The Nation Newspaper

Category: Entertainment

  • Portable unable to perform in Ibadan

    Portable unable to perform in Ibadan

    Habeeb Okikiola, better known as Portable, was unable to perform overnight at the musical concert of popular Fuji musician, Alhaji Taye Currency, due to safety reasons.

    Reports gathered by The Nation from various sources said Portable, who had, last year, in a viral video, revealed certain details about his love-gone-sour escapades with a lady, Queen Dami and dragged residents in Ibadan, Oyo State, stressing that they lacked basic roofing accessories, Plaster-Of-Paris, known as POP, in their homes. In his claim, to prove that his former lover was from a poor background, had said that he had never seen a house in Ibadan with plaster-of-paris as ceiling, which was commonly used in Lagos and other parts of Nigeria.

    This diss didn’t augur well with many, especially in Oyo State and they took to his social media platforms to express their displeasure.

    Even after he apologised and announced his invitation to perform at the just held Taye Currency concert, many fans advised him not to come.

    Portable was visibly absent at the show as investigations proved that he arrived Ibadan and was lodged in a hotel close to the Palms Mall venue, but couldn’t perform at his scheduled time due to security concerns.

    Read Also: I prefer Nigerian men to Ghanaian men – Yvonne Okoro

    The organisers of the Taye Currency concert, responding to the unfortunate circumstance, also gave reasons why they didn’t allow Portable perform at the event.

    Speaking to The Nation, the CEO of Jarule entertainment, the curator of the concert, said that when it became obvious that there were verified concerns about the security of the singer owing to his recent comments about Ibadan, it was decided that he stayed off the venue altogether.

    Jarule said, “We spoke to the commissioner of police about the matter and even signed an undertaking. We were provided with adequate security at the venue but we got reports that some people were still asking around for Portable’s whereabouts and lodging in Ibadan. It was then decided that he {Portable} stay off the show altogether. He was the only one unable to perform on the list. It is an unfortunate situation but as a professional management outfit, security comes first. This is the reason he couldn’t perform. We hope that the matter will be resolved as soon as possible”.

    Many have lauded the Ibadan people for not condoning the rascality of the controversial singer, stressing that it was good that he was taught a ‘valuable’ lesson.

    Portable is yet to speak on the matter, as at the time of filing this report.

  • Wizkid kicks off the year with a bang

    Wizkid kicks off the year with a bang

    Grammy award-winning artiste, Ayodeji Ibrahim Balogun aka Wizkid kicked off the year with a bang.

    He recently performed at the Greater Lagos Countdown 2025 concert, where he delivered dazzling performance to the crowd.

    “First of all, Happy New Year. You’ll be rich, and you’ll live long with your family.

    Read Also: Hypeman Twinkle announces dates for first set of 2025 Ibadan monthly rave

    “I have a very important message for you today, Lagos, Nigeria. I want you to know that your son, Ayodeji Balogun, aka Wizkid, Machala, is back home now,” he said.

    Wizkid is one of the Grammy nominees for this year for his collaborating effort on Asake’s MMM which was listed in the Best African Music Performance category.

  • Blackface refutes claims of Kennis Music’s interest in Plantashun Boiz

    Blackface refutes claims of Kennis Music’s interest in Plantashun Boiz

    Former Plantashun Boiz member, Blackface, has refuted claims made by Kennis Music boss, Kenny Ogungbe, about wanting to sign the iconic boy band.

    Speaking during a live chat with media personality Daddy Freeze, Blackface clarified that Ogungbe, fondly called Baba Keke, had instead offered him a solo recording contract, which he turned down.

    According to Blackface, the offer came when he introduced another artist, Marvelous Benjy, to Kennis Music for a potential deal. He explained that Ogungbe expressed interest in working with him individually rather than with the group.

    Read Also: I prefer Nigerian men to Ghanaian men – Yvonne Okoro

    “He wanted to work with me as a solo artist because I took Marvelous Benjy’s CD to Kennis Music. I wanted him to sign Marvelous Benjy, but Kennis Music said if I was talking about myself, he would have been interested. I told him, ‘No, I’m with my team. My team needs me more than ever.’ So, there was no contract for Plantashun Boiz,” Blackface stated.

    He added that had there been a contract for the group, he would have made it known publicly. The revelation comes amid ongoing discussions about the history and legacy of the defunct Plantashun Boiz, once comprising Blackface, 2Baba, and Faze.

  • Akinmade emerges best photographer in South Africa

    Akinmade emerges best photographer in South Africa

    Nigerian photographer, Akinmade Akinleye received the award as Best Photographer of the Year at the Zikomo Africa Awards in Sandton hotel, Johannesburg, South Africa, held recently.

    The honour is in recognition of Akinmade’s prowess in the event and wedding space, capturing moments and emotions with unmatched elegance and artistry.

    Popularly known as “The Optimist,” Akinleye, through fine art and fashion, preaches the importance of passion, perseverance, and unity to overcome challenges and achieve greatness.

    Akinmade’s his love for photography began in Ibadan, Oyo State, as he desires an Africa where artists and creatives can thrive without barriers.

    Read Also: Hypeman Twinkle announces dates for first set of 2025 Ibadan monthly rave

    “Let’s live with love and purpose, and together, we can make Africa the giant of the world.

     “Africa is us. We are Africa. We must work together to build a stronger, united continent that fosters ease of collaboration and travel among African nations,” he urged

    His latest accolade follows a string of other international recognitions in the world of photography.

    Over the years, he has built an impressive portfolio, documenting high-profile events like the Lagos Fashion Weekend and several Fashion Runways in Zambia, Ghana, mega gospel concerts and collaborated with corporate giants like Access Bank and Smile Communications.

  • Afro Gospel: evolution of the Nigerian gospel music industry

    Afro Gospel: evolution of the Nigerian gospel music industry

    When we think of gospel music, our minds often drift to the serene, soul-stirring melodies that lift our spirits and draw us closer to the divine. These are sounds that evoke deep reverence, often accompanied by the gentle strum of strings, the closing of eyes, and the raising of hands in worship. While this is a beautiful and cherished expression of gospel music, it’s important to remember that it’s not the only way this powerful genre can touch our hearts.

    Over the years, the Nigerian gospel music scene has blossomed with an abundance of gifted worshippers. From every corner of the nation, God has called forth sons and daughters, not just with remarkable voices and songwriting talents, but with hearts brimming with His spirit. Their work speaks for itself, and as the good book says, “By their fruits, you shall know them.” And if the fruits are anything to go by, it seems the harvest has been particularly bountiful.

    From the days of Mama Bola Are and Panam Percy Paul to Chioma Jesus, Agatha Moses, Tope Alabi, Sinach and now Nathaniel Bassey, Dunsin Oyekan, Victoria Orenze, Onos Ariyo, the Nigerian gospel music scene has continuously graced the world with some of the most passionate worshippers. Each generation has brought forth voices that resonate far beyond our borders, leaving an indelible mark on hearts and souls everywhere.

    As with everything in life, evolution is inevitable. The seeds planted by a few outliers over the years has blossomed into a vibrant creative movement. Today, a new generation of young Christians are making music from the church and for the church, but with a fresh, distinct style. They call it “Afrogospel.”

    Read Also: I prefer Nigerian men to Ghanaian men – Yvonne Okoro

    In Afrogospel circles, there’s a popular saying: it’s not a genre, but a movement. This vibrant collective of young Christian musicians are reshaping gospel music by infusing it with a rich blend of African sounds and styles. Whether it’s Hip-Hop, RnB, Amapiano, Afrobeats, or Afrofusion, these artists are bringing the message of Christ to life in a way that resonates with today’s youth. Their music isn’t just about spreading the word; it’s about making it accessible and relevant, all while addressing social and cultural issues that extend the reach of the Gospel far beyond the church walls.

    In the late ’90s and early 2000s, groups like KUSH, Rooftop MCs, Midnight Crew, Infinity, and artists such as Sammy Okposo, Bouqui, Buchi, Eben, and DJ Gosporella were pushing the boundaries of gospel music with fresh, innovative sounds. Yet, many of them were seen as outliers, often not fully embraced by the church. Midnight Crew’s track “This Fuji Thing” from their solo debut album Igwe even hints at this tension—they played Fuji music in church and were met with disapproval. These stories laid the foundation for what we now know as Afrogospel—a movement that blends the Gospel with youth culture, making it more relatable to a new generation.

    Today, the Afrogospel movement is thriving, thanks to trailblazers like Protek and Gaise Baba, who were among the earliest to shape this dynamic scene.

  • Lack of record label is a major challenge, says Propa Ibile Parapara

    Lack of record label is a major challenge, says Propa Ibile Parapara

    Upcoming Afro-pop artist, Ibrahim Oseni Oladipupo aka Propa Ibile Parapara has said the absence of a record label and sponsors are major obstacles for rising artistes.

    Propa Ibile, who debuted with the single titled ‘Kinibolo’ in 2013 expressed his aspirations to reach stardom despite the challenges.

    “As an independent artist without a label or sponsor, it can be challenging to produce music consistently,” he said.

    Read Also; ‘Wike too busy to respond to Rivers opportunistic elders’

    Continuing, the artist who said he has a flair for acting said, “My music journey began in 2010, and I’ve been passionate about creating music ever since. In 2013, I released my debut single, “Kinibolo,” accompanied by a music video. The response was overwhelming, and it motivated me to continue pursuing my musical dreams. Since then, I’ve been working tirelessly to create music that resonates with my audience.”

    Looking ahead to the New Year, the artist said he will be dropping new music projects. “I’m currently working on new music projects, aiming to record multiple tracks and release them one by one. I’m inspired by the rich cultural heritage of Africa and the global appeal of pop music. My Afro-pop sound is unique, energetic, and infectious.”  

  • Pheelz: How I gave Xmas my twist

    Pheelz: How I gave Xmas my twist

    Phillip Kayode Moses aka Pheelz has explained why and how he gave Christmas a new twist with his 2024 song dedicated to the yuletide.

    Speaking on the decision, Pheelz noted that the song, ‘The Twelve Days of Christmas,’ was an avenue to give Christmas a new twist.

    “I chose to cover “The Twelve Days of Christmas” because it captures that festive spirit and joy, which resonates with me deeply,” the young music producer said. “The original has a beautiful blend of celebration and love, and as an artist, I strive to bring those same vibes through my music. Also, I just really wanted to give it my own twist.”

    Read Also: Ubi Franklin hails Tinubu’s New Year speech

    Pheelz, is a Nigerian record producer, singer, songwriter, and graphic designer. He is credited to have produced all but one song on Olamide’s Baddest Guy Ever Liveth album.

    In 2022, he wrote, sang, and produced a hit with his song ‘Finesse,’ a collaboration with Bnxn.

  • Femi Adebayo: Unlocking doors of success

    Femi Adebayo: Unlocking doors of success

    Femi Adebayo is in the news for several and all good reasons. Adebayo is not new to the world of film neither is he new to fame.

    As an actor, Adebayo has starred in over a 100 films since his debut in Tade Ogidan’s blockbuster, ‘Owo Blow,’ and as a film producer, he has a number of productions to his credit.

    The trained lawyer, who has successfully made a statement fighting piracy, has shown the world why he should be respected.

    Like Kunle Afolayan, who is adding on his late father’s legacies, Adebayo has made his elderly father a proud man.

    The Kwara state indigene and ex-political aide has, in less than five years, displayed so much brilliance in filmmaking with brilliant, relatable and globally accepted stories.

    Read Also: Ubi Franklin hails Tinubu’s New Year speech

    His first take was ‘Ageshinkole – the king of thieves,’ which premiered on Prime Video. The overall acceptance by the public was overwhelming and many had believed it was beginners’ luck.

    However, just as the dust of ‘Ageshinkole’ was clearing off the stage, Adebayo serenaded the viewing public with ‘Jagun Jagun,’ a series that went viral on Netflix.

    While preparing for a second season of the series, after much requests from fans, Adebayo decided to whet fans appetite with ‘Seven Doors,’ a gripping story that dwells on culture, greed and tradition.

    The series has caused a stir since Adebayo spoke about it and has gone ahead to become one of the biggest films of 2024.

    For Adebayo, the success of his productions have been both humbling and challenging. As much as he loves the accolades, Adebayo affirms that it has been challenging churning out better productions and trying to always surpass his past achievements.          

  • Africa’s beats are owning the global music spotlight

    Africa’s beats are owning the global music spotlight

    Africa’s music scene is no longer just a regional sensation, it has become the pulse of global pop culture.

    As African music continues to enchant global audiences, Spotify Wrapped 2024 unveils the diverse range of genres that people now enjoy all over the world. While Afrobeats  and Amapiano often dominate headlines, this year’s Wrapped data sheds light on other emerging sounds that define Africa’s music.

    Reimagined histories

    Hiplife and Highlife from Ghana, rooted in the country’s rich cultural history, remain highly exported due to their fusion of traditional Highlife melodies with contemporary beats that keep them globally relevant.

    Artists like King Paluta, Fameye, and KiDi are leading the way in blending traditional Highlife melodies with modern sounds. Fameye’s Very Soon and King Paluta’s Aseda—a heartfelt song of gratitude—are examples of how the genre is evolving. Their fresh take on Highlife has helped drive a 54% increase in global streams, a sign of the genre’s appeal to both local and international audiences.

    In Kenya, Arbantone, mainly characterized by beats from samples of  Kenyan old school hits. This  sound combines elements of Gengetone and old Jamaican riddims, led by a wave of young rappers who bring the raw lyricism of Gengetone. Captivating young audiences, Arbantone is quickly rising on local music charts.

    Read Also; ‘Wike too busy to respond to Rivers opportunistic elders’

    Arbantone grew significantly in 2024, partially thanks to viral dance challenges on social media. Artists like Dyana Cods’ “Set It”, harnessed the genre’s infectious beats and catchy lyrics to connect with her fans. The song became one of the most popular Arbantone tracks in Kenya, securing the number 3 most streamed Arbantone track in Kenya as revealed by the 2024 Spotify Wrapped data.

    Embracing experimental sounds

    Nigeria’s Alté is becoming more popular abroad where it’s now the country’s fourth-most exported genre in 2024. Pronounced “uhl-teh”, a shorthand for alternative, you may have heard the experimental mix of Afrobeats, R&B, and hip-hop, with electronic influences on tracks like Soh-Soh by Odeal or Amaarae’s Wanted. The likes of Amaarae, Lady Donli and Odunsi (The Engine) paved the way for a new generation of artists like DEELA, DETO BLACK and brazy to tap into Alté’s rebellious, bold and unconventional brand of self-expression. The global success of Alté-influenced musicians like Tems, Rema and Odeal symbolises how the genre is taking its place in mainstream music culture. Countries like Ghana have embraced the sound with over 60 billion Spotify streams, and Alté now has 41% more global plays than it did a year ago.

    South Africa’s Afro House, known for its deep rhythms and soulful vocals, has become a favourite in electronic music circles around the world. DESIREE and DJ Shimza have been instrumental in influencing the growth of Afro House. DESIREE sets blend African rhythms with modern electronic sounds, while DJ Shimza’s electrifying global performances have propelled the genre to new heights. As more artists from around the world incorporate African sounds into their music, the genre has influenced global dance floors.

    Household names

    Afrobeats continues to lead Africa’s music revolution, evolving rapidly and driving the movement forward. In 2024, the genre saw a significant 28% increase in global streaming. Tracks like Santa by Ayra Starr, Rauw Alejandro, and Rvssian highlight the genre’s versatility, while Calm Down by Rema and Selena Gomez underscore its widespread international appeal. Collaborations like Skillibeng and Tyla’s Jump, Gunna showcase Afrobeats’ adaptability and its growing dominance on global charts.

    Amapiano, meanwhile, has emerged as Africa’s fastest-growing genre, with a phenomenal 59% increase in global streaming in 2024. Another sign that the future of global music will undoubtedly feature even more beats, grooves, and melodies from the continent.

  • AI expert wins N30m grand prize at Channels TV’s ‘Fund it Forward’ Season 2

    AI expert wins N30m grand prize at Channels TV’s ‘Fund it Forward’ Season 2

    • Season Finale

    AI expert Chioma Ukpabi, has emerged the winner of the second season of the Channels TV entrepreneurial show, ‘Fund it Forward.’

    Ukpabi, the founder of Leads SUWK, an edtech venture offering vocational training, won the entrepreneurial contest at the grand finale after emerging in the top four.

    Ukpabi emerged tops in the last four finalists that included 22-year-old Favour Adeleke, Israel Kehinde, and Amidu Mohammed.

    The contest, organised by Channels Television, aims to empower young entrepreneurs and promote social development.

    Ukpabi and other finalists were tasked with various challenges, including enterprise pitch, supply side validation, product improvement, and branding for seven weeks.

    The four young entrepreneurs also participated in two-week masterclass sessions with facilitators, including economic expert Bismack Rewane.

    Read Also: Ubi Franklin hails Tinubu’s New Year speech

    The programme’s grand finale was held on Sunday, December 29, 2024, and hosted by Mojibade Sosanya and Kayode Okikiolu, Channels TV presenters.

    The organisers, in a statement, described the event as “a night of tension and triumph, inspiration, celebration”.

    “This season has showcased the bold resilience and innovative prowess of 12 dynamic entrepreneurs striving to redefine Nigeria’s socio-economic landscape,” the statement reads.

    “From sustainable agriculture to cutting-edge technology, our finalists have defied the odds to remain in the running.”

    On her part, Zemmy Momoh, the executive producer of the programme, said: “It is designed to help promising social startups by equipping the founders through rigorous training and experiment mentorships.

    “We want them to succeed beyond the show. But it is only proper for us to offer such help on the off-spin because of the brilliant groups of experts we managed to assemble. And these people are also passionate young changemakers.”

    Ukpabi has participated in Mastercard EdTech Fellowship Accelerator, Orange Corners Incubation Program Cohort 10 (2024), Standard Chartered WITI Incubator, Seedstars Zecathon Accelerator, TiE Global Accelerator.