Category: Arts & Life

  • Unsung kidnap cases: A case of slow police reaction?

    On the heels of the recent polices heroics in rescuing the abducted Ikorodu school girls, Gboyega Alaka probes what looks like the force’s slow reaction, especially when the kidnap cases don’t receive huge media and public outcry.

    It was a commando-like operation. About five gun-toting men in military uniform crossed a jeep on a certain evening somewhere as it negotiated its way into the Raji Rasaki Estate in Amuwo-Odofin Area of Lagos, ordered the occupant, an obviously well-to-do man out of the car, threatening to shoot if he as much as played any pranks, ordered him into their vehicle and drove off, shooting fiercely as they disappeared into the night. Eye-witnesses said everything happened in less than five minutes. Some said they actually thought it was some military team on an arrest mission.

    A young man, Ifeanyi who narrated the incident said it was such that not many dared look for longer than seconds, as the precision and terror with which the kidnappers operated spoke of high level expertise. It was later that news began filtering out that it was indeed a kidnap operation and that the victim was Chief Francis Umeh, a well-known spare-parts dealer at the popular Aspanda market, Trade Fair, Badagry Expressway, who lived in the estate.

    He said the kidnappers must have trailed Umeh from the highway or probably waited for him, working on insider information.

    Not long before this incident, precisely two weeks, another notable businessman, Cosmas Ojukwu had been kidnapped in similar fashion, this time, in FESTAC. For those not familiar with Lagos, FESTAC Town is on the other side of Amuwo-Odofin, with the Badagry Expressway separating them. As a matter of fact, both areas fall under the same local government, Amuwo-Odofin Local government.

    Ojukwu’s abductors, it was gathered struck around 8pm as he approached the gate leading to his residence on House 16, X Close, 21 Road. He was said to be in company of some of his business apprentices, but like in the case of Umeh, where the driver was left untouched, the boys were left to go, probably to render first-hand experience of the terror they had seen.

    Information filtering out revealed that Ojukwu’s family and associates had raised the 1million dollars ransom demanded by the kidnappers, but the gang recanted and are now demanding an extra 1million dollars, probably having seen how quickly the initial  1million dollars was raised. The kidnappers, it is speculated, are demanding the extra one million dollars as a penalty for the ‘rude’ way the victim’s family had related with them.

    Like Ojukwu, Elias Ukachukwu’s kidnap story sends shivers down the spines of any wealthy man. After he was kidnapped in November 2015 and his family coughed out a whopping 1million dollar, the abductors demanded another 1million dollar, claiming rudeness by his family during negotiation.

    Thankfully, Ukachukwu, as learnt from the Lagos State Police PRO, Ms Dolapo Badmus, is back safely with his family.

    But the trend has put the families of kidnapped victims in a dilemma, as it now seems like the gangs put more stringent demands on victims’ families, once they respond promptly. A gentleman, who claims to know one of the relatives of one of the kidnapped business men, said the family raised the money quickly, fearing that they may hurt the victim if money is not quickly paid. Besides, they have heard stories of victims who have died in kidnappers’ den due to delayed response by their families.

    The case of Late Obi Akaeze Edward Ofolue III of Ubulu-Uku in Delta State, who was abducted and murdered in captivity, is still fresh. Same for a certain Lagos businessman, who was abducted in FESTAC in 2011, and whose decomposing body was later discovered in a remote village close to his home town in Anambra State.

    In September last year, Sir James Uzochukwu Udoji , Chairman of Comestar Manufacturing Company was kidnapped in similar fashion on 7th Avenue in the same FESTAC. As bad as the situation has become, he would count himself lucky, as he regained freedom after paying an undisclosed sum of money, which some close members of his family put at one million dollars.

    FESTAC Town as kidnapping field

    The situation is such that palpable fear now abounds amongst wealthy businessmen in FESTAC Town, Amuwo-Odofin and environ. In the last three months and thereabout, rumour has it that a good number of wealthy businessmen have been kidnapped in the area.  According to a reliable source, these series of kidnapping may have been perpetrated by what some have regarded as the same gang of criminals, as their mode of operation has been similar. Worse still, they demand payment in dollars and cite flimsy pretexts for increasing victims’ ransoms and holding onto them. Most of their victims are also notable businessmen at the popular Trade Fair Aspanda Market and other major commercial hubs in Lagos.

    The situation is such that most people with notable prosperity are going under or moving out to unknown locations, to avoid being targets of these evil gang or gangs. Sources say even the home of Chief Umeh is now the shadow of its old self, with members of the family going underground, whilst they continue negotiating for the kidnappers and looking to meet their herculean demand.

    Mum’s the word

    Probably for fear of implicating themselves, no one seems to be willing to volunteer a word, as this reporter pounded a wide breadth of FESTAC, looking to locate houses of some of the victims and possibly speak with some of them. Not a soul was willing to help the moment they learnt of his intention or mission, while some immediately retreated into their shells. A good number also simply walked away. The few, like Femi, who volunteered a word said it is a dangerous topic to discuss and that he wasn’t even sure if the gentleman posing as a reporter wasn’t actually one of the kidnappers on a mission to feel the pulse of the people.

    No safe haven

    The situation in FESTAC is no different from what obtains across the country. Hundreds of people are being kidnapped by the day across the expanse of Nigeria, with a sizeable number of them going literally unsung. Like the cases in FESTAC, several families have had to pull together their resources to ransom their loved ones from the jaws of kidnappers.

    Information reaching The Nation also indicates that a lot of these victims for fear of the unknown quietly comply with the demands of the kidnappers, whom they say always threaten thunder and brimstone, should they report to the police.

    South Africa-based Victor Ogadinma got more than he bargained for, when he was abducted in front of his house in Owerri, Anambra State. He had come home to be with his family in Owerri, Anambra State, when he was picked up by three gun-wielding men as he made to enter his house. He was released three days after his family had raised and paid a ransom of N1million to his abductors. Speaking to reporters after his kidnappers had been rounded up by the police, Ogadinma said “I was in front of my house waiting for my family members to open the gate, when three heavily armed men accosted me and forced me out of the car to the back seat. It was around 7.30pm, and my wife came out while they were struggling to push me into the car but they pushed her down.”

    He narrated how he was kept in a dirty kitchen all the while, adding that “I told them I had N220,000 and $2,000 and some European currencies. I was picked on January 7 and released January 10. They offered me food but I chose to drink only water.”

    Mid last year, a Warri-based hotelier, who recently retired from Chevron was abducted on his way to his hotel in Auchi, Edo State. Apparently taken for a wealthy man because of his car and the fact that he was chauffeur-driven, the kidnappers pounced on him and demanded a N100million ransom. A close relative of the victim who would not mention his name, say the gentlemen had to quietly settle the ransom which may have run into about N10million before being released three days later.

    Unsung cases, little police action?

    The above and several others that precede it as far back as 2012 are some unsung kidnap cases, where the victims suffered in silence and their families have had to sweep their bank accounts to free their loved ones. Many have accused the police of only acting fast when the victim/s are of notable backgrounds and their kidnap generated a lot of media hype. In several of the kidnap cases cited above, the victims were held sometimes for weeks and even months; with few people outside their immediate family circles and friends knowing about it.

    This is unlike the recent case of the three abducted girls of the Babington Macaulay Junior Seminary School, Ikorodu, where the police is said to have unleashed a massive 500-man rescue team into the town and surrounded forest. Needless to say, the heat smoked out the kidnappers and the whole country is still celebrating the police’s achievement.

    There is also the case of mother of former minister of Finance, Dr Ngozi Okonjo-Iweala, who was abducted and freed five days later due to massive police heat. Although some other version said the old woman was freed after some ransom money must have exchanged hands, the fact remains that the senior Okonjo was released in a short time, compared to cases of other people, who didn’t receive as much media hype and sensational headlines as the minister’s mother.

    Even Former Secretary to the federal government of Nigeria and former presidential candidate on the platform of the Social Democratic party (SDP), Chief Olu Falae got out in good time, even though there were discordant tunes as to whether or not a ransom was paid.

    “What’s the police doing?”

    Interestingly, while most television stations were celebrating the heroic rescue of the three abducted girls of the Babington Macaulay Junior Seminary School, Ikorodu by the police early last week, one viewer sent in a message, which was run as a strip on the screen. It read like: “What’s the police doing about the spate of kidnapping in Festac/Amuwo Odofin axis. My uncle has been held for six weeks.”  This message cast a dark spot on what would otherwise have been an immaculate celebration, going by the way the police responded and cornered the kidnappers, who must still be wondering how they got it wrong.

    While it may be said that Chief Umeh’s case along with that of Chief Ojukwu Cosmas got a mention in the media, one cannot deny that they have not received as much media hype and outrage as the Ikorodu three or even Chief Falae received when they were abducted.

    The questions therefore remains: When will Chief Umeh and Ojukwu Cosmas regain freedom, granted that the sender on the message strip on Channels TV may be family to either of these two prominent businessmen or some others who are still languishing in Kidnappers’ den? When as a matter of fact will the spate of kidnapping currently raging in the country abate or become a thing of the past?

  • Pregnant women, nursing mothers and the crave for NYSC certificate

    Pregnant women, nursing mothers and the crave for NYSC certificate

    For pregnant women and nursing mothers to be able to take proper care of themselves and their babies, the National Youth Service Corps (NYSC) allows them to register with the scheme, take an exeat from the camp and go home during the first three weeks of mobilisation. But some still choose to go through the rigours, raising curious questions in the process. Medinat Kanabe reports.

    The walked into the NYSC camp looking pale and tired. She held a baby in one hand, and a handbag and another bag containing baby things in the other.

    For the purpose of this story, let’s call her Mrs Stubborn. She walked so slowly that anyone could tell that her body was going through a lot of pain. In a nutshell, she stood out like a sore-thumb amongst the thousands of corps members walking smartly in the camp.

    One of the camp officials who noticed her demeanour, walked up to her to question her about her health.

    Speaking to The Nation, the official said she was moved to tears by her plight. “I pitied her and advised her not to return until she was better. She was already nine months gone when her name came out for the service and it was something she had always wanted to experience, so she prepared to come to camp nevertheless. But she didn’t know that she would undergo a Caesarean Section, which was one of the things that aggravated her health condition. She also didn’t defy the service as she came to camp for registration.

    “She underwent the CS a week before camp would close and then left the hospital for camp. Worst of all, she travelled all the way from Kaduna to Lagos on road with a week old baby and an unhealthy body.

    “I had to help her hold her baby, give her a place to sit and assist her with her registration so that she could finish early, collect her exeat and leave camp to rest,” the official said.

    Mrs Stubborn’s story is something that could have been prevented. All she needed to do was ignore the call to service and visit her school for another posting whenever her baby was old enough and she strong enough to participate in the service, just like her colleague Nojeeb Salamot.

    Salamot is a graduate of Olabisi Onabanjo University, Ogun State. She got her posting letter when her baby was 7 months old but that was the second according to her. “I was supposed to go (for service) last year but I was pregnant, so I decided to stay back and have my child and wait for him to be a bit older before coming in.

    “Even as a 7 month-old baby, it isn’t easy taking him with me to camp for clearance and other activities that are compulsory, but I try my best. Sometimes I pity him because of the sun that we stay in for hours before being attended to. My son is a quiet boy, so he doesn’t cry like other children that we meet in camp. He only cries when the weather is too hot for him,” she said.

    Salamot knew that she could go for her youth service anytime without going through much stress from NYSC or her school, as it doesn’t involve any form of stress. She also knew how important it was for her and her baby to be very strong, before she could enjoy her service year.

    Another corps member, Chima Christiana Ifeanyi, a graduate of Chukwuemeka Odumegwu Ojukwu University, Anambra State said her baby was four months old when she was cleared to serve in Lagos.

    “My husband works in Lagos, so it wasn’t a problem for me, except that we live in Ajah and the camp is in Iyana-Ipaja. I have to take the baby with me every time I am coming to the camp, all the way from Ajah and it is not easy. I pity other corps members who bring little babies to camp. I would have deferred if my baby was not up to four months.”

    For Joy Abehi whose baby was about 3 weeks old when she was called to camp, her happiness knew no bounds, especially since she escaped posting in stream one when she was still pregnant.”

    “I schooled in Kogi State University, Ayingba, so I had to travel down to Lagos so I can deliver here and serve too. But I take my baby with me whenever I have to go to camp for clearance. It is stressful, but we are given special attention as nursing mothers.

    Asked if her baby isn’t still too little to be brought out of the comfort of her home to a place like the NYSC camp, she said: “I don’t think so. NYSC has done enough by exempting us from camp; the rest is left to us.”

    She called on organisations to be considerate in absorbing nursing mothers, saying they can work even better than the single ones.

    Peju Oyediran whose baby was 3 months old when she was cleared for service said she had prepared for the service, so she didn’t feel stressed. She however added that the registration exercise was a bit cumbersome and that “it became overwhelming at some point.”

    The graduate of Obafemi Awolowo University, Ife said: “It has not been easy but because it is necessary, I have to go and do the basic things that requires me to visit the camp and that means taking my baby along to camp.

    Getting the NYSC management to comment on why they still allow pregnant and nursing  mothers to participate in the scheme was a bit difficult, but its Lagos State coordinator, Mr Akhanemhe Cyril explained that: “When pregnant and nursing mothers register, they are asked to take exeat and go home to take care of themselves and their babies. The next time we want to see them is when they come to pick their posting letters. We don’t expect that they come here every day.

    “The NYSC management has made it clear that they come and take exeat and go home. So it is a policy that they don’t bring babies to camp. Those that cannot come for their letters immediately can come to the secretariat to pick up their posting letters or allowances.”

    For the NYSC Director General, Brigadier General Olawunmi Johnson who answered only the question on the rejection of pregnant women and nursing mothers at their place of primary assignment, “It is against any rule for an organisation not to absorb pregnant women, except if the nature of work is not what a pregnant woman can do. If not, it will amount to discrimination if a pregnant corps member is rejected in her place of primary assignment just because she is pregnant.”

    Medical doctors’ position

    Dr Ibeauchi Chinasa, a doctor with a private hospital in Lekki who spoke to The Nation said a patient who delivered through a Caesarean Section in just about a week is supposed to be in the hospital recuperating.

    He said one of the reasons women go through CS is because of obstructed labour. After the obstructed labour, the woman is expected to be on urethra catheter for about 10 days for her to heal well because during the obstructed labour, the baby would have pressed against her bladder for a long time. If it is removed before the 10 days, the bladder may become weak and then rupture; and this may cause urine to enter her abdomen. Therefore such a woman is not fit to travel.

    As for the baby, Ibeauchi said the first 28 days of their life is the most vulnerable time of their life. At this time, the bulk of their body is water; that is why they usually lose weight during the first 10 days because they will lose some of the water. Because of this, they need to relax very well and take a lot of breast milk.

    A mother who is travelling or participating in such a scheme cannot achieve this for her baby. Instead, the baby could easily get infected with different infections, as their immune system is very low.

    Their liver too is still very weak, so they are prone to bleeding. So the mother has to be very careful, mind her hygiene and watch what goes into the baby.

    One of the things that are feared most during this time in a baby’s life is exposure to infections, which can lead to neonatal jaundice – discolouring of the eyes and skin.

    “Jaundice, Ibeauchi said, “can damage a part of the brain, causing the baby to become a vegetable all his life. I think nursing mothers should be exempted from the NYSC scheme until their babies are a bit stronger, say five months.

  • My journey into arts began with the masquerade tradition

    My journey into arts began with the masquerade tradition

    Segun Adefila, founder of Crown Troupe of Africa, a dance drama group, in this interview with Dorcas Egede told of the trials and triumphs of the group’s 20 year journey and where he sees it in another five years

    When and how did this all begin?

    1. I’ve always loved the arts without knowing what it was called. But I was born into it. Between the age of 7 and 10, I lived in my village, Omuaran in Kwara state. That was where I was exposed to the masquerade tradition. When I came back to Lagos in 1982, I realised I loved performing. I felt at home whenever I was dancing as a child….

    My journey into Arts began with Black Image in 1995.I instantly felt at home with the group the moment I walked into their rehearsal venue. It was this group that first gave me the opportunity to express myself…. In 1996, something happened and I left the group. With encouragement of some friends, we started Crown Troupe in June 1996. We didn’t start the group to become famous or make money. We were just doing our thing.

    In 1997, I decided to get formal training. So, I studied for a certificate in drama, after which I went ahead to get a degree in Creative Arts, both from the University of Lagos. With my exposure to the masquerade tradition, what I learnt from Black Image and the experiences I gathered while studying, I was set for the Arts.

    Since your father wanted you to study medicine or engineering, I imagine he didn’t support you when you chose Arts. How were you able to cope without parental support?

    It was God.But I was also determined. At a point I left my father’s house and moved in with my friends. And while other young people our age were busy watching football matches, we moved about, looking for people to entertain.

    So, how have you been getting funding?

    People have just been cropping up from all angles to help us. We have been using this space for free in the last 3 years. When Crown Troupe started, we didn’t have even one drum. We started in Sunny Ade’s sitting room. It was one barber opposite his house that offered us his drum. That was how we got our first drum.

    Do you ever get government support for this thing you do?

    Support? Crown Troupe has performed in Aso Rock before, but we don’t get funding from government. The only support we need from government is for them to provide basic social amenities for us. If we have electricity, good roads and freedom of expression, that’s the much support we need.

    Have you been harassed by the authorities in the course of carrying out your duties as an artist?

    I am not stifled. I don’t know if other artists are stifled. If anyone tries to stifle me, I’ll bite off the person’s finger. Fela and earlier artists have paid the price and cleared the way for us.An artist is easy to deal with. If you think he has written something that is offensive to you, you don’t have to treat him like a criminal. Take him to court and fine him, not fight him with guns. I’ve never really had that kind of confrontation from the authorities. Ironically, my confrontations come from the people we’re speaking for, the common man.

    So, did Crown Troupe turn 20 recently?

    We will be 20 on the first of June. But to mark our 20th anniversary, we will be having a project with the British Council from February to April. We will be performing a play by Shakespeare in Lagos, Calabar and Abuja, sponsored by the British Council in commemoration of Shakespeare, as this year marks the 400th year of his death.May to June we’ll be having another project with the Goethe Institute. In July we’re performing Wole Soyinka’s Death and the king’s Horsemen.

    How has the last twenty years been?

    It’s been exciting, challenging. Crown Troupe has taken us places. We have performed from the smallest to the biggest shows, both home and abroad.

    Where do you see Crown Troupe 5 years from now?

    We’re looking at a situation where Crown Troupe will be a formally established academy where people can attend and be issued certificates. We currently train artists, it’s just not formal.

    Finally, tell us the source of your inspiration?

    God. We are like transistor radios. Besides, the society writes our scripts for us, as it were. We live in a dramatic society. If I want to write a song for instance, I don’t need to look too far, there’s always something happening around me from which I can tell a story.

  • A classical way to rest

    A classical way to rest

    Ebony Vault, an out-of-the-world cemetery was recently unveiled to the public in Lagos. Adeola Ogunlade reports.

    Frontline Lagos undertakers, Ebony Vault, recently opened a classy cemetery in highbrow Ikoyi, Lagos to provide options for Nigerians who crave some decency and luxury for their dead.

    The beautiful landscape occupies about 2 hectares, with lovely flowers adorning the walkways, giving it a luxury garden ambience and lending a sense of fun in the midst of mourning.

    Speaking, Chief Executive Officer of Ebony Vault,  Dehinde Harrison, said having established Atan Cemetery in Lagos in 2003, he had always wanted to do something more for the funeral services industry. “I believe in creativity, innovativeness and tact in my business. I was born into the funeral service business as a child. … The first thing I see is a casket and the last thing I see before going to sleep.”

    He spoke of an international conference he attended where there were over 10,000 funeral service providers, and the need to do more and make funeral services less stressful and fun were adequately discussed, saying it “I thought of doing one in Lagos.”

    Ebony Vault has a showroom for caskets, a Viewing Room for families to view the bodies of their loved ones before they are taken for burial and a car park can take between 200 and 250 cars. “This place is a one stop shop for funerals. You can also hold a service in our hall….  Also there are two different set of burial grounds, one for the Christians and another for Muslims. The Muslim vault has a space that can accommodate 100 people for prayers and there are six taps for them to wash their legs as their religion permits.

    “There is also a reserved area for Christian service. And at request, the in-house clergy can be arranged to conduct funeral service.”

    “There are almost 1000 vaults on two hectares of land occupied by the cemetery. The space is segmented into high-density and low-density burial sites. There are also medium-density and special sites. The high-density area has a longer cluster of vaults while low-density consists of fewer vaults.”He said.

    Odunlami added that “We do a-z of funeral service. We are here to help any class of people be it artisans. We have caskets for difference classes of people. We can help with any budget. We do pre-paid for our clients who feel that they want to prepare the family before their death. We can choose their casket, vehicle, and how long the dead will stay in the mould.

  • Dissecting Boko Haram in Nigeria

    Dissecting Boko Haram in Nigeria

    The Boko Haram Phenomenon and Terrorism in Nigeria, a masterpiece by retired Air Commodore Darlington Egbunu Abdullahi, is the most recent and assertive deep-thinking book on the activities of the dreaded Boko Haram sect in Nigeria.  It is, of course, an open-secret that the insurgency that befell Nigeria took the country’s leaders unawares, and since its inception, the solutions to it have been proffered but none seems efficacious; rather they have been more of conjectures.

    Abdullahi’s book is a thought-provoking security, incisive and intelligence write-up that reveals, educates, and tells point-blank all about the Boko Haram sect and why the activities of the sect have been sustained despite various efforts by the government and the international community in combating the trend. The book at the same time indicts Nigeria’s political, religious and social leaders for remaining learners of the procedures of the sect despite its recurring decimal.

    Boko Haram Paradoxes

    Paradox in the literary context is equivalent to irony. It simply means doing the opposite of what one says, or one’s ignorance of one’s Unconscious. The sect, whose main agenda is to wipe out western education, at the same time uses products of the same western education in its operations. The internet, of course, is one of them. Again if the agenda of the sect is to Islamise Nigeria, the puzzle is: why does it irrationally attack Islamic clerics and adherents as well as non-Muslims? Why does it attack mosques? Abdullahi writes that “At the beginning, it was an Islamic agenda with a call for the Islamisation of Nigeria and (former) President Jonathan converting to Islam’ (56). The terrorist group however contradicts its agenda by being the agent of destruction of the same institution that it tends to recreate. At the same time, Islamic clerics, including President Muhammadu Buhari, have openly stated that the group’s agenda is anti-Islam. It has also been established that no religion preaches violence; after all it is the creation of the Almighty. Then the activities of the Boko Haram sect need re-defining before a permanent solution could be found. And that is the main focus of the book under review.

    Before Boko Haram, Islam was in Nigeria, courtesy of Othman dan Fodio. Abdullahi’s account shows that Boko Haram is evolutionary. Incidentally, Nigeria’s political and security structures failed to read the writings on the wall early enough until the monster became an institution. The journey began with pockets of militant groups bearing various names and their clandestine agenda. They were treated with kids’ gloves by the Nigerian authorities until the kids matured to face their father. The conglomeration of these underlying groups provided the platform for the formation of the first official terrorist group in Nigeria by outlawed Cameroonian Mohammed Marwa. He founded Maitasine in Nigeria around 1945, and groomed it until around 1980’s when the sect began to manifest its deadly agenda. Mr Marwa, whose ideologies couldn’t thrive in Cameroon, found Nigeria a potent ground to actualise them and those of his cohorts. His goal, according to Abdullahi, was the proclamation Jihad as enthroned by Othman dan Fodio. He was allowed naively to inculcate his ideologies into the consciousness of susceptible Nigerians, mostly from the Northeast, before the Nigerian institution became aware that a cancerous growth had overwhelmed its immune system. Subsequent efforts by the country in combating this became belated. Unlike the mission of Othman dan Fodio, whose descendants preached and proclaimed peace, Marwa’s own was radicalised and systemic as if a mysterious being was playing the music.

    The Boko Haram Phenomenon and Terrorism in Nigeria brings many issues to the fore. All of them are germane to Nigeria’s peaceful co-existence, although it requires a superman, according to philosopher Nietzsche, to execute them. The issues include terrorism and global insecurity where he outlines the impact of terrorism in the society, the earth-breaking battle between Al-Qaeda and the US, and various terror attacks in the US, the UK, France, Australia, Canada, Syria, Indonesia, Middle East and Africa, and then narrows it down to Nigeria. By so doing he is able to establish the fact that terrorism is a global phenomenon but peculiar to societies and individuals. The didactic aspect of the book is the need to adopt a system that can checkmate the excesses of terrorism depending on the setting. By implication, although terrorism is a global phenomenon, the approach in tackling it depends on the geopolitical location. The type the US uses, for instance, may not work in Nigeria because of Nigeria’s peculiarities.

    Other aspects the book discussed are the concept of terrorism and its growth in Nigeria, the Boko Haram strategies, kidnap and killing cases in the country, fate of refugees as a result of the activities of the insurgency, legal perspectives, and the international dimensions in combating terrorism. The book also identifies some solutions to ending the activities of the insurgents in Nigeria. Specifically identifying its peculiarities is a rudimentary way of tackling it.

    Evolution of terrorism in Nigeria

    According to Abdullahi, “Unchecked proliferation of small arms and light weapons in the country made it easier for these groups to achieve their objectives…” It is therefore the unchecked proliferations of pockets of covert terrorist groups that built the consciousness of insurgency in Nigeria. The journey of the group began with the Maitasine through the Nigerian Taliban before it graduated into Boko Haram. Maitasine’s leader Mohammed Marwa was not taken seriously when he began the teachings of his doctrines. He was arrested many a time but always found his way out of detention. When he was eventually killed, Mohammed had had an avalanche of followers. At worst, the report of the committee set up by the Shagari regime to unravel the mystery of the sect was not implemented, which has become a generational flaw in Nigeria.

    Maitasine metamorphosed into the Nigerian Taliban, and was led by one Mohammed Ali. His agenda was a total implementation of a purer form of Sharia in Nigeria, which invariably is a continuum of its mother sect. The group, initially described as peaceful by some Islamic scholars, in disguise continued rebuilding the Maitaine network both locally and internationally until it went into a total confrontation with the Nigerian society. That was when the government realised that once again its security nonchalance had taken it unawares. Many lives and property were destroyed in the fight and reprisals. Abdullahi writes that the surviving members of the Nigerian Taliban, after the clampdown, in 2004, relocated to Borno where they sustained their fight against security operatives. It is the Taliban members who survived the government onslaught that later joined a movement founded by Mohammed Yusuf in Maiduguri, and succeeded in launching Boko Haram into a full force. Similarly the same non-proactive approach was used on Yusuf’s Boko Haram until it became an institution with international networks.

    The book reveals some thought-provoking and indicting rhetoric. First the leaders of Maitasine, Nigerian Taliban and Boko Haram have a homogenous relationship. Nigeria’s government has always approached the movements with the same stereotyped attitudes. Reports of committees to tackle the insurgency have never been fully implemented. The Nigerian legal system has its defect in prosecuting the suspects.

    The book is multifaceted and deserves a serious attention if Nigeria is to get the fight against Boko Haram and other insurgencies right. The book calls on Nigerian leaders, security operatives, and relevant institutions to sit up. The demands of the evolving sects are treasonable, and still nothing tangible has been done in the fight. It has been a case of ‘sit down dey look’.

    Abdullahi in this book succeeds in creating the enigmatic posture of Boko Haram because the book is speculative on its funders, membership and the real agenda. However the book should be given the credit for stating the best approaches to solving the problem through the author’s system called: Darlington National Crisi Loop. That the sect has found its best conducive base in the North-East, that its followers are mainly deranged members of society and so on are pointers that Abdullahi is sending a message to Nigeria’s political class.

  • Olatubosun: Trail blazer in Yoruba language

    Olatubosun: Trail blazer in Yoruba language

    Kolawole Olatubosun is a man of many parts – creative writer, blogger, and researcher – and a known czar in Yoruba language, linguistics and translation.Beyond academic qualifications, Kola (as popularly known) is offering real-life solutions in Yoruba language by adapting the language to technology – Yorubatech you may wish to call it.

    Kola has a bachelor’s degree in Linguistics from the University of Ibadan (UI), and a master’s in Linguistics/TESL (Teaching English as a Second Language) from the Southern Illinois University, Edwardsville. As a Fulbright scholar, Kola taught beginner and intermediate Yoruba courses at Southern Illinois University Edwardsville in August 2009 to May 2010. Upon the completion of the Fulbright programme, Kola’s skills earned him more years and different positions at the university as graduate assistant, director of Foreign Language Teaching Centre (FLTC), language lab director, research assistant to Ronald P. Schaefer (PhD) on Emai tonology and lexicography, and about a year at The International Institute of St. Louis as English teacher/volunteer to immigrants.

    As a sought-after linguist, Kola has consulted for major language service providers (LSPs) across continents like Afrolingo in South Africa, Avant Assessment in US and thebigword in UK. In his bid to make Yoruba sub-dots and tones computer-aided on Windows and Macintosh operating systems, Kola and his team released free-tone-marking keyboard software layout on yorubaname.com.

    Kola’s ground-breaking language strides are Twitter Yoruba Movement and The web-based Multimedia Dictionary of Yoruba Names.  Twitter Yoruba Movement, which culminated in annual ‘Tweet Yoruba Day’, remains a tip of the iceberg of having Twitter Yoruba interface on the platform. On the completion of the interface in Yoruba (writing Yoruba with its sub-dots and tone marks I mean), the language would become the second African language to be supported by Twitter. The web-based Multimedia Dictionary of Yoruba Names, currently on yorubaname.com, is the extended version of Kola’s miniature final year project on the same subject at UI. The multimedia dictionary benefited immensely from Adeboye Babalola and Olugboyega Alaba’s A Dictionary of Yoruba Personal Names. The site, yorubaname.com, is fully operational and would be useful for those who want to know the meanings of their names, for those seeking nice Yoruba names for newborns and for you to add your name if it is not in the word list.

    The symbiosis between Kola and Yoruba language has earned him international appointment, recognition and award. In 2015, Google Nigeria appointed him as Speech Linguistic Project Manager and CNN Culture Award Nominee the same year. He has since been announced as the first Nigerian and African to win the Premio Ostana International Award for Scriptures in the Mother Tongue 2016 (Il Premio Ostana Internazionale Scritture in Lingua Madre 2016). The annual prize, which is organised by Culture of the Chambra D’Oc in Ostana (Cuneo, Italy), is in recognition of an invaluable contribution to the defense of an indigenous language, and the use of the language for education and information activities by the recipient. Past winners of the prize include Witi Tame, Ihimaera Harkaitz, Cano Mehmet, Altun Lance, David Henson, and Jaques Thiers.

    Today, everyone can identify with Kola’s success, but not without societal prejudices and claims label as the lot of an undergraduate studying a Nigerian language in the university. For many, you dare not tell your peers you are studying any of Yoruba, Igbo or Hausa. If you do, their crystal balls see only but a failure, at best, a potential teacher. And you know teaching could really be undignified in modern-day Nigeria for obvious reasons. Identity crisis is a major problem of an average undergraduate studying any of the Nigerian languages in the university. During my undergraduate days at the University of Lagos, at an event comprising all students at the Main Auditorium of the institution, a 200-level language student sheepishly announced that he was a law student. And that was how he earned himself a rather uncomplimentary remark of “the law” among his colleagues. To the best of my knowledge, he is nowhere to be found in the linguistic or law circle today. Kola has redefined the Yoruba language landscape, broken barriers and shattered prejudices to corroborate Oliver Wendell Holmes’s (Jr.) apothegm that “Every calling is great when greatly pursued.”

    As Kolawole travels to Cuneo in Italy on June 2 to 5, bring the prestigious award home, of what significance is the award to me, and the fraternity of the language stock. Kola is the figure of the potential inherent in the language and translation industry in Nigeria. The onus of real and tangible commercial and economic value to Nigerian languages is on Kola. He has what it takes to turn Nigerian languages into products of esteemed value for Nigerians to buy and in turn provide jobs for graduates who studied any of the Nigerian languages.

     

    • Adebanjo is Lead Translator at XML Language Services Ltd, Lagos
  • Aso Igba: Interrogating social fabric

    Aso Igba: Interrogating social fabric

    Abass Kelani’s solo art exhibition – Aso Igba; Social fabric  – held between January 30 and February 29 at Art Clip Gallery, Radison Blu Anchorage Hotel, Victoria Island, Lagos was an assemblage of a rare collection of pastel drawings that reflect the lifestyle of the people, their ethnic nationality and heritage, especially dress culture, which has evolved over the years.

    Again, the event, which is Art Clip Gallery’s second outing at the highbrow hotel, featured works in pastel, a medium that is not every artist’s choice to work on unlike oil.

    Apart from preserving the heritage of the people through such drawings, the artist interrogates the politics of inequalities and the aesthetic values of designs using different social classes.

    With 21 paintings, Kelani took viewers on a voyage through time and space highlighting some iconic elements in the peoples’ social life such as special dresses for celebrations including head gears.

    One thing that makes the collection unique is the rendition of the works. They were layered on a toned background of paisley leaves with different designs and motifs. Interestingly, the images and the background harmoniously complement each other.

    Social fabric (1-6) shows two old drummers, one with a talking drum and another with a sekere. Standing exhausted in a party setting, they looked far into the crowd with disbelief of what they are seeing.

    In contrast to their clients’ outfits, their simple Ankara buba and sokoto native dress and a cap to match is symbolic of their life style and social status in the society. Yet, it also shows the passion with which these drummers perform their trade of entertaining guests at parties.

    Fila odun is another piece that reminds viewers of their childhood days when headgears or caps remain outstanding in every child’s dressing during celebrations, such as Christmas, Easter or Ramadan. Fila odun shows kids admiring their headgears made from damask though oversize.  Unlike Fila odun, which is a focus on headgear, The Bourgeois mirrors the total attire of most Yoruba elites in a celebration mood. It flaunts the colourful dresses and the pose too.

    Ore meji and Two yards are paintings that capture daily experiences in fashion industry, especially the relationship between a tailor and client on one hand and two jolly friends on the other.

    Other works include Iya Agba, Fulani woman, Charlie and Adisa.

    According to Kelani, paisley is originally from Iran and has been a major influence on varied textile patterns, especially damask, lace and some ankara, batik and wallpaper designs.

    Art Clip is a contemporary space that promotes perceptive art across a variety of traditional and experimental media. Located at the Radisson BLU Anchorage Hotel, Lagos, Art Clip displays both established and up and coming talents. It aims to amplify leading new voices in contemporary art from African scenes with initial reference to social, economic, and political contexts in Lagos and Nigeria.

    Yearly, Art Clip Africa invites six contemporary artists, who have proven their commitment to creating art, to each undertake residencies at the Art Clip studio. The Art Clip Residency is dedicated to supporting and advancing the works of African visual artists by providing them the facilities to create art while surrounded by inspiration in a location in the heart of Lagos City.

    Kelani studied at the Yaba College of Technology, Lagos, graduating with a distinction in Painting. Before Aso Igba, he has had three solo exhibitions, Paradigm Shift (2009), Man and Machine (2011) and Asiko (2013). He has taken part in several group exhibitions in and outside Nigeria.

    Kelani has won many awards and prizes, including first place in the Caterina De Medici/Third Black Heritage Prize (2010). He has taken part in some residences and workshops.

    A member of the Society of Nigerian Artists, Kelani’s recent works probe the shared history and character of man and machines through a wide range of media, including sound. In addition to acrylics, oils, pastels and charcoal, Kelani also explores the possibilities in painting, photography and printing to highlight stories against the background of social and political events which engage time and memory.

  • Pyrates not a secret cult,  says Soyinka

    Pyrates not a secret cult, says Soyinka

    Sixty-four years ago, seven students, among them Wole Soyinka, the 1986 Nobel laureate in Literature, founded the first confraternity on a Nigerian university campus. Last February 25, an ex-member of the confraternity and United Kingdom (UK)-based psychiatrist, Dr. Dolapo Sikuade, launched a book: The Theatrical Aesthetics of Wole Soyinka and the Pyrates Confraternity (a critical work on a unique African cultural paradigm) dwelling on  the intricacies of the Pyrates Confraternity and theatre aesthetics, among others. Paul Ade-Adeleye and Oluwatoyin Ajibola   report.

    SIXTY-four years after the National Association of Seadogs (aka Pyrates Confraternity) was founded, one of its founders, Nobel laureate Prof Wole Soyinka, is worried about its misconceptions by Nigerians.

    He is worried because of what he called their ignorance about the association’s objectives. Soyinka chastised the public, which has given the confraternity a bad name and hanged it.  Soyinka wondered why intelligent and knowledgeable Nigerians chose to equate secret cult with the confraternity.

    He said he would continue to bear with pride the ‘’guilt of’’ being a Pyrates, noting that such “guilt is the guilt of the ignorance and the stubbornness of the outer society”.

    “Who wants to rehabilitate the image of what? There is no image that I know of the Pyrates Confraternity, which needs rehabilitating with anybody. If people choose to be ignorant and yet to pronounce on the object of their ignorance, well, who is to blame for that? If a public as intelligent and knowledgeable as we have in Nigeria chooses to equate the description secret cult with the word confraternity, well, whose fault is that? Go back to school and go and learn the difference between secret cult and confraternity. I am saying that many comments that I have heard and read make it very clear that 99 per cent of those who read or speak in public simply do not understand that there is a world of difference between a secret cult and a confraternity or a fraternity. There is a veneer of the cultic in the Pyrates Confraternity but that does not make the Pyrates a secret cult, and even less an evil secret cult,” Soyinka said.

    The Nobel laureate was reacting to a comment by Prof Femi Osofisan on a book titled: The Theatrical Aesthetics of Wole Soyinka and the Pyrates Confraternity by Dolapo Sikuade during the launch of the book at the Nigerian Institute for International Affairs (NIIA), Victoria Island, Lagos.

    Other scholars at the event included renowned poet Prof J. P. Clark-Bekederemo; Prof Ayo Banjo, Prof Emasealu Dr. Olu Agunloye Dr. Tunde Awosanmi; Prince Ifeanyi Onochie, chairman, National Association of Seadogs; Rear Admiral A. Sode (rtd.) and High Chief Babatunde Rahman who represented Oba Adedotun Gbadebo, the Alake of Egbaland.

    According to Osofisan, Sikuade’s narrative is a lofty ambition indeed and his advocacy powerful, intense and warm. Perhaps, he would succeed at last in rehabilitating the image of this unique group in the history and development of not only the university protest tradition, but, indeed, of all radical socio-political movements in general.

    Be that as it may, if he knew what his and six others brainchild would eventually become, would Soyinka have hidden his light under the cover of for the greater good? Whatever the answer may be, he certainly bears, quite dauntlessly, the guilt of the Pyrates Confraternity.

    He said: “The apportioned guilt of the Pyrates Confraternity is permanent, and I should bear it with pride. That guilt is the guilt of the ignorance and the stubbornness of the outer society. So, even after the Pyrates had left the universities, there was still this commitment, this will, this obsession to fasten everything that was done on campus which was wrong to non-existent fraternities; that is, fraternities no longer on campuses.

    Banjo of the University of Ibadan described the author as a renaissance man, saying: “He has crossed the universe from the scientific field of study to humanistic studies of human beings.”

    On the book, he said: “The question of the important nexus between Wole Soyinka’s genius as a playwright and his experience with the Pyrates confraternity is one which intrigues the country as a whole. Unfortunately, there have been quite unnecessary arguments about the nature of this confraternity and one of the things which I think this book has done is to settle that argument finally by showing us the true nature of the Pyrates Confraternity. Dolapo has also brought to the examination of this work his insights from psychiatry, and from his tutelage under Femi Osofisan. He has shown very clearly that the Pyrates Confraternity has very benign orientation and intentions and is in fact a kind of idealistic organisation, which cares about the community.

    Reviewing the book, Prof Emasealu of the Department of Theatre and Film Studies, University of Port Harcourt, Rivers State, said: “This magnificent work, while acknowledging that a handful of controversial historical accounts of the pirates confraternity exists, chronicles the evolutionary process of the confraternity as well as establishes the socio-cultural, socio-political and intellectual professional limits that propelled the original seven to float the association against the backdrop of the politics of the Yoruba dominated Western region.”

    He noted that the book must not be made to stand trial for ethnic jingoism saying: “However, conscious of the unhealthy relationship among the diverse tribal leanings that constitute the Nigerian nation, the book is quick to exonerate the Pyrates Confraternity from any form of tribal identity even when it encompasses within its activities, the cultural nuance of many tribes.”

    He said the book draws parallels between the writings of such renowned authors, such as Daniel Defoe and Robert Louis Stevenson, and the semiotics of the confraternity. He noted ‘the huge influence, which such colonial narratives had on the holistic narrative and motif disposition of pyrates’.

    Awosanmi of the Department of Theatre Arts, University of Ibadan, noted that pirate literature is favoured for its rich exploration of imagination into the exotic islands of Europe and the Americas. After tracing the development of the sub-genre of pirate literature, as employed by Sikuade in his book as an introduction, he noted that there are more serious connotations to the book than the fascinating texts.

    He added that Sikuade has demonstrated his belief in the supremacy of art as a depository of history over recorded history. He has engaged the exercise of writing the book to demonstrate the task of philosophy in the provision of a critical explanation of not just a cultural representation but a cultural reality thereby emerging as a critical theory of the over 60 years work stand of the National Association of Seadogs, also known as the Pyrates Confraternity.

    Wittily declining to talk about the book, he commented: “I don’t want to talk too much about the book; there are about 376 pages there. I will leave it for critics to say anything about it. Already, they are criticising. The organisation (Pyrates Confraternity) is moving from one form to another. It’s only fitting to chronicle how we used to play in the past.”

  • Ex-ANA president hails Buhari’s anti-corruption war

    Ex-ANA president hails Buhari’s anti-corruption war

    Ex-president of the Association of Nigerian Authors (ANA), Prof Olu Obafemi, has drummed support for President Muhammadu Buhari in his war against corruption.

    The playwright said the president should extend the war to address the change of attitude of Nigerians.

    Obafemi told reporters in Ilorin, the Kwara State capital after the staging of his play titled: Night of mystical beast by 100 level students of the Department of English, University of Ilorin (UNILORIN).

    Said he: ”It is a good thing and I think every sane Nigerian will support the ongoing war against corruption. Corruption is a cankerworm that has eaten deep into the fabric of our society and any effort aimed at uprooting it is welcomed. But the problems of the Nigerian society now cannot be solved only by stopping corruption.

    “There is a rot image of our society now and the battle that is going on has not really touched the attitude of Nigerians. The policeman at the checkpoint is still taking his bribe; I heard that the firemen are talking of better fire. The academics, workers are still carrying on as if nothing has happened. There is a deep attitudinal change that needs to be addressed. There is need for fundamental reorientation of national psyche so that it does not get worst after the war against corruption.”

    The professor of Literature added that plays and theatre are veritable platforms for societal change and transformation.

    “If we as playwrights don’t see how plays can influence a change, then there is no point writing plays. We have a fundamental believe that literature and theatre can serve as an instrument for social transformation but don’t let us misconstrue that play itself can change the society. Plays are to point alternatives to society. May be these students we are teaching would at the end of the day become change agents in the society.

    “When the Ogundes were here, they also suffered punishments. They were arrested and his plays banned, but he made his point. So, if a play is good it will have an enduring value and we don’t know who is going to learn from it. I believe that there is a positive dimension in play writing and literature,” he said

    On the play, he said: “It is an epic play which runs through the ages; from pre-colonial, the colonial, the independence and post independence eras. The whole essence is to see how in the process of history society develops, learns its lessons and it is meant to improve. As you know, the political nationalists fought for the independence, but you find out that the instruments of oppression did not disappear even when we took over government.

    “In fact, cultural nationalists and unionists became enemies of government and the gates of prisons began to open and close in on them, whereas the politicians became opulent, lascivious, corrupt both morally and physically and there was again the need for further change.There was cynicism and disillusionment in the community to the extent that the prostitutes did not trust the whole process of transformation because they suffered cynical pessimism because of government failure.

    “Society is ruled by all kinds of myths; religion capitalism and so on which are deplored for the exploitation of people. The book is calling for liberation of consciousness; for people to be aware of the need for social transformation based on an understanding of the problems of the society and how to free themselves.”

  • A Senator at 60

    A Senator at 60

    The Senator representing Bayelsa East Senatorial District and Chairman, Silverbird Group of Companies, Ben Murray Bruce, has clocked 60. To mark the milestone, he presented a book titled: “Common sense as the pathway for unleashing Nigeria’s greatness”, at the Eko Hotels and Suites on Victoria Island, Lagos. NNEKA NWANERI was there.

    Senator Ben Bruce, the Chairman of Silverbird Communications, stood tall when he joined the sexagenarian club.

    Friends, relatives and colleagues came around to celebrate with him and make the evening memorable.

    Socialites, celebrities, economists, politicians, ex-governors and serving ones, music and screen divas -all thronged the Convention Centre, Eko Hotels and Suites, Lagos to felicitate with him.

    The walkway red carpet, leading into the venue, was lined with a bevy of lovely ladies and gentlemen, well dressed in fashionable attires. The clicks and flashes from the lenses of ‘paparazzis’ cameras went on unabated, as they jostled for vantage shots of A list dignitaries and members of the red chamber, who strolled in one after the other.

    The fun that evening was endless as virtually all trendy hip-hop musicians took turns to serenade the senator.

    The crooner likes of Mr Incredible; MI; Abanga; Ice Prince; Olu Maintain; Tuface Idibia; Vector; Timaya; Jesse Jatt; Timi Dakolo; Fuji songstar Adewale Ayuba; Alariwo of Africa; The Mavins Crew; Wizkid and Phyno treated guests to their best tracks, making the evening unforgettable.

    One of the highlights of the evening was the reaction of the guests when Reggae star Raskimono treated them to two of his evergreen songs.

    Nigerian-American star Jeffery Daniels of Shalamar fame, in collaboration with Nigeria’s song star, Yinka Davies, thrilled the audience with Late Night Groove.

    There was no dull moment as the evening was laced with intermittent jokes from comedian Bovi and television presenter Ik Osadukwu, aka Wild Child.

    Former Cross River Governor Donald Duke, who represented ex-President Olusegun Obasanjo as the chairman of the event, said Ben, in his book, bared his mind on what Nigeria ought to be. He unveiled the book to the glory of the nation and its posterity, dedicating it to the next generation that “they may do better than our fathers did”.

    The book was reviewed by the founder and Chief Executive Officer of a London Advertising outfit, Michael Mosyski, who noted that the occasion marked his 47th trip to Nigeria. The trips, according to him, have made him to fall in love with the country.

    “The book tells of his personal growing story; his growing days, which form the bedrock of his philosophies and a clearly written story he shares that with perseverance, one can achieve whatever he wants,” Mosyski said.

    Responding, the author-cum politician thanked all for supporting him through his 60 years on earth and 35 years in business, calling on all to do what they could to make the country better.

    Present at the event were President, Dangote Group of Companies, Alhaji Aliko Dangote; Mr Jimi Agbaje; former Minister of Petroleum Odien Ajumogobia; former EFCC Chairman Nuhu Ribadu; former Anambra Governor Peter Obi; Deputy Senate President Ike Ekweremadu, who led other members of the red chamber to the event; Jim Ovia; Chairman, Honeywell Group, Oba Otudeko; former Cross River Governor Goodswill Akpabio; Professor Pat Utomi; former Ogun State Governor Otunba Gbenga Daniel; OPC co-ordinator Otunba Gani Adams; former Ekiti Governor Otunba Niyi Adebayo; Dino Melaye and the polyglot Bisi Olatilo.