Category: Arts & Life

  • Habeeb Okunola named Lagos Man of the Year 2025

    Habeeb Okunola named Lagos Man of the Year 2025

    In a highly anticipated and significant announcement, Chief Habeeb Olalekan Okunola, the President of CINI Holdings, has been officially recognised as the 2025 Lagos State Man of the Year.

    This prestigious honour, awarded by the organisers of the Lagos State Man of the Year Award (LASMAYA), emerged from a comprehensive polling process that highlighted Dr. Okunola’s strong rapport and unwavering support from the community, culminating in an impressive tally of 6,926 votes from a total of 16,940 valid votes cast.

    The organisers attributed Dr. Okunola’s nomination to his remarkable passion for entrepreneurship, which has been consistently demonstrated through his various ventures and initiatives. As the head of CINI Holdings, he has played a pivotal role in forging partnerships with both local and international conglomerates, driving innovative solutions across multiple sectors, including real estate, construction, energy, and procurement.

    His entrepreneurial acumen and strategic foresight have not only propelled his company to new heights but have also contributed significantly to the broader economic landscape.

    Beyond his business accomplishments, Dr. Okunola is widely respected as a philanthropist and visionary leader. He is the founder of the Habeeb Okunola Foundation, an organisation dedicated to uplifting disadvantaged communities throughout Lagos.

    Through the foundation, he has spearheaded a multitude of initiatives aimed at improving education, business, healthcare, and economic opportunities for those in need. His steadfast commitment to humanitarian efforts and community development has solidified his reputation as a beacon of hope and inspiration within Nigeria’s bustling metropolis, often referred to as the “Centre of Excellence.”

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    This year marked the Thirteenth Edition of the Lagos State Man of the Year Award (LASMAYA), an initiative designed specifically to celebrate and honour extraordinary individuals whose contributions have left a lasting impact across various sectors within Lagos State.

    Dr. Okunola’s exceptional achievements were lauded not only for their quality but also for their transformative effects on both the local economy and the social fabric of the community. His leadership has been instrumental in nurturing entrepreneurial initiatives and promoting innovation, both of which are critical for the sustainable development of the state.

    LASMAYA is organised by the Centre for Policy Development and Political Studies, a division of Hany Communications Ltd., with the mission of identifying, celebrating, and honouring exemplary role models who embody excellence and integrity within the Lagos State community. The recognition of Dr. Okunola this year serves as a testament to his relentless dedication to societal advancement and his influential role as a transformative leader in various spheres.

    In his acceptance speech, Dr. Okunola expressed heartfelt gratitude to his supporters, emphasising that this accolade transcends personal achievement and represents a collective victory for everyone who shares his vision of a prosperous Lagos.

    “This recognition is a tremendous surprise to me, as I have always worked quietly to impact lives positively. I embrace this honour wholeheartedly, acknowledging the significant role I have played over the years in Lagos, Nigeria, and beyond. This accolade invigorates my commitment to do even more, inspiring collaboration with others, as innovation is key in creating wealth, uplifting lives, and providing effective solutions to pressing issues. I extend my sincere thanks to my supporters, partners, well-wishers, and the thousands who voted for me.”

    He further reaffirmed his dedication to fostering innovation, advocating for sustainable growth, and promoting inclusive development, while calling upon all stakeholders to continue celebrating excellence in every area as Lagos moves confidently toward a brighter future. Dr. Okunola urged everyone to uphold the principles of service, excellence, and community engagement, which he believes are essential for propelling Lagos toward continued success and progress.

  • Chioma Chukwuka features on cover of UncutXtra Magazine’s 19th edition

    Chioma Chukwuka features on cover of UncutXtra Magazine’s 19th edition

    UncutXtra Magazine has released its 19th edition, with the award-winning Nollywood actress Chioma Chukwuka featured as the cover personality. The issue, themed “The Influential Edition,” highlights individuals who have made a lasting mark across film, fashion, business, and culture. 

    Chioma Chukwuka, widely regarded as one of Nollywood’s most consistent and respected figures, appears on the cover in the wake of her recent recognition as the Best Lead Actress at the Africa Magic Viewers’ Choice Awards 2025. Her feature marks a continuation of UncutXtra’s editorial focus on spotlighting African creatives and professionals with cross-generational impact.

    Founded in the United Kingdom, UncutXtra has steadily built a reputation as a platform that documents African excellence for a global readership. Previous editions have profiled a range of public figures, including past winners of Nigerian reality shows, actors, entrepreneurs, and media personalities from across the continent. The 19th issue maintains this cross-sector approach, featuring conversations with emerging actor Eronini Osinachi, content creator Emilia Akinriboya, and others shaping contemporary African narratives in their respective fields. 

    At the helm of the publication is Architect Emmanuel Alade, who serves as Publisher and Chief Executive Officer. 

    According to Architect Emmanuel Alade: “What truly stands out in this edition is the depth of authenticity. We didn’t just go after big names; we focused on individuals who are making real impact in their industries and communities, individuals with a commendable body of work. This edition reflects our vision to not just spotlight success, but the substance behind it”.

    Read Also: Chioma Chukwuka breaks down in tears after winning Best Lead Actress at AMVCA 2025

    “For decades, Mrs. Chioma has not only captivated our screens with her exceptional talent but has also shaped narratives, broken boundaries, and inspired generations through her unwavering commitment to her craft. In this issue, we explore the woman behind the legacy — her journey, her growth, and her powerful voice as both an actress and advocate” he shared.

    “Working with Mrs. Chioma and her team was not only effortless but a true pleasure! A testament to her professionalism, warmth, and dedication. The seamless collaboration stands as a commendable complement to the values she represents, both on and off screen,”  he stated.

    Under his direction, the magazine has expanded its reach while maintaining a focus on original storytelling that centers African experiences and perspectives. 

    Editorial contributions for this edition were led by the Editor, Omobolanle Valentina Adigun, with input from the Assistant Editor, ‘Olaitan Junaid, and contributing writers Oluwagbeminiyi Oduyemi, Divine Apemaa Yiganabari, Oluwabukola Odunwole, and Ifeoluwa Ajayi. The visual production team includes the stylist Laween Luxury, photographer Kendhall I. McGowan, with makeup and hair provided by Belle Bedazzled. 

    The interview was gracefully conducted by Rose Uloma Kanu, whose thoughtful questions and calm presence brought out the depth and nuance of Chioma’s story. 

    The latest edition is available on digital platforms and in select retail locations.

  • Knorr partners creators to inspire new wave of joyful home cooking

    Knorr partners creators to inspire new wave of joyful home cooking

    Knorr, Nigeria’s leading seasoning brand, is on a mission to help people find joy and confidence in the kitchen.

    At the heart of this mission is a simple belief: everyone has cooking potential, and Knorr wants to help bring it to life. From tasty jollof rice to efo riro, Knorr has been a staple in Nigerian kitchens for generations.

    Now, Knorr is going further, not just as a flavour enhancer, but as a true kitchen wingman. One that supports, encourages, and helps people see home cooking as joyful and easy without pressure for perfection.

    To amplify this mission, Knorr has partnered with a diverse group of creators and collaborators who remix tradition, celebrate culture and turn everyday meals into moments of joy.

    These creators will share relatable tips, easy recipes, and behind-the-scenes moments that show cooking does not have to be perfect to be rewarding, solidifying Knorr’s position that there’s a cook inside everyone and good food can be easy,  joyful and flavorful, with Knorr as their wingman in the kitchen.

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    The unveiled creators’ lineup includes Tobi Bakre, Taymesan, Anu Bakre, Kaylah Oniwo, Linda Ejiofor-Suleiman, Nancy Umeh, Chef Derin, Chef Cupid, Chef Roux, Chef T (Diary of a Kitchen Lover), Chef Zeelicious, Chef Fregz, Dr. Robert, Inidima Okojie, Chef Amaka, Chef Dee, Ibrahim Suleiman, and Daniel Ochuko.

    Speaking at the Knorr Content Creators Gig organised to onboard the new creators, Damilola Dania, Foods Demand Creation Lead, Unilever Nigeria Plc, said, “At Knorr, we believe cooking shouldn’t feel complicated or intimidating. We want every Nigerian to know that their next tasty meal is just within reach and that Knorr will always be their trusted kitchen wingman. That is why we’re working with everyday creators—our kitchen co-wingmen and co-wingwomen—to share real recipes, easy hacks, and true moments that help people cook with more joy and confidence.”

    With Knorr, everyone can discover the cook within and serve up delicious memories every day. So, whether it’s a quiet family dinner, a lively hangout with friends, or a big celebration, bring out the cook within you with Knorr as your wingman, one meal at a time.

  • Gazmadu studios hosts soul-stirring “She Rises” experience for visionary women

    Gazmadu studios hosts soul-stirring “She Rises” experience for visionary women

    Lagos-based visual storytelling brand, Gazmadu Studios, has concluded the maiden edition of its transformative women-focused event, She Rises—a soulful, day-long experience celebrating reinvention, power and purpose for high-impact women across industries.

    The intimate gathering, held in Lagos, drew an impressive lineup of career professionals, entrepreneurs, and thought leaders, many of whom are long-time clients, collaborators and believers in the Gazmadu brand.

    The event was designed to serve as a space for personal reflection, community building and purposeful evolution, especially for women navigating life’s transitions.

    According to the founder and creative director of Gazmadu Studios, Yagazie Eguare said, “She Rises wasn’t just an event,it was a soulful experience. It was our love letter to the visionary women we’ve had the honour of photographing, those whose stories have shaped our lens. This gathering was about language, presence, and clarity. It was about knowing when it’s time to rise again, and doing so without pressure.”

    The experience featured quiet charge talks, guided intention-setting sessions, and open conversations that encouraged attendees to put language to their season of life and embrace personal reinvention.

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    The room buzzed with authenticity as notable women from diverse sectors brought their voices and vulnerability to the event. Distinguished guests included Toyosi Etim-Effiong, Rolake Akinkugbe, Winhin Jemide, Funto Ibuoye, Morenike Molehin, Yemi Keri, Eno Atoyebi, Olive Emordi, Ivana Osagie, Adetola Akintola, Fola Akinrinlola, Temitope Olonilua, Olatokunbo Ogunlade, Jumoke Olaniyan, Tomi Balogun, Bodam Taiwo, and Jumoke Abiodun, among others.

    Their presence, according to attendees, deepened the essence of the gathering.

    “We weren’t just talking about business and strategy. We were talking about soul, identity, wholeness, and how all of these things show up in the stories we tell and the lives we lead,” one participant said.

    While She Rises was curated as a one-day affair, Gazmadu Studios has revealed that the movement is far from over.

    “She Rises is not a one-time event,” Yagazie affirmed. “It’s a call to action, for every woman who has ever felt stuck, lost, or unseen. Your next chapter is calling, and you don’t have to rise alone.”

    Already, the campaign has extended its reach across social media and digital platforms, including video storytelling projects that aim to amplify the voices and journeys of more women within and beyond Gazmadu’s client community.

    About Gazmadu Studios

    Founded by Yagazie Eguare, Gazmadu Studios is a premium photography and visual storytelling company based in Lagos, Nigeria. Renowned for its human-centered approach to storytelling, the studio is trusted by clients seeking powerful, transformative imagery that reflects their truth and essence.

  • Beauty for ashes

    Beauty for ashes

    • By Ben Tomoloju

    Beauty for Ashes by Greg Mbajiorgu and Nneka Alio is a scathing criticism of the iniquities of the society. But it is one with a redemptive conclusion. AgbonmaObiozo, the narrator opens the play with a relay of posers on the paradox of good and evil on the capriciousness of the human being in matters pertaining to justice and injustice. She also comments on the absurdity of life in Nigeria, the very setting of the play. The paradox is reflected in her name for, as she says: 

    ‘My name is Agbonma. But my life depicts the exact opposite of Agbonma…’

    Abgonma is a paragon of beauty, an eye-catching belle. She is approached by numerous suitors whom she rejects until wealthy Ogbuka comes her way like the complete gentleman in Tutuola’sThe Palm-Wine Drinkard. She gets married to Ogbuka only to later discover his irritant lecherousness. She abandons the marriage and, out of frustration, takes to prostitution – another recurrent sub-theme in The Power of One… According to her, prostitution is ‘very lucrative’. She runs around with wealthy men who can finance her life of opulence and grandeur. Those who cannot, she despises and abuses in the vilest.

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    She loves to hop around the globe luxuriating in the best hotels and resorts, but with heavy cash as the bottom line. She earns it for a while until her sweet song turns sour. Soon, her sex-trade slumps. She’s boxed into the mystery of low profile hustle. Agbonma finds herself pitiably among street girls hawking their bodies in dimly lit byways. She sometimes fell victim to exploitative policemen and is treated like a common criminal. Once, she is detained. She’s pestered for sex and submits herself to carnal exploitation by a police officer. Thereafter, in the same detention cell, luck smiles on her. She meets another police officer who proves quite humane and godly. The officer is, infact, a born-again Christian who touches her soul with life changing words from the scriptures. Her life is thus transformed for the better, from that of a shameless harlot to a penitent, salvation-seeking child of God. Later, she, too, becomes an ardent evangelist of the word of God, influencing positively the lives of several women of easy virtue as well as other people in need of her redeeming intercession. With her power of prayer proselytizing, Agbonma wins more and more souls. She ministers to their spiritual needs, salvages them from all forms of infirmity and wants, give them ‘beauty’ for their ‘ashes’.

    Beauty here is transcendental. It is not of carnality, but quintessentially spiritual. By her commitment to the divine calling, fortune smiles on Agbonma and she’s permanently relieved of her former life of corruption, pain and tribulations. In spiteof the initial quoting of secularism, Beauty for Ashes is one solo play that is not only resonantly didactic, but quite evangelistic in spirit. Even the two titular words are biblical. Beauty is of God’s holiness and Ashes is for dirt and mourning. Equally, the play can also be approached from the perspective of the drama of ideas. There is always that kind of interface between solo plays and other types.

  • A beginner’s guide to online income

    A beginner’s guide to online income

    Title: How to Make Money Online in Africa

    Author: Olusola Adeyegbe

    Publisher: Lulu.com

    Reviewer: Raymond Mordi

    Pagination: 71

    At a time when many Nigerians and Africans are searching for profitable, legitimate online business models, Olusola Adeyegbe’s How to Make Money Online in Africa offers timely guidance that could be a game changer.

    The book responds to the harsh economic realities on the continent—high unemployment, low wages, and rising inflation—by showing how earning in dollars or other foreign currencies can provide a path out of poverty.

    Adeyegbe challenges common misconceptions about online income. Many believe making money online is either a quick path to riches with minimal effort or nearly impossible without capital.

    His book aims to correct these notions and serve as a practical guide for those seriously interested in exploring online business opportunities.

    “The internet is your gateway to limitless opportunities—take action today, and the world will reward your courage,” Adeyegbe writes in the foreword, setting the tone for his seven-chapter, 71-page manual.

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    Among the chapters are Understanding the Online Money-Making Landscape, Skills You Can Monetise Online (Without Spending a Dime), Profitable Online Business Models That Work in Africa, How to Get Started With Zero Capital, and Tools & Platforms to Make Online Work Easier.

    One of the author’s core messages is that capital is not a prerequisite for starting an online business. “You can start earning right now if you have the right skills—and the best part is, many of these skills can be learned for free!” he states on page 17.

    These skills include writing and content creation, graphic design, video editing, virtual assistance, online tutoring, social media management, data entry, and transcription. Adeyegbe, a lawyer, entrepreneur, digital strategist and leadership coach, provides examples of platforms where such jobs can be found and guidance on what they entail.

    He distinguishes between active income, where earnings depend on ongoing effort (such as freelancing or online tutoring), and passive income, where initial work leads to continuous earnings (such as selling digital products, blogging, or affiliate marketing).

    Chapter Four focuses on how to get started with no capital, offering free learning resources, advice on building a digital footprint, and tips for securing that crucial first client. The book also highlights tools to make online work easier and showcases Africans who have succeeded in the digital space.

    While Adeyegbe’s step-by-step guide is encouraging and packed with practical advice, beginners might still find it challenging to put some of the strategies into practice, particularly those who lack digital literacy.

    The book concludes with a clear call to action: “You now have all the information, tools, and resources you need to start earning online. The only thing left to do is take action!”

    Written in simple, straightforward language, How to Make Money Online in Africa: 7 Proven Steps to Earn in Dollars & Build Wealth With Zero Capital underscores that building a successful online business without capital is not just a dream—it’s a reality that many have already achieved.

    While it does not replace professional financial or business advice, this guide is a valuable starting point for anyone eager to explore online income opportunities.

  • PAWA elects new officials

    PAWA elects new officials

    The Belgium based International Federation of Reproduction Rights Organisations (IFRRO) has sent a congratulatory message to the Pan African Writers Association (PAWA) on its recent successful Council elections.

    In a statement signed by IFFRO’s Secretary General and CEO, Anita Huss Ekerhult, the organization believed that the renewed mandate is a powerful reflection of the trust placed in the council’s vision by the literary community

    across Africa and the diaspora.

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    According to her: ”As an international organisation dedicated to supporting authors, publishers, and the systems that enable

    the lawful use of their works, IFRRO has long admired PAWA’s commitment to promoting African literary voices and cultural exchange.

    We firmly believe that stronger links between our organisations can make a lasting contribution to the development of sustainable copyright ecosystems across the continent.

    We look forward to engaging with you to explore areas of shared interest and mutual support, from advocacy and licensing frameworks to education and public awareness”.

    The online inauguration of the new PAWA Council has been fixed for Friday July 25 2025 @4pm GMT.

  • Longlisted Books/Authors for the NLNG Prize 2025

    Longlisted Books/Authors for the NLNG Prize 2025

    1. An Unusual Grief by Yewande Omosoto.

    2. Fine Dreams by Linda N Masi.

    3. Leave My Bones in Saskatoon by Michael Afenfia.

    4. New York My Village by Uwem Akpan.

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    5. Petrichor: The Scent of a New Beginning by Ayo Oyeku.

    6. Sanya by Oyin Olugbile.

    7. The Middle Daughter by Chika Unigwe.

    8. The Road to the Country by Chigozie Obioma.

    9. This Motherless Land by Nikki May.

    10. Water Baby by Chioma Okereke.

    11. When We Were Fireflies by Abubakar Adam Ibrahim.

  • The whimsical truth

    The whimsical truth

    When a cat is teaching a dog how to bark,

    The world forgets the rhythm of dark and arc.

    When fish begins sermons to birds in the sky,

    And pigs start to ponder on how to fly.

    When an unintelligent man turns investigative sleuth,

    He chases shadows and names them truth.

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    He stumbles through whispers, half-heard and half-known,

    Building tall tales on a foundation of stone.

    When a bus driver suddenly becomes a pilot,

    With no coasts to hug, no lanes to pursue,

    He lifts from the ground with a jolt and a prayer,

    And steers through the clouds like he owns the air.

    When the tailor declares he is now a chef,

    And serves soup with a needle and thread on the left,

    When the barber begins to compose symphonies,

    Cutting hair with rhythm and harmonies.

    Oh, the world becomes a stage for the strange and absurd,

    Where silence starts speaking and nonsense is heard.

    Yet in the muddle, there is mischief and mirth,

    For even confusion gives birth to rebirth.

  • Saro-Wiwa writers’ residency opens in Abuja

    Saro-Wiwa writers’ residency opens in Abuja

    The Association of Nigerian Authors (ANA) has finally decided to open the much awaited Ken Saro-Wiwa writers’ residency in Abuja. Come August, the first set of writers will be admitted into the centre. In the meantime, advertisments have been made for interested writers to apply. EDOZIE UDEZE in an encounter with Dr Dipo Usman Akanbi, president of ANA, makes the situation clearer in this report.

    It is a sound leadership drive that makes an institution function well for the benefit of the larger society. The leadership of the Association of Nigerian Authors (ANA) led by its president, Dr Dipo Usman Akanbi has so far proved that an institution can work well if the leadership is sincere and passionate. Thus comes the opening of the first ever writers’ residency programme organised by the writers’ body in Nigeria. It is the Ken Saro-Wiwa writers’ residency situated within the confines of Mamman Vatsa Writers’ Village, Mpape, Abuja.

    The writers’ village was established by Nigerian authors to help writers have a place of their own. Before now, all their conferences, local and international, were usually held in different states of the federation on rotatory basis. But now, in addition to the enviable headquaters of ANA in Abuja, the leadershp has also deemed it necessary to have a writers’ residency where authors and writers are encouraged to go to for a certain period of time to hibernate and produce some creative works. Now, it is time to commence action and activities in the place. And that is why the leadership of ANA is advertising for interested writers to apply starting from this July.

    The application is open to both local and international writers. It is already clear based on the ideas behind the establishment of the centre that it is meant to cater for the interest of writers across the globe. In a statement released by Dr Akanbi, ANA president, it is stated that the project is in honour of one of Nigeria’s most celebrated authors, playright, dramatist, human rights activist and a former president of the association in the person of the late Ken Saro-Wiwa. Akanbi said, “come August the activities will commence. We therefore welcome interested writers to apply for the unique opportunity to focus on their craft and connect with fellow writers”.

    He said further, “it is established to bring together both established and emerging writers from diverse backgrounds, from across Africa to share experience, develop their craft and contrubute to the development of the continent’s literary landscape. Therefore the guidline for the application includes practising creative writers based in the African continent. The works have to be within the realm of fiction, non-fiction, poetry and the literary criticism”. In addition, an applicant must have written and published at least one work, a book or excerpts in a reputable literary platform either in print or digital form. The sample of the work an applicant intends to concentrate on or complete in the process of the residency must be clearly indicated in the application.

    This is to clearly show that each applicant is genuinely committed to writing and that he or she will surely utilise the opportunity for the benefit of the creative ideal for which the Ken Saro-Wiwa centre is established. Poets have to submit five poems from their previous or on-going works. This has to be authenticated via the application. In additon, proof of each persons nationality to show he or she is an African has to be clearly stated and proved. Based on the quality of application submitted, the best qualified writers will then be selected. The application has to show deep seriousness. Once the programme commences applicants must commit enough of their time to the residency, working and completing their project.

    Those selected will have to create time to interract and mentor students within the area. The programme is detailed to last for four weeks. There could also be an additional two weeks of grace for those who still want to tighten up some loose ends. However, the sum of one hundred thousand naira will be provided for local writers while the foreign ones will be given two hundred thousand for the period of the programme. This is to augument their internal movement in and around Abuja. The programme commences from August 30th and ends on October 11th 2025.

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    Meanwhile a visit to the imposing structures that constitute the residency showed that it is delibrately established to meet modern needs of users. The rooms are not just big and comfortable, the kitchen cabinets are fitted with the best in the world. The sitting rooms are large with the necessary writing materials in form of chairs, tables and cabinets. The television sets are properly fitted to serve their purposes. The outside of the buildings located within the foyers of Mpape valleys and hills provide natural security and comforts all year round. The premises is well fenced with adequate security. There are decent eatries and joints here and there. The nearby Mpape location is also alluring enough for evening stroll or walkout.

    Away from the beauty of the Mamman Vasta Writers’ Village, writers can easily take a ride to the nearby Maitama extension and indeed other parts of Abuja. The hilly encampment always gives Mpape an enviable appearance. Indeed the ANA hostels within the premises equally provides some endearing succour to the whole arrangement and setting

    Real reasons.

    “The Association of Nigerian Authors (ANA) is a non-profit organisation that aims to promote and develop literature in Nigeria, with a particular focus on Nigerian authors. Over the years, ANA has been instrumental in providing various programmes and initiatives to support Nigerian authors, including workshops, literary events and awards, etc. In line with our commitment to supporting Nigerian authors, we propose the establishment of the Ken Saro-Wiwa International Writers’ Residence (KSWIWR). 

    As the leading literary organisation in Nigeria, ANA recognises the need to provide an environment conducive for Nigerian authors to hone their craft and excel in their literary pursuits. A writer residency programme is an excellent opportunity for authors to focus on their writing, research, and networking with other writers, thus enhancing their creativity and productivity. Additionally, this residency programme can also attract international writers to Nigeria, promoting cultural exchange and showcasing the diversity and richness of Nigerian literature. 

    Ken Saro-Wiwa was a renowned Nigerian writer, activist, and environmentalist who fought against the exploitation of the Niger Delta by oil companies. He also played a significant role in promoting African literature. He was a former president of the Association (1990 – 1993). In honour of his legacy and contributions to the literary world, we propose that the residency be named after him – Ken Saro-Wiwa International Writers’ Residence.  The objectives include to provide an inspiring and nurturing environment for Nigerian and international writers to work on their literary projects. To promote cultural exchange and mutual understanding among writers from different cultural backgrounds. To honour the legacy of Ken Saro-Wiwa and his contributions to Nigerian literature. To showcase the diversity and richness of Nigerian literature to the international community. The residence will be located within the premises of ANA Hotel and Apartments, Mamman Vatsa

    Writers’ Village, Maitama Extension, Km. 2, Mpape Rd., Abuja. Besides the Village belonging to ANA and housing its National Secretariat, it is also in cognizance of its serenity which offers an environment conducive for any writer seeking quietude and inspiration to embark on their literary projects. This location also makes the ANA Library and Resource Centre, and the local community of Mpape easily accessible for the writers to carry out their research and, at the same time, offer community services to the people.

    There will be two different residency programmes in a year – one for internationally-based Nigerian writers, and the other for Nigerian-based writers. The internationally-based residency will run for a period of two months, with a total of six writers (two from Nigeria and four from other Countries), while that of Nigerian-based writers will be for a month duration. The Nigerianbased writers’ residency programme is expected to start in the second week of November 2025 (a week after the ANA international convention) till the first week of December 2025. The internationally-based writers’ programme comes in July to September, which is usually the period of summer vacations. 

    There will be various activities during the four-week residency programme. These activities will not only make the writers’ stay eventful and memorable, it will also afford them the opportunity to interact with their new environment, learn their cultural differences, while also making meaningful contributions to the growth and development of literary arts in the community.  Week 1: Activities for the first week will include courtesy visits to prominent individuals within and around the community, and excursions to interesting places like the National Park and Zoo, the National Library, Cyprian Ekwensi Arts and Culture Centre, amongst others. 

    Week 2: During the second week of the residency programme, the resident writers will embark on community services which will include interactions with schools and literary clubs (if any) within and around the community. This will serve as their contributions in fostering literary activities in the community as well as ANA’s corporate social services to society. Weeks 3&4: The writers will use the remaining two weeks to focus on their personal writings and research. Each resident writer is expected to achieve a significant result in their writing project within their one month stay in the residence. 

    The programme is open to both emerging and established writers from and outside Nigeria. To be eligible, writers must have at least one published work and a project they intend to work on during the residency. Writers will be selected through a rigorous and transparent process based on the strength of their application and literary portfolio. The geopolitical zone of the intending residents will also be put into consideration as there is a need for cultural diversity during the residency programme. A committee consisting of ANA members and literary experts will oversee the selection process.                               

    ANA will be responsible for securing funding for the residency programme through partnerships and sponsorships from corporate bodies and individuals. By diversifying the funding sources, a stable financial foundation will be created.

    The residency will provide a comfortable and fully furnished living space for the writers, including a bedroom, writing space, and a communal kitchen. ANA Library and Resource Centre will be available for the writers to access various literary works for research and inspiration. There will be outdoor spaces for recreational activities, relaxation, rejuvenation, and drawing inspiration from nature. There will also be administrative support from staff members who will manage the day-today operations, provide assistance to residents, and ensure they enjoy a seamless experience.

     The Ken Saro-Wiwa International Writers’ Residence will be a valuable addition to ANA’s programmes, furthering our mission to support and promote Nigerian literature, while also providing a nurturing space for Nigerian and international writers to thrive. We believe that the residency will contribute significantly to the growth and development of the literary community in Nigeria and beyond. We, therefore, request your support and endorsement for the implementation of this proposal”.