Category: Arts & Life

  • Adetokunbo Sofoluwe: Scenes from a fulfilled life

    Adetokunbo Sofoluwe: Scenes from a fulfilled life

    My first encounter with Adetokunbo was in the 1960s through my elder brother when they both attended CMS Grammar School Lagos. The two friends later attended an interview at Christ’s School, Ado-Ekiti when my late father drove them to the bus station. In Ado, they experienced traditional Ekiti hospitality from my parents’ close friends, the Osekitas. Tokunbo, however, stayed on at CMS before proceeding to Old Swinford Hospital School, Stourbridge in Worcestershire, England where he completed his Higher School Certificate course in June 1968. We met again in the University of Lagos from where we both graduated, though at different times, and then again at the University of Edinburgh in Scotland. As we later discovered to our great surprise our two fathers had coincidentally chosen the same friend, the dashing Chief Orija, to serve as our godfather at our christening. We did not become an item until the 1980s when we sealed our relationship with a marriage under the Act. The combination of a Dada and an Aina notwithstanding, we lived truly happily together until his untimely exit on the 11th of May, 2012.

    In truth his first love was Mathematics but he loved the Arts too. He was fond of the works of William Shakespeare and often quoted from them. He seemed fascinated by his plays. It is no surprise, therefore, that he made a very good grade in Literature in his School Certificate examination. He also did well in Fine Art. This interest he continued to display throughout his life by encouraging many young artists at great expense to himself.

    He was also a sportsman right from his student days. It was impossible to love Tokunbo and not love various sports. Together we avidly followed football, tennis, cricket, boxing, golf, snooker, formula 1, and even the major horse races. We got a lot of adrenalin from the annual Oxford-Cambridge boat race, usually rooting for Cambridge University. And he was a keen chess player.

    Adetokunbo loved good music. It was not just the lyrics that interested him but the arrangement of the notes and the instruments deployed. Many knew that he loved high-life and juju music and Ambrose Campbell, Rex Lawson, Adeolu Akinsanya, Roy Chicago, Orlando Owoh, E. T. Mensah, I. K. Dairo and others like them lived on in our home. Others might be aware that he was also very fond of modern jazz, traditional jazz, gospel music, reggae music and even apala but I doubt whether they knew that he also invested in a good collection of classical CDs right from his student days, a passion that we shared. As his flat mate in Edinburgh would confirm he drew inspiration from the works of great composers like Bach, Strauss, Schumann, Tchaikovsky, Beethoven, Mozart, Schubert, Brahms, Chopin, Handel and Vivaldi.

    Another interesting aspect of Tokunbo’s life was his fascination with great historical figures. As one of his brothers will testify, he read all the time about their contributions to science, nation building, their struggles and the sacrifices they made. They served as role models for him. The two brothers were always exchanging books and Tokunbo was forever expressing amazement at the enduring manner in which their governments and associates had immortalized these men such that they are still celebrated even after centuries had passed. He would always make copies of write–ups on them to share with me. He was conscious of the fact that they were mere mortals, sometimes with serious shortcomings, but he did not believe that their errors or mistakes while they lived should be publicised or even celebrated upon their death. Adetokunbo was a gentleman and an intellectual to the core. He would always wonder aloud when Nigerians would stop their futile attempts to measure greatness by material wealth, earthly titles, number of parties attended and mere indiscretions that do not bring any glory to one’s nation.

    As regards the keeping of records Adetokunbo was in a class of his own. He kept every note, letter, document and e-mail sent to him. He would even make extra copies. He kept receipts and meticulously recorded all financial transactions (payments, withdrawals, loans given with dates and agreed terms of repayment) including photocopies of cheques and bank drafts. One of the last photocopies he showed me was for the April 19, 2012 N600,000.00 life membership cheque for an Academic Association. (He breathed his last only three weeks after this payment which is a clear indication that he was not expecting that his life was going to be taken from him so soon). He probably wanted in some cases to preempt potential denials on the part of the unscrupulous or to assist those who might want to pretend to suffer from the onset of early dementia but the habit had assumed a neurotic proportion. It was not cultivated, however, to entrap others even if it could. He always encouraged me to follow his style, which I did, but I was forever teasing him that he was fast becoming too eccentric for his young age and we were going to be buried under numerous useless papers in our own home.

    Adetokunbo was a kind and generous giver, but a most quiet one. The last thing he desired was publicity. There were so many people on his list that he gave money on a monthly basis. Throughout his adult life he chose to be responsible either in part or in full for the school fees, pocket money and house rent of many. I must confess that as a typical wife I worried about our future finances and I sometimes voiced my concerns. To provoke him I called him names the kindest of which were ‘Father Christmas’, ‘Public Property’ ‘A bu je bu danu’ and ‘Mallam Toks’ (we Yorubas rightly or wrongly believe that our Hausa brothers do not get unduly anxious about tomorrow, especially where personal needs are concerned). He would always assure me that I worried unnecessarily about the future when God was so merciful and would never allow either of us to suffer in our old age. In this regard Tokunbos’ trust in God was genuinely a hundred percent and I greatly admired him for it.

    He frequently gave out loads of his nice outfits and shoes. Some outfits were given out only after just one wear. I would grumble sometimes that he didn’t understand what it took to trudge up and down Balogun West to pick out some of the best Ivorien fabrics for him and have them tailored only for him to pass them over so quickly. I would even threaten to stop buying him things. But I knew that he wasn’t one to hold on to material things and this was just another gesture of his that confirmed my ‘Mallam’ title for him. And I give thanks to all those who proudly and lovingly shared his apparels.

    In a further demonstration of his unusual attitude to material things Adetokunbo would often change into whatever he bought in a shop (be it a shirt, belt, shoes, jacket or sunglasses) right there in the shop and have what he previously had on packed for him in the shop’s bags instead. He would tell me that we buy things to use and not to keep and worship.

    The goodwill that he demonstrated towards others was legendary and uncommon. He wanted the necessary things of life for everyone around him. It was almost like interfering at times. For him you cannot have enduring happiness and peace if you have when others around you lack. He always argued that no one should try to be a lone star. He would always want to know, for example, if each employee or friend already had a plot of land. If they did not, he had to find out why and would not let them rest until something positive was done. For those already with plots he would want to know how far they had gone with developing the plots. As some will testify, he will arrange to visit the sites and provide encouragement with cash and prayers. And I have accompanied him on some of such visits.

    He was always concerned whenever he learned that people were sick, even those he did not have any relationship with. He would always ask that we contribute something to their medical care. These things, he would say, could happen to anyone. He was also interested in the care of the elderly and always sought assurance from friends and colleagues that they did not neglect their aged parents. He often sent cash and other gifts to parents he had never met. And he did not forget the Old People’s Home either.

    Unknown to most people my husband also gave a lot to further the work of the Church. Many misunderstood his relationship with his God and felt he was not a serious being. Unlike many of us who paid our tithe in just one place, Tokunbo paid in four different places. I was personally responsible for delivering to three of them and he would also always want to confirm from me each month that he had already given me the money. He did not rob God but rather gave more than the mandatory ten percent. And he was ever so willing to assist with church projects, be they physical or evangelical. These things Adetokunbo never considered as issues for discussion with any so-called friends or for broadcast.

    On his relationship with God, we held weekly prayers with our pastor friends. Once when all of them had travelled I thought we would not have the usual session. But my husband surprised even me by insisting that we carry on as usual and he personally took charge. May God forgive me for not at first taking him seriously on that day early last year. One of the great lessons that I have learnt from my journey with him is that it is only a fool or mischief maker that will claim to know the desires of another individual’s heart, especially where you do not share a home. For a true believer that is a prerogative of God and we have no business attempting to highjack abilities that rightfully belong to our heavenly father alone. Rather than fabricate unnecessary lies to make people think that we are privy to the secret thoughts and intentions of others the least we can do is to try where possible to find out the truth and nothing but the truth.

    Adetokunbo was incredibly tolerant, bore no malice and was extremely down to earth. These were some of his strengths but some mistook them for weaknesses. They saw him as carefree or even reckless. Nothing could be further from the truth. He simply enjoyed helping others through giving and he believed in giving each individual a chance. He knew when he was being deceived, lied to, being exploited and when he got things wrong, sometimes terribly wrong. He knew also when demands on him were unreasonable. He would come home and describe some of them. So he saw through most people’s schemes eventually but he always hoped they would change and believed that God was capable of touching anyone. Whenever, I asked why he was allowing himself to be used by seasoned con artists, he would simply reply that if it made these people happy to believe that they were smarter than him or if their deceit helped them to maintain their sanity or reap mere financial rewards why rock their boats and have a greater problem on our hands? He preferred to play along saying the diabolical and unscrupulous had to be handled with care but that we would have the last laugh, God willing. He was a great advocate of PEACE.

    If Adetokunbo had been so carefree or had a death wish as some have alleged he would not have kept records the way he did and neither would he have been checking to make sure every night before we slept that all electric sockets were unplugged and gas knobs were turned off. This was another habit of his that almost assumed the proportion of an Obsessive Compulsive Disorder.

    Being such a generous individual and an incurable romantic I had to plead with him every year on my birthday anniversary that he should not host any party, no matter how small. I am even more publicity shy and surely less of a spendthrift. My protests almost always fell on deaf ears with him telling me that I did not know my own worth. Up to the end I got expensive gifts and several greeting cards for each birthday with at least one each time being custom-made. I am certain that there are people present here today whom he sometimes used to achieve the cards/parties/gifts conspiracy. To these great brothers and friends I say thank you for your goodwill toward us as a couple and for your steadfast support ever since.

    Adetokunbo also always wanted us to dine out or even go on date nights or date weekends. He wanted us to visit more exotic locations together and he had drawn up a list. He already wanted to know where in Lagos I wanted us to settle at the end of his tenure and we had already reached a decision. Very often he expressed the wish that we grow old together like many of the elderly couples that we saw around us. He loved the way they assisted each other and the obvious understanding between them. Each night he lovingly checked that I was properly tucked in and not exposed to the cold in our room.

    As every member of my family would testify they were treated like royalty. He would always announce to his audience that he did not want the Olagbaiyes to withdraw their daughter from his care and then proceed to shower them with gifts. Bless him. For the support, care and mutual respect we shall all be eternally grateful. This was why they all came, young and old from far and near, to his rites of passage. Finally, as our newspaper/magazine agent can testify, every week he provided me with several magazines on all manner of subjects, more than I could ever cope with. Whenever I begged him to return some of them and save money he would ask if I was planning to carry money to heaven. He also borrowed magazines from his brother for me to read. I could go on and on.

    His nephews should please take note. Uncle Toks was extremely close to you and you know what he preached about taking good care of your lawful wedded wives. If you loved him and wish to keep his memory alive then you must treasure your wives. That is what he would have insisted upon and God will empower you in this regard. And as he never wanted to let any of you down in any way we must please not let down his memory in any way. The newest husband and dads in the family are not doing badly. As for the nephews-in-law beware for uncle Toks is watching you!

    There was no bone of arrogance in Tokunbo. Every morning he made his own tea, he sat on the floor to feed his dog before walking it, washed up our dinner dishes at night and made breakfast with me at weekends. I am sure the stewards at the vice-chancellor’s lodge must have marveled at his attitude and thought him strange at first. And he always helped to tie my wrapper before leaving for church. After we ran late once and were caught doing this inside the church hall and he was teased he subsequently made sure that I left enough time each Sunday morning for him to sort out that aspect of my dressing.

    Even though he related with individuals from different strata of the society and various characters, Adetokunbo reserved his highest regard for those friends and family who are highly principled, who set him high moral standards and who encouraged him to live up to such standards. He clearly recognized the difference between those who sincerely would have him guard at all cost the integrity of his father’s name and those whom he often described as toxic and fair-weather friends that would encourage any act all for the sake of mere earthly benefits.

    Please join me in celebrating the good things about this truly remarkable gentleman. As Adetokunbo himself was fond of saying, ‘GOD ALONE IS THE FINAL ARBITER’ and ‘E je ki a ma se daada, awon eniyan n wo wa’. May my beautiful one’s beautiful soul find repose with his Maker.

    Dr Sofoluwe of the Department of Psychology,University of Lagos, is the widow of Prof Sofoluwe, ex-UNILAG VC.

  • Voicing it out

    A book titled “The Whispering Voice” was presented to the public at Season of Life Hall Ojodu Lagos last week. It was written by Dr Maduka Sunny Oby. It has 217 pages divided into 11 chapters.

    The book touches different aspects of life; psychology, philosophy, religion, adventure, literature, love, peace, violence and many others.

    It opens with a traveller bored in the airplane and cherishing God’s beautiful work in creation as part of effort to ease the boredom. Suddenly, the plane crashed, killing almost all on board except for three survivors- Dr Joe, Miss Penns and baby Miracle.

    But even in this situation, Dr Joe rises up to thank God for enabling them to see another day and tried to care for the little baby who also survived the plane crash while Miss Penns, the third survivor was unconcerned.

    Along the line Dr Joe and Miss Penns started getting on together and searching for a way out of the crash site.

    Dr Joe recalls his experience at Cambodia War; the relevance of prayers especially in times of crisis or difficulty and the need for anchored faith in God’s word. He spoke about a revelation he had to go on divine assignment to Africa and his self- discharge from the army in order to have time for the assignment.

    The survivors soon became endangered by strange occurrences in the habitat but suddenly, help came from nowhere. Fortunately, they came to safety, although in the hands of unknown soldiers with some degree of uncertainty still looming. They found they were at the administrative headquarters of Duafa Liberation Army in Sudan and will have to adjust as well as adapt to both military and jungle life at the same time.

    At this point Dr. Joe’s revelation was becoming reality as the commander promised to take him to the sick bay. On getting there, the team was greeted with the cries and agonies of wounded children and women.

    Immediately, he fully assumed his assignment of providing medical and spiritual care for innocent victims of war, violence, greed and power abuse. There, a teenager raises the question about who God is and why He sometimes permits negative events.

    In a simple language and style the author pointed out that the human race needs sacrificial giving and lifestyle in order to save perishing soul ravaged by war and violence.

    In physical outlook Dr Maduka’s Whispering Voice is well printed, handy, easy to read and understand.

  • ‘Give us permanent artistes’ village’

    ‘Give us permanent artistes’ village’

    As the Coalition of Concerned Nigerian Artists met at the Artistes’ Village, Iganmu, Lagos last week to deliberate on the way forward concerning the quit notice given to them by the Federal Government, Edozie Udeze takes a closer look at the issues involved and the stand of the artists

     

     

    Last week, the Coalition of Concerned Nigerian Artists held a press conference to state their own side of the story pertaining to the quit notice given to them to vacate the premises of the National Theatre, Lagos. The notice, which came from the presidency and was signed by the Minister of Culture, Tourism and National Orientation, Edem Duke, stated in part, that some portions of the complex have been earmarked for new building projects that will form part of the Theatre environment.

    However, artists have demonstrated that the purported arrangement is at variance with the idea of a total culture and art environment. They argued that it was improper for government to wake up one day and decided to mortgage the soul and conscience of the Theatre without due and proper consultation with artists and other core stakeholders in the sector. They wondered thus: “In 2011, at Eko Hotel, Lagos, the president himself met with us soliciting for our votes. There he also made so many promises to us on how to grow and develop the culture sector. Now, he wants to uproot us without our consent. Today, he sees us as nobody – people whose trade and profession do not matter. Is that proper?” the association asked in a statement.

    Beyond the strong argument that a lot of people will be rendered jobless and hopeless in the new set-up, Biodun Olakun, a seasoned artist and a trustee of the Professional Guild of Nigerian Artists (GFA) said: “yes, even if government wants to make a move as serious as what we have here now, it should first of all dialogue with us the practitioners. More so, some of us have been inhabiting this environment for more than thirty years.”

    In as much as Olakun is not opposed to laudable ideas to make the sector grow, he is indeed irked that most public office holders behave as if the country in their personal property. “You see, there is a Yoruba proverb that says, you can’t cut my hair without my consent. How can you understand my pressing needs without talking to me? Government has always said that people should be self-employed, self-empowered and that is what we have been doing. So, those of us who have found space to empower ourselves and even in the process alleviating the situation of other artists, thereby helping them to grow, should we just be dislocated like that?”

    Olakun’s grouse, just like most other artists, is hinged on the fact that government policies most times are anti – people. “What will happen to thousands of students being sent here by their institutions to do their Industrial Training. All of us have extended responsibilities and obligations. Nigeria is for all of us. It is not anybody’s father’s estate. In the first place, what legacies are public office holders leaving behind? Now we complain that the nation is not making progress and the little we have achieved so far, they want to scuttle it,” Olakun wondered.

    Uche, a photographer whose office is located at the Artiste’s Village within the same premises, posited thus: “Each time government comes here, they tell us that the Theatre is not working. Up till now the 1988 National Policy on Culture has not been implemented or made public. When you go to find out who ran the Theatre down, it is still government people. Now, we are afraid it is the same people who ran it down that will now buy up the spaces. After that, what will be the fate of the artiste? Government is not even making temporary or permanent arrangement to resettle us. And this is a sub-sector that contributes over N1 billion to national economy every year. Every year, artists from all over the world visit this place and they go to all the corners of the Theatre to commune with us. Since we all own this country together, we should all be part of the decision to make it work,” Uche said.

    But in his own reaction, Steve Ogundele, the Secretary-General of National Association of Nigerian Theatre Arts Practitioners (NANTAP) said: “First of all I am not making an official statement on this issue. Anyway, when you consider the level of development in this area now, especially with the presence of the rail terminal, government might be right in catching in on it to make the Theatre a better place. Be that as it may, as a practitioner, I am not against the place being turned into a haven of some sort. What I am particularly worried about is the sincerity of government. Is what they are going to do be for the benefit of our economy, our practice as artistes, and for the over all development of the people of Nigeria? I don’t really want to pre-empt government, but let them follow due process in this regard.”

    What the coalition of artists is saying is that government has to be fair to all. If there has to be this sort of arrangement, the government should provide a permanent artistes’ village somewhere else. “There has to be a place for us while the development is going on. Or does government want to turn all of us into refuges and destitutes, people who have no home but live under the bridge. If that is what they plan to do, then we are set to reason it out with them that it will not work, it can’t be encouraged, not in the least.”

    Government should reconsider its decision in such a way that these army of artistes with offices in and around the Theatre do not have reasons to feel out of place in their own land. Olakun’s last words surmises the general feeling of the people affected thus: “Government has to look inwards and when this development is over, where are they going to put us and while it is going on, where will they resettle us so that we can continue to practice our art?”

  • Why I am a romantic artist – Oshinowo

    Why I am a romantic artist – Oshinowo

    Kolade Oshionowo is one of the most classical visual artists in Nigeria. Recently artists of all genres gathered at the Grillo Pavilion, Ikorodu, Lagos, for the 5th Annual Visual Art Fiesta. The fiesta was in his honour. In this online interview with Professor Jerry Buhari of the Ahmadu Bello University, Zaria, Kaduna State, he gives insight into his many exploits, style, form and vision as an artist

     

     

    What do you consider to be the role of art and the artist in the society today?

    Artists are visionaries; they are the light that helps to mirror the society. Because of their rare gift, special skills and training, they see far beyond the ordinary. The artist is not only able to document, but he is also able to highlight issues of social, economic, political, cultural and the spiritual lives of his society, thereby enhancing and adding great values to the lives of the people.

    How fundamentally different has the role changed with time, if it has?

    I believe the role remains basically the same.

    The female subject appears prominently and often predominates in your works whether it was in painting or drawing. What does that represent?

    The use of female subject is a universal one and it has been so through the ages. The female is endowed with a form that is as complex as it is beautiful. The woman also adds to her beauty by wearing various forms of head gear and adding accessories such as ear rings, necklaces and bangles of various sizes and materials. The female body represents the beauty and challenges of motherhood. These I try to capture in my paintings.

    Is the female form a motif or a message in itself?

    The female form for me is a message. Nude female form will hardly be found in my paintings and drawings except those done as studio class assignment or during my years of teaching.

    What is your opinion about family? What role does the woman play or should play?

    I hold the family in high esteem. It is an interesting theme that I have explored and will continue to explore. Though I celebrate the family, I often times focus more attention on the plight of families in the distress as a result of economic down turn, civil strife, inter-communal clashes, political disturbances, all kinds of wars and natural disasters. All these resulting most times in refugee situation.

    The woman is the key figure and particularly important in the family set up. She is the mother of the family. And in addition to all her huge matrimonial duties and responsibilities, she supports her husband in providing for the family.

    Your compositions appear constantly centralised, clustered and in subdued palette. What are you trying to tell your viewers?

    I wish you precede this particular question with ‘some’ rather than the generalised nature it conveys. Surely, I try to engage the viewer, making the eyes rest as much as possible on the painting.

    I believe strongly as a painter in the strength of colours as a means of expression and I can oscillate from one end of the colour spectrum to the other. My use of colour depends on my mood and what I like to achieve in a particular painting. What I may not do is allow colour to overwhelm the structure of my painting. There must be a balance.

    Let’s return to your choice of the palette again. Your colours appeared subdued rendering some of your images almost silhouettes. You appear to prefer cool or warm quiet colours rather than vibrant contrasting colours. Is there any specific meaning or reason?

    That is my preference and style. I prefer dramatic use of colours rather than intensity. The most important thing for me in any work, either abstraction or realism, is quality.

    What is the source of your models, especially the female models?

    My models are usually people around me; family members, maids, willing relatives and family friends. Most of the figures are actual or a modification of the faces. Some are simply imaginary especially where the focus is on the costume or a subject matter other than portraiture.

    I have not noticed the ‘gaze’. All I can say is that sometimes I try to attempt to let the eye of my models follow the viewer.

    Whether lateral view or otherwise is a question of choice and preference at the point of composition.

    What is and should be the role of photographs as reference for painters? Does it enhance or act as a barrier to creative expression?

    The photograph as reference can serve as a spring-board in a creative process as means to an end. Of course I am not talking about commissioned works where only photographs of the subject are available.

    My strong belief is that habitual wholesale copying from photographs hampers the growth of the art student or even the professional artist. I try to discourage my students as much as possible from the practice. The artist should be able to generate ideas. Where is the creativity if all you are doing is copying from photographs? In some of our institutions of higher learning outdoor painting and drawing assignments have been converted to indoors by the use of digital phone cameras, thereby short changing the learning process. Even life drawing classes are not spared!. The picture of the model is simply taken for further ‘downloading’ later. Even absentee students can benefit from the ‘downloading’. Such students don’t grow. They later on in their career resort to relying on existing images or copying other people’s works.

    I believe the role of the teacher is very critical in this matter. The teacher should be more interested in the process of creativity rather than the submission of the finished work.

    Tell us how you approach a typical favourite subject in your painting, from sketch to when you sign the work?

    Once I have settled the matter of format and structure, my painting normally starts with my staining the canvas with selected colours. I do not like painting directly on the white surface. Once it’s dry I commence the sketch with a piece of charcoal leaving details as much as possible. Once I am convinced about the composition, I start application of colours. If it is mixed media painting with texture/college, glue is used as adhesive for fine sand, wood dust, tissue paper, fabrics, ropes, strands of native sponge etc. I often start the painting with acrylic to establish forms, composition and colours. When I am satisfied, I do further drawing into the painting and finish the painting with acrylic or with oil paint. For as long as I can remember I have had a habit of letting some areas of the charcoal drawing show through the painting. The painting is then subjected to days of interrogation, reviews and critique. Amendment and adjustments are made where necessary for a period of time before the painting is finally signed.

    In the era of information and communication technology, what do you think are the challenges of the artist and the incredible possibilities ICT offers?

    I am indeed glad to be alive in this era of ICT. At the click of the mouse you can view exhibitions going on around the world. Or view works hanging permanently in major museums and galleries around the globe at no cost. The artist is in constant touch with major art development and events in the international art circuit. Some times when I see what other artists are doing elsewhere I am simply humbled and challenged but inspired to do even better in my work. I believe the ICT should be an integral part of every artist’s studio. It is a useful tool. I also believe every artist should understand the basic application of Adobe Photoshop, Photo Paint, Photo Suite, Corel draw, 3D Imaging etc.

    I had to learn and I am still learning aspects of these applications. Initially it was a pain in the neck, but now I am to a large extent IT-complaint!

  • Bower’s Tower and Ibadan’s historic hills

    Bower’s Tower and Ibadan’s historic hills

    Ibadan, reputed to be West Africa’s largest city, is widely known as a city “scattered among seven hills.” Taiwo Abiodun, who was on one of the hills, reports.

     

    Ibadan, the city “scattered among seven hills”, is synonymous with Bower’s Tower. Standing atop the tower one could see at a glance the four corners of Ibadan metropolis. It gives a panoramic view of all the important places in the ancient city. One can see a bird’s eye view of Gate, the University College Hospital (UCH), University of Ibadan, Adebayo, Cocoa House, Dugbe Market , Agodi Gardens, Iwo Road, Ife Road, Olorunsogo and the defunct Lagos /Ibadan Toll Gate. Other far-flung places like Adamasingba, Felele, and many more become visible. Some of these places are far flung but standing atop the tower gives one a precise picturesque of them.

    Standing atop, one could also see the ugly rustic iron roofing sheets of the ancient buildings of the city and it reminds one vividly of Prof J. P. Clark’s most memorable poem of the city. The ugly beauty of the rustic corrugated iron roofing sheets of the city.

    Welcome to Bower’s Tower on Oke –Are, the home of Ibadan’s illustrious Generalissimos, the settlement of the great Ibadan warlords in the 17th century.

    According to Madam Florence Adedeji (80), who has been living in Oke Are since her youth, Bower’s Tower was erected in the 1930s by the Ibadan Native Authority but was unveiled by Captain Robert Lister Bower who was then the Resident and Travelling Commissioner for Ibadan and the Interior of Yorubaland in the South Western Nigeria. The hill was named after him.

    She added, “It was here (atop of the tower) he was overseeing what was going on in the city and he administered his government from here and other Yoruba towns.” Omotayo Taiwo another resident and an old staff of the tower observed that the tower was named after Bower in appreciation of his contribution to the development and growth of Yorubaland , “He was not the one that built it but he unveiled it in 1936.”

    The road to Bower’s Tower

    The over 60 feet tall tower is on the hill top of Oke Are in Igbo Agala ( Agala forest) area of Ibadan. It is the highest hilltop in the city. The Tower has about 47 spiral staircases, designed by one Taffy Jones in the early 30s. It was unveiled on December 15, 1936 by Sir Robert Tower. Written on the side of the tower are these words: “BOWER’s TOWER ERECTED DEC. 1936 IN HONOUR OF CAPTAIN ROSS L. BOWER 1ST RESIDENT AND TRAVELLING COMMISSIONER OF INTERIOR YORUBALAND (1893-1897). However, all the words written on the tower have faded with the names of ministers who had over time renovated the place.

     

    Do you really know Ibadan?

    For the love they have for the Tower and for allowing one to see the many wonders of the city from its top the Ibadan natives have attached so much importance to the Tower. They have thus created myths and legends out of it. From the ordinary natives to the learned, scholars and researchers they have coined out stories and mythological phrases around “Layipo”, that is The Tower! These have become household words and common lingo of the ancient city. These have become part of the daily words and activities of the city. Therefore, it is common to hear such things as “Whoever comes to Ibadan and has not visited this Tower” (called Layipo) to view the city does not know Ibadan (Ibadan lo mo, o mo Layipo).

    Mr. Omotayo Taiwo who owns and has run a bookshop in Beere for years said, “This is where we call ‘Layipo’ because one could see the nook and cranny of Ibadan from this Tower. You will turn round on the tower to view the whole Ibadan. It is interesting to know the meaning and the message.” Another resident, Madam Emily Ogunwole added that ‘Layipo’ means that when an Ibadan man asks for a favour and the other answers yes, don’t be sure because he has not added that he has agreed, that is Layiipo for you in Ibadan. And it means don’t trust an Ibadan man or don’t take them for their words until they have really told you that they have agreed and accepted your proposal, that is the second meaning of ‘Layipo’.”

    According to Taiwo, the word ‘Layiipo’ was derived from the nature of the spiral steps which leads to the top of the Tower, which you have to turn round and round to get to the apex of the mountain. “It is these turnings that made it to be called Layipo”, he swore.

    The Tower itself has become old and small. The building, though still strong, does not befit the standard of modern day structure due to its lack of space and , according to an insider, no one envisaged it would become so popular and notable when it was constructed, “We need to praise the authority that constructed it because there is no building constructed today that can rival this one except that it is not wide enough to accommodate two people to go up (the narrow stairs) at the same time.”

    The Igbo Agala (Agala Forest)

    The road leading to Bower’s Tower could make any one without a steel heart melt. The tarred road of Oke Are leading to Igbo Agala is motor-able. However, any vehicle that is not strong could roll back because of the high terrain. A first time visitor would have to be patient, smart and be at alert and strong , because viewing the valleys on both sides of the road could arouse fear and make one fall head long down.

    According to Madam Adedeji, “We were told that it was from here, Igbo Agala, that the Resident Bower administered his government and controlled the Ibadan people. No wonder it was feared and dreaded. Igbo Agala was a thick forest, and all manners of evils were perpetrated there. I remember in the 60s when a man called Sade was gruesomely murdered by unknown persons , and his bodiless head was found here. The photograph of the head was shown all over Ibadan. Then it was a terrible place as criminals turned the place to a no -go -area. Area Boys turned the place into their abode with all manners of behaviour. Criminals turned the place to their meeting point, Indian hemp smokers paraded the area with rituals and sacrifices offered there. This is the place where masquerades do their own rehearsals (Igbo Igbale) and wear their costumes before they set out. No one goes there and comes back alive, in fact, those living in the vicinity tremble with fear. Anything could happen. But I thank God , it is now a different story.”

    A new world

    The one- time dreaded Agala forest has become a tourist attraction and has been cleared of refuse dump, deforested and turned into prayer city. Churches of different denominations and ilk have turned the place into a place to hold their activities, with over 150 tents constructed for hosting prayer sessions, while many others use either leaves, palm fronds or iron roofing sheets, as well as stones to form circles for praying in the place. Again some others use nylon to cover their tents.

    There are names such as Ori Oke Agbo Jeesu, Agbara Oloun ko seun ti, Ori Oke segan mi dayo, Ori Oke Angeli Ajaja Agbara , Ori Oke Oluwa so mi dayo, Ori Oke Oloun ti se ohun gbogbo tan, The Grace of God Jesus Day Mountain, Ori Oke Oju o ti mi, Inspirational Power of God Evangelical Ministry (IPOGEM), Gethsemane Garden of Eden among others.

    Pastor Gabriel Oyedotun of IPOGEM said he has been worshipping on the mountain since 2001. According to him, the place had been blessed with a lot of prayers which made them occupy the environment. “This place was known as a forest before where many evils were perpetrated daily. They have killed here. They have thrown this place into a place of worshipping idols, this place was once a den of armed robbers, Indian hemp smokers and where other criminal activities take place. But with our prayers, now things have changed.” On whether they pay money for the allocated plots or spaces, he agreed that the space belongs to the state government, so no one collects money from them. He, however, added “well if they want to collect money I believe that the man in charge will just collect just a token for the maintenance of the area.”

    On why the churches have refused to erect structures there, he said, “There is an instruction or law that one should not erect any structure or buildings there. But we do take care of this place, and if it weren’t for us would have been coming to the Tower,” he boasted,

    Necessity leads to invention

    Prophetess Deborah Fantola who runs a church known as Mountain of Prayer on the hill said, “Apart from its serenity, the place is put in place by God for us to keep holy. This is the road to Bower’s Tower, and everywhere has become a tourist attraction. I know all the stories here, so we should thank God that we have good road leading to the mountain and to the Tower.”

    On how the place was deforested, she said June 12, 1993 election crisis exposed the place. She said anyone going to Bower’s Tower was subjected to attacks or sometimes killed or maimed, hoodlums robbed and raped there due to the thickness of the forest. According to her, “We used to kill animals like antelopes, snakes among other dangerous animals because the place was a forest but when there was no fuel during the 1993 presidential election crisis, the Ibadan people went into the forest to hew the woods and used them to cook. In fact, one could see water coming out from the firewood which were burning in fire. We cut all kinds of woods from the forest of Agala here to cook when we could not get kerosene, and fuel was scarce .That was how the Igbo Agala was deforested and the place became clean without the assistance of the government.”

    Tony Innocent and Mama Ogundeji said they have been coming to the forest for special prayers and their prayers have been answered.

    Poor condition of the Tower

    Madam Adedeji who has spent all her life seeing the city grow observed, “I remember that I used to join others to look at the whole of Ibadan city from Bower’s Tower then and it was free of charge, we didn’t pay any money to climb the staircase in order to look at the whole city. Then it was the first and highest place to see all of Ibadan city. Now, I learnt they are paying money to climb the staircase.” She, however, lamented the deplorable condition of the Tower. “For some time now the place has been neglected. The condition is bad and this has led to low patronage unlike before when visitors come from the nook and cranny of the country to use the place for events like wedding ceremonies, entertainments and many other things. Nobody or very few people go to the place for sightseeing now.”

    The sad aspect of the Bower’s Tower’s story is that the last times maintenance were carried out were under various military regimes in the country. This is displayed on the wall shown under successive ministers it was renovated by the Federal Ministry of Commerce and Tourism. For instance, it was renovated in 1996 by Rear Admiral Isaac Sunday Adeola, while Rear Admiral Jubril Kayode Ayinla had his turn in 1997 so also did Dr. Emmanuel Udogu in 1998. The last time was in 1999 by General Patrick Aziza. Since then nothing has been done.

    To pay a token

    The gate fee and sightseeing charges are written on the building. For entrance, a student is charged N30 while an adult pays N50. For those who want to take pictures and video the scene, the charge is N100 and N500 respectively.

    The building has become decrepit, while the paintings are faded, and some of the structures, like tents where one could relax, have collapsed and are no longer in use.

    One of those who work in the place lamented that, “We make small money even people hardly pay, we have to plead, talk, and talk before they could pay the required fee.”

    Another worker who pleaded for anonymity said, “For a long time it has been neglected and therefore was not patronised for social functions because of its poor condition. It was later leased out to a company yet it made little or no progress. I am aware that the state government is planning to do something before the end of this year because it is too shameful to see the place like this.”

    Some visitors who wanted to climb the staircase said they were afraid of the spiral staircase . However, the younger ones such as Miss Temilade Omolayo, a student of Citadel International School, Ikare in Ondo State, said, she came all the way to see Ibadan at a glance. She happily said, “This is my first time of coming to Ibadan and I was told to come and see this place that I can view the city well. This is a good tourist attraction apart from the Zoological Garden. I visited at the University of Ibadan.”

    However, her younger brothers Dimeji and Yinka Omolayo who were not bold enough to climb the staircase said the building should have been bigger, saying, “The staircases are small and could only contain one person at a time. We need a guide to take us up to view the city.”

    After traversing this historic Tower, this reporter left with the impression that this historic monument needs total renovation and enlightenment for it to become a veritable tourist attraction centre.

     

  • Ajapa Club in theatre frenzy

    Ajapa Club in theatre frenzy

    With the notion that it is never too soon for children to learn about the value of money and ways to save, Ajapa Club, a drama group focused on the cultural development of children, on Thursday, April 11, launched the Ajapa Financial Club, a body that seeks to instil the tenets of financial discipline on school children.

    Explaining the rationale behind the programme, Akin Braithwaite, Chairman of Ajapa World, said that the best way to carry such a message across to kids was through a platform they can relate with. “It is all about trying to get children to be included in the financial literacy world. We believe that children need to learn early about money, how they use money, what money does, how to be responsible with money. The best way, we thought, was to leverage on this platform, using the character of Ajapa, have the children come, watch the depiction of what financial handling and what money is about,” Braithwaite explains.

    Butressed with the drama Why the Tortoise Has a Shell, the event also featured music and dance. Ajapa the tortoise, bothered by the constant lack of food in the community, places before the snail a scenario where they have to scrounge the earth to eat or pay for the comfort of existence. He suggests going into business together, an idea which snail buys into but with misgivings.

    In its usual interactive manner, the drama teaches commerce and familiarising them with terms like capital, profit, percentage, banking and the likes. They go into business and become very rich. With the new affluence, they decide to hire servants. They engage the services of rats who move in with them. In the course of time, they notice that while their fortunes are dwindling, the rats are getting fatter. They set traps for the rats and catch them red-handed.

    Ajapa the wise one comes up with a suggestion as to storing their money in shells and taking them wherever they go. To save their money and secure their possessions, both the tortoise and the snail get fitted with shells explaining the mystery of why the tortoise has a shell.

    Financial literacy in Nigeria is very poor and according to Ladi Smith, Executive Director of Credit Awareness, it is important to take it to children before they grow old. “We at Credit Awareness are on a financial literacy drive for Nigeria where we are teaching the adult population on literacy issues because literacy is an empowerment and if you teach people how to use money we have our slogan safe saving and responsible borrowing. If Nigerians can save wisely and borrow responsibly, we will have an empowered nation, but unfortunately that has not been the case,” he stressed.

    At the end of the programme, schools present were given an Ajapa kit which contained a Tortoise bank, reward journal and other Ajapa paraphernalia.

     

  • What life  has taught me,  by Osuntogun

    What life has taught me, by Osuntogun

    Professor Adeniyi Osuntogun, a former Vice-chancellor of Obafemi Awolowo University (OAU), Ile-Ife, is a member of the Governing Council of Ajayi Crowther University, Oyo. A professor of Agricultural Economy, he was also the first African Programme Director, Leadership for Environment and Development (LEAD) International, a Rockefeller Foundation initiative. In this interview with Eric Ikhilae, the professor, who turned 70 on April 14 reflects on his life.

     

     

    When you reflect on your journey through life so far, how do you feel?

    By the grace of God, by any definition, I feel fulfilled. I thank God. When we were young, we had teachers, who bring you out of your shell; teachers who encourage you to fashion a life for yourself.

    I will not forget my principal, A. K. Onadipe. He was a disciplinarian. He helped us to be focused. He helped us to really aim for the best. In those days, when you go to Government Colleges, you feel proud relative to those in other less known schools. But, our principal will always tell us that we can also make it like those in Government Colleges; that success is not only meant for people in Government Colleges.

    When you made up your mind to go to the university, what were you interested in?

    When I started, I wanted to be a Political Scientist. In fact, when I was admitted at the University of Ibadan, I was admitted for Politics. Politics was called Government then. After the first year, something told me to change. In the second year, I went straight and registered for Economics. I felt it would be more flexible and versatile and that there are more opportunities for employment.

    What informed your interest in Political Science at first?

    I was interested in politics because I just wanted to understand the act of governance. I was a good debater, so people believed I would be a good politician. But with time, I changed my orientation totally. I was to be a politician being a very good speaker. But I will not be a good politician, because I do not know how to tell lies and play games.

    As a former Vice Chancellor of one of the nation’s foremost universities, how would you assess country’s educational development?

    If you are talking of the university level, we are making some progress. With the introduction of private universities, things are getting better, because there is choice. Before now the federal and state governments -owned universities were dominating the scene.

    And, you will discover that a number of potentially good students were denied admission because there was not enough space in those institutions. But right now, it is highly competitive, even among government universities. They all compete. There is relatively enough room now.

    Do you agree with the argument that the standard of education in the country is declining?

    Once you are producing and putting in more goods, if you are not careful, the quality may be sacrificed. I think there is need for the society to realise that much as you are expanding opportunity, setting up new institutions, you should back it up with the development of those who will man those institutions.

    The existing institutions are only competing among themselves for the little manpower and personnel that we have now. That should not be.

    What they should have done was to create enough infrastructure and human capacity development to be able to generate enough people, particularly in the area of academia and subject matter-specialist, who will man those institutions. We got it the other way round. We started the institutions as institutions, without giving adequate attention to the development of the required human resource.

    How do we address this identified inadequacy?

    You need to retrain those who are training. Some of the personnel, who are manning those institutions, like lecturers, professors and so on, also require some retraining because things are dynamic. Subject-matter specialisation is not just enough.

    They have to update themselves on recent developments in their different areas of disciplines. In fact, there used to be sabbatical leave. But sabbatical may not be enough. There should be short-term exposure and trainings to upgrade their knowledge.

    Do not forget that knowledge is now moving fast. It is now a global issue.

    Some have argued that the decay in the education sector results, partly from inadequate funding by successive administrations. Do you share this position?

    I will argue that the inadequate budgetary allocation to the sector is caused mainly by competing demands. You see, security is now a major issue in the country.

    So, a lot of money will now be directed at security. In other words, the priority of government differs from time to time. It is not that government has not been paying attention to education in the past. It just happens that it appears that the size of the cake is getting smaller and smaller every day.

    What is your view on the argument that the government should first reduce the size of government and cost of running it, if it actually wishes to save cost and save money for development purpose?

    You see, there is politics in government. There are some decisions that are taken solely to satisfy political desire. Some of the political decisions may look unreasonable to the ordinary man, but it makes a lot of meaning to members of the inner caucus in politics.

    I quite agree with you that we have a large number of people in government. I think one of the reasons the government did this was to curb corruption among government officials and politicians. Whether we are achieving that now is left for use to see.

    I think the government still needs to streamline the cost of governance and the carrying capacity of the budget. Right now, I think the cost is overblown and it places heavy burden on the revenue, which now affects the state’s capacity to meet other needs, particularly the developmental needs.

    How can the country effectively combine its clement weather and arable land to achieve abundant self sufficiency in food production?

    What we need to do is to encourage people to go into farming. We have been on this for a long time. Let me be honest with you, the youths can be turned into a land army. There should be opportunity for the youths to be encouraged. We need to make farming attractive to the youths. We must give agriculture the emphasis it requires.

    Government must put in place policies to achieve these. The transformation agenda of the federal government must be re-examined. The government should pay attention to small scale farmers and those in the processing sector, who process farm produce. The government must make it easier for them to get farming inputs.

    Efforts should be directed at encouraging value added agriculture. And in doing this, the small scale farmers should be carried along. We cannot just move to commercial agriculture and abandon the small scale farmers.

    Most Nigerian cities are over populated. What can be done to reverse the trend of rural-urban migration?

    Government should promote the development of what I call middle size cities and towns. In Lagos for instance, areas like Ikorodu should be able to pull people towards that area. It is not everyone that should reside in the city centre.

    There is something particularly funny in Lagos. Everybody wakes in the morning and heads towards the Island. By evening, they are all moving back. It should not be so. If you go to other countries, what they do is to diversify, engage in strategic development. They do not over concentrate structures and institutions in a place.

    So, to prevent over migration into the cities, government should make deliberate effort to develop other places. It should encourage what they call, peri-urban agriculture. In Lagos for instance, encourage pre-urban agriculture in Ikorodu, Epe and in other outskirts of the city.

    The problem of concentration of institution exists in Abuja too.

    With the growing impact of climate change and the attendant global warming on human existence, do you think Nigerians are sufficiently educated to appreciate the impact of their actions and decisions on the environment, and how to cope?

    Relative to what used to be, an average Nigerian is aware. This is not because of the awareness programmes of government agencies and foundations, but because of bitter experience. Whoever has witnessed flooding does not need to be told it is wrong to block water channels.

    The effect of global warming and climate change is being felt everywhere. Look at the northern part of the country, where constant rain is gradually becoming a problem. It was not like that before. They used to pray for rain or in some cases, and seek the assistance of rain makers.

    Do you think governments, at the state and federal levels, have done enough in addressing the impact of climate change and other environment challenges being experienced in the country?

    To some extent the federal government has put some measures in place. For instance, they have just enacted the environmental policy, although it is too late, because they ought to have done it long time ago.

    Again, what is limiting government is funding. It is not until recently, when we begun to experience different calamities as a result of climate change, people thought issues about climate change and global warming were too abstract and remote. People did not appreciate the dangers and challenges they pose to the environment until now. I think more things need to be done.

    The case of environment ministry is not helped because of inter-ministry, inter-agency competition in government. There ought to be inter-ministerial cooperation and collaboration, because environment issues cut across most other sectors/ministries.

    Having been part of a body that promotes good leadership globally, how would you assess the quality of leadership in the country?

    One cannot engage in generalisation in assessing the nation’s political leaders. Some are doing well. Examples of performance cut across all the parties. Performance has nothing to do with the party you are in. It depends on the individual.

    People should look beyond the parties in making electoral choices. We should start now to analyse those being presented by parties for elections. So, the new crop of politicians must be monitored. People must assess and reassess them. People must not wait until the next election.

    The problem with Nigerians is that they wait until the next election. You don’t wait till the next election before you let anybody you voted into office knows that he is not performing.

    There must be consistent evaluation from the people. There must be people’s parliament where their voices could be heard. Nigerians should not fold their hands again like they used to do.

    Do you agree with the argument that the absence of a mentoring/grooming process for would-be leaders accounts for why the rate of failure is high among political leaders in the country?

    Some 20 years ago, the Britons decided that they needed new crops of leaders. So, they took John Mayor and a host of others. They started to train and groom them. They even sent them to the United States and other countries to expose them. So, when the time came, they started taking from those crops of leaders that have been mentored.

    Similar thing happened in the United States Obama (Barack) did not just emerge overnight. There is need for grooming. You have to groom leaders. We have to groom our leaders. Until recently, the opportunity for young ones to take up position of leadership was very difficult. It is the same iroko that sits.

    I think things are improving now. So, the system is gradually evolving. But there should be emphasis on bringing up young leaders. There should be more emphasis on improving their skills. There should be more emphasis on improving their exposure. They need exposure.

    When I say exposure, I mean that they need to be taken out of the country to learn the way things are done in other societies.

    You are on the board of some philanthropic organisations. It has been argued that the wealthy in Africa hardly engage in philanthropy, which informs why most organisations look up to foreign donors for assistance. Why is it so?

    Let me explain. There is what they call the principle of development. I think it is as a result of the fact that most rich people here belong to the first generation.

    Those in the first generation have the tendency to think first, of themselves, their immediate and extended families, before considering whether not to give to those they do not know or are not related to.

    Secondly, some prefer to remain in the background. They do not want to be known or identified as being wealthy. You must have enough to be able to start and sustain a foundation.

    How does it feel being 70?

    I am just also enthused to say I am 70. In those days, we look at people, who are seventy as old. It is an achievement. One looks forward to being 70. At 70 you are no longer young. You now belong to what you call the elders. In every society, any 70 year old man is regarded as an elder. So, it is quite interesting to reach that age. What makes me happier is that I am 70 with my wife; we are both 70.

    How do you plan to spend the rest of your years?

    I retired from active service some years ago. I left the university 22 years ago. Since then, I have been engaged in managing my personal office, from where I offer expert advice and consultancy services.

    I do that at my pace, not as vigorously as I used to do. As a professor, I do some writings as a way of putting my knowledge into written form. I still have a lot to occupy me. At 70 I will continue to do what I do, but not to go about seeking for jobs.

     

     

     

  • Crafts to the rescue

    Crafts to the rescue

    An ongoing arts, crafts and decor fair in Lagos showcases works of diverse visual arts, designs and textiles to promote and propagate Nigerian artistic creativity to the larger audience. Edozie Udeze reports

    As part of the Easter celebrations, the National Council for Arts and Culture (NCAC) in collaboration with the National Gallery of Art (NGA) mounted an art exhibition in Lagos entitled Arts, Crafts and Décor Fair. The venue of the ongoing exhibition is Aina Onabolu Art Gallery, Iganmu, Lagos, where crafts, paintings and sculptures of all genres are mounted for public viewing, patronage and appreciation.

    In declaring the exhibition open, Ekene Okoroma, the head of the Lagos office of the National Gallery of Art (NGA) described the outing as the first of its kind in Nigeria. “It is heartwarming to see these two parastatals initiate and consummate a collaboration to mount an exhibition to showcase works of art, crafts and décor, depicting contemporary socio-economic realities of the Nigerian society.”

    The works on display showed complete array of visual artworks from artists with diverse backgrounds. These included graphics, paintings, drawings, sculptures, ceramics, pottery and lots more. They all depict and portray the different but rich repertoire of cultural settings in Nigeria. The crafts also came in different modes and mediums, representing various ingenious creative persuasions of the multi-cultural nature of Nigeria.

    Okoroma, who spoke on behalf of Abdulahi Muku, the Director – General of NGA, directed people’s attention to the essence of crafts in Nigeria. “Often, people ask for space to showcase what they have,” she stated. “And that is why this exposition is necessary in order to give a lot of artistes the opportunity to showcase what they have. The works of art here depict who we truly are as artists and as professionals,” she further said.

    Joy, one of the artists whose crafts dwelt remarkably on interior decoration, praised the two parastatals for making the exhibition possible. “I am elated to be here,” she said. “What we have on display is rich on Nigerian cultural heritage. You don’t need to go abroad to shop for materials for your interior décor. We have plenty of beautiful crafts here to make your day,” she noted.

    In welcoming guests to the occasion, Chinwe Abara, who stood in for the Director-General of the National Council for Arts and Culture (NCAC), M. M. Maidugu, drew the attention of the people to the urgent need to continue to discover, tap and develop young talents in the areas of crafts and weave-making.

    “We need to always impart on the creative use of indigenous materials. We have to ensure that we inculcate craft skills and appreciation to the younger and future generations. We also organise zonal crafts workshops, exhibitions and trophies for the purpose of creating awareness in the minds of the public,” she further stated.

    Some of the artists whose works were on display were Uche Nwosu, John Egwuatu, James Itodo, Israel Benamaisa and Ugherebe Godwin, all of whom are staff of the NGA.

    The idea is to encourage these artists to be conscious of their primary calling. Apart from being civil servants, they need to also be aware of their professional calling which is the art.

    Egwuatu, whose sculptural masterpieces stunned many, opined that it gave him plenty of joy to be part of the big show. “Even though I work from time to time, this fair is a big one for me,” he said. “It is a big one, in that it depicts the sort of art that I love so much. As a sculptor, these works showcase my true talents and professional calling as an artist.”

    The one week show drew guests from all genres of the art who came out to give kudos to various arts of creativity on display. As people went from stand to stand to view and appreciate these works of art, traditional music played in the background to give the necessary groove to the people. “It is so cool here. In fact, art is really felt in people’s nerves,” Charles, a student from the University of Lagos who attended the programme, enthused. “Nigerians need to inculcate this habit of relaxing with the art,” he said.

  • Lagos Water Regatta holds amidst fanfare

    Lagos Water Regatta holds amidst fanfare

    Easter Sunday, March 31 was a day of celebrating the rich cultural heritage of various tribes as the much-talked about Lagos Water Regatta held at the Waterfront of Oyikan Abayomi Drive. Being a holiday, families converged to get a feel of the tourist event while regaling in the rare show of entertainment action which included a high dose of comedy and dance competition for all ages.

    Welcoming guests to the event, Engineer Olusegun Jawando, Chairman of the Committee which put the regatta together, said that the initiative, which was conceived four years ago has continued to serve as a symbol of common purpose and heritage as well as an important ingredient not only for development of tourism in Lagos but also for the evolution of national culture out of Nigeria’s plural society.

    “The Lagos Water Regatta is a water-based cultural sporting and recreational activity put together to exhibit diverse functions of the boats put to use in yesteryears, from community to community,” Jawando noted.

    Present at the event, the Lagos State Governor, Babatunde Fashola, said that the regatta, held as part of events to mark the celebration of the Lagos Black Heritage Festival, has become a social asset, a renaissance of a greater part of the culture of Lagosians.

    “This administration is poised to exploit the commercial essence of its content by heightening the interest of corporate organisations here in Lagos and around the country in promoting it into tourists’ delight. Our ultimate goal is to register the Lagos Water Regatta in the map of world tourists’ destinations,” he said.

    This year’s edition consists of eye-catching activities such as parade of speed boats and yachts, ski jets fun ride, swimming competition, kayak racing which will involve all the 57 local government councils in the state; fun activities at the Regatta Village.

  • ‘I’m no longer bitter against Charles Taylor’

    ‘I’m no longer bitter against Charles Taylor’

    • Agnes Adenike, wife of the slain journalist, Tayo Awotunsin, who was killed by Charles Taylor’s soldiers in 1990

    She is a classic example of a strong woman who has remained unbowed inspite of the challenges and vicissitudes of life in the last 20 years. For Mrs Agnes Adenike Awotunsin, wife of the late journalist, Mr. Tayo Awotunsin, who was reportedly killed by forces loyal to jailed former President of Liberia, Mr. Charles Taylor, in 1990, the journey in the last two decadewq, has been nothing but pains and agony, climaxed by her suffering from stroke. But despite all of these challenges, Mrs Awotunsin is hopeful of a better future. In this interview with Remi Adelowo at her room-and-a-parlour apartment on the outskirts of Lagos, she recalls the good times she shared with her husband, how she won N1 million in the ‘Who Wants To Be a Millionaire’ show, her ailment and many more

    How have you been coping since the death of your husband in 1989?

    Life has not been easy o! Life has not been easy at all, but I still give glory to God. Considering how I have survived the challenges that I have faced in the last 17 years, I can only give glory to God.

    Can you recollect your last moment with him before he left for Liberia.

    He left Nigeria on June 11, 1990 for Liberia. He had earlier travelled there around May that year, but came back. A week later, he left again for Liberia. Initially, the Federal Government did not say anything about his where about until I granted an interview to Today’s Choice magazine, during which I said I would travel to Liberia to search for him. It was not up to 24 hours after I had the interview that General Joshua Dogonyaro (then the Commander of ECOMOG ) announced that he (Awotunsin) and his colleague, Kris Imodibe of The Guardian, had been killed by Charles Taylor.

    So, it was not that the government sent a team to break the sad news to you?

    On the day I got to know of his death, I wasn’t at home. It was on the radio that many people heard the story on 4 pm news. And you know how bad news spread quickly.

    Did the government inform his employers of his death?

    I don’t think so. What I remember is that Tayo’s uncle asked me to see him at the family house. As I was going home to prepare, I saw many people on my street, particularly in front of our house. I was curious about what was going on. As I was moving towards our apartment, one of the people asked me whether I’ve heard any news concerning my husband. I said no. Later when I got my husband’s family house, I met a delegation from the Champion.

    What was the first thing that came to your mind at this point?

    I just knew instantly that Tayo had gone!

    Just like that?

    Of course! What else could I have thought of? I mean we had been expecting him (Tayo) for sometime; I’d fasted and prayed for 41 days and looking like a skeleton. I was praying everyday for his safe return, not knowing he had been killed.

    Did you make any attempt to take possession of his corpse after his death?

    I did my best. I granted several interviews to radio and television stations, including newspapers pleading that his corpse should be released to his family. I guess the government also tried its best in this regard. We later heard that Tayo and other victims had been given a mass burial in Liberia.

    Breaking the news to your children must have been a huge task for you. How did you handle that?

    My children were very young then. As a matter of fact, our last child Tolani did not know him, because she was about two years old. I have three girls and a boy for Tayo. The boy, Sola, is the eldest. For the ones who were a bit small, they were crying because they also saw me crying.

    What fond memories do you have of your husband? How was life with him?

    (Took deep breadth). I really miss Tayo! That’s why I’ve decided not to re-marry. When he was alive, we never had problems. There was no interference from anywhere, because we loved and understood each other. Tayo never allowed me to spend my salary. He really spoilt me silly. Then, once I got pregnant, he would employ a maid and a nanny to take care of my needs. So, when he died, I exclaimed in Yoruba, ‘omi ti tan leyin eja? (I’ve lost my benefactor). He was my best friend.

    Were you in paid employment then?

    No, I was engaged in my personal business. Tayo did not allow me to touch a kobo out of my money.

    What was he into when you first met him?

    He was working with the defunct Television Service of Oyo State (TSOS), now known as BCOS in Ibadan. I was working then as a Secretary to Mr. Yemi Farounbi, who owned Labs Deroy Centre, Basorun in Ibadan. We met at Basorun, and later got married.

    Can you recall your first encounter with him?

    It was the normal a young man meeting a young lady scenario. He asked me out, but I told him I can’t date because he was too tall for my liking. He replied jokingly that they ate beans a lot in his family and that was why he was tall. I really didn’t take him seriously, but I guess God had destined our union. We were friends for many months. At that time, he was squatting with his friend at the University of Ibadan, where he was pursuing his Master’s degree. As we got more serious in our relationship, Tayo secured an accommodation very close to our offices.

    When did you eventually get married?

    1980. We had our first child in 1983. He left TSOS for Guardian and moved to Lagos. I had our second child and he came to Ibadan to pick us up. Thereafter, he moved to Champion newspaper. We finally relocated to Lagos sometime in 1985. It was while he was at Champion that he got a transfer to Abeokuta and we moved again. Then after I had our last child, we moved back again to Lagos in 1988 following his transfer. It was from Lagos that he made that journey to Liberia from where he never returned.

    Beyond his loving and caring nature, what type of a person was he?

    He was a very hardworking man. It was a miracle that I even had four children for him, because he never had time to stay home. The little time he spent at home, he was always with his pen and paper; always writing till late hours. Let me tell you this story. When I was about having our third child during our stay in Abeokuta, I had fallen into labour and my neighbour called him to come home. Tayo came home quite alright, but you know what he told me. “My dear, please just hold that baby. Let me quickly rush to the office to file this story to Lagos.” My neighbour could not believe her ears. But Tayo just told her to quickly get a taxi, which took me to the hospital. I had already given birth when my husband dashed in asking ‘where is my wife.’ I asked him, ‘so, you want me to hold the baby while you go to the office to write a story.’ He said ‘my dear, I’m sorry. You see, it was important I file that story today.” As a father, he was very responsible. He never joked with his children’s welfare, most especially the payment of their school fees. That was why after he died, the proprietress of my children’s school gave them scholarship for their primary education. The woman said she knew my husband as a responsible father. He never smoked, drank or womanised.

    Charting a new course for your life after his death must have been a challenge. How did you face this?

    My brother, being a widow is not easy at all. I faced too many challenges that I just can’t recount all. Do I need to tell you the day my four children fell sick at the same time, with measles all over their body. The children missed their father a lot and they gave me a lot of problems. There was a time I left them with my shepherd in the church where they lived for one year. I travelled to the north with my last child. There, I hawked bread and did menial jobs to survive. After I came back, I secured a one-room apartment at Baruwa, Ipaja. We had lived in a 3-bedroom flat, I lived in the north for about three years but in between, I came to Lagos to see my children. It was during the Sharia crisis in the north that I finally returned to Lagos.

    How did you suffer stroke?

    It was in 2010. The first sign was when I was coming from the market on this particular day. As I stepped on the plank in front of my shop, it collapsed. It was difficult for me to get up. But the stroke happened much later when I was taking my bath and suddenly fell down. I shouted and shouted, but unfortunately, none of my children was around. It was a neighbour in the third house who heard my voice and came around. But then it was too late. My right leg had turned around, ditto my mouth.

    Did you suffer from any ailment before then, like high blood pressure.

    I never fell ill for once. I had to be up and doing to make money and take care of my children.

    Back to your husband. Did you have any premonition that he may not come back from that fateful trip?

    I told him, but he didn’t believe me. He had returned from office and was having his meal. I went to him and said, “Please my dear, don’t go on this trip.” He simply told me to be prayerful. On the day he left, he told me he would be back after five days. But after the five days lapsed, I became disturbed, looking out of our apartment just to see if he was back. And for over 20 years, I’ve kept waiting for him to come back. And see the result; just look at me. Tayo left around May and his death was announced in August 1990.

    How have you coped with this stroke?

    It’s been very difficult! I can’t trek to the nearest junction without someone holding my hand.

    I understand you run a beauty salon before you had the stroke. Is it still running?

    Not yet! I was into the business many years ago, but when my son got admission to Lisabi Grammar School, Abeotuta, I had to sell everything in the salon just to raise money for his school fees.

    What are your children doing now?

    My eldest, Sola, is into music. The second child, Bisola, is a teacher; Folake is also a teacher, while the youngest, Tolani, is at Moshood Abiola Polytechnic, Abeokuta. She is almost rounding up. I did my best for all of them before this (stroke) happened. But I still give glory to God.

    When you appeared on ‘Who Wants To Be A Millionaire’ show, were you hopeful it could be a turnaround in your life?

    I never expected to win anything. It was God who made it happen. Credit also goes to Mr Olu Akinlabi, the man who searched for me and brought me on the show. He is God-sent. Before I appeared on the show, my house rent was due; my daughter school fees had lapsed, but there was no money. Even to feed was a problem. During this period, I will cut onion and soak it inside garri for at least 10 minutes. It was just to make it swell up and be enough to eat for me and the children. With the money, we were able to pay the house rent, my daughter’s fees and also buy some things for the salon. My plan is to get a stylist for the place. The rest of the money was spent to buy drugs for my ailment.

    Why did you decide not to remarry?

    Which other man could ever be like Tayo? Tell me, who?

    But there must have been pressure from men, wasn’t there?

    Too many. Getting married again, for me, is not worth it. I know God is on the throne and He would take care of us.

    What lessons have you learnt in the past 20 years?

    I’ve learnt many lessons, and in a very hard way. Now, I see life differently. I know that if Tayo were to be alive, life would have been much better. How far can a woman go? But I had no choice but to work hard for the sake of my children and not let Tayo down.

    Did all of these ugly experiences shake your faith?

    Initially, my faith was shaken, but now, I have infinite confidence that God is there for me and my children. I used to ask God, “are you still on the throne?” But I thank Him, afterall I’m still alive, and the children are still alive and in good health.

    Would you like any of your children to follow their father’s path and become a journalist?

    Lailai (never). When my youngest child told me that she wanted to study Mass Communication, I said I would curse her if she ever tried it. I repeat, lailai (never). For those of you in it (journalism), I always remember you in my prayers.

    Journalism deprived me of the joy of my marriage. I was married for only seven years!

    Lastly, do you still nurse a bitter feeling against Charles Taylor?

    Well, I used to, afterall I’m human. But not again. I’ve left everything to God.

     

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