Category: Entertainment

  • Social media should be tool, not yardstick for measuring creativity – Osawaru

    Social media should be tool, not yardstick for measuring creativity – Osawaru

    Nollywood actress Imade Osawaru has raised concerns over the growing obsession with social media fame in the film industry, warning that the trend is stifling creativity.

    “The number one challenge is that follower count now seems more important than raw talent,” she said. “It’s frustrating when your years of hard work, training, and experience are ignored just because you don’t have millions of followers. Social media should be a tool, not the yardstick for measuring creativity. Sadly, this trend is killing originality, because many young actors now chase clout instead of honing their craft.”

    Osawaru, who has built a reputation for strong character portrayals, also pushed back against actor Jim Iyke’s claim that single mothers cannot raise proper men. According to her, what truly defines a good man is not family structure but values.

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    “Proper men are not made by the number of parents in a home, but by the values they are raised with. I’ve seen single mothers raise kings, leaders, and visionaries. To say otherwise is to undermine the strength and resilience of countless women who are doing the work of two. A good man is raised by love, not just a ‘perfect’ family structure,” she explained.

    On the subject of love, the actress added that romance in Nigeria is often expressed in practical ways rather than through dramatic gestures. “Nigerian men can be romantic, but romance here is often more practical than dramatic—less candlelit dinners, more showing up when it matters,” she observed.

  • Saxophonist Desmond Ogunjimi is on the rise

    Saxophonist Desmond Ogunjimi is on the rise

    Nigerian Saxophonist and Performing Artist, Desmond Olaitan Ogunjimi is currently blazing the trail in his chosen career as an entertainer.

    Unknown to many, Desmond is an accomplished Nigerian saxophonist with over 15 years of experience in the performing arts. A dynamic and versatile musician, he has honed his craft through collaborations with renowned bands, artistic groups, and theatrical productions across Nigeria and beyond.

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    A graduate with a Bachelor of Arts in Music from the prestigious University of Lagos, Desmond combines formal training with innate musicality. His performances, known for their emotive depth and technical mastery, have graced stages in diverse cultural settings, showcasing his ability to connect with audiences across genres and geographies.

    With a career defined by excellence and a commitment to artistic innovation, Desmond continues to inspire through his dedication to the saxophone and his contributions to the global arts community.

  • NFVCB CEO advocates enhanced Nigeria-China partnership through film

    NFVCB CEO advocates enhanced Nigeria-China partnership through film

    The Executive Director of the National Film and Video Censors Board (NFVCB), Dr Husseini Shaibu, has advocated joint productions, co-production treaties and cultural exchanges to drive cultural and economic diplomacy between Nigeria and China. 

    Dr.  Shaibu stated this in his keynote address at the dialogue on Nigeria and China cooperation, outlining a strategic vision for leveraging the film industries of both nations to promote cultural understanding and economic growth.

    The event, held at the Nigerian Institute of International Affairs (NIIA) in Victoria Island, was organised by the NIIA, Trimm Network, Mesba Arts Studio, and the Consulate of the People’s Republic of China. It featured screenings of Nigerian films, including Memuna Yahaya’s Igala-language feature, ‘Tradition’ and Ijeoma Richard’s award-winning documentary ‘Uru Igba Boi’ on the Igbo apprenticeship system.

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    Shaibu, who is also the chief executive officer of the NFVCB, positioned film as a potent tool of “soft power,” capable of crossing borders to foster mutual understanding and build bridges between cultures.

    He highlighted the parallel strengths of Nollywood, valued at over $6 billion as Africa’s most visible cultural export, and China’s film industry, one of the largest globally by revenue.

    “Beyond their economic weight, both industries embody cultural memory, social imagination, and national identity,” stated Dr. Shaibu. “This intersection of economic strength and cultural influence makes the Nigeria-China partnership through film not only desirable but necessary—because it is at this juncture that cultural diplomacy becomes economic diplomacy.”

    Shaibu outlined a multifaceted framework for cooperation, including cultural diplomacy through Joint film productions that explore shared human values and unique traditions, such as the Igbo apprenticeship system alongside Chinese philosophies of community.

    He also advocated professional exchanges for filmmakers and students, and learning from China’s investment in regional-language cinema to strengthen Nigeria’s linguistic diversity.

    On economic diplomacy, he highlighted the significance of formalising co-production treaties and joint investment schemes to create new markets, facilitate technology transfer, and build distribution networks across Africa and Asia.

    Shaibu welcomed the recent visit of the Minister of Arts, Culture, Tourism and Creative Economy, Barrister Hannatu Musa Musawa, to China, which initiated discussions on such joint investment schemes.

    “When Nigeria and China collaborate through film, they are not just telling stories; they are shaping global narratives, strengthening bilateral relations, and contributing to peace and prosperity,”

    Shaibu concluded, quoting Edward Said’s assertion that “stories are at the heart of what makes us human.”

    The event brought together diplomats, cultural practitioners, scholars, and members of the press, serving as a significant step towards deepening the strategic partnership between Nigeria and China in the creative and cultural sectors.

  • Tinubu celebrates 2Baba at 50, hails music icon’s global impact

    Tinubu celebrates 2Baba at 50, hails music icon’s global impact

    President Bola Ahmed Tinubu has joined millions of fans across Nigeria and beyond in celebrating music legend, Innocent Ujah Idibia, popularly known as 2Face or 2Baba, as he clocks 50.

    In a congratulatory message by his Special Adviser on Information and Strategy, Bayo Onanuga, on Friday, the President described the award-winning singer as a creative force whose artistry and resilience embody the indomitable Nigerian spirit.

    “For more than 20 years, 2Baba serenaded us with soulful melodies, inspired generations, and carried the Nigerian flag with pride worldwide. His legendary song, African Queen, remains an evergreen classic that introduced the beauty of African music to the world, placing Nigeria at the heart of the global entertainment map,” Tinubu said.

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    The President lauded the veteran musician, not only for his contributions to the entertainment industry, but also for his patriotism and deployment of his platform to champion peace, unity, and good governance.

    As the iconic singer marks his golden jubilee, President Tinubu prayed for “greater joy, fulfilment, and good health” in the years ahead.

    2Baba, who rose to prominence as a member of the Plantashun Boiz group before launching a successful solo career, is regarded as one of Africa’s most influential artists, with a career spanning over two decades and numerous awards to his credit.

  • Erica Stephen releases single I Am Africa for ‘Little Mr. & Miss Africa’

    Erica Stephen releases single I Am Africa for ‘Little Mr. & Miss Africa’

    The Nigerian entertainment industry has welcomed a new milestone from Erica Ihotu Stephen, the award-winning actor, singer, and model, who has officially released her debut single, ‘I Am Africa.’

    The debut single, Erica informed, also doubles as the theme song for the recently-held ‘Little Mr. & Miss Africa Nigeria’ pageant.

    At just eight years old, Erica has established herself as one of the country’s most promising young talents. She began her career as a child actress at the age of one and has since built an impressive résumé spanning film, television commercials, high-profile campaigns, and social media content.

    She also created and produced her own programme, ‘Welcome to Africa’, further demonstrating her versatility.

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    Described as a celebration of youth, culture, and African identity, ‘I Am Africa’ is more than a debut single—it is positioned as an anthem that aligns with the vision of the pageant it represents.

    “Erica is not just a performer; she is a movement,” said Queen Ene Adakole, CEO of EIS World and National Director for ‘Little Mr And Miss Africa Nigeria’. “Her brilliance, dedication, and ability to inspire through her craft make her the perfect voice for this year’s pageant theme.”

    The release of the single marks Erica’s formal entry into the music industry, adding to her achievements as an actress and model. Industry watchers have described her as a “triple-threat talent” whose work continues to draw admiration.

    With a growing list of accomplishments at such a young age, Erica Ihotu Stephen has been hailed as proof that dreams have no age limit. Her debut in music, industry observers note, signals the beginning of another promising chapter in an already remarkable career.

  • JJ ‘Dejocular’ Okonkwo brings Afrobeats to Canada’s airwaves

    JJ ‘Dejocular’ Okonkwo brings Afrobeats to Canada’s airwaves

    A  broadcaster, producer, disc jockey and actor, JJ Dejocular Okonkwo is currently making his mark on the Canadian airwaves after working with Nigerian broadcast stations including Cool FM and News Central TV for many years.

    Dejocular, as he’s fondly referred to, is committed to telling African stories through sound and visuals.

    Raised in Lagos in a family of singers, JJ was surrounded by music from childhood.

    “From my father’s records to my brother’s cassettes, music has always been at the center of my life,” he said.

    In 2023, after moving to Canada, JJ noticed that local radio stations played mostly Western music and decided to make a change.

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    “I felt disconnected. It did not reflect the multicultural reality of Canadian society. That, to me, was a gap,” he explained.

    To fill this gap, he created ‘Inside Afrobeats,’ a four-part audio series exploring the history and global impact of the genre. The series now airs on Canadian Broadcasting Corporation (CBC) Radio channels, including Edmonton, Newfoundland, and Vancouver, and can be streamed online on platforms accessible in Canada only.

    “The goal is to amplify Afrobeats. It is about the sound, the stories, the culture, and ensuring African voices are part of the national conversation,” JJ said.“Afrobeats is my identity. It blends with any genre while staying proudly African. The beats bring joy, and the storytelling makes it unique.”

  • Bolanle Olukanni, Tee A to host NECLive 2025

    Bolanle Olukanni, Tee A to host NECLive 2025

    NECLive organisers have confirmed that celebrated media personality Bolanle Olukanni and entertainer Tee A (Tunde Adewale) will co-host NECLive 2025, scheduled to hold on November 28, 2025, in Lagos.

    The duo will bring their signature charisma, wit, and expertise to guide conversations across the conference’s multi-segment format, including keynotes, panel discussions, live performances, Q&As, workshops, and innovation showcases.

    Having previously hosted NECLive in 2021 and 2022, Bolanle makes her return to the conference for the third time. A renowned television host and filmmaker, she is recognized for her work on popular shows such as Project Fame West Africa, The Juice, and Moments with Mo. Beyond her on-screen success, Bolanle is well-respected for her creativity, interview style, and social impact advocacy which have made her one of Africa’s most trusted media voices.

    “For over a decade, NECLive has consistently delivered impactful conversations and showcased the best of our industry,” said Bolanle. “The organisers have curated a truly great platform and I am happy to be a part of it.”

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    Joining her is veteran event compere Tee A, who returns to NECLive for a record eighth time. A pioneer in Nigeria’s stand-up comedy scene and a much sought-after corporate event host, Tee A is renowned for his incredible wit, comedic timing, poise, and deep industry knowledge. The veteran brings his magnetic presence and authentic connection with audiences to the most defining industry gathering of the year. His proven expertise and deep understanding of the creative landscape makes him an ideal anchor for NECLive 2025 which holds under the “Powering Africa Through Creative Enterprise” theme.

    “It’s always a pleasure being part of this dream that continues to shape and propel our creative industry ecosystem,” said Tee A. “I’m honored to host this year’s event, and I look forward to delivering another exceptional experience as we continue this remarkable journey.”

  • MOBO Awards to celebrate 30th anniversary in Manchester

    MOBO Awards to celebrate 30th anniversary in Manchester

    The MOBO Awards, Europe’s most influential celebration of Black music and culture, has announced Manchester as the host city for its landmark 30th annual ceremony.

    The prestigious event will take place on March, 26 2026 at the newly opened Co-op Live arena, promising an evening of unforgettable performances and moments that will help shape the future of UK music culture.

    According to the organisers, MOBO will stage a Fringe Festival in partnership with Manchester City Council, a week-long celebration of music, arts and innovation.

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    The festival will feature industry panels, live showcases, creative workshops, and performances across the city, spotlighting Manchester’s vibrant and diverse cultural scene.

    Speaking of the partnership,  Mayor of Greater Manchester, Andy Burnham said it is a privilege to host MOBO’s 30th anniversary in the city of Manchester.

    “Greater Manchester has a rich and diverse musical heritage, and I know that the MOBO awards taking part in our region will mean so much to so many people. We will pull out all the stops to make sure this event is given the stage it deserves and it gives people an opportunity to celebrate everything that is great about MOBO,”  Burnham said.

    Founded in 1995, MOBO has become a global movement, championing Black music, nurturing talent and helping launch the careers of some of the world biggest artists.

  • I wrote a song for Beyoncé in 2019, says Adekunle Gold

    I wrote a song for Beyoncé in 2019, says Adekunle Gold

    Afrobeats singer and songwriter, Adekunle Gold has revealed that he once penned a song for US superstar Beyoncé during one of the most difficult periods of his life.

    Gold disclosed that in 2019, shortly after the death of his father, he was invited by Beyoncé’s team to contribute to her ‘Lion King: The Gift’ album project.

    “At the time, I was too consumed by grief to even think about music. But one day I forced myself back into the studio. Out of that pain, I wrote Simile.

    According to him, despite sending the song to Beyoncé’s camp, he secretly hoped it would not be chosen for the project.

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    “For years the track remained unreleased until 2024, when my longtime collaborator Michael replayed it during a session. It reminded me that even in my deepest loss, I was not alone. I had God to lean on,” he reflected.

    Adekunle Gold has now included ‘Simile’ on his latest album titled, ‘Fuji, hoping the track will comfort listeners dealing with grief or loss.

    “Grief isn’t just about losing a parent. It can be the loss of a person, a friendship, a dream, or even a version of yourself; whatever it is, you don’t have to carry it alone,” he said.

  • Women who have shaped Nollywood in two decades

    Women who have shaped Nollywood in two decades

    For more than two decades, Nollywood has been shaped by women whose careers have stood the test of time. From the early days of home videos to today’s streaming platforms, certain actresses have managed not only to remain relevant but also to reinvent themselves, proving that true star power only grows stronger with time.

    Among the most enduring figures is Genevieve Nnaji, whose grace and international acclaim, particularly with Lionheart on Netflix, helped open Nollywood to global audiences. In the same league stands Omotola Jalade-Ekeinde, who has consistently blended acting with activism, proving that influence can extend far beyond the screen. While Genevieve’s quieter presence in recent years has left fans anticipating her next big move, Omotola continues to use her platform to push social causes, reminding the industry that impact is measured in more than just box office numbers.

    If Genevieve and Omotola symbolize Nollywood’s pioneering elegance, then Funke Akindele represents its new model of commercial dominance. After launching Jenifa in 2008, she built an entire franchise around the beloved character, with Jenifa’s Diary becoming one of the most successful comedy series in Nigerian television history. Her ability to connect with everyday audiences culminated in Everybody Loves Jenifa (2024), which smashed records as Nigeria’s highest-grossing film, earning over N1 billion at the box office, a feat none has achieved.

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    Rita Dominic has carved out her own legacy, known for her versatility and sophistication on screen. While she continues to earn critical acclaim for her nuanced roles, her recent move into production and her globally streamed projects have placed her alongside contemporaries who have mastered both the art and the business of film. Like Dominic, Kate Henshaw has also shown the power of reinvention. From her 1993 debut to her recent standout performance in Blood Sisters on Netflix, Henshaw’s consistency mirrors her off-screen reinvention as a fitness and wellness advocate, proving that longevity in Nollywood is as much about discipline as it is about talent.

    Equally compelling is the career of Nse Ikpe-Etim, whose emotional depth has made her one of Nollywood’s most critically respected actresses. While she entered the scene later than some of her peers, her performances in Reloaded, Mr. & Mrs., and more recently Shanty Town (2023) show a career still very much in ascent, marked by elegance and intensity that rivals any of her contemporaries.

    Omoni Oboli, meanwhile, has taken a slightly different path by balancing her career as both actress and filmmaker. From Wives on Strike to Okafor’s Law, she has combined entertainment with social commentary, and in recent years, she has carved out another niche by dominating Nollywood’s YouTube space with content that consistently attracts millions of views. While Akindele holds the crown for cinema box office records, Oboli’s mastery of digital platforms has positioned her as Nollywood’s queen of online audiences.

    Together, these women tell the story of Nollywood’s evolution from Genevieve and Omotola’s trailblazing roles, to Funke Akindele’s record-breaking box office numbers, Rita Dominic’s grace and adaptability, Kate Henshaw’s reinvention, Nse Ikpe-Etim’s critical acclaim, and Omoni Oboli’s digital empire. Each has taken a different path, yet all remain central to Nollywood’s growth. Their ability to stay relevant in an ever-changing industry is proof that talent paired with vision does not just endure, it thrives.