Category: Arts & Life

  • 2022 Merit Award: Osundare headlines lecture

    2022 Merit Award: Osundare headlines lecture

    As part of its activity of the Governing Board of the Nigerian National Merit Award (NNMA), it is organising the Annual Forum of Laureates. While this year’s Forum, which opened yesterday, had as theme: “Building Nigeria Through National Integration” and Prof. Babagana Zulum as Keynote Speaker, Poet Laureate Prof. Niyi Osundare NNOM is delivering the 2022 Award Winners’ Lecture today at the Merit House, Abuja, from 9am.

    The laureate who won the award in Humanities in 2014 will be delivering a lecture entitled ‘’Poetry and the Human Voice’’.

    Speaking on to The Nation on the focus of his lecture, Osundare stated: “In the beginning was not the Word/In the Word was the Beginning ….Tracing poetry back to its oral source. Reasserting the primacy of the Spoken Word as far as poetry is concerned…. Examining the journey of Nigerian poetry from page to stage to screen. Reconciling the Human mouth and the Human ear…”

    The Chairman, Nigerian National Merit Award Governing Board, Prof. Shakarau Yakubu Aku, “The theme and sub-themes were carefully selected to reflect the needs of the nation and also relate to the ongoing issues of the present situation of Nigeria. May I also use this medium to invite you to attend the upcoming Forum as various national issues fall squarely within our common areas of concern on different aspects of the theme of the Forum.”

  • Enwonwu’s statue of Queen Elizabeth II resonates in farewell

    Enwonwu’s statue of Queen Elizabeth II resonates in farewell

    As British sovereign Queen Elizabeth II of England and the Head of Commonwealth of nations passed away to eternal glory after 70 years of reign, her bronze statue by Africa’s foremost 20th Century Artist, late Prof. Ben Enwonwu resonates in farewell. She became the Queen of England in 1952 through ascription, a formal rule of succession which qualified her to rule until death. The Queen belonged to the elite class of the rich, privileged, globally famous and powerful. She occupied a prominent status in the social structure of Great Britain and the Commonwealth in which she played important roles in the life of nations and nationals, including Nigeria as a crown colony which became independent in 1960.

    The introduction of Western education in Nigeria led to the arrival of an English art teacher, Kenneth Murray in 1927. Ben Enwonwu became one of his art students in Government Colleges at Umuahia and Ibadan in the 1930s. Upon completion of his secondary education, taught art in schools, had his first solo-exhibition in 1942 at the Exhibition Centre, Marina, Lagos. Through the exhibition Mr. Harford, Director of Shell-Mex of West Africa offered him a scholarship to study at the Slade School of Fine Art, London and graduated in 1947. He did a postgraduate course in anthropology and ethnography at U.C.L and L.S.C. He came back in 1948 and was appointed art supervisor and later rose to the position of an Art Adviser to the Nigerian government. Between 1948 to 1957, he had established a professional reputation unparalleled in modern Nigerian art and Africa as a whole. The professional feat was attained through numerous art exhibitions, public lectures and public commissions locally and internationally. Mr. Enwonwu was honoured with an M.B.E by the Queen in 1954 out of several other awards. He was commissioned by the Nigerian government to sculpt the Queen to commemorate her visit to Nigeria in 1956 as prelude to Nigeria’s independence.

    Enwonwu’s statue of the Queen generated controversies as criticisms varied from political, sociological and anthropological. The mostly White critics argued that it was impossible for a black artist to do a portrait statue of the Queen without giving it an African interpretation. There where those who were shocked that Enwonwu had the audacity to sculpt the Queen. Many wondered how an African boy had been given such a privilege. Others were of the view that if he captured the likeness of the Queen, the representation must be from an African point of view. The art critic, Eric Newton, stated that “only when hand and chisel and imagination are in complete harmony the confidence seen in Enwonwu’s work occur”, an affirmation of the artistic merit of the statue from deep knowledge in humanity.

    Enwonwu replied his critics, that the statue contains a certain innate African characteristics despite true representation of form was the touch of genius. He stated that the hallmark of achievement was in the representation of quality and its trueness to nature. This writer opines that it is very difficult to paint or sculpt portraits from a life model; most Artists would take the easier route of copying photographs. The professionalism in portraiture lies on working from a life model as was in the Renaissance tradition which provided a richer understanding of forms, interpretation of the sitter’s character and the validity of draughtsmanship.

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    Enwonwu observed that the Queen was a symbol of the British government and one of the highest any Artist can achieve. He stated, that the Queen does not sit for any Artist unless such an Artist has the skill, you don’t just walk up to the Queen to request she sits for you. It is a diplomatic arrangement by governments and governments have Art Advisers to advise whether an Artist is good or not. For all that the Queen represented and her clout, it was indeed an honour for Enwonwu to have her sit for him as a proof of professional competence and attainment. By the Queen’s statue Enwonwu scored highly in promoting the international relations between Nigeria and Britain, exemplified the strategic partnership in building people to people ties and as a tool that promoted parliamentary democracy as the statue was meant to be at the House of Representatives at the time.

    The statue has some innate qualities of African embodied expression in terms of its composition, the still and upright frontal pose, the chiseled-like textured surfaces and the freedom of stylised treatment of drapery in a manner that suggested African wood carving techniques. Unlike the traditional African artists who used 1/3 head to full-figure proportional guide, Enwonwu’s proportional approach was purely Western which relied on photographic representation of the Queen’s likeness. He created a hybrid-aesthetics which combined African and Western art conventions in a continuous parallel between antiquity and contemporaneity. This became the history and practice of contemporary arts and the lens for understanding the continent’s arts and societies.

    Enwonwu’s strong international acclaim in art positioned contemporary African art at the world stage. As the first Black man, African Artist to sculpt the Queen, he broke racial barriers and questioned racial prejudices as one sufficiently gifted to sculpt the Queen in the same manner equal to the Greco-Roman classical art tradition. The Queen statue was depicted in the classical retinal beauty in contrast to stylistic stereotypes ascribed to African art as grotesque representation, and their artists incapable of the perceptual realism of Western art. For this reason, African art with misunderstood canons was described by Western art scholars as primitive artifacts, curio objects and not considered as art.

    Enwonwu was bestowed with the highest academic award of Nigerian National Order of Merit Award (NNOM) in 1980, for outstanding contributions in art. As the arts community in Nigeria bid farewell to the Queen, we reflect on the state of Nigerian contemporary arts today. There is no befitting architectural edifice for Nigeria’s National Gallery of Art in the Federal Capital Territory, Abuja where people can go to see the historical development of Nigerian modern and contemporary arts, enjoy its tourism and leisure assets and educational value for mass literacy, the same way we view the  National Gallery at Trafalgar Square, London as an important British tourism hub housing works of arts dating back to 12th century.

    The proposal for establishing National Gallery of Art was written by art scholars. Its management is ideally an intellectual position but unfortunately it has been left in the hands of those without the requisite education in art and curation against the background of international best practices. This is uninspiring and leaves the (NGA) without a constructive contemporary arts future.

     

    • Prof. Ecoma is Head, Department of Fine & Applied Arts,

    University of Calabar. 

  • LASUED’s transmutation in canvas

    LASUED’s transmutation in canvas

    Head, Fine and Applied Arts Department, Lagos State University of Education, (former Adeniran Ogunsanya College of Education), Otto-Ijanikin, Dr. Biodun Kafaru has said that the department has set a five-year development plan to stabilise arts studies in the university. He said this period will afford the department the opportunity to improve on the quality of its existing human and material resources with a view to creating a unique selling point for its products in the global art market.

    Dr. Kafaru who spoke at a preview session of a maiden group art exhibition titled, Transmutation, organised by the department in Lagos, said the exhibition will feature works by 16 art teachers in the department. The group show will open on December 10 to 17 at the National Museum, Onikan, Lagos.

    “Since I joined the institution, my passion is to create a school of thought for the institution and it is evolving. The exhibition is organised to showcase to the world that the College merited the varsity status. And by the time we are marking the five years anniversary, we should be running the Masters and Phd degree programmes. The department is given the approval to run a BA Fine Arts and B Ed,” he said.

    Dr. Kafaru disclosed that experienced art teachers such as Prof Banjo Abiodun and Dr. Kunle Adeyemi are part of the human capacity of the department, noting that Dr. Adeyemi is being brought in on part time basis for now in order to share his experiences in printmaking.

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    The exhibition is the first outing the department will have as a group host outside of the institution since the days of the college.

    The exhibiting teachers include Dr. Kunle Adeyemi, Dr. Biodun Kafaru, Dotun Oluwa, Jagun Kehinde, Suluka AB, Azeez Rasaq, Rasheed Amodu, Ajayi Noah, Odunsi Adeyemi, Oridola Ibrahim and Shidi Yusuf.

    The exhibits that will be on display include Clarion call, Rehearsal, Unity in purpose, Ori leja…, Meal time, Lagos on show among others. Lagos State Governor Babajide Sanwo-Olu is expected to be special guest of honour while Prince Yemisi Shyllon as chairman of the opening ceremony.

    One of the sponsors of the show is Oba Adeshina Raji, Oniba of Ibaland, Asade 1 is one of the royal fathers of the day.

    According to the organisers 20 percent of the proceeds from the exhibition will be dedicated towards the development of the department.

     

     

    Ozolua Uhakheme
    Assistant Editor (Arts)

  • Net Assessment: A civilian’s experience reviewing counterinsurgency before Military Generals

    Net Assessment: A civilian’s experience reviewing counterinsurgency before Military Generals

    By Yushau A. Shuaib

    Air Vice Marshall Sayo Olatunde, the Commandant of the Nigerian Airforce War College, Makurdi, Benue State, is an excellent host any time I am in the college as a guest lecturer on crisis communication and social media engagement.

    We often discuss extensively on contemporary issues on the hard and soft power policies of the military, as well as the place of the media in psychological operations.

    In October, he requested me to review his new book, “Analytical Frameworks for Applying Critical Thinking To Operational Planning and Resolving Insurgency With Net Assessment.” Since I am a writer, I gladly accepted to write and have the press publish a critique of his very crucial and significant intellectual intervention to the rooting out of a debilitating national malaise.

    A multiple award-wining officer, AVM Olatunde is a member of 39 Regular Courses of the Nigerian Defence Academy (NDA), and he holds a First Class Bachelor of Science degree in Chemistry. His Master’s is in Public and International Affairs from the University of Lagos. He started out as an engineering officer before becoming a pilot in the Nigerian Air Force (NAF).

    This amiable engineer-cum-fighter pilot is very passionate about the utilisation of net assessment in counterinsurgency strategy and operations. Although the notion of net assessment could sound like an economic, financial or political term, it is actually the comparative analysis of military, technological, political, economic, and other factors governing the relative military capability of nations.

    The purpose of net assessment is to identify problems and opportunities that deserve the attention of senior defence officials. In seeking to contain insurgency through net assessment, Olatunde recommends associated analytical tools with a view to promoting anticipatory rather than reactive operational planning and management in the Armed Forces of Nigeria, as a vital anchor of counterinsurgency operations.

    A few weeks after our discussion, I received a copy of the War College commandant’s book, whose Foreword was written by the Defence Minister, Major-General Bashir Salihi Magashi (rtd).

    The highly admirable 337-page book is structured into three sections, comprising, “Harnessing the Potentials of Analytical Frameworks with Critical and Analytical Thinking”; “Resolving Insurgency With Net Assessment” and “Communicating Operational Plans Effectively.” These interesting sections consist of 12 chapters dealing the “Habits of Mind in Critical and Analytical Thinking”; “Techniques for Making Analysis”; “Skills with Analytical Writing, Theoretical Frameworks for Insurgency and Counterinsurgency”; “Overview of Net Assessment and its Methodology in Counterinsurgency”, and “Environmental Scanning.” Also, there are the “SWOT Analysis and Short-term Strategies”; “Scenario Planning and Long-term Generations” and “Communicating Operational Plans Effectively: Avoiding Common Errors in Writing.”

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    Besides the articulate Foreword of General Magashi (rtd.), this vastly insightful book is also commended and praised by the top brass of the military, including Chief of Defence Staff, General Leo Irabor; Chief of Air Staff, Air Marshall Oladayo Amao; Chief of Defence Intelligence, Major General Samuel Adebayo; and Commandant of Nigeria Defence Academy, Major General I.M. Yusuf. The book has been further acclaimed by the Commandant of National Defence College, Rear Admiral M.M. Bashir; the Commandant of the Army War College, Major General B.A. Alabi, in addition to a raft of senior officers, academics and communications strategists.

    As I subsequently congratulated the author on his no mean accomplishment, he informed me of his preparations to present the book to the public.

    “Next week, I will unveil the book at the Army War College, Abuja, and the Defence Minister, Chief of Air Staff and General Buba Marwa (rtd.) have all agreed to grace the occasion.”

    “This is great news”, I replied, expressing my delight at the information given. Then he added: “You have been selected to be the book reviewer at the event!”

    WHAT?!!! I, a reviewer of a book on military strategy and operations on the revered grounds of a military college and in the midst of military generals? I was quite alarmed and attempted to duck this, as I reeled out a catalogue of excuses. AVM Olatunde simply pointed out that a number of officers had actually recommended me as the one to do the review.

    Although I had made presentations in interactive sessions between military/security officers and senior editors in the media, especially in the presence of the current charismatic Chief of Defence Staff, General Leo Irabor and also before the former National Security Adviser, Col. Sambo Dasuki (rtd.), I had then never addressed a purely military gathering.

    I cautiously accepted the invitation on the broader consideration that the book is not a purely military literature but equally a managerial handbook on leadership that can also enhance the critical and analytical thinking capabilities of strategy planners, political office holders and other decision-makers, while equipping them with the requisite competencies for creative problem-solving.

    To guide my review, I checked out the major keywords used in the book, and surprisingly discovered that Boko Haram is mentioned only once, ISWAP twice, and terrorism 17 times in the book. Meanwhile, insurgency is mentioned 217 times; net assessment, 182 times; military, 225 times; government, 212 times; problems, 129 times; and solution/solve (45/62) 107 times.

    In addition, I sought an understanding of the context of application of the operative concepts in the book. When I checked on the notion of ‘insurgency’, which is simply defined as “an active revolt or uprising,” yet a scholar quoted in the book urges that “an insurgency should not be confused with a peaceful demonstration that might evolve into acts of civil disobedience, even if the demonstration leads to riots, looting, destruction of property and physically challenging law enforcement.”

    Quite interestingly, I was to find out that some scholars categorise insurgency on the basis of goals. In fact, some of them offer descriptions such as revolutionary, reformist, separatist, resistance and commercialist insurgencies, among the utilisation of other seemingly positive and sweet nomenclature. These categorisations made me wonder under which categories the activities of IPOB operatives, Oodua nationalists, Boko Haram members and even EndSARS protesters would fall into within this sort of methodology.

    A day to the event, I was reminded that the Chief of Air Staff and NDLEA Boss would be gracing the occasion! Hence, that night, I slept with the book and my laptop on both sides of the bed… I had sweet nightmare, while intermittently waking up, reading and typing.

    In this book, AVM Olatunde lists and explains how the military and non-military components could be deployed for counterinsurgency strategy and operations.

    On the military components, the author points to: the quality leadership of the military; tactics and strategies; military intelligence; troops’ behaviours; air and naval support to the ground troop; civil-military relations; and the popular militia, which I believe could be similar to Civilian JTF in the North-East.

    Meanwhile, the non-military components of counterinsurgency activities include police operations, civilian intelligence, psychological operations (media/information), political framework, improvement of rural conditions (soft-approach programmes) and legal reform, which can include special laws and regulations specifically designed to counter and suppress insurgency.

    I slept off again but quickly woke up thereafter. To beat the vehicular traffic on the roads, I left home very early in the morning and arrived the venue at exactly 9 a.m. and was the first person to register at the event. I used the ensuing time to assess the hall and the seating arrangement.

    “Today Na Today!” I breathed gently.

    I checked my presentation over, and again, while considering the likely comments to make outside the text. I thought about the books that my organisation had produced on “Boko Haram Media War: An Encounter with the Spymaster,” as well as “101 Fake News on EndSARS,” which won Africa and Golden World Awards, and whether these could excite the audience.

    While ruminating on the form that my opening remarks should take, the arrival of General Abubakar Ndalolo of the Office of the National Security Adviser (ONSA), Dr Peter Afunanya of Department of State Services (DSS), and AVM Kingsley Lar (rtd.), the immediate Chief of Administration in the Air Force, disrupted my thoughts.

    After exchanging pleasantries with some of them, I retreated to the extreme end (backstage) of the hall to reexamine the major contents of the new book to be unveiled. I am aware that there are some analytic frameworks employed in decision-making processes in the Armed Forces of Nigeria, with the common ones including problem-solving techniques, the estimate process, campaign analysis, joint operational planning, and strategic estimate.

    While there are many books on these frameworks, the emphasis in Air Vice Marshal Olatunde’s book is not to repeat what is already out there, but on how to make effective use of them through the application of critical and analytical thinking skills.

    Olatunde therefore reinforces the seven positive critical thinking habits, comprising truth-seeking, open-mindedness, analytical reasoning, systematic analysis, confidence in reasoning, inquisitiveness, and judicious approach to problems for plausible solutions.

    I could then hear the voice of the MC asking us to rise up in respect at the arrival of the Chief of Air Staff, Air Marshal Oladayo Amao; Chairman of NDLEA, Brigadier General Buba Marwa (rtd.); Major General A T. Jibrin, representing the Minister of Defence, and other top military officers from the Army, Navy and Air Force.

    As the national anthem was being rendered, I quickly scanned the venue again and realised that more than half of the audience were serving and retired military generals.

    “Please can the book reviewer come forward,” the MC rang out through the microphone.

    As I strutted towards the place reserved for me, I noticed on the front row seats, my uncle, retired General Wahab Garba who is the Director General of the Nigerian Army Resource Centre (NARC), alongside Air Commodore Darlington Abdullahi (rtd.), the current President of the Alumni Association of National Defence College, Nigeria, who beamed an encouraging smile at me.

    The tools of the paparazzi, the cameramen, which momentarily took the form of AK 47 rifles, appeared so intimidating as they took my pictures and videos even after I sat down.

    General Buba Marwa made a very articulate opening speech, which reinforced the author’s perspective on critical and analytical thinking, involving the questioning and reflection upon ideas. An author of many military books, Marwa reiterated the argument that military officers and decision-makers are expected not only to understand what they read or hear but also to dissect, question and assess such things. He consequently exhorted military officers to write books such as Olatunde’s.

    Even though he offered some perspectives on the book, like the professional that he is, he summed up that, “I am very sure that our distinguished reviewer and writer here will do justice to the book when he come on stage.”

    For me, if Marwa had elaborated any further, I would have used that as an excuse to inform the audience that the NDLEA Chairman had already done the book review, after which I would just thank him and return to my seat.

    Immediately the MC finished a citation on the author, AVM Olatunde, he called me to mount the podium. I thereafter looked to the left, right and centre and saw ALL eyes trained on me across the military colour spectrum – white, green, dark blue – as if I was facing a firing squad.

    Luckily enough there were many good faces that I could look into to brace up and energise for the task called on to. I started by publicly acknowledging the NDLEA Chairman for the opportunity of still being regarded as a reviewer, despite the excellent appraisal of the book and its crucial themes he had already done.

    I then set off by generally agreeing that the pervasive insecurity in the country calls for the need to think outside the box to resolve it effectively, through a renewed emphasis on critical and analytical thinking at the individual and institutional levels.

    I reiterated the fact that there is need to reconsider the strategy currently being employed in prosecuting the counterinsurgency campaigns, as the troops tackle violent social unrest evolving from restive youths, coupled with the internal aggression of bandits, terrorists, and militias, among diverse criminal elements.

    As a security and crisis communicator, I emphasised my conviction that Air Vice Marshal Olatunde’s work will go a long way in equipping commanders and leaders with the know-how to proactively resolve insurgency through net assessment, in a manner that enhances our national security. And more profoundly, it will boost their capacities for the effective communication of operational plans in both verbal and written forms.

    In the end, this ‘bloody civilian’ managed to speak to counterinsurgency in Nigeria in a manner that drew the applause of military Generals.

    Yushau A. Shuaib, Author of An Encounter with the Spymaster and Award-Winning Crisis Communication Strategies

  • Colours of Afrobeats adorn ArtMiabo festival

    Colours of Afrobeats adorn ArtMiabo festival

    After making a success of its debut outing early this year, ArtMiabo International Art Festival (AMIAF) returns for the second edition in more inclusive creative contents, writes Edozie Udeze

    CEO/Founder, Miabo Enyadike disclosed that the colours that connect visual arts and Afrobeats music is the pedestal on which the creativity of the second edition will be mounted. During a preview for the second edition of AMIAF, in Lagos, Enyadike recalled how the 2022 event, which featured visual artists from Africa and Europe has inspired, not just the organisers, but participants too as well as visitors. The last edition themed Remake the World and held at Ebonylife Centre, Victoria Island, Lagos, featured 24 artists from Africa and Europe. Among the galleries representation of artists in the last edition were those from France and South Africa.

    Enyadike announced Art in Afrobeats as the theme For the 2023 edition. She expressed satisfaction that the last edition has been of tremendous experience, noting that the dynamics of the culture environment, in general cannot be left out of visual arts. Enyadike explained that the theme of AMIAF 2023, is to celebrate Afrobeats, as a proudly Nigeria’s big music export to other parts of Africa and the world in general.

    “The theme is Art in Afrobeats, celebrating the popular music genre from Nigeria that’s making waves not just across Africa, but outside the continent,” Enyadike stated with enthusiasm and high hope. Noting that as a music genre, Afrobeats which was made popular by late Fela Kuti, still “has its colours of which exist abundantly in fine art. and this is exactly what the artists will be exhibiting at AMIAF 2023.”

    Enyadike said: “The 2023 edition, holding on 27 April-May 1, 2023, at Ebonylife Centre includes a workshop on the theme of the art festival. Again, the yearly AMIAF features 24 artists from different parts of the world as well as others inspired by Afrobeats, Enyadike said. “We are hoping to exhibit Art that has Afrobeats feel; something that radiates street expressions and reflects the vibrancy of the Afrobeats music genre.”

    At the preview, Enyadike also used the occasion to unveil the curator of AMIAF 2023. “Yusuf Durodola is the curator of ArtMiabo 2023 and he will be bringing in a youthful fresh multi-diverse art energy into the festival. He will have full creative licence and support from ArtMiabo.

    “As curator, Durodola will oversee artists participation, graphic design, exhibition layout and all that is necessary to create an international art exhibition experience.” She assured that managing the creative contents of AMIAF 2023 is safe in the hands of Durodola, who is a performance and video artist.

    Durodola’s work as the curator of the festival, perhaps, would be easier based on his experience as an artist who has made input at different levels into quite a number of exhibitions. The curator also exhibited at the first edition of AMIAF early this year.

    “It’s a privilege for me to be the curator, particularly being an artist and knowing that the show is all about fine art,” Durodola said excitedly. He noted that the contents of AMIAF 2023 is fine art, but agreed that, “yes music is the influencer.”

  • How cultures and gastronomy boost tourism

    How cultures and gastronomy boost tourism

    The panel of discussants did not hide the core issues of cultures and gastronomy as the most appropriate indices to ginger tourism. This was at the just concluded United Nations World Tourism Organisation (UNWTO) Global Conference in Nigeria. Discussants came from different nations, professions and backgrounds all involved with the tourism business world-wide. Edozie Udeze reports.

    The most intriguing part of the just concluded United Nations World Tourism Organisation (UNWTO) Global Conference, was the meeting of the key players in the sector.  At the panel discussions most of the salient issues affecting the tourism business world-wide became topical to the discussants.  On the panel were: Alhaji Lai Mohammed of Nigeria, Herve Abimbola, Minister of Culture and Tourism, Benin Republic, Siandou Fofana, Minster of Culture, Ivory Coast.  Others were, Chef Caco Rainarhi from the Congo Democratic Republic, Serifo Jaquita, a Human Development Coordinator and Sven Leivaag, Vice-president of AMADEUS.

    Most of the issues tackled revolved around gastronomy, effects of covid 19 on tourism, roles of cultures and heritages in making tourism more marketable and lots more.  The current levels of the development of tourism site, in certain countries and what different countries do to accelerate policies towards making tourism one of the highest revenue earners dominated discussions.  Beyond that however, other countries like Togo, Gabon, Ghana, Sierra Leone, and others who were in attendance drew attention to the ever relevant issue of gastronomy.  Gastronomy, the food culture aspects of the tourism business constitutes one of the main core values of tourism potential, tourism hub.

    With the proper food culture by a host nation, tourists tend to feel more at home.  The discussion even went ahead to situate the next meeting of UNWTO forum on gastronomy tourism which will take place soon.  Emphasis was placed on the importance of foods because it is one of those main reasons why people love to travel, mix, exchange visits in different parts of the world.  This is why you’d always hear a tourist say – ‘oh the country I visited provided me with some of the best food entertainment ever’.  So, the culture of food, the habit of providing the best cuisine, entertainment to a visitor cannot be separated from the tourism business.

    As the discussants tackled some of these troubling issues, it became clear that without culture properly preserved, developed and promoted, tourism is almost meaningless.  Culture and all its properties will always form the basic part of tourism.  People visit other climes to experience strange issues, ideas that are not present in their own environments.  This is where the intrigue lies.  It is that strange aura of seeing and experiencing what is new and foreign to you that makes tour and travelling stimulating, fascinating and ever afresh.

    Mohammed was more intrigued by the harvest of dances by Nigerian troupes that thrilled guests.  “What we watched here a few hours ago”, he teased, “is one of the core values of culture tourism”.  Inside dances, you have some of the messages espousing what the people believe in.  Apart from its therapeutic effects, dances, cultural displays and performances energise and stimulate nerves.  In fact, it is fondly referred to as tangible tourism.  In it, people do not only see and appreciate the value of what they have, the advantages are huge.  As people come and go, travelling round the globe for one reason or the other, it is important to see in it all that tourism is a contact point of diverse people.

    Here it is proper to identify the ingredients of travel tourism.  What is the purpose of this?  Countries, in adopting or applying policies must aspire to inculcate friendly ideals that appeal to visitors.  They need to apply policies that are tolerable, easy for other peoples to understand in order to see reasons to patronize their tourist sites.    In doing this, however, Mohammed agreed that public and private sectors partnership with the government is absolutely necessary.  “Government must be ready to create an enabling environment that will help the sector operators to function well”, he said.

    In addition, the panel took a swipe on education.  The Congolese, Caco, insisted that for tourism to rise from the level of mundane, government must create conducive atmosphere for people to go to school.  “Yes”, he said “we need people with sound education to be able to practice, promote and encourage tourism.  Tourism in whatever guise is not for illiterates.  So also is the issue of foods.  What we eat says a lot about who we are.  Food is what defines a people.  In Africa, for example, we love foods; we take time to prepare and cherish what food we have.  Therefore for us to develop millions of tourism businesses, the urgent need to open people to the appropriate food culture, sound education and more has become necessary”.

    In terms of security, experts harped on the role of government to do so without delay.  In the areas of roads, good hospitals and others, they called on governments all over the world to do the needful to encourage the sector to function better.  In doing this, Nigeria’s Mohammed, explained that the government should not be emotional about it.  Government should not be too emotional when it is called upon to provide the necessary things to ensure that people feel at home, to travel, to visit and interact and socialize with one another.

    It was clear nonetheless that countries share some certain situations and experiences.  For instance, it is not clear yet how some local people have been educated enough to cherish, and promote their local crafts and heritages for tourism business.  It is clear somewhat that most people are yet to understand the intrinsic value of the local art materials at their disposal.  So it all boils down to enlightenment, proper exposure to enable them appreciate what they have.

    Also the role of digital technology was highlighted.  As it is today, technology has made information not only quicker, but more easily available to the public.  With enough digitalized materials, tourists now assess whatever information they need to move on.  It is proper as well for countries to provide proper and accurate information to make it easier for people to come to terms with what they need whenever they want to travel out.

    Topical to the panel also was the issue of having the right frame of mind by tour operators.  Tour operators have to be well trained on how to adequately treat visitors.  However, it was unfortunate that as this discussion was going on the ushers elected to handle the issues of the distribution of the conference kits did not want to share them equitably.  Apart from hoarding them and often giving them out to those they were favourable disposed to, most people did not get the bags or writing pads.

    Yours truly did not get either the bag or the writing pad.  And it has been made clear that some of the remaining kits have been traded.  With this sort of unfortunate attitude, how does tourism become free from acrimony?  Away from that, the private security personnel employed by the ministry to handle guests did well.  They displayed deeper sense of decorum.  They handled guests with respect and courtesy.  Where necessary they guided people with caution and dignity.  At least there were no recorded cases of undue molestations or harassments.  This also spoke volumes about the urgency Nigeria attached to the United Nations World Tourism Organisation (UNWTO) Global Conference held at the iconic National Theatre, Lagos.  It was all’s well that end well.

  • New book on leadership and organisational politics out

    New book on leadership and organisational politics out

    A new book to help position leaders in corporate and non-corporate spaces as well as help employees and managers navigate through organisational politics has been launched.

    Titled: Leadership and organisational politics: How to win office politics and thrive in a competitive environment, the book sets out to equip those who want to lead in their fields with principles of effective leadership with practical examples.

    Written by Toye Sobande, who is the Lead Consultant and President of Stephens Leadership Consultancy LLC, the book discusses personal leadership, organisational conflicts , workplace politics and leadership growth.

    Sobande, who is a lawyer and public speaker, said : “Politics plays out in every area of human endeavour. Wherever there are two or more people, there will be politics and as a direct result, conflict is inevitable.

    “Differences in personality, leadership style, culture, and value system make this so. Accordingly, personalities will often clash in organisations where this diversity is inevitable. However, individuals, I mean leaders, can manage clashes effectively.

    “Like it or not, no office or organisation is free from politics. Man is, by nature, a political being. Thus, he is innately wired to compete, so, naturally, there will be politics, competition, and conflict between two or more people.”

    The 254-page book is intended to be a reference material for people who want to gain valuable insights into improving their leadership effectiveness while effectively managing organisational politics and conflicts.

    The author noted that the book fills an important gap in the literature on leadership development programmes in organisations. “Most of the existing literature omits lessons on leadership conceptions of followership; the focus is on educating, training, and developing the leader, not the follower, the superior, not the subordinate.

    Read Also: Simms announces new book

    “Also, most leadership development programmes fail to reckon that leadership is a process of influence that involves an ongoing transaction between a leader and followers. Each of whom was likely to shift from being in the role of a leader to being a follower.”

    He further stressed that the key to effective leadership is building a harmonious relationship between leaders and followers. While most attention is given to the leader, leadership depends on more than one person to achieve group goals.

    “Therefore, the followers and the leader are vital to understanding leadership development as a process. Thus, the book considers leadership development from a follower’s perspective and attempts to provide answers to relatable questions, ” he declared.

    On the style of presentation, Sobande who is also the Executive Director of the African Leadership Journal, said the strategies and principles are delivered practically with a blend of storytelling and case study analysis to deliver its message, taking its readers on an immersive journey through personal leadership and organisational politics.

    This book will equip readers with the principles of effective personal leadership while gaining insight into the application of personal leadership principles as a strategy to navigate organisational politics.

    Sobande holds a Doctorate in Strategic Leadership from Regent University, Virginia Beach, USA and is also the author of “The Leadership Myth: Why Leadership Principles Do Not Work in Sub-Saharan Africa.” He is a Certified Management Consultant and a Fellow of the Institute of Management Consultants.

  • Remo celebrates monarch with golf tounament, others

    Remo celebrates monarch with golf tounament, others

    Yuletide celebrations will start early for the people of Remo, as the entire Remoland with headquarters in Sagamu, Ogun State, will be agog from the first week of December, with the celebration of the fifth coronation anniversary and 60th birthday celebration of its paramount ruler, the Akarigbo of Remo, Oba Babatunde Adewale Ajayi.

    The celebrations, which will commence from Friday, December 2, will span seven days of activities to climax on Sunday, December 11.

    The chairman of the planning committee for the twin celebration, Otunba Seni Adetu, said: “The double celebration is not just to socialise and make merry. Our intention, in addition to all of that, is to showcase Remoland, most especially the laudable achievements of our dear Akarigbo in the last 5 years of ascending the throne of his forebears. We also want to use this opportunity to reveal some projects that give insight into the endless/limitless possibilities that abound in Remoland. Apart from the completed projects, we have some that are work in progress, as well as those categorised as short, medium, and long term projects targeted at meeting current and future needs of Remonians.”

    Unveiling activities lined up for the week-long celebration at a briefing with selected journalists at the sprawling Akarigbo palace in Sagamu, Adetu stated that there will be a commemorative Islamic prayers on Friday at the Sagamu Central Mosque. On Saturday, December 3, the youths of Remoland will converge at the Remo Stars Stadium Ikenne for what promises to be a fulfilling Sporting Day. This will be followed by a dedicated Thanksgiving service for Kabiyesi at St Saviour’s Church Ikenne on Sunday December 4 respectively.

    Monday, December 5, His Royal Majesty’s birthday will be celebrated at the Akarigbo’s Palace.

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    “As Wednesday, December 7, marks the exact day five years ago when he ascended the throne, Social Clubs and Remo people are expected to participate in a homage-paying ceremony with a cultural display to honour the Akarigbo on that day.

    The Akarigbo Golf Tournament enters its fourth year and has been integrated into the coronation anniversary ceremonies. This will hold on Friday, December 9 at the Lafarge Golf Course, Sagamu.

    The coronation anniversary will come to a beautiful close with a grand reception for the Akarigbo with dignitaries from the government, corporate organisations, the diaspora and the diplomatic community in attendance on Sunday December 11, with the famous Master Guitarist, King Sunny Ade at the Band Stand.

    For the record, Remoland is situated in the Southwestern part of Nigeria. It has three out of the 20 Local Governments in Ogun State. t is bounded in the Northeast by the Ijebu North Local Government of Ogun State and Ago-Iwoye villages. It is also bounded in the North by Obafemi Owode LG of Ogun State with Owode Egba.

    The committee also highlighted the strategic location of Remoland, the friendliness of its people, citing the various businesses that have made the area their base, and inviting prospective businesses.

    A short video showcasing the potentials of the community was also played to further give the media and the business community an idea of the people’s friendliness.

    The committee includes chairman, Otunba Adetu; Asiwaju Solomon Onafowokan; Aare Kola Oyefeso; chairman, publicity sub-committee, Princess Adenike Adedoyin Ajayi; Olori Olubukonla Osiberu and head sub-committee, Mr. Wole Ogunsanya, an engineer.

  • Nigerian artists dominate ballpoint pen contest

    Nigerian artists dominate ballpoint pen contest

    As Art Master Africa Competition by BIC Plc gets winners for this year’s edition, Nigerian ballpoint pen artists dominated the contest. Under the theme Celebrating Africa, it encouraged artists to create artwork that represents their personal identity and their unique perceptions of the African continent and its diverse cultures using the BIC ballpoint pen.

    BIC has long been connected to art and regularly celebrates the creativity and originality of talented individuals.

    This year’s Nosakhare Igbinosa’s for portrait entitled: “Bona” won first place. Hezekiah Okon for portrait titled “Proudly an African”, second; and Moses Ojeleye for portrait titled “Amaka”, and Dumbor Debeeh for portrait “Echoes of joy” came third place. Okon for portrait titled “Proudly an African” is the  national Nigerian winner.

    Winning pieces were chosen out of 6,574 pieces submitted, marking a significant increase from last year’s. The art pieces were selected by a panel of judges which comprised experts from BIC, artists from the region, and previous editions of the contests.

    The national winners across Africa were the following: “Celebrating Africa in Harmony with Wildlife” by Maiku Fred (Uganda); “African Culture portrait” by Griffin Lundi (Kenya) “Imwe hamwe na Kamere (One with Nature)” by Romeon Mwiseneza (South Africa); “Mother Africa” by Essadik Laila (Morocco) and “Africa with my pen” by Mouhamed Boudhri (Tunisia).

    The Art Master Africa winner received a prize of $2,000, while second and third place winners received $1,000 and $500. National winners got $500 each as well as BIC hampers.

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    Winners in Nigeria were celebrated at an event in partnership with Alliance Française de Lagos. A BIC Art Master Africa art exhibition kicked off at the Alliance Française de Lagos, which opened last Wednesday and runs until the December 12, 2023. At the event, a panel discussion, moderated by Jola Ayeye (host, writer, and storyteller), on building a sustainable art career in the African art industry took place. In presence of Claire Idera, Visual Artist, and Influencer; Fola David,

    General Manager art in Nigeria Guillaume Groues said: “In its fifth edition, Art Master Africa continues to shine a light on ballpoint pen artists as they express themselves through creativity. Our flagship contest has seen tremendous growth year-on-year with higher participation numbers especially from Nigeria. We are proud of the platform that we have created for Nigerian youth and of the phenomenal artwork produced. This year’s results  are a testament to Nigerian youth’s creativity and dedication to the art industry.”

    Expressing his delight, Director Alliance Française de Lagos, Marc Brebant, said: “Alliance Française de Lagos is delighted to host at its premises, the first-of-its-kind BIC Art Master Africa exhibition. Alliance Française and BIC share a mission that aims to promote art, culture, and education amongst youth. The quality of the artwork produced by the ballpoint pen artists is impressive. BIC has been a part of everyone’s childhood and it’s refreshing to see that the brand continues to be a part of people’s lives through various passion points.”

    Igbinosa  expressed his delight: “I am ecstatic about winning first place in the 2022 edition. This is my third attempt at applying for the renowned ballpoint pen contest and I am grateful for the achievement and for BIC, a platform for self expression through art and creativity.”

  • Portrait of an uncommon Nigerian

    Portrait of an uncommon Nigerian

    Book review

    Title: Asiwaju Bola Ahmed Tinubu in the eyes of Nigerians:

    Authors: Waheed Obomeghie
    and Dan Amor

    Reviewer: Prof. Ayo Banjo (CON)

     

    Emeritus Professor of English Ayo Banjo (CON), the man who wrote the introduction to the book, is not struggling for his place in the sun. As far as the world of English language is concerned, he is The Sun itself. Prof. Banjo, the only one to be the Vice Chancellor of the Premier University of Ibadan for two terms is certainly the largest and most crucial literary critic in the English language since the divine Walter Pater, the divine Oscar Wilde and the divine Northrop Frye. Prof. Banjo summarised a book, one of the best written biographies in human history, second only to the biography of Dr. Samuel Johnson, the dictator of the English Literary Club of his time, written by his bosom friend, James Boswell, into one piece.

    The foreword to the book was signed by no less a personality than Mike Abumere Ikhariale, a first rate Professor of Constitutional Law and was one of the best Nigeria has ever produced, who became a professor of distinction at 32. The book which is a compendium of the views of notable Nigerians from all walks of life, on Asiwaju Bola Ahmed Tinubu, was co-authored by Wajeed Obomoghie and Dan Amor, two distinguished Nigerian journalists and world-class writers of note.

    Whereas Wajeed Obomoghie is a national bibliotherapist who has written many books on the origin and tribal wars of his people, Dan Amor, is a culture journalist who has published many professional books to his credit. Asiwaju Tinubu, the subject of this already controversial biography, is a notable Nigerian politician who can squeeze water out of stone.

    Admire or fear him. But you can’t ignore Tinubu, except you do that at your peril. No matter where you are, he influences your life through the political leaders that he has made; through the newspaper, television and radio houses that he has built over the years. He is, perhaps, Africa’s most successful politician and business baron. The story of his political exploits, as put together by these journalists and culture experts, is the story of the century.

    Tinubu used his overwhelming influence to buy into the media industry in Nigeria because he knew long ago that there is an endless possibility in this age of communications. In this book, about 400 Nigerians of all walks of life talk about the possibility of Tinubu and a new Nigeria.

    The co-authors or co-editors, Dan Amor and Wajeed Obomoghie, as students of historical literature, convinced that history is in art, not in science, have underlined the importance of Marx’s artful use of language, Carlyle’s gift for capturing the flow of history in time, Gibbon’s humour and his creation of a benevolent conspiracy between the reader and himself, Macaulay’s ability to propel inert facts into motion, and the literary artistry of other great historians.

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    In the book, the co-authors show us how they create suspense among the over 400 commentators on Tinubu and how they feel like actual participants in all the actions Tinubu has taken all through his busy and active life. The authors did not only create suspense but balanced background and foreground. The book of about 60 chapters, opens with President Muhammadu Buhari who calls Tinubu a political strategist without whom, there would not have been APC and the ruling party would not have been in power.

    The book ends with the remarkable remark by Senator Oluremi Tinubu, who said that it was the husband’s “kind eyes that attracted me.” For the president’s wife, Dr. Aisha Buhahi, Tinubu is “a politician above personal interest.” For el-Rufai, the Executive Governor of Kaduna State, Tinubu remains the best for Nigeria Whereas the Vice President, Prof. Yemi Osinbajo describes Tinubu’s years in politics as Tinubu’s “remarkable decades, for President Olusegun Obasanjo calls Tinubu “a thorough- bred politician of masters class.” Former President Goodluck Ebele Jonathan described Tinubu as “an exceptionally fulfilled man.”

    Declaring that Asiwaju Tinubu wouldl not disappoint Nigeria, the Ooni of Ife enthused that “Asiwaju’s relevance is not in doubt.” The co-authors examine as well, the pudding molds employed by Victian historians to interpret the past and classics of historical writing, such as G.M Young’s Portrait of an Age and hod how G.M. Trevelyan continued the tradition of The historian as literary artist and examines Herbert Butterfield’s concern with the use and abuse of the past. He describes the threat to the art of narrative history brought on by the complexities of social history and he parodies the misplaced use of computer techniques in current writings. These comments, both incisive and amusing, convince the reader that the works of the great historians not only supply part of part of a true education but are also the source of great of great continuous pleasure.

    The co-authors, great students of history and historical literature, have written one of the best books in modern scholarship. No partial reading of the book is enough. Asiwaju Bola Ahmed Tinubu In The Eyes Of Nigerians: Portrait Of An Uncommon Nigerian, is therefore an idea whose time has come. It is supposed to be in all libraries and private book shelves in Nigeria.