Category: Sam Omatseye

  • He set forth at dawn

    He set forth at dawn

    Sam Omatseye

     

    HE was just 25 but an icon in a protest of global proportions in the early 1960s. It was not in Nigeria but in faraway Athens, known glibly as the birthplace of western civilisation. That was not the beginning of being first in his life.

    That age marked the rage of the young. They fulminated against injustice. The thirst of democracy, or at least cooperative government, was hitting its stride. Paris stunned the haughty Charles De Gaulle and echoed the French Revolution, if not as savage. They didn’t need an English Poet like William Wordsworth to praise the protests as he did the event in 1789: “Bliss it was that dawn to be alive.”

    London bowed to the unruly youngsters. New York boiled. The students of the world chose Greece that day, and a Nigerian, Julius Adelusi-Adeluyi, painted the front row African. The media, in their racist impulse, wondered who the hell was that black man to teach them about democracy. Adelusi-Adeluyi had to polish his Greece to understand the impudence.

    He became the secretary general of the worldwide students body, and he hopped on the plane every week, building coalitions, learning about the world, breathing in different climates, absorbing cultures, hearing accents, confronting habits, teaching the world about him and his race. He logged over 100 countries from Asia to Europe to the Americas. On the eve of one of such trips, he just finished his exam at Ife. He was full of the sap of his years. And as he turns 80 in a few days, he acknowledges it was a time for ferment. As Plato wrote, “Youth is the time for any extraordinary toil.”

    But even today, he is not the dynamo at 25, but he will not yield to the Chinese proverb that says, “When I was young I did not have the wisdom; when I was old I did not have the strength.” He set forth at dawn, apologies to Wole Soyinka. In his interview with me on TVC, he attributes it, the way all the modest do, to the grace of God. But it was that and more.

    Adelusi-Adeluyi is known as the owner of Juli Pharmacy. It oversimplifies him. The Ekiti prince’s biography is packed like his compound name. Few who saw him at 25 probably thought he was a student of history, or philosophy or literature. But he chose pharmacy as a course of study, just as he had chosen language studies before he was 17 and was not admitted at Ibadan because he was too young. Before he became a pioneer student at Ife – now Obafemi Awolowo University –  he was a broadcaster with the first broadcasting firm in Africa – WNBS-WNTV.

    Throughout his life, he has been what commentators call a renaissance man. He is good at many things. He can do everything, an amoebic talent. The term originates from the time after the Middle Ages in Europe when the world hatched itself out of the chokehold of the Holy Roman Empire. The man of that age was Leonardo Dan Vinci. At Ife, my teacher, Professor Femi Omosini, described him as “the universal man of the Renaissance, a veritable jack of all trades and master of many.” He was everywhere: painting, philosophy, engineering, biology, physics, etc. We remember him mostly for his painting, especially Mona Lisa’s smile. That is the way with renaissance men in history like Michelangelo, Cicero, Benjamin Franklin, Galileo, Thomas Jefferson.

    Adelusi-Adeluyi belongs to the Nigerian offering of the renaissance man. He is a writer, a humanist, an administrator, an entrepreneur, a teacher, a lawyer, journalist, philanthropist, democrat, student activist.  He was a singer at church and teacher of the gospel, and was called oga dancer for his dancing prowess. But like all renaissance men and women, Adelusi-Adeluyi compressed his doings into one ensign: pharmacy. Just as Leonardo did his for painting. In his biography of Leonardo, former Time Managing Editor Walter Isaacson says such persons “marry observation and imagination.” So he brought all his talents in engineering, philosophy and biology into that enigma of the Mona Lisa smile, and other paintings like Jesus.

    We have had quite a few of such men from Adelusi-Adeluyi’s generation. Soyinka – writer, activist, actor, democrat. Rasheed Gbadamosi – entrepreneur, activist, playwright, philanthropist. Beko Ransome-Kuti – medic, philanthropist, activist. Mamman Vatsa – soldier, poet, statesman.

    Few know – or remember – that Adelusi-Adeluyi made headlines as the first pharmacist to clock the first position in law school final exam. Or that he was the first Nigerian to own a company listed on the Nigerian Stock Exchange. Or that he was the first governor of Rotary Club all over Nigeria and much of West Africa. First, he was in the position of secretay general of the International Students Conference in the Hague.

    He was in sense a political economist, earning the position once as chairman of Oodua Investments. He was also the first president of the West African Pharmacy Federation. He was the first pharmacist to be made minister of Health. He laments that he has not had company, since no pharmacist has risen to such a posh state since he ascended it. He also launched forays into international commerce; hence he became the national president of the Nigerian American Chamber of Commerce.

    When Nigeria became independent, he was a boy. Sixty years after, he witnessed Nigeria in its ante-bellum maelstrom and become a maestro like quite a few. But he is evidence of some of the few fine men who did their bit. But his bit, like Soyinka, Achebe, J. P. Clark, Awolowo, Sam Amuka, Peter Enahoro and Anthony Enahoro, was big. The individual is important, but the nation still is a rot, because you have to harness the talent.

    Philosopher Ralph Waldo Emerson, in his famous essay, Civilisation, noted that “Each nation grows after its own genius.” He said “there is properly no history but the biographies of great men.” That is the opposite of Tolstoy’s collective view of the past. The nation has geniuses as individuals but not as a soul. Here the individual genius has been alienated from the nation’s soul. Adelusi-Adeluyi, in the words of Emerson again, “hitched his wagon to a star.” He waxed into a star. Not his country. So while Soyinka calls that era “a wasted generation,” he can pick quite a few Adelusi-Adeluyis who hitched their wagons to a star. They did well for themselves, but the society has not done well for us through them.

     

     

    Funtua: the glorious contradiction

     

    HE drove himself on his fatal hour. His chest was choking him, and he called his doctor. His heart condition did not deter him from sitting behind the wheels as was his wont. His driver was beside him. That hour emblematised the man, Ismaila Isa Funtua, who passed on in the hospital. He took his last breath after his last drive. He was tall, looked ascetic and spoke as from a throne. But he allowed himself to drive and, at prayer, he invited the big and small. He had the airs of Kaduna Mafia or what some now call The Cabal. He also craved the common touch. He had money and was willing to share.

    Funtua

    Each time we spoke on phone, he would say, “Eko nko o.” ( How is Lagos?). He had strong views but he was ready for intellectual battle, as in the case of my argument with him over Sowore. I didn’t agree with him but later I was pleased that his position softened. He mocked the idea of being called “a cabal.” Never to deny anything, he discussed it with me, and he told me about his apprenticeship into that vortex of power. He spoke about how he was the scribe. They held meetings in secret, he said. He was like a little boy in the group of the shadowy men of power in the North in those days. They went alone, not even the drivers were permitted to accompany them to the place. They ate together and played games like Ludo together and held meetings late into the night and even into the mornings. It was my longest conversation with him over the phone.

    He spoke with the same gusto about his fight for June 12, and how he dared Abacha and the northern power bloc that resisted Abiola’s mandate. His was Abiola’s deputy as chairman of Newspapers Proprietors Association of Nigeria. He was a contradiction as a patrician who fought for the commoner, a prince and a pauper. He was free with other ethnic groups. He told me Sam Amuka was his best friend and called him my brother from another mother. Amuka, tongue in cheek, retorted by asking whether I knew of an Itsekiri man who bore Funta’s name. It is often a potent statement to see him walk beside Amuka, his head in the sky, Amuka not far beneath his shoulder. I saw him smile in a phone dialogue with Amuka and looked like a little boy. He was a good prince, sometimes misunderstood, but his heart was in the right place. He is a perfect example of the patrician who embraced the commoner.

  • Naira in an age of pestilence

    Naira in an age of pestilence

     

    By Sam Omatseye

    I remember when the Naira was born. It hatched out of the British Pound, and we celebrated it as though the birth of a new era. Baba Sala, the great minstrel, welcomed it with comedy. He wafted the air waves with a soulful serenade. The authorities told us it meant happy selling and happy buying. It coincided with the joy clap of oil and what many saw as the oil boom.

    Don’t feel sorry for the Naira. It is also sorry for us. Since it was born in the early 1970’s, it has not known peace. It is one constant in the Nigerian story. It does not die, but it has caused many a death. It has been celebrated and damned. It has seen presidents come and go.

    In its name, hefty men have fallen, coups staged, prosperities sizzled, scandals festered, holy men disfrocked, prizes won, contracts signed and death warrants executed. It is at once the standard of value and the standard of values, the latter defacing the former. It is the root of all evil and evil of all roots. By it, classes are made in society, Lazaruses become rich men and rich men become patrons.

    Few then expected that the Naira would see what we are witnessing in the country today. A body called the EFCC was born as the mai guard. Laws signed as the gate. The estate was the presidency. The National Assembly pitched in as the security firm. Yet, somehow, men after men appointed as the top dogs at the gate failed.

    They barked and growled to bite quite a few men. Eventually dog after dog faltered and whined out of its portal. It did not matter whether the dog was a roaring male, or a yelping female. Their tails could not hold the wind, so they hid between their legs. Magu is the latest Alsatian in a low moan out of the sentry door. The canary, the media, croons from a nearby tree.

    Now Magu has sent many behind bars over the same currency. For the same reason, he is said to be in trouble. Preserving the Naira’s innocence was his job. Now they are telling us, he is not innocent. The washer man has stained the wedding gown. But when we distinguish the Magu boys and the other power bloc of the DSS and the minister of justice’s circle, it is a fight between loyalties.

    It is not about the public trust, but the private trusts. Each cabal is a private trust. The Naira is the public trust. But the two private trusts masquerade as the public trust, all in the name of the Naira. One private trust has won and kicked the other out of office in the name of public trust. They have cast out the devil in Naira’s name. It is the superman who wins over the sentry.

    What has happened in the past few weeks are nothing new to the currency. It is the currency of current affairs. See what is going on at The Niger Delta Development Commission. A former managing director and a minister are wrestling in the public square over Naira. The woman came, saw but could not conquer the place, because of Naira. She believes the Minister of Niger Delta Godswill Akpabio is conquering, and he has come to saw the naira in pieces. In the story is not only the sleaze of a slap, but also of blood oath.

    We have seen billions mentioned like the name of a familiar harlot. It is like tortoise in every tale. It is the narrative of palliative that amounts to fairy tale millions a month for members of the management. It is in the billions of contract spent without allocation. It is in the warning of a pen. A pen that signs in a job will be the pen that will end the job, according to the allegation. But it is all about the Naira. The agency blooms while the fisherman, the hunter, farmer, school boy in the region still cannot breathe or eat in a polluted environ of air and water.

    It is the Naira that is at play at the House of Representatives when the acting MD says he would not sit to hear allegations about his stewardship. The former MD Joi Nunieh weaves a tale of two rescues. First, she plays the role of an action heroine, taking on the kingpin of a minister. She would not swear a blood oath, would not go to bed, would not sign a contract, would not fire a northerner, would not spend money without allocation. She is the “thou shall Not” in the Old Testament. Philosophers like Nietzsche, John Stuart Mill and Auguste Comte would not like Nunieh’s allegations.

    These thinkers believed that Judeo-Christian injunctions tell us what we should not do instead of what we should do. So, they think Christianity is servile and based on fear. Hence Nietzsche, in   his books Thus Spoke Zarathustra and Beyond Good and Evil, proclaimed the death of God and supremacy of the superman, who has freed himself from the paralysis of faith.

    But Nunieh, if we believe her, is actually an action woman because she has done nothing, the insolence of impotence. She is probably following Prophet Isaiah who says, touch not the unclean thing. Or Paul who says, come out from among them and be ye separate. This is negative praxis, but not doing something is actually doing the right thing, according to her. Maybe that is why she thinks those who do things are not holy.

    The other rescue tale came from Governor Nyesom Wike, who turned the drama of a police siege into a heroic opportunity. He arrived there in the genre of a western movie, where the hero on horseback arrives with hooves raking up a dust cloud to save the weak. This time he came with a caravan, he in a BMW. He is not just a hero of a citizen, but a man of chivalry, saving a wench from the trench of men.

    Akpabio says all that is a lie. Nunieh is in her world of fantasy, weaving a randy minister for a handy slap, a hectoring bully where he was lawful. But in all these Minister Akpabio would be at home and Nunieh an unknown Port Harcourt girl if the Naira was not in the story. It is because of crude oil. It has made the agency awash with Naira. Crude oil has made crude drama for the Naira.

    Can the Naira also not weep over its abuse by other currencies just as when a certain gentleman was such a jolly good fellow that Nigerians, friends and associates, have converted into good Samaritans. Then they converted the Naira into dollars and gave $9.8 million to the former managing director, Andrew Yakubu, of the NNPC.

    They did not want him to go through the hassle of keeping huge sums at home in a depreciated local currency. Stashing that sum in naira would require him to tell his friends to build a mansion just to store the Naira equivalent that would run in the billions. Why not just make them handy in dollars so he can slap them into a pocket and walk around light.

    It did not begin today. At the end of the Jonathan era, many fellows according to legends built houses like private banks just to store their dollar loots. So, even now, the game continues. The Naira must be unhappy with itself. In those early days, the Naira was strong, and if you had such a large sum of money, you had to turn the pounds or dollars into our local currency. Just as the Bible says, money has failed in Nigeria.

    Against the backdrop of Magu, Nunieh, Akpabio and Yakubu theatres is a pestilence called Covid-19. While we moan the disease for lapping up lives, a bigger one is eating up our Naira, and it is not going away soon. It is called corruption, and it is a virus of power and influence. Against it, we have not even begun to develop a vaccine.

  • City of cities

    City of cities

    Sam Omatseye

     

     

    LAGOS may be the vertebral bone of the Nigerian economy. But, like a bone gone awry during a meal, it can get stuck in the throat. The question of how to make Lagos right for everyone was the subject of a webinar recently organised by the United States embassy.

    The topic of discussion was transportation. Lagos is nothing if not its mobility. For all its residents, the story every morning is not whether to move, but how to move, who to move, who should move, who to move to, where to move, what to move, when to move. Sometimes the Lagosian would have to understand each of these options as an epicenter of all the other options.

    It is weird jigsaw puzzle where if and how and when and who are equally and simultaneously important. So the resident would have little time thinking or else, the only thing that would move is a mind that is tossing around possibilities. The result is a whirligig of inaction. Much thinking, like studying, is the weariness of the flesh, apologies to Solomon. So, the Lagosian has to wake up and go.

    The question is, when he goes, he stays. Sometimes in a rut. That is what we all call go-slow, a snail in perennial motion. The US picked an expert, Robin Hutcheson, to give the main talk, and Nigerians also were selected to talk, and they included a representative of the Lagos State Commissioner for transportation, Engineer Toriola, a traffic  specialist Tola Odeyemi and Prof Innocent Ogwude, a former vice chancellor and also an expert.

    What struck me was that the issue of transportation in Lagos was mostly addressed as transportation. But I could not but be impressed by the way each discussant displayed understanding of the technicalities of transportation. The number of cars, the inadequacy of roads, space management, budgetary bugbears, easing nodal knots, pot holes, et al. Hutcheson showed great knowledge of what we need for every city and they also apply to Lagos. Her focus on space management was on the money, except that all who move around for money think little about some of the fine points, like focusing on the bus as the target of mass transit. Other issues include sidewalks, bike lanes, trains, metro, bus, light rail, train and additional creative points to foster connectivity between buildings and facilities.

    She made the great point that to move is to seek freedom for happiness, not just freedom to get around, but freedom from disruptions, from harm, freedom to connect and from exclusion. Odeyemi noted that Lagos is not like anywhere in the country as regards cars per kilometer, a point that Toriola specifies as 284 vehicles as against the national average of 11 per kilometer. She hinted that in 2017 alone, gridlocks cost the city N42 billion in productivity.  She called for improved regulation in water transportation and staff should share transportation. Covid has taught us all that more people can work at and from home. She made a salient point about budgeting, that the impression is that Lagos has all the money in billions in revenue, but she insisted that even healthcare alone will gulp all its money and not even satisfy all we need in that sector. She also hinted at a behavioral factor, the major reference to culture when she adverted to the rage over right of way, the heavy duty trucks and challenges of roundabouts.

    Professor Ogwude said the reason Lagos lost its reign as capital was partly because of the need to ease commuting. He called for smart traffic lights, road pricing to discourage car usage, taxing car parking, introduction of car-pooling, accelerating light rail system and more focus on water transportation, which is only one percent as yet. He added that long travel corridors like Orile to Apapa, and Apapa to Mainland can be circumvented with alternatives in ferry travels. He also observed that the work on Ibom Deep Sea port being pursued by Governor Udom Emmanuel in Akwa Ibom State and the Lekki Deep Sea Ports hold prospects for easing matters. He also called for subsidy.

    Speaking for the Lagos State government, Toriola reminded all of the work in progress in major corridors in the state, including Ikorodu to CMS, which has advanced. Work is also on in Oshodi to Abule Egba as well as CMS to Okokomaiko. Referring to calls for water transportation, he documented the work by the BOS of Lagos, Governor Babajide Sanwo-Olu on jetties around the state. In fact, 14 boats are bobbing on water. The governor is pivoting to collaborate with the private sector. On mass transit, he spoke about procuring quality buses not only for first mile but also for last mile purposes. He spoke of shift from car to bus or mass transport as an urgent matter of policy of the government. The roundabouts are yielding to four-way stops like the case in Ikeja.

    Toriola reminded all that Lagos was about the smallest state but with great population density. In spite of this, the state has been broken into zones to allow for ease of movement and control. He noted that the state was introducing technology to enforce traffic control and regulation.

    The publisher of Business Day, Frank Aigbogun, set the stage for discussion because, as the organisers noted, his paper has been very fervent about transportation in the city. He told a story of a tragic incident that resulted from transportation snafu.

    Clearly, Hutcheson may not have understood the geopolitics of Lagos or Nigeria. The other speakers were also speaking on the interstices of roads and the headwinds of traffic. But Lagos as a city of cities. The point could have been made that Lagos is a rescue centre, a city of refuge not only for the runaways from inefficiencies in other parts of the country but also a last mile for internal migrants. Thousands come to Lagos daily never to return. They multiply the number of those who move and the vehicles to move them. This problematizes road maintenance and space. Ultimately, it challenges budgeting. Odeyemi’s reference to inadequate money to do what is necessary hints at the development issue of the city.  It is pressure on housing, on jobs, on crime control, on medical care. So the problem of transportation is a problem of development. While it is technical, it cannot be handled alone.

    I would have wanted more dissection of budget and its niceties, and all the other issues gaping for funds like education and health care.

    Toriola referred to the issue of attitude, and that is the cultural aspect that was not really explored. Why uproar will dog some of the suggestions, like taxation, road pricing. A cultural point is drainage tight-ends from dirty habits of the city dwellers who discard waste at will and cause floods.

    And that calls for the political, and the need to reignite the call for special funding and status for Lagos. It is where the federal government ought to be grateful that Lagos has helped to keep the country from the turbulence of outrage over state failure. Just as in traffic, everyone’s car should be the other’s keeper, so it should be for a federal state. The burden should not suffocate one. To kill the one, may kill the rest. Jeremy Bentham, who led the utilitarian movement, had the right words: “Everyone counts for one; nobody for more than one.” As it is for the commuter, so it is for the federating units.

    It is not an issue that should be taken slightly. The population grows daily, the pressure too. This may create a discontent that may not be Lagos’ alone to bear but the centre. If the centre cracks, the whole nation tumbles. This is hoping that the centre does not wait until it can no longer hold.

     

    PEACE AS WAR

     

    IN his novel, War in a Time of Cholera, Garcia Marquez understood that without human love, all other things collapse. No matter how light-hearted the Nobel Prize-winning author wanted his novel to read, it ended sadly because the couple in the story had romance without peace.

    So peace is so important that it vanquishes even the challenge of a disease. That is perhaps the birthday gift Akwa Ibom State Governor gave at the weekend. He is harvesting peace but also mobilising it to the battlefield: against a pandemic. After inheriting a state that reeled in blood and fights, the state is at one against a common enemy.

    He has been able to do that by being the front-liner in his state in fighting Covid-19. He holds nightly meetings to cap his work having constructed a 300-bed isolation centre with a three-tier PCR laboratory, staked as the only one of its type and standard fully owned by any state government. This has earned him applause from the DG of the National Centre for Disease Control (NCDC). Witnesses say the isolation centre at the Ibom Specialist Hospital has a five-star ambience and facilities.

    On birthdays, we celebrate life. What a better way to do it than by working to keep death at bay in his state in a time of pandemic.

     

     

  • Hushpuppi’s death

    Hushpuppi’s death

    By Sam Omatseye

    It is Ramon Abbas he bears. Even that name puzzles. Some reports anglicise his first name as Raymond. But it is Hushpuppi we know, poetic, lyrical and even symbolic. Hush implies silent, furtive, conspiratorial, shadowy. Puppy, in this regard, means playful like a week-old dog. That makes him a sly dog.

    But then it has other origin stories. Some others date it back to the founding of New Orleans that gives the world Mahdi Gras, an unhinged carnival for pilgrims of pleasure. An immigrant woman invented a snack of a ball out of cornmeal and the city called it hushpuppy. Their own incarnation of akara. Even then, Abbas’ nickname is spelt ending with an i instead of a y.

    The one picture that has trended of late features him in a shirt sporting a familiar brand Fendi. But another brand had been stalking him like a forest cat, slinking, longsuffering and calculating. It was a brand as counterforce: FBI. Nabbed in Dubai but caught in the United States, the sojourn of a colorful conman comes to an end. Behind bars, he will wear neither Gucci nor LV, but an orange top that will, at best, say INMATE.

    Now he is no more Hushpuppi. He is now Abbas. He buried his real name in a casket of lies and deceit. He was reborn a glamour icon, one-named, abandoned home, and became a global Smart Alec. He was a man of means with no means of livelihood. He conquered cyberspace, dispossessed the gullible, stashed his global bank account, strutted the world, amassed dream cars, snored in palaces, dressed like a fop, preened like a peacock, seduced the young and befuddled the old.

    He became a role model to a lazy generation that lapped luxury without labour. When he was caught, the FBI buried Hushpuppi and rebirthed Abbas. But where is the real Abbas though? Can he recognise Ramon again? He cannot. Like Sophocles’ Antigone, he “neither dwells among men nor ghosts.” He is in a dazed world, a wraith. He died twice; he is born again a jailbird, his third life. He was reckless. Now he is a wreck.

    But Abbas is a tale for the moment, if in reverse. He was caught trying to denude a group of people in millions of dollars in palliatives in a time of pandemic. Abbas is a picture of avarice at a time of sacrifice. He was flaunting his shoes, cars, mansion, parties at a time when many hid behind homes, suffered in hospitals, coughed in misery, mourned or were mourned. He represented a heartless species when we were supposed to be our neighbours’ keepers, when many were suddenly whisked out of work.

    Read Also: How we nailed Hushpuppi, accomplices, by FBI agent

    When his fellow country folks lost their jobs, and men of means contributed their millions and billions to the poor, Abbas was a show-off. The thing with Abbas was no lockdown could stop his party. His extravagance was online. The world was his audience. He flourished and frolicked in real time and space, but his fans joined him virtually. His was a voyeur’s paradise. The young gawped and gawked, followed him, and commented. When they cursed, they did it out of smouldering admiration. He had come to represent a generation of Nigerians who did not trust their parents or their bosses or their leaders. They followed their greed. They followed Hushpuppi. He was a priest of a new goddess: money.

    Abbas for them was a sort of escape. He had become the man who gamed the system and scored. All the stadia in the world applauded. They are like the character of the English novel Billy  Liar, a young man who lived in his imagination where he had attained power, wealth and glory, although he had nothing other than living from paycheck to paycheck. Abbas embodied that escape for them. They lived in Hushpuppi. They wore his Fendi, lived in his palace, flew in his jet, caroused his women, or were his women, they sat in the driver’s seat of his Ferrari and Lamborghini and Rolls-Royce.

    Here fellow Nigerians had no chance to host Owambes. Weddings and birthdays and funerals have been pruned to parlors and backyards. It is a time for humility, and it was only proper that the man who countered it be caught and put away.

    These days no one has anywhere to go with Gucci shoes. No first class tickets to buy to London and take pictures for online vanity. No one has a chance to pile pockets with dollars and pounds to spray a celebrant. Those with big cars cannot drive them to anywhere for displays. No extravagances for the Mephistophelean or the harmless show man. The worst we can do is dress up at home, and flaunt it to our child or wife or husband, like Miss Havisham in Dickens’ Great Expectation who dressed every day for years in her wedding clothes and died in it without leaving her home.

    Those with special cars only warm their engines and drive around the neighbourhood. These times are revealing our material constipation. Abbas, the man of constipation, has now left the building, his bowels rumbling with faecal waste.

    Things are upside down. Those who see churches and mosques as avenues for amassing wealth are crowing that they want people together but they are tempting the Lord. It is possible that Abbas had some of these men of God praying for him, and he may be taking from this stolen money to feather the house of God. It is an irony we have people like this thriving when we hear men of God preaching. The point though is that this is an age where the Word of the Lord is trading places with the wealth of the Word. Quite a few churches give precedence to material splendor. It is a different kind of hypocrisy from a war-time play Mother Courage where Brecht says, “Whenever there’s a load of special virtues around, it means something stinks.”

    Abbas epitomises the Yahoo Boys, and his fall is their fall. It is a comeuppance for a tribe of desperadoes who have demonised technological genius. The new frontier of progress is also their front for fraud.

    It is not for nothing that he has been associated with some of our big-name politicians, even if they had nothing in common. He has had photo-ops with a few of them. If he were not Hushpuppi but merely Ramon Abbas, we might not have seen such pictures.

    But our politicians have one quality in common with him: impunity. Where leaders promise and turn back on their word, it is as bad a lie as a Hushpuppi popping up on a person’s email and asking for one piece of information and turning the email into an opportunity to stalk and destroy. They are the monitoring spirits of the internet. They get the person’s account and they empty it.

    We also see our politicians take away our money when others have nothing. Fraud is now familiar terrain of politicians. To be a politician is to seek avenue for self-service, not service to all. But the arrest of Abbas is hope, but not enough. It shows even the new frontier can be stalked and the crime encircled and ended. Our people are not doing well enough to catch those who are well-off by wrong means. A few have been caught. We want more.

    Abbas is caught today, and no one is hailing him. His audience is now jeering. He is like Jay Gatsby in Scot Fitzgerald’s novel. He acquires his fable of wealth to get back a woman, and buys a big mansion just like Hushpuppi. Every neighbour comes to his frequent parties but not the woman he craves. He eventually dies alone and poor. Everybody comes to his parties but no one goes to his funeral.  Abbas is alone now. So is Hushpuppi. Abbas looks on as no one comes to Hushpuppi’s funeral. Hushpuppi’s frozen eyes look without seeing as Abbas goes behind bars.

  • Painful exit

    Painful exit

    By Sam Omatseye

    “Now cracks a noble heart. Good night, sweet prince/ And flights of angels sing thee to thy rest.” – Shakespeare

    After I researched and wrote his biography, anytime I saw Abiola Ajimobi it was not the politician, or governor or senator that leapt into my eye. It was the altar boy, crisp, smart, the sparkle of childhood. In his primary school, he was selected to that status, though a Muslim, by the school because he was spick and span. Face upended faith.

    He was always the model student in hygiene and fashion. His shirts, his trousers, his shoes, body cream, haircut were examples for others. His daughter Abisola told me how he paid attention to his appearance. From his skin, his bath to his clothes for the day. He would spread a variety of apparels on the bed and meticulously make a judgment, sometimes consulting wife or any member of his family, on what to wear.

    Even his colleagues at National Oil and Later Conoil described him as “dapper,” reminding one of the politician in Achebe’s A Man of the People who was described as “the best dressed gentleman.” In his corporate life, his suits blazed in cuts and colours. Even his wife Florence testified to her surprise about how he, as a politician, swiveled into the traditional Yoruba wear of agbada and sokoto with a tailor’s ease

    If what the experts say is correct that we should follow the laws of hygiene in this era of COVID-19, the last person I expected to fall victim is Ajimobi. Yet, that virus that respects neither class nor faith nor courage struck, and fatally. In his play, Twelfth Night, Shakespeare’s Sir Toby noted, “Care is an enemy to life.” Care did not save one of the most careful men on earth. It is a nightmare of a paradox, a dark foreboding for all alive.

    It is a lesson in human impotence. It is not a time to say with the superstitious folks that he died because he wished to say his farewell at 70. Now many will say his 70th birthday was his big, final valediction to the world. It was a fanfare of a party, the big and mighty in the nation came, so did the small in Ibadan. He, too, was in an ebullient spirit. He had a good dance with his wife, and spoke with great hope and rapture about his age and aging, and even his virility, when he quipped that the Ooni of Ife had  assured him, kabiyesi so pe ara mi maa ma le. “His majesty said my body will be virile.”

    And he was. He was agile, full of the gift of life and possibilities, and he earned his place again atop the political world. He died as acting chairman of his party. He had told me in his last days as governor that he was contemplating going back to school. During the lockdown before the flu struck, returned my phone call and assured me he would keep in touch over his new post as deputy chairman. But as Joseph Conrad says in his Heart of Darkness, life is as “inscrutable as destiny.”

    In that destiny was a managing director of the top oil marketing firm in the sub-continent, senator, governor, party leader, and statesman. When he was a child, according to the story, he visited the Governor’s House in Ibadan with his father who was also a prominent politician. When he sat leisurely, his father told Abiola to sit properly. “Sit like a governor,” he instructed. “One day, you too will become a governor.”

    He never forgot that moment in prophetic attitude. But he did not seem the man for politics when he travelled to the United States, excelled in his studies and even worked menial jobs including in a mortuary. He combined studies with work and joys of America, even dating a Miss Buffalo as part of his thrills of youth.

    He did not return with any connections or plum jobs waiting in Nigeria. He got his jobs and worked his way up the ladder. As a corporate man, he looked at politics from the distance. He wanted to reach the acme of career before he ventured into the vocations of father and uncle. He stunned his wife when he eventually did. She did not envisage an Abiola, who could sit with artisans, workers and the lower rung of the society. He had been prim at the top for so long. They met at Marina in Lagos when she first shunned him and a proud Ajimobi waited in ambush. So, an Ajimobi, who chummed with market men and women, mechanics, road transport workers, etc, was new to him. “It’s in my blood,” he assured her. He became senator, and after a battle he became a governor, not once, but a jinx breaker by taking it twice.

    He understood himself, and applied his energies and vision as governor in Oyo State. He is the most consequential figure in modern Oyo State. He was focused, if sometimes too blunt for his people. But he was authentic and refreshed with his candour. He did not play double standards or suffer fools gladly. He had a portrait of a lion in his sitting room in which the lion says he will not eat grass no matter how hungry he is, not because of pride, but that is who he is. Hence an Ajimobi would berate some errant students who would not listen to a governor. He asked them to obey constituted authority because that was how he was raised, not as a generation of petulant boys who look their elders in the eye with impunity. Or in the Obaship struggle in which he confided to me that the people agreed to his reforms in private only to turncoat in public.  He did not chafe under pressure but insisted on the point he had made. That is the measure of courage in leadership.

    He had his flaws. But he was more tender than many knew. A childhood friend of his in the United States was walking through Marina with his wife and stopped at National Oil, and said he knew the boss of that company and walked in. He was allowed up to its top floor. The secretary would not let him see the boss. He was impatient and left with a note. Once Ajimobi learned of it, he shut down every door or lift until they found the fellow who had almost left the building. He spent that night in Ajimobi’s home after asking his wife to prepare a meal for an august visitor.

    When he was a teen, he accompanied his mother to a village in the southwest where she sold gold. They had an accident in which the vehicle somersaulted. He survived with his mother. But a certain fellow who was walking by, looked at the lad, still bleeding from a wound that become a lifelong scar. “Take care of that boy,” he charged his mother, “he will become somebody big in this land.”

    Whatever the status of the man, whether prophet, or whether human or spirit, no one could discount that his tongue lit with fire. The boy, who fell into a ditch in an accident and bore a scar on his head and escaped death with his mother beside him in a rustic retreat in Yoruba land, grew over the years to travel all over the world, to school in some of the world’s tony universities, to grow in fame and fortune, to become a headline grabber in the nation’s television, newspapers and magazines, became a mobiliser of men and resources, became a helmsman in corporate Nigeria, soared to victory as a man of power, held positions of envy as he leapt from rung to rung, was sworn in as a senator of Oyo State and the Federal Republic of Nigeria and, after a grueling epic of a fight both in the courts and on the ballot box, distinguished himself not only as a governor but has set a record as the first personage to mount the seat as governor twice in a historic state of kings and kin, of quicksand loyalties and royalties in the capital, Ibadan, signposted as one of Africa’s largest cities. He bowed out as governor with the garland and sobriquet: Ko sele ri – It has never happened before.

  • Buhari’s moment

    Buhari’s moment

    By Sam Omatseye

    The understated man of the hour is not George Floyd, who could not breathe. But M.K.O. Abiola, who stopped breathing over two decades ago. It is not because of June 12. The conferment of the public holiday is a local validation. For this hour, Abiola is a world hero. But few remember this, just as racial amnesia make white men and women of prejudice balk at the crumbling of statues dedicated to personages of tyranny.

    Few know that Abiola was the moving spirit of reparations for Africa as far back as 1991. He did not yell here alone. He took the fight to the United States and the United Nations. He set up an office coordinated by Frank Igwebueze, and his newspaper The Concord megaphoned the agitation. The Congressional Black Caucus hosted him a few times. A man of money, Abiola mobilised men and resources for this cause.

    Abiola was an unlikely man to be a hero of democracy. He profited from the state. He was a military fellow traveller, and he was derided early as a bemused icon of western imperialism. He ran for president hoping it would be easy. Those who appended his ambition thought he loved life too much to give a fight. Heroes, as history has often shown, do not come in neat packages. The military elite and his mockers in the civil society hardly expected that not a Gani Fawehinmi or Alao Aka-Bashorun would lead the country’s rumble for liberty. He did not only fight. If freedom mat-tered here, Abiola became a martyr. But he was an accidental hero. But he embraced both accident and heroism.

    In the case of June 12, Abiola turned an accident into a cause. But with reparation, he turned out to be the champion with a self-conscious zeal. Two news stories put this in perspective last week. One, the Bank of England confessed to its role in funding the Trans-Atlantic slave trade. Two, Lloyd’s also owned up to providing insurance to ship human beings from Africa via England to the Americas.

    These are institutions that fattened on racial misery. Abiola knew this as a business man. He said the west should pay. He wanted to visit the iniquities of their fathers upon the children. Whites and the west heard but did not listen. They looked the other way. Abiola saw it before others. He did not abandon it, and he expected to use the scaffolding of the Nigerian presidency to evangelise the idea. Just like many things African, we can be our own worst enemies. We obstructed him to obstruct us.

    This is an opportunity for the Buhari administration. It can take advantage of the fever of black rights in the world to push Abiola’s idea on the world stage. Happily, he has an asset beside him. His chief of staff, Ibrahim Gambari, can serve as the point man of this move. He is as qualified as any man, any black man in the world to raise the attention of the world to the notion of Africa reparations. He has been foreign minister and has been in the United Nations and has been in the epicenter of some of the tumults of world events.

    Ibrahim Gambari

    But it will not be about the reparations alone. It will be a ballast to address the question of racism and pull down the infrastructure of prejudice. With Gambari, the president can mobilise world bodies, tap into the race momentum in the United States, rekindle the subject with the Congressional Black Caucus, liaise with the European Union, seek the endorsement of the black mayors and governors in the United States, the African Union, the United Nations, et al.

    President Buhari gave Abiola June 12 holiday. It is his asset and project. He can ride this to a lofty one, and make a leader on the world’s stage. As an elderly man, he will earn the attention of leaders like Macron. As the leader of the world’s largest black country, his words will compel the world.

    The world has not addressed black violence, especially slavery, other than abolish. They did not want to abolish it out of charity. To quote my teacher Professor B.O. Oloruntimehin, “the abolition of slave trade was an act of enlightened self-interest by the Europeans to give the Africans a new role in the international economic system.” They did not love blacks. They loved money. They set the black free to make money. It’s in that age that Poet Lord Byron wrote of a Russian autocrat that he had “no objection to true liberty, except that it would make them free.”

    Nigeria ought to play a greater role in today’s world than it does. The distraction of local politics could be one factor. We can recall the days of Murtala Muhammed when he gave an enduring speech on Angola and Africa. Murtala soared, “Africa has come of age.” It was a resonant moment. We cannot forget, too, when Margret Thatcher, the right-wing firebrand, invited Botha to Britain. It was Buhari’s first advent as Nigerian leader. He fired a virile letter to the British leader warning her of the consequences of inviting the leader of an oppressive regime to England. It was a proud moment in Nigerian diplomacy.

    He can do same today. This time the stage is grander, the struggle heroic, the honour high. I can see no other country more worthy of this fight and leader with the buoy to do it. Such a fight will keep the world leaders talking, questioning themselves, and challenging themselves.  Buhari will become the world’s statesman, a stage that a Mandela would have sought.

    The issue of race has never been addressed in a world conference. There has never been a truth and reconciliation moment on race. We need a world protocol of race such as the Declaration of Human Rights of 1948. We can set all this in motion. With Gambari beside him, President Buhari can take the chance.

    “Give me a place to stand, and a lever long enough, and I will move the world,” declared Archimedes. Buhari has a chance to be the world’s first citizen.

     

  • Of men and statues

    Of men and statues

    By Sam Omatseye

    I saw with pleasure the fall of a Belgian leader’s statue. King Leopold instituted what has been known by some historians, as well as political philosophers like Hannah Arendt, as the African Holocaust. They used African labour to enrich their decadence. It was a precursor to the Jewish tragedy. The West denied this by erecting the statue for a man that a historian described as “a big minded man in an insignificant kingdom.” He shipped Africans to Belgium and paraded them like museum pieces for fellow nationals to view. Joseph Conrad wrote The Heart of Darkness to document white savagery in the Congo in what he described as the “merry dance of death and trade.”

    Yet, that novella painted Africans as savages, cannibals and belonging to the “night of first ages.” It is another little pesky western monument that should go down and deleted from what is called “the western canon” of literature.

    As Achebe noted, it is a racist work. Western critics continue reading it as though blind. They hail it as a work that skewers the malignancy of commerce and hypocrisy, and they read it so selectively. It is the kind of mind that accuses us of oversimplification for attacking Leopold and Cecil Rhodes, who also fomented the holocaust in southern Africa. But how do we address men like Jefferson, who turned a black slave into a mother?  Washington kept slaves even if he set them free after his death. Do we bring their monuments down?

    I think of Winston Churchill, too, who helped save the world from Hitler but did not want to end colonialism, called Ghandi “a half-naked kaffir,” and told Roosevelt, “I did not become the Queen’s first minister to preside over the dissolution of the British Empire.” Some did well, their statues should remain with notes of what they did wrong. “No man’s virtue is complete,” wrote Playwright Bertolt Brecht.

    In the same fashion, as we fight for such justice, we cannot forget our role in slavery. Or else, we shall be waging a hypocritical war. Some historians said Africa had a tradition of slavery but our slaves had rights. Nonsense. We played a role in selling Africans to the Europeans.

    Who were the Ijebus who sold weapons so fellow Yoruba could kill themselves? Historian I. A. Akinjogbin warned against romanticising our past by denying our role. Men like Kosoko did it.

    Niger Delta was a hot bed of it, a thing I explored in my novel, Crocodile Girl, now being read in schools. If we own up, then we can hold them responsible. Things fell apart because of the white intruder, and the correction lies in the hand that committed wrong: the West.

  • Don’t cry, Mr. Godwin

    Don’t cry, Mr. Godwin

    By Sam Omatseye

    The Yoruba folk tale reminds one of Godwin Obaseki and his court jesters. It is about a swaggering elephant and the choir behind him. They tickle him with their songs of praise, the drum rolls and the dances. His head dizzy, he feels like deity in the confetti of flattery. The elephant swings right and left forward in slow, majestic strides.

    “We are behind you, keep dancing ahead,” they reassure him. As he advances, he is not looking forward but at himself, impressed by the finery of his apparel and the bouquet of applause.

    Suddenly, he reaches a precipice and falls over. Before he knows it, there is no more choir, no more drum rolls or applause. All silence. He alone, crestfallen, wounded, comically belly up.

    Edo State Governor Obaseki is in such grand deception. He still struts in denial. He thinks he is just. His flatterers and court jesters inflate his pride. The screening committee belongs to Beelzebub. He will meet them, like Caesar, in the Battle of Philippi.

    His story is not new in our politics. When Timipre Sylva was governor of Bayelsa State and eyed the second term, he was at odds with President Goodluck Jonathan and his cabal. They did not want Sylva to have a second term. They also deployed the National Working Committee against him, but in a different manner. He could run, but he could not win. They invoked the police, air force, army and navy. It was a farce of force, an onslaught to win a nomination. This column wailed and chided. The journalism world, dead from the neck up, even kept mute in complicity. The PDP did not care about law. They had force and they used it. It is the tyranny of democracy. The system lied against itself. The elephant fell over the precipice. It was a republican carapace covering a stench of dead men’s bones.

    In the case of Obaseki, he inflicted his own woes. Why is he blaming the screening committee for lack of fairness? Did the committee ask him to get his name wrong on the NYSC certificate and made no effort to correct it? Did they ask him to make only three credits in his school certificate exam? Or did they ask for the inconsistencies in his university of Ibadan degree? By the way, I thought he attended Edo College, because I saw a picture a few years ago with Nduka Obaigbena – also an old boy of Government College Ughelli – and  Delta State Governor Ifeanyi Okowa. He presented a certificate from Eghosa Anglican Grammar School. Is it also his fault, or that of Adams Oshiomhole, that he lost his certificates and the court registrar could not vouch for any sworn affidavit?

    The issues at stake are grave for Obaseki. It is not about APC. It is about the Nigerian constitution. He is expected to present genuine certificates or evidence to INEC and later, if challenged, to the court of law. Happily, the law does not expect him to have a university degree. He is supposed to scale secondary school. He might do that. That will mean he will have to contend with the issue of his NYSC certificate, and pray that the courts will accept that Obasek is the same as Obaseki. The avenging angels of technicality are fluttering above.

    It is not a matter of whether he served but whether he served right. The law has its way of defining justice. It may be justice on the streets. It may not be in the vault of law. If Obaseki indeed did well in high school, the law did not see it. If he did well to enter the university and the law did not see it, who will see it? It is not a matter of who is on Obaseki’s side or Adam’s side. It is who the law sees. The constitution prevails. That is the definition of the rule of law. That is why Douri is governor today and not Lyon in Bayelsa State.

    If he decides to apply this time through another political party, and does not present his certificates for university and higher school certificate, et al, Obaseki will unwittingly confirm the conclusions of Adams and the screening committee and make them heroes. That will make Obaseki disingenuous and make mockery of his own mockery of the process that disqualified him. If he presents the same papers and affidavit in another party, he will go through the same questioning that gave him the red card in APC. The worst is if he wins in a guber poll and has to go through the courts and meets a Napoleonic waterloo.

    Whether he goes to PDP, or SDP or any party, he will have to contend with the same issues that have led his flatterers to cry foul. The matter will not only become a technical goblin for Obaseki but also a moral one. Is he sincere or is he dodgy? The public will face a candidate who will not only answer the lingering question of an ungrateful beneficiary, but whether he told the law the truth or told the public a lie.

    So I ask, if he knew he had all these chinks in his armour, why did he go to battle? If you knew you had certificate booby-traps and a big mole in the eye, why dangle the dagger? He had seen this in the same party, in Bayelsa, yet he did not settle in silence. Maybe he thought he had a charmed life. He was following the lines in scripture that says, “Blessed are those whose sins are covered.” His sins were covered once, and he became governor. He ripped it open of his own accord and exposed a leaky sore. He did it when he ordered Adams to seek permission to enter his state, when even a farmer does not need it. He banned gatherings, hectored the opposition, sacked party members, banded with the opposition and supped with Oyegun. He began with a kangaroo legislature. He wanted to be a constitutional emperor. He speaks good English but lacks the polish of his sentences.

    He did not learn from Ambode. “To stumble twice against a stone is a proverbial disgrace,” crooned Cicero. He thought he could be king in a democracy. Napoleon’s mother told her son that kings will always remain with us in different guises. Obaseki probably thought he would be Oba Ewuare the Great in the 21st century.

    This essayist painstakingly reported how efforts towards reconciliation took place between stakeholders and Obaseki. This included fellow governors, men of means and lawyers. Obaseki would not listen. At a certain time, when all the parties gathered for him in Abuja, he had flown out of town. I made this revelation in this column, but rather than being solemn, Obaseki sent his errand boy after me on this page without addressing the reconciliation efforts I reported. When the fire came, he started seeking the help of those he pooh-poohed, including fellow governors.

    If he has a way out, this essayist will wait and see. But the man has shot himself in the foot. He is limping, but he thinks he is dancing.

    Uncle Sam’s birthday

    Sam Amuka turns 85, and we should all raise our glasses. Let the teetotaler fill theirs with brandy, and let the alcoholic fill theirs with soft drink. He is an iroko of news and the written word. Small of size but a walking monument, Amuka’s name rang in my ears when I was a little boy from the lips of my late father Moses. He called him Sad Sam, and he enthused about his capacity to writhe and write. He kept date with his column.

    Amuka-Pemu

    Today, I still look at him with veneration and even more now that I know what he has done for the media, the written word, publishing and democracy. He has a sharp tongue, wry wit and an amiable spirit. His sense of humour is boyish, his smile is supernova and his scolding penetrating. Today he is patron of the profession. We all appreciate him that he continues to look younger than his age. He is also an old boy of Government College Ughelli, and I was told that he was a superb ball juggler and played centre forward as a lethal striker. He carried that arsenal – no gunner intended – to the topsy-turvy world of journalism. Congratulations, Uncle Sam.

     

  • #93…

    #93…

    By Sam Omatseye

    Pictures are about time. And it is about time to reflect on a picture – or pictures – of the BOS of Lagos in his first flush as first steward. He was noted for a pose, his hand raised with a flourish and pointing at something in the distance. He was on inspection tours around the state, standing on platforms or climbing up some stairs, viewing projects in motion and areas of need. He needed to point to say a thing about what he wanted to do or inquire about.

    But a cynical mob mocked. They saw it as an extravagance of a finger. A showy and inept dreamer. Photo ops but not upstanding.  They pointed to a city of potholes, and suffocated traffic. He pleaded for time. The sky was sully and downpours plagued the streets. The social media raged, the tribe tagged by Soyinka as millipedes. He maintained a stoic retreat from the trills and ululations. He bided his time. “The most powerful warriors are patience and time,” wrote Tolstoy in his War and Peace. “Time,” noted President Richard Nixon in his memoirs, “is a great healer.”

    The sky returned to its benign blue, and earth thirsted for the machines of infrastructure. Road after road roared with work. Complaints changed from paralysis to a city bustling with road repairs and restoration. It was like the Jews who sought freedom and, when they breathed free air, envied their past bondage. In times of freedom, men seek bondage, wrote poet Unamuno. In times of bondage, men seek liberty.

    Within months, a mockery turned into an accolade. One of those pictures featured in a photo gallery to mark Governor Babajide Sanwo-Olu’s first term in office.

    No one can say today, even among the cynic, that he pointed in vain. It is like the words of author Zig Ziglar, “Don’t judge me by my past. I don’t live there anymore.” The BOS was saying by that picture that he wanted to live there in the past. He was proud of pointing, or dreaming. He is happy that desire has now transformed into performance. He was not just pointing, he was pointing the state forward. He pointed from dream, to do. It was a moment as granary.

    Today with that picture, and others in the gallery of 93 pictures, he can invoke the words of Prophet Isaiah that “for your shame, you shall have double.” That was what the photo gallery, under a white tent on a blazing day of sunshine manifested to the world.

    The Governor and his deputy, the articulate Obafemi Hamzat, performed the tour guide, Hamzat doing the talking as the governor stood apart with a few interjections and elucidations. It was obvious the duo were in sync with the work of governance and his deputy was steeped in vision and direction of the government. The photos were encyclopaedic, covering education, infrastructure, health, water work, etc.

    The pictures came in different incarnations and points of view. Some of them came from aerial shots. The photo of the work in progress on the 10-lane Lagos-Badagry Express way gave the look of machines whirring, and there were vistas of disheveled glory of patchwork, smooth roads, piles of mud, et al, indicating furious bees of activities. We also saw from the air the bright sight of silos, highlighting the agricultural work, as well as sites of training buildings. A particularly telling view was of the ruins of Abule-Ado, the aftermath of a fire disaster that upended a community, ruined homes, lives, livelihoods with searing tales of human tragedies. That was the man-made horror before nature spelt COVID-19. The picture, of dark, scalding debris of blocks and wood, looked like mural, more like a painting than a picture, a testament to the realism of the photographer. The picture also showed the government was not going to say it was all rosy in the year. Also from the top was the picture of the inauguration day. Not of the governor but the carpet. It poured on May 29, 2019, and the carpet recorded it in amazing colours like a rainbow: red, blue, yellow, green. Rain drew whimsical lines on the colours like embroidery.

    A few others were from the sides. Unforgettable was the foundation work going on the rail project, telling in detail how a bridge withstands the coming and going of heavy duty cargo. I told myself, it was a weight of glory. Another side picture was a moment of boyish rapture when The BOS exchanged a handshake with a boy as, the Governor relates, the boy yelled his name from a distance while the governor was undertaking an inspection. The governor broke out of protocol to meet the ecstatic kid. He abided by the mantra of Spanish philosopher Spinoza, “to do good cheerfully.”

    Many shots were direct. One was at the beginning, when the duo received their certificate of return and had a photo-op with the Jagaban. Next was a picture on inauguration day, where the governor was flanked by his family, six in all, with the first lady’s hand in the air. “They are my bodyguards,” quipped Gov. Sanwo-Olu, referring to his family. My favorite picture was of the governor in a joyous moment with some pupils. The picture, probably snapped in colour, comes across in black and white, with a classic clarity of a legacy photo. The direct shot was of the vehicle successive governors have ridden on inauguration day. It is 42 years old, its engine revving healthy and body gleaming. It is a classic. A testimony of how things can endure, like institutions and property of state.  The vision of the “men on the moon,” the COVID-19 workers dressed in protective gear to sort out the refuse from one of the isolation centres.

    Technology showed up, like the virtual commissioning of Oyingbo Terminal.  In photo exhibitions of this sort, we expect some accompanying write-ups to indicate contexts and caveats, even when there is a tour guide. Photo works such as the Nazi Museum in Berlin or the Newseum in Washington are examples.

    Music maestro Tuface, one of the guests, ended the day with humour when we looked at a picture shot from under. A crowd huddled together on a bridge was looking down at the BOS commissioning a project. “That was a crowd of 2019 BC, Before Covid.”

    The 93rd picture will segue into the first of the second. The first picture of the second year, that is. Like Oscar Wilde’s character in his novel, The Portrait of Dorian Gray, the events of the next year will also go on record. By reporting himself in a photo gallery, he is also challenging himself.

  • Majek: A Nigerian original

    Majek: A Nigerian original

     Sam Omatseye

    The carrion bird came with its slow-flapping wingspan. The evil buzzard took away our bard, Majek Fashek. The bird of death did not send down the rain to soothe us, but a storm. Our eyes, not the sky, are misty and cloudy. He does not have a lot of work to do today. He now lies song-less but not less of a song. He gave us a rhythm and rhyme while he was here.

    He toiled from youth, and he knew talent and he knew conscience and he knew travel and knew success and plenty of failure. But like all who toil hard and are true to the integrity of their gifting, Majek Fashek is an eternal legacy. He rewrote reggae and pricked our conscience. When he came unknown and unsung, his work sang for him. I recall when he released his debut album, and he came to see me as the society reporter at the then topnotch magazine of the day, Newswatch. He came with his peculiar hairdo and a guitar. Handsome, cheerful and even charmingly naïve, he waited for me downstairs and I joined him. All smiles, he told his story and meaning of his album. He was articulate. He was conscientious, and even revolutionary. He was humble, above all. He was unknown then.

    He would retain what the Yoruba call omoluabi spirit later when we would meet, even when his fame had reached the bright skies. Many may say he blew his chances, or he had family travails, or he should not have gone to the USA, or he succumbed to what President Lincoln called ‘tyrants of spirits,” with drug use. Majek’s story was his, unique, with the flavour of a Nigerian original. I recall years ago in Denver, Colorado, at a Red Lobsters, a restaurant chain in North America, I was having dinner with some Americans and his Send Down the Rain wafted through the hall. Majek made me proud as a Nigerian.  As he goes into silence, we all are proud of him.