Category: Arts & Life

  • ‘Prayer is backbone of my existence’

    ‘Prayer is backbone of my existence’

    On August 23, Archbishop of the Ecclesiastical Province of Lagos and Bishop, Diocese of Lagos Mainland, Church of Nigeria (Anglican Communion), the Most. Rev Adebayo Dada Akinde, will turn 70 and  hand over to his successor. In this interview with NNEKA NWANERI, Prof Akinde speaks about how it all started 35 years ago and his retirement plans.

    On his academic sojourn

    I earned a B.Sc. in Electronics from the then University of Ife (now Obafemi Awolowo University), at Ile-Ife, in the present Osun State. I then went on to obtain an M.Sc and Ph.d in Electrical Engineering and Computer Science (Hardware) from the University College, London, and University of Sussex, Brighton, United Kingdom (UK). While at the faculty at Obafemi  Awolowo University, Ile-Ife, I pursued an academic career, first in the Department of Electronics and Electrical Engineering, and then in the Department of Computer Science and Engineering. At different times between 1983 and 1993, I was Head of Department of Computer  Science and Engineering for 11 years. I also served as External Examiner at both undergraduate and postgraduate levels to many universities in Nigeria, Africa and Europe.

     

    Career life

     

    Having served as Postgraduate Research Engineer, Radio and Space Research Station, Dutton Park, Slough UK, I lectured at the University of Ife at different times from 1973-1994. I worked as a Professor from October 1994 to April 2002. As a fellow of the Computer Association of Nigeria, I served as President from 1997 to 1999 and the Computer Professionals Registration Council of Nigeria. I was on the Federal Government Committee on Computer Policy from 1987-1988, from where I became Chairman, Federal Government Computer Training Committee, Kaduna, 1988 to 1989. From 1999 to 2000, I was an IT Consultant to the Ministry of Defence, Abuja and Chairman of the Board of Directors of CHAMS Plc.  I was one of the foundation members of the Computer Association of Nigeria (COAN) now Nigerian Computer Society (NCS).

     

    Ministerial odyssey

     

    It all began on December 23, 1979, when I was made a Deacon in the Anglican Church by the late pioneer Bishop of the Diocese of Egba-Egbado, Rev Jonathan Soremi Adeniyi. I became a priest on December 20, 1981 at the Cathedral of St. Peter, Ake Abeokuta. And since then, there’s been no going back on the scriptures. So, while I practised my profession, I was active and effective in the church. After that, I was a Canon in the Diocese of Ilesa under the then Rt. Rev Adebola Ademowo and was made Provost of the Cathedral of St. Peters between 2000 and 2006.

     

    How the journey has been

     

    Working in the church and for God has been my bedrock. Service to God started way back. No engagement of mine precluded servicing the church. So, all the while I was working as a teacher, a computer engineer and a public servant, I was also involved in working in the church of God.

    Since I became Archbishop in the episcopate in 2006, it has been a learning curve for me, having to take superintendence of many churches and clergies. Most importantly, I am grateful to God for the opportunity to have learnt lessons, which I could never have learnt anywhere else, coming into full time service in the Church of God, Anglican Communion.

    On the whole, in such challenging period, it gave me an opportunity to live more by faith and less by sight. Having to provide the necessary infrastructure is a challenge on its own; having to manage the diversity in the membership and dealing with human problems in a more practical way.

    I have been involved in advocacy, justice and social issues more than ever before. In everything, we have been kept steady and we have every cause to thank God.

     

    Blending science with religion

     

    Being a scientist has not precluded my belief in God. I have never depended on my ability, wisdom or competence. Working in this position is a highly spiritual matter. It is different from attainment, intellect, financial, academic but more of openness, dependence and obedience to God.

    Coming into the episcopacy has taught me to be more prayerful and our prayer life has increased since then. Prayer has been the backbone of my very existence. Coming into the office has deepened my prayer life and communion with God.

    Many believe that with my Ph.D, I will want to rationalise and submit everything including religion to scientific interpretation. That is not so. My conviction is that religion is one thing, and intellectual pursuit is a completely different ball game with no meeting grounds, but it has made me to fear God the more.

    When it comes to spiritual matters, I always have to start from the basics. Having a Ph.D has not hindered my spiritual life and exposure to God.

    For instance, one Sunday I was in a service and ideas of a new dimension came in and I just gave God glory because it is unusual and can only be from the Holy Spirit, who ministered to me. And that was how I made a breakthrough. My belief in God has aided a great deal in my scientific exploits.

     

     

    Challenges-high and low moments in the vineyard

     

    I had never ministered in Lagos until I came in as Bishop. I have worshiped and preached in a number of churches in Lagos. Before now, the bulk of my ministry has been in the rural areas, in the villages in Abeokuta. It was a preparation ground for me because going from Abeokuta to Lagos, I saw things being done at a completely different level. Everything here was exotic and elaborate, whereas in the native city, we watched and counted the kobos.

    But in cosmopolitan Lagos with enormous wealth and resources, things are done at a much bigger scale. So, I had to quickly adjust to look like someone from the Atlantic.

    Secondly, I never knew, until I came to Lagos, that there was rumbling and tribal slangs in the church of God. I found these rumblings strange and quickly sought the aid of God to handle these situations. Since inception, this diocese has had peace because serving God is independent of our tribe or parochial thinking or gender or social status.

     

    Division in the church

     

    Such divisions around us are indicative of carnality entailing worshipping God and carrying out our Christianity in the flesh.

     

    On his retirement

     

    It is the constitution’s provision of our church to retire at 70. I really have to and want to go because God is leading me to serve him in other ways. I can never do without His work. Being a minister is not the only way one can serve God. In my professional field, God can use me for this country and beyond.

     

    What he will be retiring to

     

    I will be getting back to my first love, specifically science and technology advocacy. No nation and society can make any meaningful development without any meaningful foundation in science and technology.

    All my learning life, I have trained in that sphere of life. We must promote science and technology if we want to develop. We must generate wealth because we are too much of a consuming nation and we should produce and create our own products. We import almost 95 percent of our needs and our citizens are idling away without jobs, despite we having competent Nigerians in all body of knowledge.

     

    If he wished for more time

    in the vineyard

     

    I have never had an agenda of my own. All I sought to do was to run God’s agenda and as much as God reveals to me, I put in the best of my endeavour to accomplish it.

    Usually, the first three days of December yearly, I try to be alone with God to seek God’s mind for me in the coming year. God reveals, directs and I follow it and that is the reason why I have never levied any church for projects in the diocese because God always provided me with resources to accomplish them.

     

    State of the nation

     

    The president and his deputy came to power on the manifesto of change. The team has promised us change. But since I do not know the challenges they are facing, I appeal to Nigerians to be patient. One year in the history of a nation is a very brief period due to the enormous challenges if they are to provide enduring solutions. They are men of integrity and they are proven tested men and in another year or two, we will begin to see the dividends of their governance.

    But the way we are getting on is frightening. Who is marginalising who? Let us work towards making Nigeria a united true federation. Let us talk and see ourselves more as Nigerians.

     

     Family life

     

    Married to Mrs. Bassey Ekong Akinde, a pharmacist and former university don from Calabar, the Cross River State capital and have three sons. None of my sons have taken over from me in the ministry, but all three of them are actively involved in Christianity.

     

     On same sex marriage

     

    It is an abomination unto the Lord. Same sex marriage is a no go area. The Church of Nigeria (Anglican Communion) stands by the Holy Bible on human sexuality. The church remains resolute and we are winning the war. We have not changed and we are providing muscle to other churches on the same issue.

     

    Will his priestly and academic work be compiled?

     

    Yes, I am thinking of one or two writings to share the experiences God has given me so that anyone can learn, if there is anything to learn from it. It will be available in two to three months.

  • CORA at 25:  Reassessing the past for the future

    CORA at 25: Reassessing the past for the future

    The Committee for Relevant Arts (CORA) has held its 25th anniversary with members of the culture, literary and theatre sectors in attendance. They gathered, with journalists, to discuss art and take stock of CORA’s accomplishments in 25 years.

    The ‘stampede’, which holds quarterly, has   ‘25 Years of Culture Advocacy: What gains? What prospects?”, as theme. There was a panel, and a moderator. The audience members were allowed to contribute and also to express  their grievances.

    Moderating this panel, which comprised Tony Kan (author), Tunji Azeez (dramatist), Victor Nwokocha (dramatist), and Dr Reuben Abati (writer and journalist), was author Molara Wood, who asked the panellists to speak on the relevance of CORA to the sector.

    Nwokocha, who spoke first, said: “CORA provided a platform for people to show what they have, regardless of who they are. I think that they have achieved a lot in that regard because there are some persons who will always owe all their achievements in the Arts to CORA. CORA has also been a pain in the neck for those that have been afraid of the truth. Whenever CORA convenes an art stampede, some people really get stampeded because their works get reviewed.”

    On CORA’s successes, Azeez said: “One of CORA’s major accomplishments is that it has been able to bring together people from different backgrounds. Akinosho (CORA secretary-general) and I used to talk a lot about different ideas that we had.”

    He, however, urged CORA to establish a ‘CORA House’ where such people should gather and discuss about whatever ideas they had.

    Kan said: “CORA has been a gift that keeps on giving. When I was much younger, I heard, once when I was in Lagos on holidays, about an event for writers. That hot Sunday afternoon, without eating, I rushed to the venue and over the course of four hours, I saw everybody that was anybody in the cultural landscape, even Reuben Abati. It was one of CORA’s ‘art stampedes’ and there was no Facebook then. That platform made me meet many people who I would otherwise not have had the opportunity to meet. But CORA needs to be a bit more official and try to project into the future with business.

    Meanwhile, Abati, who joked of the dangers of being the last speaker, noted: “The dangers of being the last speaker is that everything may have been said, but I am lucky that not all the issues have been exhausted. First, let me thank God that I am back from sabbatical.”

    He made the latter statement in response to friendly banter that his previous appointment in the Goodluck Jonathan administration had served him well.

    Recalling the earlier years of CORA, he  said CORA provided opportunities for many young artistes then who eventually became popular musicians in Nigeria.

    He praised the CORA executives over the years. “I congratulate those who have been with CORA during their 25-year journey. When Kan talked about giving, I concur that CORA has been giving back to the society and their example should be a source of inspiration to younger people,”he said.

    This also seemed to echo a previous statement by Jahman Anikulapo, a trustee of CORA’s board and prominent culture advocate.

    Jahman, a former editor of The Guardian on Sunday, said: “One of the successes of this body is that we have people who joined us when they were students, but they are now successful.”

    Akinosho noted that it was nice for friends to get together and reminisce about old long since. “It is also good to know what it is that they have not been saying,” he said.

    The geologist added: “I am a self-critic and I worry about whether what we are doing is sustainable, whether what we are doing will provide a good foundation for the future.”

    Projects that have been spawned by CORA include publishing the quarterly Lagos – The City Arts Guide; staging the monthly The Great Highlife Party; the yearly Lagos Book and Art Festival, among others.

  • ISOKEN OGIEMWONYI I was brought up to be fearless

    ISOKEN OGIEMWONYI I was brought up to be fearless

    Isoken Ogiemwonyi is a law graduate from the University of Nottingham with a post graduate degree in Hospitality and Masters in Management. Obsidian, founded in 2009, is run by her alongside retail brands, Le Petite Marche, which she co-founded.She was the 2012 MTN Lagos Fashion & Design Week/British Council Young Creative Entrepreneur of the Year. Recently, the Creative Director of the fashion label, Obsidian, founded African fashion beauty and lifestyle store, ZAZAII.She shares her journey into the fashion world with ADETUTU AUDU

    YOU recently opened yourstore, Zazaii. What does it stand for?

    ZAZAII is culled from a Bini phrase meaning eloquent, articulate and dedicated. Our mission is still ‘Fashion Infrastructure’. But we chose the name because we are articulating and interpreting African fashion brands and contextualising them for the African consumer. ZAZAII is an elegant reworking of the old and new  a union between L’Espace’s history and our team vision for tomorrow.

    When did it dawn on you to go into business and why the choice of fashion?

    I first became interested in fashion at around 16. I’ve officially been in the business of fashion for over six years now, in varying capacities spanning retail, advisory and design. Fashion is one of the biggest industries globally, and it has always fascinated me as one of the few industries that create its own demand and manufacturers desire. I love the process of creating and bringing a brand to market. I think fashion is one of Nigeria’s biggest export opportunities.

    From law to fashion, why did you switch?

     I’ve always been obsessed with clothes. That in turn informed my obsession with branding and communication, concept execution and starting out with Obsidian, and then LPM gave me incubators to create in and I haven’t looked back since.

    Why did you choose to focus on fashion retail business?

    At ZAZAII (my new African fashion, lifestyle and beauty store in Victoria island), Following the success of L’Espace  a 3-year learning experience  we are still wholly committed to helping designers achieve their commercial potential and grow both their businesses and brands. This commitment has also driven us to explore new ways of working within our industry.

    How did you arrive at giving them these brand names?

    Obsidian is a word I’ve always loved. Always felt it was descriptive without being literal.Le Petit Marche means the small market, literally what we wanted to do, and it resonated with the Francophile in Wonu and I. L’Espace followed on from that.

    You already set an impressive record. You co-founded Le Petit Marché and also ownL’Espace. What drives you?

     I have always been an entrepreneur at heart (I started my first business at 8 years old!). I believe in having an idea and going after it relentlessly. With the opening of my new store ZAZAII on the horizon, I can’t wait to show our new direction and really take the time to foster new designer businesses. What drives me is a passion for entrepreneurship as an engine of economic and personal growth.

    How has being a winner of the MTN/British Council Young Creative Entrepreneur of the Year rub on you?

    It was great inspiration, and the trip itself was actually quite a reassuring experience. It made me realise that entrepreneurs the world over have so many of the same problems. It just gave me extra impetus and ideas to implement when I returned.

    Running a business is hectic, how do you juggle being a creative director with being a founder?

    I’ve been doing it so long, it’s as natural as breathing now. It helps that I have some super competent people on my team, plus some old retainers who know their jobs really well, so I don’t have to micro-manage as much as I used to.

    I like to give my team some autonomy so they can grow into their roles, with as much support and opportunities for critical thinking as possible. That being said, I’m no saint and I’ve been known to morph into Medusa when things get too hectic.

    Online marketing is gaining ground in global commerce. What would you say are your initial challenges and how did you surmount them?

    When we started out (with LPM) almost all our communication was online  predominantly via social media. As the space expanded so did the noise making, it is harder to reach our end consumer. ROI on popular sites isn’t what it used to be  so we have had to buttress our online efforts with more traditional, offline direct to consumer marketing  and, of course, good word of mouth. Social media and online marketing is still very effective when targeted precisely and visual mediums like Instagram have been instrumental in our marketing mix, but we definitely have less of a dependence on it than we used to.

    If not designing, what else?

    I would definitely still be creating  content marketing or furniture design.

    What does fashion and style mean to you personally?

    Visual language  you send a message every time you wear something. Even when you’re consciously not trying to. That, in itself, is often a statement.

    Where do you draw your inspiration from to design?

    Life. Experiences.Conversations. Books.Music.People.

    It has been argued that there are no designers in Nigeria, only tailors as only a few of them have international appeal, what is your view?

    That is a pretty dated argument  the past five years have seen the industry explode. Nigeria has some very talented designers. Our main issue has been creating sustainable businesses  not flash in the pan designers. Once the industry matures  especially production capacity and opportunities for commercial expansion, and there is more education of both consumers and designers  we will have many more exportable Nigerian brands. Retail stores like ZAZAII and Grey Velvet add immensely to the value chain.

    Who influenced you in life, the good, the bad and the ugly?

    My parents and my siblings, most definitely. We have a very close family unit and I learnt my most progressive ideas and limitless thinking from them. My siblings and I were brought up to be fearless and believe in achievement for its own sake. My parents are unflinchingly supportive and we learnt pretty early that not every argument is a bad one. Learning to confront things logically, and that our opinions, even as children  were valid, is probably the greatest lesson passed on by my mother and father. I really hope I can instil that kind of confidence in my children one day. Bad & ugly?I have none  I take every setback as an event, learn from it and move on.

    How do you maintain a healthy work/life balance?

     I don’t know that anyone person can achieve a perfect balance; it’s something you define for yourself. Thankfully, women naturally multi-task very well. I’m in awe of my older sister, who balances running a phenomenally successful personal brand are head of a key department in a financial services and investment company, keeps her household, stays fit and is mother to the most wonderful child. I watched her work relentlessly before, during and after her pregnancy like it was nothing! My mother was the same and I hope to be as much of a superwoman as they are.

    I find a way of balancing everything by scheduling, prioritising and planning everything that I need to do. I break my day it into manageable little chunks of ZAZAII/Obsidian/Other. I also understand when my body and mind require breaks, and I act accordingly.

    Globally, there is a heavy reliance on social media (Twitter, blogs etc.) to connect with potential consumers. How important and useful was this tour for your budding career and business?

    Social media is a vital part of our growth strategy to create an unbeatable African, omni-channel accessible luxury retail and media group. Following a strategic review of our business, we realised social media is a key part of our sales funnel  especially for customer acquisition  we use social media and technology to acquire new consumers and offline marketing to maintain the consumer relationship.

    Over the years you have worked with the Freedom Foundation. Would you say you are fulfilled?

    Content.Sometimes. The goal post for personal and professional fulfilment is always moving. And that’s how I like it. Working with the Freedom Foundation was a great experience. We have also worked with an educational foundation called YESA. Charity work is important and one I plan to continue working with and for important causes.

    What would you say is the keys to your success?

    Focus. Act as though it is possible to fail. The only times in my life I have doubted myself or let myself feel like I was failing is when I let my fear overcome my faith. It’s crucial to  as a friend says often  ‘Work like you don’t pray, and pray like you don’t work’.

    Which fashion item is hot for you now?

    Current obsession: Peasant blouses, especially ones in chambray or gingham. Perennial obsession: anything and everything with fringing on it.Makes me feel like I’m in the roaring twenties. Easily the most glamorous (and rebellious) decade as far as I’m concerned.

    What will you not do for fashion?

    Become basic, conformist or boring.

    What does fashion mean to you?

    To me, fashion is the current expression of style. Saying who you are without a word. Fashion transforms  ask any woman who has worn her clothes like armour  from board meetings to bumping into the ex. Style is a visual language that communicates how we want to be perceived.

    Tell us a little about your background and how your career in the fashion business started

    I am a graduate of Law (LLB Law Hons.) from the University of Nottingham. I also have a PGD in Hospitality Administration from GIHE, Switzerland and an MSc in Management from BPP London. I have been in the business of fashion since 2009.

  • ‘We’ll rid Ogun of kidnapping  and other crimes’

    ‘We’ll rid Ogun of kidnapping and other crimes’

    The new Commissioner of Police in Ogun State, Mr Abdulmajid Ali, in an exclusive interview with The Nation’s Correspondent, Ernest Nwokolo, speaks on security and policing in the state. He also expresses his desire to rid the state of kidnappings, cultism and other crimes, plus his zero tolerance for corruption.

    This would be your second coming to Ogun State; tell us about your first coming.?
    I was here late 2011 to the middle of 2013. I was here as Deputy Commissioner of Police in charge of Administration and Finance. Thereafter, I was posted back to Abuja in June 2013.
    And now you’re back as a Commissioner. How would you assess policing and security in Ogun State?
    If you look back at my first coming, the problem we had was bank robbery almost on a daily basis. There was a serious situation whereby banks closed shops because of the activities of the hoodlums in Sagamu, Ijebu-Ode, Abeokuta and even Ota axis. I took it upon myself with the cooperation of my Commissioner of Police then, Nicholas Nkemdeme and moved my office to Oke-Ilewo in Abeokuta to put the DPOs on their toes. I constituted convoy patrol and convoy attack. And luckily, it paid off when the DPOs were energized. We were going after the robbers one after the other and we also succeeded in using intelligence gathering to get many of them. So, before I left the state, bank robbery was a thing of the past, even with the assistance of the Governor, Senator Ibikunle Amosun. The government brought in Armoured Personnel Carriers (APCs), which we placed in strategic locations, and that helped a great deal.
    What further strategies did you adopt to accomplish that feat?
    Effective patrol, information and intelligence gathering. And we were able to get a lot of intelligence about those bad guys and we went after them. We did not allow them to operate before we swooped on them. Most of the time, we burst them while planning their operation because we were able to get reliable informants. Good enough, this paid off; Ogun State became a place that is no longer a safe haven for them. Also, our vehicles and the APCs were strategically positioned, the Highway was made safe and banks in the axis of Ijebu-Ode and its environs began to open for business and businesses began to flourish again.
    You have also changed the aesthetics of the command, particularly the headquarters. What informed that?
    It has always been my pleasure to bring about improvement wherever I find myself; right from my time in Port-Harcourt, Rivers State. In fact, I changed the police station completely and my police station became a model. You could watch CNN in our reception. I put tiles on the floor, right to the cell and even inmates in the cell had opportunity to watch and listen to the television because we put a television set close to the cell. Being in the cell does not mean the inmates are condemned. They are still our citizens and they need information about what is happening around. So, it has been my style. Go and find out what I did in Imo State. I was able to put tiles in the Police Headquarters and also made an in-road into the police barracks to reform it. So, right here (Ogun Command Headquarters), there were problems. The roofs were gone. So, I told myself that I needed to do something about it. I didn’t have to wait for somebody to do it for me or for the Police Authority. And with the support of the strong Public Relations unit I established here before I left, it was easy for us, because people were willing to assist us. We succeeded in changing the roof, changing the face of Commissioner of Police’s Office and I’m happy to be in the office. We are also hoping to do other things.
    There have been several successful rescues of kidnap victims in the state, including that of Senator Iyabo Anisulowo. What is the secret?
    True we have rescued so many people; and the one you mentioned is just unique because of the personality involved, which made a lot of headlines. We don’t like to blow our trumpets. The command has achieved a lot in the short period under my stewardship. But I see it as just doing our normal job.
    The rescue of Chief (Mrs) Iyabode Anisulowo is another policing strategy we have adopted. This time around, we used more of intelligence policing. That is why it works and it involves all security agencies and police commands, not only in Ogun state, but even Oyo, Kwara and Lagos State. We synergise and work in partnership in ensuring that we succeed. And I’m happy that we succeeded.
    Kidnappers demand for ransom and quite often, succeed in getting it. How come the police are not able to arrest them at the point of collection?
    With the present network set up by the Inspector General of Police (IG), there is no way we will not get them. For example, those involved in the one you mentioned (kidnapping of Anisulowo), we got them arrested and those who kidnapped Chief Olu Falae were arrested too. So, we have a very powerful intelligence network. I need to advise people to always have confidence in the security agencies and allow them to do the work rather than paying ransom.
    But you’d agree that people hurry to pay ransoms because they consider their loved ones lives as precious; don’t you think so?
    Yes. Look at Chief Anisulowo’s case; she was in the kidnappers den for six days, which was long enough and people usually get so apprehensive about the whole thing. You can negotiate with them (kidnappers) but carry the Police along so that we can burst them.
    How is the relationship between the Ogun Police Command and the public?
    Very, very superb. I have a very good Public Relations Officer (in DSP Olumuyiwa Adejobi). On the incident of Mama, we got a lot of support from members of the public and the support kept us moving. People were continuously giving us the hope.
    How about the welfare of your men and training too?
    You know we are under the Federal Government, but the state has been doing its best to see that it keeps us happy. The economy affects everybody but we in the Police will continue to keep the morale of our boys high. And in the areas of training, it is so important that Police should undergo continuous training and acquiring knowledge of the new technology being invented. This will help to keep us abreast of what is happening in other developed world. The IG has made it very important that Police must go on courses and once you go on courses, it will make you a better police person.
    How has the command been able to establish a good working relationship with other sister – agencies?
    We have a very cordial relationship with our sister security outfits. The Army Commander here used to be a friend when we were young officers. The SSS man and I happened to be friends and we relate very well. Same with the Customs, Immigration, Federal Road Safety Corps (FRSC), the Nigeria Security and Civil Defence Corps (NSCDC) and others.
    The government of President Muhammadu Buhari has made fighting corruption and graft one of its key agenda. How is the command under your stewardship keying into this battle?
    I hate to see or hear that men of the Police are collecting bribes here and there. I also hate to hear anything about corruption in the command. We have been talking to our boys, we have lectured them; even the DPOs. I have sent the PRO and Senior Officers to go round and lecture them on the need to shun any acts of corruption and perform their duties professionally and also warned them of the danger because once you are caught, you will be dealt with. I have zero tolerance for corruption.
    You look smart always in terms of fitness, neatness and appearance. What’s the secret?
    It is all about exercise and sporting activities that I engaged in. Luckily, we also have a good tailoring department that is doing very well about our uniforms, and then also, keeping shape. When you keep shape, the uniform will come out and the agility and smartness will be in you, not when you appear sluggish. I’ve always told my boys to be neat and smart. Neatness is essential. You should be proud of the uniform. You see, I’m so proud of the uniform and when I walk, I walk majestically and one tends to be an inch taller because of the confidence that comes with looking smart and neat. And people will know that you know what you are doing. So, it is part of me. It is already in me. I’m so used to coming out smart and neat. Besides, I have always loved sporting activities and my hobby is table tennis. I started playing table tennis at a tender age and was even captain of my team at a point. When you play table tennis, the whole of your body and mind will be involved and this helps in fitness.
    On a final note, what is your advice to Ogun people and residents?
    I want to thank them so much from the bottom of my heart for the support that I enjoy in the state. I want them to have confidence in the Nigerian Police. I want them to have confidence in the state command; we can work in partnership and rid our state of kidnapping. Cultism will be a thing of the past if people give information adequately and accurately. I want to assure that I’m here in the state to work.

  • WE SAW  HELL IN  LIBYA!!!-By Nigerian  returnees

    WE SAW HELL IN LIBYA!!!-By Nigerian returnees

    They went with high hopes but came back sober and deflated. The story of Nigerian returnees from Libya is one that may never be exhausted, as they literally sneaked away from the grip of the nosy media after arriving the Lagos airport recently. But for those bold enough to share their stories, it’s a ‘bouquet’ of torture, starvation, kidnap and illegal imprisonment. Gboyega Alaka here relays some of their stories of misadventure and regret, as told at the Synagogue church, Lagos, where they had gone to seek help.

    ON June 18 (2016), major Nigerian newspapers front pages were awash with images of Nigerian returnees from Libya. The afternoon before, 167 Nigerians had arrived the Murtala Mohammed International Airport, Lagos unannounced. Even the returnees weren’t sure they would be back in the country that afternoon (so they confessed later), although they had consented to willingly returning, having been given that option by the United Nations, the International Organisation for migration and the Swiss government. They would also later confess that they had to embrace the option of coming back home because of the horrific experience and dehumanisation they had been going through in that country.
    Somehow the press got a wind of their return, and it was well-publicised, though they hardly had the opportunity of interacting with the newsmen. Expectedly, their arrival generated mixed reactions amongst Nigerians. While some blamed them for going to Libya of all places and thought whatever may have made them opt to be deported served them right, others pitied them and blamed the ever receding economy of the country, insisting that they would not have ventured out, had things been well with them in their home country.
    However, not many knew that they were not the first batch and that many more are still languishing in various Libyan prisons. About a month earlier, a batch which comprised of 170 Nigerians arrived the Murtala Mohammed International Airport, Lagos rather quietly. But for the decision of 39 of them to visit the Synagogue Church of All Nations to ‘seek further help,’ after they were given a meagre N6,500 to negotiate their way home by government officials, even this reporter may never have been aware of their arrival, nor would he have heard some of their horrific tales, including that of Fidelis Onalememe, who revealed that over 5,000 Nigerians are still languishing in the late Moammar Gadhafi enclave, majority of them in prison. Neither would he have heard the story of Godspower Chibuike, who spoke of how Nigerians were dropping dead by the day due to hunger.
    It is important to at this point give credit to the church and its satellite television, Emmanuel TV, for making available the footages, without which some of the first-hand narratives of these returnees would never have been accessed.
    Back to the front
    Meanwhile, this reporter was ‘opportune’ to listen to some of the June 17 returnees, who opted to go to the Synagogue church to ‘seek further help’, after they were given N9,950 each by government officials at the Lagos Airport, to negotiate their way to their respective homes. 162 of them: 132 male, 27 female and school-age children; had come in aboard an Airbus A320, looking relieved, even as some looked visibly ill. 107 of them however opted to go the synagogue and a bus was chartered for them to that effect.
    One of them, Anthony AKhuemokhan, who claimed to be from Edo State, said he was employed as a site assistant in a Lagos company before his hunger to go to Europe ensured that he was misled.
    “Before I left Nigeria, I was working as a site assistant in a company in Lagos, before I was misinformed about the Europe route. On getting to Libya however, it was not what I expected. What I went through to even get to Libya can be likened to passing through hell. I got to Tripoli on February 12, 2016 and would you believe that I spent all my time there in prison? I was there for about three months before the International Organisation for Migration (IOM) and the United Nations (UN) intervened in our situation by helping us with feeding and clothing. They also said they wanted to help us get back to our country and asked if we were willing to return home. They explained to us that the reason we were being held in prison was because they didn’t want economic meltdown in Europe. Let me not lie to you, life over there was not easy. Even to get food to eat was not easy. We had to pray hard for help, which thankfully came.”
    Continuing, Akhuemokhan said “We landed at the airport by 3.30 today and the federal government received us, cooked for us and gave us N9,950. But we decided to come to the Synagogue to seek further help.”
    Another returnee, Nduka Ogbonna from Abia State claimed he was roughing life as a ‘businessman’ before taking the decision to go to Libya to seek better life. “I was working in Nigeria as a businessman, dealing in scrap. I also fixed tiles; but my condition became worse after I lost my mum and dad. My friend in Libya told me there is work in Libya and that if I came over, I would be able to work, earn good money and make ends meet. So I decided to take the risk to travel over. But the reality I met on ground was totally different, worse than ever. I couldn’t bear it, so I worked and worked and worked (hoping to raise some good money); but eventually I was stranded. I couldn’t continue on my journey (to Europe). Finally I was arrested and taken to jail. There, I saw other Nigerians languishing in the prison. The conditions were terrible and the suffering was unbearable.
    “It was at this point that I told my mates that we needed to do something to get out of the place. To feed was extremely difficult until the United Nations came to lend their assistance in that aspect and by giving us clothes. In the course of their interactions with us, they wondered why we were ‘willing to kill ourselves just to make money.’ We continued praying until one day God answered our prayer and our ambassador in Libya came and interviewed us.”
    Ogbonna expressed gratitude to God for arriving back in Nigeria safely and hoped people would be patient and get more enlightened before embarking on such trips in the future.
    ‘I sold our family land to travel’
    By far, the most pathetic story would be that told by Michael Augustine, who said he hails from Okpela in Edo State. Michael spoke of how he practically pushed his family into selling its only land and ancestral heritage to finance his trip abroad. His hope was that once he was able to travel, things would be better and he would enter into a better life.
    “I personally disturbed my family to help me raise the money” he began. “I told them I wanted to travel abroad to better my life, so they had to sell the only family land to finance my trip. They sold the land at N700,000 and I immediately travelled to Lagos with the money to tell my sister how much we had been able to raise. She asked how much I needed to complete the money and I told her N300,000 and she counted the money and handed it to me.
    “The following day, as early as possible, I boarded a God is Good Motors bus to Abuja; from Abuja, I took a car that same night to Sokoto. I arrived Sokoto the following morning and boarded a car to Agadez in Niger Republic. On getting to Niger, the man ushering us told me that the last batch just left and that I had to wait till Monday morning. On Monday, I paid the CFA120,000 required and about 32 of us were packed in a Hilux vehicle. It was such a sight. Some of us sat on woods, while I sat on the fuel tank. We got to a point where a vehicle had been involved in an accident. The sight was so gory, with several people dead and others injured; that I began wondering inside me why people were selling everything they have back home and embarking on this trip, if these kind of things were always happening on the route.” Augustine said.
    But that was only an omen of worse things to come. Thirty minutes later, Augustine said “We were driven into a gated compound, where suddenly people were jumping out from nowhere with big guns. They packed those of us who were Nigerians into a room; and I was scared and asked what was happening. They said we were in tranke, which in their parlance meant we had been kidnapped. They kept us for two weeks until their boss came. Then they called us out and started flogging us with iron poles and wires. They also tortured us by shocking us with electricity. The whole of my back was disfigured in the process. They insisted that we paid a ransom of N250,000 before they let us go. When I told them I had paid CFA120,000 and that I had no money with me, they insisted and I eventually had to call my sister in Nigeria. It was after she had transferred the money into their account that they eventually soft-pedaled.
    “Three days later, they let me go and I took a car to Tripoli. As usual, we were cramped into three cars, about thirty of us. Later we saw that one of the cars had tumbled and people had sustained various degrees of injuries. Some had broken hands, some, broken legs; while some others were bleeding through their mouth and nose. We wanted to take them to a hospital, but were told there were no hospitals around; so they loaded all of us – over 30 of us, including the accident victims, into an 18-seater bus. All these took place between Saba and Tripoli.”
    But the nightmare was not over. Augustine continued: “On our way, we were waylaid again with a big trailer. They threatened us and collected whatever money we had left, including our phones and other belongings, and then called the Police. The police rounded us up, took our names, and then transferred us to prison, where we met some fellow Nigerians.”
    Augustine also revealed that they were transferred from one jail house to the other, until they were finally deported.
    More sad stories
    But more sad stories were to follow. One of them was that of Bamibo Babatunde, who travelled as an able-bodied man but came back literally crippled – except of course if a miracle happens.
    Babatunde, a married man with two kids, said he travelled to Libya on November 11, 2015 at the instance of his wife, who had travelled ahead of him to the same country.
    He said, “My wife had left ahead of me on October 2nd. When she got there, she beckoned on me to come over and that if I could make it, I would be able to make good money. But I didn’t have much money, so I sold my car and other belongings to raise the money. When I got to Libya, I rested for two days and went out with one of my neighbours to work. On our way, we saw some people; I didn’t initially know who they were, until our driver and neighbour started saying they were kidnappers. In the course of maneuvering our car to escape, our car ran into another car and I sustained a broken leg. I went to a hospital, where I was treated and the leg put in a POP. Later, I had an x-ray and it was discovered that the bone in the leg were not joined and that I needed an operation to fix it. They said I would need 6200 dinars, about N744,000. I didn’t have that kind of money nor anyone who could give it to me. I was advised to reach out to my family back in Nigeria, but they also didn’t have the money and therefore advised me to come back home. Even the church in Tripoli advised me to go back home. So that is why I took the decision to come back to Nigeria, when the opportunity presented itself.”
    107 of them were presented with cash gift of N50, 000 each, totaling N5,350,000 and a bag of rice each to help them get back on their feet and start new life.
    The May 11 batch
    39 of the May 11 batch berthed at the Synagogue church. As stated earlier, their hope was to access more help, as they confessed that the N6500 given to them was not enough to even take them to their various destinations. They filed out all sporting a Ronaldo sportsuit. They were in various states of health conditions, ranging from the very strong, to the not so strong, to the weak and the very weak. They all however had one thing in common. They were sober, and probably wished they hadn’t made that trip.
    ‘You’d shed tears for Nigeria’
    One of them, Fidelis Onolememe said they weren’t arrested as a group and that their destinies got connected when they all met in the prisons. He said they were put in two prisons and that the UN officials came to visit them during one of their routine inspections and immediately took pity on their condition.
    He said “If you go to Libya, you will shed tears for Nigerians. We have no less than 5,000 Nigerians in that country as we speak languishing in suffering and pain. Everything in that country has collapsed; no government, no law and everybody is doing what they like. Even our girls, if you see what they are doing to survive, you will pity this country. Most of us left this country because of our circumstances, which we thought were not too good. We thought things would be different there and that we would earn good living, but that was not to be. The same problem that chased us from Nigeria was what we met there. Even worse.” He said.
    He explained that most of them engaged in menial jobs, such as bricklaying, welding, car-wash and co.
    Worse, Onalememe said “You didn’t have to have done anything for them to arrest you and take you to prison. I spent nothing less than seven months in the prison; some have spent a year, some five months and so on.”
    Narrating how they came to be deported, he said: “At a point, a group of people came to the prison from the UN; they saw our conditions, pitied us and promised to come back. After about three weeks, I think on December 30, they came back and interviewed us, took our pictures and wrote our names down. They asked if we would like to be deported, to which we said yes, because the condition under which we were living was horrible. On Wednesday last week, they came back with our Travel Certificate (TC) and promised to come back the following day. True to their words, they came back the following day, brought buses and here we are.”
    He revealed that many of them actually took the decision to come to the synagogue, but said only the 39 present could make it.
    On the uniform sportsuit, Onalememe said the UN brought the dress to them the day before they travelled. But for the wears, he said they would have arrived Nigeria in rags, adding that “Once they catch you, there’s no going back to your abode to pack a few things.”
    ‘Nigerians were dropping dead’
    The memory that would by far linger most in Godspower Chibuike’s memory would be that of extreme starvation and fellow Nigerians dropping dead out of hunger.
    Chibuike, who says he hails from Imo State but resided in Benin, Edo State before he travelled, said: “In prison, they beat us and starve us. They give us cake as little as those sold at N20 apiece in the Nigerian market for breakfast. Sometimes people even fainted because of hunger. Before my very eyes, somebody collapsed and died, and before we knew it, he was covered with a blanket and taken away. Let me tell you, we faced challenges. Painfully, a lot of Nigerians are still languishing in prison in that country, while their parents and family members in Nigeria are thinking they are doing well abroad.”
    He gave thanks to God for paving the way for him to come back home safely, and especially appreciated the efforts of the United Nations, and the IOM for staying true to their words and keeping their promise.
    At the end of the proceeding, each of the 39 returnees, who visited the church were presented with a cash gift of N100,000 each, totaling N3.9 million by Prophet T B Joshua. They were also given a bag of rice each and a copy each of the book, The Mirror, written by Prophet Joshua.
    The returnees expressed gratitude to the prophet for his generosity and said the money would help them get back on their feet. With such huge sum, they confessed that he has been able to banish all negative thoughts of earning a living through crime and other negative means from their mind.

  • Talking about tradition and talent

    Book Title: Visions and Recollections
    Author: Abdul R. Yesufu
    Publisher: Deaconry Press Limited
    Year of Publication: 2016
    No of Pages: 95
    Reviewer: Sunday Osinloye

    After over a three-decade experience in the vocation of researching, writing and teaching literary writing in English Language (in Africa and the United States), Abdul R. Yesufu has graciously published his long overdue volume of poetry.

    Before identifying the cosmopolitan motifs in the text, I wish to appropriate the title of T.S. Eliot’s essay, Tradition and the Individual Talent (1916) to briefly review the form and order of Visions and Recollections (2016). In his essay, Eliot opines that: “No poet, no artist of any art has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists… I mean this is a principle of aesthetics… Poetry is not a turning loose of emotion, but an escape from emotion.”

    This position is reinforced by the author’s commentary on the form and meaning of the collection. In the preface, Yesufu excuses the widely held notion of the “academic and highly allusive tenor of the pieces” in the light of his exposure to “an extensive diet of poetry of all kinds and qualities – from the oral of several climes and ages to the highly symbolic variety of the High Modernist Mode of the Western tradition, and several other types in-between” (X). The poet also says: “the poems are steeped in the socio-political realities and encompassing Weltanschauugen of the environment they attempt to recreate” (X).

    In view of this background, Visions and Recollections appeals to the reader as a work of art inspired or envisioned by poetic impulses of a highly talented artistic word-smith. At another level, it is a composition from the various deposits of literary conventions of the verse mode.One striking aesthetic appeal of the poems is the heightened, almost spontaneous, expression of the language. For example, the first poem “The Year’s End”, which foreshadows the writer’s Visions and Recollections, showcases condensed poetic craftsmanship.

    Another attribute of the verses in the collection is their inter-textual appeal. This comes out very strong in “The Weaverbird (A Tribute to Okot, after Laban Erapu)”, “Who Made the Hills of Roma (After William Blake)”, “The Illusion of Renown (After James Shirley)”, “Viande – Ronge et Blanche (After T.S.E)”. “The Machine of Islando (After J.P. Clark)” and several others. For instance, in “The Weaverbird”, the poet quizzes: Did you say that the bird is gone/Weaver of songs and mirth/Never to be seen or heard again?/That it has taken wing on the wind/And flown into the ‘unreturnable’ distance?/But distance is not absence/Except measured by span and sight…/unflagging in their voluble disputations/Lawino, Ocol, Prisoner, Malaya/Proxy voices of eternity now/Speak to us in their master’s voice (8).

    Moreover, Visions and Recollections is also remarkable for its eclectic Romantic ethos. This is well signified in poems such as “The Full Moon”, “Circles of the Seasons (Nigeria)”, “An Afternoon Rainstorm (After Rubadiri)”, “The August Break”, “The Hills of Roma” and “En Route Main South I at Night”. In these poems, natural phenomena are invested with various shades of philosophical worldview. We also note that the volume is spiced with Haiku poetic modes. This perhaps demonstrates the artist’s affinity with the Japanese literary convention.

    Above all, Abdul R. Yesufu may have been a Nigerian-born, African-bred scholar and writer, yet his vision in this collection is clearly cosmopolitan. The poetic personae wears the mask of cosmopolitan narrator, observer and societal gadfly. And like the Mask’s camouflage of the ancient city of Benin “…confluence if ancient and modern/where the musty and the glossy/like two master wrestlers/Are locked in a perennial duel…”, Yesufu’s lyricism is Romantic, yet elegiac about Man’s rites of passage and seasons of life. His use of language, like “The Full Moon”, is ripe and well-rounded by “Fecund Time/Like a plump pumpkin.”

  • A compelling alternative history

    Title: My Name is Okoro
    Author: Sam Omatseye
    Reviewer: Ademola Adesola
    No of Pages: 302
    Year of publication: 2016

    Literature, unarguably, is a human-centred enterprise. Accordingly, if literature derives its nourishment from happenings in the human world, then it is an easy conjecture that war, being a reality of the human space, contributes largely to the sustenance of literary productions. Put differently, war may be awfully toxic to any human commune,but it is tonic to the imaginative minds of that commune who witness and survive it or who decades after discover it in tomes. War is atincture that powers the creative minds of fabulists. Wherever war happens, literature prospers.In reaching the same conclusion, ChinyereNwahunanyaavers that ‘the five hundred and twelve novels produced by the American civil war indicate how fertile wars can be as material for creative literature’.

    Like in many other countries of the world, what goes by the classification, Nigerian Literature, received a major boost from the poorly resolved drama of secession that is described in various ways but most notably as the Nigerian Civil War. As this writer argues elsewhere, ‘No one single event since the political independence of Nigeria has richly impacted the creative enterprise of the most populous Black nation like its thirty-month Civil War (1967-70).’

    From that decimating force – particularly the human tragedy it throws up, its socioeconomic, political, and ethnic questions – has emerged a huge body of works that has influenced and shaped the literature of the country. So proteinous is the material from the war that the prognostication of Nwahunanya, to wit that ‘the Nigerian Civil War has become so dominant as a theme in post-war Nigerian writing and may remain so for a long time[to come]’, has become a glaring reality. Indeed, as ChidiAmuta too argues, many decades after the war, ‘Nigerian literary scene still reverberates with the thematic echoes and formal patterns that the war experience made imperative’.

    Clearly, the emergence in 2016, 46 years after the end of the Nigerian Civil War, of Sam Omatseye’s compellingly readable novel, My Name Is Okoro, affirms the correctness of all of the foregoing averments. With the rare precision of a canny medieval archer, Omatseye’s muse connects fittingly with the core of the Nigerian Civil War loom and from it emerges a well-woven, riveting, provocative, and entertaining tale. With clear artistic vision, the writer transforms the material of the history of the war and creates in the process a believable fictional universe. It is in this connection that the novel merits the description as a compelling alternative history, for as Henry James contends in his famous essay, ‘The Artof Fiction’, like a picture projects reality, ‘so the novel is history’.

    My Name Is Okoro is a marvellously readable novel about the plight of the minority groups of the old Eastern and Midwestern Nigeria caught between the Charybdis of war and the Scylla of domination by a bigger ethnic group. Written in lapidary style, the novel dramatizes the story of Samson Okoro, an Urhobo who hails from the Midwest of the 1960s. Before he finds himself at the centre of the senselessness that is the massacre in Northern Nigeria after his return from the United States of America, where he is already a citizen, the name ‘Okoro’ could well embody the void that Juliet, Shakespeare’s heroine in the play Romeo and Juliet, harps on. But as the pogrom gives way to full-blown war, the name becomes a burden – at one turn he narrowly escapes death and at the other bend he is harried. ‘What is in a name?’ receives a condign answer. To his Northern assailants, ‘Okoro’ makes him Igbo. And the Igbo may call him that, but ‘he would not part’ with the fact that his ‘Okoro’ is not Igbo but Urhobo.

    Through the character of Okoro, a PhD holder in Economics whose American name is John Fox, and a few others, the author explores the Byzantine complexities ofidentitarianpolitics, the sustained injustice against minority groups, the phoniness of nationhood, and the human misery and the follies and paradox inspired by war. Just as cheap deaths and harrowing suffering decimate the people, there are others who find solace in the abode of Cupid.

    Incapable of boredom on account of its sparkling expressions, picturesque descriptions, and muscular plot, the 30-chapter novel teems with irony, humour, epigram, paradox, literary/biblical allusion, symbolism, paradox, and anecdote. Its deftly deployed omniscient narrative technique enables the author to make full use of the material of the war from which he refracts and reflects the travails of the Midwesterners, nay minority groups, and the indiscriminately disruptive effects of (the) war. Its characterisation is engaging and its characters plausible. Killers, like the killed, have humanity, and their Jekyll and Hyde are vividly portrayed.

    A movingly fictionalised account of Nigeria’s fratricidal war, My Name Is Okorois anacademy of history through which the history-lacking mind of many a young Nigerian can be equipped. It is also a treasure trove of history from which a lot of historical facts about Nigeria can be garnered. So abundant are the gemsin the trove that the novel risks being mistaken for a history tome. Happily, the novel is redeemed by the fact that the historical particulars are plotted in a tellingly entertaining way that conventional history books are not. It is as enormously a historical fiction as it is compellingly an alternative history. By its sturdy recreation of the Nigerian Civil War history, the novel stands out as a good addition to the corpus of Nigerian WarLiterature and historical fiction.

    James, to quote his essay again, is right when he observes that ‘[a] novel is in its broadest definition a personal, a direct impression of life’. What Omatseye has produced through his fictive Okoro and other characters is a conflation of his experience – direct and vicarious – of the war as he knows it and of course his creative imagination.

    It is no unctuous conclusion that whatever a reader considers the chink in the gilded armour of My Name Is Okorocannot dwarf its allures. It would be interesting, for example, for the reader to find out whether the novel revises, reinforces, or deconstructs rigid ethnic stereotypes and identities. The novel is highly recommended. Buy it, read it, gift it, and above all, critique it, for as James observes, ‘[a]rt lives upon discussion […] upon the exchange of views and the comparison of standpoints’.

  • Lagos at 50: Guerrilla theatre to the rescue

    Lagos at 50: Guerrilla theatre to the rescue

    As activities to mark the fifty years of the creation of Lagos State take off, Professor Wole Soyinka, Chair of Lagos at 50 celebration, last week, invited the National Troupe of Nigeria and the Footprints of David, to spearhead guerrilla dance-dramas in different parts of the state.  It was a way of sensitising the public and bringing them into the mood to commence this momentous event.  Edozie Udeze, who watched the shows, reports.

    “Here comes the efficacy of street theatre,’ so screamed one of the female spectators who watched with keen interest while the combined troupes of the National Troupe of Nigeria and the Footprints of David performed at Ikeja last week.  The performances which spread to different parts of Lagos State were to usher in programmes to commence the celebration of Lagos at 50.

    The idea of kick-starting the celebration with guerrilla theatre was mooted by Professor Wole Soyinka, Chairman of Lagos at 50.  For the public to get to know that something very important was about to take place in Lagos State, Soyinka invited the Footprints of David and the National Troupe of Nigeria to sensitise the general public on the need to be prepared for more actions that would take place subsequently.

    The dance dramas which took place at different locations in Lagos started from the main gate of the Lagos State Secretariat, Alausa, Ikeja where the two troupes proved their mettle.  As the excited crowd gathered to watch and be a part of this one month show, the apex dance troupe of Nigeria, took to the stage with Ajoyo, a brand new dance ensemble.

    Ajoyo is a dance-drama piece eulogising celebrations and inviting everybody to be a part of it.  In it the dancers beckoned on the people to come out in the open and join hands to make Lagos an Eldorado.  ‘Let the beauty of dance permeate the people.  Let the people dance, sing and celebrate for Lagos State is 50’,  one of the songs re-echoed.

    As the dancers chanted and re-enacted some of the local songs known in the state, some people in the crowd joined to praise the achievements of the state and wishing it to attain more heights soon enough.

    Adorned in very local Yoruba costumes, depicting the deep cultures of the people, the dancers displayed dances cutting across the different parts of Yoruba land.  Ajoyo is now a symbol of love: it epitomizes progress.  It reaches out to people telling them to be of good cheer.  The songs indeed permeated well into the foyers of the Alausa secretariat and forced many civil servants to stop and watch.  Some also sang along.

    As they did so, they truly identified with the prospects of the state and what it means to the entire nation called Nigeria. Lagos symbolises peace and unity.  The dancers showed that theatre is no longer a mere gimmick.  It is now a means to attain change; to redraw people’s attention to the nitty-gritty of culture as a means to reach out to the grassroots.  The resonating voice of Funmi Abe, the lead singer of the National Troupe equally arrested the interest of the big and the mighty.  Not even the drummers could let go.  As the sounds reverberated, more people gathered, sang and became merry.

    The gathering soon snowballed into a mini-festival.  The mood was sombre; the atmosphere was truly apt and captivating to usher in the real Lagos at 50.  And when the train finally moved to the under bridge, Ikeja roundabout it was then that the real scenario of a carnival erupted.  With the police in tow to give maximum security to the dancers and their convoy, both guests and spectators were well-assured to watch the shows without rancour or apprehension.  It was the spectacular outing of the Footprints of David’s young dancers that did the most magic.  They gyrated, did acrobatics and thrilled the people.

    Young and ever rearing to go, these crop of dancers electrified the Ikeja under bridge  arena with the most exciting dance steps and movements in contemporary act.  Their displays attracted wonderful comments from many people who confessed that they had never witnessed such dances before.  One lady by name Agnes, said, “this is good.  I mean for us to be allowed to watch these children free of charge shows that Lagos State is the New York of Nigeria.  I have been hearing of Footprints of David and I am now watching them here free of charge.  It is indeed amazing”, she enthused.

    In justifying why the National Troupe of Nigeria was involved in the show, Arnold Udoka, the director in-charge of Dance-drama of the Troupe, said “It is to bring dance as drama closer to the people.  It is to show that it is the people who drive culture.  This dance is for them; it is for the people.  It is also to show that Lagos is the melting-pot of Nigeria and here is where you have the best of cultural displays”.

    Udoka who stood in for the director of the Troupe, Akin Adejuwon explained that the dances were chosen to make Lagosians feel a sense of belonging and be part of the August celebration.  “The idea is all-encompassing – culture, dance, drama, celebrations and all, to open people’s mind to the importance of the number, fifty.  Fifty years is a mile stone.  It is time to reflect and recount.  It is time to take stock; time to look into the place of culture in what we do and say.  Dance forms an important aspect of our lives as you can see from the huge crowd that have been coming out to watch us dance and perform.  It is this concept that made Professor Soyinka to suggest the idea and then we were made to key into it.  This is why we have to move to other sensitive and strategic places in the state to do more shows”, Udoka said.

    On the second day, the train moved to Allen roundabout where the crowd surged on in their thousands.  Being a public holidays, it was easier for the performances to last longer.  Passers-by abandoned their daily chores to stare and cheer.  When it was over, one man who had been so engrossed by the spectacle, exclaimed, “oh what a show.  What a free entertainment to spice the holidays.  God bless the Troupe”.

    At the Maryland roundabout, the traffic build-up could not allow for a proper ambience to display the dance to the fullest.  Motorists hooted their horns impatiently while they stole glances at the shows.  It was here that the Footprints of David moved a bit into the crowd to solicit for acclaim.  The people yelled and cheered and clapped.  It was time for the dancers to prove that dance is a profession worthy of emulation.

    When it was time to move to Ojota bust-stop some of the crowd decided to follow.  And indeed their decision paid off well.  The Ojota crowd seemed to be the largest.  The dances took place right on the elevated pavement of the Kudirat Abiola Road.  There, practically every other action was halted just to watch these wonderful dancers and drummers.  The loud echoes of Eko Akete reverberated and sent signals to many.  Lagos State has come a long way to be the hub of the nation.  It is time to make more and fresh strides.

    Through the rich cultures of Lagos State, the people have been brought into the proper mood for more ceremonies for the 50 years anniversary.  In Footprints of David, for instance, the special focus is on children to enable them see and showcase different aspects of life.  Indeed Footprints of David were made to take care of the children arm of the festival.  This was why Soyinka mandated them to ensure that they use this occasion to ginger the interest of children in the areas of dance, drama and drumming.

    This was why the songs and the accompanying dances appealed to many of the spectators.  It was really a sight to behold, for in all these, the various dancers were able to use dance-drama to cement love and diffuse ethnic dichotomy in Nigeria.

  • Benjay: Tributes as the phenom clocks 80

    Benjay: Tributes as the phenom clocks 80

    There was jazz, there was eloquence, and there were friends and well-wishers as the Committee for Relevant Arts (CORA), Copyright Society of Nigeria (COSON), Goethe Institut, and other culture-inclined bodies appositely celebrated the 80th birthday of Benson Idonije. It was a kindred ambience of respect that pervaded the celebrations as people gathered to celebrate the former broadcaster, teacher, and writer whose nom de guerre, Benjay, once was a household name.

    The celebration lasted for four days across multiple venues including Muson Centre at Onikan, Ojez Restaurant at National Stadium, and Freedom Park, all in Lagos. The first day featured a plethora of tributes to Benjay as his former colleagues and friends in the media paid homage to him at the Muson Centre.

    Secretary General of CORA, Toyin Akinosho, delivering the opening remarks, mentioned that ‘Uncle Ben” and Cora go a long way. He narrated how Benjay, still brimming with energy after he left broadcasting, wanted to bond with young people.

    “We met at an event,” he said, adding that: “he gave us tips so we started a highlife programme, which has been a source of inspiration to many young people.”

    This comment proved to be just a tip of the iceberg as the chairman for the day, Dr. Christopher Kolade expressed his delight at being invited to chair the occasion. Of the importance of Benjay to the broadcasting community, and indeed to the country as a whole, he said: “We tend to think from all the rhetoric going around that there is much room for improvement. Benson Idonije represents a very important facet of our history – where we are coming from.”

    He also recalled that when Benjay started his career in broadcasting, his activities perplexed people who wondered who it was that troubled them with his knowledge of music. He was, Kolade said, regaling them with things which they already knew. Alas, there were many things which they did not know, and which are contained in Benjay’s books and works.

    Taking a nimble jab at administration in the country, he praised the excellence of Benjay and his colleagues while he was their boss, declaiming that if the country still had people with such commitment at the helm of affairs, then things would be better.

    In a similar manner, Dele Adetiba, another former colleague of Idonije said: “No two people could have done it like Benson Idonije. I knew he was very good, but I never knew he was that good until I started reading him in the papers. He was usually quiet, but he would become a tiger with so much firepower behind the mic.”

    Meanwhile, the celebrations continued on the second day with a number of discussions on the subject of Highlife, especially as this was an area which Benjay focused on immensely. It was chaired by Professor John Collins from the University of Ghana, Legon, who has published about 50 books, including 32 on highlife.

    He lectured extensively on the origins of highlife music as well as the growth of the musical careers of such icons as E.T. Mensah and Bobby Benson. He also noted that Afrobeat and Fela’s music were influenced by highlife. He thrilled the attendants with musical illustrations as he ambidextrously played both the mouth organ and the guitar simultaneously.

    In the same vein, another speaker and friend of Benjay, Ray Mike Nwachukwu excited the audience even further with a prepared recording which explained the deep passion and magic of highlife music with accompanying narratives, and musical clips transcending Africa.

    Chairman of Evergreen Music Studios, Femi Esho then capped the lectures on the growth of Highlife by speaking to the topic; ‘Highlife must not die’. He exemplified evergreen music as a major fighter for the cause of immortalising highlife music, while ruing the sad reality that during the celebration of Nigeria clocking a half century of independence, none of the old music maestros were invited.

    By the fourth day, the discourse had escalated to its climax. A panel consisting Femi Akintunde-Johnson, Molara Wood, Ayeni Adekunle, Osagie Alonge, and Chris Ihidero (the latter being the moderator) examined the music industry in the country and agreed to an extent that credible criticism of the music industry is now an extinct practise. This, they concluded, accounts for some of the underdevelopment in the industry.

    Rounding up the four-day celebration was a concert themed ‘A toast to grand-dad’ in which Damini Ogulu, popularly known as Burna Boy, performed alongside others to celebrate the good health of Benjay.

  • Book reading against depression

    Book reading against depression

    Nigerians were sensitised to the dangers of the scourge of depression recently as an author, Vivian Ikem, blew the whistle on it. She raised this awareness recently at a special reading from her book, Shadows in the Mirror: The many Faces of Depression, at the Quintessence Gallery in Ikoyi, Lagos.

    Having experienced a bout of depression herself, Ikem said that depression is so deadly that one in five people are likely to suffer from it without knowing. She also urged against intolerant conduct towards people who complain about depression because it is as well a medical condition as malaria or typhoid.

    She said: “Ignorance is killing way too many people. Everyone is prone to depression. All it takes is a little trigger. We need to speak out now, without having to wait for it to get bad. We should enlighten people before they end up in the psychiatric ward.”

    While the book reading took on a congenial and jovial bearing, nuggets of informative material prevalently seeped forth from the speakers, including a psychiatric doctor, Ayomide Adebayo, who declaimed extensively on where and how help can be rendered to people suffering from depression at all levels.

    Adebayo rued the reality that people tend to keep mum about issues of suicide instead of tackling the issue and campaigning against depression. He said: “How come people don’t talk about depression? In a statistical situation where one in five people are suffering from depression in one form or the other, it is almost certain that you know at least one person suffering from it. How come you don’t know who they are?”

    He also noted that depression is currently rated as the second most widespread burden disease and is pitched to top that ignominious list by 2020. He explained further that burden diseases are those which impede maximum functionality of individuals in whatever endeavours they pursue.

    He added that the irony was that treatment for depression was not as arduous as many people were given to assume, especially seeing as the drugs usually prescribed for the treatment of depression are cheap and easily affordable.

    The treatment begins with every individual, the practitioner explained. To complement this, Ikem urged individuals to be tolerant and approachable to their friends and anyone who they perceive is depressed. She said: “It takes us going out of our ways to help people. Often times, it is until the damage has been done that people start singing. The important question is what you do when you notice someone in that situation.”