Category: Arts & Life

  • Going to Chibok

    Going to Chibok

    Catching them young has always been a philosophy that has helped humanity to make for continuity.  In certain professions or areas of human endeavour, it is usually advisable to ensure that children are made to learn certain things of life on time.  In theatre, drama, musical performances and visual arts, this is even more noticeable in Nigeria.  There have been series of programmes and creative endeavours aimed at targeting the children thereby encouraging and empowering them to begin early enough to find their rhythm in life.

    During the just-concluded Lagos Black Heritage Festival held in the state, the event planners did not forget to include a variety of shows that involved children.  One of such and a very topical one at that was the play titled Seizing Sambisa.  Apart from the fact that it was an all-children drama, choreographed and dramatized by them, it proved that if given the opportunity and the right atmosphere the children can always be at their best.

    Seizing Sambisa was a dance – drama woven around the ravaging story of the 226 female students kidnapped in the night of April 14 – 15, 2014, from Government Secondary School, Chibok town, Borno State.  Members of the notorious Boko Haram sect later claimed responsibility for the kidnap.  The girls were said to have been taken to the Sambisa forest – a former colonial forest reserve – said to cover about 60,000 square kilometers.  It straddles the whole of North-Eastern States or Borno, Yobe, Gombe and Bauchi.  Even though some of the girls were reported to have escaped, about 219 of them are yet to be accounted for – one year after.

    On stage the play brought into focus how the scene was enacted.  A teacher was on hand to teach as the students swayed to and fro.  The joy in their hearts was boundless.  As the teacher led them on, they equally responded with unbridled enthusiasm.  They were all girls between 14 and 17 years and indeed full of youth and life.  That was on the first day.

    Soon it was time for break.  At the end of the lessons, the girls all retired to their hostels, tired and ready for a blissful night.  Well into the night an uncommon euphoria of fear and hatred enveloped the premises.  Apprehension was the norm.  The sudden quietness of the night was pregnant with meaning.  Deep in their sleep, the students began to feel restless and numb.  It was at this time that the devils struck, hooded from head to toe, shouting words of assurance, ‘we are soldiers of peace, sent by government to rescue you beautiful girls.

    While confusion reigned supreme, the students scampered here and there.  There was no protection or explanation as to why and how this operation was necessary or otherwise.  In the interim, some of the students acting on instincts, decided to disappear to safety.  When the operation was over, uneasy calm reigned while fear resurfaced as the escaped ones reappeared to assess the situation.

    It was a well-rehearsed drama, infused with enough choreographed dance patterns to thrill the audience and register the scenes.  In it, folklores, dance and music were calculatedly engaged to enthrall the audience.

    Written by Francesca Emmanuel and Promise Ugochukwu and conceptualized by Segun Adefila, it was dramatized by children of Footprints of David Art Academy.  Formed in 2005, the Footprints of David has been helping to form kids in the area of performance arts.  Music has been one of the foremost means through which they have been projecting themselves.  The children lived up to expectations with the Seizing of Sambisa, a play that drew tears from most parents as they watched the dance-drama on stage.

  • ‘Why I didn’t consider colour in marriage’

    ‘Why I didn’t consider colour in marriage’

    Her firm, Quincy Herbal Slimmers, blazed the trail by specialising in body slimming using herbs and like every other family business, herbal slimming expert, Quincy Ayodele, has groomed her daughter to co-run her thriving herbal treatment business. Tobi  Ayodele Keeney who  holds MSc and BSc Nursing at the University of Maryland, Baltimore, U.S, brings in youthfulness and zest.  The mother of two, who got married to her caucasian hubby a few years ago, shares with Adetutu Audu her role in the family business and why she did not consider colour in marriage.

    HOW does it feel joining your mother at Quincy as one of the directors?

    I have always been part of it. It feels great; I enjoy the challenge of taking up a bigger responsibility. Apart from this, my mother has made the job easier by building the brand from the scratch. I have worked in a few places, but I know I am still coming back to this. We are creating a generational wealth. Even my husband and children are involved.

    Over the years, did you envisage that such a task will come your way one day?

    I and my siblings have at one time or the other worked at Quincy. As we grew older, we increased our roles. We are all in it. Any other thing we involve ourselves in aside Quincy is just secondary. It is a family business and easier for me to connect because of my medical background. When I joined officially, I said I had to do things in a systematic way and be able to replicate results, if I do it 1000 times. I have a mini lab, where I test these herbs and write the formulas down.

    The challenge herbal medicine practitioners have is still using hands and eyes to measure and with my background, I cannot do such. That means we have to change everything. We have been working on this repackaging since 2009. I have to do it so that the brand can be acceptable globally.

    What other things are you bringing on board?

    Our desire is to create an effective awareness that there are alternative ways of living a healthy life. Obviously, we are going to open more branches. We want to get to as many places as we can. We do phone consultation and also we are on the internet. About 30 per cent of our clients come from international community. We are going to reach out to them.

    There are so many herbal clinics out there, what do you have to tell people, most especially because of the quacks?

    In the practice of medicine, you can only talk about yourself. Since I am not in a position to do that, I believe the government will look into that and come out with a solution as soon as they can. People should try and identify places with result. We are begging the government to pass traditional medicine bill which will give a legal standing for government to wipe off all quacks in the industry. We believe that to every condition there is a cure in nature.

    Do you still see clients who insist on getting treatment from your mother alone, and when is she retiring?

    I don’t think people in their field retire. Have you seen a medical doctor retiring? I still need her around so as to have time for more research and discoveries.

    Most of our clients don’t insist. It is either they request to see me or to see my mother. In most cases, we even consult together now. Eventually, when she grows old, Quincy continues. Traditional medicine believes the knowledge must be passed on.

    Tell us the major problem you have identified since you joined

    The epidemic of stretch mark is on the rise due to excessive skin bleaching. Unfortunately, most of the women just go for any type of skin-toning cream to get rid of their dark complexion. The danger is that such skin-toning creams usually contain hydroquinone (even the word is alarming!) which is harmful to the skin.

    Sometimes, we cannot even eat for two to three days because of the nauseating effect of these things. You see some skins are already peeling like cow meat.

    How is marriage treating you?

    It is okay.  I thank God, I am happily married. Though marriage has its ups and downs, I thank God that everything is going on fine.

    What is the best thing about being married?

    The best thing about being married is having a companion, someone you can talk to, and someone you can share your goals with. It is very different from having your parents and siblings around, moving in with a stranger, start sharing your lives, planning together, it is actually fun. I think that is the best thing about being married; you should also consider the God factor. When He is there, everything falls in place.

    Why did you decide to walk down the aisle with a non-Nigerian?

    I didn’t decide, maybe it’s because I did not school in Nigeria. Where I was living had more foreigners than Nigerians. My parents had always told me not to discriminate, anyway.  I believe if somebody approaches you, he likes you, likes your family, he is ready to be there for you, you should put all these into consideration first before the colour or tribe. That was what I followed. Thank God that my parents are happy with him. His parents are also happy with me as well. You wouldn’t even know he is not a Nigerian.

    How do you juggle marriage and work?

    Thank God, I have good family support. My extended family are with my kids. I have the freedom to pursue the business because my children are in safe hands. That has really helped. I and my husband travel a lot.

  • X-raying the governor of example

    X-raying the governor of example

    The Example, the title of this book, is a snatch off Sam Omatseye’s “In Touch” back page column in The Nation Newspaper, in which he has, even bordering on the cliché, lauded Babatunde Fashola, SAN, outgoing governor of Lagos, as “governor of example”.

    All then falls into conceptual logic.  The Example is all about “The Era of Babatunde Fashola as Governor of Lagos State” — the book’s sub-title — a glorious showcase of the wonders Fashola has wrought in his eight-year Lagos governorship, heading to a glorious finish on May 28.

    The tale, a relay of 36 contributors, is told mainly by participant-observers, cabinet members past and present.  The only exceptions are John Kayode Fayemi, a gubernatorial peer and former governor of Ekiti, Leo Stan Ekeh, Chairman, Zinox Group, Aderemi Makanjuola, CEO Caverton Helicopters, Marvel Akpoyibo, former Lagos State Police Commissioner, Walter Olatunde, project director of Deux Projects Ltd, Aminu Yaro Idris, Sarkin Hausawa of Lagos State, Prof Adewale Oke, CMD, LASUTH and Mark Eddo, the maker of a triad of documentaries on the renascent Lagos of Asiwaju Tinubu-Babatunde Fashola era, and proud Eko citizen.

    Of course, the book’s editor is also the Example christener, Sam Omatseye.  “On creation time, it was not difficult to call this book and project its name,” he gushed in his Editor’s Note. “It is a book about how one man redefined governance and invited others to the party.  He invited them not by words or personal gestures, but by the ambition of vision, the assiduity of performance and the clarity of results.”

    That states the obviousness of the Fashola wonder, the governor’s cascade of policy excellence, in its overwhelming glory.  But did the underwhelming result of the 2015 election in Lagos State justify Governor Fashola’s overwhelming work?

    What really happened?  Lagosians, spoilt by too much of good things, forgot, in a terrible hurry, the Egypt of past woes just because they had birthed in the Jerusalem of sheer bliss?  The profile of the electorate as sheer ingrates, a rabble easily misled by crass demonisation and subversive money during electioneering?

    Or simply: that sterling policy and telling performance are never enough, without the active complements of doughty politics and vibrant social mobilisation?

    These painful questions resonate, even more, with the symbolism of former Governor Fayemi penning the first of the 35 contributions (“Class Captain Babatunde Raji Fashola, SAN: a technocrat as politician”), after Prof. Itse Sagay, SAN, had declared Fashola, in his excellent Foreword, a former student in whom he was well pleased — the governor as complete servant of the law, the governor as thinker and the governor as policy wonk.

    But Dr. Fayemi too executed the most brilliant policy framework, so far, in the history of Ekiti.  Yet, what all that earned him was democratic ouster by the Ekiti electorate.  Worse — ingratitude of ingratitude, even bordering on collective social suicide — the Ayo Fayose gang is busy putting most of Fayemi’s social and physical infrastructure policies to the sword, while the Ekiti, hitherto beneficiaries and eventual losers, seem to break into a manic cheer!

    Again, what went wrong?  And with the balance of perceived forces just before the election, was Lagos consigned to the Ekiti fate, before the Almighty Himself, who never rewarded good with evil, took supreme charge, blessed Fashola’s heroic performance and granted Lagos the golden continuity the Tinubu-Fashola continuum had earned, by a dint of hard work and uncommon service?

    Perhaps that question should be left to analysts, political pundits or even sociology experts to ponder before the next round of elections in 2019.  For now, the celebration of a citizen, who in the words of Prof. Sagay has achieved “spectacular success, in an arena in which the majority of actors have been such tragic failures” is quite in order.

    All of the cabinet-member contributors agree.  But before you dismiss them as a bunch of policy in-breeders luxuriating in incestuous praises, the seven “outside contributors” did not differ. Indeed, viewing the governor from the horizontal plane of a partner, rather than looking up from the vertical stairs of a subordinate, they weighed in with clinical praise.

    Zinox’s Stan Ekeh went to the governor to donate security and technological equipment worth N50 million, as part of his firm’s corporate social responsibility (CSR).  But before you could call Stan, the governor had named him a member of two crucial bodies: the LASU Governing Council and the Lagos State Innovation Council, based on his entrepreneurial track record.  Mark Eddo too conducted a perception workshop, which the governor, with his entire cabinet in tow, attended.  Again, before you could call Mark, Mark Eddo Media Ltd had become the state’s partner in global perception management.  Three excellent documentaries are the result.

    That has got Mr. Ekeh quipping: Fashola does not see, in anyone, white, black, yellow, Igbo, Yoruba, Hausa.  All he sees is an agent of development; and how Lagos, his envisioned Africa’s model megacity, can put that talent into use.

    Marvel Akpoyibo, former Lagos State commissioner of Police, marvelled at the governor’s successful public-private collaboration in security, in the Lagos State Security Trust Fund (LSSTF); and how it gave policing in Lagos a boost, and secured the state.  With the acclaimed success of the experiment, one just marvels at why such is not happening at the federal level.

    Caverton Helicopters’ Makanjuola’s testimony, still under public-private collaboration, offered another peep into how steady Lagos would appear in the hands of its present managers, starting from the Asiwaju Tinubu administration in 1999.  While in 2009, Lagos acquired two state-of-the-art surveillance helicopters, the in-house “purser”, the accountant-general, back then, was a certain Akinwunmi Ambode.  Now, Mr. Ambode is governor-elect.  Talk of seamless continuity!

    But the main story here is that the LSSTF idea, under which Caverton and Lagos collaborated on the security choppers, emerged from the Lagos State Corporate Assembly, a government-private sector forum, which conceived the idea in 2007.  It was a tribute to a governor’s rigorous engagement of the private sector in the Lagos mega-city agenda.  But if Lagos and Caverton could pair to deliver a solid security project, could the Federal Government not partner with interested investors, to deliver local refineries, migrate from fuel importation to fuel exportation, and boost the national purse?

    The Fashola government’s rich PPP culture would be incomplete without mentioning the Lagos-Deux Projects Ltd collaboration in health facility management, which formed the contribution of Walter Olatunde, project director of Deux.  If LASUTH, LASUCOM and other state health facilities enjoy a lease of good maintenance, it is thanks to this partnership.

    Still, while these private sector collaborators deserve their accolades, the real hero of the Fashola success are the cabinet members, and other Lagos public servants, who zestfully queued behind a workaholic leader, who is neither afraid nor tired of dreaming big dreams; and post haste, pushing those dreams into reality.

    This shines through their insightful contributions to the volume.

    Tunji Bello, for instance, describes the governor as a “technocrat and democrat” who nevertheless appears “too fastidious and tend to delay deliberations at exco with long lectures”!

    Ben Akabueze links the prestige of megacity to the splitting headache of mega challenges.  “When you take the total number of schools in Lagos, it is more than the total number of schools in the 19 northern states of Nigeria put together.  So,” he quipped, “that gives you an idea of the scope of managing the sector.”

    But the taste of the pudding is in the hot kitchen, the sacrosanct EXCO meeting, where policy is brewed.  There, according to Lanre Babalola, the chief of staff, the Governor is not “His Excellency” but “Chairman”; and Honourable Commissioners and Special Advisers are just “members”.  The impression you get though is that the governor is “principal”, the chief of staff “senior prefect” and the cabinet members just girls and boys, who though are seniors, still live in dread of a fastidious principal’s “housekeeping issues”, during which the governor demands, from commissioners, answers to observed lapses.  “Living in dread” is hyperbole, of course.  But it conveys the fierce focus of the Fashola cabinet.

    This collection is a mine of information on the Babatunde Raji Fashola years — all of its challenges, all of its guts and all of its glory.  Still, it is hardly a critical piece, x-raying, comparing and contrasting; and coming up with a dialectic balance.  But whenever future researchers and analysts are ready to do that, The Example will serve as the research entry gold standard.

    But until then, the fitting end to this review is the fitting end to the book itself, its very last sentence, courtesy of Idris Ibikunle Olorunnimbe: “It is not yet dusk for the visionary leader of men, it is merely the crack of dawn.”

     

     

     

  • Gabriel Ayomide Festus co-wins Green Author Prize

    Gabriel Ayomide Festus co-wins Green Author Prize

    Nigeria’s literary scene has once again been illuminated by the remarkable talent of Gabriel Ayomide Festus, a poet whose works delve deeply into themes of grief and absence. His latest achievement, winning the prestigious Green Author Prize, cements his status as one of the country’s most promising contemporary poets.

    Speaking on his win, Ayomide expressed both gratitude and surprise. “Co-winning the Green Author Prize was a pivotal moment in my career. I remember feeling overwhelmed, not just because of the recognition but because it reaffirmed my belief that poetry—our stories—matter. It’s not just about stringing words together; it’s about capturing emotions that linger in silence.”

    Born in Ibadan, a city renowned as the cradle of Nigerian literature, Ayomide has built a reputation for his unique poetic style, which intricately weaves together language, time, and absence. He describes absence as “the history of my mind” and language as “the symbol of my desire”, a philosophy that underpins much of his writing.

    His journey into poetry began in 2013 while studying Philosophy at Obafemi Awolowo University. His first major literary encounter was with Naked Soles, an anthology by Gbemisola Adeoti. “That book changed my life,” Ayomide recalled. “I had always been fascinated by words, but Adeoti’s work showed me that poetry could be raw, simple, yet profound. It gave me permission to write.”

    He soon discovered Words, Rhymes, and Rhythms (WRR), an online community of young African poets, which became instrumental in his literary development. In 2014, just a year into his poetic journey, Ayomide co-won the third edition of the What Can Words Do?! Poetry contest, organized by renowned poet Kukogho Iruesiri Samson. “That contest introduced me to a wider audience,” he said. “It made me realize that poetry could be more than just a personal outlet—it could be a voice for many.”

    Seeking inspiration beyond Nigeria, Ayomide explored the works of North-Eastern African poets, particularly Safia Elhillo. Her acclaimed collection, The Life and Times of Susie Knuckles, had a profound influence on his approach to poetry. “Elhillo’s work opened my eyes to the idea that poetry could carry both history and intimacy in the same breath,” he shared.

    Ayomide’s impact on the literary world continued to grow as he won multiple awards and pioneered discussions on Africanism and the poetics of grief. His breakthrough moment came in 2015 when he co-won the inaugural Green Author Prize, Nigeria’s most prestigious poetry award for young writers. This recognition led to the publication of Verses from the Niger, a collaborative poetry collection that sold an impressive 3,000 copies.

    “The Green Author Prize wasn’t just an award for me; it was a door opening. It allowed me to publish my first collection, something I never imagined would happen so soon. It also connected me with poets who, like me, were trying to make sense of the world through words.”

    Reflecting on his journey, Ayomide acknowledges the challenges. “There were moments of doubt, of course. Poetry is not exactly the most celebrated career path, especially where I come from. But every time I questioned myself, poetry answered back. It reminded me why I started.”

    With each poem, Ayomide Festus continues to explore the depths of grief, loss, and absence, using his words to heal, inspire, and redefine contemporary African poetry. His journey from Ibadan to international acclaim serves as a beacon of hope for young poets aspiring to make their mark on the global stage. “I hope my story reminds people—especially young African writers—that their words matter, that their stories deserve to be heard.”

  • Honour for the women folk

    Honour for the women folk

    As part of events to shape the society positively using women activities, an arts exhibition opened last Sunday at the Federal Palace Hotel, Victoria Island, Lagos. With the theme, Women in Development, the exhibition is showcasing some of the activities and involvement of women in development both as top government officials and high profile technocrats.

    Mrs. Chinze Ojobo artist and cultural ambassador said: “The purpose of the exhibition with the theme Women in Development is to bring to the fore activities of women from the back end to the fore front.” Mrs. Ojobo a consummate artist explained that women are now doing everything positive to shape society. We are not just there, but we make sure we are effective,” she said.

    The exhibition is part of the Vlisco Women’s month award. Vlisco Women Month celebrates the inspiring achievements of women in West and Central Africa.  This year’s theme of the celebration is ‘Live the Dream’ in honor of African Women who have the courage to turn their dreams into reality despite the challenges they face in their daily lives. Mrs. Adesuwa Onyenokwe, Publisher TW Magazine was winner of 2014 Vlisco women’s ambassador award and has been an inspiration to Mrs. Ojobo.   According to her, this exhibition paints a vivid picture of women combining motherhood, family life, the office and influence on the day to day activities of not only governance, but also industry.

    She said gone are the days when women snared at each other.” But now support each other for a better society”.  Mrs. Ojobo a well-travelled artist with degrees in Fine and Applied Arts from University of Nigeria, Nsukka and had exhibited in several cities including Accra, Paris, London, Washington DC, California, Virginia, Maryland, New Jersey and Plovdiv among others specifically said this exhibition will bring the story of women in development up to date.

    The exhibition demonstrates Mrs. Ojobo’s personal experiences especially interwoven cultures in her painting with acrylic on jute, burlap to texture, and canvas paper to build up more textures with a combination of traditionally woven fabrics called kente or mud cloth.

    Her art work goes beyond surrealism. Hers is art for life sake as she tells the story of women and men, especially in a particular buildup of almost real life images of nine women decked in magnificent ornaments while the only man in their midst has an austere costume and displaying masculinity to protect the women.

    Mrs. Ojobo explains further. Take a cursory look of any successful woman, her husband is there for her as a friend, colleague and support.

    This particular artwork is believed to be a masterpiece, but Mrs. Ojobo says while it’s true that this appears to be a master piece, it’s not her magnum opus. Her paintings are detailed. The artist whose husband, Mr. Tony Ojobo, heads the Public Affairs Department at the Nigerian Communications Commission (NCC) said her husband, who is also a lover of arts, has been a pillar to her.

    An award winning artist, Mrs. Ojobo was honored by the Ministry of Arts and Culture, Los Angeles California in 2003. She designed and built two cinema halls and a lounge for the National Film and Video Censors Board and built and furnished the first Telecommunications Museum in Nigeria at the NCC in 2006. She has had over 40 arts exhibitions including six in Hollywood, Bulgaria and London, among others.

    With 35 percent affirmative action by government to accommodate the women folk in governance, Nigerian women have become a part of the day to day activities of government. Since 2011 when this action took root, women are no longer confined to the homes of which many male chauvinists considered their natural habitat.

    Now they are Ministers, Directors General, Permanent Secretaries, Chief Executives of government corporations, blue chip companies and generally involved in Ministries, Departments and Agencies (MDAs).

     

  • Beyond oil

    Beyond oil

    This is a book that is a dream come true in both the philosophical wisdom of the Governor of Delta State, Dr. Emmanuel Eweta Uduaghan in his evangelical campaign of ‘Delta State Beyond Oil, DBO.’

    The content of this compendium has real and tangible promises to change the mindset of those who believe and insist that the oil industry is the only way to generate revenue for the nation and individual selves as it takes us to ‘beyond oil’ and into other pastures of the economy.

    For the long period the oil industry dominated Nigeria  and the Niger Delta where oil is explored and exploited, it has assumed the image and many characteristics of an only ‘saviour’ without viable alternatives and where non can be consciously considered.

    In saying what has become only too obvious, it is stated in the book (vol. 1 p.95): “The sector has become the mainstay of the economy, pivoting other sectors and accounting for well over 90 per cent of the country’s foreign earnings. …the three tiers of government in Nigeria predicate their development agenda on revenue derived from oil and are therefore vulnerable to the vagaries in the international prices of oil.”

    It should however be pointed out early enough that the book is not totally bidding farewell to this natural resource that has served the nation for decades but it is directly advocating for economic diversification to other areas where revenue/income can be generated.

    Never before this publication has the strident advocacy for the spreading out of the revenue base been so championed formally. The call of the book especially is for the exploitation of the abundant natural resources that abound in the state. The first key sectors indicated are in the agriculture/agro-allied and manufacturing sectors amongst others.

    The message in this publication could not have come at a better time than this and the potential benefactors owe gratitude to the following; Dr. Emmanuel Eweta Uduaghan, who originated the vision, the Delta Board of Inland Revenue, DBIR, that translated it into practical terms and the contributing writers who interpreted it into living text.

    Coming in two compact volumes, this publication has two major and immediate appeals in terms of content and reach. It amply qualifies for a general interest reading and it meant to serve as a textbook in the state’s education system. And it covers as much of the cultural, social, economic and political being of Delta State.

    The concept employed in writing the book, no doubt, is deliberately conceived and executed for several readership groups by the contributing authors and the publisher of the book, the Delta Board of Internal Revenue, DBIR.

    What comes first and obviously becomes one of the most significant aspects of the book is the bold and indelible signature of the Delta State Governor, Dr. Emmanuel Eweta Uduaghan and his visionary streak in giving a desirable parting gift to Delta State – the hope and means of survival without the famed oil wealth whose fortunes have become imperiled by the day.

    Across the world in recent times, the gale of falling oil prices has become one of the most disturbing experiences of those who dispense the common wealth of their people.

    The effect of tumbling oil prices has been very pronounced and biting in a country like Nigeria which has been solely and sorely dependent on the revenue from oil to service both capital and recurrent expenditure.

    As one of the major oil producing states and therefore one that is equally dependent on oil revenue, Delta State has taken an initiative that will serve not only itself but other states with similar status. The backlash that accompanied the recession in revenue from oil, in several ways, took many by surprise. And this has become a harrowing experience which could not have been contemplated or envisaged before now.

    It is most likely that it is on this worrisome outcome in Dr. Uduaghan’s forecast and projections that he decided to conceive and design and implement this novel policy of pulling the fortunes of Delta State from the dependence on oil wealth.

    The narration above certainly is no longer news, at least to those who can discern. What is now news is the deliberate attempt via this publication to sensitize the people on the dangers of depending mainly on oil and equally showing the ways on how to harness other alternative sources of revenue generation for the state and its people.

    The book, by virtue of input, is a welcomed new genre to the Nigerian book world. The work is a rich product of an active imagination and a genuine creative way to offer tangible hope to a people in search of greener pastures.

    But while basking in the wealth generated by oil, Delta Beyond Oil… did not fail to point out a major and significant lesson the readers needed to learn and do very well. This has to do with the adverse effect that oil has on the environment. Volume 1, page 79 states:

    “Generally speaking, communities are dissatisfied with the consequences from oil operations. Some of the most serious relate to environmental sustainability which is fundamental to the people’s wellbeing and development. Wide ranging and usually destructive environmental changes have stemmed from oil and gas extraction, industrialization and urbanization. Oil spills and gas flares in particular have destroyed natural resources central to local livelihood.”

    It should, however, be pointed out that this publication may not immediately translate to instant results but the potentials are obvious and open to those who can seize the initiative to diversify from the oil industry into other lucrative areas that have hitherto been lying fallow or unattended to.

    The publication has two major components that are germane to the overall review at hand. The first is the theme that instigated and ran through the book. The second is the interpretations of the theme, in various sub-themes, in the book. While the first is credited to His Excellency, Dr. Emmanuel Uduaghan, the latter is due to Professor S.O. Aghalino  and his writing team who have breathed life into the vision in printed words.

    As to be expected from lecturers on active service from the universities of Ilorin, Abraka, Ibadan, Benin, Lagos and College of Education, Warri, nothing less than a flawless content delivery and fluent narration is expected.

    One major flaw in the publication is the absence of pictures in volume one. With a readership that is, at best, still apathetic in nature, pictures have a way of whetting a reader’s appetite and are capable of driving narrations very graphically.

    Here, without the imputation s of politics is a book that deserves patronage across board.

  • Sure steps towards making millions in business

    Sure steps towards making millions in business

     Nations are made by individuals who believe. Mrs. Adenike Obayemi, the CEO of Her Excellency, a skills development centre at 8 Owodunni Street, off Allen Avenue, in the Ikeja area of Lagos State is one Nigerian who believes in the drive to make Nigeria great through the grooming of young entrepreneurs. She has just published the well-packaged book, Make The Millions In New Businesses, an exquisite guide specially put together for children and teenagers in junior and senior secondary schools, students and undergraduates in sundry tertiary institutions and universities, and indeed all who want to excel in life. The book is a treasure-trove aimed at enabling the reader to acquire the relevant skills, domestic values and the necessary sense of responsibility to make it through life.

    An English Language Education graduate of the esteemed University of Ife (now Obafemi Awolowo University), Adenike Obayemi is a teacher, master trainer, mentor, motivational speaker and consultant. Through the publication of Make The Millions In New Businesses, Adenike puts on the front burner her abiding mission to empower and develop the inner potentials of Nigerian children and youths for positive results. The added dimension is to promote self-employment and entrepreneurial culture in the wider society. On the practical front, there is the pivotal mission to teach the young female children the art and skills of baking, cookery and the production of drinks.

    The essence of the book Make The Millions In New Businesses takes pride of place as it has been discovered that most of the vices and challenges today’s youths are faced with in terms of gross unemployment, under-employment, prostitution, fraudulent practices, idleness, lack of self-esteem, and self-worth are due to the fact they have not been properly exposed to a complete form of education. Adenike Obayemi strongly makes the case that for a child to completely fit into the present world, there is the need to include into the school curriculum some form of handworks and skills acquisition programmes. She stresses that the best time to do this is from the early years in school.

    Written in simple, straightforward language and unique style with a step-by-step procedure which makes it very practical and easy to follow, Make The Millions In New Businesses is designed to help the students and their parents alike. The author knows that the busy lifestyles of the present-age parents have not helped matters for the young children because a lot of the roles the parents are supposed to play have been neglected or completely transferred to the school. She avers that it will therefore be in the best interest of all concerned for the schools to take the bull by the horn and ensure that this aspect of the child’s development is properly addressed. Adenike knows the heart of the matter through direct personal experience because, in the past few years, several parents have during the long vacations brought their children to Her Excellency centre to be trained in cooking and food preparation, cakes and bread making, pastries and beads making. She feels fulfilled that these acquired skills form an addition to their educational qualification, therefore making these children to have an all-round education.

    Make The Millions In New Businesses is meant to serve several purposes such as wealth creation, youth and women empowerment, poverty eradication and skills acquisition in different areas; and “it is not gender biased”. It smacks of ignorance for supposedly educated people to underestimate handworks because they feel it is only meant for the uneducated and school dropouts. The book makes the crucial point that the days of education for white collar jobs are gone.

    It is meet to adopt the words of Akinniyi I. Sowunmi, Leader/CEO of Popeman, Lagos in his Foreword to Make The Millions In New Businesses, to wit: “Since March 27, 1944 when Asa Griggs Candler registered the Coca Cola patent and used his entrepreneurial skills to launch the Coke, a drink originally meant to be patient medicine by its inventor, John Pemberton, into the most valuable global brand available at all nooks and crannies internationally… the challenge is to get fired by the ideas in the book to launch a business bigger than the Coca Cola onto our tables very soon with the guiding designs here provided.”

    With spiraling unemployment, there is no escape for the young Nigerian who does not embrace the step-by-step methods made for practical use in Make The Millions In New Businesses. There is the shining example of Tolani who “graduated from one of the best universities in South West region of Nigeria” who was frustrated during years of unemployment and under-employment only to eventually become a very successful employer of labour after undergoing training in Cakes Baking and Decoration at Her Excellency Centre.

    Adenike Obayemi undertakes a hands-on step-by-step procedure in Make The Millions In New Businesses. One gets to learn how to prepare Small Chops such as Puff Puff, Vegetable Springroll and Asun (Goat Meat Barbeque). Cocktail Drinks like Chapman, Tropical Sunset, Pineapple on the Rocks, and Strawberry Sensation are ready grist to the author’s mill. Nigerian Indigenous Soups, notably Edikang Ikong, Egusi, Efo Riro, Afang, Banga and Oha Soup, are picturesquely featured. The richly illustrated chapters encompass Bread Making, Snacks & Pastries, Cake Baking, and Desserts.

    In all, by studying the recipes adroitly set out in Make The Millions In New Businesses and going ahead to practice and master the productions one will definitely be on the success-laden road of starting a fulfilling business that will help move Nigeria forward economically. I wholeheartedly recommend that Make The Millions In New Businesses be adopted as a textbook for junior and secondary school students across all the states of Nigeria.

  • Arthouse auction opens May 11

    Arthouse auction opens May 11

    As contemporary African art becomes one of the fastest growing global art markets, the 14th edition of the Arthouse Contemporary’s auction will feature both master works from the modern period and  contemporary art from the region’s most celebrated artists.

    The auction, which will open on Monday May 11,  by 6 pm at Wheatbaker Hotel, Ikoyi, Lagos include 116 lots from leading artists including Ben Enwonwu, El Antasui, Ablade Glover, Akinola Lasekan, Ben Osawe, Bruce Onobrakpeya, Lamidi Fakeye, Okpu Eze, Susan Wegner, Gani Odutokun, Yusuf Grillo, Abayomi Barber, Kolade Oshinowo, and Amon Kotei. Contemporary artists featuring for the first time at the auction include Justus Akeredolu, Paul Onditi, Charles Okereke, Ato Malinda Soji Adeshina, Jacqueline Souwari, Charly D’Almeida, Stanley Dudu, Samuel Tete Katcha, and Mario Kizito Kasule. Works will be on display at the Wheatbaker Hotel for viewing in anticipation of the auction, on Sunday, May 10, 2015, 12-6 pm and Monday May 11, 2015, 10 am-1 pm. The auction will be led by noted auctioneer John Dabney.

    According to a statement by the organisers, the auction will also include four charity lots from celebrated artists such as Nike Okundaye, Modupe Fadugba, Tola Wewe and Victor Ehikhamenor in support of Standard Chartered Bank’s Seeing is Believing, a charity which works to tackle avoidable blindness.

    Arthouse Contemporary is proudly sponsored by Standard Chartered Bank, Veuve Clicquot, and Mouton Cadet.

    Founded in 2007, Arthouse Contemporary is an international auction house that focuses on modern and contemporary art from West Africa. With auctions held twice a year in Lagos, Nigeria Arthouse Contemporary aims to create awareness of the scope of contemporary art in the region, encourage international recognition towards its talented artists, and strengthen the economy of its art market. As West Africa’s premier auction house, Arthouse Contemporary has sold over 1,100 pieces of art worth nearly eight million dollars over the past seven years.

    It has recently expanded beyond its bi-annual auctions to include the Arthouse Foundation, a non-profit organisation that aims to encourage the creative development of contemporary art in Nigeria, and Arthouse-The Space, which organises exhibitions of contemporary art. Arthouse-The Space presented an exhibition of Nigerian artist Uche Udemba in March 2015 and is currently organising an exhibition of legendary artist Yusuf Grillo that will take place in October 2015. Arthouse Online, an online platform that showcases new works by contemporary African artists in small scale editions and affordable prices was launched last year.

  • Evolution of Ichi in Igboland

    Title taking is not traditional to Igboland alone. It is a practice that is common in other parts of Nigeria and by extension black Africa. Traditionally, Africans seem to place a lot of value on title taking, chieftaincy affairs and other things such as peer groups, age grades, etc that enhances the reputation of an individual in his community or among his people.

    Naturally, human beings generally get to a certain stage in life that they began to seek for honor and recognition in their society. That explains why people tend to invest their time, energy and resources on title taking. In fact the joy, eagerness, preparedness and the paraphernalia that accompany such celebration would amaze an ordinary onlooker. As mentioned earlier, such ceremonies are not unique to Igboland alone as it is also widely practiced by other prominent ethnic groups in the country such as the Yorubas, Hausas, Igalas, Efiks etc. However, the distinguishing factor may be the way and manner such ceremonies are conducted by the various groups and the titles that are taken. But be that as it may, the practice is highly respected by the people as it confers on the holder certain social responsibilities and recognition.

    Adazi Nnukwu is a town in Anaocha Local Government Area of Anambra State, Nigeria. It is made up of nineteen villages with three major clans. It has a population of about 50,000 people. The town is surrounded by four towns –Nimo, Neni, Agulu and Orakwu, in the north, south, east and west respectively. Ichi is a title taking by some communities in Anambra State. It is similar to title taking by other ethnic groups in the country. Findings revealed that most communities in eastern Nigeria take Ichi title. Only the holders of Ichi title may become candidate for Ozo title in Adazi Nnukwu. There are different methods in which Ichi title can be taken by different towns in Anambra State.

     

    Ichi Title

     

    Ichi title is an association known as Nze Ichi, while the Ozo titled men are called Nze Agbala. The association of Nze Ichi and Nze Agbala is called Ndi nze na ozo. This association meets three times in a year. In ancient time, candidates for Ichi title are subjected to painful scarification of the whole face with sharp knife that leaves indelible marks on the face. The Umudioka people from Neni town are the carvers. They are invited to come and perform the scarification on the face. The old system of Ichi initiation  in Adazi  Nnukwu was  characterized by the use of  knife,  Unyi (charcoal), water, plantain  leaf, azu asa (dry fish). However in 1955 Arch Bishop Charles Heery modified the initiation process and introduce the use of red cap and hand fan as against facial scarification.  The use of red cap and hand fan now identifies an Ichie. Again only an Ichi title holder can aspire to take Ozo title.

    The title is taking by responsible elites of Adazi nnukwu who placed premium on the revival of social cultural and traditional heritage. His Royal Highness the “Adama of Adazi Nnukwu” is the chairman of Ndi Nze na ozo. Each clan in Adazi Nnukwu has its own association of Nze na ozo which is headed by the oldest ozo titled man in that clan. The person taking the title is called Ichie. The Ichie members command great respect in the community and that are highly revered. They have authority to speak in any special gathering.

     The intending Ichie will have to do (Ifejioku) which is the 1st stage into the noble class. This is one of the qualifications into Ichi title. The Ifejioku is only done for the “Umunna’’ (Kinsmen) and well wishers. The candidate would be required to produce recommendation letter stating his patriotism, membership status, eligibility and fitness for joining Ichi prestigious association from these bodies:-

    •           Family members / kindred.

    •           Adazi Town  Development Union                   (ATDU) (Branch)

    •           Adazi  Town Development  Union                  (ATDU)  (General)

    •           Age Grade

    •           Proof of Ifejioku.

    Failure to obtain recommendation letter from any one of the above is tantamount to failure in the interview.

    The candidate will require an interview which is as rigorous as that of Ozo interview. This is to ensure that only responsible and patriotic men are enlisted because of the saying that “Onye ajo omume ama echi chapaya na echi-chi”. (An irresponsible man cannot change if he becomes a titled man). The intending Ichie will apply in writing to the secretary of Nze na ozo of his clan. The secretary will discuss with the chairman and a date is fixed for his interview. The candidate would communicate this date to other members in his clan as well as the venue which is normally the “Adama’s” palace. The aspirant would be briefed on the number of kola nuts as well as other items like food and drinks which he will provide on that day. The normal time is 4pm and must be on “Oye” day which is one of the four market days in Igbo land.

    During the interview the Chairman would first present his kolanut followed by the presentation of kolanut by the aspirant. In  breaking  the kolanut the chairman  prays for his  success in the interview  as Ichi will bring  him  blessings,  long  life and success in his family and office.

    Thereafter, the interview commences. Usually, there would be no drinking of any alcohol until the interview process is completed. The aspirant would be asked to bring all that was required from him one at a time for discussion and verifications. He will then face a barrage of questions from the Ichie members present, on his life style, means of livelihood, and his role in ATDU. At the end of the interview he would be asked to step out to enable the member’s confer and deliberate on his chances. After conferring he will be called in and if he is successful, the chairman will congratulate him, pointing  out his special qualities  as  observed  by all  from  which  he must  not deviate from.

    Following his successful interview, the candidate would announce his initiation programme which would include ‘Inna ndi Ozo nni’’ (This means entertaining the ozo of his clan first to make them agree to eat with others in his house). The candidate would be required to pay enrollment fee of N100 multiplied by the number of Ichies in his clan because Ichi is primarily a clan affair. He would also give two goats and a cow to his clan and send out invitations of his initiation ceremony.

    There is usually a preliminary ceremony before the initiation date called “inna ndi ozo nni” for ozo title holders at the home of the candidate. On that day all Ozo titled men in his clan would go with their wives and a servant. The entertainment is preceded by presentation of one native cock and one yam to each Ozo man. The Ozo men would rehearse with the aspirant ways to make a successful initiation.

    On the initiation day, at 8am, about six Ichi members from his clan will go  to the  candidate’s  house  to  supervise  the killing of a cow  and   sharing  it into  equal  parts for  all members. They would be entertained with kola nuts, breakfast of yam   porridge with chicken and a gallon of Ngwo (palm wine).  From 12 noon all Ichie in his clan or their representatives will assemble to take their shares by seniority. Then  from 1pm all Ichie  in his clan  with one  person, all Ozo  men  with two  persons, the chairman with  three persons, would all converge  in  candidate’s house.  The candidate would bring the required items for the initiation ceremony with the cooked head of the cow.

    This is done in candidate’s compound. The well dressed aspirant and his wife sits at the centre, all the Ichie in his clan also sit in semi-circular fashion facing the candidate and his wife. The chairman and some Ozo men present sit at the middle of the semi–circle. The chairman starts by blessing kolanut and pray for the success of the ceremony. The materials that would be used for the scarifications would be displayed – akwukwo jioko” (plantain leaf), water, “Unyi” (charcoal), “azu nkpo” (dry fish) “ncha” (soap), oil, and a sharp knife. The Umudioka people from Neni would perform the scarification on the face of the candidate with the sharp knife. While the scarification on the face is ongoing, one of the nominees leads them with a song “Umudioka ndi negbu ichi …aaa, meaning that Umudioka were the original cavers. All nze na ozo respond “Oh………..neeh”. The wife simultaneously console the candidate (her husband) by feeding him with dry fish.  Another Ichie from his clan would be treating his cuts with charcoal and water which serves as antibiotic.

    The invited guest and well wishers would hail the candidate for his courage and endurance to with stand the scarification. But nowadays, the ceremony is done by only dressing the candidate with the customary paraphernalia of a red cap on his head, a leather hand fan to his right hand.  At the end, the chairman would congratulate him and announce his Ichi name. Both will exchange greetings by striking their hand fans three times in a familiar pattern.  All the Ozo men and Ichie will use their hand fan to congratulate the new Ichie.  Congratulations also come from families, umunna” (kinsmen) umuada” (daughters) age grade; “ndi inyom” (wives) friends and well wishers. The venue is marked with joy and merriments till dawn.

     

    The cultural value of the title

     

    •           Ichie are members of traditional                      ruling council of the town.

    •           They participate in the decision                                       making process of the clan.

    •           It shows they are achievers.

    •           They are well respected in the

    •           They are custodian of the                                   traditional heritage/culture.

     

    Influence of religion / civilisation

     

    Today, Ichi title is no longer practice in Adazi land as it was practiced in the olden days. This is because of the effect of civilisation. Today people regard Ichi title taking as a primitive practice with a lot of attendant health risk. It is believed that any time the skin is broken there is a high risk of bacterial and viral infection. This could be attributed to education and modernisation. Also scarification marks were so crude and the equipment used in carving may not be well sterilised. Moreover, the coming of Christianity in Adazi Nnukwu has greatly affected this practice. This is because many Christian converts have come to believe that Ichi title taking is associated with idle idol worship.

    It is an association that achievers aspire to join because of the remarkable achievements of its members and their collective efforts to preserve and strengthen the social, traditional and cultural heritage of the town. There is a saying that Obodo enweghe omenana na odi bendi nwuluanwu, meaning any town without its tradition and culture is dead.

     

    •Ofojekwu is  Principal Education Officer,   National Museum, Lagos.

  • Timely snap, police arrest

    Timely snap, police arrest

    What is it about taking pictures? What price can you pay for taking a policeman’s picture when he is in a compromising situation? Are you willing to take the risk? Ask  Senior Correspondent, Evelyn Osagie, who recounts her ordeal in the hands of an overzealous policeman during the elections.

    Wednesday, April 15, 2015

     

    I sit behind my desk for the umpteenth time this month with worrying thoughts. Each of those times, I would urge myself before sitting down, “write Evelyn, write”. Most of those times, I would walk to my desk with a renewed eagerness to write, sit down, begin the first paragraph and end up staring into space with a cold shiver running deep down my spine, which leaves me with a feeling of déjà vu.

    Na by force to write, the thing don pass, forget am,” a friend, who was tired of seeing me “punish myself” as she puts it, would often taunt me to drop the subject and try my hands on something else. “Go to Zungeru or any of those mountains you go to for exclusives and leave the matter alone. God don save you, wetin again. Police people terrible O! No try them. What if they had maimed you.

    It was not that I was having trouble writing down my experience the day I got into trouble taking the picture of a police officer, who was harassing a lawyer, after being caught in a very compromising position while on election duty. Ironically, my crime, he said, was poking my nose into what did not concern me. I had still not gone past the fact that I got caught making extra effort to hear all sides out. “I wanted his side of the story…for objectivity sake,” I’d said. It was a gesture editors, who heard, termed: “foolish”. “You got an exclusive and wasted it,” they all said.

    The fears and horrifying thoughts, the dry throat and hunger pangs that bedevilled me those six hours spent at the police station still haunted me. After being made to delete the photographs and sign an undertaking not to attempt such an act again in the future, one wonders how free is the freedom of the press. I’ve learnt in a hard way how harsh the price people pay for justice.

    It is happening again. This is what happens each time I tried pencilling down my experience, I would drift into these thoughts, exhale as if choking and end with the rhetoric question, “What are you afraid of?”

    As I put pen to paper behind my desk for another try at writing, I am drifting again. But, surprisingly, I have gone beyond the first, and I’m now in the sixth paragraph. It could be likened to the story of the fight between a mythical lion and leopard over a certain issue, and how the leopard, an onlooker, who was attempting to intercede, got caught in the middle.

     

    Saturday, March 28, 2015

     

    The presidential election may have come and gone. But I remember that Saturday morning too well. I remember having two things on my mind at the crack of dawn. I was going to vote and cover the elections.

    As I left my home after listening to Asa’s song, I made a list of centres to visit, outline women’s involvement in the process and sample the thoughts of businesswomen. Beforehand, I was going to get accredited, and then, go get my story. But the day’s experience taught me to respect the wise saying: “Don’t judge the day by the early morning weather”.

    I got to the centre around 11am and made for the queue to get accredited, but was told  that women were given special privilege to get accredited and vote without joining the long queue. “That was good,” I said as my journalistic instinct screamed, “a good story  too”.

    A sampled opinion through calls from family and friends revealed the privilege was unique to my centre. Before coming there I’d visited another close by, but found nothing interesting in the place so I left for mine.

    The lady Traffic Warden was “on point”; ensuring people were not jumping the queue. Within minutes, I was through with accreditation. I was “Number 797” on the queue and was ready to hit the streets before the voting started. I decided to start from that centre.

    I did some interviews and was on my last when a man, who introduced himself as a lawyer, came, complaining bitterly. “Journalist, please come, there is a police officer who is supposed to be on duty, but is drinking beer with some people close by. People are jumping the queue and the woman officer cannot handle it alone,” he said.

    I told him I was on my last interview and would join him shortly. But that was not to be. Before I could say jack, pandemonium broke out and that was how I was disenfranchised. And my preferred candidate lost one vote.

    The police officer had caught and waylaid the lawyer with his drinking fellows, demanding his phone. Before long, the lawyer was slapped and accused of disturbing public peace.

    He was caught in the act; and I got the officer in camera. But instead of leaving the scene with the six “exclusive shots”, I decided to investigate the issue thoroughly by speaking to the parties involved. This was around 11 O’clock

    I spoke to the Traffic Warden, the policeman’s drinking fellows and onlookers. Each had different versions of the story. I then waited to talk to the officer in question. That was my undoing.

    As I approached him with a smile to ask what really happened, one of his “bedfellows” screamed, “she also took your picture”. That was what the officer, whose mouth reeked of alcohol, needed to hear. “Why do you come here and take my picture; who authorised you?” he screamed, dragged and tore my camera from my hand.

    “I am a journalist with The Nation and I am here to ask you questions with regards…” Nothing I said mattered.

    “Where is your ID card?” All efforts to explain, that I had lost my purse with my ID and ATM card inside some days before at Oshodi and had even requested my bank to block my ATM card, and that my complimentary card was somewhere in my bag, proved abortive.

    He was busy searching through the pictures on my camera; on seeing the picture where he was grabbing the lawyer’s trousers, all hell broke loose. He threatened fire and brimstone, and promised to arrest and send me to court for this embarrassment. Some people suggested to him that the pictures should be deleted and the matter rested. Next thing I knew he radioed his office and three stern-looking policemen arrived on tricycle. I was to be arrested along with the lawyer.

    But before leaving I asked what my crime was. “You will find out when you get to the station,” they answered.

    As they drove to Pen Cinema Police Station, I reached for my phone and found it was gone; I scattered my bag in search of my complimentary cards and found none. That was when I became agitated. “How do I reach the office, my family and friends now?” Many scenes of police brutality on films flashed through my mind. I uttered a silent prayer, but put up a strong face.

    As we arrived it was as if the station was waiting for us. “I think una say una no go leave police alone! We go show you wetin e mean to take police picture without permission.” The officers were angry and ready to make scapegoats of us. I made another prayer to God and tried to keep a straight face.

    We were met by a female DPO on special assignment to that station, who said she studied Mass Communication. “As you got to centre did you take snapshots of the police officers when they were doing their duties.” I said I did. The furious-looking DPO then asked that the case be handled by the DCO, Mrs Margaret Yinka-Akingbade.

    During the DCO’s interview of the said officer, who I later found was called Mr Tawose Sola, he explained that he had sat with the men to forestall any unrest and had spent N5, 000 from his purse on drinks, following an information he received. I wondered why it took him until he got to the station before he explaining himself.

    She asked for my IDs and I told her what happened and ask that they place a call to my office to verify my statement.

    We were told write our statement. I was booked; feeling sad I spent over 30 minutes crafting a statement. While waiting to receiving our statements, IPO Akin, who was asked to book us, reiterated his colleagues’ words, while asking that be fast with as they had other pressing issues to handle. I kept asking what crime I committed and asked to call my office. To my surprise, he offered his phone and I called my Desk Head, who, in turn, got across to the PPRO and Deputy Commissioner of Police (Operations). By then, I was dying of thirst and asked to get water.

    After a long and uncertain wait, I asked for water again, and as we were being transferred to Area G Command in Ogba, a SUPOL, who later became very friendly, gave me water. On getting to the Area Commander, after listening to us, asked the DCO to caution and let us go.

    We were, then, taken back to Pen Cinema Police Station where we were made to sign an undertaking, not to do that again, before we were let off the hook. This was after I was made to delete the “incriminating” photographs showing Mr Sola harassing the lawyer.

    I remember laughing as I wrote.  But “not to do it again, hmm”  I shook my head but felt too dizzy to think and “biting” hunger pangs; it was past close to Six O’clock. The SUPOL insisted that I ate with her. Fear gripped me at first, but I was too hungry to care.

    I was then asked to leave. As I walked back to check for my phone at the centre, I met a crowd rejoicing that their candidates won the centre. “This would make good shot I thought”, I thought. The police officer was there again, this time, he was threatening to send me back to jail for taking pictures of people. I ran off to avoid a repeat of the earlier incident.

    Interestingly, while on my way home I met my female neighbours, who said they were coming for my rescue. It came as a surprise that their husbands had informed them  and they took the initiative to come in search of me – “talk about Jesus and the women at the tomb”.

     

    Saturday, April 11, 2015

     

    Two weeks after, I remember standing in the shower on the morning of the governorship election and drifting to that ‘thought’ place again. One of my editors, Mr Lekan Otufodurin had asked me, “Given the same situation, Evelyn, would you take the same action?”

    The answer left me shivering, but not from the cold splashing water, caressing my face.

    “I was jinxed like Sisi Calabar had said”, I thought, “I had to break it.” What perfect day to break free than another Election Day. “Hopefully, the day would go differently.”

    I figured since the incident happened during the presidential election, a fresh experience would help wash away bad memories. But I could only go beyond my door before my stomach turned out of fear and I ran inside to take a leak. By the time I was done and ready to go out, it was way past noon and my friends/neighbours insisted on going with me “to keep you safe,” as they put it.

    We still joke over the way they marched towards the station, like ancient amazons of war, as if they were ready to take on an entire battalion. But whether they succeed or not in keeping me out of trouble was another day’s tale.

    And every time I am asked “Given the same situation, Evelyn, would you take the same action?” The answer still leaves me shivering, but not from splashing raindrops, and I’d answer: “You know the rest.”