Category: Entertainment

  • Sani Ma’zu, Nkem Owoh bag ‘Industry Merit’ award at 11th AMVCA

    Sani Ma’zu, Nkem Owoh bag ‘Industry Merit’ award at 11th AMVCA

    Veteran actors Sani Ma’zu and Nkem Owoh have won the ‘Industry Merit’ Awards at the 2025 AMVCA, recognising their outstanding contributions and dedication to the Nigerian film industry.

    This prestigious award honors their remarkable careers, celebrating their impact on shaping the industry into what it is today.

    Nkem Owoh, popularly known as Osuofia, is a veteran actor, comedian, singer, and scriptwriter who has brought joy to many Nigerians through his hilarious roles.

    Recently, he celebrated his 70th birthday, marking a milestone in his life and career.

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    President Bola Tinubu even extended warm felicitations to him on this special occasion.

    This award is a proof to the recipients’ hard work, talent, and perseverance, serving as an inspiration to aspiring actors and industry professionals alike.

    Their legacy continues to influence new generations of filmmakers and actors, solidifying their places in the history of Nigerian cinema.

  • Kayode Kasumu wins ‘Trailblazer’ award at 11th AMVCA awards

    Kayode Kasumu wins ‘Trailblazer’ award at 11th AMVCA awards

    Film director and producer Kayode Kasum has won the 2025 AMVCA Trailblazer Award, recognising his outstanding contributions and innovative work in the film industry.

    As a talented film director and producer, Kasum has made a lasting impact on the industry, inspiring others with his creativity and passion.

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    This award celebrates his achievements and dedication to pushing boundaries in storytelling.

  • 2025 AMVCA: Gabriel Afolayan wins ‘Best Supporting Actor’

    2025 AMVCA: Gabriel Afolayan wins ‘Best Supporting Actor’

    Actor Gabriel Afolayan‘s outstanding performance in “Inside Life” has earned him the Best Supporting Actor award at the 11th AMVCA.

    This prestigious recognition showcases his exceptional talent, versatility, and dedication to his craft.

    Afolayan’s portrayal in the film captivated audiences and critics alike, demonstrating his range and skill as an actor.

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    By taking home this award, he beat out other talented actors like Adedayo Adebowale (Lisabi); Aliu Gafar (Seven Doors); Femi Jacobs (Freedom Way); RMD (Christmas in Lagos); Uzor Arukwe (Suspicion) and Mike Afolarin (House of Gaa).

  • 2025 AMVCA: Mercy Aigbe beats Omoni Oboli, Ireti Doyle to ‘Best Supporting Actress

    2025 AMVCA: Mercy Aigbe beats Omoni Oboli, Ireti Doyle to ‘Best Supporting Actress

    Actress and filmmaker Mercy Aigbe has won the ‘Best Supporting Actress’ award at the 11th AMVCA for her outstanding performance in the movie “Farmer’s Bride”.

    This recognition highlights her exceptional talent and dedication to her craft.

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    Aigbe’s win is notable, beating out other talented actresses who were nominated for their roles in various films. 

    Other nominees are: Meg Otanwa (Inside Life); Tina Mba (Suspicion); Ireti Doyle (All’s Fair in Love); Ini Dima-Okojie (Skeleton Coast); Omoni Oboli (Wives on Strike 3) and Darasimi Nadi (Aburo).

  • 2025 AMVCA: Lateef Adedimeji, wife win ‘Best Indigenous Movie’ with “Lisabi: The Uprising”.

    2025 AMVCA: Lateef Adedimeji, wife win ‘Best Indigenous Movie’ with “Lisabi: The Uprising”.

    Actor and filmmaker Lateef Adedimeji and wife, Mo Bimpe, have emerged winners of the ‘Best Indigenous Movie’ award at the AMVCA for their film “Lisabi: The Uprising”.

    The film won the Best Indigenous Language (West Africa) category, showcasing outstanding storytelling and production in the Yoruba language.

    This recognition highlights the film’s impact and the creative efforts of the team behind it.

    “Lisabi: The Uprising” stood out among other notable films, demonstrating the power of local storytelling and cultural representation.

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    The AMVCA’s recognition of indigenous films encourages filmmakers to continue producing high-quality content that showcases Nigeria’s rich cultural heritage. 

    Other nominees in the category are:  Seven Doors – Femi Adebayo; Kaka, Anikulapo: The Rise of the Spectre – Kunle Afolayan and Mai Martaba.

  • About rumours, Juju legends and legacies

    About rumours, Juju legends and legacies

    It is no longer news that rumours on the wellbeing and health of elderly music legends fly at will. This is not unconnected with the belief that many of these elderly musicians have become feeble and suffer one health condition or the other.

    For some years now, legendary EBenezer Obey has had to dispel death rumours. In 2020, he dismissed false claims about his death on social media. Sadly, every year, he has had to debunk news of his death on social media.

    However, April 2025 will go down in history as the month when two of the eldest Juju legends were rumoured to have passed away.

    It all began on April 22 when news began flying that Ebenezer Obey, who had celebrated his 83rd birthday on April 3, had passed away as a result of ill health. The news was so rife that the ageing ‘Miliki’ creator had to release a video to debunk the death tale on April 23.

    In the video, the legendary Nigerian singer debunked the fake news claiming he passed away. The video was shared on his social media pages and he refuted the claims with a post captioned, “I AM ALIVE.”

    The singer emphasised that his time had not yet come according to God’s plan for his life saying, “It is fake news that started a few hours ago that Evangelist Ebenezer Obey has passed on to glory. It is a pure lie. I am alive. And that is not what Jesus has written about me. What Jesus has written about me will only manifest in my life. I am alive, says the Lord. And I do not believe any fake news; I am alive. And I dey kampe.

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    “My time is not up yet. Until when Jesus says my time is up, nobody… Everything they are saying… (any purported evil over me will not come to pass). It is Yoruba. Thank you to all the people who have been calling. I am alive.”

    As calmness returned to frayed nerves, the hornets’ nest was stirred again barely five days after Obey debunked the death rumours.

    On April 28, Damilola Esther Adeniyi, one of the daughters of legendary king of world beats, King Sunny Ade, raised an alarm and concerns over her father’s whereabouts and health.

    She had alleged that one of her brothers, Dayo, who is occupying the role of a manager in the band, is keeping her father under duress and mismanaging his funds.

    Less than 24 hours after, King Sunny Ade released a short video on his social media pages to refute Damilola’s allegations and saying he is alive and in great health.

    “My children wanted to see me, they thought I was kidnapped after I went away for a few days to rest. But I thank God, I was not kidnapped and I didn’t kidnap myself.”

    He stressed that he was neither kidnapped nor being kept under duress at any point while expressing gratitude to his fans for checking up on him and displaying love and affection.

    In the same vein, his son, who also doubles as his manager at the moment, Dayo, said, “There is no truth to the kidnapping rumor, and we are taking appropriate steps to address the situation and identify those responsible for spreading this false information.”

    Unlike Obey, it is clear that all isn’t well amongst the children of King Sunny Ade.

    While Damilola maintains Dayo is mismanaging KSA’s funds and solely making decisions for him, Dayo feels otherwise.

    In one of Damilola’s claims, she said, “I want Dayo (manager) apprehended. I want him to provide all the money they have been stealing from him. He has a UK visa, thinking he can run.”

    Reacting to his sister’s claims, Dayo said, “She (Damilola) is not in the right frame of mind for her to have made those posts. On Easter Sunday, she called me and said she wanted to speak with dad, because she doesn’t live in Nigeria. I gave the phone to my dad, and they spoke for about 30 minutes. I then told her that if she wanted to see him, she could come to Nigeria.

    “The moment she started making nasty comments about dad, she crossed the line. You cannot speak ill of my father and expect me to still reckon with you, no matter who you are. Even my mother wouldn’t do that. Why would you (Damilola) go on social media and call daddy names?”

    Dayo also explained how and why he is standing in as a manager for his father.

    He said, “I am not an official manager. I just assist my father. I have my businesses. As I explained to her (Damilola), I don’t have any employment letter, and I am not on the payroll.

    “I am just helping my dad, like the Scripture commands. This arrangement was not even planned but was necessitated by some developments. He (KSA) asked me to help him handle certain things, pending the time he gets someone in that position. And, he feels extremely comfortable with what I have been doing, and he said I should continue doing it.”

  • I sing to evangelize and assist the less privileged, says Rachael Owojori

    I sing to evangelize and assist the less privileged, says Rachael Owojori

    There is always a purpose for any action or decision taken by individuals in life.

    This is exactly the story of a Nigerian trained nurse based in Canada, Rachael Owojori, who combines her nursing career with being a gospel singer.

    Interacting with the highly talented gospel singer, Owojori bore her mind on the inspiration behind her new single,  Give me Jesus,’ her interest in humanitarian service, her experience with Music Promoters among other sundry issues.

    According to Owojori, the two main purposes of being a gospel singer are to win souls for Jesus Christ and give back to the society, especially, the less privileged. She said she does this through humanitarian services unlike other singers who cherish amassing wealth by building mansions and riding exotic cars.

    Owojori revealed that she has dedicated her life to putting smiles on the faces of the less privileged and evangelising through her ministry in social gatherings, concerts and churches.

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    Speaking about her new single, Owojori expressed gratitude to the Almighty God for the grace, support from friends and families as well as fans both in Nigeria and in diaspora.Her words; “This song is more than just music—it’s a prayer of commitment. God inspired me to compose ‘Give Me Jesus’ during a time when I was urged to stop singing about God and Jesus to attract a bigger audience and achieve fame. I stood firm in my beliefs and refused to compromise because I know that fame, money and pretty much, everything without Jesus is nothing. I find true contentment in my relationship with Jesus and hope that it touches hearts and encourages people to seek peace, hope and strength in Him.

    “The inspiration behind this new single “Give Me Jesus” is not far-fetched because it reflects on how christians are being targeted because of their beliefs. Although I have faced various challenges due to my Christian faith, one notable experience was when a record label approached me with an offer to become one of their artists. The condition, however, was that I would not sing about God or Jesus and I declined the offer. While I have encountered different challenges as a Christian, nothing compares to what our brothers and sisters endure when they are tortured and killed for their beliefs. We must therefore continue to pray for our brethren who face persecution day and night,” Owojori stated.

  • I released Laho long before Shallipopi, says Medulababy

    I released Laho long before Shallipopi, says Medulababy

    Fast-rising singer and club hype man, Abdulsalam Ahmed Oluwadamilola aka Medulababy has claimed to be the originator of the lingua ‘Laho’ and not rave-making artist Shallipopi.

    In an exclusive chat with The Nation, Medulababy asserted that he is the original creator of ‘Uwa Lahor’, a song he released on November 8, 2024, long before Shallipopi released his version earlier this year.

    Although both songs have different tunes and lyrics, their titles are similar and convey the same meaning.

    “I, Medulababy aka Parapara Presido, am the originator of ‘Uwa Lahor’. I sang and released it in November 2024, while Shallipopi released his version in February 2025. So I’m the real originator of the song’s title,” he said.

    The 31-year-old entertainer explained that a lack of funds slowed down the promotion of his single, which may have caused public confusion regarding its origin.

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    “When I released ‘Lahor’, there was some delay in promotion because of financial constraints. I had to hustle as a hype man to raise money to push the song because I have no support from anyone,” he added.

    Despite the controversy, Medulababy holds no grudge against Shallipopi, although he clarified that there is no personal relationship between them, only the fact that they both have roots in Edo State.

    “I don’t know him personally. I only know he is from Edo State and I’m also based in Edo, though I hail from Ogun State. But he (Shallipopi) took advantage of my lack of resources to drop his version with the same title. ‘Uwa Lahor’ and ‘Lahor’ mean the same thing in the Benin language.”

    When asked if he would consider collaborating with Shallipopi in the future, Medulababy responded with openness and maturity.

    “Yes, of course. Music creates opportunities for collaboration as long as there’s love and unity between both artists. I’ll gladly work with him if he’s willing.”

  • Jide Awobona urges inclusive government funding for Nollywood

    Jide Awobona urges inclusive government funding for Nollywood

    Nollywood actor and filmmaker, Jide Awobona, has called for stronger and more inclusive government support for the Nigerian film industry, saying it is necessary for the industry to compete on a global scale.

    Speaking in a recent interview, Awobona expressed concern that existing government interventions in Nollywood appear to benefit only a select few, leaving a large number of creatives without access to much-needed support.

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    “I don’t think we have enough government intervention,” he said. “Even if they are intervening, it’s probably for a few selected people that are benefiting from it. I don’t think it’s reflecting in the industry. So, I feel when the government is fully involved—empowering a lot of people—then we’ll see real progress. It’s there, but it doesn’t circulate.”

    Awobona also stressed the importance of improved earnings for industry professionals, noting that many creatives depend solely on the entertainment sector for their livelihood.

    “We have a lot of creatives around here and this is the only thing they do for a living,” he said. “We need to get to that level where your remuneration can sustain your livelihood.”

  • Bema Music unveils Symphony of Sounds talent hunt show

    Bema Music unveils Symphony of Sounds talent hunt show

    A new gospel talent hunt, SOS – Symphony of Sounds, has been launched by a Christian record label, Bema Music Corporation.

    The aim, according to Bema music, is to discover and support Nigeria’s next generation of gospel music stars.

    The competition, which will climax in a grand finale on May 10, 2025, at Ahava Cafe in Lekki, Lagos, is aimed at identifying talented singers with a passion for gospel music and turning them into powerful voices of faith and inspiration.

    Speaking about the vision behind SOS, founder and Chief Executive officer (CEO) of Bema Music, Chinedum Iwuoha, said the initiative goes beyond showcasing talent.

    In his words, “We are not just looking for voices, we are looking for vessels,” he said. “SOS is about discovering gifted individuals who carry a genuine calling, and walking alongside them as they blossom into ministers of impact.”

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    Founded in 2008, Bema Music has built a reputation for blending creativity with purpose in the Christian music space. With SOS, the label hopes to close the gap between talent and opportunity for aspiring gospel artists across Nigeria.

    The talent hunt, which began on April 7, 2025, has gone through several stages of online auditions, leading up to the live finale in May.

    Winners will receive six months of full-service support from Bema Music, including branding, music production, promotion, and marketing.

    “This competition is a platform to turn raw talent into ministry,” Iwuoha said. “It’s a way of giving back, of helping young people see that their voices can make a difference, not just in the church, but in the world.”