Category: Arts & Life

  • How society’s flaws drive violent extremism

    How society’s flaws drive violent extremism

    On February 12, 2016, the United Nations General Assembly approved the Secretary-General’s Plan of Action to Prevent Violent Extremism. Since then, the world has continued to mark the International Day for the Prevention of Violent Extremism  It was adopted to raise awareness about the threats linked to violent extremism as and when conducive to terrorism and to enhance international cooperation among member states. Recently, the world marked the day with little or no activity in some countries, including Nigeria. Assistant Editor (Arts) OZOLUA UHAKHEME reports.

    In pursuit of its Resolution 77/243, the United Nations General Assembly highlighted the primary responsibility of member states and their national institutions in countering terrorism. It also underlined the important role of inter-governmental organisations, civil society organisations, academia, religious and community leaders and the media in countering terrorism and preventing violent extremism as and when conducive to terrorism.

    It also reaffirmed that terrorism and violent extremism as and when conducive to terrorism cannot and should not be associated with any religion, nationality, civilisation or ethnic group.

    A UN Plan of Action was initiated as a comprehensive approach encompassing not only essential security-based counter-terrorism measures but also systematic preventive steps to address the underlying conditions that drive individuals to radicalise and join violent extremist groups.

    This concerted action by the international community also provides more than 70 recommendations to member states and the United Nations system to prevent the further spread of violent extremism.

    The concern of United Nations

      According to a UN report, violent extremism is an affront to the purposes and principles of the United Nations. It undermines peace and security, human rights and sustainable development. No country or region is immune from its impacts. Violent extremism is a diverse phenomenon, without a clear definition.

    “It is neither new nor exclusive to any region, nationality or system of belief. Nevertheless, in recent years, terrorist groups such as Islamic State in Iraq and the Levant (ISIL), Al-Qaida and Boko Haram have shaped our image of violent extremism and the debate on how to address this threat.

    “These groups’ message of intolerance—religious, cultural, social—has had drastic consequences for many regions of the world. Holding territory and using social media for real-time communication of their atrocious crimes, they seek to challenge our shared values of peace, justice and human dignity.

    “The spread of violent extremism has further aggravated an already unprecedented humanitarian crisis which surpasses the boundaries of any one region. Millions of people have fled the territory controlled by terrorist and violent extremist groups.

    “Migratory flows have increased both away, from, and towards the conflict zones-involving those seeking safety and those lured into the conflict as foreign terrorist fighters, further destabilising the regions concerned.

    “Nothing can justify violent extremism but we must also acknowledge that it does not arise in a vacuum. Narratives of grievance, actual or perceived injustice, promised empowerment and sweeping change become attractive where human rights are being violated, good governance is being ignored and aspirations are being crushed,” the report added.

    Unimpressive first anniversary

     How far did member-states perform at the maiden edition of the International Day for the Prevention of Violent Extremism as and when Conducive to Terrorism was marked recently?

    Nigeria, similar to many countries, did not mark the day, thus showing a lack of political will and seeming apathy to the implementation of the Plan of Action, especially in creating awareness.

    Apart from the United Nations Office on Drugs and Crime (UNODC), Nigeria Office’s participation in a radio programme that discussed the importance of the Day, the Federal Government and its ministries, departments and agencies; particularly the Office of National Security Adviser (NSA) did nothing in this regard.

    In fact, this day went unnoticed. Yet, terrorist groups such as ISIS, Al-Qaida and Boko Haram have wreaked havoc in most Northern parts of Nigeria.

    In a recent survey by Statista, between 2011 and 2022, Boko Haram was responsible for thousands of deaths in Nigeria, Cameroon, Chad and Niger. Nigeria is most affected by terrorist groups’ attacks. States in the Northeast register the highest number of deaths. Borno is, by far, the most threatened state, in that Boko Haram has caused about 35,646 deaths in the state.

    Seven of the Northern states-Borno, Plateau (3,359), Zamfara (5,747), Kaduna (5,462), Adamawa (4,097), Benue (3,774), and Yobe (3,176) were the most affected recording no fewer than 61, 261 deaths between 2011 and 2022.

    Within its mandate on crime prevention, UNODC supports member states to prevent violent extremism that is conducive to terrorism.

    The Project Coordinator, Counter-Terrorism Programming, United Nations Office on Drugs and Crime (UNODC), Mr Tom Parker, in an online interview, said worldwide deaths from terrorism have declined over the past five years, but attacks in Sub-Saharan Africa region have more than doubled since 2016.

    He noted that unfortunately, Sub-Saharan Africa has become the global epicentre of violent extremist activity.

    “Indeed, in 2021, almost half of all terrorism-related deaths worldwide occurred in Sub-Saharan Africa,” he added.

    He described terrorism as a complex phenomenon, in which each individual has a range of reasons and influences that bear upon his or her decision to join an extremist group.

    According to Parker, some of these drivers are personal in nature and are rooted in individual growth and experience–these include what psychologists term the quest for significance or status, but also negative experiences at the hands of the state or, perhaps, other segments of society.

    “Other drivers can be situational–such as the social networks an individual is a part of, both in the community or online, or perhaps a day-to-day reality of systemic social exclusion driven by structural barriers such as institutional racism, poverty, or religious or class-based prejudice, which deprive the individual of the opportunity to build a better life.

    “However, a sense of justified grievance is a unifying theme of terrorist groups. Sometimes these grievances are misplaced, but often they may have a kernel of truth. The wise state tries to understand the grievances presented and, if there is some legitimacy to them, will seek to find ways to try to acknowledge and address them.

    “Violence often erupts when enough people can no longer see any way out of the desperate situation they find themselves in. Despite the popular perception, terrorist violence is rarely actually senseless,” he added.

    On how helpful traditional counter-terrorism mechanisms in the new awareness can drive counter-terrorism, Parker said: “There will always be a role for physical security measures and traditional law enforcement activity in countering terrorism. Experience has taught us that this alone is not enough, terrorist and violent extremist threats require a more holistic, all of government response.

    “It is also important to understand that the use of force is often a major driver of terrorist recruitment and that if it does become necessary to use force, it is used lawfully, reasonably and proportionately. As the founder of the Tehrik-i-Taliban Pakistan Baitullah Mehsud famously remarked, ‘every drone strike brings me three or four new suicide bombers.’”

    Reacting to claims by some member states that certain states engage in acts of aggression against sovereign peoples and commit flagrant violations of human rights and international humanitarian law under the flag of the supposed fight against terrorism, he noted that there are examples of counter-terrorism legislation being used to stifle political opposition.

    “It is undoubtedly true that around the world we have seen examples of counter-terrorism legislation being used to stifle political opposition or to imperil certain human rights protections, including the legitimate acts of self-expression or protest.

    “The UN Special Rapporteurs have repeatedly warned states against this. Such actions on the part of the government typically only serve to exacerbate tensions and contribute to further insecurity. We know from extensive academic research–and from more than 150 years of practical experience-that human rights abuse and the experience of violence at the hands of the state are one of the main drivers, if not the main driver, of terrorism,” Parker said.

     Preventing violent extremism conducive to terrorism through sports

     According to the UN report, violent extremism that leads to terrorism seriously threatens international peace and security.

    “The progression to violent extremism is often a journey marked by marginalisation, lack of opportunities, and grievances with the state. Terrorist groups exploit and recruit the socio-economically vulnerable. We work with member states to support them with responses to prevent crime, including violent extremists leading to terrorism,” it said.

    It also believes that sports can change the world, as famous footballers and grassroots game changers alike said at a roundtable discussion, highlighting a new UN podcast series to mark the first International Day for the Prevention of Violent Extremism as and when Conducive to Terrorism.

    “Sports have the power to convey essential values of respect, inclusion, and solidarity,” said Mauro Miedico, the Deputy Director and Chief of the Special Projects and Innovation branch at the UN Office of Counter-Terrorism (UNOCT).

    “When applied in tandem with wider preventing violent extremism (PVE) strategies, it can work against the drivers of radicalisation which lead to violent extremism.”

    Speakers at the roundtable demonstrated the power of sports in overcoming the devastating impact of war, displacement and strife facing millions at a time when terrorist groups such as ISIL (or Dae’sh), Al-Qaida and Boko Haram are still spreading messages of religious, cultural and social intolerance.

    Isabella Echeverri, a Colombian football player and Ambassador for the Save the Dream Movement, said athletes are role models on and off the pitch.

    “In sports, it is important to respect your opponents, to be loyal to your team, to show integrity by managing a tough loss, and courage and humility when you win a game.

    “When we leave the pitch, we can use our platforms to inspire and help young people, for instance, to show respect, love their bodies, be kind to other people, be aware of mental health issues, eat better, and exercise.”

     The Iraqi example

     At the UN in Iraq, prevention and countering violent extremism conducive to terrorism is a priority and an integrated approach is required to ensure sustainable community solutions.

    According to reports, ensuring factors that contribute to economic marginalisation and inequality are addressed, and the provision of mental health support and livelihood opportunities is crucial to mitigating the risks of violent extremism.

    “Violent extremism in Iraq has led to widespread devastation and mass displacement, with marginalised groups such as women, children, young people and people with disabilities disproportionately affected. As part of efforts to build peace and mitigate factors that compel people to leave their area or country of origin, the UN in Iraq supports a whole-of-government and whole-of-society approach to address underlying factors, drivers, and motives that could contribute to increasing the risk of violent extremism, including through support to national and sub-national government actors and civil society organisations to devise and implement plans of action and interventions to identify and address these risk factors.

    The UN in Iraq, in partnership with the government of Iraq, is committed to supporting women and children, religious leaders, youths, educators, local authorities, civil society, and all members of Iraqi communities to prevent violent extremism and promote peaceful co-existence.

    The United Nations Resident Coordinator in Iraq, Ghulam Isaczai said: “This international day represents an opportunity for us to acknowledge the dangers of violent extremism and raise awareness on activities and interventions to prevent it. We all have a part to play in preventing violent extremism, and the United Nations in Iraq is working with the government of Iraq to involve a cross-section of society in advocacy and preventative measures.

    “Together, we must keep working to address the marginalisation, lack of livelihood opportunities, and spread of discourse that is conducive to violent extremism in Iraq.

    “The idea for this day was presented by the Iraqi representative to the United Nations. Thus, it is very important to us.’’

    The National Committee for the Prevention of Violent Extremism believes that this day will open horizons for international cooperation, agreements and memorandums of understanding, and coordination on capacity building. We hope to continue to work closely with the international community on this important topic,” said Ali Abdullah Al-Badiri, chairman, National Committee on the Implementation of the Strategy to Combat Violent Extremism in Iraq.

  • Ukonu: I can’t wait for Griots Lounge to offer authors five, six-figure deals

    Ukonu: I can’t wait for Griots Lounge to offer authors five, six-figure deals

    In early 2011, Bibi Ukonu established Griots Lounge Publishing in Owerri, the Imo State capital, to promote vital narratives of Africa. Years later, Ukonu moved to Canada and took his company with him. The company has since published the Nigeria Prize for Literature-winning poetry collection ‘Nomad’,  Echezonachukwu Nduka’s two poetry collections, ‘Chrysanthemums for Wide-eyed Ghosts’ and ‘Waterman’, Nnamdi Oguike’s ‘Do Not Say It’s Not Your Country’, and Uchechukwu Peter Umezurike’s ‘Double Wahala, Double Trouble’, among others. In this interview with United States Bureau Chief OLUKOREDE YISHAU, Ukonu speaks on the challenges of an indie Afro-centric publishing firm in Canada and others. Excerpts: 

    The publishing industry in Canada and the rest of North America is dominated by the big firms. How have you been able to dive into this big ocean?

    (Laughs) To be very honest, we are not yet there in the big ocean. It’s a journey and it might take a long time to get there. What matters is that it is getting done and we are getting necessary encouragements from the African community in Canada, and the United States by extension. It is important that someone is getting it done in Canada, where the industry has not adequately represented citizens of African origin. We are attempting to create this opportunity for minority voices that exist in a diversified country.

    How many books have you been able to publish and how are they doing in the Canadian market?

    We are currently on our 10th book that was released on the 1st of April and has been selling fairly well, if you ask me. I would want it and the other titles to do better in terms of sales. This is why we now have a signed deal with the women-led and professional sales agency. Our titles are beginning to reach more bookstores and libraries around Canada. Our titles are currently taught in 5 universities in Canada and have been nominated for local and national awards in the country. We are not where I would start jumping up and down in extreme excitement, but we are doing just fine for a small press that is in her third year.

    Distribution is a major marketing challenge in Nigeria. What is the experience like in Canada?

    When I established the press, I began marketing on my own and we had an e-commerce website where we sold books online and I fulfilled these orders through Canada Post. The country has an efficient postal service, unlike NIPOST in Nigeria. Then it became a little overwhelming and customers started becoming tired of paying more for shipping, I was lucky to get a small distributor in Alberta that supported us with the reach, especially around western Canada. But then, we got this big deal in 2022 which commenced in February 2023. It was a big break to give out the distributorship of our titles to the University of Toronto Press distribution arm. Now we have a national reach and beyond. UTP fulfills orders from the United States as well, and as far as Europe. This is our biggest break yet.

    The Nigerian High Commissioner to Canada recently wrote you commending your activities. How did this make you feel?

    Great feeling, I must confess. But His Excellency has been a fan of our efforts to represent African-Canadian writers. He first wrote us in 2021, showing support and his willingness to know more about what we are doing. Adeyinka Asekun seems always excited and willing to support Nigerian entrepreneurs in Canada. Reading his letters makes me excited and gives me that hope that Nigeria is indeed redeemable.

    Writing seems to have boxed to a corner by publishing for you at the moment. Is this true?

    Yes, this is sadly true. But I am currently finishing a business memoir that tells the story of my walk from childhood to where I am. I have been encouraged by Uchechukwu Umezurike, who is also a Griots Lounge author, to write this story.

    Read Also: I’m always writing stories that haunt me – Chika Unigwe

    What are your future plans to give your authors more visibility?

    We hope to access business grants that will help us utilize the power of a wider marketing for all or titles. Marketing is expensive but has huge results. This is our next walk. By doing this, we will be able to create wider audiences for our authors and the press.

    Competition is huge in the industry. How have you been able to compete as an indie publisher?

    We try to tell original and well written stories. Our process of editing is such that tries to pick every pin. We want to be welcomed as a serious press. I don’t think competition is much of a problem to us. The space is big enough to accommodate everyone. There are still a lot of races and voices that are underrepresented. We serve such communities.

    The summer is around the corner. What books will you recommend for reading?

     Leave My Bones in Saskatoon by Michael Afenfia. It is such a lovely and balanced novel on immigration. Of course, get all our titles. (laughs)

    How do you think the challenges facing the publishing industry in Nigeria can be addressed?

      The government MUST invest in the arts. There is no way out of it. The government must pay creators that document cultures and history. They must be encouraged and kept alive. Publishing houses also need to be supported through grants from the government, federal and state. Then, publishers need to come together to find new ways of introducing the use of global technologies to carry out business and make it easy to access data.

    Do you think a time will come when you will be able to offer your authors five and six-figure deals?

    I can’t wait for that day! We are here for it. I hope we are able to press till the day comes. This will happen with everyone’s support.

    What advice do you have for younger writers looking to getting published?

     Read a lot of good books, write well and edit your works before presenting them to agents or publishers. Great writings are always sought after. Keep working on your writing. I honestly wish everyone the best deals.

    What do you look out for in the books you publish? 

     Good stories that are well written. Your starting line has to be magnetic. We publish poetry and nonfiction as well. For Griots Lounge in Nigeria, we are not so concerned about your status, but Griots Lounge Publishing Canada publishes 75% African-Canadians. This means that 75% of our authors are either permanent residents or citizens of Canada. The reason for this is for us to be able to effectively represent Africans living in Canada and also compete in local prizes. We have kept 25% for African writers living in other countries.

    Are we going to see a new book by Bibi soon?

     Yes! My business memoir should be out in 2024. I hope I get the support I desire.

    What do you think make a good or great writer? 

    I don’t really know how to answer this. I just know a few things that good writers do. They are attentive to their environment, and everything that happens around them. They are always learning and reading new writings. This is how they create their own characters and pieces. They also go where writers go to, like festivals, readings, and book clubs. They meet established writers at these events and it becomes easier for them to understand a few mysteries of the art. Lastly, good writers have good editors.

     Lastly, what footprints will you like to leave in the publishing industry? 

    Whenever I remember that we have books in circulation, in Canadian bookstores and homes, I have this beam on my face. I am part of history. I cannot be forgotten that easily. I wish to be remembered for my role in moving our culture and history along with Africans that constantly immigrate from Africa to the West. I want to be the reason why African kids in the diaspora know about their continent.

  • 2023 African Literature Festival holds in Oxford, September

    2023 African Literature Festival holds in Oxford, September

    The 2023 edition of The African Literature Festival, organised by the James Currey Society,  will kick off in Oxford, United Kingdom, on Friday, September 1, and runs through Sunday, September 3, 2023.

    In a bid to give more African writers the opportunity to enter for the annual prize, the organisers have extended the deadline for the 2023 James Currey Prize for African Literature from April 1, 2023, to June 12, 2023.

    The James Currey Prize, worth £1000, will be awarded to the overall winner. The prize is awarded by a panel of judges appointed each year by the World Arts Agency. This year’s jury is headed by Henry Akubuiro, Nigerian journalist, novelist, playwright and children’s literature author.

    Other members of the jury include  Masende Ntshaga (South Africa), Debbie Edwards (UK/Saint Lucia), Tatthiana Cassiano (Brazil), Kakwenza Rukirabasiaja (Uganda), Javier Lozano, and Nneoma Otuegbe (UK/Nigeria).

    The prize is awarded annually for the best unpublished full-length work of prose fiction written in English for a novel written in English. The winner of the prize will be selected from a long list of ten titles, followed by a shortlist of three outstanding manuscripts submitted for the prize.

    Writers born in Africa, who is a national or resident of an African country, or whose parents are African, are eligible to participate.

    Only previously unpublished prose fiction submissions in English will be considered for the prize.

    The winning manuscript will be published by Abibiman Publishing UK. Entries should be mailed to: submission@jamescurreyprize.com.

    The winner of the prize will also be invited to The African Literature Festival taking place in Oxford September 1-3, 2023.

    The Chair of the Jury, Akubuiro, has encouraged African writers to enter for the prize: “The James Currey Prize for African Literature is one of the respected pan African literary prizes awarded in the UK, named in honour of the legendary Prof. James Currey, who pioneered the Heinemann African Writers Series.

    “A brain child of Onyeka Nwelue, the prize is awarded on merit, and among its major attractions are a publishing contract awarded by Abibiman for the winning entry and an automatic invitation for the author  to attend the glamorous African Literature Festival in Oxford later in the year. Some entries have come in already. We are expecting more before the June 12 deadline.”

  • I’m always writing stories that haunt me – Chika Unigwe

    I’m always writing stories that haunt me – Chika Unigwe

    In 2012, Chika Unigwe won the Nigeria Prize for Literature with her novel, ‘On Black Sisters’ Street’. Another novel of hers, ‘Night Dancer’, made the prize’s shortlist in 2016. She holds a first degree from the University of Nigeria l, Nsukka, an MA in English from the Catholic University of Leuven (KUL), and a doctorate degree from the University of Leiden, The Netherlands. Chika, who is now a faculty member with the Georgia College and State University’s MFA in Creative Writing, has just released a new novel, ‘The Middle Daughter’, based loosely on a Greek mythology but given a Nigerian treatment. This recipient of many fellowships, including the 2007 UNESCO-Aschberg Fellowship for creative writing, 2009 Rockefeller Foundation Fellowship (Bellagio Centre, Italy), 2011 HALD Fellowship (HALD Centre, Denmark), 2011 and 2016 Writing Fellowship at the Ledig House (Omi NY, USA), 2013 Writing Fellowing at Cove Park (Scotland), 2014 Writer-in-Residence, Haverford College (Philadelphia PA, USA) and 2014 Sylt Fellowship for African Writers, dissects aspects of the new novel and issues around writing and teaching in this interview with United States Bureau Chief OLUKOREDE YISHAU. Excerpts: 

    Your latest novel is a family’s tragedy that is interwoven with Nigeria’s inequities and inequalities. It also has a Greek mythology angle. Why did you decide to write a novel of this nature? 

    I am always writing stories that haunt me, and this one did for a long time. I’ve always disliked that Persephone never gets completely free of Hades, that her abduction is whitewashed and I love seeing ways in which stories cross cultures and times. I wanted a culturally relevant writing of the Greek myth and I loved the challenge of finding ways in which to maintain that framing but make it Nigerian. It has Igbo mythology in it too, and the chorus – borrowed from the Greek- is a dead character (therefore an ancestor).

    The issues dealt with in the Middle Daughter are so topical in today’s Nigeria. As someone who has lived abroad for a long time, this work is so Nigerian. What informs the use of topical issues like corruption in the work? 

    Corruption isn’t really the major thematic concern of TMD. Culture, grief, the intersection of love and obligation; sexual assault and the silence around it: these are some of the concerns the novel deals with much more deeply than corruption. These are also themes that ara not typically Nigerian (and neither is corruption). They are human issues. 

    The language of The Middle Daughter is English, but with a peculiar Nigerian cadence. Were you trying to achieve Chinua Achebe’s desire for African writers to do with English language what the owners didn’t dream of?

     Absolutely. The family at the heart of the novel is an Igbo family who speak Igbo at home , so it makes sense that in transcribing their world, that I find a way to maintain the Igboness of it. One of the reasons I love writing in English is its malleability. You can stretch it and bend it and force it to do what you want regardless of how the original speaker meant for it to be used. See how we use ‘swallow’ to refer to fufu in Nigeria. We have ‘nounized’ the verb “to swallow” and given it a new meaning in the process. 

    Nani suffered so much misfortune in The Middle Daughter. Why is it important for her to go through this? 

    The framing of the novel as a retelling of an existing myth already presupposes Nani’s abduction. Ephraim isn’t a good man. He’s also a proud man. Lethal combination. It is obvious then that Nani has to suffer in his hands. 

    Nani’s relationship with Ephraim seems like a situation in which a hostage develops a bond with her captor. Was that your intention? 

    No. This is very far from my intention and far from how other readers have read it. It is precisely because Persephone (in some versions) develops a bond with Hades that I dislike the myth. I wanted to write a book in which my character would never accept the validity of the relationship with her abductor. All through the novel, Nani lets us know that she feels nothing for Ephraim. She is afraid of Ephraim but she feels no attraction to him , and certainly no fondness for him. 

    What courses do you teach and why did you choose them? 

    I teach creative writing (prose) because I love teaching.

    What does it take to prepare students for a writing career? 

    Getting them to read a lot, to write a lot and to face their fears on failure.

    What makes a good writer? 

    Persistence.

    What does your writing process look like? 

    If I am actively working on a novel, I tend to wake up early – around 3 am , write a certain number of words, go back to bed, and repeat the next day until the first draft is done.

     Is there any correlation between migration and the muse? Is it possible for a writer to lose steam after leaving home?

     The muse is like home, it’s in the heart. It follows you everywhere.

    The summer is around the corner. Do you have book recommendations? 

    Some really great novels by Nigerian writers were published the first 6 months of this year: Dazzling by Chikodili Emelumadu and A Spell of Good Things by Ayobami Adebayo. 

  • Afenfia: why I wrote ‘Leave My Bones In Saskatoon’

    Afenfia: why I wrote ‘Leave My Bones In Saskatoon’

    Nigerian-Canadian novelist Michael Afenfia is the author of six novels, ‘When the Moon Caught Fire’, ‘A Street Called Lonely’, ‘Don’t Die on Wednesday’, ‘The Mechanics of Yenagoa, ‘Rain Can Never Know’, and the just-released ‘Leave My Bones In Saskatoon’. In this interview with United States Bureau Chief OLUKOREDE YISHAU, Afenfia sheds light on themes in his new book, writing and migration. 

    Aside from its ‘japa’ theme and being like a love letter to your new home, ‘Leave My Bones in Saskatoon’ is also like a subtle commentary on Nigeria’s security challenges and politicians’ tendency to play politics with almost everything.  Why did you write a novel like this?

    I thought it was important that we speak about these things. You are right that the novel speaks to the immigration experience and the fact that the experience isn’t always the same for everyone, but I wanted to highlight the fact that for many people, especially Nigerians – young, middle-aged and old – as we see in the novel, leaving their homeland for Europe or the Americas is existential. If our politicians and leaders are more interested in developing the country and making the right choices for its citizens, I do not think that very many people will be placed in that position, sometimes very difficult position of “japaing.” I hope that this novel speaks to our leaders and people in charge of institutions, systems and policies about all the things that have gone wrong in our country. We continue to have all these conversations but I was tired of conversations and talking. I want to act – write something – do something. 

    How long did it take you to work on this?

    About a year, I think. 

    You have written and published two novels since you relocated. Obviously, migration hasn’t affected your muse. Do you think a writer can lose the muse as a result of relocation?

    I think so. I think that the change from living in one county and relocating to another can be drastic and harsh for anyone. I do not believe that writers come with a special absorber or skill set that make them more adaptive to the culture shock you experience when you move to a new country so I think that a writer can lose the will or inspiration to write just from having to find work, worrying about bills and utilities, challenges with language and all the other barriers a newcomer to any country might face. I do not know how I didn’t lose mine, but because I didn’t doesn’t mean that it might not be challenging for other writers. But I must say this though, the government and community here in Saskatoon where I live, is pretty supportive of creatives, including immigrant creatives and writers because they want to support and promote diversity and representation so that also helped me a lot. 

    Will you say writing has been good to you or would you have preferred something more profitable?

    Writing has been good to me. I chose writing over law practice, I do not see anything else competing with it or taking me away from writing at this stage of my life. 

    What makes a good or great writer? Awards or what? 

    Every writer should know their audience. A good writer should know who they are writing for, know what that audience wants and know how to satisfy them. If my readers are happy, I am happy and I feel that I have done something right. If in the process an award comes, I will accept it with open arms because the validation of peers and the monetary reward that comes with it is also important. Afterall, a writer deserves a good life as well. 

    What does your writing process look like?

    Seriously, I’m not sure I have a writing process anymore. Since moving to Canada, my writing has been more adaptive than prescriptive. However, I must say this, I like to share chapters with friends and my team as I write and the early feedback is always good for letting me know if I am on the right track. 

    Do you have any new work in progress? 

    I do, but I’m afraid I can’t say very much about it at this time. 

    The summer is around the corner. Do you have book recommendations?

    My recommendation would be anything by Haruki Murakami. 

  • Nwoko gets Italy’s Golden Lion Award

    Nwoko gets Italy’s Golden Lion Award

    Renowned artist, designer, architect and a founding member of the Zaria Art Society popularly known as the ‘Zaria Rebels,’ Prince Demas Nwoko,  has won the Golden Lion for Lifetime Achievement Award at the 18th International Architecture Exhibition of La Biennale, Venice, Italy. 

    The award will be conferred on him on May 20 at Ca’ Giustinian, Venice.

    Exhibition of Nwoko’s iconic architectural works will be on display  in Venice for six months – May 20 to November 26. 

    Nwoko attended the Nigerian College of Arts, Science and Technology (now Ahmadu Bello, University), Zaria between 1957-1961.

    The exhibition entitled: The Laboratory of the Future, will hold in historical venues of Giardini, Arsenale and Forte Marghera, in the Italian city of Venice. The Stirling Pavilon will exhibit the architectural works of Nwoko.

    The  exhibition will be curated by Prof Lesley Lokko, an international architectural academic, educator and best-selling novelist of Ghanaian and Scottish descent.  She has taught architecture in universities in the United Kingdom, United States, Europe, Australia and Africa.

    She is the founder and Director African Futures Institute, established in Ghana in 2020 as a postgraduate school of architecture, research and public events platform.

    On the choice of Nwoko for this year’s award,   Lokko, who spoke ahead of the awards ceremonies, pai tributes to Nwoko. According to her, “One of the central themes of  the 18th  International Architecture Exhibition is an approach to architecture as an expanded field of endeavour, encompassing both the material and immaterial worlds; a space in which ideas are as important as artefacts, particularly in the service of what is yet to come. With all of its emphasis on the future, it seems entirely fitting that the Golden Lion for Lifetime Achievement should be awarded to someone whose material works span the past 70 years, but whose immaterial legacy  – approach, ideas, ethos – is still in the process of being evaluated, understood and celebrated”. 

    The Golden Lion Award, formerly known as ‘The Golden Lion of St. Mark’ until 1954, is the highest prize given to a film at the Venice Film Festival since 1949.  In 1970, a second Golden Lion was introduced to honour people who have made important contributions to cinema and theatre architecture. 

    From a galaxy of eminent nominations, Nwoko was finally chosen as the recipient of 2023 awards. 

    Baba, as Nwoko is fondly called, has been at the forefront of Nigerian Modern Arts Movement. He is everything at once: an architect, sculptor, designer, writer, set designer, critic and historian. When prodded, he refers to himself as an ‘artist-designer’ which speaks both to the polyglot nature of his talents and oeuvres and to the rather narrow interpretation of the word ‘architect’, that has arguably kept his name out of the annals.

  • Experts canvass support, safe space for early childhood 

    Experts canvass support, safe space for early childhood 

    Experts have called for proper funding and monitoring of early childhood to address social vices as well as checkmate the production of half-baked graduates.

    The experts, who spoke at the first National Retreat of the Early Childhood Association of Nigeria (ECAN) in Lagos, said studies had shown that the failure to provide quality early childhood education limits children’s futures by denying them opportunities to reach their full potential.

    It also limits the futures of countries, robbing them of the human capital needed to reduce inequalities and promote peaceful and prosperous societies, it added.

    The Acting Head of Department, Early Childhood Care and Education (ECCD), Lagos State University of Education, Dr Aboluwarin Oyenike, said quality pre-primary education is the foundation of a child’s journey as every stage of education that follows relies on its success.

    The President of ECAN, Prof. Babajide Abidogun, identified poor implementation of curriculum, lack of proper monitoring, funding and training of teachers as some of the challenges facing early childhood education in Nigeria. He said the retreat offered opportunities for stakeholders to address the challenges.

    A Deputy Director, Lagos State Universal Basic Education Board, Hilda Twins, said the government is collaborating with some stakeholders to boost early childhood education in the state.

    “The essence of this retreat is to collaborate. With collaboration, there are going to be more impact in the area of outcome in building capacity of teachers and the pupil as well.  With early childhood education, most of the vices we have in the society can be averted. It also has an effect on the economy of the nation. The future of education in the country will be better if we get early childhood education right,” she said

    The retreat, which also witnessed  panel discussions, agreed on the need to create and ensure flexible learning environments that promote the growth and development of children as well as an inclusive setting for Children with Special Needs.

    A representative of the Development Research and Projects Center (dRPC), Augusta Keneboh, canvassed the implementation of relevant policies, including the National Policy on Safety, Security and Violence-Free Schools, which acknowledges the need of safeguarding in schools.

    “The concept of safeguarding, child safe guarding and physical safe guarding in play based learning in the ECCD setting is important in our society, especially considering the time that we are in. We are looking at policy documents promoting safety of children. We are looking at how all the stakeholders can ensure safety of children by implementing the appropriate policies and laws,” he said.

  • Onobrakpeya, Okundaye, others honoured at NGA Awards

    Onobrakpeya, Okundaye, others honoured at NGA Awards

     It was an evening of celebration for men and women who have brought pride to the art industry, as National Gallery of Art (NGA) rewarded them for their good deeds.

      The maiden edition of Mast Festival and Awards held last week saw some stakeholders honoured, including studio artists, gallery owners, art collectors, art teachers, Society of Nigerian Artists (SNA), art administrators and arts writers. 

    Among the awardees was renowned artist, Prof. Bruce Onobrakpeya, who bagged a Lifetime Achievement Award. 

    For Onobrakpeya, it was a double celebration as he was just honoured by Georgia State Assembly, United States for his exemplary career as artist and role model. 

    Also honoured was Chief Nike Okundaye, who received the Outstanding Visual Arts Personality of the Year Award. Mrs Okundaye is very adept in textile designs in adire and batik. 

    She has one of the biggest and most sought-after art gallery in the country, which houses about 7,000 art works. The art amazon has held no fewer than 116 solo exhibitions and 38 group art exhibitions in various parts of the world. 

    The Distinguished Visual Arts Award went to Muhammad Sulaiman, the President of Society of Nigerian Artists (SNA). The multi-dimensional artist is a unifier, bridge builder and mentor to young artists. His driving force is the improvement of the lots of visual artists in Nigeria.

    Deputy Editor of The Guardian, Gregory Nwakunor, got the Arts Journalist of the Year Award for his contribution to the promotion and propagation of arts and culture.

    Other awardees are: Thought Pyramid as Gallery of the Year; Mrs. Patience Nkwocha, the Curator of the Year; Comrade Ojo Agbor Idabi as NGA Exemplary Staff; while Helen Ogochukwu Nzete and Izuchukwu Clifford Agba are Inspiring Young Artists of the Year.

     Director-General, NGA, Ebeten William Ivara said the gallery, which has since completed the harmonisation of its Establishment Act for Repeal and Re-enactment in collaboration with the SNA, is ready to move it to the National Assembly once the 10th Assembly is inaugurated in June. 

    He added that the new law, when put into use, would propel the Nigerian visual arts sub-sector to higher heights with NGA contributing to Nigeria’s Gross Domestic Product (GDP). For the artists, it will be a season of wealth creation.

    Awards Coordinator AND Deputy Director Overseeing office of Director, Information Services Department, National Gallery of Art, Oji Onoko, said: “Mast festival and awards is specifically designed by the National Gallery of Art (NGA) as a yearly event to reward excellence in creativity in the visual arts sub-sector and arts sector.”

  • Ali Baba, Joke Silva, others for The Roundtable on entertainment

    Ali Baba, Joke Silva, others for The Roundtable on entertainment

    Atunyota Alleluya Akpobome aka Ali Baba, Joke Silva, Dr. Noah Inu Momodu, and other artists have been billed to grace The Roundtable Lekki scheduled to hold on May 1, at Church of God Mission Int’l, Garden City, Oniru.

     The event tagged: ‘The Nigerian Entertainment Industry; Opportunities & Trends,” will attract investors, business owners, and individuals from different industries, especially actors, comedians, movie producers, promoters, investors in the entertainment industry.

     The Zonal Coordinator, Church of God Mission, Garden City, Vi, Zone, Rev Chris Ubanadu said this at a news conference  at the church, said that the programme is a business development, economic empowerment, and networking forum, created to share information that will assist businesses, business owners, investors, SMEs, and individuals, to take advantage of growth opportunities that abound in their environment.

     He said “our strategy is to use free conferences, seminars, and networking platforms to stimulate interest and aid economic emancipation. By this, we hope to make our own humble contribution to reducing poverty in the land and to aid economic empowerment.

     “Every year, The Roundtable Lekki selects a sector in the economy, which it dimensions with the help of professionals and players in that sector. The goal is to critically analyze the sector in order to reveal the business potentials inherent in it. The strategy is to stimulate interest in the audience and encourage them to use the information provided to be economically empowered.”

     He added that this year’s edition has set its eyes on the Nigerian Entertainment Industry saying, “This sector of the economy is one of the fastest growing today. It has great potential to engage millions of Nigerians, especially the youths. It is therefore our interest in helping our participants to know how to tap into its vast business opportunities this year.”

  • Family Palava set for premiere

    Family Palava set for premiere

    The premiere of a new film, Family Palava will be held on April 29 at Glovic Event Centre, Lagos.

     The film, which features George Ezenwaorah, Oputa Ifunanya, Stella Nnenna, Idika Kalu, Ikechukwu, Richard Elumeze, Anita Ihenkoronye, Acho Onuoha, Ofurie Inifome, Eze Uchechi, Joseph Munis, and Bonnyface Agum is poised to bring positive change to viewers.

     Expected as guests at the premiere are Angella Phillip, Nze Commader, Eke sisters, Sunny MacDon and Andy Chukwu.

     Popular comedian and lawyer, Kingley Ogbonna popularly known as Dauda will anchor the event.

     Family Palava is produced by Elumeze Chikereuba of Divine Inspiration Concept Production and directed by James Isiramen.