Category: Arts & Life

  • ‘At 89, I am agile and active cerebrally’

    ‘At 89, I am agile and active cerebrally’

    His palacial home stands out among the lots in the community. And to every guest at this year’s annual prayer session, Adura Odun, the Ijebu Ode country home of Founder, First City Monument Bank Group, Otunba Olasubomi Balogun, is an ideal place to honour God. ADEOLA OGUNLADE reports.

    “I imbibe the habit of always singing and praising God. I ascribe everything to the grace of God, that was why I was made the Asiwaju of Christianity in Ijebu Land.”

    These were the words of the Founder First City Monument Bank Group, Otunba Michael Olasubomi Balogun during an annual prayer meeting of the Otunba Subomi Balogun Foundation (OSBF) in Ijebu-Ode, Ogun State recently to mark the New Year.

    Draped in immaculate white attire, Otunba Subomi Balogun sat patiently to host every guest at his palatial home in Ijebu Ode, which is a Mecca of a sort, especially on the Adura odun day set aside to thank God for His mercies.  “There are vicissitudes that one would experience but I am forever grateful for what God has allowed me to do at almost 90. My ambition is to live much longer. I have friends, and relations who have been so bestowed by the almighty and I am confident that God has something planned for me. I am extremely excited because it has to be like that. Somebody looks at my status and said those factors are not strong enough,” he recalled.

    He said that one of the things that helped him in life is to constantly commit his ways to the Almighty God. “Anywhere I go, I bring up what God has done for me. That helps me to modulate any possible arrogance”.

    “When I was made the Asiwaju, there were a lot of people that were older than me. I was just 63 years old. I was nervous and I cried the day I was installed as the Asiwaju. The congregation was singing-Kosoro rara…

    ”God has been my guide and companion and I owe everything I have and I have been to him,” he said.

    Subomi stressed that the significance of Adura Odun is to allow the Asiwaju to join everybody in thanking God for what He has done for all of us in the year before and asking him to continue to guard and take care of us in the New Year.

    “I think that its significance is not just for Christians, but for all people. The Yoruba say if you give thanks for the favour done in the past, then you will receive more favours.

    “So, the essence is that I have invited all Christians and friends. Some Muslims, too, joined me in thanking God for protecting us, providing us with everything, and giving us good health. We can now expect that the same Good Lord will continue to be with us for the New Year. So, it is not just a religious thing, it is something that has become habitual. When God has done something for us, we should go back and give thanks and that will encourage the Good Lord to continue to help us.”

    He noted that there are many Ijebus and God singled him out and made him what he is, saying ‘it is in appreciation of the unique endowment the Good Lord made to me that I do whatever I do. I am not the only Ijebu to be a lawyer, I am not the only Ijebu to be a banker, I am not the only Ijebu to be made Otunba, I am not the only Ijebu to be anything.

    “There are all kinds of birds flying in the air, but the eagle is the king of all birds. So, when we pray as Christians, we say God should renew our energy like that of the eagle. The motivation is that God has been very kind to me. He made me what I am and, in return, I am doing what I am doing.”

    “It is the grace of God that keeps me fit. You probably will notice that whenever I am in a gathering, the musician will start playing the tune, Nipa ife Olugbala ki yo si nkankan, (which means by the love of the Saviour, there shall be no evil). I believe it is the good Lord that is protecting me and, as such, I am always glad to sing that song.   “But it is more than that. I am a child of God and I believe fervently in it. So I have turned all my needs to good Lord.  If you get me to run 100 meters with you, I am not sure many of you will beat me. I do a lot of walking and I also swim. In every home of mine, you will find a swimming pool. I am particularly grateful to God that, even at 89, I am agile and still active cerebrally’’, he said.

    On his journey into the banking industry, he recalled: “The operations of the bank took off in 1983.Since then, the institution has been consistent in merchant banking in Nigeria. When I look around, I am the oldest banker still around and taking part in what is still going on. And that is an amazing grace of the Almighty God. All I do is remain close to God and be a prayer warrior.

    ‘’Some friends joke with me that I can’t say one or two words without thanking God. That’s my own understanding of what God has done to me, my family and my institution. About 45 years ago, we started this. Not many of us who founded financial institutions are still active today. I started banking 60 years ago.

    ‘’For the first 15 years, I was working for other people. But in the last 35 years, I have been given the privilege by God to run a bank I founded single-handedly. I thank God that I am still vibrant and all I want to be doing these days is to be thanking God.” He also acknowledged the support of professionals that helped in building a strong financial institution. Despite having just a law degree, he was able to attain unbelievable heights in investment banking.

    According to him, reflecting on God has helped him to modulate any kind of arrogance. “In addition to sustaining 68 years of friendship and keeping his secretary as his PA to date, Balogun has been loyal to every commitment he sets his mind on. As a philanthropist, he has changed lives with the Subomi Balogun Foundation Scholarship. Giving credit to his mother, whom he described as his father’s only educated wife, he owes a lot of his educational years to her input and early intervention.

  • ‘Culture administrators have done well for Nigeria’

    ‘Culture administrators have done well for Nigeria’

    Denja Abdullahi is a culture administrator, technocrat and manager. He is the immediate past president of the Association of Nigerian Authors ANA. An award winning author, playwright and poet, he tells Edozie Udeze in this encounter how the culture and tourism sectors have impacted on the society in the past years. He also takes a broader look at ANA and what the future holds in stock for it. And lots more.

    As the year draws to a close what can you say are the main achievements of the culture sector?

    I can say that the sector has been able to overcome the setbacks of theCovid-19 pandemic . It was like the pandemic taught the sector the ways to upgrade into operationalizing its activities and programmes along the demands of the digital age. There is now much pressure on the sector to justify its existence in relation to its input to national economic development and general societal well being. That pressure has made those who work in the sector to realign their programming along that line. Therefore, in both the public and the private arms of the sector, we have witnessed an upsurge of well appointed activities, cutting across hosting of all kinds of festivals, visual arts and crafts exhibitions, theatre and dance shows, seminars and workshops, books and literary arts festivals, specialized film and documentary shows, music fiestas and many other cultural events. In short, the main achievement of the sector has been its resilience in its overcoming existential challenges of the day, to foregrounding the fact that culture is the wellspring of any nation’s  well being.

     As a culture technocrat and administrator,has the players been able to use indices of cultural sentiments to help steady a society going adrift?

    You may not be  able to readily measure the impact of culture to societal sustenance because much of its components are intangible. Yes, the cultural institutions are there but it is the intangible aspects of culture that are the living parts of culture which are consumed ,which permeate the mental make-up of a people and which are transmitted across generations. The players in the cultural sector ,both public and private,have their various mandates,whether statutorily given by laws or self-appointed. In addressing the various problems presented by the contradictions in the society because of the struggle for power or control of resources, the players in the sector have been trying their best at least in designing programmes and projects that eternally harp at the need to maintain the unity of the country. In the public sector , you hardly see them not inserting the phrase “national unity,” “peaceful co-existence,” “national integration,” “unity in diversity,” “ religious tolerance” and all such salubrious lexicons in capturing the overriding thematic thrust of their activities. You may ask yourself, why do we still need to be talking these after over 100 years of amalgamation and 60 years of independence? Your answer as they say is as good as mine. Private and independent players in the sector may have moved a bit further by asking disturbing questions in their books,films,music ,drama, artistic revues ,poetry performances and dance shows but are the right people listening ,watching or reading? The listening , watching and reading are not just for the leadership class in the society alone, it is for all. Cultural activities designed to set the society aright will achieve their purposes only if the society hearken to them.

    There has been so much hurrah about the headquarters of the Association of Nigerian Authors in Abuja. Some of the structures speak volumes in terms of developments. What exactly is the size of land in ANA control now?

    Much of what you are asking to know about are already in the public domain. In my time as president, I  gave innumerable interviews and press conferences on the matter . There is a 45 minutes documentary on the association called “ The Dancing Mask” which fully addressed this matter and which is available on the association’s website and on Youtube. Also on the website,you can find a 15 minutes documentary narrated by me on developments on the land as at 2017 when I was still president. I remember inviting you and other journalists to a major media tour and press conference on the developments on the land just some few weeks  before I left office in 2019. You have also been at all the national conventions held by the executive that succeeded me since 2020, the last two which were held in Abuja on the land in 2021 and 2022. The present executive must have presented  adequate updates to everyone on the current situation on the land in the various congresses and meetings. . I believe you and others who should know have the information you need to know at the moment.

    There are insinuations that parts of the land have been taken by some people within the writers body. As a former president, can you clear the air on this?

    This insinuations are largely unfounded and they seem not to go away in spite of the wealth of information readily available because people insinuating are not looking in the right direction or are not reading between the lines. They should go read thoroughly how ANA came about that land and the efforts of each succeeding executives of ANA on that land. They should also know that it was only around 2001/2002 , for a land given in 1985,that ANA made some real attempt at physical development. That 2001/2002 development agreement ANA purportedly  signed  with a developer called Home Securities was expressly terminated by the ANA Congress in 2007 at the Owerri convention when the details of that agreement were read to the house by me as the then General Secretary. That led to a long-drawn court case against ANA instituted by that developer over breach of contract that lasted for 5 years ,ending in ANA’s favour in 2012. Ahmed Maiwada ,appointed by the executive in which I was General Secretary was ANA’s counsel in that case and  I was ANA’s sole defence witness through out the duration of the case ,so I know the facts of the matter. In 2012, ANA engaged the present developer,KMVL, with a new MOU, which is still subsisting till now, in spite of the  time-bound clauses governing it and the passage of time. There was no development on the land until I came on board in late 2015. On my coming to office, i put in place ANA Land Development committee , as statutorily mandated by the ANA congress at the convention which held in Kaduna in 2015. Through out my tenure , that committee ,headed by Dr Wale Okediran, past ANA President,  and consisting of other members with the right expertise and mandates, interfaced directly  with the developer and strictly monitored developments on that land.I remember I led  the ANA congress on an excursion during the Abuja 2016 convention to a bare empty land and afterwards at the AGM the land committee declared the developer in their report as lacking the capacity to deliver for ANA on the land. The committee however suggested to the congress that rather than terminating the contract with the developer which may lead to another long drawn court case, the developer should be given a marching order to get some other developer with the capacity to come on board to help him deliver or go get the capacity in any way he can. It may interest you to note that in the the first meeting which the ANA Land committee had  with the developer  in early 2016 which was meant to review the subsisting MOU, a member of the committee ,who is a qualified estate management and development expert, exclaimed disappointingly after going through the MOU: “ why has ANA fallen into the same pit for the second time?”  The first pit ANA fell into was the agreement signed with Home Securities in 2001/2002 which took us about 10  years to vacate and the second deep pit was the MOU signed in 2012. Deliberately or coincidentally, that person who exclaimed never attended any subsequent meeting of the land committee. The second interesting thing that happened at that meeting was that the  national legal adviser of ANA at the dispensation in which the MOU was signed ,sealed and delivered  and who was part of the land committee, quickly ruffled through the MOU and declared that was not what he prepared for ANA to sign. It was a photocopy that was circulated at the meeting ,stating that it was prepared by him with his signature and legal stamp. He demanded to see the original to establish that was the same document he signed. I took the original to his chamber the next day and he could not disproved it and the matter ended there. I have narrated these incidents to let you know that ANA often does not do due diligence or look out for itself with expert eyes when dealing with businessmen ,developers and the likes and at the end allows wicked insinuations to float about or make same against themselves. You should recollect that during the ANA 2019/2020 crisis that it was those who were at the forefront of not ensuring due diligence done for ANA in its contractual affair due to reasons best known to them that were all over the place making trouble and making wicked insinuations about ANA land against innocent persons. We even recently got reliable information that an entity ,deeply interested in ANA not having any solid presence on that land,funded heavily the main party that created the problem at the Enugu convention and afterwards. Are you surprised how the party that declared themselves elected went with ease to occupy the Association’s  property in Mpape, which was in the effective custody of the developer, after their sham election in Abuja in March 2020? The access to our property was thrown wide open to them by the developer who had not received instructions from the Board of Trustees(the legal entity in custody of the property) and the National Advisory Council that was in charge of the Association’s affairs at that time. People should please connect the dots and lay the blame where it lies. Remember this same ANA land was the cause of the whole hoopla and endgame struggles that made elections impossible in Enugu.

    I said to  some close persons  when I came into office in 2015 that the ANA land can be likened to that cow in the Igbo proverb that has escaped but which the owner in determination decided to hold on fast to the tail so that he can tell people nostalgically that he once owned a whole cow. Much of what would have accrued to the Association from the vast land donated to it by Vatsa in 1985 has long been vitiated through the sloppy,opaque and lopsided  MOUs  ANA have been signing with so-called developers over the years without due diligence and without taking them through clear approval of the congress and the BOT in some cases. I was determined during my time to hold on fast to the tail of our missing cow, so that we would not totally lose out and that was why I and my executives and the land committee insisted on actual physical  development. We read the riot act to the pussyfooting developer who apparently did not want any fast development and he did a lot to slow down the pace of development. We forced him to commence development in 2017 and I particularly maintained an unrelenting position of ït- is -either- development -or -nothing . My intention with the strategic plan done in 2016 was to complete the first phase of development before I left office but I could only get to about 70 percent of all existing structures, both completed and uncompleted. With what happened immediately after I left , I got insight into the fact that the developer actually  at a point stalled the development to wait out the exit of my executive from office. I was seen as unrelenting and uncompromising in my quest for development on the land by the developer. But I know if I had been hand in glove with the developer or compromising, ANA will not be having anything near a completed structure on that land today.

    The present executive is progressing well but it is time to invite the congress and the BOT to take another  look at the MOU which I believe is overdue for a thorough review. That MOU in all honesty cannot be said to be in the interest of the Association at the moment nor in the future. There is also kind of singularity governing ANA ‘s relationship with the developer at the moment. Institutional checks and balances into that relationship have to be re-introduced in the form of a Writers’ Village Development/Management Committee and any other possible way of over sighting that relationship. Lack of necessary oversight will create more problems for the future rather than the expediency of solving some current issues by papering them over. This proposition is something that has been there in one form or the other before but which is no longer there. This proposition is in Odia Ofeimun seminal essay on the ANA Land “From Idea to Realisation” and it is also in some past ANA constitutions. ANA members should not be lulled to sleep because of the completed structures on the land now: it was vigilance and institutional checks and balances that got us to this point and to ensure that what is left of our cow is firmly within our hands and within our control ,that vigilance must continue. We should be mindful that the already completed structures should be put to full functional use and the rest be completed in good time. We should be interested in what the management relationship will be like,who should be in control of what  and what the profit sharing ratio should be like. Also , we should be asking,will ANA be tied to the apron of a developer for ever?  Even if that should be the case, in what manner should that be?We should also be concerned about ensuring that the writers village in its entirely should serve the cause for which it was built as a major hub of literary creativity and excellence in Nigeria and beyond.   All these solicitations and questions are important to the sustainability of the structures on ground and the general financial health of the Association. Everything concerning that land and the structures there must be put on the table,thoroughly appraised and way forward that will safeguard the Association’s overriding interest must be agreed upon for implementation.

         Two posers I will make before I rest this issue on ANA land and to foreground the fact that things should always be followed through if we are interested in doing things properly.  At the congress in Makurdi in July 2020  that produced the first tenure of this executive, some motions were moved and adopted. One was to suspend the present developer , the then development and comprehensively reviewed the subsisting MOU. A letter I know was written to that effect but which was never delivered. Why? The second motion was to set up a probe panel on the land from inception till the time of the advent of the present executive. I know a panel was set up with supremely qualified persons with requisite experience for that kind of panel  as members. I also know they did a thorough job and interviewed everybody connected to that land including all past presidents and the developer. Where is the report of that panel and what was the outcome? Has that report informed whatever is happening on that land at the moment? I have narrated all the above, and there is more but for want of space and time, to foreground the fact  that if anyone is looking for where any missing land is , the place to look is not  with any writer in ANA or outside it, whether living or dead. ANA should look for any supposedly missing land in the hands of the developers it has signed MOUs with, fair and simple.

    You were seen on social media of recent gallivanting around Bauchi State showing some rich cultural and tourism sites. What are those places and what do they symbolize?

     I was at Gubi water dam  for just a cursory afternoon visit and people were expressing wonders at the scenery and the beauty of it all. That shows that there is beauty all over Nigeria which can power our tourism sector,generate income for the country and the local populace. I was also at the  less known but equally interesting Sumu Wildlife Park in Kaffin Madaki, about 40 kilometres away from Bauchi. The more renowned wildlife park in Bauchi is the Yankari Games Reserve. But Sumu ,though not as big as Yankari, contains interesting wildlife of all kinds of local and exotic animals imported from other climes. The ambience is as good as Yankari and could be further developed to receive visitors,campers and play host to regular safaris. I think all that our scenic sites and places in Nigeria needs is marketing, connecting infrastructures, sustainable programming and regularity of usage in line with the thematic thrust of the last meeting of the UNWTO held at the National Theatre in Lagos in November 2022,  which was about linking tourism sites to culture and the creative industries. That means when you visit a tourist site, you should also experience the culture of the place through dances,performances,buying crafts souvenirs,eating the local food, watching films and documentaries about the places and experiencing the creative talents on offer.

    Tell us what roles a storyteller plays as a catalyst?

    Achebe has said it all. The storyteller must survive all odds to narrate and transmit vital messages to succeeding generations. In the story is the essence and strength of the people. The story encodes the aspirations of a people and it can be framed and re-framed to power some needed actions in the quest for their survival. Achebe also said no story is innocent and that means we must be critical of all the stories we hear and get properly attuned to why they are being told. The story adds to the beauty of life as it allows necessary embellishment and flight of fancy. The story itself is life.

  • Register clubs free, govt told

    Register clubs free, govt told

    A GROUP, Supreme Circle International Club, has sought the government’s support for social clubs. Specifically, it requested that the government should register them free as they are partners in progress.

    Its founding President, Benjamin Igwebuike, made the suggestion during the first anniversary celebration of the club in Okota, Lagos.

    Igwebuike said the government should do this and more for clubs because they play a vital role in national development.  He noted that social clubs contribute to the moral and physical growth of a people. They also contribute to their peace and harmony for better co-existence, without which a country could not develop its citizens.

    The president noted that since his club started a year ago, it has boosted its membership and members’ welfare as well as assisted the less privileged.

    The club’s Chairman, Media/Screening Committee, Mr. Emeka Nwagboso, added that they planned to build an events hall for revenue generation. They also planned to donate to the police and expand to the state capitals as well as other countries.

  • Spirit, power of Nkpoporo masquerade

    Spirit, power of Nkpoporo masquerade

    By Ekwunazor Patience Omoadoni 

    Nkpoporo is one of the masquerades found among the Efik communities of Cross River State.

    They are regarded as the spirit of ancestors. Traditionally, the Efik believe that masquerades form a link between the living and the dead. Nkpoporo masquerade belongs to a secret cult, the masquerade wears a big costume with human skull on the head.

    Before Nkpoporo masquerade can be showcased, the members will sleep in a burial ground for seven days and are expected not to eat any food prepared by a woman, and spirits are invoked during the preparation, for them to gain powers.

    When there is a problem with any Nkpoporo, they will move to that community in order to settle the dispute and they carry dangerous weapons like machetes, axe etc. After the display, the dispute will be settled and the masquerade and members will be entertained. But, if the community refuses settlement, it will result to fight and they will kill themselves.

    The masquerade dance which accompanies the festival is said to be controlled by an ancestral spirit, which can only be invoked by the Obong Nquai (the chief priest).

    Equally, during the Nkpoporo festival, the chief priest usually offers cock or dog for sacrifices to the spirit in exchange of their benevolence. During its play, the Nkpoporo masquerade can cover its enemy and the enemy will disappear and the person will be found in the Nkpoporo shrine. The person might be freed or killed. If they decide to free the person, he is expected to bring some items for sacrifice to appease the shrine.

    Nkpoporo masquerade is showcased during festival, coronation of Obong (king) burial ceremonies, for entertainment purpose, among others.

    Till date Nkpoporo masquerade is still showcased in Cross River State.

    •Ekwunazor is Chief Museum Education Officer, National Museum, Lagos.

  • Celebrating Nigeria’s culinary

    Celebrating Nigeria’s culinary

    For three weeks, The Mastercard Restaurant hosted army of influencers, restaurants operators, chefs, the media, as well as culinary enthusiasts who converged to experience and celebrate the nation’s culinary A offerings.  It was indeed an extended schedule of rewarding the industry’s passion for dining.

    Held at the Workbox Green Garden, Victoria Island, Lagos, the event sponsored by Mastercard, connected cardholders and Small and Medium Scale Enterprises (SMEs) to their passion for the culinary space, driving investment in local talent, and giving cardholders in West Africa a taste of exclusive dining experiences.

    Events like this, ultimately, increase the capacity of SME owners to provide world-class offerings to their customers, propelling the growth of the economy in the process.

    With over 70 restaurants in Lagos and Abuja, cardholders, some of whom may have been unable to enjoy first-rate culinary experiences due to budgetary constraints enjoyed fine and casual dining in the city with specially curated menus at discounted rates.

    Hosted by Lost In A City, the awards recognised top three restaurants for their outstanding service and menus based on customer feedback, including Pitstop Lagos, Talindo Steakhouse, and Buttermilk while 10 waiters from the restaurants received cash rewards for their resourcefulness and quality of service.

    Marketing Director for West Africa, Mastercard, Yosola Atere, said: “Dining remains one of the top passion points for Nigerians, and at Mastercard, we are proud to collaborate with local businesses to bring multi-sensory culinary experiences to our cardholders, while powering the SME sector in the country.

    “We believe our continued support of the restaurant industry is important, as it provides excellent social settings for us to share wonderful meals among friends and family against a backdrop of ambience and local flair. Restaurants possess the ability to transport us to a world of diverse tastes, cultures, and experiences,” she said.

    Restaurant Week follows the conclusion of the Lagos Cocktail Week, another industry-leading event sponsored by Mastercard, which ended on October 21. Identifying dining as a major passion point in West Africa, Mastercard has powered numerous culinary and fine dining events throughout the year, helping merchants gain visibility and patronage, especially during the festive season.

    “As Nigerians’ appetite for culinary experiences grows, so do the growth opportunities for digital payments in this market. Various initiatives, such as Restaurant Week, bring the technology company closer to achieving its vision of connecting one billion individuals and 50 million Micro and Small Merchants (MSMs) to the digital economy by 2025.

    “Another initiative, The Kitchen, is a competition, which aims to support and promote aspiring small business owners in the restaurant scene in Nigeria. Rewarding SMEs also came with imparting knowledge with The Kitchen Masterclass, a course with six experts in the food, service and design sectors guiding aspiring restauranteurs on the path to running successful restaurant businesses,” she added.

  • British Council recipe for creative economy

    British Council recipe for creative economy

    By Sanya Onayoade

    The setting was inventive and tastefully ingenious. The ambience of the Paintbox Art Academy in Kano spoke to the creativity needed to support the Nigerian economy.

    There were children aged four and above utilising their paint brushes to create murals of varying proportions. There were also pottery, poetry and raffia weaving, among others.

    Hitherto fringe demographics in the arts space such as young females and artisans mixed with creative minds at the British Council Creative Economy Showcase Programme. Similar events emerged simultaneously in cities such as Port Harcourt and Lagos.

    The Port Harcourt event, with the theme Rivers of Art, featured visual and digital arts, animation, stage plays, comedy and music. There were stage performances with eclectic choreography, soliloquy and small talks. In Lagos, popular rapper M I Abaga conducted sessions headlined by sundry musical acts and comedies.

    Though the British Council initiative is aimed at assisting performance artistes and art exhibitors in recovering from the economic challenges posed by the COVID-19 pandemic, the bigger picture is to use the creative industries as part of the building blocks for national economy.

    In 2013 when Nigeria’s Gross Domestic Product (GDP) was rebased, the creative industries and the telecoms were part of the matrix used to move the size of the economy from USD 270 billion to USD 510 billion, effectively catapulting the country to top of the ladder in Africa. It overtook South Africa, which had held the position. The economic mainstay, oil, contributes about 83 per cent to the economy but contributes mere nine per cent to the GDP.

    With a huge population of 200 million supported by a paltry GDP from its major revenue class, the  economy can still be considered weak. Experts believe rebasing the economy would not lead to economic prosperity because while the statistics changed, the reality remains the same.

    According to the World Bank, lack of job opportunities is at the core of the high poverty levels, regional inequality, and social and political unrest. High inflation has also taken a toll on households’ welfare and high prices in 2020-2022 were likely to have pushed an additional 8 million Nigerians into poverty.

    The creative industries are receiving attention as a future link to economic prosperity. Weighing the importance of Africa’s largest economy and the world’s most populous Black nation to the UK, the Chair of Foreign Affairs Committee, Tom Tugendhat, said: “Nigeria is at the forefront of change in Africa. Its thriving film and music scene, tech innovation and multiple opportunities for investment, there is much to admire and value. The enthusiasm of the Diaspora here in the UK is infectious and remains untapped.”

    The British Council is providing the platform for a thriving clan of creatives not just for their livelihoods but to support a struggling national economy.It is believed that the creative industries in Nigeria are rapidly growing economic powerhouses that are being recognised as pathways for sustainable livelihoods for young people across art forms.

    This prospect is, however, facing daunting challenges of weak policy support, lack of infrastructure, low levels of awareness of the livelihood opportunities that exist within the art sectors and limited opportunities especially for networking, collaborations, and skill-sharing.

    Besides, this sector was highly impacted by the pandemic and its attendant economic compaction.

    The British Council Creative Economy Showcase Programme, which started last November, will end in March this year. It aims to stimulate links among Nigerian creatives by providing them access to the British Council exhibition spaces, for displays, showcases and performances in prime locations in Abuja, Port Harcourt, Lagos and Kano states.

    British Council Nigeria’s Country Director, Lucy Pearson, said: “This initiative by the British Council is assisting performance artists and art exhibitors, many of whom were adversely affected by the COVID-19 pandemic and the resultant economic challenges. Many creative businesses, particularly those involving art forms that require live performances, are still recovering from the long-term harmful effects of the crisis.”

    The British Council appointed four curators to review submissions from artists and creative entrepreneurs following a advertised call for applications that ended last July.

    The curators for the four venues in the different states were Creative Arts and Visual Imagery Centre (CAVIC) in Abuja, TASCK in Lagos, StartUp South in Port Harcourt and StartUp Kano in Kano.

    They selected the best entries for venue support and work with the exhibitors to deliver their work and draw audiences to attend. All profits made through the sale of tickets or other financial rewards, including sponsorships, would go to the exhibitors.

    British Council Head of Arts West Africa and Creative Economy Lead SSA, Brenda Fashugba said the intervention would stimulate creative entrepreneurship. “The Creative Economy Showcase Programme helps resolve several challenges for creative entrepreneurs, such as offsetting the massive cost of renting a premium venue space, providing communication support through publicity for the programme, offering exhibitors access to the British Council network of art enthusiasts and stakeholders as well as affording exhibitors access to our organisational knowledge of event management, programme management and planning.”

    One of the most memorable art shows curated by TASCK in Lagos combined the Red Button Fashion Showcase and African Beer with Oma Soft spot music, dance and poetry performances. Red Button, a fashion design house whose designs focus on African stories, powerful women and sustainability, displayed their new fashion collection: green cover.

    At the same event, Sir Dauda performed some of his hit songs with 10 performers, who included Winny, Emaxee, Mani Lapussh, Phaemous, and Phola Preye who also took the stage.

    Nigerians are renowned for their creative expressions; vibrant energy expressed through diverse creative demonstrations. Being a country with one of the largest youth populations, Nigeria is positioned to harness this potential for economic growth. There is urgent need to raise awareness among key arts stakeholders and policymakers about this initiative.

    Reviewing the Rivers of Art creative performances in Port Harcourt, The Paintbox Experience in Kano and the Incredible Sessions music performances in Lagos that featured Nigerian rapper and record producer MI Abaga, indicates that the creative industry could be an elixir to national economic prosperity.

    •Onayoade is Media Consultant to British Council.

  • Ikeja Club honours members

    Ikeja Club honours members

    It was an atmosphere of warmth and merrymaking as Ikeja Club celebrated and rewarded two of its outstanding and committed members—Deputy Inspector-General of Police, Johnson Babatunde Kokumo and Mr. Otunba Oluwanishola Olaofe, an engineer.

    The duo bubbled at the investiture  where they were appointed trustees of the club in Ikeja, Lagos.

    Members of the club, including the honorees, were resplendently dressed in white attires, which underscored the unity in their ranks.

    As evening drew nigh, because it was a soiree, a live band entertained the audience with exciting music. Members, guests and well -wishers danced and wiggled their waists, even those who had advanced in age.

    The atmosphere resonated with love and affection as everyone cracked jokes and let out guffaws. It was akin to old students reunion.

    President of the club, Ayodeji Randle praised  Kokumo and Olaofe for their commitment to  the club and that they were worthy of the honour.

    The president appealed to Lagos State Governor Mr. Babajide Sanwo-Olu, to address the flooding problem the club faces during heavy rains.

    He said: “The various support of the state government have immensely contributed to the rapid development and meaningful growth of the club. However, we earnestly appeal to our amiable governor to urgently come to our aid to concretely solve and permanently conquer the perennial flooding problem the club faces when it rains.”

    He thanked the state government for its support and assistance to the club.

    Kokumo and Olaofe expressed delight at the appointment. They thanked members of the club for recognising their efforts towards taking it to greater heights. They vowed to continue to render selfless service to the club.

    Kokumo said: “We are going to work assiduously to make Ikeja Club greater than this. I am delighted. I feel accomplished to be honoured today. I just do my thing, I never knew officials of the club were watching. This honour is a testament that I have made an impact in the club.”

  • Pushing for positive transformations

    Pushing for positive transformations

    At the maiden Greater Lagos Art Exhibition, with the theme: Art in and for Transformations, artists, enthusiasts and government officials agreed that art should push for positive social transformations. OYEBOLA OWOLABI reports

    ‘The Peace Bearer’, a painting by Eunice Akintayo, was particularly instructive to understanding the role of women as peace advocates. Why then should a society be violent towards its bringer of bearer, the same vessel through which it can be transformed? 

    Prophetic Sequence, by Ayo Akinyemi, also portrays a mystical universe that embraces the feminine form as a symbol for social commentary, beauty, pain and individuality. “My works, in line with this exhibition’s theme, emphasises human liberation, cultural diversity and explores the role of spirituality in shaping identity,” Akinyemi said.

    These works and 64 others were on display at the maiden Greater Lagos art exhibition, where participants agreed that art should be more than just art. According to them, art should be a potent tool through which great transformations can be wrought in individual lives and the larger society.

    Organised by the Lagos State Ministry of Tourism, Arts and Culture, in collaboration with the Office of the First Lady, it featured a panel discussion, art exhibition and workshop. Featuring 35 artists and 66 works, the exhibition showed the need to use artistic creations to preach resiliece, perseverance, belief in society which will in turn transform the society positively. It also portrayed the resilient and audacious spirit of Lagos and its people, and was an opportunity to reflect the fellowship individuals and societies enjoy through and in art, as well as pointers to the way forward.

    Governor Babajide Sanwo-Olu, who was represented by Deputy Governor Obafemi Hamzat, stressed that creative arts occupies a special place in the E pillar of the THEMES agenda of his administration, which stands for Entertainment and Tourism.

    He said: “The theme of this event speaks to the power of art works as potent tools to drive and influence social transformation through the message they communicate. This is quite instructive as there is the need to utilise different modes and media to effectively communicate messages and ideas, especially those that are meant to change the public’s orientation on societal ills and their negative effects on the general wellbeing of the society.

    “This exhibition, which has been designed to feature knowledge sharing discussions by highly successful and award winning professionals, is one of the several initiatives being implemented by this administration through the Ministry of Tourism, Arts and Culture, to realise our goals and objectives for this sector.”

    The governor’s wife, Mrs. Ibijoke Sanwo-Olu, described the three-in-one event as an ‘opportunity to appreciate the enormous contribution of artists to our society, and also remind these professionals of the need to use their creativity to correct some ills within our society’. She particularly enjoined artists to use their art to preach against and stamp out Gender-Based Violence (GBV).

    Mrs. Sanwo-Olu said: “Across the globe, art has proven to be a powerful tool which helps people communicate with the outer world and better understand their selves. It has transformational powers, and this informs why people spend millions of naira on artwork because of the satisfaction they derive from the messages communicated through these artworks. 

    “So, as an artist, beyond seeing yourself as mere art professionals and members of the creative sector, you all should know that you are also teachers gifted in the use of art to enlighten. With these special skills, you are great contributors to the Tourism and Entertainment pillar of this present administration, and this also gives you space under the Education and Technology pillar of the THEMES Agenda of the administration.

    “One of the major menaces in our society in recent times is Gender-Based Violence. And so as opinion molders and great influencers of thought, I challenge you to be deeply involved and commit yourself to supporting this administration in stamping out this menace from our society, by using your works as a campaign against Domestic and Gender-Based Violence (GBV).

    “Apart from GBV, other menaces, such as child labour, sexual discrimination, among others exist, and these are some of the key areas you can leverage on to educate the people to push positive transformation in our society. I believe our artists have a role to play in this task by using artworks to speak against these societal ills, just as everyone else.

    “I also challenge you to be involved in communicating the THEMES agenda of this administration through artistic methodologies and visual representations, to enlighten the public on how the governor and deputy governor are transforming Lagos from what it used to be to what it is now.

    “I urge all exhibitors here today to create a network of connections with your colleagues and other art enthusiasts, being one of the rationales why this was put together. We have brought art lovers together to meet art creators with the hope that this will serve as a good avenue for you to market yourself.”

    Commissioner for Tourism, Art and Culture Mrs. Uzamat Akinbile-Yussuf, described the exhibition as ‘another definitive step taken towards the realisation of Governor Babajide Sanwo-Olu’s vision for tourism, arts and culture in Lagos State’.

    She added: “Engagements such as this is part of our interventions as government to give visibility to our artists and their artworks in order to further deepen our creative industry. It has been proven that art, in its various forms, is good business which deserves every attention and investment that is channelled towards it. But, in this instance, it is always a case of the deep calling the deep.

    “I urge everyone to be prepared to learn more about the transformative power of artworks as this particular session promises to be socially and educationally impactful.”

    Lead paper presenter Prof. Kunle Filani described artist as someone who not only creates images, but who also binds communities together to strengthen lifestyle. “As an art concept, transformation is the use of artistic activities and products to expedite constructive individuals and social modifications in a particular environment,” he added.

    Artist and curator of the exhibition, Dr. Olusola Ogunfuwa, noted that the three-in-one event was particularly to show how art has been infused into the changing socio-geographic, economic and political tides in Lagos particularly, and Nigeria generally.

    “One of our major objectives is to synthesise the growing populace on the prospects of art in achieving a better, qualitative community. Another is the highlighting of the endless possibilities in repurposing the wastes of our environment into material wealth and aesthetically pleasing creations,” he added. 

  • Sign hunters, forestry bill into law, expert urges Buhari

    Sign hunters, forestry bill into law, expert urges Buhari

    Assistant Commander General of the Nigerian Hunters and Forestry Security Service (NHFSS), Johnny Metchie, has urged President Muhammadu Buhari to sign the Hunters and Forestry Security Service Bill into law.

    Metchie, who is in charge of Technical Services, told reporters that if the President signs the Bill, it would empower forest guards to bear arms and protect farms and forests as is the case in many other countries.

    He recalled that both the Senate and the House of Representatives have passed the Bill and transmitted it to the President, waiting for his assent.

    Metchie noted that when the Bill is signed into law, the Hunters and Forestry Security Service would take over the protection and safeguarding of forests.

    He said: “The incident that happened in Edo last Saturday, where many passengers waiting to board a train were attacked and abducted, is very unfortunate.

    “While I condemn the dastardly act and sympathise with victims and their families, I want to use this opportunity to call on President Buhari to as a matter of urgency, sign the Hunters and Forestry Security Service Bill into law.

    “The Bill is before Mr President just waiting for his accent.

    “I have lived in many countries, including those in Europe, the United States, Canada and others.

    “In these countries, even in South Africa, the forests are protected by forest guards and hunters.

    “This helps tremendously in curbing the activities of criminals, especially those that use the forests as a hideout to carry out nefarious activities.

    Read Also: Buhari didn’t pamper corrupt people, says Fed Govt

    “When bandits and other terrorists strike, where do they take their victims? It is the forests and farms.

    “They take their victims to the forests because they are aware that there is no authorised security personnel there.

    “When the Bill is passed into law, it would empower the hunters and forest guards to bear arms, motivate them to work and defend their fatherland, knowing that they have the backing of the government.

    “I want to believe that the President wants to leave lasting legacies for his predecessor.

    “He should, therefore, save the incoming administration the burden of sending the Bill to the lawmakers by signing it into law himself without wasting more time.”

    According to him, the Police, the Army and other security agencies would benefit immensely if thousands of young people are recruited across the states to protect the forests, as that would make their job of protecting the nation easier.

    He added: “Two other areas signing the Bill into law would benefit the country are food security and employment.

    “Today, prices of food items are on the rooftops. The reason is that insecurity has forced many farmers out of the bush.

    “The presence of armed forest guards would assure farmers that their farms and products are safe.”

  • ‘How I won IDiaspora photo contest’

    ‘How I won IDiaspora photo contest’

    PHOTOGRAPHY has come to dominate world attention in recent times.  Of all the genres of the visual arts, photographs tell stories in a hurry, drawing attention in millions of ways to situations that exist within communities.  For a photo documentary, for instance, to fully tell the story it needs the efforts of an expert to tell it well.  This is exactly what Ajao Ganiu Olaitan aka Olaitan Ganiu of The Nation Newspapers has been able to accomplish in a photo-documentary competition organized by The International Organisation for Migration (IOM) and IBER-RUTAS.

    Ganiu is a creative designer with The Nation.  A graduate of Lagos State University, Lagos he is a self-thought reporter, street photographer, and fashion entrepreneur.  He has come to see the need to use this medium to reach out to the world.  Recently, he took part in a photography competition tagged IDiaspora Photo Contest, involving photographers from all over the world.  Not only that he emerged third position in the show, but in the professional category, he used this opportunity to tell the story of how the journey began for him.

    He recounted his experiences with nostalgia.  He said, “I got to know about it through a Non-governmental organization (NGO) I joined sometime ago, here in Lagos.  The group takes delight in helping the needy, the deprived.  At Makoko area of Yaba, Lagos, where we visited them to distribute relief materials to the poor, I discovered the deplorable conditions of the Diaspora community there”.

    After this first ugly impression, Ganiu was moved to pity to visit the place a second time.  It was in the cause of that return visit that he took several snapshots of the squalor and squalid life and social conditions of the children, the poor, the community generally.  “I got home that day thinking about how to help this slum community, especially the children who had no schools to go to”.  So like most restless artists, he quickly went to work, ensuring he captured the most sordid, pitiable and degrading parts of the ghetto.  “These people lacked access to social amenities like potable water, electricity, name it.  No healthcare facilities, so I was touched”.

    So when the 3-series photography show was announced, he quickly submitted the photos he captured at the Makoko ghetto settlement peopled by the Diaspora.  The three photos he submitted bear very funny but punchy titles.  These are: ‘We play too much but never forget our roots’, ‘my future is colourful’ and ‘let the dog lead our path to the homeland’.  These were all the sorts of series the iDiaspora Photo Contest expected from contestants.  The iDiaspora Photo Contest is the brainchild of The International Organisation for Migration (IOM) and IBER-RUTAS.  They often engage people from different nations and locations to submit photos that depict foreigners’ conditions of living in their host nations.  This indeed helps to make long and everlasting statements.

    In this case, contestants came from as far afield as Columbia, Ivory Coast, Peru and other nations of the world.  Even though the contests have different categories, Ganiu came third in the professional category, deemed somewhat to be the foremost category.  Interestingly, he is the first Nigerian to win the prize.  This came as a boost to Ganiu and to some other photographers who’d like to shoot themselves to fame.  iDiaspora deals with issues of migrants, and how they fare in far distant lands.  The group expects photographers to help disseminate this information basically via pictures and photo-documentaries, visual impressions and so on.