Category: Arts & Life

  • Culture, tradition on display, as Olu of Ilaro confers chieftaincy

    Culture, tradition on display, as Olu of Ilaro confers chieftaincy

    As expected, the coronation of new chiefs for Ilaro-Yewa was a display of the values and tradition of Yewa land and a time to honour the young monarch, Oba Kehinde Gbadewole Olugbenle. Seun Akioye who was at the event reports

    The Olu of Ilaro and Paramount Ruler of Yewaland, Oba Kehinde Gbadewole Olugbenle (Asade Agunloye IV) took his seat at quarter past noon to the sonorous rhythm of the traditional gbedu drums and the singing of Kile nfoba pe (do not take the king for granted). The young monarch took his time in greeting the array of subjects who had prostrated themselves before him, waving his horsetail and mouthing blessings.

    It was the conferment of traditional chieftaincy titles on seven illustrious citizens of Ilaro; these are not ordinary chieftains, but traditional title holders who are stepping into the shoes of their ancestors. Since his coronation as the Olu of Ilaro, this would be the first time the King would be conferring traditional titles on new chiefs.

    The seven chiefs are: Chief Adenitumo Odunewu (Ekefa of Ilaro); Chief Adesola Kusimo (Aare Aguro of Ilaro); Chief Michael Babatunde Ajuwon (Sawo of Ilaro); Chief Ganiyu Aderonmu (Balogun Ilu Ata); Chief Mrs. Afusat Odunfa (Iyalode of Ilaro); Chief Dauda Fadayiro (Baale of Ipake) and Chief Isola Ewumi (Baale of Ipaja).

    The new chiefs sat to the left of the king while their senior colleagues sat to the right, while three gbedu drums literally sat in front of the king; they are of varying heights and sound. Intermittently, the drums would sound and a voice would hail the king, even though the occasion belonged to the chiefs, it was evident the day belonged to the King.

    The city of Ilaro (Ilu Aro) is steep in mystical heroes and supernatural warriors, the progenitor, a warrior named Aro running from political unrest in Oyo moved to the site in 1,650 AD; he was later to invite other warriors from Oyo, like Opa Owayara of Efe family, to help defend the new town. One of such warriors is Oronna, who possessed terrifying magic, with which he defeated enemies of Ilaro.

    Even after his death, Oronna was said to have risen from his grave accompanied by thousands of supernatural warriors to defeat the enemies of Ilaro. However after falsely calling for his help, he, in fierce anger, disappeared into the ground, leaving a long chain tied around his waist. The legend says the chain exists till date, in a shrine built over the very spot that now stands at the centre of the city.

    A historic ritual

    On assumption of office in 2012, Oba Olugbenle sought for peace and unity among his subjects. One way of ensuring this is to “look into the rightful families entitled to the vacant traditional chieftaincy stools,” Alhaji Kamorudeen Musa, chairman of the Chieftaincy committee said.

    The chieftaincy title committee conducted thorough investigations before endorsing the applicants; and when the new chiefs were unveiled, they were of various callings and persuasions.  Chief Kusimo, who lives in the Unites States (US), is a pastor and has multiple Engineering degrees, including a PhD in Mechanical Engineering and Engineering Management. Chief Michael Ajuwon, the new Sawo also lives in the US, where he practises as a registered nurse and is the youngest chief to mount not only the Sawo stool but also the traditional stool.

    Ajuwon had helped in founding the Yewa Descendants Union North America (YDUNA) and had helped plan the first Yewa Day in the US in 2014.

    Far from being a traditional rite of incantations and the metaphoric, the rituals for the conferment, were a mix of Christianity and Islamic religious rites. The nominated chief would kneel before the king, while the Onasokun of Ilaro reads his citation and the Abore, Chief Ezekiel Adeoye, proceeded to conduct the swearing-in, using either of the holy books. The chiefs declared on oath that: “For the rest of my life, I will not betray the king and the town.”

    The Abore then proceeded, with the permission of the king, to put the ewe oye, beads and cap on the intending chiefs, rounding off in the “name of the Father, Son and the Holy Spirit.”

    With the seven chiefs installed, it was time for the traditional greetings, but not as we know it. The new chiefs, arrayed in their traditional dresses and newly installed staff of office, began the traditional dance greeting. The three gbedu drums also began a slow but steady beat; the chiefs were mandated to do the dance to the gbedu drums 50 metres away, turn back towards the king, dance again and inches before the monarch, salute kabiyesi, as they lie prostrate in greeting. This ritual was repeated three times, after which the Balogun spoke on behalf of all the chiefs.

    The new chiefs promised change to the city. “We thank God no evil happened today. I want to open a company here and provide employment for the young people,” the Ekefa said. The Iyalode expressed similar sentiments, thanking God for the successful event.

    For the Ajuwon family however, it was a happy moment, because the Sawo (Kingmaker) stool had returned to the family after a long time. “We are happy the chieftaincy is back in our family, the Sawo is a first class chief called the Alagbon; he is a kingmaker. As a family, we have several plans for Ilaro, we have plans for a recreation center and the Sawo wants to build a sports facility, as well as start the Ajuwon Foundation for the less privileged,” Issa Ajuwon, a spokesperson for the family said.

    The Sawo, who expressed deep appreciation to the King, said his motivation to run for the position was his family and he felt “fulfilled” after being conferred with the title.

    But does he feel intimidated by the older chiefs? “Not at all; I have held several meetings with the other chiefs, where I emphatically told them that the relationship I want to have with them, is that between a father and his son. Sincerely speaking, I am beginning to enjoy working with them,” Sawo said.

  • Monarchs  who passed on in 2015

    Monarchs who passed on in 2015

    The year 2015 undoubtedly went down as a very eventful one in the history of Nigeria. Aside witnessing a landmark general election that saw to the removal of an incumbent president for the very first time in Nigeria’s history, the year also witnessed remarkably the passing on of a good number of influential monarchs across the ethno-political divides of the country. Dorcas Egede takes another look at the year, highlighting some of the frontline monarchs that joined their ancestors in it.

    Alhaji Muhammad Kabiru Danbaba, Emir of Gusau, Zamfara State-March 2015

    Born on 15th October, 1927 into the royal family of the renowned founder of the Gusau Kingdom, Mallam Sambo Dan Ashafa, Alhaji Muhammad Kabiru Danbaba OFR became the Magajin Sabon Gari in 1974 at the age of 47. He held that title for 10 years, following which he was made district Head of Gusau in 1984, a position he held for 13 years. Because of his efficiency and zeal in office, he was upgraded in 1997 to the level of a second class Emir, and later to the rank of a first class Emir in 2000.

    Emir Muhammad Kabiru Danbaba died on the 5th of March, 2015, following a protracted illness and hospitalisation. He is survived by 37 children and an undisclosed number of grandchildren.

    Oba Stephen Suulade Adedugbe Jibubokun II, Jegun of Ile-Oluji, Ondo State-June 2015

    A graduate of Kingston College of Technology, England, where he studied Engineering and Purdue University, Indiana, USA, where he obtained a Master’s degree, Oba (Engr) Stephen Suulade Adedugbe Jibubokun was born on the 15th February, 1938.

    Following an illustrious career as an engineer, during which he was member of several professional bodies at home and abroad, and rose to become Assistant Director in the Federal Ministry of Surveys, the then Engr. Stephen Suulade Adedugbe ascended the throne of his fore-fathers as the Jegun of Ile-Oluji in 1990.

    During his 25-year reign, Oba Adedugbe contributed immensely to the development of Ile-Oluji, seeing to the establishment of a Federal Polytechnic in the town, as well as standing by Gov. Olusegun Mimiko during his 22-month legal battle to regain his mandate from the late Gov Olusegun Agagu.

    He survived a youth protest calling for his removal in 2013, following allegations that he had diverted public funds.

    Oba Adedugbe passed on in his sleep at about 4 a.m. on Saturday June 4, 2015.

    Oba Okunade Sijuwade, Olubuse II, Ooni of Ife, Osun State-July 2015

    The late Òoni of Ifè, Oba Okùnadé Síjuwadé was born into one of the ruling houses in Ilé-Ifè on January 1, 1930. He studied at Abeokuta Grammar School and Oduduwa College in Ilé-Ifè, and later at Northampton College, United Kingdom, where he studied Business Management. At age 30, he became a manager in Leventis, a Greek-Nigerian conglomerate. In 1963, he became Sales Director of the state-owned National Motor in Lagos. His business focus took a new dimension in 1964, after he spotted a business opportunity during his visit to the Soviet Union. He thus formed a company to distribute Soviet-built vehicles and equipment in Nigeria, which became the nucleus of a widespread business empire. Sijuwade also invested in real estate in his home town of Ilé-Ifè.

    He became the 50th Òòni of Ifè in 1980, assuming the royal title, Olúbùse II and going down as one of the wealthiest monarchs of his time. He was coronated on the 6th of December, 1980 in a ceremony attended by top-class monarchs including the Emir of Kano, the Oba of Benin, Amayanabo of Opobo and Olu of Warri, as well as representatives of Queen Elizabeth of England.

    Oba Síjuwadé died on July 28, 2015 in a UK hospital after a 35-year reign.

    Nde Shedrack Dimlong, Ngolong Ngas (Plateau State)-August 2015

    Traditional ruler of the Ngas nation of Pankshin and Kanke Local Government Areas of Plateau State, Nde Shedrack Dimlong, passed on after a protracted illness on Friday, June 26, 2015, in Jos at the age of 58.

    Alhaji Muhammadu Manga III, Emir of Misau (Bauchi State) – August 2015

    Alhaji Muhammadu Manga III OFR, Emir of Misau, Bauchi State, passed on Tuesday, 11th of August, 2015, after a protracted illness.

    While commiserating with the people of Misau and Bauchi State at large, the state governor, Mohammed Abubakar, said Bauchi State and the country at large had lost a statesman. Speaker of the House of Representatives, Yakubu Dogara, also described him as a selfless leader.

    Turbanned as the 10th Emir of Misau Emirate Council in October, 1979, Alhaji Manga III was one of the six emirs in Bauchi State.

    He is survived by four wives and 27 children.

    Ogiame Atuwatse II, Olu of Warri, Delta State-September 2015

    Olu of Warri, Godwin Toju Emiko, Ogiame Atuwatse II, who joined his ancestors on Friday, 4th of September, 2015, ascended the throne of his forefathers in 1987. He reigned for 28 years. Emiko was the only son of his father, who was made a member of the Warri Traditional Council since 1983. A lawyer by profession, he was also a member of Warri Local Government council, where he served in several capacities.

    The late monarch was a practising Christian, who built a Foursquare Church inside his palace. In 2013, he shocked the majority of his very traditional subjects, when he announced his decision to relinquish the traditional title of Ogiame, on the ground that it derived from a river goddess. This sparked a crisis, with the people giving him an option to either retain the title or vacate the royal stool, which he occupied in trust for the entire Iwere land (Itsekiri Kingdom). The people’s will eventually prevailed, as the king eventually capitulated and reverted to the status quo.

    He passed on in a Lagos hospital after a brief illness. He is survived by his wife and children.

    Alhaji Abbas Ibrahim, Emir of Zing (Taraba State)-September 2015

    Alhaji Abbas Ibrahim, Emir of Zing, was installed in 1996 following the demise of his father, Alhaji Ibrahim.

    He passed last September during the stampede that occurred at the last hajj pilgrimage in Saudi Arabia. Aside the emir, his two wives were also among the 700 people who lost their lives in that tragedy.

    In a tribute to the late first class ruler, the Aku-uka of Wukari, Dr. Shekarau Agyo, described the Kpanti Zing as an honest, dedicated and God-fearing leader and upholder of multiculturalism within his chiefdom. Emir Ibrahim was described by the Taraba State governor, Ishaku Darius as a great ruler who brought peace and unity to his domain and died at a time when the country needed his likes to help achieve the much desired change in the system.    The late Emir Ibrahim, 62, reigned for 19 years and is survived by two wives and 36 children.

    Haliru Dantoro Kitoro III, Emir of Borgu Kingdom (Niger State)-October 2015

    The late Haliru Dantoro Kitoro III, paramount ruler of Borgu Kingdom, who died aged 77 in October 2015 in a German hospital, was a nobleman, administrator, politician, and statesman, who had a rewarding career in the public service and politics.

    Born in 1938, the late Emir attended an elementary school at Old Bussa from 1945-1949; Pakata Elementary School, Ilorin (1950) and Baboko Senior Primary School, Ilorin (1950-1953). While in the primary school in Ilorin, little Dantoro lived in the Zango area of Ilorin and covered the 9-mile distance each school day for four years. From 1953 to 1955, he was at Ilorin Middle School (now Government Secondary School), Ilorin, Kwara State.

    He went on to study Administration at the Institute of Administration, Ahmadu Bello University (ABU), Zaria.

    The late traditional ruler was a Senator in 1992 on the platform of the defunct National Republican Convention. Before then, he served briefly as a Minister of the FCT in 1983 under the then President Shehu Shagari, and was detained briefly, following the coup that ousted the Shagari administration on December 31, 1983.

    Haliru Dantoro Kitoro III was the overall 315th Emir of the kingdom and the 16th in modern times.

    The Tor of Tiv, Alfred AkaweTorkula (Benue State)-November 2015

    Born on 10th July, 1944, Dr Alfred Akawe Torkula became the fourth Tor of Tiv on April 21, 1991.

    He passed on in a hospital on Sunday, 22nd November, 2015, at the age of 71. In his lifetime, he was a devoted king, who sought to teach his subjects the same devotion he had for his land and people.

    Emir of Keffi, Alhaji Muhammadu Chindo, Yamusa II (Nasarawa State)-December 2015

    The Emir of Keffi, Muhammadu Yamusa II, who was also the Chancellor of the Nasarawa State University at the time he went to be with his ancestors, will according to a statement by the Special Adviser to the President on Media and Publicity, Femi Adesina, “be greatly remembered as an advocate of peace and unity as a prerequisite for meaningful development in the country.”

    The advocate of peace was 70, and reigned for 37 years, having ascended the throne on May 11, 1978.

    He is survived by 2 wives, 27 children and many grandchildren.

    Oba Samson Alade Balogun (JP), the Elegbeda of Egbeda Kingdom, Lagos State – August 2015

    Oba Samson Alade Balogun (JP) the Elegbeda of Egbeda Kingdom of Lagos State, ascended the throne in 2000. Ruling for 15 years, the Kafowoshebi Ilemobade Omoya II died in the early hours of Friday, August 14, 2015, owing to an illness. It was learnt that he was being prepared for a flight to London for medical treatment when he gave up the ghost.

  • Federal Radio Corporation shows love to IDPs in Borno

    As part of measures to ameliorate the pains of Internally Displaced Persons in Borno State, staff of the Federal Radio Corporation of Nigeria, led by its director general, Mallam Ladan Salihu recently donated food items and relief materials to the Dalori camp. Adetutu Audu reports.

    It was a day hope was rekindled and life given a fresh positive meaning as the Federal Radio Corporation of Nigeria, FRCN, donated food, clothing and gift items worth millions of naira to the internally displaced persons, IDPs, at the Dalori Camp in Maiduguri, the Borno State capital. The items, donated by the management and staff of the FRCN, included children clothing, baby wears, pampers, sanitary pads, and other personal essentials.

    Just as the children in the camp beheld the corporation’s director general, Mallam Ladan Salihu with excitement, the adults though weighed down by the reality of their situation, also had hope and excitement written over their faces.

    Without doubt, the plight of IDPs in the country calls for attention, and it is gratifying that a government agency like the FRCN is taking it upon itself to identify with them and ameliorate their sufferings. As at the end of 2015, there were still 2.1 million Internally Displaced Persons (IDPs) in 34 camps scattered across Borno, Yobe and Adamawa States.

    According to the Director-General, National Emergency Management Agency (NEMA), Alhaji Mohammed Sani Sidi, there were 2,400 pupils from IDP camps who were transferred to Unity Schools to continue their education on scholarship by the Save School Initiative programme, supported by ex-British Prime Minister Mr. Gordon Brown.

    He said reconstruction and rehabilitation of the zone should begin soon, as the war was almost over.

    “In the last five years, we had insurgency in Adamawa, Borno and Yobe States, which made the Federal Government to declare a state of emergency in the states. There was displacement of people. We still have 2.1 million Internally Displaced Persons with over 1 million in Borno State. We had to establish camps in the three states. There are about 26 camps in Borno, 11 in Adamawa and four in Yobe. We used to have IDP camps in Gombe and Bauchi States, but due to the success recorded under this administration, the seven councils controlled by the insurgents have been liberated. The 11 camps in Adamawa State have been collapsed into four, as IDPs return to their homes.”

    While receiving the FRCN team at the Government House, the Borno State governor, Kashim Shetimma, said it was gratifying that the Ladan Salihu-led radio outfit has come to identify with them in their hour of need.

    “That Ladan Salihu got the staff and management of FRCN to donate items for our IDPs in Borno State shows the magnanimity of his heart and his management style. The items you brought are handy. We are at the heart of harmattan season. We want you to show empathy at Dalori Camp. Most of them live in tents. We have about 18,000 IDPs there. In Maiduguri, we need about 940 bags of rice per meal. And we have 31 camps in Maiduguri.”

    Throwing more light on the IDPs situation in the state, the governor said they have camps in Bama and we have in Konduga. He added that as he was hosting the FRCN, people in Damboa were congregating in Sabongeri while those in Burate are coming to Biu. But the governor said he is not giving up.

    “I know this madness will soon be over. What we are witnessing is temporary. Some few months back, 20 local governments of the 27 we have were under the occupation of Boko Haram. You cannot move more than ten kilometres outside Maiduguri, you would be in Boko Haram’s territory.

    Earlier, the FRCN boss told the governor that they were in Borno to identify with the people of the state and to assure them that they were not alone in their hour of need. The ace broadcaster said Borno held a special place in his heart, second only to his home state, Bauchi. He said he came with the management team of the FRCN to show that they all shared a common humanity.

    He said not only was the state at the receiving end of insurgency; the trappings of political competition, contradictions and at times, subversion, and that the governor also had to deal with a population that is huge and full of expectations.

    “I wonder how many times you have asked yourself: is this the time to be a governor. But you have probably answered the questions in your silence and prayers that this is the time because someone has to step out and forward for Borno State.”

    Earlier, the FRCN team had also visited the palace of the Shehu of Borno, Alhaji Abubakar Ibn Umar, where the Salihu extolled the virtues of the monarch, whose emirate has been at the receiving end of a barrage of Boko Haram attacks. Salihu said it was important for them to visit the monarch and pay their respects and homage before proceeding to the IDPs camp.

  • Our ordeal at the hands  of  Boko Haram boys

    Our ordeal at the hands of Boko Haram boys

    In this encounter with Edozie Udeze, some Internally Displaced Persons (IDPs) in Bauchi State, share their experiences of trauma, close shave with death, narrow escape from Boko Haram attackers and their everyday recollections of the sordid events that forced them out of their homes in their various states.  Theirs are stories of horror, pity and loss of faith in not just the system, but in life as a whole.

    If all the children in the IDPs settlement in Fadamar Mada, Bauchi State, Yohanna seemed to be the most psychologically and emotionally perturbed.  He is just 6 years old, but the trauma on his face, and constant yearning for his father, whom he lost during one of the Boko Haram attacks, has made him to somewhat stand out.  Yohanna was about to celebrate his 5th birthday two years ago, when the Boko Haram terrorists struck.  His father, Danladi was only 36, when he was cut down on his way back from his farm in Mubi, Adamawa State.

    Due to some dint of good luck and fate, Yohanna was rescued from the rubbles of his home by a good Samaritan, who later handed him over to his mother.  Since then, little Yohanna has found himself in that dire situation, where every man in white clothes is seen as baba (father). It has therefore become a habit for him to stretch out his hand to touch such a man, thinking – ‘Oh, this is my father.’

    Yohanna is thus one of the alarming statistics of over 2.3million Internally Displaced Persons in Nigeria, majority of who have lost their fathers and loved ones to the senseless war unleashed on the nation by that dreaded sect, Boko Haram. There are some still, who have lost both parents and now spend their time in the IDPs camps without that natural parental care and love needed to pull through such difficult moments. Even when Yohanna is often found in the warm comfort of his mother, who answers his constant questions about his father, his innocent mind can’t seem to settle down to that reality of life without his father.

    As it is with him, so it is with millions of other children, who will soon return to their homes. But these children did not cause the war, yet they bear the most brunt, and are most taken hostage by the pervading fear of the booming sound of gunshots and bomb explosions.

    Usually, stories of refugees anywhere in the world are the same.  Whether they are Internally Displaced Persons (IDPs) or those running into strange territories for safety, the stories are riddled with agony and sorrow. In Bauchi, the Internally Displaced Persons have terrible stories of agony and close shave with death to tell – harrowing stories of how they were attacked and uprooted from their bases; stories of sadness, fear and uncertainty; told in a way that exposes the terror and realities of war. The attacks came to them by surprise, since they had little or nothing to do with the Boko Haram terrorists and were least prepared when they came calling.

    The three IDPs communities in Bauchi town namely Tudun Salmamu, Fadamar Mada and Wuntin Dada have mostly persons who fled from Gujba in Yobe State, Gwoza and Gamboru in Borno State and Mubi in Adamawa State. They have been there in the care of their host communities more than a year now.  Although to most people, there is no  place like home, most of them still entertain fears that their homes may not be as sweet and alluring as they used to be anymore.  The trauma of the last one year or so; the loss of many of their relations, encounters with death and narrow escapes, and the fear of possible reoccurrence of the attacks, have continued to haunt and hound them.

    As those amongst them, who could summon the courage, told their stories, the streaming tears on their faces and tremour in their voices betrayed their inner emotions, leaving little room for doubts about the level of misfortune and disaster that has befallen them.

    Zara Usman, 42, mother of 8 and first wife of Usman Ahmed, whose whereabouts cannot be ascertained, recounted her story this way: “When Boko Haram boys attacked us in Gwoza, Borno State, my husband left home.  Unfortunately, I have not seen him since then.  I have not been able to tell this story to anyone, for fear of what might befall us after that harrowing evening in August 2014, when deafening gunshots were heard everywhere.  But I can trust you now to tell it properly, since you came with these government people,” she began.

    Almost confirming the myth about how war plunder communities and put families asunder, Zara said: “Yes, I have not seen my husband, Usman Ahmed, whom I believe may have fled to Cameroon.  You know it is not far from us…  We were all at home around 5 pm, when they came.  We – my husband and I, were relaxing in front of our house and telling stories, while the children were in the backyard, cooking our night meal.  Suddenly, we began to hear heavy sounds of gunshots not too far away.  Then people started running towards our side of the town, shouting and screaming.  There was confusion everywhere, as we too quickly gathered whatever we could and began to run in different directions.  Already, we had heard that these people were approaching Gwoza but we did not know what to do or where to run to.  So, you see my problem now?”  She asked, her eyes filled with tears and self-pity.

    With 16 children and a co-wife to think about and console, Zara confessed that she is now the head of the family in the absence of her husband.  “The children cannot stop asking after their father.  It is even more painful to me for this 10 months old baby born in the camp.  We got to Bauchi through the help of volunteers; people who saw us as we trekked on the road and gave us a ride.  It was one at a time and as they got to their destinations, we disembarked and continued.  Gradually, we got to Bauchi after several days on the road.  With few loads on our heads and so many children to cater for, the journey at a point became really unbearable.

    “When we first left the village, we ran to the farm where we stayed for two days.  We trekked more at night for fear of being caught by the boys.  Once it was morning, we would seek for a place to hide, with hunger, tiredness, fear and worries gnawing at our hearts…  Oh, we could not wait to see if our houses were all burnt down.  It was when we got here that we learnt that the town had been occupied and no single house was left standing in the whole of Gwoza.  This is why going home, for us, is not certain anymore.  What if the boys come back to torment us and tear us to pieces?  Even my children who were in shock for days, cannot imagine going back to Gwoza,” she remonstrated.

    Asked how they have been surviving, she said, “The government people give us food items from time to time.  We also get beddings from them.  Above all, my husband is a staff of Gamboru Local Government area, so the government of Borno State sends his salaries to us here to take care of the family.  Besides, we feel safer here; at least we do not hear gunshots and explosion of bombs.  What I miss most is my sleeping foam.  The mat I sleep on here is not as comfortable.  It is too hard on my skin.”

    Abdullahi Aliyu Usman, 21, is also from Gwoza, although not from the same part of the town as Zara.  He told his story: “The attackers hit our town around 5p.m.  We first thought it was a joke and that a few people were having altercations with the police.  Before then, we felt the presence of policemen more in the town.  But it soon became clearer to us when one of my friends, Ibrahim, in company of his people approached our side of the town with loads on their heads. His little sister of about 6 years, was crying, asking ‘Where is baba (Father)?’ I asked him what was amiss and he simply pointed to his left and said: ‘The boys are in town.  Can’t you see smoke everywhere to your left?’  So we quickly ran inside and picked a few property that we could carry on our heads.

    “Baba (he points to his father in the crowd) was not feeling too well then; we had to wake him up. It was he who suggested that we moved to the farm first because darkness was approaching and there was no safer place to run to.  It was later that one of my childhood friends (I won’t tell you his name) told me that Usman was the one that brought Boko Haram to our town.  Yes, he was the one that accompanied them to the place, pointing to them houses of important people in the town to deal with decisively.”

    Abdullahi, who initially felt reluctant to grant an interview, insisting that I might be a secret agent of the boys, only inclined when the camp director, Ibrahim Mohammed, allayed his fears.  He said, “I fear every stranger now. If Usman could betray us; if he could have the heart to engineer the destruction of a whole town, including his own people, then I will fear every stranger, whether he carries a gun or not…  Oh that boy (Usman), he was not married.  He was only a small boy of 16 and still in secondary school in Gwoza.  But we noticed that after a while, he disappeared from the community and his parents looked for him everywhere to no avail.  You know, because of the fear in the air, no one had the courage to venture out.  And that was how we lost him, until he was spotted leading the Boko Haram onslaught on our town

    “Those who saw them said they did not bother to cover their faces. That was how Usman was recognised. It was indeed a terrible sight.”

    ‘What has become the fate of Usman, where is he now?’ We asked.

     “Ah, may Allah be praised.  Three months later, news came to us that he had been killed by government forces in Gwoza.  This is why we can boldly tell you the story,” he replied with visible gratitude.

    Abdullahi disclosed that even though Usman is dead, there are many young men and women like him who have been seriously hoodwinked and brainwashed by the Boko Haram ideologists, saying that Western education is bad and that Jihadist must rule the earth.  “I fear for those people whose boys and girls have been enlisted, who can now only think of nothing but wars, skirmishes and destruction” Abdullahi said, hissing and holding back tears.

    How do we go back home?

    To date, there are 2.3 million Internally Displaced Persons (IDPs) in 34 camps, located in different parts of Northern Nigeria.  For Ibrahim Ishaku, 20, another victim from Gwoza, it is this increasing number of refugees that frightens him more than anything else. “We have already escaped and now feel safe and secure, but how about these fresh cases of attacks and people fleeing their homes every day?” he asked, as he clung tenaciously to his friend, Abdullahi.  Although they are both from Gwoza, it was coming to the camp that has bonded them together as friends.

    “I am more afraid for the remaining people in Gwoza.  Each time I hear news of more bombings and destructions and loss of lives, my mind quickly flashes back to the day we were attacked.  It is not something I like to recount or recall, for the fear of it all drives me mad.  Even here in Bauchi, I still feel that we are within the reach of Boko Haram.  It is not that they will come here to attack us again, it is just that the sad news I hear everyday keeps me on my toes.  I am so scared; so scared that I do not know when I will be able to return home to begin again to tend to my farm and see some of my relations with whom I have lost touch.”

    Ishaku stated that the most painful aspect of their stay in Bauchi is that they cannot move about freely.  Since most of them are not artisans, but farmers, it is near impossible for them to find alternative means of livelihood.  “We mainly live on what government and other donors give to us.  By now, I’d have harvested my corns and grains and sold them out to my customers.  Even if I go back now, where will I start from; who will I go to for assistance to begin again? he retorted, his voice quivering.

    Ishaku confessed that until the harsh realities dawned on him that it would take long to return home, his plan was to increase his crops and possibly marry before he turned 21.  “Does that look feasible now?,” he asked, as tears blurred his eyes.  His friend, Abdullahi nudged him on the shoulder to console him.  And with the impending idea of their returning home now being muted  by the federal government, Ishaku is at wits end on how to get back on his feet again.

    He inquired if government is prepared to shoulder the responsibility of resettling them on their farms and other professions.  “We lost all”, he bemoaned.   At this point, Abdullahi drew him closer and whispered into his ear.  Then he smiled all of a sudden and looked straight into the reporter’s eyes.  “I have hope.  I know that Sai Baba will look into our plight as soon as we get home.”

    That smile of hope perched perpetually on his face while the chat lasted.  Without doubt, a lot of them need renewed hope to carry on.

    Another victim, Zara Abdullahi, from Gujba in Yobe State, told The Nation that her town was attacked in the evening shortly after they returned from their farm. Mother of 8 children; 6 boys and two girls, Abdullahi’s immediate concern is how to appease the spirits of over 50 of her relations lost in the attack.  “Those people were from my father’s side of the town.  They were the first to be attacked and the boys took their time to exterminate everyone.  Ironically, this was what even gave us enough time to escape to safety.  By the time the sounds of the guns came nearer to us, the other part of Gujba had almost been leveled to the ground.  With that, I lost over 50 of my paternal relations, most of whom were not given any chance to escape.  The attack was in the night, when darkness had set in and it had become too difficult to know one’s left from right.  Our own escape was by the special grace of God,” she explained.

    Clutching her 5 year-old daughter, Fatima, to her bosom, she went on, “When we learnt that our houses were burnt and that the boys refused to vacate the vicinity, we knew we were really lucky to have escaped alive.

    “Gujba was at the thick of the crisis and we were one of the earliest settlements to be attacked. The severity of it all cannot be quantified because no one really envisaged the extent of devilishness in the hearts of the boys,” Zara Abdullahi explained, saying “but we only thank God that we now live among our people here in Bauchi.  Government people also give us food items to survive on.  We heard that we will soon go home, but how safe is our home?  Are we really sure that we will not be attacked again by these boys who have no fear for anything?”  She asked, as her daughter watched her dab the tears from her eyes.

    Aisha Abdullahi, 19, a native of Gujba was not at home when this incident happened. She was in Bauchi where she is a JSS 3 student of Government Girls College, Bauchi.  Her story is based on what her mother and other siblings told her.  “Mother came over here with my junior ones.  They met me here, more than one week after I’d heard that my town Gujba had been invaded and that many people had perished.  I lived in fear for more than one week until they arrived here on a certain evening.  I was summoned from school to welcome them.  In fact, the officials of the relief committee ensured I could identify them all.”

    She went on: “My mother said they initially heard sounds of bombs in nearby villages.  Already they had been told that Damaturu had been invaded and people were running helter skelter.  That was the first place they moved to.  They thought that being the state capital, life there would be safer.  But it soon became clear to them that Damaturu was not good enough to protect them.  This was why they first moved to Mubi in Adamawa State.  When the fall of Mubi became imminent, they again commenced their movement towards Bauchi.  By the time they got here, they had only a few belongings with them.”

    Now visibly making effort to control her emotions, she continued, “I shed tears of joy and sorrow on seeing them.  Tears of joy because they were alive, and tears of sorrow because the state I saw them was beyond me,” Aisha stated, amid suppressed laughter and euphoria as one of her pals, another Aisha, tapped her on the shoulder for telling the story so vividly. “You see,” she said, pointing, “this Aisha Mohammed is from Gwoza in Borno State, but this incident has brought us together.  Today, she is my best friend.”

    Unfortunately this second Aisha, 16, couldn’t speak a word of English.  For this, her story was stunted, as she kept to herself most of the time.  Even when she was persuaded to share her experience, she still kept to herself, hiding behind her friend to evade questions from this reporter.

    Role of government.

    Explaining the role of the Bauchi State government in taking proper care of the IDPs in the state, the man in-charge of relief camps in the state, Ibrahim Mohammed, said, “I am the one in-charge of relief assistance coming to the IDPs in the state.  I am also in-charge of those involved in natural disasters like flood, fire outbreaks, storms and so on.  We assist all of them in the state. Once news gets to us about an incident of this nature, we swing into action.  We first assess the extent of damage, then we decide on what to do to assist victims.

    “When the IDPs from Adamawa, Borno and Yobe States arrived here in 2014 in different sets and batches, we quickly rallied round to resettle them.  Those who have relations here in the state first reported to them, while those who do not, came to our office for assistance.  On the whole, we decided to use host communities to cater for them because we already had an IDPs camp in Plateau State.  We didn’t want to duplicate issues and since we would reach out to them through their people, we decided it was a good thing to do.”

    Mohammed equally told The Nation that they have provided a temporary school for them in their places of settlement.  “This arrangement is to enable them continue with their education.  We do not want them to feel totally out of place or miss out completely on their schooling.  For now, there are many volunteers, who, in collaboration with government provide food items to them.  We also ensure we give them beddings for their domestic needs. They have been here for over one year now and those who are artisans have been provided funds through cooperative arrangement to keep themselves busy.  Most of them have lost their husbands, who were their breadwinners.  Now, it behoves on us to provide for those who need help most,” Mohammed said.

    According to statistics provided by the National Emergency Management Agency (NEMA), of all the IDPs in Nigeria, about 55 percent of them are children who have been orphaned due to the Boko Haram skirmishes.  And of the remaining population of 45 percent, women and young boys and girls constitute majority.  The most agonising reality in the camps is the absence of fathers and breadwinners. This has made most of the children to continually ask their mothers: ‘Where is Baba? Where is my dad?’  Often enough, the grieving women do not have the courage to continue telling the same stories over and over again.

    So far, about 2.3 million Nigerians are Internally Displaced in different camps in parts of the country.  They are mostly refugees from Adamawa, Borno and Yobe States whose towns and villages have been ravaged by insurgents.  Members of Boko Haram profess and preach that Western education is bad and that people should take up arms to fight western influence and culture.  At the moment, the crisis has spread to Chad, Niger and parts of Cameroon, where refugees, both from Nigeria and elsewhere abound.  However, the federal government of Nigeria has promised that some IDPs will by the first quarter of this year, begin to go back to their homes, since their places have been liberated.

    The emerging fear however, is that with many houses totally burnt down and decayed corpses and body parts littering the towns and villages, it may be hard to control the diseases that may be laying in wait for these hapless people in these places. This is the major fear being expressed by the majority of the IDPs, and it is indeed a palpable one.

  • Demonstrating metaphors on stage

    Demonstrating metaphors on stage

    Kakadu, a symbolic stage play in form of dance-drama hit the stage last weekend in Lagos to remind Nigerians about the many issues that still hinder the cohesion of the society.  Written by Uche Nwokedi, a Senior Advocate of Nigeria, the dance-drama dug deeper into the fabrics of the nation, writes Edozie Udeze

    Kakadu is not just a symbol of Nigeria as a fragmented society, it is also the metaphor of a nation ever grappling with ethnic, religious and political issues that may tear it apart or help to cement the people together one day as a cohesive and indivisible nation-state.  These many conflicting issues that tend to make a society what it is, came into play as the dance-drama, Kakadu, hit the stage last weekend in Lagos.

    Written by Uche Nwokedi, a legal luminary, the play took its background from the events of 1959 that led to the Independence of Nigeria in1960.  There was a hotel called Kakadu.  It was a rallying point for many people.  Lagos was indeed synonymous with the name Kakadu.  There, life was spent to its fullest, people were happy to come to the city to be duly identified with Lagos, a place where opportunities abound but equally a place where one could easily be confused by the fast-tempo of life.  The temptation to rummage fully in social life in Lagos and forget your people and why you are in the place often becomes more-overriding to most people.

    And so this was what happened to five friends who came from different states and different backgrounds.  The social life in Lagos had entered into their lives, yet they bonded together without bothering whether they were Igbo, Hausa, Yoruba, Efik or Bini.  Life was good; friendship was well-appreciated and valued.  Each individual prospered on his job, only bearing in mind that Lagos can make or mar one’s progress.

    To some, it is simply Love All Girls on Saturdays while to the more careful ones, it was tagged Look And Go On Slowly.  In each case, Lagos has one striking message for you; not everyone in the city is genuine and therefore you have to know your bearing well.  And while all sorts of social life style went on in the 1950s and well into the sixties, people tended to forget that the social and political and economic fabrics holding the people together were drifting; there was discontent everywhere.

    Leaders were in the deep throes of apathy and looting so that anger and disaffection was holding deeply within the army.  As soon as the nation had its Republic in 1963, the soldiers struck.  They struck so heavily that the centre could not hold and everywhere people became suspicious of one another.  This was the beginning of deeper ethnic acrimony within the Nigerian nation state.  Then the civil war began during which the Igbos were hunted down in parts of Nigeria.

    At every stage of the problems the play introduces dance and songs and music to intersperse the message.  This is why Kakadu is seen as a total theatre.  The writer and producer, Uche Nwokedi describes it as a hit musical.  Hit in the sense that it does not only espouse problems of a society built around segregation and tribal sentiments, it is a society that can become stronger if the so-called negative elements can be properly harnessed for its greatness, economic attainment and all.

    When the musicals came cutting across age and class, they hit you like a thunderbolt, tearing your senses apart to remind you of the era of Eldorado in the society.  There are equally very sorrowful and sober ones that remind you of those moments when the people were under the yoke and influence of crisis.  The civil war had just ended and the crying voices of people were infused with regrets and joys and happiness.  It was one moment when people remembered the war and the events that led to it.

    Amputated soldiers returned home to rousing welcome, with some in clutches, limping to the joys of their people.  Others could not make it and those moments of mourning continued unabated.  In the midst of it all was the issue of marriage; how could a Yoruba girl marry an Igbo boy who had just been discharged from the army?  This became a worrisome development but the youngsters in love stood their grounds.  They tended to prefer love to ethnic jingoism or the narrow interests of their elders.

    If a matter as little as allowing young people to marry according to their hearts can still be an issue in Nigeria, then the nation has a long way to go indeed.  The lesson therein is very instructive.  The people involved still showed vehemently, that Nigeria has not got it right.

    This is a situation that obtains mostly where people are in the habit of not allowing civilization to seep into their inner systems.  However, for how long can this be allowed to go on?  How soon can Nigeria overcome narrow matters of this sort in order to grow?  In an interview, Nwokedi explained that whether “we like it or not, Nigeria is driven by ethnic, religious and political sentiments.  Of all these, ethnicity plays the greatest role.  But  we can bridge these to come together to build a better and stronger society,” he said.

    “Yes, Kakadu has been used as a metaphor, partly because it was a centre for all sorts in those days.  It was like a Night club located within the city in the 1960s.  A lot of people from different parts of the country converged there to have fun and a fill of the city.  So, in effect the manager of the club represented the amalgamation of Nigeria in 1914.  This was in the person of Lord Lugard.”

    The emotional aspects of the story were brought into it in order to represent in totality who we are.  “Of course, they showed who we are,” Nwokedi intoned with a smile.  “Whether we want to admit it or not, every part of that story is what we are.  This is why we’ve received very good reactions.  Some bring their children here to watch and see the history of Nigeria as represented in Kakadu.  It is the story of life, truly told in a theatre form.”

    Nwokedi noted that people do not quarrel with the facts presented in the show.  “It is the way that it is presented that people frown at.  It is a harsh reality of the nation.  But we presented it in such a way that everybody takes in the message in a gulp.  The story is relevant now because it is still who we are.  Nothing much has changed.  When I say this, I must always qualify it.  Nigeria is driven by ethnic rivalry.  So, you can’t run away from that.  So, we need to build our country, regardless of our ethnic differences or who we are.  And everybody needs to be involved; people in power, those on the streets, we all have to join hands to build this country.  So, Nigeria is the Kakadu of today,” he said.

    With over thirty casts and crew, Kakadu is the image of Nigeria that can never be erased.  Some of the casts included Ben Ogbeiwi, Joseph Okoro, Damilare Kuku, David Ogbor.  Others were Kanayo Omo, Austine Onuoha, Chiquita Ezenwa, Prisca Enyi, Luka Emmanuel and more.  The play has won many awards in the past and hopes to win more in the future.

  • Yuletide: St. David’s pupils show their acting prowesses

    Last weekend, at the first annual thanksgiving day of St. David’s Academy, Idafa, in the Ikorodu area of Lagos, young thespians perform five plays to the delight of parents and invited guest

    For three hours, pupils of the school showed tremendous effort as they moved from one play to the other amidst claps and encouragements from their proud parents who turned out in good number to witness the event tagged “David’s Praise 2015.

    The Academy’s Principal and Chairperson of organizing committee, Precious Oyebamiji, believes that such extracurricular activities sharpens the skills and reflexes of the pupils and expose them to other areas aside their interests of study.

    The collaboration between pupils and teachers was evident in all of plays in the line-up. Aside the play on the birth of Jesus Christ, every other showcase of the night was original. There was the comedy titled ‘The Student’. It had been penned by a student and a teacher.

    There were also the many dances and cultural displays spanning as many as eight different Nigerian cultures. The pupils, aided by their teachers, dug deep into the very rich rervoir of Nigeria’s diverse culture and treated parents and guests at the programme to an evening to remember.

    Though there were glitches in the sound system, the pupils were unfazed and the show – as they say – went on as it must. ASt. David’t the end, their proud Proprietress, Isoken Odufowokan was all smiles. “For practice, pupils have had to put in extra time. What

  • Groups partner against HIV/AIDS scourge, stigmatisation

    Ambrose Nnaji reports on the recent activities of the Red Ribbon Coalition against HIV/AIDS  

    On line with the global fight against the scourge, the Nigerian Red Ribbon Coalition against HIV/AIDS has rolled out campaign programme designed to promote positive behavioural change towards people living with the virus.

    The programme was in commemoration of the World HIV/Aids Day commemorated across the world.

    The coalition is made up of the Society for Family Health, Coca-Cola Nigeria Limited, Youth Empowerment and Development Initiative (YEDI) and the Youth Empowerment Foundation (YEF).

    Convener of the Coalition, Emeka Mba in a media chat in Lagos disclosed that the group was targeting over 3.5million people with the key message. He said it would provide access to free HIV Counseling and testing services to over 7,500 Nigerians across four states of the country including Akwa Ibom, Benue, Lagos and the Federal Capital Territory (FCT).

    He said that the scheme was going to be a mixture of advocacy, mobilisation and sensitization that would drive positive change while at the same time provide free access to HTC services to the communities, adding it would run for a couple of weeks

    Meanwhile, the group also organised a novelty match for entertainment celebrities from the corporate world. Mba said the match was important in driving the success of the initiative, as football has a very compelling power to bring people together. He added that over 2, 500 people would be receiving key message on that day and at the same time getting tested.

    “We have been driving this initiative over the last ten years with Coca-cola. We really thought it was important to bring this group together, people who are well-tested who know the hint around HIV to come together. There is so much we can do when we pull resources together,” he said. Adding, the group has put together plan that would drive the project to fruition.

    “We are also taking this beyond Lagos, which is one thing that differentiates this coalition, we are taking this across four states, in the course of our analysis, we have worked out some high risk zones in the country we have scheduled for the outreach,” he stated

    BCC Prevention Specialist, Society for Family Health, Lagos State, Emmanuel Olaoti, said people discriminate towards those living with HIV because of lack of knowledge.

    According to him there are probabilities that people are living with the virus and they will be silent about it even within their family for fear of discrimination.

     “We want to let people realise that they are doing a lot of disservice to themselves, to their families, to the community and to Nigeria as a whole by expressing discrimination and stigmatisation to people living with HIV”

    Olaoti said people still have the wrong notion about how HIV is transmitted and how it is not transmitted and that the coalition is out to correct this gap in knowledge. “We are going to tell people the simple ways that HIV is transmitted. If you have sex without condom either vaginal or oral sex or any form of sex without condom, there are chances that you can get infected with HIV; if you take unscreened blood, there are chances that you can get infected; if you share sharp objects, there are chances that you can get infected. If you are a pregnant woman and you don’t get delivered on your baby in a good clinic, there are chances that you can get infected during child-birth or even during pregnancy or when you are breastfeeding.”

    “We are also going to be talking about the way people cannot get infected with the virus. If I am HIV positive, it does not mean that people around me will get infected. People have the notion that if I am identified as HIV-positive everybody that shakes hands with me or hugs me will get infected. We want to make people understand that caring for someone who is living with the virus, eating in the same plate, showing love or even sleeping in the same bed with them does not mean you will contact the virus.” He also said that a parent does not have to withdraw their children from school just because a pupil in the school has HIV.

    The Executive Secretary, Youth Empowerment Foundation, Inalola Akin-Jimoh, said attention was being focused on young people not only within tertiary institution but also at the community, level adding that mostly young people acquire the HIV virus

    She also stressed the need for mothers to get tested, as this would help them know their status and help prevent passing the virus unto their babies.

    In the same development, the Executive Director, Youth Empowerment and Development Initiative (YEDI), Anuoluwa Ishola said the partnership was to ensure the reach of many more people

    She said: “With this partnership, we would be able to reach more people and do more. This coalition is no longer only a Lagos affair, as we are moving to other parts of the country to reach more people.”

    The Communication Manager, Coco-Cola Nigeria Limited, Sam Umukoro, said the company was committed to helping in public sensitisation, against stigmatisation, discrimination and segregation of people living with HIV.

    He said the partnership with the red ribbon coalition would go a long way in contributing to a sustainable community.

    “We believe that wherever we operate, we must make a difference and for us as a company partnering with this coalition is significant in developing sustainable communities where we operate.” He said.

    According to him, Coco-cola has been part of the public sensitisation for the past ten years, adding that it has partnered with some other organisations, including Hope Worldwide and Friends Africa.

  • Celebrating Biodun Jeyifo at 70

    Celebrating Biodun Jeyifo at 70

    The eminent stars in the firmament of literature shone at their brightest last Tuesday to celebrate one of their accomplished kindred spirits –an iconic teacher, an excellent researcher, and a social/literary critic of towering relevance–BiodunJeyifo who gracefully slipped into the igloo of septuagenarians.

    It was a moving fiesta of the literati, arty-farty minds, friends and well-wishers. They had come to identify with and celebrate Jeyifo’s many remarkable years of profound intellectual commitment, activism for a just society, and commitment to the cause of the hoi polloi. The mind behind the Talakawa Liberation Herald with The Nation on Sunday was evidently in high spirit as the gathering showered encomiums on him.A profoundly productive scholar and critic, Jeyifo has more than 50 professional publications and still continuously deploys the rich resources of his mind as a Professor of African and African-American Studies and of Comparative Literature at Harvard University, United States of America.

    I can confidently report that it is with such events as the lecture of Prof. BiodunJeyifo @ 70 that enduring memories are made. I can also competently confirm to you that literary events in Nigeria is not a gathering for loose minds, the frivolously epicurean minds – hence the leanness of the audience. At the event that Tuesday, the audience was slim. The students who often populate such gatherings because they are coerced were happily absent. But what is interesting about the slimness of the audience is that it had immeasurable quality – evidently star-studded. The creme de la creme of Nigerian/world literature gave sense, rhyme, rhythm, and meaning to the event.

    Emeritus Professor J. P. Clark was on hand to inimitably chair the unforgettable literary soiree, Noble Laureate WoleSoyinka was uniquely present with his uncommon birthday presents for the celebrator, Prof. Femi Osofisan was there as the visionary enabler of the colourful shindig, Ogunbiyi performed excellently as the compere (never mind that Clark almost made the task punishing for him), Prof. Dan Izevbaye serenaded the audience with his insightful lecture (‘The Critic’s Calling’. The full lecture, he said, would be published ‘at the appropriate place’.), Prof. MolaraOgundipe-Leslie showed up and talked gracefully, and Dr Lekan Are wittily revived old memories.

    Prof. AkachiAdimora-Ezeigbo made it there, Prof. Adebayo Williams was not ready to read the reports of the event in the papers, Prof. OluObafemi did not miss it, KunleAjibade sat eminently through the proceeding, the Chairman of The Nation Editorial Board, Sam Omatseye, beamed through it all, Emeriti Profs. Ayo Banjo and Bangbose glowed in the hall, OdiaOfeimun demonstrated the sense in the saying, ‘better be late than never’, and (in order not to bore you with the names of other bright minds) a few other colleagues, friends and family members of BJ added colours to the audience which, needless to say, included other auspicious young minds like this writer.

    The dramatist in Kongi leaped out like the proverbial genie in the bottle. He would present BJ with the ‘birthday gifts’ with practised theatrical ease. What were those gifts he brought in a student-like bag he would not allow anybody to help him with? Let me add that he went to his famous house in Abeokuta to collect the gifts but ended up forgetting them – he had to go back half way to retrieve them. Signs of old age he named it. The gifts: A bottle of Vodka, for Marxists like BJ. He had kept it for many years to gift somebody someday. BJ was the lucky fellow. The wine connoisseur that he is, WS gave the celebrator another bottle of wine. This time one with a name whose meanings define the personage of BJ. It is PRAVDA, the Russian word – and the only word in the universe with two strong meanings – which means TRUTH and JUSTICE. Again, it is the wine, he added, meant for people like BJ with unwavering commitment to the issues of truth and justice. With the salutation of the Pyrates Confraternity (the much misunderstood and maligned group WS founded with some fellow students at University College of Ibadan, now University of Ibadan) and amidst the response of BJ, Soyinka bequeathed the wine to him.

    The third gift was a CD containing a new work of Soyinka on the iconic Mandela, which he titled ‘Mandeland’. He would drop a prophecy: BJ will end his life on a positively memorable note like Mandela; he will become for Africa and the world what Mandiba was celebrated and still being celebrated for. He would congratulate BJ heartily and the former would passionately hug the man whose life and works he has amply delineated in books and essays and monographs.

    BJ would later take the podium and exhale his profound appreciation. He would explain with a touch of deep humour the rationale for picking the Arts Theatre as the venue for the celebration which Osofisan planned with Ogunbiyi. Soyinka almost committed homicide in that hall. There was to be a rehearsal of a Soyinka play in which he, BJ, was to feature in. But before the practice he quickly went to ‘town’, not for coitus but for some bottles. He came back ‘loaded’ and straightaway went to the basement behind the stage and slept off. ‘Where is BJ?’ Soyinka asked in a grave voice. Luckily, someone who had seen him at the basement told WS where he was. He asked the fellow to fetch him. When he, BJ, showed up in his ‘state’, Soyinka gave him some horrible look that gave him the idea that he would kill him.

    In another play in which he acted the role of a person whose pot of gold was stolen, BJ reported that his long lines involved asking the question, ‘Who stole my pot of gold?’ According to him, in the audience that day was a little Indian boy. As he was acting his role, he came to the point in the lines where he asked that question. Surprisingly, the little boy stood up and said, ‘The thieve went that way’. He ignored him the first time. When he asked that question the second time, the boy retorted in the same manner and BJ said ‘Thank you’. The third time again and the poor boy thundered angrily, ‘Are you a simpleton? I said he went that way!’

    The literary gala will be remembered for all of these, and particularly the lecture of Prof. Izvebaye. What he said in the biographical fragments he gave on BJ rings clearly correct. BJ, he noted sensibly, believes his theory and lives his ideology. The thrust of the presentation, which he said was a proposal and not an argument, was on literature and criticism. I will limit my report on the paper to only the point I have made here — I think we should wait for the full paper when it is published.

    May Nigeria find the good leader with the good sense to celebrate its achievers. May the youth come to the realisation that those who remember the great will be greatly remembered.

  • Let’s create more jobs through guerrilla theatre – Adejuwon

    Let’s create more jobs through guerrilla theatre – Adejuwon

    It is time to diversify the economy and create more jobs in other sectors to help prosper the youths.  This is one of the efforts being put in place by the Artistic Director of the National Troupe of Nigeria, Mr. Akin Adejuwon as he keeps creating community and guerrilla theatre to reach out to the rural populace.  He told Edozie Udeze in Bauchi why and how this idea and approach is more imperative now than ever before

    Why have you chosen to take the Troupe to places to perform for the IDPs?

    Part of what we did to entertain these IDPs is to encourage them know that Nigeria is rising again and that the military are doing so well in the fight to curb the excesses of the insurgents.  And as civilians we have to give our own support and encouragement as well.  So, the core message in what we have done today and intend to do more in future is to tell the people concerned that it is time for them to go back home and possess their possessions.  Theatre is the tool we have; it is our own implement with which to reach out to them and keep them on the road to recovery, telling them, please, do not lose hope, do not despair.

    Will you like to take this experiment beyond this point?

    Yes, I said from the outset that the National Troupe of Nigeria is for all Nigerians irrespective of where they are or where they domicile.  Therefore, the concentration we have for now is to be able to reach out to our people who have been adversely affected by the Boko Haram crisis.  So, we have sent a representation to the Honourable Minister of Information and Culture, Alhaji Lai Mohammed in this regard.  He would have been here today for this programme, because he gave his tacit approval and backing for it to take place.  But he couldn’t come due to other tight official engagement.

    As you know, the 2016 budget was being presented and he needed to be present at the National Assembly.  But then, he said we should go on with the presentation of the dance-dramas and the entertainment to keep the IDPs happy.  It is our hope that we will be able to do more, to go to other places to perform for them.  We will do it from one location to the other, bringing to the fore those theatrical elements that will make the people feel good and feel loved.

    So far, what lessons have you learnt from what you have been doing?

    I am the Artistic Director of the National Troupe of Nigeria; I am a visioner with plenty of creative ideas.  My impression today is that of thanks to God for a mission well-accomplished.  I am happy that the dream I initiated when I assumed office two years ago has begun to yield fruits.  It has been concretised.  From the high level of performances by the Troupe, you could see that the artistes are ready to go places; they are prepared to do more for the purpose of doing the best for the public.

    These people will go back to their villages with this everlasting impression in their hearts because they may never have this opportunity again.  You could see their responses to the dances; to the songs; to the dramas.  You could see that they followed what happened stage by stage to show you that it was their show.

    Why did you make the dances purely rural in texture and content?

    Because that was the best thing to do in the circumstance.  The National Troupe of Nigeria in supposed to encourage the promotion of music, dance and drama.  It is supposed to explore musical talents and bring them to the fore.  It is our responsibility to tap into these to create more entertainment for the generality of the people.  And by so doing we present the best to the people.  We are meant to serve the people; we are here to serve everybody by exploring the numerous musical ensemble of the nation.  Each part of this nation has its own abundance of stories that can be turned into dance; into drama, using songs and music to embellish them and make them more permissible for all and sundry.  This is the reason why we went deep into what the people concerned needed to reminded them of where they are coming from.

    In essence, these dances needed to appeal to them because this was their show.  So, what I am doing also is to see how this sort of show can help to discover and encourage talents in the Internally Displaced Persons’ Camps.  In am very much convinced that this will work.  You know how many of the younger ones here today who will show interest in music or dance tomorrow?  This was why I told the governor of Bauchi State, Mohammad Abubakar, yesterday that I am encouraged to raise talents in the performing arts from the very, very early age.  This state is a historical state in Nigeria and therefore, it is time to raise such level of artistes to match its status.  And I am prepared to do so.  That, indeed, is my aspiration.

    When you saw some of the natives taking part in the production, how did you feel?

    I was excited, but I expected it because everywhere we have performed like this, the people had shown interest.  When you give people what they want, what is their own, they can’t help but be a part of it.  I am convinced that this is the best approach and I have also convinced my brother and colleague in the National Orientation Agency, Mike Omeri that he should display more of performances instead of talk to reach out to the people.  Performing arts is capable of communicating faster and more deeply and far-reaching than long talks.  This is what we have done and will be doing more henceforth.

    Two years ago, you did a tour of three states with rural theatre.  Do you think what you’ve set out to do now with this project will have a different impact?

    This programme is totally meant for the North-East of Nigeria where the people have been displaced by the Boko Haram crisis.  It is to reach out to the IDPs and also this is their own part of what to gain from the Troupe.  We wouldn’t be able to tour some parts of the North-East due to the insecurity in some states.  Therefore, this is their show; their own part of the rural theatre you’ve spoken about.

    But part of the show you had yesterday was rather elitist.  Why?

    Now, we were short of time.  And we were reaching a different audience, like you’ve hit it on the head-elitist.  Yes, it was elitist because of the nature of the programme and the calibre of the audience.  Yes, the governor was there; all his cabinet members and other members of the elite class where also there.  So you had to give them what suits their tastes and station in life.  And there were a few of this kind of audience we had today but it was still meant for the elite class, giving them elegant dances.  So, it is our duty to deploy our performances to suit and satisfy the audience in question.  That was exactly what we did yesterday during the stakeholders meeting at the Multipurpose Indoor Sports Hall, Bauchi.

    As at now, what I have in mind is that when some of the members of the Troupe are discharged, they too can form their own troupe.  When they do this, they can become mini national troupes all over the country, because the whole of Nigeria is represented in the Troupe.  Like I said, in the Hubert Ogunde type of programme, we are supposed to create small troupes all over Nigeria.

  • When art becomes dangerous pastime

    When art becomes dangerous pastime

    They are threatened, shot at and kidnapped. Undaunted, they have remained true to their art. But what will make men rise against the arts (camera)? And how far can one go in pursuit of one’s passion, profession or pastime? Some artists share the bitter side of their art during African Foundation for Peace Love Initiative’s session for journalists, artists and art enthusiasts in Lagos. EVELYN OSAGIE writes that artists are at risk in pursuit of their trade.

    A mean-looking militant stared intently at the cameraman, with his hands on the trigger of his machine gun. Some pipeline vandals stood, posing for the camera with their loot. A girl stands by, staring at the cameraman; behind her is an old man, who had served Nigeria. He appeared abandoned and impoverished as he looked penetratingly at the photographer.

    The scenes, an everyday sight of the oil-rich yet impoverished Niger Delta, form part of award-winning photographer George Osodi’s gripping collection on a slides show at African Foundation for Peace Love Initiative’s session for cartoonists, photojournalists and developmental journalists , artists and art enthusiasts, tagged: Peace media parley.

    “Everybody hates the man with the camera,” began Osodi as he talked about the risks photo, travel and documentary journalists and enthusiasts often face in pursuit of their venture.

    But why would anyone hate the man with camera, he was asked. “I think it is because everyone has something to hide,” said Osodi, who described his experience, covering the Niger Delta region as a photo-journalist and a documentary photographer/artist, as “a very risky business” that is not being given its pride of place and recognition by all.

    With the theme, Picture Africa for Peace and Development, the event also had in attendance Prof Lai Osho of Lagos State University (LASU) School of Communication; former President, Society for Nigerian Artists (SNA) and founder of Omenka Gallery, Oliver Enwonwu; Vanguard Cartoon Editor, Dada Adekola (aka Dada Dekola) and Rev Titus. Oyeyemi.

    For the guest artists, art is not just a pastime but a serious tool for effecting change that also comes some risks.

    While many would assume photography, like other arts, is an exciting pastime that comes without any risk, Osodi revealed that many have been maimed and lost their lives in the course of going about their pastimes. He, therefore, called for government support for the arts, saying: “Photography can tell many stories beyond words”.

    “I was once kidnapped by MEND in 2003 while I was on my way to shoot some pictures. Thinking I was working for the government, kidnapped me and asked ‘Who sent me? I was very afraid at the time. But I was later released when they saw I was going about my own business. Three years later, the same militants who kidnapped me, invited me to photograph them in 2006,” he recounted.

    Besides being kidnapped,  during his artistic-cum-journalistic voyage, Osodi recounted further that he had also escaped being shot at and passed through other risky situations.

    “In fact, I am lucky to be alive to say things like this. Everyone is not a friend of the camera, especially in the Niger Delta region. Even when the pictures I am taking are meant to draw attention to their plights and that of other downtrodden, they are hostile when they see you with a camera.

    “It was in Warri that I first heard the sound of a bullet. Before then, I didn’t know bullets make loud sound when in motion on air after being shot. It was at NPA jetty, where I was on an official assignment as a photo-journalist. The army and militants were exchanging fire for more than 15 minutes; to be safe I slept in the mud the whole time. I was fortunate to come out of that situation unscratched.”

    Although the practise of the trade may come with some risks, he advised artists/photojournalists to exercise caution and be security conscious in the pursuit of their art. “My works are politically-oriented. They focus on the impact of oil in the Niger Delta communities; but I am alson very conscious of my safety as I go about my work.”

     

    Cartoon not jest business

     

    It was 2015 election, and Muhammadu Buhari stood ready to go into a boxing bout with the then President Goodluck Jonathan with INEC Chairman, Attiru Jega as referee. The front-page cartoon, which had the words: No rigging, that’s hitting below the belt! No violence, you’re not allowed to use other things than the voters to defeat your opponents. This is sport not war. Another cartoon by Dekola showed a smiling President Jonathan was handing over an impoverished cow, christened “Nigeria”, to the newly-elected President Buhari in a cartoon by Dekola.

    Both cartoons are reflections of role art can play in promoting peace and stability, while highlighting issues in the polity.

    For the cartoonist, “a cartoon is not just a jest but serious business,” observing that artists are educators as well as entertainers. But like Osodi, his art is not without its risk. He said: “Being a cartoonist comes with its risks. I have also being threatened in the course of my job both by politicians and private individuals. But I would like to come to this world as an artist again. I’d advise parents not to stop any child that draws. Artists are innovators.”

     

    Picturing Africa for peace

     

    Picture an Africa free of terrorism and corruption. Visualise a continent with infrastructural development and a flourishing economy.Beyond being artistic impressions, the aforementioned prospects could someday become reality with the proper mind-sets, according to Enwonwu. Africa can fall or rise depending on the stories we tell and picture we paint, it was said.

    Enwonwu called for creative pieces that focus issues of social change. He said artists to be fearless in expressing their arts, urging them to hold the leaders and citizenry to account through works, noting that human life is influenced by the world art.

    He said: “Artists should use their works to call for change. Although it may come with its risks, we must be determined and focused knowing that truth will always prevail. The main perpetrators of violence should not be celebrated in cartoons or artworks but peace-keepers should. Bearing in mind that terrorism is not only local, artists should look beyond Nigeria and give attention to happening outside.”

    Osho said cartoon and photojournalism have not received the much attention they deserve from scholars and media owners, observing that both are tools for social satire that enjoy more license than news. He urged journalists and artists (cartoonists and photographers) to do more works that highlight unity, peace and culture. “We can begin to emphasis our common plights, achievements; and think how we can forge ahead in unity in view of our social realities,’’ he said.

    Rev Oyeyemi described the way artists tell their story through artworks as “simple and elegant”. He, however, urged artists (cartoonists) and photojournalists “to picture Africa for peace and development cannot be overstressed”, adding that media owners should invest on their training.

    He said: “Cartoonists and photojournalists are men and women who create drawings, text and pictures used in political commentary, comic strips and animated feature. It is fun way to express oneself through the instrumentality of art. The 2015 Peace Media Parley seeks to encourage them to do more pieces that focus on positive aspects in the continents while speaking truth to power.”