Category: Arts & Life

  • Unilever trains filmmakers

    Unilever trains filmmakers

    After three days of intensive workshop on filmmaking, Group Three led five other groups comprising  budding filmmakers to emerge win the Unilever and MOFILM organised clinic. Leader of the group, Mr.Samson Oklobia described the clinic as a rare privilege to showcase his talent and skill in film production. He said Unilever through the platform exposed him and other participants to a lot of training during which they met vibrant and intelligent young Nigerians. “I really achieve a lot and my advice for young and upcoming artists is to be focus and hardworking,” he added. Oklobia spoke on behalf of selected filmmakers at the close of the workshop held at the Protea Hotel, Ikeja Lagos.

    Vice President (Marketing) Unilever Nigeria Plc, Mr.  Robert De Vreede said the first edition of the workshop was organized to catch them young. “This is the first edition and what are trying to do is to catch young African talent and improve their skill to standard. This initiative is an opportunity for young Nigerians to work in the industry up to higher level and also preparing them for future in case if anyone has the opportunity to work with Nollywood stars.  It is open to everybody and we don’t charge any amount of money for participant to take part in the event,” he said.

    He noted that at the Unilever, the better they can develop the film industry, the better they can create environment for the brands.  “Hope you will improve your skill and move forward,” he told the participants who were presented with certificates of participation.

    One of the judges, Mr. Femi Odugbemi identified the followings as criteria for selecting the winners; presentation and interpretation of the brief, target audience, theme/message of the story-line, genre, story and structure and director’s treatment.

    In September, UNILEVER Nigeria launched the “Academy for African Filmmakers’ a new initiative which seeks to empower, equip and celebrate African Filmmakers. The academy will develop filmmaking expertise and give students the opportunity to work on live Unilever briefs as well as potential further funding for their work and the opportunity of seeing their finished film broadcast. Unilever is running the academy in partnership with MOFILM. Through this partnership with MOFILM Unilever will enable, develop and promote African filmmaking talent.

    Unilever Nigeria Plc was established in1923 and is presently a leading player manufacturing and marketing of fast moving consumer Goods in Nigeria. The company is a socially responsible and responsive organisation as evidenced in its strategic commitments to consumer and customer satisfaction, human capacity development and various social responsibility interventions in the areas of nutrition/oral care, child welfare/education, water /Hygiene and health/HIV.

  • Art Gallery unveils Abuja biennial logo

    The Minister of Tourism, Culture & National Orientataion, Chief Edem Duke was in his elements speaking in a broadcaster’s voice. “The National Gallery of Art, (NGA) has set the ball rolling by charting a course to embrace the global art market,” he began.  There was pin drop silence that Wednesday evening at the Shehu Musa Yar’Adua Centre, in Abuja. On stage with him were the Director – General, NGA, Abdullahi Muku and the Chairman, Governing Board, NGA, Mr Hipo Onwuegbuke, who smiled in acknowledgement of the compliment.

    Duke continued:  ”The unveiling of the Abuja Biennial is just a route; a modest ceremony ladened with expectations of the eventual creative enterprise. Beyond the unveiling lies the actual Abuja Biennial, a global event that will assemble the best creative minds from all over the world on the soil of Abuja. The Biennial opens the double window of opportunities to international artists, tourists and patrons whose presence and patronage are capable of energizing our economy.”

    Then with the smoke machine emitting a cloud of smoke enveloping the stage and pyrotechnics, the Minister unveiled the Abuja Biennial Logo to a thunderous applause from the audience. “I implore you to regard this official logo unveiling as the beginning of a bigger global event that has the capacity to contribute immensely to the larger pool of economic diversification,” the Minister added.

    In concept, the Abuja Biennial logo captures the free spirit, the unrestrained energy and the eloquent vibrancy of the art event. The array of colours shown in the arc and semi arcs explores and captures the different colours of international flags of different countries and people of the world. These colours are classified “World Colours” to create a general sense of belonging in all participants even though in different sizes to reflect the truth that artistically the International Community is in constant motion of creative progress in a relentless quest for excellence. The free hand text of the logo means beauty of a free mind while the red vivid brush stroke symbolises the burning desire for change-a positive change within us-that will impact meaningfully and positively on our various cultures and peoples as a whole.

  • Contra-interpolations postulations in Oduduwa’s ancestry

    Book review

    Title: Oduduwa, King of the
    Edos
    Author: Jude Idada
    Reviewer: Adeniyi Taiwo Kunnu
    Pages: 233

    The heated controversies surrounding the ancestry of Oduduwa and the Bini-Yoruba divergent postures may have derived a realistic panacea in the fictive amassing of Jude Idada. It’s been said afterall, that what every human owes the universe is either to protect it in its pristine state or add unadulterated colourations to it. These alternatives could well describe the attempt by this young Nigerian-Canadian, to re-face a perhaps, near-defaced issue, in a bid to salvage the very important history of these proud races, using the channel of creative writing to ostracise the demons of historical distortions.

    Employing the imperialist bequest- English Language in its dialogue, the author immersed himself in shark-infested waters of tradition and historical mythology  ensuring a balance is attempted with the use of Bini and Yoruba dialects to course through the rhythmic invocations of music and somber dirges, lighting up the embers of tradition in its unalloyed form. It must be noted, that referring to Oduduwa as Ekaladerhan; Owomika as Eweka and Ogiso as Oba and a fews others should make for better appreciation as same.

    Oduduwa, King of the Edos can best be described the Microcosm of our current geopolitical entity; complete in intrigues, distrusts, treachery, foibles and scarce integrity; vices and virtue which may not elude any civilization, even if such a sphere wields the toga of civility and sanctimoniousness, it no doubt has evolved overtime from the dregs of bloodshed and ugly inhuman cultivations.

    An unforgettable savageness is the Seventh Century Greek theatre- where Dionysus, god of wine and fertility basked in the wanton revelry of those thespians. One from the current civilisation was the American civil war in the 17th Century, characterised by ideological loggerheads and consequent decimation of fellow American rebels, as that’s what they are, having crossed the Atlantic to the Americas from the United Kingdom. A more contemporary allusion is the Umbrella Revolution in the former British Colony of Hong Kong, where people clamour for what is theirs and the authorities in Beijing are dung-faced about it.

    The work opens with introduction of the treacherous and tempestuous warrior Uwafiokun, leading fellow fighters against Evian and Ogianmen, a regent of Igodomigodo and his son, whose heads eventually leave their bodies to his sword. Shameful and deserved, Uwafiokun’s retributive imbecility comes to the fore as one journeys through the work and definitely attest to fate’s punitive measure against hypocrisy and greater iniquity. A plunge from an initial exalted position, where war fought was for his pernicious intents than the preservation of the revered culture and heritage of Ogisos, and the Edo people.

    Hear him in Act One, Scene One:

    “Let the hunger of the greedy consume the usurper of the crown of the Ogisos…Ogiamen!”

    If anyone ever predicted his own end, then Uwafiokun just did. Expressing to the ears of all within earshot and impressing on the justification for beheading some usurpers. It is no doubt an auto-prophecy for the same crime he accuses Evian and Ogiamen of. He shares similarity with Odewale in Ola Rotimi’s The gods are not to Blame, who unknowing predicts his own end on the knowledge that Oba Adetusa has been killed by none other than himself.

    This opening foreshadows unveiled chains of plots by power mongers and power brokers who jostle with wisdom, practical steps and at times deviousness in order to stem the tide of what causes man to be left in delirium. This disorientation can be adduced to the overriding influence of the gods; seeming insatiable cum conflicting tendencies of man and certain inexplicable phenomena. These descriptions definitely chart its course through different levels of conflicts in the work

    Evian the beheaded regent says in Act One, Scene two:

    “Culture is silent; it needs a man of wisdom, foresight and courage to speak on its behalf….”

    Crave for wisdom, foresight and courage results in the need for an Ogiso to occupy the throne of his ancestors. How then can Igodomido have her “Ruler from the sky”? Banished, hasn’t he been? Majority of Ovbiedo believes he is long dead in the forest of Igo, following his fate occasioned by the  treacherous Queen Esagho and subsequent verdict by Ogiso Owodo- Ekaladerhan’s father. Conversely, a handful knows Oduduwa lives. The accomplices include, Ezomo- a highly respected member of the Edion’isen and Odionmwan- chief of the palace executioners- whose acts of omission eventually guarantees a royal lineage.

    In Ola Rotimi’s The gods are not Blame, King Adetusa’s and Queen Ojuola’s joy become shortlived, when it gets predicted that their source of fulfillment-Odewale- will become their eventual failings. It is in similar vein that Oduduwa is sentenced to die, so as to make way for other sons to be sired from the loins of Ogiso Owodo. Situating both works side by side, one finds the gods’ intervention in man’s affairs, with an instruction to tow a line so as to address an immediate concern or avert an impending doom. While Ekaladerhan was not killed by Odionmwan, Odewale was himself spared by Gbonka, leading up to the fates of these core personas, who at best are reflections of an artist impression.

    A contrast however surfaces. It is gullibility, cowardice cum stupid verdict from Ogiso Owodo, who prefers to cast out the strength of his youth-Ekaladerhan- as that appeared to placate his inability to bear more sons. It however happens to be a bull’s eyes prophecy in Ola Rotimi’s work, where the prophecy comes to pass, but also enabled by man’s inability to adhere to instructions-Gbonka.

    An important precedent in the work is that, only blue bloods who are eldest males become Ogisos, so the revelation about Oduduwa bearing rule over Yorubas in Ile Ife is received with mixed emotions. Ezomo reveals the veracity of Ekaladerhan’s existence, but since patience is alien to Uwafiokun and treachery pitches a concrete tent at his domain, such stories are best left as myths from Europe’s dark ages.

    Hear him again in Act One, Scene Two:

    “I stand here ready to go to war with anyone who tries to use guile and flowery words to usurp the throne”

    Uwafiokun appears to breathe on war. His every existence is in making another life go down lifeless, should any situation not find an immediate comprehension in his cerebrum. He even refuses to make peace with his fellow chiefs because to him, war alone resolves knotty issues. Power indeed has its stuporous tendencies.

    Priority for the Edo is seeing Ekaladerhan return to his homeland, so that an unoccupied throne will be ascended. Oliha, a member of the Edion’isen carries this burden of destiny. His childhood fondness and friendship with Oduduwa is leveraged to accomplish this daunting task of salvaging the throne. This quest however has its thorny sides, because a trap set is often forgotten, but he who gets entrapped and wrenches out with bruises never forgets. This dialogue between Oliha and Oduduwa in Act Two , Scene Three spells it aptly.

    ODUDUWA: “The Edos are not my people”

    OLIHA: “The land of the Edos has wronged you. Your father, Ogiso Owodo, dictated your death, believing at the time that it was the will of the gods and in silence, we supported him”.

    Faith is a virtue of survival, but fate is its parallel which charts its own course. This expression best describes the departure of Oduduwa to Ile Ife. He met a people with open arms and with exceptional dexterity, strengthened the land, which afforded him love and life; together with them becoming the Oba of an economically viable and militarily structured land. Love has never been attained or enjoyed in isolation. Oduduwa added value to the land that embraced him with peace and plenty, even when his land almost snuffed Olodumare’s life out of him. He showed qualities and powers only gods wield, warming his way through their hearts and enjoying the delightful bossom of a wise daughter of the Ile Ife – Okanbi, the mother of his son, Oranmiyan.  It was recorded in the book titled: Ekaladerhan by Ovbia Edu Akenzua that His Royal Highness Omo N’Oba N’Edo Uku Akpolokpolo Erediauwa I said to His Imperial Majesty Alayeluwa Oba Okunade Sijuade Olubuse II Ooni of Ife

    “If the Ooni  calls the Oba his son

    and the Oba of Benin calls the Ooni

    of Ife his son, they are both right”

    It is evident that the author sharpens his horns with research, so as to engage in this realistic rumble with those who would not rather enjoy fiction than pick holes in sealed planes.  I dare say he may well have rested the heated claims and counter claims over whose progenitor charted the course of life ahead of the other or for the other.

    Jude Idada adventured through themes of  culture, ancestry, authority, power, politics, providence, indiscretion, wisdom, patience, endurance, death, treachery,  love, women and procreation. He employed the core elements of drama in dialogue, songs and dance;  creating very apt character interactions with copious and rich use of proverbs, befitting moulds of characters and relaying the essential pleasures between man and woman in most subtle, honest yet modest bravado.

    It is impossible to avoid one’s common inheritance as the heritage of the Edos and Yoruba is one.

  • Arik Explorer for travelers

    Top 500 hotels in Nigeria are among leading hotels across the globe selected as partners in the recently launched Arik Explorer ‘travel package’ product. The new product, which is a subsidiary of Arik Air, West and Central Africa’s largest carrier, is designed to incorporate airline seats with hotel and other ancillary options such as car hire and travel insurance. It also offers travel package at two levels; ‘Permium’ and Affordable.’

    The offering will be for both outbound and inbound travel in Lagos and other destination serviced by Arik Air varieties of package can be tailored to suit the needs of the airline guests.

    Managing Director of Arik Eplorer, Kencho Omojafor, said the business strategy of the company will resolve around the need to provide quality service to the various target customers with a view to fully satisfy their needs.

    HE said this will be undertaken through the recruitment of a professional team and the provision of good quality custom-designed travel packages, catering to the guest’s particular needs.

    “We will continuously provide enjoying quality excursions/trips/hotels on time and on budget, develop enthusiastically satisfied customers all of the time, and establish a market presence that assures short-term and long-term profitability, growth and success,’’ he added.

    According to him, Arik Eplorer product will be segmented into; premium market searching for luxury and convenience, affordable weekend packages and short breaks during the week, special interest packages including group bookings, company retreats as well as business and leisure travelers to Arik Air destinations.

    “Arik Explorer will establish a reputation as a differentiated, specialty provider of city/adventure travel and excursions. We will also provide unparalleled service to our local and international tourist, to Nigeria, The west coast and beyond,’’ Omojafor stressed.

    He assured that Arik Explorer’s internet booking functionally will enables its hotel partners to upload rooms and vehicles on the company’s website in real time. ‘Customer will also have the option of using the company’s mobile application software to book rooms with their mobile phones and tablets.’

  • Leveraging  divine grace in business

    Leveraging divine grace in business

    Book review

    Title: Harnessing God’s Grace For Business Success
    Author: Deacon Iyke Kanu
    Reviewer: Evelyn Osagie

    Publisher: E.T.Ola-Bola

    Pagination: 116

     

    Iyke Kanu is an ardent believer in the wonder-working grace of the divine.

    For him, along with salvation, a Christian is presented with the grace to succeed in all things, such as in business and career.

    He is not one to take the grace of God for granted. He emphasises on the need for the Christian to put his/her purpose-driven faith in action. He posits that believers can succeed in any from business to career if they leverage on the grace of the divine.

    In his book, Harnessing God’s Grace For Business Success, Kanu focus is on how business-oriented folks can draw from the power of success embedded in God’s grace.

    “You can harness God’s grace only through personal development. Unlike in the real world where you are asked to concentrate on your areas of strength, in the spiritual world it is the opposite. Apart from being born-again, you have to identify your personal strengths and weaknesses. You have to work on your areas of weaknesses to improve yourself spiritually…to achieve great success in business you have to be very close to God,” he says.

    The 116-page book contains nuggets on how to utilise God’s grace and put faith in action to bring about success in business. Although his nuggets are not new, using biblical and real-to-life examples, Kanu creatively elaborates his points in an engaging manner that the reader is able to understand and follow. Alongside a healthy spiritual relationship with God, Harnessing God’s Grace For Business Success is also canvassing proactive business principles.

    The book is divided into two parts with each side having four chapters each. The first deals with all that is needed to start and sustain a successful business, while the second touches on the spiritual side of the matter.

    However, the author has classified his nuggets to a success business through God’s grace into under seven chapters, with an additional chapter that bears a conclusion of his postulations.

    Kanu begins with a background on his voyage into writing the book. According to him, the idea first came up in 2012 when he was asked to deliver a speech at the Men’s Convention of The Christ Royal Family Church. “After the convention, I was overwhelmed by the burden to share my experience as a businessman…The reason for the topic was because ordinarily, I consider myself to be a product of God’s grace,” he says.

    After defining the concept of each word in book’s title, Kanu, in Chapter One, begins with the need for one to “Overcome initial fears of starting a business”, saying “one must be strong-willed”; “identify a business one is passionate about; undergo apprenticeship and personal development”; “cultivate the habit of saving”; “start small, grow big”.

    After Overcoming initial fears of starting a business, in Chapter Two, the author canvasses on the importance of starting one’s own business; and goes on explain how one can manage ones business in Chapter Three. He says a prospective entrepreneur should start by “registering his/her business”; “choose a good location; “write a business plan”; “employ qualified and competent hands”, among others.

    And when one has started, to young entrepreneur, the author has this shocker on Page 48, Chapter Four, “Many of the successful businessmen or businesses that exist today have failed at different points in their histories but bounced back”, adding that “Statistics have shown that only 20 per cent of business is common, bouncing back from failure is also a common thing”.

    To check such phenomenon, Kanu calls for financial discipline, integrity, preparation for the unforeseen, etc.

    In the second half of the book, he touches on how managerial principles and wealth multiplication,

    He concludes thus: “Grace is not automatic; it does not just fall on people’s lap. Success is a prize with a price tag. Being a believer in business is therefore about “using the skills and God-given gifts; working hard; conducting business with honour and strong consideration with others; praying about decisions, etc.”

  • Help, fire in  our markets!

    Help, fire in our markets!

    As the year draws to a close, Gboyega Alaka reviews the nagging incidents of fire outbreaks in Lagos markets, which observers say have indeed reached an alarming rate.

    BUT for mother luck, a large chunk of the popular Balogun Market would have gone up in flames last Tuesday, with goods and properties worth billions of naira destroyed. A large army of traders and property owners would also have been thrown into bleak Christmas mood, as balls of fire broke out in an uncompleted structure, right in the middle of the ever-busy Balogun textiles market on Lagos Island. No one knew exactly the cause of the fire or how it broke out, but everyone, who has a stake in the tightly packed market, has providence to thank for having the fire breakout in a harmless, empty, uncompleted building, thereby giving it less fuel to feed on and ultimately, less power to destroy.

    According to Uche, a young man who sells ladies shoes on the side of the street and whose brother owns a huge textile shop not too far from the uncompleted building, the fire broke out early in the morning, raising fears of another inferno akin to the one witnessed two Christmases ago, when firecrackers prompted and stoked a week-long incident. In his words, “The destruction would have been really massive, given that it is the peak of the yuletide celebrations and virtually all the shops and stores are fully stocked with expensive goods.”

    To add to the good fortune of the traders, the day was just breaking and the usual milling crowd associated with the market during festive periods had yet to build, giving fire-fighters easy access to quickly move in and extinguish the fire.

    Traders in a good number of other markets in Lagos have however have not been so lucky this year and in recent years, as market fires seems to have become an everyday occurrence. From Daleko rice and oil market in Isolo to Ojodu Market, to Awori Plank Market in Abule-Egba, right up to Aguda in Surulere; it has been inferno galore and, a harvest of losses and woes. As at the middle of November, the Lagos State Fire Service announced that there had been at least 45 fire incidents in Lagos markets alone; a development that has raised alarm amongst traders, and indeed the government, who fear the implications of this capital flight to nowhere.

    In August, a midnight fire at Ojodu Market, Ojodu, engulfed a large section of the clothes, chicken and jewelry section, leaving millions of naira worth of goods in ruins and roasting alive scores of chicken.

    One of the victims, Bose, who sells children clothes and ladies accessories and who said she had only just opened and stocked the shop, lamented her loss of goods worth over five hundred thousand naira. She recalls that “the fire broke out around 8 pm, when everyone had gone home and resting. “I got a call right in bed and I almost passed, out because I had only just acquired and stocked the shop. Even as I speak (four months after), I am only just recovering and trying to put things back in shape.”

    Another lady Mrs. Odewole, ushered this reporter into her shop, announcing that she was only just re-opening since the incident occurred in August. She disclosed that she also lost everything in the fire incident, since it occurred late in the night after she had gone home and there was hardly anybody on ground to help salvage any of the goods. “I was sad and terrified when I heard the news. Besides, all we could do was count our losses, as the damage had been done before we could get here.”

    “I only just rallied round with help from friends and family.” She volunteered further.

    In the same vein, a salesgirl at a live chicken store narrated to this reporter how all the chicken in her boss’ cage were burnt alive, leaving them with chunks of crispy roasted meat.

    Curiously, it was nearly impossible to locate the site of the fire incident as at early December, when this reporter visited the market, as the affected traders have rallied round to rebuild the burnt section and get on with their lives. This reporter as a matter of fact had to seek out the shop of the Iya-Loja (Female Market Head) and solicit her help, before he could locate the section.

    To the Iya-loja, Alhaja Habibat Adedoja Agboola however, the matter of the burnt market was an old wound she really would not like to reopen. A lot of the people affected, she revealed, were still counting their losses and it was not in her place to bring back an issue they earnestly want to forget.

    She revealed that the fire was caused by an electricity power surge and that the fact that it happened after everyone had gone home, gave it the room to do more damage, before help could come from the Fire fighters.

    On whether it was as a result of carelessness, Alhaja Agboola, who by the way speaks impeccable English, said “that is hard to say, although it cannot be ruled out.” She also said that the market authority could not have switched off the transformer supplying the market with power, as this would leave the market in total darkness and jeopardise security. She also would not rule out sabotage, except that nothing pointed in that direction, even as at the time of speaking to her.

    She said that a team of the Lagos State Fire Service responded promptly, which “was why the fire was limited only to the section where it broke out.”

    Responding to why fire outbreaks have suddenly become a regularity in Lagos markets, Alhaja Agboola said “You have to understand that virtually everything that we sell in the markets is dry stuff.  Whether you’re talking of clothes, foodstuffs, shoes, plastics, name it; and they will always serve as fuel for raging fire. Just you help us communicate to the power companies that their usual power outages are responsible for the regular fire outbreaks in out market.”

    Asked whether the government was responsible for the quick rebuilding of the burnt section of the market, she said “No.” She emphasized that no help whatsoever have come from the government as at the time of speaking.

    A worse scenario however unfolded in May at the Daleko rice and vegetable oil market in Isolo, as a fire that broke out late into the night sent night guards scampering in confusion, leaving in ruins 120 shops and endless tales of loss, tears and sorrow. Again, this was a suspected electricity upsurge, although one of the traders, an elderly man, whose rice store got burnt in the inferno, said “there really wasn’t electricity supply at that end of the market.” He said the fire engulfed the back wing of the market, feeding on vegetable oil, jerry cans and bags of rice.

    One middle-aged woman who would have preferred that this reporter spoke to the market leader of the vegetable oil seller said she lost stuffs worth several thousands to the fire. She however revealed that help came from the government that assisted them with some amounts of money to mitigate their losses and get back on their feet.

    Another elderly man, who lost about a hundred bags of rice and countless number of 50-litre jerry cans of vegetable oil, however said he never got any monetary assistance, even as it was evident that he was a victim, since his shop was on the front row of the burnt section. He wondered why the government assistance did not get to him. He however said he is beginning to find his feet, with help from friends and family. Asked to quantify his loss in definite figures, he simply retorted that “You do the math: calculate about 100 bags of rice at N8,500 each, plus lots of gallons of ororo (vegetable oil).”

    Asked why he never thought of insurance, he replied that “We use our sales to replenish our stock, hence there is no left over to invest in insurance.”

    Narrating her version of the fire, the Iya-Loja (female head) of the market, Alhaja Rafatu Alalikinba Ajani said the fire broke out in the middle of the night when the Electricity Distribution Company brought back power after an outage. She said “the upsurge sparked a fire and everything exploded.” She however gave kudos to the fire fighters who promptly arrived and ensured that the fire was curtailed and eventually put out.

    Rasaq Fadipe, Director, Lagos State  Fire Service told reporters that the fire started around 1.00am, while his men got there by 1.50 am. He also said the raging fire was finally extinguished in at about 9.00 am.

    Responding to the allegation of selective compensation, the Iya Loja said the exercise was carried out directly by the state government and that it was not as if anyone manipulated it. She also said she could not tell whether or not more help was coming to those who have been left out.

    More cases of fire

    As if that was not enough for one month, another fire broke out at the plank market in Ebute Meta area of Lagos that same August, destroying lots of building materials and about five buildings.

    Another major outbreak in the year would be the Awori Plank Market fire in Abule Egba area of Lagos that took place in September. The fire destroyed building materials worth hundreds of millions of naira, including a Toyota car and a commercial bus parked nearby. Accusing fingers pointed in the direction of plastic recycling shop as the cause of the fire, but the owners of the business refuted the claim, arguing that no one knew the exact source of the fire.

    As late as November, it was the turn of Aguda Market in Surulere, where a late night inferno again destroyed valuable goods and properties. Incidentally, the fire broke out almost at the same spot, where over 100 shops had been engulfed in a fierce fire in 2011. The cause of the fire could not be ascertained.

    Power upsurges as major cause

    Somehow, most of the fire outbreaks were blamed on electricity upsurge, laying the blame at the feet of the power distribution companies. The two market leaders spoken to in the cause of investigating this feature laid the blame at the feet of the power companies, but a couple of other people, who prefer anonymity said carelessness may be a major factor. One of them opined that since most of the market traders are illiterates or semi-literates, one may not entirely rule out the possibility of carelessness or forgetfulness (to put out their electrical appliances) as a major cause.

    Experts have also cited the highly unplanned nature of most of the markets as a major ingredient for fire. They also say this can create unnecessary blockade to fire fighters in case of a fire situation. Aside that, they say such situation gives room to haphazard electrification pattern that can only be an invitation in waiting to fire incidents.

    Rasaq Fadipe of the Lagos fire service has on several occasions implored the traders to desist from patronising roadside electricians, who may not be competent at some of the task they give to them. He noted that on several occasions, multiple connections, done loosely by these roadside technicians result in rowdy and clumsy cable situation, which in itself is an open invitation to fire outbreaks.

    The Lagos Fire Service director has also on several occasions of fire accidents implored Nigerians to overhaul electrical appliances in their homes and offices, while also advising them to always put off all electrical appliances before going out or at the end of the day’s work.

    He has also advised traders to come together and own a major generator or plant supplying them electricity in case of a power outage, as against the current situation where virtually everyone owns a generator and by implication, different sources of petrol supply.

    He said that people should avail themselves the opportunity provided by government by promptly calling the free emergency numbers 707 or 112 immediately fire breaks out, as this will enhance quicker response and save valuable properties and lives.

    Lagos government to the rescue

    The Lagos State Government recently took delivery of 32 American fire-fighting vehicles, as part of its commitment to fighting emergency fire situations across the mega-city. The vehicles, manufactured by W.S. Darley & Co. Illinois were procured with a $15.7 direct loan from the Import-Export Bank of the United States and will complement the equipment the state already has on ground.

    Speaking at the handing-over of the vehicles to the Lagos State Fire Service, Lagos State Governor, Babatunde Fashola said the undertaking was part of his government’s effort to further mitigate the huge losses arising from fire outbreaks across the state. He also announced his government’s plan to establish a fire academy, where fire service men and youths interested in the profession will be trained and equipped for the job.

    He said it became imperative for the government to take proactive actions, seeing the increasing spate of fire incidents in the state that is home to 21 million people. He revealed that the state’s fire service responded to 363 fire incidents in just the first quarter of the year 2014 alone. He also said the fact that insurance companies paid a total of N23.5 billion to flood and fire claims in some parts of the country is a major wake-up call, for which the state cannot afford to ignore.

    The new fire trucks come with fitted storage tanks for water, foam and compressed air. They are also to make use of the latest auto Compressed Air Foam System (CAFS), designed to reduce the volume of water needed to fight fire.

    The arrangement also comes with maintenance and comprehensive training of the state’s firemen.

    To further underline the state’s readiness to combat fire accidents, the governor announced that there are 570 young men and women emergency fire responders spread across the state, with at least 10 of them in every local government. He thus appealed to citizens to always grant them easy access, adding that “if we block access to where the fire is, we get in the way of their jobs.”

  • I feel  fulfilled  at 70,  says Lambo

    I feel fulfilled at 70, says Lambo

    Former Minister of Health Professor Eyitayo Lambo will be 70 on Saturday. In this interview with Taiwo Abiodun, he talks about his life, appointment as minister and its challenges as well as former President Olusegun Obasanjo, the health sector, and many more.

    At 70, how do you feel?

    Well, I feel good and I don’t feel as if I am 70.  I feel fine health-wise and my spirit is high.

    How do you feel joining the set of septuagenarians?

    I thank the Almighty God for sparing my life because in a country where the average life expectancy is about 50, to clock 70 is by the grace of God. As I jokingly always tell those who are above 50, I always say they are living on borrowed life of some other people, certainly you are borrowing some years from other people. So I give thanks to God.

    Tell us about your days as Minister of Health?

    Interesting and challenging. I became a minister not as a politician. If anybody told me some twenty years ago that I would be a  minister I would say categorically  that even if the person  were Prophet Isaiah, that prophesy will not  be correct in  my case. But it has come and gone. I became a Minister because  President Obasanjo during his second mandate  wanted some technocrats in his government  and a Search Committee was set up to look for some technocrats and I happened to be one of the people whose  CV were  solicited for. I was not eager to submit it because I felt I could never succeed in holding  a political appointment.  After I came back home from the World Health Organization  (WHO) in 1999, my plan was to  run my consultancy, do some writings of some textbooks that I had started writing before I went to WHO and also to write my autobiography. But then, after about a year doing freelancing I was contacted by a UK consultancy firm  that was implementing a health project. So I was invited to direct the programme and I did that up to the time I was asked to join government. The coincidence here was the fact that Nigeria needed to reform the health sector because of the weakness of the health sector at that time and still up till now, and therefore the health sector was weak and is still weak and that had contributed greatly to the poor health status of Nigerians.

    As a Health Economist, what was your response to the critics who said you are not a Medical Doctor?

    Very good, when our names were being sent to the National Assembly, many people don’t know this – we were invited for a chat with the President, one -on -one. I remember it was the same day, we  were being seen by the President one after the other  and there were three of them there:  President Obasanjo, Vice President Atiku Abubakar  and the chairman of the Party, it was Audu Ogbe  at that time. President Obasanjo asked the question, I quote him “Eyitayo, I was thinking of putting you in one of the economic sectors because of your background, what will be your reaction to that?” My response, I think almost word for word are as follows “Your Excellency,  if at the end of the day I’m found appoint able as a Minister, you are my boss sir, so you are free to assign me to wherever  you want  me to go but since I have the rare privilege of being asked a question that you really didn’t need to  ask me,  I will take advantage of that privilege to say a few things I will like to go to where I have comparative advantage” and the president said yes that is why I want to put you in the economic sector, I said ‘no sir’, that is not where I have the comparative advantage. He said where do you have the comparative advantage? I said ‘Health’ , and he said you are not a medical doctor, you are not a nurse , you are not a Pharmacist , and I said ‘Yes sir, I still believe that I have comparative  advantage in Health. I studied Economics, I studied operational research for my PhD  and I  have been applying these ‘ tools’ into the area of health . I am an health expert. I was with WHO for ten years not on a high level but at higher level , I am not going as a health minister to be  carrying operations in hospitals, I am not going to be seeing patients. I am to help you manage the health sector so we need somebody who has a good knowledge of the health sector and with humility I think I have more than a passing knowledge.

    Did Baba Iyabo give you free hand to run the ministry?

    I think people who say Baba Iyabo was autocratic have been unfair. I thought of 13 things  that I would want to do as a Minister I didn’t know whether I would hold the post for a year or four years. I went to Baba and listed them, I said ‘ thank you for your confidence not only appointing me as a minister but also putting me in a sector where I have comparative advantage. These are the 13 things and he looked through them and said it is good if you can deal with them.

    Sir you spent one term..( cuts in)

    I spent one full term. The average length of time for minister of health. The late Olikoy Ransome-Kuti was the longest. I think in 1993 there were three or four health ministers. So to have been able to spend four years I think I was one of the lucky ones.

    Is the Nigeria health system where it is supposed to be now?

    It is not. We are certainly not there. Like I told you the health status of Nigerians when I took over in 2003 as minister was really bad. The average life expectancy was about 45 or 46. Infant mortality was very high, so was maternal. We had no system.  In fact, WHO  said of the 191 members in 2000, Nigeria occupied the 187 position, so we were able to beat  only four  countries. So I came in as minister of health with that knowledge. Our agenda was to strengthen the National Health system. In 2003 we knew where we were, very poor, this was revealed by national demographic health survey  which was done every four years and it was also done in 2008.

    In the case of Ebola, if you were there what could you have done?

    I couldn’t have done better than they did now. If I were there I wouldn’t have done better than what the minister did. I sent a text to him. I was in London when the outbreak of Ebola was announced  and I was nervous because we still have a weak health system. But when I heard the efforts of national disease control centre which was established when I was the minister, and what Lagos was doing that was when I certainly believed.

    What have you left undone?

    I would not say what I have done. I had 13 targets, let me look at it from that, out of 13 I think we were able to do nine and this is 60per cent which is a second upper in the university in those days. Then  I will say we passed but there are certain things I would want us to have achieved. One of my missions  or targets was to kick polio out of Nigeria, I think it was  my number two or number three  in terms of priority but unfortunately there  had been  some murmurings before I came in as a minister but  the murmurings increased  and it even went beyond murmurings when I came, that was when the Northern states boycotted and said they were not going to take part in this polio activities  and for almost 14 months there were no activities in the north in most of the states. I was invited to many international meetings because we had the greatest number of cases in Nigeria  they would invite five, six , seven countries that had new cases of polio  and these countries have less than 10 new cases of polio .  we had  the highest by that time we had about 1000 new cases.

    You are widely travelled round, is this the Nigeria of your dream?

    I was asked to be the chairman of a book launch some time ago, and the book that was being launched is about -A new Nigeria, as chairman in my speech I said I would talk about the new Nigeria I want to see.

    Number one is good leadership, and that good leadership at all levels.  Federal, state, local, community and even at family levels .What could make good leaders? They must be honest people, they must have vision.

    The second one  is good followership; the followers must  be good also  and there are certain things which would make them to be good followers. One, they  must know their rights and fight for their right so that no matter who denied them of their rights they would be ready to stand up and speak up. And thirdly, we need a critical mass of people, this is related to the second one that I will call reformation of Nigeria who will be at the forefront of defending the country.

    Why did you set up a Foundation in the name of your parents?

    The Foundation is Frank and Rebecca Memorial Educational Trust Fund. My father’s first name is Frank and my mother’s is Rebecca. My father died when I was seven while my mother passed on five years ago. She was 92. My mother became a widow for fifty something years. My father had a grand plan for me, he was a Sanitary Inspector and a Small Vaccinator.  In my  book you would read how my father who had a vision for me  died while I was seven. I think there are lessons that people can learn from my life history. I never believed in elaborate wedding as an economist I believe it is wasteful spending. In Nigeria today it is good to bury people but we have laid much emphasis and we spend fortunes to bury the dead.

    A library in University of Ilorin is named after you, how come?

    There are many libraries named after me, not only in Ilorin. It started from Ibadan, if I travel, I work like crazy but one month of vacation in London was not negotiable with my wife and children. Of course I would give them money to go and buy clothes but for me I will come with my books. I remember one episode when I was coming from abroad at the airport, they were tough in searching people then. Then one Custom official asked me to come and open my box, they thought they had a good catch. I opened the first box and it was books and photocopies. He asked me to open another and I did, he was curious, and I opened the fourth box,  he said ‘ oga when you are travelling like this remember  some of us who are not like you, remember to buy something for us. For my discipline my library was better equipped than the university library. I have about 50 cartons, of course anywhere I go, I go with my books.

    Looking back at your life will you say you are fulfilled?

    I feel fulfilled, and that self fulfillment is not by my own effort.  Again, it is God. And there is a whole chapter in my book…but for God in my life, I couldn’t have achieved this. Looking back I feel very happy every day.

    Which has been your happiest moment?

    That when I married my wife, Esther (née Aragbaiye). She was still in the first year in HSC. I left her and went to the US studying. Going to the US as a young man at that time, she received letters on daily basis from me and I was getting from her too.

    What are your regrets in life?

    Number one regret was my father who died early and did not live to see how I am today.

  • ‘Let’s join hands  to save theatre’

    ‘Let’s join hands to save theatre’

    In this encounter with Olayinka Oyegbile (Deputy Editor) and Edozie Udeze, veteran artiste, actor, radio and television presenter, Yemi Shodimu talks extensively about the many problems militating against the progress and growth of the culture and arts sector and what needs to be done to save the situation and more. Excerpts.

    You have come a long way as a culture activist, in terms of the programmes you have handled on radio and TV. What exactly are you doing now as an artiste and art practitioner?

    Yes, I am an actor, a broadcaster. I had my training at the University of Ife (now Obafemi Awolowo University), Osun State. I have been in the theatre world since I left school many years ago. I have been in this as far back as 1980. I am still there. In fact, I still do stuffs on radio and TV and of course, I have been involved in some movie productions. I am still involved.

    And right now, I am running a programme on television called Gbalada. It is a programme I started some years ago and it ran for quite some time. But I had to take a break when I was drafted into government in Ogun State. Right now, I have resuscitated it. It ran on Lagos State Television (LTV) Alausa, Ikeja, Lagos. But outside all these, my life is in the art. I believe that a strong area where the country needs to pay attention and indeed concentrate maximum attention is the art.

    I keep saying it and others keep saying it as well. This is because oil will dry up one day and the best alternative will be the art, the whole gamut of the entertainment industry. So, there should be an option, art certainly is an option. And I can tell you that art will always remain an option. Art is an exportable material as well. Other developed nations of the world export movies and entertainment and we can do the same if we pay enough attention to the sector. Art can get the nation a lot of resources. This is time to teach the young ones, which is really my area of concern.

    Our young ones need to be engaged; they need to be fully integrated into the entertainment sector. Let them be made to be aware of the potentials inherent in the sector because it is their time; their own world. I normally pass through the old tollgate. You see hundreds of our young ones, mostly university graduates, looking for jobs. I learnt an attempt is being made to get them engaged, but a lot still can be done to fully make them perform to their greatest potentials. In fact, I took the trouble to visit the place twice now, wanting to meet the head of the place. This is so because I see so much energy, so much vitality in the youths. May be most of them do not lead to a particular direction, but all the same they need to be directed to be of use to themselves and to the society.

    These kinds of youths are actually those who can be taken and directed on how to use their talents in the art to be useful. Because there are other areas but let us first focus on this. In fact, I get worried when things get so bad like this. I try not to ignore some certain things that happen around me. Lots of things are going wrong and due to my orientation, I do not do art for art sake. Art has to have a purpose; it must contribute something to the development of the society. And so that is why I use my own art, my form of art to involve the art and to some extent correct some ills in the society. I also use art to direct attention to issues; to certain problems in our world. I do this in order to achieve a positive world where peace reigns.

    Once, you were doing music of yester year, why didn’t you do music of today?

    I discovered this music early. Or let me put it this way: right from my early days, I had the privilege of being introduced to music of various forms by my late grandmother, Olori Adegoke Gbadebo who happened to be mother of former Alake of Egbaland. Now, I also grew up within that royal circle and so I could listen to all sorts of music. I listened and experienced drumming in the palace, coupled with first hand masquerades, total palace entertainment which was aplenty then.

    The music made sense to me; drove a lot of meaning into my being. I had also the privilege of being exposed to the theatre on stage; live theatre where you could feel and see and enjoy total theatre done by core and traditional professionals. They were the Ogundes, the Ogunmolas, name it. I was able to watch them all perform on stage and so one way or the other, without me being aware of it, this began to influence me. Much later in life, I also realized that a lot of efforts went into producing music of yester year as against what we have today. To them, this was their life. It wasn’t all about making money. No, they wanted to be comfortable, yes. It was for them to walk around the environment and picking their themes from what was happening to the people. That is the total beauty of music of yester year.

    They played to totally influence their society. Whichever way you want to look at it, they did a lot of work to enliven the society. And this was why a lot of people embraced what they did. But the commercial music, the new day thing, the sort we have today, are also a reflection of our values. Oh, unfortunately, it is a reflection of what we are today and who we represent as a people. I do not have quarrel with their art, no. I do not. But I do not want to sit back and allow what we have, what we cherish so much to die or frizzle into oblivion. In the first place, I have come to realize that a lot of people appreciate music of yester year and we need to keep the love fresh and aglow.

    Even the new day artistes, when they run into brick wall, that is where they go back to, for some level of inspiration or re-mixing of these works. Most of it, unfortunately, they do bastardize it. They can never get it right because they do not have the patient or professional grounding to do so. But we now go along with the trend and the fashion and all that. Fine, but that is not to lose our roots. We should know where we are coming from and then make the proper use of the opportunities this offered.

    So, for me it is what I call nostalgia, that is memories of yester year. And I can tell you that from day one, it was a hit. It proved what I thought; it proved it right, that is in terms of its popularity, its acceptance by the people that matter in the society. From day one, it just went haywire. I couldn’t handle it alone. You see, people who have money to back such didn’t quite come along to do so. Okay, let me take it from this angle. I had a chat with marketing managers of one or two communication outfits. I realized that it was not easy. Their concern primarily is to have issues that target mostly the younger ones, which constitutes majority of our population. It is not necessarily to check their morals or conducts. No. it is for them to make money out of the youths. It is not even to encourage them to be who they want to be. It is a consumer’s drive sort of programmes, to get the consumers pay attention to what they have through the youths. That is the irony of what they do.

    Well, I can’t blame them. I can’t blame them up to the point that they want to make money to sustain their businesses. However, their social and corporate responsibility should also extend to the preservation of our culture whether old or new. This is our image, our heritage. But the present level of decadence in the society is because those who should care are not caring. Young ones see those who take responsibility hustling for money, so what do they do? They help them, of course. That is the level we are in today; all to the detriment of our image and culture. When you think you are working on something that has quality; something that can act on lives positively, something that can help in societal re-engineering and all that…oh, it could be discouraging when people who should care do not really bother.

    That is not to say that I am giving up. No, I can’t and I am not giving up as yet. And this is the same society where my own children are going to grow up. It is all about this new trend of getting the money whichever way, I won’t want my own children to be part of that. That is why one would continue to appeal for like minds, keep appealing to those who have the corporate responsibilities, those who are saddled with taking certain decisions at the top, to also think about the society. Whenever I open the lines on my programme and you hear people respond, you can feel their pains, you can feel how they see and feel about the level of deterioration in the society. So, we have to continue to push on to see how these old tunes and what they stand for can be preserved.

    What do you think is the problem of live theatre both in terms of presentation and production?

    I tell you the problems are similar. The stage started suffering long before those of us in the media could even realise the level of deterioration in the sector. And this is where you get the depth and beauty of theatre. Live theatre is where the theatre proves to be more authentic and real. I told you I grew up at the palace and there were many live productions of Ogunde that I saw then that cannot erase from my memory. This was over fifty years ago and I can still recall them.

    So, it takes a lot of work to be in live production. Do we have the materials and the comportment and wherewithal to do so? If you compare it to the popular Nollywood, but in live theatre you cannot afford to commit errors. No, you cannot. There is no editor as far as the stage is concerned and that is why it takes a lot of packaging to put it together. It takes a lot of research and efforts to put it together. The script or the book captures the life and it is permanent. It is on the stage that you give life to the content. Where are the sponsors? It is still the same issue because artistes have to be sustained, they have to live and survive. It is better abroad where you have a play that runs over a period of time. That helps the artiste to survive, to make money and then move on. We don’t have such here in Nigeria and that is why the stage seems to be in disarray.

    Lack of patronage is also tied to the issue of security. When people are not secured, how do they go out at night to watch a play in a theatre? Someone who lives in Ikoyi to drive down to Iganmu to watch a play at the National theatre…well it is unsafe, when he has to go home say by ten or eleven pm. Also the problem of power and some other social problems are there. So this is why the stage suffers and will continue to do so until the situation improves for the better. If not for Freedom Park here in Lagos where else would the artistes be meeting for such programmes as this. This place is not enough and we need more spaces and avenues to re-ignite the flame of live theatre. Let there also be grants for the arts like it is done in South Africa and elsewhere. This will help for research and more.

    What else are you doing now?

    Oh, I am into palm wine production. This is called Emu Shoba. Although it is done in Abeokuta, it is also available in Lagos. I stated this in order to walk my talk and that is why I am different and unique.

  • Discussing freedom

    Discussing freedom

    At the Freedom Park, Lagos, recently some literary eggheads met to discuss In search of freedom and what it constitutes to societies across the world. The issue of what societies do with freedom and their aftermath was the bone of contention. Edozie Udeze writes

    In every situation in all parts of the world when people agitate for freedom, what first comes to their minds is how far-fetched is this dream of obtaining freedom. There is nowhere in the world; whether in Africa or elsewhere where freedom is obtained on a platter of gold. But even then, when this freedom is finally got, what else follows; what do the people do with it to ensure that they consolidate on the gains of this freedom in order to take their society to a greater height?

    These and more were some of the issues that preoccupied the minds of Olayinka Oyegbile, Toni Kan, Derin Ajao, Kola Tunbosun, Femi Odugbemi and others during the just concluded 16th edition of the Lagos Book and Art Festival (LABAF). In the theme of the discussion which centred on freedom and its aftermath the discussants took a swipe at the works of some authors who have written variously on this theme. In search of freedom, and freedom of what? This was the rhetorical question on the lips the of discussants.

    In introducing the topic, Odugbemi opined that books have helped societies across the globe to view their situations better. From apartheid in South Africa, to the cold war years and the fall of the Berlin walls, it is important to see how some very critical books have emerged on these sensitive issues to help the world grasp the situation in such a way as to guide against reoccurrence.

    Oyegbile’s topic which was unique both in its presentation and subject-matter dwelt on the work of Alaa Al-Aswany, an Egyptian author resident in the United States of America. In his book entitled Chicago, Al-Aswany, an award-winning writer dealt with the crisis of identity for most Arabs who are torn between their own strict moral lifestyle in Egypt and the sort of freedom and loose society that pervades the United State of America. “It is the story of sex, love, freedom and identity”, Oyegbile averred.

    Yet it is the story of some Egyptians sent by the government to the USA on scholarship to return back home to Egypt to help rebuild their society. Most of them now find themselves in a confusing state; being immersed in a country where morality is loose, yet the people are making progress. “They could not understand it; yet God has blessed and will continue to bless America. Back in Egypt, the people are made to live a strict religious life, yet there is strife everywhere; there is war and peace eludes the people. Even the Jews are better placed in the world. Is it because they are friends with America, that things are better for them?” Oyebile intoned, dwelling on the deep psychological impact of the book, both on the Egyptians who are torn between the two worlds and some Americans who keep the company of these Arabs.

    It is intriguing, but mostly, Chicago exposes the trauma of a people who live amidst the deluge of an endless lie; a people who are not, as it were, allowed to be true to themselves, to their beliefs and convictions. “Based essentially on a university campus lifestyle, it chronicles these experiences in a post 20/11 Chicago and also brings to the fore the inevitable role of America as the land of freedom and diverse ideas,” Oyegbile surmised.

    In the second book which he discussed, Oyegbule equally ex-rayed the place of the News magazine and its founding editors in championing the cause of freedom from the clutches of military rule. “It was tough, yet these brave writers rose to the occasion. In devising all sorts of strategies and methods, they were able to rattle the military,” Oyegbile said. This story of the News, is the story of democracy in Nigeria today and it is incomplete to celebrate this dispensation without giving kudos to the likes of Bayo Onanuga, Seyi Kehinde, Kunle Ajibade, Dapo Olorunyomi and others for their sense of commitment and bravery that gave freedom to Nigeria.

    In his own contribution, Toni Kan dwelt on the situation in Jos, Plateau State, at the moment where fear and trepidation rule the hearts of the people. “This is a place where love ruled before; where people from all over the world converged to enjoy the bliss of the society. But today man-made strife, hatred and anarchy have taken over. What we see today is a replica of the Berlin wall. You have to be restricted to your own area in the city if you want to enjoy your life,” Kan revealed, “Jos, may not be the same again in a long time to come,” he lamented.

    There is so much fear in the city of Jos. Kan related this scenario to the early years of the Berlin walls when the two Germanys were so scared of one another. Not even social contacts were made possible. Communism and capitalism were then pools apart. The issues of the beliefs of the people along social lines were the basis for deep mistrust. So then, what do we have in Jos now? Anarchy and fear for tomorrow have taken over the entire enclave. If that is the case, what then is freedom; how does man obtain freedom in order to prosper in the world? These are the salient issues in search of freedom raised and they are issues that indeed trouble the soul of humanity.

    How can man himself work to keep the society trouble-free? Tunbosun who discussed apartheid per se, was not happy that the world did not or could not see the true ironies of this monster until years later. By then, a lot of damage, deep-rooted for that matter, had been established to keep the Blacks perpetually backwards. “And this is what the Black South Africans are suffering today. That trauma of a situation so long perpetuated in their society is still haunting them. As a matter of fact, it will take a long while for them to get out of it,’ Tunbosun argued.

    To him, the white supremacy in the enclave was perpetuated mainly to deny the Blacks of the right to vote. They were also denied the right to go to school and be exposed to the world. This worked for a long time, until people like Oliver Tambo, Nelson Mandela, Walter Sisulu and others began to challenge the white rulers of South Africa. And when the centre could not hold anymore, freedom came; came in such a way that the era of trauma cannot be easily forgotten by the people who were at the receiving end.”

    The discussants harped on the need for people to begin on time to stand for their rights. No one has the monopoly of victimization or the withholding of other people’s rights and freedom. Freedom is freely given to every man and therefore every man has the right to be respected. Why would people assume the policeman of the world or even go as far as dictating to other societies on how to order their lives? This was the main thrust of the matter and so where these rights have been knowingly or unknowingly infringed upon, people should rise to fight against it. And once this freedom is won, let there be concerted efforts to make the society better so as to justify the need for this hard won freedom.

  • Skating dangerously

    Skating dangerously

    Lagos is gradually witnessing a rise in young people taking to roller-skating which some Nigerians consider dangerous. Joe Agbro Jr. writes about the growing love for the pastime

    It’s a Wednesday evening at the National Stadium, Surulere, Lagos but not much activity is going on yet. Unlike the weekends where the premises is packed full of sports people of different ages, dimensions, and nuances. Walking from the main gate, one can see those playing outdoor sports like Tennis and Basketball, a few people jogging round the main bowl. The outdoor esplanade in front of the Sports Writers Association of Nigeria (SWAN) headquarters had a sprawling arrangement of chairs and table waiting for a different sort of patrons.

    Many of the young people engage in the sports have different words for describing their love for skating but they all share one thing in common  they enjoy it.

    At the National Stadium venue where the skaters converge to practice, markers are placed on the floor and skaters take turns at performing various manoeuvres around them, which include skirting, jumping, and careening at varying speeds. Others skaters engage in dizzying spins and also climb up a ramp and race down at top speed.

    One of those is Daniel Iwuji, who started learning skating about six years ago. Iwuji who trains every day, usually on the BRT lane around Adekunle Bus Stop in Yaba, Lagos comes to the National Stadium. For him, coming to the stadium is to get together with other skaters and also to learn new tips and tricks.

    Though it is not even acknowledged as a sport by the necessary sports bodies, corporate players are beginning to engage them. For some events currently, skaters are invited to spice the events. This development has ensured the skaters make some income from engaging in the sport.

    “For a day’s job we can get like N2, 500,” Iwuji said.

    And he said these jobs include being hired for exhibition performances at events, advertising products, and sharing fliers on busy streets and venues.

    And as per notion that skating is risky, Iwuji disputes this, saying it is only risky if one does not skate as prescribed. “Everything has a technique,” he says. “We’re doing it with technique. We understand the way we have been doing it. We have fun with it.”All over Lagos metropolis, the interest in skating is piquing young people’s interests. And while it is boys that are mostly taking to daredevilry ventures on highways, young girls are also getting involved in skating.

    Mercy Michael, a female, used to play basketball but since being introduced to skating five years ago in 2009, she has been hooked to the sport. “I had a friend then, a guy who skates. When I told him I love it but I’m scared of falling and having injuries. He told me and I registered into Extreme Roads Club.”

    On her experience so far, she said it was not easy at first. “As a learner, I started practicing on the grass before I started skating on the floor. I fell down most of the time. But after three months, I started moving well. Now, I can do many of the tricks. I can even jump.”

    And she is not even afraid of skating on the roads now. “The first time I skated on the road, I was afraid. But after a time, I was used to it.”

    Having a brother who also skates, Michael says her family does not mind her involvement in skating. She however says her dad is not in support of their skating because he does not want any of them injured.

    Unorganised environment

    She said the skating environment is not organised but she wants to pursue skating to professional levels. “Government doesn’t really know skating as a sport,” she said. She also blames most skaters for making the sports not easily acceptable in the country. “Like skating on the roads and holding buses or commercial tricycles (Keke NAPEP) is dangerous. Once you do that, your speed will me much and if you don’t know how to control it, that is a problem. When people see it like that, most people won’t then see it as a good sport.”

    Another female is Lovelyn Chukwuemeka. Just six months into skating, she too has caught the bug so much that declares; “Even if I give birth, I will still be skating. My children will skate.

    Though, the sport does not enjoy office government patronage, the clubs are venturing into activities that showcase their talents. An example is the Big Heart Skaters Club which was founded in 2008. Displaying daring moves, they are delight to watch and their skills have also attracted the entertainment industry too. The club got the gig to participate in the Dude Tetsola’s music video. And another club, Wondrous Moves Skaters performed at the Star event of the Lagos Countdown, an annual beach carnival to usher in the New Year.

    In Lagos, the clubs have started engaging in competitions amongst themselves.

    However, some Nigerian parents have frowned over their children’s love for skating. Like Deji Alabi who says he would not encourage any of his children to take up the sport. “I have a friend whose son broke his arm while skating,” Alabi said. “I don’t think the sport is work the risks involved.”

    Indeed, in order to master the sport, skaters often embark on some risky manoeuvres which might resort to injuries.

    But not all parents share this fear. Bolton Elechi, in his forties, encourages his two children. He registered his daughter, 9, and his son, 6, to take skating lessons. They all started skating two years ago. But while he has stopped, his children still continue learning skating manoeuvres, which he encourages.

    “Actually no sport is not dangerous,” says Elechi, who himself began skating two years ago. “But sports is sports. Our family, we are all sports people. I skate too. I want to put them into something but since they love skating, I have to let them carry on.”

    Though he said he stopped and now only concentrated on playing football.

    He registered them at YQ Club to learn the basics but he said they had to stop because of schooling and unavailability of time to take them there.

    “When we have practiced, it is very easy,” he said

    The skate shoes average range in prices starts around N6,500 to about N12,000. Second-hand skate shoes are also available in many markets dealing in the second-hand things.

    Apart from roller skates, some people also don the skate board. Lugging his skateboard around Mushin Bus-stop, Joshua Faraday, a Business Administration and Management student of Yaba College of Technology is one of those adopting skate-boarding as a sport. “I just have interest in anything on wheels,” Faraday said. “It’s risky but the more you do it, the better you are at it. What you do every time does not become a risk to you anymore.”

    John Nwaesei, 21, a rapper who goes by the stage name ‘Enigma’, started skating 10 years ago when he was 11. “I was in England then,” he said. Upon relocating to Nigeria in 2006, he found that skating is considered a dare-devil sport. “They (Nigerians) look at you like what are you doing,” he said. Don’t injure yourself, and all that.”

    He said he took a while to discover that there were places where he could actually skate without threats of vehicle accidents.

    “Presently, I don’t see it as a sport yet in Nigeria. It’s still a dangerous play to attempt. But to the world, skateboarding and roller-blading are both extreme sports. But, we’re catching up. I’m seeing a lot of young boys riding blades. That one is normal in Nigeria. But you hardly ever come across anyone with boards. So, us that we are riding boards, we are trying. I think it will take like three years before people start boarding in Nigeria.”

    He usually skateboards with four of his friends. And they have different meet-up points. “We can be at 1004, the beach (Bar Beach) but anytime we’re in Surulere, we come to the stadium.”

    His parents know he has a board but they also do not support it like many Nigerian parents. But Nwaesei is undeterred. To him, it’s an hobby he’ll do on any smooth road.

     

    In Nigeria, skaters can currently be found in pockets in other places in Port Harcourt and Enugu as well as other cities in Nigeria. In Abuja, the well-maintained tarred roads attract skaters and at weekends, they can be noticed on some roads in the federal capital, converging at Jabi Lake.

    Because of the popularity of the sport in Abuja, a skating club, Skate Love, is considering opening a new centre at Maitama Amusement Park. According to the owner, Chidi Onukaogu, an ardent roller skater, “roller skating is equivalent to jogging in terms of health benefits, calorie burning, reduction of body fat and leg strength development.”

    Experts advise that one must be prepared to get the right kit which include skating shoes, helmets, knee and elbow pads and also to get the requisite training. The skate shoes cost from around N5,000 to N10,000 while the helmets costs about N2,500.

    Currently, no regulations apply to specifically to skaters but Lagos State Sector Commander of the Federal Road Safety Corps (FRSC), Chidi Nkwonta, said the organisation discourages skating on the roads. Though FRSC is yet to record road accidents involving skaters, Nkwonta said that the practice of skaters skating alongside vehicles on roads is dangerous.

    Such warnings, however, does not deter Seyi Obisesan of Extreme Roads Club who said he has been skating for seven years. The club meets regularly at the National Stadium to perfect their skills and learn new tricks. Obisesan said most skaters get injuries in the course of trying something new and also does not agree that it is more dangerous than other sports.

    “Skating is not dangerous when you abide to the rules,” he said agreeing with other skaters.