Category: Arts & Life

  • Eze celebrates first coronation anniversary

    Eze celebrates first coronation anniversary

    The Eze Ndigbo of Bucknor/Jakande, Isolo, Lagos, Emenike Okpaga, has rolled out the drums to celebrate the first anniversary of his coronation. The event, which was held at the Exquisite Resort and Hotels, Bucknor, also coincided with the installation of the kingdom’s Prime Minister (known as Onowu in Ibo), Chief Godwin Ekezie and other members of their cabinet.

    Ohanaeze Ndigbo youths in Ejigbo made up mainly of women, added colours to the ceremony as they welcomed guests with their beautiful dance steps. They also decorated them with pins. It was not free as they used the opportunity to solicit for funds. They were supported by some dance groups who entertained guests, who were expected to appreciate their efforts with some crisps of Naira.

    At the event known also as the kingdom’s First Ofala Festival, were the Eze’s wife Loveth, Eze Alex Nwoye of Ejigbo, Lagos; Eze Charles Nnamdi Emesim of Oke-Afa, and Eze Nicholas Njoku.

    Also present were High Chiefs Kate Onyechere Njoku; and Peter Nwogbu, chairman, Igbo Community, Bucknor/Jakande. There was also the President Ohanaeze, Lagos Chapter, Chief Solomon Ogbonna Aguene.

    Ekezie said: “Our goal is to chart a course that will serve as an important tool that strategically galvanise our people for a homogeneous and peaceful co-existence.”

    Though a year-old in office, Eze Okpaga, also a prince from Ekwashi Ngbo Kingdom, Ebonyi State, received accolades from eminent personalities far and near.  In a letter dated April 14, 2022, the Vice Chancellor, Alex Ekwueme Federal University, Ndufu-Alike, Professor Sunday Elom, praised the monarch for his sterling leadership qualities in public and community service.

    Former Ebonyi State Governor Sam Egwu praised Eze’s ‘wise leadership’, adding that it had brought huge successes to his community. Emeritus Head of Service, Ebonyi State, Dr. Chamberlain Nwele, said royalty runs in the Eze’s family. In a message, Nwele stated: “Royalty runs in your blood and we are not surprised at the height you have attained both royalty, economic and social status.” He said like his father, the late Eze Achi Okpaga, the Ezoha 1 of Ngbo Kingdom, the son has “shown love, kindness and generosity to many people, both high and low, in the society.

    The Ekwashi Ngbo Progressive Union, Lagos Chairman,         Nwachukwu Chukwuma and the  General Secretary, Chukwumeka Obegu wished Okpaga a ”successful reign” while Nzube United Brothers’ Excellent Club of Nigeria (NUBEC), Surulere, Lagos  prayed for Eze. Ngbo Divine Friends Club of Nigeria through their Chairman Mr. Godwin Ede and General Secretary, Nwaeke Emeka felicitated with the Eze.

      Highpoint of the event was the conferment of awards on some personalities such as High Chief Solomon Aguene, Mr. Jude Nwankwo, Comrade Monday Onah, Chief Joseph Egbo, Chief Obinna Ugwu. Others were Alhaji Musa Shittu Falomo, Ngbo Great Stars Club of Nigeria.

  • Poet proffers solution to insecurity

    Poet proffers solution to insecurity

    Novelist and poet, Mrs Margie Chinyere Offoha, has said that her poem ‘Flag of Our fatherland: Nigeria’ is her effort to bring global attention to Nigeria’s prevailing security problems.

    Offoha, a Nigerian-American, told The Nation in a recent interview, that ‘Green white and Green is in her effort to bring global attention to Nigeria’s prevailing security problems, helping the people and the government save lives’.

    This is coming after the poem, which she wrote about her motherland gained pride of place on the global highly rated allpoetry.com.

    The trending poem, which is just one out of Offoha’s numerous poems, is currently generating so much viewership on the platform as it reflects a form of Ode to the Nigerian flag. The beautiful unifying Green white and Green colours, literally appeared to be losing their unifying and friendly powers driven by peace and unity.

    The poet, through the poem, appealed  to Nigeria through its national symbol, the flag,  Nigerians and the leaders to work assiduously towards restoring the peace and conviviality for which the country and her citizens are known, as they seem to be eluding the citizens.  Strife, the poet in the poem, worries, seems to be overtaking the brotherhood, and promises of nationhood, the country promises.

    The poet raises concerns on the prevailing state of affairs in the country, with a question, “Oh, mighty flag of our fatherland, are you still there? Reflecting on the cover the flag hitherto gives to Nigerian citizens in every part of the country and the world at large.

    The poet went on to query, “Oh, mighty flag of our fatherland can you see the pain and suffering your children are enduring? Oh, mighty flag of our land, can you hear our cry? Oh, mighty flag, what happened to the promise you made, many years ago? United you promised us but divided we are”.

    She said “Even though I am in America, I follow the events happening in Nigeria passionately. As a great empathy, I carry other peoples’ pain in my heart. I think this is a time for people living outside the country especially poets and artists of various kinds to use their voices to bring global attention to Nigeria, who knows it may make a difference in the lives of poor Nigerian citizens who are forever suffering.”

    While calling for stronger action to save lives and build a more united country, the poet in stanza three wrote ‘’Peace and unity have eluded your children. The echo of one Nigeria, one Nigeria is now met with doubt as many no longer believe. Oh, mighty green, white, and green, the flag of our homeland, hear our cry. Rise and bring your children under your shade again”

    Carl Scott Harker, a poet and literary enthusiast commenting on the poem on the allpoetry.com platform wrote, “This is a powerful poem which speaks directly to the pain felt in Nigeria, but I suspect, reflects the condition in too many countries in this world. Well done’’

    The Poet, Margret Offoha has authored many other poems, which include, I Am a Nigerian, Kindness, Domestic violence against women, Forgiveness, and Faith, amongst others.

  • Ojude Oba: Cultural celebration as brand strategy – Toni Kan

    Ojude Oba: Cultural celebration as brand strategy – Toni Kan

    The Ojude Oba festival is a cultural and exuberant spectacle of sound, colour and joie de vivre. Sponsored by the telecom powerhouse, Globacom and other corporate bodies, it is a full day celebration of the very best of Ijebu culture and traditions.

    The festival held in the forecourt (the eponymous Ojude Oba) of the monarch, is an annual event celebrating the culture and traditions of the Ijebu people while paying homage to the King, Alaiyeluwa Oba (Dr.) Sikiru Adetona, Ogbagba II, Awujale and paramount ruler of Ijebuland.

    Without doubt one of Nigeria’s longest reigning monarchs, the Awujale of Ijebuland ascended the throne of his fathers in 1960 after a short stint studying Accountancy in the United Kingdom. Oba Adetona, the 58th monarch of Ijebuland who celebrated his 62nd year on the throne and his 88th birthday on May 10, 2022 is an unapologetic champion of Ijebu culture and traditions.

    This not surprising because, as the Awujale, Oba Adetona is the custodian of his people’s cultural mores and traditional ethos. Described often as ‘sagacious, courageous, charismatic and dependable,” he is a nationally revered figure who is also well regarded at home.

    The Ojude Oba festival which now takes place in a purpose-built pavilion sited across from the Awujale’s palace is the annual commemoration of all things Ijebu and an opportunity for people drawn from across Ijebuland, Nigeria and the diaspora to pay homage to a King who has ruled with candour, objectivity and sincerity while espousing the highest ideals of the Yoruba Omoluabi ethos.

    The Ojude Oba festival is celebrated every year in Ijebu Ode on the third day of the Muslim Eid-el-Kabir. A colourful and spectacular carnival, the festival brings the town to a halt with every focus at the pavilion where the festival proper takes place.

    Guests and participants begin streaming through the royal archway as early as 7am in order to secure vantage positions within the pavilion. To watch the procession is to be suffused in colour and sound as the Regberegbe (the age grades who are organized around three-year circles with titles reflecting significant events during the period of their birth) arrive.

    For a people known for their industry and sociability, the Regberegbe represents the apogee of Ijebu harmony, conviviality and unity as a tool of social integration and cohesion.

    Beginning in 1845 -1848 with the Egbe Mafowoku of Ijebu (as extant records indicate) the youngest age grade is believed to be the Egbe Obaneye Obinrin Akile Ijebu encompassing those born between 1983 and 1985, the Regberegbe is believed to have been revived and revitalized by the Awujale after suffering a fissure during the British colonial era.

    Struck by the tenacity of purpose and unnerved by the spirit of cooperation engendered in Ijebuland by the Regberegbe age grades, the British sought to sunder that bond through the institution of the Native Councils which was employed to usurp the powers of the traditional Elders’ Council. The coming of Oba Adetona revived and gave renewed zest to the Regberegbe who are now a key part of the Ojude Oba festival and a springboard for Ijebu development, relevance and ascendancy.

    The Ojude Oba festival experienced a two-year hiatus on account of the global Covid-19 pandemic so the 2022 festival was expected to be spectacular and turbo charged and so it proved to be with the Regberegbe arriving early in their fineries and taking their place in sections reserved for them in the pavilion.

    Their procession around the pavilion marked by drumming, dancing and praise singing which peaks with the paying of tributes and presentation of gifts to the Awujale marks a special highpoint of the festival and this year, the Egbe Obayori Okunrin Asiwaju came tops as the best dressed age grade and won a N500,000 cash prize donated by Globacom.  Egbe Tobalase Okunrin and Egbe Bobamayegun went home with N300, 000 and N200, 000 respectively as first and second runners-up in the male category while Egbe Bobamayegun Obinrin Asiwaju came first with Egbe Arobayo Obinrin and Egbe Tobalase Obinrin emerging as runners up winning the same prizes in the female category.

    But where the Regberegbe represent the social element of the festival there is also another part of the festivities that is a throwback to a time when kings went to war and conquered lands and secured heady victories. Back then a King setting out to war was backed by his Baloguns and the revered horsemen, Eleshins.

    The martial procession of the Baloguns and Eleshins at the Ojude Oba festival is a symbolic and grand yet solemn affair recalling the military might of the Ijebu kingdom and the prowess of those who have sworn allegiance to protect the people and the king.

    The procession of the Baloguns and Eleshins draped in their fineries atop their ornamented horses is preceded and punctuated by dane gun shots and equestrian dexterity drawing screams and cheers in equal measure from the audience

    This year’s procession featured 21 families including the Balogun Kuku, Balogun Alausa, Balogun Shote, Balogun Oyewole, Balogun Odunuga, Balogun Gamugasa families among others. Balogun Kuku was adjudged the best in skills and dexterity on their horses while Balogun Odunuga and Balogun Gamugasa came second and third winning N500,000, N300,000 and N200,000 respectively.

    The Ojude Oba is enlivened by Globacom which has been collaborating with the Ojude Oba Planning Committee as main sponsor since 2006. The company has made the support of traditional institutions and cultural festivals a key brand building strategy. The company has supported the Ojude Oba festival for over a decade but it’s support is ethnic and tribe agnostic extending past Ijebuland to cover the Lisabi festival and the Ofala festival amongst others.

  • A Writers Village called Mamman Vatsa

    A Writers Village called Mamman Vatsa

    After many years of dragging its feet, the Association of Nigerian Authors (ANA) has finally erected a corporate headquarters befitting of its status. It is called Mamman Vatsa’s Writers Village. It is located at Mpape, Abuja where writers and other interested individuals can always trip to, to work and probably hang out. The property is vast. It has enough rooms and ambiance to satisfy the needs for which it is intended. EDOZIE UDEZE reports.

    The story of Mamman Vatsa’s Writers Village, Mpape, Abuja, is typical of a journey of a thousand miles that begins with the first few steps.  It is a glorious story often strewn with pleasant and rough edges.  It is a development that indeed astounded most people, even those who have given their wherewithal to it all.  It began in 1986.  That year, the then Federal Capital Territory Minister the late Major General Mamman Vatsa deemed it expedient to allot large acres of land to the Association of Nigerian Authors (ANA) to build their permanent headquarters, writers enclave inclusive.

    Vatsa himself was a soldier poet, a situation that irked most of his colleagues in the military.  But he was a deeply committed soldier as well, and one who gave all his all to his literary calling.  And seeing how ‘homeless’, ANA had become, he gave that area of land in Mpape to the association to erect its headquarters.  Termed Writers Village, ANA officials quickly claimed the land, but did practically nothing to secure it for the sake of posterity.

    The lull in properly securing the land for immediate development stemmed from the fact that Vatsa was immediately arrested on charges of coup plot against the government of General Ibrahim Babaginda.  Soon after, however, Vatsa and his colleagues, senior and junior officers, were tried and executed.  This somewhat shifted attention from the plots of land, from its decisive development.

    But beyond that, ANA land remained intact, somewhat sacrosanct.  Moreover, leaders came and went.  Yet no concrete action was taken to commence meaningful infrastructural development.  Moments of lacuna, rancor, acrimony, erupted.  Claims and counter claims reared their heads, stunting progress, distorting movement forward.  In the meantime ANA rotated, roved and roamed from state to state for venues for its yearly conventions.  It became a point of going cap in hand to secure venues, and for states to agree to host this annual ritual.

    But like all’s well that ends well, a few years ago, President Denja Abdullahi with his executives in office chose the part of honour, in a very dignifying way as it were, to brush all odds aside for the sake of concerted actions on the land.  Then began the very first stages of the development of infrastructure on the property.  This was in 2018.  By 2019, the efforts had glaringly become visible, more manifested.

    A tour of the facilities in 2019, saw a place with big projects, tall dreams that have today resulted to and metamorphosed into a big, gigantic, corporate headquarters for the writers clan in Nigeria.  You don’t need to go far or look far afield to see or glimpse the oriental nature of Mamman Vatsa Writers Resort once you are in Mpape, Abuja.  It is sprawling; it is arresting.  Very clearly defined, designated and planned and executed to suit the urge to want to write and be celebrated, the location is also alluring, remarkably positioned for the necessary allure.

    By the way, Mpape is located within the proximity of Abuja towards Niger State.  It is a border enclave, with ever growing neighbourhood serving as a gateway to those who pitch their tents there.  A real village setting for now, Mpape is breezy, the ample spaces and the curvy nature of the esplanades are typical.  Not necessarily hidden, its most attractive nature lies in the hilly-valley outlook.  This curvy outlook and ambiance are what appeal to the writers body, in and out of season.

    The curvy nature of the premises, has endeared it to all.  Inside the premises are many catchy, remarkable edifices.  The main building harbours the conference halls.  It is big enough to host as many as fifteen to twenty thousand delegates if need be.  There are halls of different sizes to complement the main bowl.  It has galleries and adjoining compartments that empty also into the main bowl.

    It is centrally air-conditioned which has indeed proved that the developer, and builder retired Colonel K.K. Shaw is a man of tact and taste.  It is of note that these different compartments can host different programmes simultaneously without interfering with one another.  Last year when the centre was used for the first time for the ANA annual convention, delegates were indeed awed.  With mouths open and surprises written on their faces, a lot of writers were spellbound at the beautiful sight.  The convention held with pomp and ceremony.  Delegates, old and young, had splendid moments.  A tourist delight, the village is good as an example of an effort in resilience.

    The current ANA President Comrade Camillus Ukah is equal to the task.  In the past three years or so, he has never relented.  A few months ago, he equally called writers together at Mpape to commission yet another portion of the edifice completed forthwith.  It is the Professor Femi Osafisan Secretariat, so named because not only that Osofisan is a patriarch of ANA, he is one of its stabilizing forces.  That day also witnessed a galaxy of activities synonymous with the usual literary glitz and razzmatazz for which artists are known, recognized and cherished.

    There is a library.  There is a hall of fame in which are kept pictures of all past and serving presidents of ANA.  The room glitters, replete with history.  Also there are offices, with the offices of the president and secretary serving as examples of what deep, well-executed architectural masterpieces should look like.  ANA has also almost completed the hotel rooms.  The rooms come handy  for writers who need to unwind or explore once in a while.  The rooms are likely going to be named after many writers, iconoclastic authors who have proved their mettle over the years.  The rooms have all the necessary comforts of a five star arrangement.  Each room is well-ordered, with all its modern facilities to meet the needs of lodgers.

    Away from that, is the arrangement to organize writers residency programmes.  This will help authors to indulge in the coziness of the environment, enjoy the quiet ambiance of the village to produce classical works of literature.  All said, ANA today has one of the best, one of the most modern, stupendous corporate headquarters.  Often, even cynics use the efforts of those behind the actualization of this huge project to justify the age-long saying that he who laughs last, laughs best.  ANA’s laughter is not just the best, it is glamorous and infectious, glorious and eternal, indeed ever-gregarious.

    A laughter that is engineered to reignite steem and spark a push in the minds of writers, it is no longer a moment to lose focus or begrudge yourself for choosing these paths.  Nigerian writers and authors are very proud of themselves today because they have achieved what looked utopian before.

  • Artgidi celebrates Mandela with art auction

    Artgidi celebrates Mandela with art auction

    An art technology company focused on the promotion of contemporary African arts, Artgidi Limited, is set to celebrate the iconic South African freedom fighter and role model politician Nelson Mandela. It opened its doors with the maiden auction to commemorate Nelson Mandela International Day.

    With the theme: “Holding On”, the charity auction, which opened Monday and runs till July 23, is in honour of Mandela contributions to humanity. Under the auspices of Artgidi.com, the company has created a unique ecosystem that brings together African artists of all genres, calibres and cadres on the one hand and art enthusiasts and collectors on the other.

    At a pre-launch of the art platform in Lagos, Rufus Ashiru, Artgidi CEO, stated that even in death, Mandela remains a strong inspiration to the world, particularly at this time when humanity is faced with serious security concerns.

    According to Ashiru, who is Artgidi co-founder with Tayo Olatimehin (the Chief Technology Officer), the platform is of great benefit to the artists as there is no registration fees or imposition of exclusivity right to the sale of the listed works.

    Ashiru, who is also the curator of Artgidi.com said: “The theme connotes defending and upholding the quality legacies that Mandela lived, suffered and ultimately became globally renowned for. Our commemoration of the Nelson Mandela International Day is not only to extol the virtues of the great Mandela, but an important window for African artists to turn the spotlight of the entire globe and international art market to Africa by exposing the beautiful works of its artists. In the spirit of selflessness, part of the proceeds of sales from the auction will be donated to Funda Wazi Foundation, an organisation owned by the late Rosemary Simangele Nomthi Odukoya

    “As a global platform, Artgidi.com, embraces creatives from all works of life but majorly focused on promoting contemporary African Arts and giving African Artists visibility in the international market. Hence, we are showcasing the best of contemporary African art and it is a rare opportunity for Africans, particularly Nigerians to appreciate the value inherent in collecting artworks as it can act as a store of value and wealth for the future. Three auction houses sold over $1 billion on online auction in 2022 and that Africa also contributed a sum of $13 billion to the global art market in 2018. According to verifiable sources, this figure is predicted to rise to $15 billion by the year 2023”

    The participating artists praised the platform’s efforts at promoting art and its global reach.

    For Adubi-Mydaz Makinde, who is auctioning three of his works, Mandela’s life of selflessness and absolute commitment to the cause of freedom has continued to inspire his brush. “It is an honour to be part of the charity auction is noteworthy venture. Mandela was the major factor that galvanised the world towards taking a stand against apartheid, ultimately bringing an end to it and desegregating the South African society, at least, constitutionally.”

    On his part, Ayoola Mudashiru, a painter and originator of Hulah Motifs (Hulaism) style of painting, expressed that he was skeptical about the platform at first but when he visited and uploaded his first work, he found out that the website was well-structured and user-friendly. He also has three of his works in the auction,

    The auction, which is still ongoing, features works of artists of different cadres, including iconic artists such as Dr. Kunle Filani, Tola Wewe, Jossy Ajiboye, Idowu Sonaya, Mufu Onifade and John Onabrakpeya. Other versatile artists are Gbenga Ajiboye, Oladejo Akande, Olushola Obayan, Olubunmi Oyesanya-Ayaoge, Ogochukwu Ejiofor, Aina Felix, Achike Anayo, Ifedilichukwu Chibuike amongst several others.

    “This auction provides buyers a great window to acquire masterpieces in a transparent bidding process that artgidi online auction provides. As an icing on the cake, Artgidi is offering free worldwide delivery on some categories of works. The process of buying works for this exhibition is easy. Artworks will be available as orilimite and limited editions. All a buyer or art collector needs to do is to just click, bid and buy. All a buyer needs to do is to visit https://artgidi.com/auctions and follow the prompts,” according to the organisers.

  • Goge Africa seeks promotion of tourism

    Goge Africa seeks promotion of tourism

    Goge Africa management seeks to explore intra–connectivity in Africa in areas of trade, investment and tourism. During a recent visit to two East African countries, Tanzania and Burundi, the tourism promotion outfit tasked political and economic leaders to stop moving the wealth of Africa outside the continent if they want the progress of Africa.

    To the team led by its Chief Executive Officer, Ambassador Isaac Moses and Managing Director, Ambassador Nneka Isaac–Moses, the trip was an insightful one and a learning curve for them in their new quest in identifying barriers to intra African trade and working towards eliminating these barriers.

    While in Tanzania, the team met with Tanzanian Ambassador to Nigeria, Dr. Alfred Bana, and facilitated a meeting between Goge Africa, Tanzania Tourist Board and Zanzibar Commission for Tourism. They were received at Tanzania Tourist Board office in Dar Es Salam by the Director of Marketing, Dr. Gladstone Mlay, who agreed that concerted efforts must be made to promote African tourism and investment opportunities especially within the continent.

    The team also met Dr. Mohamed Mkurugenzi Masoko, who had to sail from Zanzibar to Tanzania, to meet with the team at Kigamboni area of Gezaulole at Bamba Beach, a privately owned resort on the peninsula.

    Relieving his experience, Isaac Moses said: ‘‘Bamba beach is a very beautiful eco-friendly resort with huge potential for investors in tourism sector. It has a nice curvy lake amidst the green vegetation that runs slowly into the ocean.”

    The visit to Burundi, which was on the invitation of the Nigerian Ambassador to Burundi, Ambassador Elijah Onyeagba, took the team to the Mayor of Bujumbura, CP. Jimmy Hatungimana and held a meeting with the Ministry of Sports, Culture and Heritage. The team in company of Her Excellency Mrs. Udo Onyeagba and others toured the boarder of Burundi and Congo Democratic Republic, as well as Parc National De La Rusizi. “It was a magical journey of discovery,’’ revealed Nneka Isaac- Moses.

    ‘‘From the quiet waters of brown coloured Rusizi, we watched a pod of hippopotamuses, different species of birds that fluttered away as we clapped from our boat. Within minutes, we were at the magical but natural divide where brown coloured Rusizi meets with blue Lake Tanganyika.”

    The boat cruise experience was capped with a cultural feast served by Burundians as the team was treated to a sample of the internationally acclaimed drum ensemble and dance of Burundi.

    According to the CEO of Goge Africa ‘‘these and more are information you may not readily get online. Burundi is not a poor country. They have food sufficiency with one of the most fertile land in the whole of Africa. Lake Tanganyika is a fresh water lake and home to over 200 species of fish.”

  • Thespian’s struggle to stardom

    Thespian’s struggle to stardom

    Six years on, Mabawonku Babafemi Akinwale, a budding thespian is determined to realise his dream of becoming a renowned artiste despite the increasing challenges on his pathway.  He said issue of ‘God fastherism’ in the creative sector has stood between him and his dream career having attended many auditions preparatory to acting a role in movie production.

    Mabawonku, a 2016 graduate of Theatre Art  from Lagos State University, Ojo, had featured in school productions such as Red is the freedom road by Femi Osofisan, Love and colours in Delphi by Lekan Balogun, The king must dance naked by Fred Agbeyegbe and Tearful laughter, among others.

    In Femi Osofisan’s Red is the freedom road, he acted a warrior king, which was his most cherished play he acted in.

    “My challenges have always been the ‘God fatherism’ in the movie industry. I have attended several auditions where I know I am fit for a particular role and even other actors and judges are always wowed. But, at the end of the day, no call up and this has been very discouraging. But I hope for a better Nollywood,” he said.

    Though the young thespian is yet to be fully engaged as an artiste, but he has chosen alternative platforms through which to express his talent and keep abreast of trends in the sector.

    “I am very much determined about this dream….and I have been doing some videos on ticktok and also I do duet on other people’s act…never say die is the spirit,” he said in a telephone conversation recently.

    Mabawonku graduated as one of the best actors in the department and his role model has always been the great Olu Jacobs. From childhood days, he has always wanted to be an actor. For him, the legendary Olu Jacob is an embodiment of a renowned dramatist. “Olu Jacobs is my role model because of how he has been able to stand out as one of the greatest actors in the Nigerian movie industry. The way he takes his lines and his poetic renditions of lines makes him the envy of many in the industry. He is a thespian who can blend into most roles.

    “As a thespian, I get inspired by the day-to-day happenings in the society and I believe acting is a medium to pass information to entertain and also to educate the targeted audience,” he added.

    He recalled that after his university days, he had the ‘opportunity of featuring in a movie serial killer, a TVC case file project based on true life story about a serial killer in Port Harcourt gracious David West, I took the role of the serial killer. And I also featured in the tales of eve as one of the agents.’

    He disclosed that he is not confined to acting alone as he can also direct plays.  According to him, he enjoys role that has to do with love or being a leader, adding that he doesn’t select role.

  • ‘Vote for tourism-friendly candidates’

    ‘Vote for tourism-friendly candidates’

    Father of Nigerian Tourism and proprietor of Brooklyn Group of Hotels Chief Mike Amachree has called on Nigerian electorate to vote only candidate for elective position that has agenda on how to improve and develop tourism at all levels in Nigeria.

    Amachree, in a statement, said in the light of the importance of tourism all over the  world, it will not be in the interest of the country to elect candidates that have no clue on how to harness the vast potentials of tourism in the country to generate income and improve the country’s economy.

    Amachree said: “I want to use this opportunity to appeal to Nigerian electorate to be wise and only vote in candidates that would help and develop Nigerian tourism.  Our current revenue from oil is unreliable and the overdependence on oil is doing great harm to the country’s economy.

    The tourism mogul said: “Nigeria has a huge abundance of tourism endowments both at the level of culture and eco-tourism. This has not been effectively tapped. So, it is important the country elect leaders that would help develop our tourism to attract both local and international visitors. This is the only way the country can generate revenue from it.

    “As you may be aware, tourism helps to drive industrialisation as most investors first come in as tourists before seeing business opportunities to exploit and establish in that country.

    “When tourists come, the country benefits not just from the immediate influx of cash from their expenditure while on tour, tourists help to industrialise a destination. When they come, they see business opportunities to invest and also build industries and also invest in agriculture.  This help to bring foreign investment into the country. So, it is very important the country vote in a government that will not pay lip service to tourism.”

    Continuing, he added: “In addition to this, the lack of stand-alone tourism ministry has also stunted the development of tourism. It is very important the government as a matter of urgency, create a tourism ministry which is not attached to any other ministry to oversee and supervise the growth and development in the sector.

    “Because of the importance of having a stand-alone ministry of tourism, I was among those that continue to put pressure on the military government for a tourism ministry until it was finally created during the tenure of former President Olusegun Obasanjo.

    “Unfortunately, the present administration lumped tourism under the Ministry of Information and Culture.  This has negatively affected the growth of tourism in the country. The government should as a matter of urgency re-establish the ministry of tourism and culture.”

  • When cost of silence is grave, irreversible

    When cost of silence is grave, irreversible

    Executive Director, Hope for Second Chance Foundation, Mrs Ibukun Otesile has been in the forefront of the crusade against domestic violence against women and children. Her two books speak to these issues as shared during a chat with Assistant Editor (Arts) OZOLUA UHAKHEME.

    Child Rights Campaigner and Counselling Psychologist Mrs. Ibukunoluwa Otesile has called on parents and guidance to speak out against any form of domestic violence against women and children. She said that where there is domestic violence, there is likelihood of parental neglect which, in turn, predisposes for sexual abuse. She noted that what makes these vices thrive is the culture of silence.

    The author of The cost of silence, The new game, and Executive Director Hope for Second Chance Foundation, who spoke during a chat on her two books, said that an average girl-child is raised barely able to speak not because she doesn’t have the capacity but because the society doesn’t give much consideration to the voice of a woman. This, she said, was still reflected in the recent anti-woman disposition of the National Assembly.

    “Women go through abuse and are not able to speak out because for instance, the average girl is raised to believe the responsibility of the success of the girl-child work, she has failed.  So, when abuse sets in, she absolves it just so it can work.

    “Now to the crux of the matter, when this happens, children are usually the collateral damage. This is significantly responsible for the prevalence of sexual abuse and the decadence of our adolescent that we witness today,” she added. Explaining what prompted her second publication The cost of silence, she said it was written because many parents are not aware of the interconnectivity and relatedness of many of these social vices. Another reason, she said is because any development work or social change that will be sustained must involve children. ‘They are the ones that will guarantee that the advocacy doesn’t fizzle out.’

    But, in order to effectively engage the children, she adopted the story-telling approach that x-rays these issues in children- friendly and easy-to-read text.

    She stressed that parents need to realise that the consequences of silence are not only grave but also heavy in terms of cost. Every social vice thrives in silence!  According to her, The cost of silence which was published last year has been well received as many schools across the nation have already introduced it as a reading literature text for their school libraries and in the class room.

    “The cost of silence looks critically at domestic violence, sexual abuse, sexual immorality and substance abuse, which are major concerns today. It also brings to light the important role of counseling psychologist with the view to change the orientation of our people when it comes to seeking help where mental health and psychological well-being is concerned. The prevalence of substance abuse in Nigeria is critically alarming. Our children are exposed to all kinds of substances that interfere with their ability for sound judgment.

    “Studies have shown clearly that substance abuse is also significantly linked to increased sexual immorality among Nigerian children and youths. So many cases of unbelievable sexual atrocities being committed by our children and youths go hand in hand with substance abuse,” she added.

    Continuing she said: “Abuse has a cycle and attendant issues, when parenting is faulty, where society fails, a child becomes predisposed to sexual abuse. When that happens, that child is very likely to predispose to her peers, children younger or even older to such atrocities. It’s a case of a rotten egg. If you keep a rotten egg in the crate full of eggs, it’s only a matter of time before all the other eggs become rotten.”

    She, however, tasked caregivers to be proactive to forestall these unfortunate incidences from happening. To her, whether it is bully, sexual abuse or sexual immorality, ‘we must begin to hold care givers to higher standards where protection of children is concerned.’

    “When we begin to hold parents and care-givers liable in the court of law, maybe we would be better disposed to protecting children. The culture of silence or trying to sweep things under the carpet must be strongly condemned. The cost of silence is always grave. Each time you stay silent over a vice that you witness or hear about, you feed that vice. The bigger it grows, the harder it becomes to curtail such vice,” she noted.

    Interestingly, Mrs Otesile is not alone in the campaign for the protection of children particularly girl- child and women’s rights. Recently, Mrs Ifeoma Theodore Jnr E, in a book chat shared her experiences on how parents, teachers, and policy makers can prevent the growing spate of sex-related abuses among teens in schools. Her two books Trapped in Oblivion and My daughter and I address many of these issues that are manifesting among youths in the country.

    With her KEE Foundation initiative (#Thechildrenarenottoblame), supported by Magna Carta Health and 1922 Limited, she has kept faith with the advocacy, visiting some schools in Lagos State counseling students. She urged government, schools and parents to play their roles in shaping the future of the children, noting that it is a value chain.  “We are not here to trade blames. It’s a value chain. As soon as we can understand and accept that we are all held liable, except these children, because they are under our care. It is the society we created for them. There’s no shortcut. We talk about Maltina Dance Hall. It is what you’ve given them. We talk about talent hunt. It’s what you have given them. With Big Brother Naija, they see so many things. I don’t think we are magicians. The point is, instead of trading blames, we should accept that it is what we have created for them. That’s what they are giving,” she added.

    While reacting to video scandal and child bullying in two Lagos schools recently, she called on parents, institutions and government to stop the blame game and work together for a better future for the children. “So let’s work together. It is not time to trade blame. Let institutions come out and do something to make things better. You owe it to these kids,” she added.

    According to her, the lasting solution is residual knowledge which the children can refer to. This, she said, is why she keeps on advocating for materials for knowledge. “It’s not enough to preach the gospel. What materials can these kids have that will be a constant reminder that this is what I know? Something that can make them engage with one another,” she added.

  • THE DAYS I WRITE

    THE DAYS I WRITE

    Thinking of the days I write,

    In clouds of thought,

    In pain or smile,

     

    My heart writes to dash,

    Then I ask myself,

    will it be all right?

     

    Not just to pen,

    But to stand in strength,

    I say, I will fight to the end,

     

    The challenges of time,

    Embedded in the origin of corruption,

     

    Yes, no one knows tomorrow,

    But i wish for a better tomorrow,

     

    Then will I just sit,

    And fold my hands?

     

    Or, will I write,

    Till it gets better tomorrow.