Category: Arts & Life

  • Johnny JamJam debuts as  author on Independence Day

    Johnny JamJam debuts as author on Independence Day

    NIGERIAN speechwriter and private investigator John Walker Adetunji-Adeoye aka Johnny JamJam has released his debut books to celebrate the nation’s 62nd Independence Day Anniversary.

    The two books, titled, ‘How We Destroy Nigeria: Precedence of Doom’ and ‘How We Destroy Nigeria: Haven For Financial Crimes And Corruption’ will hit the bookshelves on October 1st.

    In a statement by its publisher, Ascology Books, the two books highlight many issues relating to Nigeria and Nigerians and it will be the first of many to come.

    It reads: “Most of the content in the first book (Precedence of Doom) laments the roles of past and present rulers of the country. In contrast, most of the content in the second book (Haven for Financial Crimes and Corruption) laments the role of the citizens.

    “In the two books, Adetunji-Adeoye, an alumnus of the University of Lagos with a BSc in Business Administration, wrote voluminously on “How we destroy Nigeria”. He blames a combination of crooked political leaders, public officers, private citizens and the Nigerian masses for how the country has taken shape.

    “An editorial review of the books captured the author describing issues relating to the historical development of some of Nigeria’s problems, political corruption, financial crimes and frauds, electoral crises, judicial corruption, the effect of military rule, economic sabotage, the culture of waste, problems associated with religion, overpopulation, broken educational system and many other topics.

    “As a respected writer and columnist, Adetunji-Adeoye is familiar to those in the entertainment, media and publishing industry. He is a renowned name in the public relations industry, having worked with several notable names in Nollywood and the music industry.

    “As the country gets set to enter a crucial electioneering period, the Nigerian information industry could help shape the orientation of the people. The information, media and publishing industry is surely a vital part of our sociopolitical system, They help to shape citizens’ awareness regarding the many challenges of the Nigerian state, and these newly released books by John Walker Adetunji-Adeoye could not have come at a better time.”

  • Smithsonian hosts Nigeria’s +234 Connect fiesta

    Smithsonian hosts Nigeria’s +234 Connect fiesta

    The Smithsonian’s National Museum of African Art will host +234 Connect, a five-day cinematic and exhibition from today to October 2.

    The festival, which will feature exhibitions, film screenings, master classes, conversations with filmmakers and artists, a concert and an opportunity for the public to see the celebrated Benin Bronzes before they are returned to Nigeria.

    +234 Connect is a celebration of African creativity and expression. Visitors will have the opportunity to explore two complementary exhibitions focused on  the art.

    “Iké Ude: Nollywood Portraits” and “Before Nollywood…The Ideal Photo Studio” feature the work of multimedia artist Iké Ude with photographs of the talented people who drive Nollywood. It opened to the public earlier this year.

    “Before Nollywood…The Ideal Photo Studio,” which opened yesterday celebrates the photography of Solomon Osagie Alonge (1911-1994), an important figure in early Nigerian studio photography, and the owner of Ideal Photo Studio, the first commercial photography studio in Benin City. Alonge’s studio portraits of Benin City residents in the 1950s and 1960s feature individuals and families photographed with carefully selected costumes, furniture, backdrops and props. The photographs serve as a historical precursor to, and contextualize

    Ude’s photographs, which use color, attire and other markers to make a bold statement about the power of African identities despite centuries of attempted erasure by Eurocentric art history and notions of beauty. Members of the local Edo community and the public are invited to participate in a Family Photo Shoot on Saturday, October 1, where an on-site stylist will be available to help capture visitors’ best poses in a designed set, inspired by the artworks in the Iké Ude: Nollywood Portraits exhibition.

    Other programmes include a screening of the seminal Nollywood movie, Living in Bondage, master classes by Dame Taiwo Ajai-Lycett and Yolanda Okereke, as well as panel discussions and conversations by Nollywood filmmakers and actors, including Obi Emelonye, Chioma Ude, O.C. Ukeje and Tope Oshin.

  • Foundation holds cancer awareness

    Foundation holds cancer awareness

    Worried by the ravaging impact of cancer, a non-governmental organisation, MyBodyMyAsset Cancer Foundation, is raising awareness on the scourge with the aim of reducing its prevalence, especially among women.

    Founded by Mrs. Franca Eze, a cancer survivor, the outfit has adopted football matches to encourage women to participate in sports through which it sensitises them on the dangers of breast cancer and the constant check up.

    Mrs. Eze said: “To achieve its objectives, MyBodyMyAsset Cancer Foundation has organised two seasons of Cancer Awareness Football Match.

    “The first was in June 2020, through which it commemorated the Cancer Survivors Month.

    “Again, on October 2, 2021, it organised another season of football match to also mark Breast Cancer Awareness Month. This is our third in the series of creating awareness on the dangers of breast cancer.

    “It’s unique because we have Muslim and Christian sisters to play against one another. We made them adopt names that have nothing to do with their religions because cancer has no respect for class, religion or race.

    “The team that scores the highest number of goals against cancer takes the trophy but at the end, we are all winners against cancer.

    “October I5 is the International Day for Rural Womenand our team will be checking women’s breasts and encourage them to change their bras regularly.

    “The goal is to be healthy and we are committed to ensuring a cancer-free society.

    “The theme for this year’s Cancer Awareness Campaign is: “Check Your Breast, Change Your Bra.” All adult females are encouraged to embrace this change.

    “This year’s event will hold on Saturday, October 1, at the Federal Airports Authority of Nigeria (FAAN) MMIA Schools Field, Ikeja, Lagos Local Airport Road (opposite MM2) at 8:00 a.m.”

    One of the awardees at the event was the Vice President, Association of Movie Producers and actress, Queen Blessing Ebigieson.

    This year’s sponsor of the football match is Sagelife Laboratories.

  • Honour for selfless service

    Honour for selfless service

    The is a woman with a heart of gold. Her role in the development of her hometown, Ikere Kingdom, has earned her multiple recognitions and awards, the most recent being the first Iyalaje-General of the town.

    Welcome UK-based entrepreneur and philanthropist Princess Sayo Adenle, daughter of Chief Odunro of Ikere Ekiti, Ekiti State, who was conferred with the chieftaincy title by Oba Adejimi Adu-Alagbado, Ogoga of Ikere Kingdom.

    She is a woman of many parts: she is a mother, and wife who runs a successful business. But how does she manage to keep up with the demands of her diverse roles, along with being the Iyalaje-General in Ikere Kingdom? she was asked.

    “My journey to Iyalaje began seven years ago when I decided to contribute to the development of my town and to create job opportunities for the youths.This led to the establishment of companies. I run a boutique, fish farm and animal husbandry (goats and ram farming). Being the Iyalaje-General has been challenging but I always like to set goals for myself. I see every challenge as a stepping stone to greater heights,” she said.

    She linked her dogged disposition to her grandmother whom she spent her childhood with, saying: “I owe a lot to her because I learnt so much from her.”

    Speaking on her role as the Iyalaje-General, she said: “My role as Iyalaje is to make sure that I assist in wealth generation, success and prosperity in businesses in Ikere. Although Iyaloja is the leader of the markets in the town to coordinate trading activities, I am always looking for opportunities that can be beneficial to people around me.”

    She expressed her gratitude to the Oba, saying: “Oba Adu-Alagbado is, indeed, a father to me. Kabiyesi always appreciates people that are focused and make positive contributions towards the development of Ikere town. I sincerely appreciate him. I pray God will crown his efforts with more successes.”

    On her plans for her people, Princess Adenle said: “My plans are in the hands of Almighty God. My aim is to make Ikere Kingdom a town to be envied by neighbouring towns in terms of success, wealth and prosperity in our businesses.

    “One of such projects is the Saver Shopping Villag in Ikere that aims to develop new markets by providing high quality products and services to Ekiti State communities at reasonable prices as the name suggests (Saver Shopping Village).

  • What leaders could learn from Queen Elizabeth

    What leaders could learn from Queen Elizabeth

    I am writing this piece not because I am British. This article is also not composed for the reason that I have been invited to St James’ Palace or because I have engaged with two Prime Ministers of the United Kingdom.

    Nevertheless, I reckon that I have a responsibility to share my reflections on snippets of the life of one of the world’s most famous diplomats and arguably one of the most impactful global leaders in the 21st century who just proceeded to another dimension. I agree with King Charles that Queen Elizabeth the second is a pattern for all princesses living and I add for all leaders hoping to have an enduring legacy.

    The death of Queen Elizabeth II is, undoubtedly, one of those endings that one would argue has a bitter-sweet conclusion of impactful, strategic and global self-less leadership spanning seven decades and filled with an enduring legacy. It is bitter in the sense that Britain and, indeed, the rest of the world have lost a great leader with massive wealth and experience of impressive transformation. The sweet part, however, comes in that there are a lot of valuable lessons that world leaders can learn from the life of the Queen right from the point when she unexpectedly became the UK’s sovereign as a young, relatively untrained, and inexperienced heir. That did not, however, stop her from being a great visionary leader. Over the years, she rose to be a powerful political figure, with excellent leadership skills admired in Britain and worldwide. With that said, here are lessons that leaders could learn from the Queen:

     

    Empathy and strength of character

    When it comes to empathy and the strength of her character, the Queen ensured that she remained herself throughout her reign. She remained unapologetically female, and at no time did she pretend to be someone she wasn’t. For instance, instead of ruling other kings (exerting power and always seeking to dominate), she offered a beneficial sounding board in all her sittings with other leaders. According to the former UK Prime Minister, Tony Blair, the Queen always listened fairly to everyone and offered to help solve the most complex problems without necessarily making her physical presence felt or using force. While some criticised such a character, the Queen kept it and never allowed them to interfere with her leadership. Though she did not intervene openly in the operations of governance, Queen Elizabeth II utilised her convening power to exemplify strength, stability, dependability and empathy in her engagement with diverse stakeholders, both domestically and internationally.

     

    Ability to inspire service to humanity

    Right from her tender age, Queen Elizabeth II strongly believed in her uncommon sense of purpose to serve humanity. As her successor, King Charles expressed in his tribute speech, the rested Queen “…made sacrifices for duty…her dedication to serving…never wavered…through times of joy and celebration…and through times of loss…” In doing so, the Queen demonstrated her determination to serve and ensured that she upheld the public pledge she made at the young age of 21 in a public radio broadcast during which she announced that she would devote her life, whether short or long to serve humanity until her demise. Without a doubt, she lived to the promise, and the world will truly miss her compassionate service to diverse laudable causes. From commitment to animal welfare, support for the progress of arts, championing professional institutions and serving as an influential patron of the British Olympic Association, Queen Elizabeth is a wonderful bastion of the peak of leadership-societal leadership (other types are self, team and organisational leadership). Her support of science and technology, for example, during her reign, the world wide web was developed by a British scientist, the world’s first ATM machine was installed in the UK and fingerprint technology was developed in the UK, demonstrates her commitment to global human advancement. Such a regal yet altruistic individual is undoubtedly an inspiration to anyone seeking to make a positive change in the world and leave an enduring legacy.

     

    Strategic leadership

    Throughout her reign, the Queen was very strategic in her decisions and actions, especially when she was required to act quickly. From the death of Princess Diana to the COVID-19 crisis and the Meghan scandal, she was able to decide, align, inspire and learn from all these crises to stimulate the nation to navigate these turbulent times effectively. A quote from her speech during the COVID-19 crisis clearly articulates this:

    “I hope in the years to come; everyone will be able to take pride in how they responded to this challenge. And those who come after us will say the Britons of this generation were as strong as any. That the attributes of self-discipline, quiet good-humoured resolve and fellow-feeling still characterise this country. The pride in who we are is not a part of our past. It defines our present and our future”.

    The queen’s focus on the bigger picture even in times of crises and amazing ability to communicate this effectively, one could argue contributed immensely to UK scientists being world leaders in genome sequencing and the country being the first nation in the world to license COVID19 vaccine.

     

    Dedication

    Undeniably, her dedication was another great leadership quality that Queen Elizabeth II displayed over her tenure as the Queen. While she had the liberty to retire at the age of 66, she continued to serve and carry out her duties diligently up to the age of 96 to dedicate her time to serving the UK, Commonwealth nations and the rest of the world. Indeed, even two days before her death, she performed one of her most important roles: accepting the resignation of the parliamentary leader of the country and asking the new Prime Minister to form her government.

    Mayor of Dudley, Councillor Sue Greenaway, captures this in her “heartfelt condolences” to the Royal Family on behalf of the people of Dudley.

    “Queen Elizabeth II was a dedicated public servant, whose unfailing devotion to her country was evident throughout her reign.” For any leader to have a lasting positive impact on society they need to emulate Queen Elizabeth II by demonstrating unparalleled dedication.

     

    Discretion, Diplomatic credentials and unifying competence

    As part of her diplomatic work, the Queen visited more than 100 countries and welcomed hundreds of world leaders. She was also always in contact with the renowned Foreign, Commonwealth & Development Office (FCDO) as part of her efforts to build diplomatic ties. Interestingly, as the head of state for 70 years, the Queen was, of course, subjected to wild rides several times in complex situations that could end up in severe diplomatic rows if not managed well. To solve such puzzles, the Queen exercised her discretion but through carefully calculated moves to avoid causing unending diplomatic issues. For instance, in 1999, Australia organised a referendum to decide whether to remain as part of the monarchy. While the Queen had discretionary power to influence the outcome, she made it clear that she was letting the people of Australia make that decision alone without anyone’s interference. That was one of the ways that she promoted peace and freedom.

    In conclusion, Queen Elizabeth II won the hearts of many through her outstanding leadership qualities and will remain a source of inspiration to world leaders for the next several years. Indeed, there are many lessons that leaders of state, heads of government, and even organisational leaders can draw from the life and reign of the Queen. Without a doubt, anyone granted a leadership position would do well by following her example. I agree with Shakespeare that “some are born great, some achieve greatness, and some have greatness thrust upon them”.

    Queen Elizabeth II though had greatness thrust upon her, she achieved and exemplified greatness and her legacy is a life worthy of emulation.

    • Abubakre is on the Advisory Board of London Business School Africa Club.

  • NCC arrests suspected pirate

    NCC arrests suspected pirate

    Operatives of the Nigerian Copyright Commission (NCC) have arrested a suspected broadcast pirate, Mr. Ajaye West William, for the illegal redistribution of broadcast signals belonging to various right owners, in violation of the Copyright Act.

    In a statement by NCC Director, Public Affairs, Vincent Oyefeso, the anti-piracy operation was executed from September 16  to 17.

    “In the operation, the suspect, who had evaded arrest, was traced and apprehended by the commission’s operatives at his base in Port Harcourt, Rivers State while carrying out the unauthorised redistribution of the signals,” it stated.

    According to the Director of the Commission’s Port Harcourt Office, Mr. Collins Nweke, the operation, which was carried out in collaboration with other enforcement agencies, followed months of surveillance by the operatives.

    He said the contrivances seized included DSTV, GOTV, Strong and FTA decoders as well as other materials used for the illicit distribution of signals to “subscribers” who made payments to the suspect to receive the pirated signals.

    According to Nweke, the suspect has made useful statements and investigation was ongoing before prosecution. “The suspect is believed to have a customer base of over 3,000 subscribers on his illegal broadcast network and the Commission is processing the information to get to the root of the crime,” he said.

    The arrest came on the heels of a warning by the Director-General of NCC, Dr. John O. Asein, on Channels Television against signal piracy.

    His words: “Henceforth, anyone found to be engaged in redistributing broadcast signals and all persons who connive with them in the illicit act would be arrested and prosecuted, while any contrivances found to be used for such crime would be confiscated.”

    Asein urged the public to report suspicious activities in their neighbourhood to the nearest office of the Nigerian Copyright Commission.

  • Why Queen Elizabeth sat for Enwonwu 12 times

    Why Queen Elizabeth sat for Enwonwu 12 times

    Last week, the remains of the late British monarch, Queen Elizabeth 11, were interred at King George VI Memorial Chapel, Windsor. But, there were lots of bitter-sweet stories about the late Queen, particularly her visit to Nigeria. The late Ben Enwonwu’s encounter with her 65 years ago was unforgettable experience. The family, through his son, Oliver, recalled how the Queen’s visit in 1956 and the approval to create a statue of her added to the fame of the late deceased fine artist, and the implications on the value of African art. Assistant  Editor (Arts) OZOLUA UHAKHEME reports.

    The British Monarch, Queen Elizabeth 11, passed on recently, leaving behind lots of fond memories among many Nigerians. One family that will not forget her visit to Nigeria in 1956, was the late Ben Enwonwu family.

    Until his death, Enwonwu who trained at Slade School of Fine Art, London, was a famous Nigerian artist. During the Queen’s visit, he received a royal commission to commemorate the visit with a bronze statue, which made Enwonwu the first African artist to create an official portrait of a member of the royal family. What was the influence of this royal feat on the Nigerian art?

    Immediate past President, Society of Nigerian Artists (SNA), Mr. Oliver Enwonwu, son of Ben Enwonwu, who is also a renowned artist, recalled that his father received the commission to create a bronze statue of the Queen when art was less appreciated in this part of the world. The project, he said, invariably raised the value and rating of the Nigerian art and artists in the global art market.

    According to the Ben Enwonwu Foundation, Enwonwu began working on the sculpture the following year, visiting Buckingham Palace in London for several sittings.

    “In 1957, Queen Elizabeth II sat for Enwonwu for a large bronze sculpture,” noted the Royal Collection Trust, which oversees the art collection of the British royal family. In all, Queen Elizabeth sat for Enwonwu 12 times, eight of which were at Buckingham Palace, according to the foundation.

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    Oliver described the commission as a thing of pride to Nigerian artists then, adding that it gave immense popularity and international acclaim as it boosted the profile of the artists.

    “And of course, having a monarch sit for you gives pride to Nigerian artists. I heard of many stories of old artists who told me that when they saw the sculpture installed in Lagos at the parliament building, it was a thing of pride for them. And they knew that they want to study art. Of course, it gave them immense popularity and international acclaim. It largely boosted the profile of the artists that will come after him.

    “Of course, before his appearance on the art scene, art was largely a subject of ridicule. There were more preferred professions like medicine, engineering and law that parents wanted their children to study. But with his many successes, African artists, Nigerian artists were able to frame their works after him. He gave some sort of respectability to African arts today. Today, you see African artists aspiring, especially those artists that work on figurative sculpture and woodworks, to want to emulate his work,” he said.

    His late father’s pioneering efforts may have opened the way for other Nigerian artists to create works of art on the Queen. Other Nigerian artists who painted the late Queen are Chinwe Chukwuogo-Roy and Oluwole Omofemi. Few months ago, Omofemi Oluwole received a commission from Tadler Magazine to do a painting of the Queen. Though the late Queen didn’t sit for him, but it’s still a successful commission.

    “So, I’ll say that as an early pioneer, and the fact that he was able to lay the foundation of a new philosophy of Nigerian and indeed African art by infusing of Western conventions and presentations with indigenous aesthetics, I think my father was able to largely influence African artists,”  Oliver noted.

    On how the success of the sculpture shaped his father’s career and acceptance in global art market, Oliver said:  “Before the commission, which was in 1957, he was already a well-known artist. For instance, he was easily the most successful in the commonwealth at the time. That’s one of the reasons he was able to secure that commission. Thereafter, I think it would largely have contributed to the even more international acclaim for him. He was the first African artist that the queen sat for. He went to one of the most prestigious schools in Europe and indeed the world. He was already quite successful.”

    Oliver recalled that the commission was to commemorate the Queen’s visit to Nigeria at that time. “He was immensely proud of it. I know that the international media carried it on and on. They saw that the artist had seen the queen through his eyes as an African. And the beauty of it was that the artist had Africanised the queen. Another thing was that for the first time, the Queen will come under the subject of an African gaze.

    “The royalty was used to looking and turning their own gaze on people. But, the artist was quite confident to turn his gaze on the queen. So, it was such a big deal. But, he was very happy and he said that the Queen was very amiable and charming as well. What he said was that he was very proud and you could see his signature stamp in that work; the realism that you see and the features on the figure.”

    The sculpture is now in the National Museum’s collection, while the late Queen Elizabeth acquired the bust. The late Ben Enwonwu is one of Africa’s greatest modernist artists. Among his works was a portrait of Nigerian princess Adetutu Tutu Ademiluyi, dubbed the African Mona Lisa, which sold for over $1.6 million (£1,205,000) at a London auction in 2018.

  • ‘Investments in tourism will boost economy’

    ‘Investments in tourism will boost economy’

    Women in business and tourism are contributing to the growth and development of the economy, with businesses evolving in sectors like agriculture, textile, arts and crafts, information technology, health and others.

    Experts have noted that major factors limiting the growth rate in Nigeria are access to financing, gender discrimination, lack of career advancement, training facilities and other challenges faced by women.

    These are among the reasons Women in Business and Tourism Nigeria (WIBATN) are bent on changing the narrative by imparting entrepreneurship spirit among women.

    According to WIBATN President, Sophia Khan, tourism is the new oil. In her view, tourism is the sustaining factor in some nations around the world.

    “Tourism is a serious business. That is why WIBATN is doing all it can to promote it. Nigeria should borrow a leaf from countries like Kenya, Gambia and Dubai that are harnessing their tourism sector and making money from it. And to do this it must work on eradicating insecurity.”

    Khan spoke on WIBATN’s forthcoming fashion and textile expo in Abuja, decrying the increasing closure of the few textile factories remaining.

    “We choose Abuja for the WIBAT fashion expo because it is the capital even though Lagos is the hub of activities like these, especially the fashion business. Lagos has a lot of fashion show going on for them because the state government understands tourism, but we decided that bringing it to Abuja the northern and the Middle Belt states can also partake in it. We look forward to partnering the FCT and their participation for the upcoming show to promote Abuja too.  We want to use this to also show case Abuja by making Abuja a miles destination. As I said earlier it will be an annual event.”

    “We are expecting the diplomatic communities at the event. Our fabric, styles, fashion represents our culture. So, on that day, you will see a bit of culture fashion and all that concerns Africa on fashion.

    “The hairdo, the makeup and all that represent Africa. Those days you can tell a woman’s tribe by the way she is made up. You can tell a married from single by the way made up. We have all that we need to celebrate it, it is all about fashion.”

  • ‘Why I promote return of Benin bronzes’

    ‘Why I promote return of Benin bronzes’

    Olu Ajayi is a renowned visual artist, one of the best among his equals. Recently while away to the University of Benin, Edo State, for an academic programme, he discovered some of the historical exigencies of the return of Benin bronzes from parts of Europe and America. He speaks to EDOZIE UDEZE on this and more.

    Olu Ajayi, no doubt, is one of the movers and shakers of the visual art sector in Nigeria.  A thorough-bred painter, totally given to his profession, Ajayi is also a master artist.  A multicolourist artist, his best bent most times dwells on landscapes, figures and images.  Over the years, he has come to dominate the scene as one of those who controls the politics of the Society of Nigerian Artists (SNA), Lagos State chapter.

    A few weeks ago, he was one of the five artists that did a life drawing and painting of Modupe Ogunlesi to mark her 70 years of age.  In that outing, as usual, Ajayi proved his artistic mettle.  He was not only at his best, he had time to grant an interview not just to buttress the importance of life drawing in relation to the birthday girl but to also situate some issues concerning the visual world.

    For a few years, Ajayi disappeared from the mainstream of the arts within the Lagos circle.  Many people did not know exactly why he disappeared, where and what he was up to.  However, in this chat he made it clear that he left in quest for more knowledge.  He said “I was at the University of Benin for a Master’s degree programme”.  But what does he still do that keeps him too busy beyond the canvass and the easel?  “I am on still to pursue my Doctoral degree”, he says with accurate profusion.  Already looking like a sage with full grown beards sprinkled with grey hairs, Ajayi bestrides the presence of an academic, an age-long scholar.

    He continues: “After the programmes, I am back to continue my career, my practice.  It is a moment to expand my horizon.  The return of Benin bronzes, that is a new consciousness.  That, also, will reflect in my new works, my art henceforth.  Now I am working on a project titled cockerels and crossroads.  The return of Benin bronzes.  Yes, it has been celebrated, but did we lose or gain anything?  The works were away, so what did we gain therefrom?  But we see in them the respect for our tradition which justifies also our way of life.  Life has since changed, while the works were away.  The world has since moved on.  This development was for over two to three centuries.  So, these are some of the issues I will focus on in the meantime.”

    Some of the Benin bronzes were carted away in the 19th century when the British warlords over ran the Benin kingdom.  Over time these precious pieces of art works which littered some museums and private galleries in Europe remained a source of diplomatic row between England and Nigeria.  However, in the past couple of years, some of the holders of these artifacts have begun to return them.  It so happened that the Edo State government is keen on having a special museum to house these bronzes.  Now, Ajayi is wired to expand this knowledge base, this horizon  in a way to lend more credence to it.

    Beyond this project, he had always been involved in other remarkable projects to prosper the art.  A former chairman of the Lagos chapter of the Society of Nigerian Artists (SAN), Ajayi is indeed privileged to have a larger reach out.  He says thus: “yes, it is the Living Legend project.  It is still on.  We did one recently involving Dr. Biodun Sobanjo, founder of Insight Communications.  Sobanjo’s contributions are enormous in the area of contemporary advertising.  He has made a lot of impact.  Yet, we still want a lot of people to buy into the project, the concept we have elucidated.  It is a non-profitable project, very cerebral.  It has a lot to offer in the aspects of history, art, more.  Art history also should be included”.

    For Ajayi, this is very essential.  “Yes Art historian should come in here to assist, to help.  The values are enormous, good to promote personalities who have done immensely for the prospects of the art generally”.  For him, legends should be celebrated while alive.  This is what life is all about and for an artist, life is lived on a daily basis.  Every of a man’s action, deeds, constitutes the beauty of life.  So, Ajayi embellishes his professional life doing his best to eulogise, promote and edify some notable art personalities.

  • Adire stirs creative industry

    Adire stirs creative industry

    In 2011, when Princess Ronke Ademiluyi  started  African Fashion Week in London, the motive was to improve representation of African fashion  and fabrics like adire in the mainstream global fashion industry, unlike now that African fashion influences global fashion and many western designers take inspiration from African fashion.

    11 years after, she is happy about the impact made especially how has it helped Nigerian fashion designers in the Diaspora create a sustainable market for themselves.

    “The acceptance has been amazing, we use the platform to showcase our cultural heritage and tell our African stories, Africa is a continent with over 3000 tribe and every year on the catwalk, we see various designers bring their heritage on to the catwalk”.

    Ademiluyi is presently doing a lot with the Adire and obviously reviving the industry. “Adire Oodua Textile hub was established in 2021 as a COVID bounce back facility for women and unemployed youth. Our sole benefactor is His Imperial Majesty Ooni Adeyeye Enitan Ogunwusi Ojaja II of Ife Kingdom the custodian of Yoruba cultures and traditions.The inspiration was to set up an indigenous textile hub for training of our youths, as Nigeria has so many unemployed youths. We believe by teaching them this craft of Adire making it can help in wealth creation and eradication of poverty”.

    She continued: “Our aim is to use our heritage fabric as a poverty eradication scheme for rural women by enabling them to generate sustainable living by increasing their production capacity and at the same time sustaining the beautiful craft of our heritage fabric”.

    The Adire hub therefore invests in human capacity building and rely on human labour and not machines.”Based on this we  have the capacity to produce 1000s of handmade Adire every month, we cater to  retail markets, wholesale markets, and individual designer markets for those who want their customized designs”.

    The Adire fabric, she explained is a heritage fabric that dates back to centuries ago and that is still relevant in our present generation. “It’s s a beautiful technique that was created using different methods to create beautiful patterns on fabrics and using various resistance methods to resist the dye when the fabric is eventually dyed. The resistant methods include the stitch resistant method, the knotting with thread resistant method, the wax resistant method and the starch resistant method. This ancient fabric creation technology allows us to create so many patterns, symbols and signs on our fabrics, and it also allows us to tell different stories on our fabrics”.

    Adire has now taken over the Ankara fabric as it enables designers to repeat designs and make their own unique design in small runs unlike ankara  that has to be mass produced making it financially difficult for designers to repeat their own designs.

    Her focus is therefore inspired to developing more markets outside of Nigeria, especially with the diaspora and to set up the Adire Trade Centers in a few  Major cities around the World starting with London. “That’s why our Theme of Africa Fashion Week Nigeria and London 2022 is the Adire Culture”. On her part, the First Lady  of Kwara  State and Founder  Ajike People Support Centre,  Her Excellency Ambassador Dr.  Olufolake  Abdulrazak appreciated the efforts put into  promoting our culture and creating pathways to wealth and economic empowerment through amplifying the place of Nigerian fabrics and fashioning it to meet current trends.

    “I am proud of what Princess Ademuyili has been able to achieve over the years through the African Fashion week initiative which has provided a veritable platform for Nigerian fashion designers to exhibit their designs and showcase their creative ingenuity in Lagos, London and New York.

    Interestingly I attended African Fashion Week London in 2016 and have been supporting the brand since and she made me Matron in 2018 even before becoming First Lady of Kwara State”.

    She added: ” I am aware that the different engaging sessions that had been held in the course of this event speak to the importance of African and Nigerian textile in the global cultural and creative economy and promoting it as a non-oil commodity”.

    This rapidly growing sector, she stressed can boost economies and drive inclusive socio-economic development.” Its significant contribution of 3 percent of the global gross domestic product (GDP) highlights the economic potential of cultural and creative industries as a source of growth and job creation”.

    The cultural and creative industries in the Nation, she informed has contributed approximately 18 billion US dollars to GDP according to a World Bank 2020 report.

    “Also according to United Nations Educational, Scientific and Cultural Organization (UNESCO), cultural and creative industries account for more than 30 million jobs globally, employing more young people aged 15-29 worldwide than any other sector. As more young people enter Africa’s labour market, national economies will need to create jobs to meet the demand”.

    The Creative industries, she said have the potential to address the urgent need for job creation across the continent.

    “Like our Aso oke in Kwara State adire has over time stood as a symbol of

    cultural identity and as such we will continue to facilitate enviable alliances and partnerships to promote these fabrics while endearing our fashion industry and enthusiasts to new opportunities like this event presents, where they can put their ingenuity to play, we would also encourage them to conform to technological trends that appeals to their trade as these will constantly give them a competitive edge”.