Category: Arts & Life

  • Eko Nafest 2022: Lagos is ready

    Eko Nafest 2022: Lagos is ready

    Twelve days to the opening of this year’s National Festival of Arts and Culture (NAFEST), Lagos State Government has confirmed its readiness to host a memorable festival that will be difficult to surpass. Assistant Editor (Arts) OZOLUA UHAKHEME reports.

    he rot that defaced parts of the National Institute for Sports, National Stadium, Surulere, Lagos for the past 25 years has given way to renovated facilities. No thanks to the intervention of Governor Babajide Sanwo-Olu of Lagos State, who rehabilitated parts of the sporting facilities as venue for this year’s 35th edition of the National Festival for Arts and Culture (NAFEST) slated to hold between November 7 and 13.

    Sanwo-Olu directed that nothing should be left to chance in the hosting of Eko Nafest at the once-famous soccer destination.

    Lagos State Commissioner of Tourism, Arts and Culture Uzmat Akinbile-Yusuf assured that preparation for the 35th edition of National Festival of Arts and Culture, dubbed Eko Nafest has reached 99 per cent while appreciating Sanwo-Olu for the moral and financial support towards a successful hosting of the festival.

    From security to transportation, accommodation and sundry logistics commitments, Akinbile-Yusuf disclosed that Lagos State was ready to host an unforgettable festival.

    “We are excited and can’t wait to welcome Nigerians from all works of life to our city of aquatic splendour and excellence.  We shall more than bring glamour to this iconic festival, with a special outing of Eyo masquerade. And believe me, the opening ceremony slated for Onikan Stadium, will unveil the full entrainment entrapment ever seen anywhere,” she noted.

    She assured that Lagos would make a significant difference to Nafest, which Lagos last held in 1988.

    The renovation of the rest rooms, lighting, and cleaning of concrete seats that service two-mini sports venues at NIS complex, has given needed fresh breath to the hosting of the festival.

    She said Sanwo-Olu had promised to make this year’s NAFEST a festival to beat in the next 10 years. She noted that the facilities on ground showed that the governor meant business.

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    According to her, the accommodation that has been provided by the Sanwo-Olu-led government, can accommodate the participating states, as the number keeps on increasing by the day.

    She added that apart from the facilities visited at Bariga Area, there were other facilities earmarked by the state for the participants but that the Lagos State NAFEST team was waiting for them to register and know the numbers.

    “Lagos State is 100.1 per cent ready as the host state for the 35 edition of NAFEST. The Governor of Lagos State, Mr. Babajide Sanwo-Olu has promised the nation that he is going to keep this year’s edition of NAFEST as a story that will be very difficult in Nigeria to beat in the next 10 years. With what you saw today it is clear that Lagos State is not just saying it by words of mouth, but it has put it into action. Like the first place we visited, Lagos State has been able to rebrand our iconic National Stadium and today it has become a new edifice that all of us as Nigerians can be proud of.

    “He actually asked all agencies of government that will participate in NAFEST to roll up their sleeves.  We are all here not only the Ministry of Tourism that is the hosting ministry, the LASTMA, Neighbourhood, security agencies and everybody we are all ready to host the nation.”

    Speaking to reporters shortly after an inspection tour of facilities, Director-General, National Council for Arts and Culture, Otunba Segun Runsewe, said with the quality of facilities he saw, the state was fully ready to host the 35th edition in a unique manner, typical of its name. He added that with the facilities, Nigerians should brace up for a surprise package, that would be one of its kind.

    On the level of Lagos State Government’s preparedness for the festival, Runsewe said when he toured the facilities, he never believed that the quality of facilities he saw could be found in Lagos.

    “Basically, when I was asked to come and visit some of the facilities in Lagos State, I thought it was a joke. I came first with the Permanent Secretary and then the later Commissioner of Tourism with the team, and I could not believe there is this kind of facility in Lagos State. Firstly, there is an upgrade to the standard of receiving delegates. You can see some of the rooms are air conditioned and the quality of toilets.

    “For me Lagos State is ready to spring a surprise and I see the Governor of Lagos State, Mr. Babajide Sanwo-Olu as a governor, who matches his words with action and is fully ready to receive the country.  Lagos State is fully ready to host NAFEST. The commissioner just told me that there will be an entertainment city, medical centres among others. I am still waiting till next week to see these things come to reality but as of today Lagos State is over 85 per cent ready.”

  • NGA’s retreat explores management skills

    NGA’s retreat explores management skills

    The changing dynamics of the 21st century requires managers with a modern mindset in the work place. They must be agile, proactive, analytical, self-directed, problem solvers, team players and technologically savvy.

    These were the highpoints of a two-day retreat organised by the National Gallery of Art in Abuja.

    Speaking on the topic, Traits of the 21st Century Leader, the Managing Consultant, Prime Functions Consultants, Mallam Garba Ganger, said the 21st century required managers who should encourage strategic thinking and innovation, cross-cultural communication and inclusion, ethically minded with large appetite for knowledge acquisition.

    “You cannot learn without unlearning,” he said, adding that learning keeps your mind out of misconception and bias.

    He lamented the lacuna in the public service today of problem solvers, data analysts, numeracy experts, hi-tech professionals and self-directed learners to cope with the times.

    “The world is changing. We are not changing as fast,” he noted.

    He was optimistic, however, that the knowledge acquired at the retreat will afford National Gallery of Art the opportunity to fill the identified gaps.

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    On his part, Prof. Tonie Okpe, who spoke on Coaching and Mentoring for Peak Performance, said mentorship provides employees with the opportunity to develop and become more competent in their roles as well as prepare for growth in the future while “coaching, encourages communication, reflection, and self- correction as well as helping to develop a more confident workforce with the right skills to perform.”

    Managing and Consultant, Rockedge Consulting, James Bulus, gave illuminating insights on Succession Planning” and Team Building for Organisational Productivity. On succession planning he said “you need to identify and understand the developmental needs of your employees and ensure that all key employees understand their career paths and the roles they are being developed to fill. You need to focus resources on key employee retention.  You need to be aware of employment trends in your area to know the roles you will have a difficult time filling externally,” he said.

     The Director-General, NGA, Chief Ebeten Ivara, in his opening address challenged the participants to take advantage of the retreat “to think deeply on how NGA can move forward.” 

  • Artists make case for mental health

    Artists make case for mental health

    Fifteen Nigerian artists under a not-for-profit organisation, The Art of Healing (TOAH), have teamed up to raise awareness on mental health.

    With the theme: “We See; We Dream, We Hope”, TOAH held an exhibition in partnership with Alliance Française de Lagos, which  ended yesterday.

    The exhibition, the organisers said, was part of a charity project that aimed at reaching people with mental health disorders across Africa, through art as a form of therapy.

    They added that it also served as a fundraiser to enable the project completion at the Lagos University Teaching Hospital (LUTH) and to refurbish the interiors of mental health institutions in Africa.

    It featured the works of Akanimoh Umoh, Deborah Segun, Edozie Anedu, Gerald Chukwuma, Kelani Abass, Kwadwo Asiedu, Nengi Omuku, Nzubechukwu Ozoemena, Olayemi Fagbohungbe, Olumide Onadipe, Niyi Okeowo, Richardson Ovbiebo, Roanna Tella, Tega Akpokona, and Yadichinma Ukoha-Kalu. It will be curated by Tony Agbapuonwu.

    According to the TOAH founder Ms. Nengi Omuku, the pandemic had contributed to an estimated 25 per cent global rise in depression and anxiety, hence, the exhibition was to create awareness about unnecessary stigmatisation of people living with mental health conditions. She has installed four murals in the ward and engaged service users and staff in a series of therapeutic art workshops.

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     “It would be recalled that earlier in the month, World Health Organisation announced that more than 116 million people were estimated to be living with mental health conditions across Africa even before the COVID-19 pandemic. Mental health patients need all the help they can from the government and all sectors of society, and we’re pleased to step in through the arts. We help people in challenging circumstances by painting hospital rooms with art created by leading contemporary artists to provide wholesomeness and hope and generally improve their experience as patients. TAOH took on its first project at the Lagos University Teaching Hospital (LUTH), where it is working on transforming the interiors of the Psychiatric ward into one that would become the benchmark for other healthcare environments across the African continent. We are targeting the minds of mental health patients through what they see by creating an environment that helps them heal. We thank our partners and artists for their support and invite art enthusiasts and members of the public to be part of a worthy cause,” Ms. Omuku said.

    Asiedu, a Ghanaian who has lived in Nigeria for 29 years alluded to the fact that these individuals in question are no different from everyone. According to him, this opportunity will serve as a way to probe the importance of the arts to mental health. He said: “I feel like this is a great opportunity to assess how we can further explore how art can be very good for patients. For me, these experiences are highly enlightening. I find it quite interesting that they (patients) are no different from us. They have hopes and dreams and aspirations. So this is a great opportunity to further delve into how we can see and document over an extended period how art can work as a form of therapy within these institutions.” 

  • 105 artworks for LIMCAF Festival in Enugu

    105 artworks for LIMCAF Festival in Enugu

    No fewer than 105 artworks of various compositions will be showcased at the grand finale of the yearly national Life In My City Arts Festival (LIMCAF) exhibition in Enugu, the Art Director of LIMCAF 2022, Dr Ayo Adewunmi, has said.

    Adewunmi stated this at a briefing in Enugu to mark the beginning of this year’s festival taking place between October 13 and 29     with the theme: “Paradox of Muted Echoes”.

    He noted that the yearly national art festival, which promotes young art talents, had empowered more than 1,500 young artists across the country for social and national development since inception.

    The art director noted that the LIMCAF 2022 Arts Exhibition in Enugu would be gorgeous considering the quality of art entries and support received from MTN, Ford Foundation and some individuals.

    “The overall winner of this year’s festival will smile home with N500,000; best painting/mixed media/drawing gets N250,000; best sculpture/installation art – N250,000 and best ceramics work – N250, 000.

    “The best graphics/digital art will go home with N250,000; best photography/video – N250,000; best textile art/fashion – N250,000 and consolation prizes as well as endowment prizes from individuals and family ranging from N200,000 to N100,000.

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    “LIMCAF is the biggest youth art event in Nigeria featuring visual art competition, festival lectures, school children’s and art teacher’ workshops as well as multimedia workshops.

    “The gala and award night is the climax of the festival in Enugu, Nigeria in October every year; and this year will be held on October 29,” he said.

    Adewunmi revealed that for over 15 years, LIMCAF Art Exhibition had sustained a pan-Nigeria art through the annual competition that offers young people an avenue to showcase and commercialise their productions and interact with larger art communities nationally and internationally.

    According to him, we have involved young people in a national interactive visual art fiesta in various centres across the country, which enables them to meaningfully express themselves in the state of their lived environment through their art.

    The Executive Director of LIMCAF, Mr Kevin Ejiofor, said that the selection process for LIMCAF 2022 was in three stages.

    Ejiofor, a former Director-General of Federal Radio Corporation of Nigeria(FRCN), said: “The first stage was online selection by a national jury of works that are suitable for regional exhibition in eight regions in the country.

    “The second stage is the physical exhibition of selected entries in the region and stage three is the grand finale exhibition of the top 100 artworks in Enugu.

    “At this stage, the national jury will assemble in Enugu to review and rank the top 100 and decide the various awards.

    “The grand finale will open on October 22 and award night will be held on October 29 at the International Conference Centre of Institute of Management and Technology (IMT), Enugu.”

  • In the spirit of truth

    In the spirit of truth

     Title:            The spirit of truth brings the everlasting testament

    Author:         Stephen Lampe

    Pagination: 363

    Publishers: Millennium Press

    A 363-page book, The Spirit of Truth Brings the Everlasting Testament, by Stephen Lampe dwells on many beliefs among, which include that the Bible cannot be the last word and that this is on the authority of the Lord Jesus, considering  

     His promise of the Spirit of Truth (John 14:26 and John 16:12-13). Also, it is that the power received at Pentecost was not what Jesus meant and that there was the need to await the Message of the Spirit of Truth was confirmed by Apostle Paul in his Epistle to the Corinthians (1 Corinthians 13:9-10).

    Many of the Chapters indicate why, indeed, the Bible as has been handed to us in its various versions, cannot be the last word. Chapter 5 focuses on “Challenges to the Literal Truth of the Bible” while Chapter 7 is on “Contradictions, Inconsistences, and the Matter of Inspiration”. Chapters 8 and 9 on misconceptions and misrepresentations of God in cited Biblical passages; and Chapter 10 on “What Jesus Might Not Have Said or Meant”. Chapter 11 is dedicated to “The Son of Man and the Son of God”.

    Among the earliest Christians, there was no consensus regarding whether or not the Son of God (Jesus) was also the Son of Man; this was the case even among the twelve Disciples. Indeed, it was such disagreements among the twelve Disciples that compelled Mark to embark urgently on writing an account of the words and deeds of Jesus for posterity. It became the oldest Gospel and was used extensively by Matthew and Luke as source material. With reference to Biblical passages, Stephen Lampe shows that the Son of Man is a different personality from the Lord Jesus, the Son of God. In His conversation with Nicodemus, Jesus refers to the Son of Man Who is in Heaven; a statement that logically implies that Jesus was Not the Son of Man (John 3:12-13). The Son of Man is the Spirit of Truth, the Holy Spirit (who, like Jesus, is a Personality, “the Third Person of the Blessed Trinity” as stated in the book A Catechism of Christian Doctrine published by the Catholic Truth Society); He is responsible for the Last Judgment.

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    Chapter 12 deals with “The Age of the Holy Spirit and the Everlasting Testament”.  The Chapter expatiates on the promise and mission of the Spirit of Truth, the time of His coming, and suggests that we stand on the threshold of the Age of the Holy Spirit. The Chapter also discusses the Everlasting Testament as the Message of the promised Spirit of Truth and the same as the “Everlasting Gospel” spoken of in Revelation 14:6-7.

    Chapter 13 summarizes the earlier Chapters and illustrates the new knowledge in the Everlasting Testament, including an explanation of one of the Ten Commandments stated in Exodus 20:12 and Deuteronomy 5:16 (the fourth Commandment in Catholic and Lutheran Churches, which is the fifth in Protestant Churches).

    It is a well researched and compulsively persuasive book, in terms of quantum of up facts and information garnered mainly from ecclesiastical writings including the scriptures itself and other sources of knowledge over epochs, with lucid explanations and forceful arguments driven by unrelenting logic.

    Lampe is also the author of Christian and Reincarnation,  Building  Future Societies: The Spiritual Principles, Thinking About God: Reflections on Conceptions and Misconceptions,  as well as The Primordial Laws of Creation: Keys to  Joyous Achievement of Life’s Purposes.

  • SFCOBA holds trade expo

    SFCOBA holds trade expo

    Come Friday, all roads will lead to St. Finbarr’s College, Akoka, Lagos, for an international trade expo.

      The two-day trade expo, put together by St. Finbarr’s College Old Boys Association (SFCOBA) Business Group, will hold at the college grounds on October 28 and 29.

    Established in 1956 by Father Joseph Slattery, St. Finbarr’s College, Akoka, was the first technical college in Nigeria; and is also well known for sports and academic excellence.

    In line with keeping the tradition of innovation and industry alive, the fair will highlight and recognise the crucial role played by small and medium-scale organisations, start-ups, and innovators within and outside the association, according to the organisers. 

    For Mr. Bosede Odelusi, the founder of the business group, the purpose of the expo, is to lay the foundation for good policies, including new ideas and best business practices, particularly for business start-ups. 

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    “The expo’s main objectives are to create an avenue to showcase and advertise individual businesses and to network and share ideas and to get aspiring entrepreneurs to compete favourably on the global stage,” Odelusi, who is the immediate past second Vice President of SFCOBA and sponsor of the trade expo, said.

    According to Mr Lekan Badejo, the Trade Fair Expo coordinator, “The fair will set the scene, create domestic opportunities for the small business sector, and enhance global competitiveness. It will also forge relationships and produce a viable environment whereby small businesses can compete and thrive. The overall idea is geared toward entrepreneurs more interested in doing than dreaming. The event will also involve cultural activities, music and other side attractions.

    “Incidentally, the trade expo will be a first of its kind in the history of old students association in Nigeria. Conference papers will be delivered by distinguished international speakers from the school who will share insight and valuable experiences on different spheres of the economy. This will be followed by exhibition of goods and services by various vendors and service providers with rewards and incentives. This maiden conference and trade expo will hold at the prestigious St. Finbarr’s College, Akoka, Lagos.”

    While the group is inviting the public to the fair and conference, the Badejo says, other targets include the business community, financial institutions, the Catholic Community, St. Finbarr’s College PTA (Parent/Teacher Association), students from Catholic schools in Lagos, and members of Secondary Schools Old Boys and Old Girls Associations.                                       

  • ‘Insecurity, climate change hampering egg production’

    ‘Insecurity, climate change hampering egg production’

    The Ikorodu Zone of the Poultry Association of Nigeria (PAN) has said insecurity, climate change are hampering increased egg production and limiting output.

      Ukraine- Russia war, and high cost of input are other challenges highlighted to be hindering smooth running of poultry production.

      To commemorate the World Egg Day celebrated every October, the Zone held a rally to sensitise the public on the importance of egg.

      It also visited the Home of God’s Grace Orphanage at Agbowa-Ikosi with eggs and other food items as part of its social responsibility while teaching the children the importance of egg. 

      The zone’s out-going president, Alhaji Taofeek Suleiman, said egg remains important ingredient of nutrition that Nigerians cannot afford to neglect.

    The day is set apart by the global community in 1996 to celebrate the power of the egg with this year’s theme, “Eggs for a Better Life’ which celebrates the incredible egg’s power to support human health outcomes.

    He said: “Egg production is one of the vital components of Agriculture sub-sector that produce a lot of employment for unemployed youths and women alike and also helps to bridge the gap of protein intake in the country.

    “The increase in the price of egg is not peculiar to Lagos alone, it is in the entire country and even the world.

    Because there are so many things that are involved,our production costs have risen. You know, it is only when we calculate our production costs, we put our margin and if the cost of raw material is high, there is no way you would want to sell below because you still want to remain in business.

    “And there are so many things that are responsible for this insecurity, climate change, the Ukraine-Russia war because that’s where we get some of our raw materials; the wheat for the feed, and maize, our farmers cannot go to farm.

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    “Sometimes we import, and even for the local consumption, before the insecurity that has driven farmers  away from farm, we imported, because human beings are now  in competition with animals. We eat Semovita, so many things that they use maize to produce now. So consumption rates of those raw materials have increased.

    “How many people are going to farm? The core North where they do the farming, Boko Haram have displaced them.

    “The government should please help us. We want  insecurity to get out of the way, so that our farmers can go back to farm and get more farm produce. More people can even come into farming and it will generate employment. A lot of people are leaving the business now because many people cannot really afford the cost of production is so high.”

    On importance of eggs, out-going chairman, Ikorodu Zone, Mr Olaoye Ayodeji said: “Eggs contain a lot of very important nutrients such as selenium, Vitamin A and E, Folate, Riboflavin, Choline and Lutein which help boost the immune system.

    “One hard-boiled egg is a complete meal as it contains nutrients needed.

    “Eggs have lots of nutritive benefits to health and play a vital role in the health of growing children.”

    According to the World Egg Organization, World Egg Day is all about recognizing the humble “egg” as an incredibly unique source of protein and essential nutrients, all within an accessible and affordable package.

  • Magazine to celebrate Africans in diaspora debuts in Houston

    Magazine to celebrate Africans in diaspora debuts in Houston

    A magazine that will celebrate the achievements of Africans in the diaspora is set to debut on November 4.

    The Elegantz, will be launched in Houston, Texas.

    Its Publisher, Kayode Toriola, in a statement, said: “The Elegantz will cover and report social events in a captivating manner and tell the world that Africa is enriched with diverse cultural values through unique and colourful publications.

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    “Our forte also includes Public Relations, media outreaches, including talk shows, interviews, blogging of social and political events, promotions/adverts, sports and fashions as well as other entertainment news.”
    Some of the social events to be covered by the magazine include weddings, naming, birthdays, burials, religious and cultural events, and business/corporate events including but not limited to luncheons, annual general meetings, retreats, inaugurations, etc.

    The magazine’s vision is “to be a world-class African social event and entertainment magazine in the diaspora that adds glamour to people’s lives.”
    According to Toriola, the magazine intends to be the number one celebrity magazine by a Nigerian in the diaspora.
    “We want to be your sure plug when it comes to celebrity stories, gist and elevated gossip, etc.”

  • Once upon a time

    Once upon a time

    We have all heard the expression: Once Upon a Time. In this photography exhibition, the expression depicts what the participating photo artists have captured over a period of time in their lives which have become shards of memories that once were upon a time.

    Once Upon a Time displays works created using the latest techniques in photography. The exhibition presents to the audience new perspectives in photography and juxtaposes these with classic or traditional photography. It is a curatorial excursion into the history and development of photography as an art form.

    These works on display negotiate their presences into the viewer’s experiential space through shared appeals and other evocative elements of de ja vu.

    The artists featured in the exhibition: Godstime Uche Godfrey, Oluwayemisi Onadipe,  Adegbola Adetayo and Francisca Willy, were selected for their innovative uses of creative techniques and technology to communicate and document. They focus primarily on visual identity, fashion, landscape, portraiture, abstraction and still photography. Their works present examples of how change is constant and inevitable, reminding us that nothing remains forever as change happens in the present, not the past or future. The images exhibited have earned their spots on the wall by dint of pure art and exceptional skills.

    Conceptual photographer, Godstime Uche Godfrey recreates nature indoors, he illustrates his idea with symbolism and human figures, especially women. He avers that “people appreciate works with female subjects than male subjects, except in a situation where a male subject will pass the message better.”  His works represent photography’s equivalence of eclecticism. His play with different elements gives his works the latitude to project and explore myriad themes and tropes. Among his pieces are subjects on human rights violations, addiction, gender inequality, socio-political and socio-economic issues. In addition to these are also abstract and philosophical themes.

    Oluwayemisi Onadipo, a documentary photographer, is passionate about documenting the daily activities of people in Lagos. She captures the struggles of the common man. In her Rainy Day series, you could see, through lucid lenses, images of people, who pursue their daily activities in the rain. She establishes clear visual narratology by deploying an artistic skill that enables her to deemphasize certain elements while highlighting others. This technique controls the viewers focus and shapes his perspective. She takes the viewer beyond the usual two-dimensionality of the picture frames by tunneling into deeper and subtle layers of meanings and visual idioms. Her penchant for parading visually graded details is unique and imbues the viewer with a desire to take second and third looks at her exhibits. Many of her works are debuting with Once Upon a Time and are thus being shown to the  public for the first time.

    Adegbola Adetayo’s  works are timeless and elegant, one may mistake him for a fashion photographer. He is versatile: a documentary, conceptual and fine art photographer. One of his most notable works is a piece titled Bloom. It is both a curios and visceral image depicting a young man whose head is separated from his body. A side view portraiture of a young man spotting well-delineated tribal marks captured tradition and heritage while his presentation of this image in black and white situated it in a past time.

    He  is  inspired by people and the environment. As a teenager with a zeal for art, he saw photography as an avenue of expressing himself. He is currently exploring the use of photography and other digital medium to document and tell stories which are based on his visual experiences. His exploration further underscores the importance of culture, story telling, the curation of beauty and nature.

    As a documentary photographer,   Francisca Willy explores every subject, living and non living. In Once Upon a Time, she presents her Naija Delta series which captures the rhythms of time and place-making amongst riverine communities. Her extensive documentations of this place bespeak of splendor and the myriad shades of meanings, environmental moods, weather and climates. Her subjects are handled with a sense of composition albeit conceptually articulated from pre-existing elements and scenes thus transposing originality to widely available scenes and themes. She tells her stories in black and white, attenuating meanings and discourses with seemingly inexhaustible shades of grey.

    From its sojourn over two centuries, through private albums, post cards, billboards, books and magazines, photography has marked its evolutionary mileage through the interplay between the creative skills of photographers and the the brokerage of possibilities by technology. Therefore, the debate concerning wether or not photography is an art form has thus been put to rest by the creative exploits of exceptional photo artists all over the world. The gallant entry of exquisite photographic pieces into exhibition halls, of which Once Upon A Time is yet another ritual  of affirmation, settles this debate yet again.

  • 20 make ANA list for 2022 fellowship

    20 make ANA list for 2022 fellowship

    Come October 26th, when the Association of Nigerian Authors (ANA) will be meeting in Abuja for this year’s international convention, twenty renowned authors, scholars and professionals will be conferred with the fellowship of the association. These are persons who have done exceptionally well to keep the writers’ body steady and strong. Edozie Udeze writes on them and what place they have in the history of writing, authorship and scholarship in Nigeria.

    In its ceaseless efforts to ensure the steady progress and success of the writers body in Nigeria, the current executives of the Association of Nigerian Authors (ANA) has released names of writers, authors, scholars and stakeholders qualified to be made fellows.  To be conferred with the fellowship of ANA, is one of those rarest honours given to those have over time done extraordinarily well to keep the affairs of the association active and vibrant.

    For this year therefore, the national secretariat of ANA has released twenty names of those who have invested enormously in the affairs of the body.  These individuals have also participated towards ensuring the development, growth and advancement of literature and literary affairs within and outside Nigeria.  These names are: Professors Anaezi Okoro, Abdul Rasheed Na’Allah, Moses Tsenongu, Razinat Mohammed, Nduka Otiono, Vicky Sylvester, Tessy Onwueme, Yusuf Adamu, Dul Johnson, Amanze Akpuda.  Others are: Lindsay Barret, Dr. Tony Marinho, Professor Mark Nwagwu, Professor Ademola Dasylva, Professor Olabanji Fashina, Dr. Emmanuel C.S Ojukwu (CP Rtd), Miesoinuma Minima, Engr. Emmanuel Frank-Opigo, Professor Udenta Udenta and Professor Francis Oisaghaede Egbokhare.

    Dr. Anaezi Okoro is a renowned author.  He is first and foremost a surgeon, a professor of medicine whose practice has spanned over decades.  He is noted as the first Demotologist in West Africa.  Over the years Okoro has shown that the act of writing is a call you cannot resist or suppress or ignore once it is inside you.  Apart from being a scholar, having taught at the University of Ibadan and the University of Nigeria, Nsukka, Okoro has authored such remarkable books as Village School at Amanzu, Village Headmaster, Double Trouble, The second Great Flood and more.  As the former president of African Association of Demotology (1986 – 1991) in addition to being a visiting professor ito so many tertiary institutions, he has come to demonstrate high level of professional resilience.  For all these and more, he is duly considered to be a fellow.  He was born in 1929.

    Professor Moses Tsenongu is of the department of English, Benue State University, Makurdi.  He is a specialist in African poetry, oral literature and creative writing.  He is equally a translator, author, someone who has tutored and molded and shaped many characters over time.  He is one of the strongest pillars of ANA, more so, in Benue, his homestead.  His steady, unwavering support for ANA has been incredible, hence his inclusion among the comity of fellows.

    Professor Abdul Rasheed Na’Allah is the Vice-Chancellor of the University of Abuja.  He was also the VC of the Kwara State University, Molete.  A graduate of the University of Ilorin where he had his first degree in English, he has since risen to become an international scholar, poet, playwright, administrator, name it.  He has authored many books some of which touch expediently on the development of traditional oral poetry.  He had his PhD from the University of Alberta, Edmonton, Canada.  His overwhelming love for ANA and all its ideals, has earned him an enviable place as one of the fellows for 2022.  He is also a recipient of many awards, home and abroad.

    Professor Razinat Talatu Mohammed is a feminist writer, advocate and critic.  She is an expert in feminist literary criticism, winning awards thereof.  She is of the University of Abuja where she teaches English and holds forth as the H.O.D.  A great story teller, her book – A Love like a Woman’s and other stories, earned her not only an award, but unprecedented recognition.  Her area of interest in literature is Theoretical Approach and Gender studies.  As well as other books of hers, she is the author of Habiba, Travails of a First Wife and more.

    Emmanuel Ojukwu, a retired Commissioner of Police, holds a Master’s degree in Psychology from the University of Lagos.  His first degree in the same discipline was obtained at the UNN.  However, he was once the chairman of ANA in Abuja.  With that position he did exceedingly well to uphold the primary tenets of authorship, writing, all.  A member of the Nigerian Institute of Public Relations (NIPR), he was once the PPRO of the Nigerian Police Force.  Ojukwu loves books, he rummages in the euphoria of authorship.  At a point he was the president of UNN Alumni Association, Abuja.  For him, therefore, police is your helper and friend.  This mantra has helped him over the years.  And so ANA feels he has done enough to be admitted into the fellowship.

    Miesoinuma Minima is of the department of English, the University of Port Harcourt.  He is the author of one of the most resounding stage plays on the inanities of political satire in the Niger Delta.  The play is Odum Egege, a tragedy with three acts pontificating some of the anomalies that define the never-ending political, social and economic issues that trouble his people.  His work which dwells on King Jaja of Opobo, talks about the role of a patriotic nationalist cut to size by the overzealous British colonial army in the days of yore.  Additionally, he is a committed researcher, scholar, playwright.  He is overtly committed to ANA, both at the local and the national levels.

    Professor Nduka Otiono, is a veteran of ANA politics, having being its former secretary general.  Now, a professor of English at the Carleton University, Ottawa, Canada, where he is also its director of the Institute of African Studies, he often keeps abreast of the goings-on in ANA politics.  A writer, poet and journalist, Otiono is an award-winning author of Night Hides with a Knife, Voices in the Rainbow, Love in Time of Nightmare and many more.  He is considered a fellow because he has used his position to consistently impact on the growth of ANA in and out of seasons.

    Professor Mnguember Vicky Sylvester is of the University of Abuja where she is passionate about and totally given to issues of women literature.  For over seventeen years now, she has fully given herself to the promotion of literary issues that pertain to women.  Author of Dichotomy in Nigerian Secondary Schools: Problems and Benefits, Long shadows, the Advantages of literature and learners and more, her works have generated considerable discourses in the academic circle, home and beyond.  Her role in the advancement of authorship in Nigeria cannot therefore be overlooked hence she is appropriately listed among the best of the best for this year’s fellowship.

    Lindsay Eseoghene Barret is a well-known journalist, columnist and critic.  A Jamaican – Nigerian, he is also the father of internationally recognized author A. Igoni Barret.  Barret is a poet, novelist, essayist, playwright, photographer and pan-Africanist.  Earlier in his career, his works attracted and spread the Caribbean Artist Movement in the UK, USA and Africa.  Among his numerous books are: The Prime Ministers Christmas Card; Blue Poles and Cultural Politics in Whittam Era, Song of Mumu.  He has won a couple of awards as a film maker, scriptwriter, et al.

    Professor Tess Onwueme is a renowned writer, scholar, playwright, poet.  Her works over time concentrated on social justice, culture and the environment.  Some of her books include The Reign of Wazobia, Broken Calabash, Shakara dance-hall Queen.  Her plays are often a reflection of political and social issues that impede progress and development.  As at now, she still remains one of the best African female dramatists, critics and writers.  At the University of Wisconsin, USA, she is named a professor of Global Letters.  So far, she has many awards as a distinguished scholar, sound academic.  Therefore her place among the best of the best in the fellowship cadre this year is incontrovertible.

    Professor Yusuf Adamu is a professor of Medical Geography.  He is a poet, writer, blogger.  He is of the department of Geography, Bayero University, Kano.  He is a Fullbright fellow, Social Science Academy of Nigeria laureate.  Also a member, Nigerian Academy of Letters, he does researches more on public health; material health, infectious diseases and literary studies.

    Dr Tony Marinho is a medical doctor, poet, author and newspaper columnist.  He is a renowned and practicing obstetrician and gynaecologist based in Ibadan.  His leadership role manifested way back at the saint Gregory College, Obalende, Lagos, where he was a head boy of his set.  Marinho has been one of the most formidable promoters of ANA and its ideals since time past.  For this, his inclusion is in line with the principles of the fellowship.

    Professor Dul Johnson is a filmmaker, author, scholar, dramatist.  He began his career as a drama director with NTA, Jos.  Now, a professor of Literature and Film Studies, he is the deputy Vice-Chancellor of the Bingham University.  Author of many books, he is equally the producer of such films as: There is Nothing Wrong with my Uncle, The Widow’s might, Against the Grain, Wasting for the West and more.  His books include: Living with Shadows, Deeper into the Night, Why Women Won’t make it to Heaven and more.  His place among the fellows is highly in order due to his remarkable contributions to literature in Nigeria.

    Professor Francis Oisaghaede Egbokhare is a prolific author, academic, linguist.  He lectures at the University of Ibadan.  He is a member of Nigerian Academy of Letters.  A distinguished professor of Linguistics, who had his first degree at the University of Benin and doctorate at the University of Ibadan, he has published over 35 books, mostly on his local mother tongue in Edo State.  His forte and areas of research are on Ethics, Historical Linguistics and Syntax.  In addition, he is a newspaper columnist.  He is therefore one of the most eligible persons for the fellowship.

    Professor Ademola Dysylva is an expert in African and oral literature.  A poet, literary theorist, and critic, Dysylva is a fellow of Nigerian Academy of Letters who has written a lot of books in his area of literary scholarship.  He teaches English at the University of Ibadan.

    Engineer Frank Opigo is the director of works and services, Niger Deita University, Amasoma. A former Chairman Bayelsa ANA, editor The Marine magazine and some of his tit1es includes Vowe1s in the Air, Songs of Our Father and others He believes that and it is so that the abi1ity to write is an exclusive preserve of those who studied Eng1ish or the humanity Opigo is a1so a politician and academic.

    Another person on the list is Professor Amanze Austin Akpuda.  He is of the Abia State University, Uturu, where he teaches English.  A prolific writer, Akpuda is also a critic, poet and author.

    Professor Udenta Udenta is an author, scholar and human rights activist.  An English language scholar he is one of the main backbone of ANA in terms of support and encouragement.  Professor Olatunji Fashina is also included based on his role in promoting scholarship and literary matters in Nigeria.  Fashina is of the University of Ibadan. With this water-tight list, ANA is wired to ignite a formidable international convention in Abuja come October 26th.  It is expected that all the recipients will be in the house to give ANA a rousing and wholesome convention.