings, the awareness would have been created and victims would know what to do…”

    According to her, the UN’s 16 Days of Activism against Gender-Based Violence was an important campaign aimed at raising awareness, promoting gender equality and ending violence and discrimination against women and girls.

    “It begins on November 25, which is the International Day for the Elimination of Violence against Women, and ends on December 10, which is Human Rights Day.

    “This campaign is significant as it brings attention to the systemic issue of gender-based violence that continues to persist in societies globally. It provides a platform for individuals, organisations and governments to come together and take action towards ending violence against women, girls, boys and men.”

    The founder of Miss CARCOM International Foundation, Dr. Monica Sanchez, said: “The 16 Days of Activism also serves as a reminder that addressing gender-based violence is not just a women’s issue, but a societal issue that requires collective efforts. It encourages both women and men to actively participate in combatting gender inequality and challenging the patriarchal systems that perpetuate violence and discrimination.

    “However, reflection on this campaign also brings attention to the fact that ending gender-based violence requires sustained efforts beyond the 16 days. Governments and institutions need to enact policies and provide resources to create a safer environment for women and girls.

    “Education, awareness, and prevention programmes should be implemented to address the root causes of violence and encourage respectful and equal relationships. Additionally, the United Nations and member states must continue to engage in addressing the intersecting forms of discrimination and violence faced by marginalised communities, such as indigenous women, individuals, and women with disabilities. These groups often face heightened levels of violence and face additional barriers to accessing justice and support services.

    “In conclusion, the United Nations’ 16 Days of Activism against Gender-Based Violence is a vital campaign that raises awareness and promotes action to end violence against women and girls. It serves as a reminder that the fight for gender equality and the eradication of violence is an ongoing process that requires the participation and commitment of individuals, communities, and governments worldwide.

    To the Chief Executive Officer (CEO) of Favor Aint Fair Non-profit Organisation, Dr Demetria Sherman, preventing violence against men and women in ministries was critical and demanded unwavering attention as well as concerted action.

    “In a world where incidents of gender-based violence continue to plague our communities, it is imperative that we come together as a unified force to address this pervasive issue. We must recognise that violence does not discriminate based on gender, and our efforts to combat it must be inclusive and comprehensive,” Sherman said.

    “Investing in education and training resources is a powerful and proactive step towards preventing violence. By equipping individuals with the knowledge, skills, and awareness to recognize and address violence, we can create a culture of accountability and empowerment.

    “Education is the cornerstone of change, and it is through education that we can challenge harmful attitudes and behaviours, dismantle stereotypes, and foster a culture of respect and equality.

    “Training resources play an equally crucial role in our collective efforts. They provide the tools and strategies necessary to intervene in potentially dangerous situations, offer support to survivors, and engage in constructive dialogue that promotes healthy relationships…

    “As we gather here today, let us reaffirm our commitment to unity in the face of adversity. Let us unite in our shared goal of building a world where violence is not tolerated, where every person can live without fear, and where respect and dignity are the cornerstones of our interactions.

    “Let us invest our resources, not only in material terms, but also in our time, energy, and advocacy, for the cause of preventing violence against women and men. “Together, we have the power to effect positive change. Let us leverage our collective strength to create a future where everyone, regardless of gender, can thrive in safety and security.

    “I am confident that with our unity and investment in education and training resources, we can and will build a world free from the scourge of violence,” she said.

    In his presentation titled “Investing in Women and Girls as Antidote against Violence: Challenges and Prospects,” a Catholic Priest and founder of Hopeyet Foundation, Dr Vincent Bulus recommended adequate representation of the vulnerable populations, reparation and research as ways to end the menace.

    He said investment in education was key to helping women and girls become less vulnerable to violence, adding that gender equality was beneficial to economic and social progress as it enables women to improve their position in life. “Establishing an inclusive workforce where acceptance and safety would undoubtedly benefit all people in the society,” he said.

    Speaking on emotional and psychological balance, especially among children, the President Chenka Horizons, Dr. Esther Okoye called for immediate action to stop the rampant issue of abuse affecting people from all spheres of life.

    She emphasised the significance of community-based approaches in combating the rising trend of gender-based violence, emphasizing the need to assist children who frequently encounter diverse types of maltreatment.

    She stressed the importance of combating abuse not just in private residences, but also within academic institutions noting that while these discussions may be challenging, they were crucial.

    “When abuse is happening in a home, the people that suffer are the children. You know there’s a saying that when two elephants fight, the grass suffers so the children are the ones that are suffering. They are the ones that are feeling the impact of those abuses.”

    Dr Okoye highlighted the significance of cultivating a caring community and fostering a strong sense of inclusion among individuals when dealing with mental health difficulties.

    She stressed the crucial role that education plays in enabling people to identify signals indicating mistreatment while also showing sympathy towards those who have undergone distressing experiences.

    She said: “We have to create a compassionate society, a compassionate environment by telling kids that you care whether in the classroom or outside the classroom.

    “There’s a sense of belonging we all need to have. When you are treated differently, you will feel it, you know that something is not right, and you will know that someone is not taking care of you, not giving you what you want or not bringing you into the fold. So, it is very important.”

  • Rotary Club installs Oyebamijo as president

    Rotary Club installs Oyebamijo as president

    The Rotary Club of Abule-Egba Metropolitan has installed Rotarian Raphael Oyebamijo as its 13th president.  

     The club was founded on November 25, 2009 and chartered on April 15, 2010.

    The event held at the Martinos’ Event Centre and Hotel, Agidingbi, lkeja, Lagos.

    Oyebamijo, in tandem with the Rotary’s 2023/24 Year theme, “Hope’’ promised: “We will create hope to improve lives, make a better future and for people to be the best they can. Hope may have a very complex meaning to different people, but we can all come and life better for people around us.”

    Quoting Rotary’s International President, R. Gordon R. Mclnally, Oyebamijo promised “to take care of the club’s members to build lasting peace, embeds belonging and inclusion in everything we do”.

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    He said the club had mapped out strategies to achieve its lofty goals in projects execution in the seven focal areas of Rotary, namely: promotion of peace, protection of the environment, eradication of diseases, provision of clean water, sanitation and hygiene; support for education as well as care for mothers and children.

     He sought the cooperation his colleagues to succeed, saying “No one is an island.”  

    Installation Committee Chairman of the club Yomi Aderibigbe noted: “Rotary’s ‘cardinal objective is service, committed and selfless service, to humanity’ and that part of the event was a fundraiser aimed at getting  cash to execute their targeted  projects.” 

    He called on their friends and well-wishers to partner the club.

    While the Managing Director MTE Dynamics, Mr. Toye Ibiyemi, chaired the event, Dr. Musiliu Akinsanya, popularly known as MC Oluomo, was the chief launcher and the Chief Executive Officer, End2end Supply Chain Limited, Mr. Onabogun Kolade George, co-launcher.

    The guest speaker was Mr. Abayomi Alagbada.

    The following received awards are the ceremony: Ibiyemi, Akinsanya and Mr. Abayomi Olakunle Alagbada, a lawyer.  Others were Director, Technical Special Committee on Rehabilitation of Public Schools (SCRPS), Mr. Ayodele Muhammed Ajayi; founder/CEO, SUPEC Elevators Nigeria Limited, Dr. Simon Peter Chidokwe; Rotary International District 9110 Assistant Governor, Rotarian Haruna Muraina Turayo; and Rotarian Joseph Anani of the Rotary Club of Omole Golden.