Category: Arts & Life

  • Multilingual author to empower diaspora children

    Multilingual author to empower diaspora children

    Nigerian-American author, Taiye Ayoola-Adedeji is set to empower children in the diaspora about their rich culture and beautiful language.

    According to the author of the best-selling electronic entitled, YORTONES (Yoruba Sound Book For Children), her mission is to help children secure their cultural identity by learning their language, recognizing the challenges parents often face in teaching the language and passing on their heritage in their busy lives.

    She said her initiative not only empowers the children but also supports their families, contributing to their livelihoods and economic independence.

    “’The Electronic Yoruba Sound Book’ has made a significant impact in the United States, where there is a substantial Nigerian diaspora community. This book has filled a crucial gap by providing a resource for children to learn their language and to see their culture represented in literature,” Ayoola-Adedeji said.

    She added, “African-American children and their parents who discover their Yoruba heritage through genetic testing also find the book inspiring, as it connects them with their roots and encourages a deeper exploration of African culture. We have been engaging with local communities, offering programs such as “The Children’s Hour with Yoruba Language,” which brings together children of various backgrounds to learn about African culture and language.”
    Ayoola-Adedeji expressed that she is not resting on her laurels as she is on a mission to greater heights by attending the upcoming United Nations General Assembly.

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    “My bilingual book has brought attention to a groundbreaking development within the United States Motor Vehicle Administration, particularly in the DMV area. In Maryland, they have acknowledged the growing importance of the Yoruba language by introducing translations for learner’s permit exams in Yoruba. I believe that preserving cultural identity and language is vital and encourages everyone, regardless of their location, to embrace their culture and language.”

    With the increasing globalization of Yoruba culture and the incorporation of Yoruba words into mainstream music and media, Dr. Ayoola-Adedeji stresses the importance of passing on the language to the next generation.

  • ‘My works celebrate gifts of nature’

    ‘My works celebrate gifts of nature’

    Joshua Nmesirionye is a Fine Artist, a painter who is in love with impressionism and uses so to celebrate landscapes, images, figures and abstracts. In this encounter with Edozie Udeze in his studio at the Universal Studios of Art (USA) Iganmu, Lagos, he took time to explain certain things that make him show special interest in galaxies and other works of nature in his paintings.

    Joshua Nmesirionye is one of the artists operating at the Universal Studios of Art (USA) Iganmu, Lagos. He is a studio artist, well -known for his outstanding works that lay emphasis mainly on impressionism and landscapes. Most times when he is in his special mood, he experiments in abstract media. Meeting him in his studio on a Saturday was like seeing a craftsman or blacksmith at work on a very busy day. As he mounted his easel and board, brush in hand and with assortments of water colours littering here and there, he could hardly have time to engage in idle talk.

    He preferred to be seen or spoken to while at work. And it was really clear from the numerous works in his studio, some completed while others in different stages of completion, that Nmesirionye is a very busy painter. As he moved around painting away he wore some smile on his face, smile of deep satisfaction. As he did so he looked left and right at the work to ensure he was on the right track. The brush travelled up and down on canvass as he mused his face with professional effusion. Then he turned around slightly to answer one or two questions. While he did so one of his eyes was still keen on the board.

    ‘What is the title of this work? , was the first question thrown at him. “First and foremost I am an artist, a fine artist. I paint mainly. That is what I do, that is my profession. I find expression with the things around me, my imaginations as well as people. I paint landscapes, and very subjective subjects. I also do many more and what you see here is one of them. I do figures also. I do impression. I do expression. It is the way the spirit leads me that I operate. Yes that is the way it goes.

    “Most times issues on landscapes attract me. I like to express myself deeply. When an idea comes to me I like to interpret so into visual. And one of the ways to do so is to get it right. I also get inspiration from people around me. This work here is a series called galactic euphoria. It has to do with the galaxies. Euphoria comes into play because we can see a whole lot of joyful presence in the galaxy”.

    He went on “You can see some images in the galaxies. Those images are not formed by humans. That goes to show you the awesome aspect of nature, indeed the universe itself. The magnitude of it all, that people have not really come to appreciate is what I display in the painting. In it all you see all kinds of stars, heavenly bodies, the clouds. When you see the sky from space, you tend to enjoy it more. That is what the work embodies. It looks a bit abstract. Yes it is done on purpose. You can as well take your time to decode it, to see how nature itself can play out to the admiration of human beings”.

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    Like most artists that indulge so much on figures and landscapes, Nmesirionye loves colours, the deeper, the better and the more appeal for him. From the quantum of paints in his studio and the ones that he had already splashed on his works it was clear his love for expression and impression cannot be quantified. As for his works he feels that the more colours he applies, the more they appeal to the senses. As an artist, he loves the beauty of the galaxies, the sparkles of light and the stars that are so far away from us. “You can see how little the stars look yet they are bigger than our planet. So indeed it is awesome and painting them has given me some measure of joy. That shows that whoever formed the stars, the galaxies is not only a super intelligent being, he is a wonderful and master creator. So I find inspiration in all that. I like also to create hope in them and through them. In other words, I like to use this sort of work to give hope, not only to myself but to the whole humanity”.The sparkles on the work are like sentinels. You see several colours that make the galaxies special. Even as they are so far away you cannot but welcome the artistic beauties. Behind it all, you see them give enough illumination to our cities and to the whole human nature. “This one here is titled twinkles of hope. It tells you that there is light at the end of the tunnel. That is what this work stands for. Of course, there is light at the end of the tunnel. We may face hurdles, problems, instances of gloom, hardship, but in the end, hope comes in to brighten our lives, to make life better. This is the whole essence of this work”, he said going closer to it to point out lines and contours that define its title more explicitly.

    As he kept busy rummaging through various levels of creating new works and perfecting old ones, Nmesirionye had a radio set blasting out local highlife music in the background. Obviously, the soothing voices of those musicians, their therapeutic words of inspiration helped to ginger him on. With the music it was clear that two forms of creativity had a meeting point. Visual and vocal meet in ways to accelerate creation and take it to a higher pedestrian. This is what Nmesirionye does all the time. For him therefore there is profound sense of inspiration derivable from good music while you create visuals for human needs and appreciation.

    Also the colours of different works hanging or standing all around the room and well adorned in various orientation added up to the overall euphoria. Everywhere you looked all you saw were colours- landscapes, figures, images, abstracts and all forms of paintings that embolden the soul. You cannot but spend enough time to go round, noting, pointing, admiring and appreciating these great works of creativity.

    There is also a settee and a center table on one side of the room. This makes the setting pleasant. As he works and often welcomes visitors, Nmesirionye sometimes relaxes on the settee with his visitors to refresh and talk a bit of theoretical visual arts. Sometimes when he engages in such talk, new ideas could come; fresh concepts may crop into his subconscious. This is the life of an artist, someone who has chosen to create all his life. “This series of twinkles of hope, that I am doing, I have done four so far. I also have feminine figures here as you can see. Sometimes the figure I paint depends on inspiration. However, I interpret all figures appropriately. At times some of the students we teach here can be used as models for the figures I paint. That way it helps and makes it lots easier for me”.

    On the whole he loves vibrant colours. But sometimes the mood of the work will determine the colours to apply. At other times the subject determines the choice of colours to be used. In all these, he loves sweet colours when they juxtapose on issues of love and joy and so on. And so for him the beat goes on and on and on.

  • ‘In literature, I teach life’

    ‘In literature, I teach life’

    Olatunbosun Taofeek is first and foremost  a consummate writer, author and playwright. He is also a university don,literary scholar and instructor. He has so many publications to his credit especially plays where he has written quite a lot. Taofeek made the longlist of the Nigeria Literature Prize this year. His play was considered one of the best eleven out of the multitude of works that entered for the award. In this interview with Edozie Udeze he highlights the whole essence of literature what stands for in human life and what the longlist and more mean to him.

    Literature is usually considered a way of life. As a literature teacher of many years, what are those elements that help you to impact this effectively to your students?

    Literature is scientific before being spiritual. It is philosophical, psychological and political. It is a multidimensional as well as multifaceted discipline among all other disciplines. If I could have my way everyone who intends to be lettered in any form needs a strong dosage of Literature to be a complete man. Do you know who is a complete man or woman? Someone who has at least 30% of all life’s disposition. I am coining this from dramaturgy where we have someone known as the complete man of the theatre.  The complete man can discuss averagely on any subject because of his intellectual sagacity. A thoroughly bred literary scholar knows the modus operandi of life, the flux, the exchanges and the exigencies of the world. Thus, “we” are not being moved by anything happening around us, for they are just the same things coming in different ways.

    Literature is too rich and deep to be studied as a discipline. Perhaps, I call it the faculty of all-knowing.  My greatest happiness is to have met literature in my lifetime. If I have the next opportunity to be in life, I would go for Literature. Let me start by telling you about one strange poem I have read in my lifetime by Edwin Robinson titled, “Richard Cory”. All through the poem, Richard Cory is a good man, quiet and loving. Everyone wants to be like him. They love him so much thinking he is everything, “And he was rich—yes, richer than a king—/And admirably schooled in every grace: In fine, we thought that he was everything/To make us wish that we were in his place.” but one day the same man of amiable character goes home and put a bullet through his head.” The question is, “What goes wrong with Richard Cory? Up till today, I am yet to know what goes wrong with Richard Cory to warrant his suicide. That is Literature. Except for the very best and most intelligent critic, no one can tell what goes wrong with Cory. For those who really understand, Literature is forensic, it is psychiatric and sociological at the level of interpretation(s).

    Similarly, why would Okonkwo commit suicide in Things Fall Apart? This is a political question that many professors of Political Science may not be able to answer. These are the kinds of response attempts we make in literature. A wide, weird, whole discipline. The element that helps me in impacting is that I don’t take sides in arguments, indifferent. Everything that can not be scientifically proven, factuality, should be treated as a myth and suspension of human realities. No character, no one, is infallible. Life is too transient and short to be taken seriously. I don’t teach morals or immorality; I only teach life. Reading more is the benchmark for civility. These are the precipices upon which I lay my conversations.

    Drama and Prose seem to dominate literary discourses most time. What then is the state of poetry both in the academic and social lives of the people?

    Well, poetry is the eldest among the three. Although, it has been bastardized by recent poetic proselytizers who call themselves poets. In the real sense of literariness, poets are rated higher than a novelist or a dramatist. However, it is getting different. Unfortunately, in the Shakespearean days and the Miltonic times, your lines must be above board for them to be regarded as poetry. You know in poetry, if your lines have aesthetical pleasure, we call it beautiful; if it is unforgettable then they haunt the readers throughout their existence; they could carry the rhythm holding a heartfelt imagery that is soulful because of the condensed nature of the lines that are captivating and thought-provoking. This usually makes those lines not bound by era or time. For we can call poetic lines tranquil harmonious enigma. So, drama and prose are younger brothers to poetry. I think this generation favours prose because it is a lazy generation that doesn’t want to task the human faculty.  In my hierarchy of literariness, poetry comes before drama and drama before prose. A good drama should have poetic lines and good prose should have poetic words.

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    Tell us elaborately what place the Nigerian Literature Prize has in your life as a writer.

    Many writers who have won the Nigerian Literature Prizes have not lived up to expectations. Thus, it makes the prize look like a Ponzi scheme. Of course, it looks like a Ponzi scheme because 90% of the winners have been retired permanently through this prize or they were accidentally called off from the field of writing due to the money. To be frank with you, I am not a prize writer. I think one of the reasons I started writing was that I wanted to immortalize myself. I do know of great writers who have lived and survived more than a century without a prize attached to their careers. And there are a lot of writers with prizes all over them and they are already a shadow of yesterday among the global readers. A critical case study is T.S Eliot and George Orwell. In their lifetime T.S. Eliot won the Nobel Prize in Literature. Orwell never won anything. But guess? T.S Eliot has already been retired to the Department of English while Orwell soars every now and then from political science to anthropology, etc. Animal Farm is unforgettable; 1984 with the Big Brother concept is unimaginable. But please, if you are not an English student can you mention Eliot with any sense of belonging?  That is the difference between writing for prizes and writing for writing’s sake. I would prefer to be with the Orwellian than to be with the Eliots in canonization.

    You made the longlist of the prize for Drama this year. What salient issues is your play addressing?

    The judges referred to my play, Where is Patient Zero? “…as one of the finest plays on international politics of disease that threatens the existence of humans and the economy.” This actually is the hallmark of the play.

    You moved from radio broadcasting to the ivory towers as a lecturer, how has the transformation helped you to find your rhythm?

    That’s a great question. Finding my rhythm is a great effort and the theory surrounding my combination of some sort. In fact, in my Ph.D. final defense, this was what my external examiner said when he met me in person, “You speak better than you write. So, eloquent!” I even had a problem with one Professor on the panel. His problem with me was that I was too relaxed and talked as if I was not there for a defense. The secret was the rhythm I brought into the defense conversation. The rhythm was a combination of “literature” and rhetoric. On the radio, you need to be more relaxed to have meaningful conversations. Don’t try to stage-manage conversation, if you do you are likely to make it artificial and boring. Just rely more on your residual knowledge than you make a great conversation of anybody or topic. In most of my writing, my characters are great talkers. They can talk you to start thinking about what you won’t want to think.  Plato uses the same technique in his conversations style. In public speaking as a lecturer I was able to win a trophy for my former university at the University of Ife. It was a public speaking contest across Nigerian Tertiary Schools. I came first with my student Olaoluwa Ayorinde.  It was simple for me: employ literary metaphors to captivate them while computing it with good public speaking etiquette. Thus, my characters are always philosophical because their successes lie in their conversations rather than their actions.

    What is happening to ANA, Lagos at the moment?

    ANA Lagos is there! I am a member and I still belong to other writing organizations.

    What next now that you have reached this apogee in your literary voyage?

    I don’t think I have reached my apogee. I just started because the sky is the starting point. I pray for long life and good health, there are many more miles…I have caught the spirit of writing, I would be its slave. And in the midst of several writers, I shall create my space.

  • Night of her smell (Poem)

    Night of her smell (Poem)

    All night I slumber
    Slumber in squalor of heat
    A heart just on edge
    Edge of fearsome sinister of memories
    When the atrocities of past
    Lurks in the heart of hope
    Then comes the smell of a woman
    Her name is Oby
    She smells in the distance
    Rousing afresh memories of
    Things long forgotten
    Things long feared, things
    Longed for, lingering on and on
    Then I toss profusely, sweating
    As the bed cringes in protest
    Now, have we reached that stage
    That peak
    That zenith
    Where our story would
    Come
    Back,
    Come

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    Back to us?
    Where spirit now drains me
    Holding me to no end
    Pulling me, nudging,
    Love holding me prisoner while
    Nodding to her entreaties
    A groin ready to slaughter
    Letting loose like a seeded melon
    Obiageli beckons, eyes falling in place
    Chest heaving heavily
    As contours of love hold like trails of sunray
    Yet her lips move in throes
    Of torrents, flickering, inviting me all over.
    She a young maiden
    A maiden in love
    A maiden of fantasy
    Engrossed in graces
    It is all the story of two lovebirds-
    Toby and Obiageli
    Lovers seized by obsession
    Hindered by barriers-barriers
    Of life, nature, man-made
    Barriers sounding gloomy, so heavy
    Bleak, unbearable, intoxicating.

  • Funmilayo Ransome-Kuti rekindles fight for justice, equality

    Funmilayo Ransome-Kuti rekindles fight for justice, equality

    • BAP eyes Oscar award

    Frontline activist Funmilayo Ransome-Kuti aka Lioness of Lishabi, who died in April 1978 following the invasion of Kalakuta Republic by unknown soldiers, is being honoured with a biopic by Bolanle Austen-Peters Productions (BAP). The film, Funmilayo Ransome-Kuti, was screened last week to a select audience at Terra Kulture Arena, Lagos, Assistant Editor (Arts) OZOLUA UHAKHEME reports.

    For over an hour, guests at the 400-sitter Terra Kulture Arena on Victoria Island, Lagos last Tuesday night were treated to another cinematic masterpiece Funmilayo Ransome-Kuti, a biographical film that pays tribute to one of the most influential figures in African history. Directed by Bolanle Austen-Peters, Bolanle Austen-Peters Productions (BAP), as follow up to her films such as The Bling Lagosians, Collision Course and Man of God, the film takes the viewers on an epic journey through the life and times of Funmilayo Ransome-Kuti, a woman who defied the odds and challenged the status quo in her quest for freedom, equality, and dignity.

    Funmilayo, who was nicknamed Lioness of Lisabi for her outstanding role in leading the 1948 tax revolt by the Egba women against the burden of income tax, was not only an activist, but also an educator, a philanthropist, and a mother, whose legacy lives on in her children and grandchildren, especially the renowned Afrobeat pioneer Fela Kuti. In fact, the film is a stunning portrayal of Funmilayo’s courage, vision, and impact that will captivate and inspire everyone who watches the film.

    The film follows the story of Fela’s mother, Funmilayo Ransome-Kuti, from her pioneering days as the first female student at Abeokuta Grammar School to her marriage to Israel Oludotun Ransome-Kuti. Together with her husband, they challenged oppression and created the Abeokuta Women’s Union, igniting a fierce battle against colonial and traditional rulers who stood in the way if fairness and justice.

    As a throwback, the film opens with a scene showing the ignoble unknown soldiers invading Fela’s home at Kalakuta Republic resulting in his 77-year-old mother, Funmilayo being thrown from a two-storey building. From that moment, the attention of the audience got captured, especially the Gen Zs, a refreshing opportunity for them. The narrative of the life and times of Funmilayo were now being told by Joke Silva who acted Funmilayo, while fielding questions from Reuters News reporter, Isabelle.  Indeed, the narrative artfully contrasts Funmilayo’s tireless activism with her delicate balancing act as a wife and mother, revealing the indomitable spirit of a woman who changed the course of history.”I was known as Frances Thomas, but changed to my Yoruba name Olufunmilayo instead as a protest against colonialism. I learnt to soak up the oil, not just the stew,’ she admitted of her doggedness.

    From her encounter with the District Officer (DO) over the tax imposed on market women, to physical challenges she had with the Parakoyi, the Alake Palace security or dogs, and the mobilization of the women into pressure group like Abeokuta Ladies Club, which later transformed into Abeokuta Women Union, in order to connect the market women, Funmilayo demonstrates rare commitment to the course of women in Abeokuta.

    She charges the women to be resolute in the protest against the income tax imposed by Oba Oladapo Ademola (Adebayo Salami (Oga Bello), the Alake of Egba then. “They said we should pay for water….It is fine for us to up the ante. It is a journey,” she said, while mobilized the women to Alaka Palace, where she gave the traditional ruler three conditions that will make the women put an end to the protest: stop the taxation of market women, stop the 10 percent increase in taxation and reverse the salaries of the Parakoyis, palace security.

    All through the film, the cast features groundbreaking performances from Joke Silva, Kehinde Bankole, Ibrahim Suleiman, Jide Kosoko, Dele Odule, Adebayo Salami, Keppy Ekpeyong, Adunni Ade, Omowunmi Dada, Patrick Diabuah among others.

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    Austen-Peters, the driving force behind the film, expressed her enthusiasm on where the film might be headed, stating, “Submitting Funmilayo Ransome-Kuti for the consideration of Nigeria Official Screening Committee (NOSC) towards 96th Academy Awards next year is a humbling and exhilarating experience. Our team poured heart and soul into this project, and this submission is a testament to their unwavering dedication.” BAP Productions, known for its commitment to cinematic excellence, views this submission to NOSC as a significant milestone in its history. Funmilayo Ransome-Kuti emerges as one critical contribution to the important conversations people are having now around women, identity and the constant push for equality.

    On the choice of Funmilayo for the film, she said: “As a woman, obviously, she’s one of the strongest women that you can point to in Nigeria’s history. She has done exceptional things that all leaders are proud of. As a visionary leader, she singlehandedly mobilised market women and the elite of Abeokuta to change the laws that affected women adversely, taxation laws. In doing this, it was at great cost to herself, her family, etc. But, she went for it. So, I would like to say this was exemplary, and for a woman who was also an educator, a mother, a wife, she had everything going on. For me, there’s no better person that we could have said we wanted to tell a bio about. Funmilayo is that person.”

    Bolanle Austen-Peters noted that Funmilayo mobilised thousands of women in Abeokuta in an age where there was no internet. “How did she do it? How did she have that muscle? How did she have that conviction to go against the colonial government and traditional rulers? It’s phenomenal,” she added.

    The film, she said, is to express that ‘we have strong women in Nigeria, and this is something that we want to showcase to the world that our women are strong in our nation. So, we are telling the world that we have strong women in Africa, and we know we do. Women who can challenge the status quo and who have the belief in a cause.’

    Also, the film is a reminder of the strength of women in the nation’s socio-political life, and a relief to many as it brings that part of our history back to people’s consciousness.

    Bolanle Austen-Peters disclosed that the film, which has been acquired by Amazon Prime, is yet to be premiered adding that it is no longer hers. But, noted that she will inform the public the date of its premiere as soon as Amazon Prime confirms the date. 

    Funmilayo Ransome-Kuti was on screen at Silverbird Cinemas, Victoria Island, Lagos last week, and has been described as a must-watch for all.  It is not merely a biopic but a call to action, encouraging viewers to reflect on the past and consider how they can contribute to a more equitable future.

    As Funmilayo Ransome-Kuti continues to captivate audiences and generate discussions, it is clear that the film is more than just a cinematic experience; it is a testament to the enduring power of storytelling and the indomitable spirit of a remarkable woman. It is also a reminder of the age long oppression of Africans by the colonial administration, which equally got the knock through the Aba Women Riot in 1929.

    This extraordinary biopic serves as a tribute to Funmilayo Ransome-Kuti’s legacy, reminding us all that the fight for justice and equality is a journey that we must each undertake, inspired by the lessons of the past.

    In a world where stories of resilience and empowerment are needed more than ever, Funmilayo Ransome-Kuti stands as a beacon of hope and a testament to the enduring power of the human spirit.

    Ace filmmaker and story teller, Femi Odugbemi said of the film: “In the end, this film will be historically significant not because of how well it represents the past but how powerfully it inspires our future. Because Funmilayo Ransome-Kuti is a love story, a story of self-discovery, self-assertion. It is also a hero’s tale inspiring in us the courage to speak truth to power and the commitment to a cause bigger than self. FUNMILAYO is also an important idea. Change is possible when we choose to act. An idea that the only ceiling to leave unbroken is the sky and that environmental, cultural and political bias only calls to the warrior within us to stand. FUNMILAYO is simply a profound and provocative cinematic experience. And by all measure an artistic success.” 

  • How Nigerian artist uses art to change narrative

    How Nigerian artist uses art to change narrative

    US-based Nigerian artist and Obafemi Awolowo University, Ile-Ife trained painter, Mr. Akintayo Akintobi is determined to use his paintings to change the unpleasant narrative about Nigeria across the globe. He said that narrative about Nigeria is unpleasant and bothersome and hopes to change it one painting at a time. He is also exploring African art using symbols, patterns and fabrics through abstract and surrealistic lens for the American audience.

    The artist who is currently pursuing a Master of Fine Art degree in Studio Art at East Tennessee State University, USA, combines lines, shapes and figures to tell stories or teach life lessons from an African perspective. In his forthcoming solo exhibition, tagged The End of The Beginning holding at South River Art Studio, 1300 Fleetwood Drive (SE), Atlanta Georgia, United States, that will run from October 6 to November 3, Akintobi examines the historical relevance of the theme to African-American and Nigerian people in particular. 

    The End of the Beginning focuses primarily on human existence, featuring an assortment of paintings about the birth and death of people, the commencement and termination of things, friendships, relationships, jobs, and everything we experience in life. The collection of paintings equally talks about man’s ability to design his life and determine the beginnings and ends of his experiences. 

    “African-Americans and Nigerians are a people with a long history of hardships and survivals. For them, anything that has a beginning has an end. They rode with this mantra against slave trade, and they won. Now, as racism, abuse, and discrimination are on the rise, these works are a reminder to all black people that they can win again. All they need do is determining to end it,” he said.

    On the philosophical themes that drive his art, he said: “Many philosophical themes drive my works, but the ones that often spur me into creative pursuits are themes on family, identity, love, and perception. I love how families, friends, and communities intercept in people’s lives and it inspires me greatly. I love that you can describe a person as someone’s child, friend, partner, or a native of a place. It’s beautiful when you have relational strings attached to you, and it is painful when you have none. I paint for both circumstances.”

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    The exhibition, which is a transition phase in his life, is created in five series, namely portrait, family, friendship, human-animal, and abstract series. These series, he said, talk about the ‘beginning of our lives as humans, the support we get from family, the love of friends, the loyalty of pets, and the end of our lives. And they were inspired by my observation of human life and relationships. I think it is beautiful how humans relate with one another, animals and the environment.’

    Ayodeji said most of the art pieces on display at the exhibition  promote African culture, especially the Yoruba culture. “As is my habit in most of my works, I input patterns of  Adire Eleko fabric (a fabric associated with the Yoruba people of Abeokuta, Ogun State). I also added some motifs from the Ife people’s Onaism,” he added.  

    To him, the exhibition, which will feature 14 colourful artworks, is expected to achieve the same effect in everyone who attends the exhibition. “I also hope that these works with their Nigerian motifs and symbols reveal the beauty of Nigeria to the world. The narrative about Nigeria is unpleasant and bothersome, and I hope to change it one painting at a time,” he enthused.

    Until his solo, he has participated in the following exhibitions; Con-figuration at William King Museum, Abingdon VA USA, Holla If You See Me, at The Kansas African American Museum, Kansas City Mo USA in 2023, The Black Gaze at Tipton Gallery, Johnson City, TN, USA in 2022, and Striped Down at Vestige Concept Gallery, Pittsburg, PA USA, and 60 years of Artists’ Days, at Oduduwa Hall Basement, Obafemi Awolowo University Ile-Ife, Osun, in 2021. 

  • Katsina first lady to partner NDE on job creation

    Katsina first lady to partner NDE on job creation

    Katsina State First Lady Hajiya Zulaihat Umaru Dikko Radda has commended the National Directorate of Employment (NDE) for its sustained efforts in job creation nationwide.

    Hajiya Zulaihat made the commendation when she visited NDE Director-General, Mallam Abubakar Nuhu Fikpo in his office.

    According to her, the job creation initiatives of the NDE has impacted positively on many jobless Nigerians especially the indigenes of Katsina State where thousands of jobless people have gone through diverse skills acquisition programmes of NDE and became employed.

    “We came here today to appreciate NDE for her impactful job creation mandate nationwide, we are particularly happy that many indigenes of Katsina State who hitherto were unemployed had gone through different programmes of NDE and became employed, some of them employers of labour”.

     “We are here to seek more areas of collaboration with the Directorate so as to provide more jobs for the jobless especially the women of Katsina State”.

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    Mallam Fikpo, commended the first lady for hitting the ground running, noting that she has come to the right place for job creation benefits for the good people of Katsina State. He said unemployment is not peculiar to Nigeria but a global challenge. He added that unemployment in Nigeria can be best tackled through skills acquisition, entrepreneurship development and provision of blue collar jobs as being done in the developed world. He then invited the Directors of Programme departments who were present at the meeting to brief the first lady on different job creation Programmes and Schemes of the NDE.

    The Directors who spoke in turns unfolded over one hundred training schemes under the four core programmes of the Directorate, which are Vocational Skills Development, Micro and Small Scale Enterprises Development, Special Public Works and Rural Employment Promotion.

    The Office of the first lady and NDE will meet at a later date to fashion out expansion of the existing collaboration between the State and the Directorate.

    Mallam Fikpo used the opportunity to call on other state government authorities, parastatals, other agencies of government and philanthropists to explore the collaboration window of the NDE and assist in skills acquisition to create self employment jobs for the jobless. He observed that NDE is already in collaboration with many of the state governments and has created millions of blue collar jobs since inception. He called on the jobless in Nigeria especially the youth and women groups to face reality, embrace skills acquisition and get decent jobs, saying days of white collar jobs are long gone.

  • Peep into teenagers’ travails, triumphs

    Peep into teenagers’ travails, triumphs

    I was a Teen Rock Star by A.H. Mohammed is a captivating exploration of the journey from adolescence to adulthood, set against the backdrop of contemporary Nigeria. At its core, this coming-of-age narrative revolves around the life of Lanre Bandele, a teenage schoolboy grappling with loneliness, academic struggles, and a sense of abandonment from his parents. Lanre’s life might initially seem bleak, but it is his unwavering dream of pursuing a career in music that offers a glimmer of hope and purpose.

    Just like his other thriller, The Last Days at Forcados High, A.H. Mohammed has kept readers on their toes with this exploration of the life of “the weird dada kid” who finds love and peace in his strings. The novel delves into the maturing of Lanre while exploring themes of ambition, music, identity, and the pursuit of dreams. It offers readers an intimate look into the challenges and aspirations that define the teenage years.

    Lanre’s undying love for artists, which was fueled by what he thought was a superpower to create beauty when there was none grew more as he kept getting close to the guitar. He finds himself constantly suppressing the thoughts, I Hate School, I Hate Everything, Why Don’t You All Just Leave Me Alone? which he would have wanted to say to Aunty Alimat, her husband, Tope, his mom who ‘abandoned’ him at six as he discovers solace in his chords.

    What sets this story apart is its potential to evoke a wide range of emotions in readers. The summary suggests that the narrative strikes a delicate balance between moments of humor and moments of tragedy. Lanre’s journey promises to be one filled with ups and downs, highlighting the complexities and challenges of adolescence and self-discovery. It’s through these experiences that readers are likely to connect with Lanre on a deeply human level.

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    The title itself, I Was a Teen Rock Star, immediately sparks intrigue, suggesting a unique and potentially thrilling story. The concept of a teenager venturing into the world of rock music sets the stage for a narrative filled with excitement, dreams and the challenges that come with pursuing an unconventional path.

    The central theme of music serves as a powerful motif throughout the story. Lanre’s passion for music acts as a driving force, pushing him to explore new horizons and discover unexpected facets of himself. Music is not merely a backdrop but a character in its own right, shaping Lanre’s growth and influencing the narrative’s rhythm.

    This masterpiece takes pride in demonstrating a commendable level of grammar and writing style. The language used is accessible, making it suitable for a wide range of readers, including young adults. Mohammed’s writing is expressive, effectively conveying the emotions, struggles, and triumphs of the characters. The narrative is fluid, allowing readers to easily immerse themselves in the story.

    The author effectively buttresses the central point of the book, which revolves around Lanre’s dream of becoming a rock star. Throughout the narrative, the passion for music and the pursuit of this dream are consistently reinforced. The book layout enhances the reading experience as the font used is bold enough and easy to read making it more visually appealing and reader-friendly.

    Although, the novel has proven itself to be a work of art, it cannot be without flaws. The pacing of the novel seems too fast. Mohammed, in some chapters gives readers little time to absorb one action before the next occurs. For instance, in one minute, we see Uncle Banky arriving the novel and the next minute, he is taking an exit. The character development of some characters is faulty and it leaves us with little to no time to create a solid perception of each and every character.

    Another questionable moment in the novel is at the time when Mr. Hassan, Lanre’s principal advises Lanre to study the arts rather than the sciences as he believes it would be a better fit for him considering the reduced working intensity in the arts. Over time, it has been believed that the arts are easier than the sciences and Mohammed provides an indirect confirmation to that assumption. Parents as well as guardians discourage their wards from studying the arts as some of them believe it is an easier way to get through school. This has made people lose interest in the authenticity of studying arts related courses and find ‘better’ courses to study in the sciences.

    A.H. Mohammed still remains one interested in portraying the journeys of young characters who face adversity and strive to achieve their goals. This suggests a perspective that values youth empowerment and resilience.

    The challenges, setbacks, and triumphs Lanre faces in his journey are vividly portrayed, allowing readers to empathize with his character and the underlying message. Mohammed’s approach in exploring Nigerian society and the experiences of Nigerian teenagers is authentic and immersive. The narrative seamlessly weaves cultural elements into the story, creating a vivid sense of place.

    Mohammed’s portrayal of the protagonist’s journey and passion for music suggests a deep understanding of the themes explored in the book. The author’s ability to convey the significance of pursuing one’s dreams indicates a genuine connection with the narrative. You definitely want to give this a read.

    Book review

    Title: I was A Teen Rock Star
    Author: A.H. Mohammed
    Reviewer: Elizabeth Ganiyu
    Publisher: Bard and Ink Publishing
    Pagination: 213

  • Flyzone chief honoured at Akwaaba

    Flyzone chief honoured at Akwaaba

    Principal Executive, Flyzone Tourism, Mr.  Awomoyi Ayodeji, has been honoured as ‘Travel Personality of the Year’ by organisers of Africa Travel Market ‘Akwaaba’. The award was presented during this year’s expo at Eko Convention Centre, Victoria Island, Lagos. 

    Flyzone Tourism is a leading Dubai Destination Management Company in Nigeria and West Africa. The award has now elevated Mr Ayodeji operator of Flyzone to the likes of Allen Onyema (Chairman Airpeace) who won the same award in 2021. 

    The recognition is a testament of his achievements and contributions to the travel and tourism industry in Nigeria, particularly in the field of outbound travel.

    A statement from Akwaaba organisers read: “He has been found worthy of this selection due to his unwavering dedication to excellence and innovative approach, as a trailblazer in the field of outbound travel” In his response, Ayodeji said: “I feel blessed and grateful to be recognized as one of the top 100 tourism personalities for 2023,” noting that aside the award, he was at the expo to interact with travel agencies and other related tourism outfits. 

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    “I came to ‘Akwaaba 2023’ to see other travel agencies, airlines agencies, as well as interact with some of my partners. I have been attending Akwaaba Expo for the past four years now, and with this award I will be encouraged to thrive more in tourism business. I will use the opportunity to encourage travel agencies, bring innovations, expand travel agencies horizon and I will continue to support travel agencies across Africa.”

    “The challenge is the Nigeria passport, as we go through rigorous processes to get the visas. Even if we have genuine travellers that want to travel but most time we have limitations.”

    Founded more than five years, the Dubai Destination Management Company in Nigeria, Flyzone, has processed Dubai visas for over 4000 travel agencies. It offers service that provides bespoke solutions to challenges experienced by Nigerian travel agencies.

    “We have expanded our coast to Qatar, Uganda, Malaysia, East Africa, Kenya, Dubai and Oman.  We have a new produc, which is the Malta residence and we have also introduced all these products to our partner travel agents,” he said.

  • Home-grown network to reshape Africa

    Home-grown network to reshape Africa

    SocioAfrica Chief Executive Officer Mr. Oluwaseun Medayedupin is determined to transform how Africans connect and share information by fostering connections and communication like never before.

    Medayedupin said the story of SocioAfrica began with his deep-rooted passion for technology and vision to bridge the connectivity gap across Africa. 

    “Growing up in Nigeria, I witnessed the transformative power of the internet and also recognised the unique challenges that Africans faced in accessing and utilizing digital platforms effectively. With this insight and a desire to make a difference, I embarked on a journey to create SocioAfrica. 

    SocioAfrica launched in 2021, is a homegrown social network designed specifically for the African continent.

    According to him, ‘SocioAfrica aims to revolutionise how Africans connect and share information by addressing several critical objectives. It acknowledges and celebrates the diversity of African cultures, languages, and traditions, making it a space where users feel at home, irrespective of their background.’

    “It consists of localised content by recognizing the importance of local content. SocioAfrica prioritizes its contents by providing relevant information, news, and events tailored to specific regions and interests across the continent.”

    He disclosed that ShapeAfrica has empowered African entrepreneurs and businesses by offering them space to market their products and services to a vast and engaged user base. “Through community building, it allows users to connect with like-minded individuals, interest groups, and collaborate on projects that can drive positive change in their communities. SocioAfrica understands the concerns around data privacy and security and is committed to safeguarding user data and ensuring a safe online environment,” he added.

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    Continuing he said: “SocioAfrica has rapidly gained popularity among Africans, not just because of its vision but also due to the unique features it offers. The platform boasts of an intuitive interface, seamless navigation, and user-friendly tools that encourage engagement and interaction.

    “Users can create profiles that reflect their individuality and interests, connect with friends and family, share updates, photos, and videos, and participate in discussions about topics ranging from entertainment and technology to health and education. 

    “SocioAfrica’s innovative algorithms also ensure that users receive content that aligns with their preferences and values. It is poised for a promising future. The platform has garnered a substantial user base, and its influence continues to grow as it expands its offerings and reach across the continent.

    As the driving force behind SocioAfrica, Medayedupin envisions a future where Africans are seamlessly connected, fostering collaboration, innovation, and knowledge-sharing that can drive social and economic progress. With a strong commitment to its users and a dedication to its mission, SocioAfrica is undoubtedly a social network that holds the potential to revolutionize connectivity in Africa.