Category: Entertainment

  • Strive for greatness in every movie role, Yul Edochie tells actors

    Strive for greatness in every movie role, Yul Edochie tells actors

    Actor Yul Edochie has addressed colleagues, saying they should strive to deliver exceptional performances, regardless of their pay. 

    According to Yul on Instagram, even if an actor is paid a modest fee of N10,000 for a role, they should aim to give a performance worth $100 million. 

    He warned that providing a subpar performance based on low pay would lead to failure.

    Yul stressed that the acting profession demands excellence, and delivering a stellar performance, even if unpaid, is the key to greatness. 

    “As an actor, If you accept a 10k fee for a movie role, you must give a 100 million dollar performance. Don’t give 10k performance because you were paid 10k. That’s your road to failure.

    ” Even if you accept to do the job for free,
    You must give a 100-million-dollar performance. That’s what the acting profession demands. That’s your road to greatness,” he wrote.

  • How Nigerians have transformed BBNaija reality TV show

    How Nigerians have transformed BBNaija reality TV show

    Big Brother Naija may have begun as a simple reality show format, but Nigerians have turned it into something far greater, a cultural phenomenon that shapes careers, fuels debates, and commands the nation’s attention every season. The show has become a mirror of Nigerian life, not because of the rules inside the house, but because of the power Nigerians wield outside it.

    In the beginning, viewers were passive. People tuned in, watched the drama unfold, and cast a few votes. That has long changed. Today, Nigerians run the show. Social media is the new stage, and fans have become producers in their own right, deciding storylines, pushing hashtags, and even raising millions to keep their favourites in the game. Whole communities spring up overnight, some so fierce they resemble political movements. Billboards are erected, branded merchandise is made, and public rallies are organised in the name of a housemate. The passion is unmatched, and it has redefined what it means to be an audience.

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    That passion does not stop when the show ends. Nigerians have a way of extending the spotlight, turning ex-housemates into enduring stars. Mercy Eke went on to become a fashion entrepreneur, Dorathy Bachor built her own lingerie brand, and Erica Nlewedim, already an actress before the show, found her career amplified with bigger roles and wider recognition in Nollywood. None of this would be possible without the fans who insist that their favourites matter beyond the house. Every season, the audience creates celebrities as much as the show itself does.

    The cultural imprint is impossible to ignore. Each season introduces new slang and conversations that spill into everyday life. It is through BBNaija that issues like gender dynamics, mental health, and entrepreneurship become topics of national discussion.

    Last year, for instance, the show ran the Her Money, Her Power campaign, a segment that put female financial independence at the centre of conversations and got audiences debating women, money, and empowerment both online and offline. Nigerians demanded that the show reflect who they are, and it now stands as a living expression of the country’s creativity and complexity.

    Beyond the cultural influence, BBNaija has grown into a commercial powerhouse. Brands know that once their products enter the house, they instantly reach millions of Nigerian homes. Sponsorship slots are hotly contested, partnerships deliver massive visibility, and the show has become one of the most effective platforms for marketing in Africa. From headline sponsors to associate partners, companies leverage the BBNaija stage to cement their place in popular culture and connect with audiences.

    At its heart, though, what keeps BBNaija alive is simple: Nigerians love a good story. The house is a perfect reflection of the Nigerian hustle: unpredictable, competitive, dramatic, and full of triumph against the odds. Every eviction, every twist, every romance is amplified by an audience that refuses to be silent.

    BBNaija might have started as part of a global franchise, but Nigerians have reshaped it into something uniquely theirs. What began as a reality show has become a national ritual, a cultural touchstone, and a dream factory where ordinary people are transformed into icons. In the end, the housemates may play the game, but it is Nigerians who truly run the show.

  • Nigerian artistes dominate UK Afrobeats chart top

    Nigerian artistes dominate UK Afrobeats chart top

    With budding music talents making bold entries and veterans proving their staying power, the Afrobeats scene continues to dominate UK playlists.

    As revealed by the Official Charts Company, African sounds continue its remarkable run at the summit of the UK music list.

    Hot on his heels is Rema, whose latest single Fun makes an impressive debut at No. 2, instantly shaking up the leaderboard. Though Miami, a song by American singer Odeal, still maintained its No. 1 position for a ninth week.

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    Tyla’s Is It slips one spot to No. 3, despite having previously topped the chart, while Ayra Starr climbs to No. 4 with the sultry Hot Body, matching her highest position yet.

    Burna Boy remains steady at No. 5 with Love, as Tyla and Wizkid’s collaboration Dynamite holds close behind at No. 6. Young Jonn and Wizkid’s Cash Flow drops to No. 7 in its second week, while Fola scores a career-best with You leaping into the Top 10 at No. 8.

    Asake also enjoys a strong showing on two fronts: Badman Gangsta with Tiakola at No. 9, and his J Hus collaboration Gold , rounding out the Top 10 at No. 10, a track that previously claimed the top spot.

  • I once wrote a song for Beyoncé, says Adekunle Gold

    I once wrote a song for Beyoncé, says Adekunle Gold

    Afrobeats singer and songwriter, Adekunle Gold has revealed that he once penned a song for US superstar Beyoncé during one of the most difficult periods of his life.

    Gold disclosed that in 2019, shortly after the death of his father, he was invited by Beyoncé’s team to contribute to her ‘Lion King: The Gift’ album project.

    “At the time, I was too consumed by grief to even think about music. But one day I forced myself back into the studio. Out of that pain, I wrote Simile.

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    According to him, despite sending the song to Beyoncé’s camp, he secretly hoped it would not be chosen for the project.

    “For years, the track remained unreleased until 2024, when my longtime collaborator Michael replayed it during a session. It reminded me that even in my deepest loss, I was not alone. I had God to lean on,” he reflected.

    Adekunle Gold has now included ‘Simile’ on his latest album titled ‘Fuji,’ hoping the track will comfort listeners dealing with grief or loss.

    “Grief isn’t just about losing a parent. It can be the loss of a person, a friendship, a dream, or even a version of yourself; whatever it is, you don’t have to carry it alone,” he said.

  • Sandra Odige receives honorary doctorate from UK varsity

    Sandra Odige receives honorary doctorate from UK varsity

    Media personality and CEO of La Mode Group UK Sandra Odige has been awarded an Honorary Doctorate in Media and Communications by Myles Leadership University.

    The prestigious ceremony was held at the historic Chichester Cathedral in West Sussex, United Kingdom on July 19th.

    This remarkable honor recognizes Odige’s outstanding contributions to media, fashion, communication, and cultural advocacy over the past decade. As the Publisher and Founder of La Mode Magazine and a trailblazer for women in media, Sandra has reshaped the fashion media landscape with bold storytelling, purpose-driven campaigns, and a global platform that champions inclusion, empowerment, and African excellence.

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    From launching La Mode Magazine in 2011 while still in banking, to building La Mode Group UK into an international brand, Sandra Odige has consistently combined creativity, leadership, and vision.

    Her work in media and communications has not only influenced industry trends but has also empowered underrepresented voices through initiatives like the Green October Event and Disability Inclusion Campaigns.

    “This recognition is deeply humbling,” said Dr. Sandra Odige during the ceremony. “It reaffirms my lifelong mission to use media as a tool for transformation. I’m grateful for the journey, the challenges, and the global community that continues to support and amplify our message.”

    The honorary doctorate from Myles Leadership University places Sandra Odige among a select group of leaders recognized for shaping the future of media and communication across borders.

  • Omotola tells untold stories of girl-child in Mother’s Love

    Omotola tells untold stories of girl-child in Mother’s Love

    Nollywood superstar, Omotola Jalade-Ekeinde, has revealed that her latest cinematic project, Mother’s Love, was inspired by the untold stories of young Nigerian women.

    The actress, who has now added ‘director’ to her list of achievements, said the film draws from real-life experiences and the quiet strength of women who are boldly carving out new paths for themselves.

    Mother’s Love is more than a film to me; it’s a deeply personal journey. As my directorial debut, it draws inspiration from real experiences not just my own, but from the many untold stories of young Nigerian women finding their place in a complex world,” she explained.

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    According to the mother of four, the film tells a coming-of-age story that challenges privilege, confronts identity and ultimately celebrates the quiet strength of women redefining themselves on their own terms.

    Set against the vibrant, layered backdrop of modern Nigeria, the film explores both the beauty and the friction of growth.

    “This film is performance-led, emotionally grounded, and socially aware. It speaks to universal themes of family, resilience, and empowerment, while offering a lens into contemporary Nigerian life rarely seen on screen. I believe authentic and bold stories like this deserve a global platform, and I’m honoured to share it with audiences ready to embrace something both intimate and impactful,” Omotola added.

  • I don’t want an honorary doctorate, I want to study for PhD — Lala

    I don’t want an honorary doctorate, I want to study for PhD — Lala

    Nollywood actor and filmmaker, Muyideen Oladapo, better known as Lala, says his ultimate dream is to earn a doctorate through academic study rather than accept an honorary degree.

    “I don’t want an honorary doctorate,” he declared. “I have received a lot of invites for that, but I don’t want to. I want to study and earn the certificate as a PhD holder, not just as a title.”

    The master’s degree holder noted that his passion for learning comes from the same drive that has fueled his career in the movie industry.

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    Reflecting on his journey, Lala admitted his childhood was rough. “I was a tough child from childhood – even my parents prayed that I wouldn’t be swallowed by the streets because I could dare anything in life. But for now, that fame has come, and I have a family, I avoid putting them into chaos. Death was a normal thing to me because my orientation was that everyone would die after all.”

    He recalled one incident that marked his resilience: “I once beat a thug in his turf in Surulere, Lagos. The story of my life is a long one that has also shaped how I was able to interpret certain roles in movies.”

    The actor further explained how his popular moniker came about. According to him, it originated from a Funke Akindele production. “The character started in a movie by Funke Akindele, where I played the character of Lala, and people loved it. So I went ahead to write and produce my own movie titled Agidi, and I found a way to make sure my character also bears the name Lala, as it was already established in Akindele’s movie.”

  • Why I don’t support leaderless protest – Seun Kuti

    Why I don’t support leaderless protest – Seun Kuti

    Afrobeat musician, Seun Kuti, has cautioned Nigerians against embarking on leaderless protests, insisting such actions could backfire without a political platform to drive sustainable change.

    “I don’t support a leaderless protest,” Kuti said. “The Nepalese just removed the military government about 20 years ago, but with recent protests, they have just brought back the military, and that’s what happens when you revolt without a political platform.”

    The singer, who is the youngest son of Afrobeat legend Fela Anikulapo-Kuti, stressed that the absence of a committed and vibrant professional class hinders Nigeria’s democratic development.

    “What is missing in Nigeria is the vibrant professional class that has the high-end jobs that are also interested in the development of the country,” he explained.

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    On the role of politicians, Kuti admitted he no longer mixes in political circles. “There are some politicians who are trying their best in the country, but I don’t know any. There must be! I don’t really mix in political circles anymore because there’s nothing there for me,” he said.

    Instead, he described his focus as building an alternative path to power through a different brand of politics. “I’m playing a different politics from the politics that is ruling our country. I am doing the kind of politics that will bring our way to power,” he stated.

  • Stellamaris Duru wins big at Nigerian Electronic Media Content Exhibition Awards

    Stellamaris Duru wins big at Nigerian Electronic Media Content Exhibition Awards

    Filmmaker Stellamaris Duru has expressed gratitude after clinching two awards at the recently held Nigerian Electronic Media Content Exhibition and Awards, where she was recognised as Best Actor (Female) and Best Producer in the Broad Category TV/Web Drama Series for her debut production, We Happy People.

    Reacting to the honour, Duru said she was overwhelmed by the recognition. “Ecstatic, elated, emotional, overwhelmed, surprised, or should I say shocked? I am speechless, but in all, I am super, super grateful to God for this privilege and recognition. I am grateful to my family for their support, prayers and encouragement, particularly my hubby. I am grateful to have a godly mentor and industry mentors who are there to guide and offer advice. Honestly, I lack words. It’s my first production and it got recognition as the best producer for a TV drama series… oh my God.”

    She also extended appreciation to her cast and crew. “The cast and crew of We Happy People put in sweat and blood. I am grateful for them, especially my director, line producer and production manager… those guys had my back.”

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    On being nominated alongside senior colleagues in the industry, Duru maintained that the recognition was humbling. “First, I would like to say to my senior colleagues, thank you, thank you all so very much. This award is for you for setting the pace for us and leading the pathway for us to follow. I am humbled and grateful. One lesson for me is to stay humble.”

    Looking ahead, the actress-producer revealed that she is already working on fresh projects. “The reward for work is more work. This award will be a constant reminder that we have more work to do. We just launched StellamarisDuruTV on YouTube — a home of authentic Nollywood premium movies and series. Kindly subscribe and support me to watch our series. More productions are in the book. There is no stopping now. It’s back-to-back premium, relatable, educating, and entertaining content,” she said.

    She also used the opportunity to acknowledge veterans who featured in her award-winning project, including Jide Kosoko, Chinyere Wilfred and Eric Obinna, alongside younger acts such as Hydra Aneme, Tracy Dera, Otimiyin Luke Thorpe, Favour Nchezor, Zikky Aloy, and Silvia Ebere.

    According to her, Chuchin Ultimate Productions Ltd, her production company, remains open to collaborations. “As the name implies, Chuchin Ultimate Productions is a production company, so we are open to producing movies and series for TV stations, media houses, private owners, and the government. We are open for business,” she added.

  • Social media should be tool, not yardstick for measuring creativity – Osawaru

    Social media should be tool, not yardstick for measuring creativity – Osawaru

    Nollywood actress Imade Osawaru has raised concerns over the growing obsession with social media fame in the film industry, warning that the trend is stifling creativity.

    “The number one challenge is that follower count now seems more important than raw talent,” she said. “It’s frustrating when your years of hard work, training, and experience are ignored just because you don’t have millions of followers. Social media should be a tool, not the yardstick for measuring creativity. Sadly, this trend is killing originality, because many young actors now chase clout instead of honing their craft.”

    Osawaru, who has built a reputation for strong character portrayals, also pushed back against actor Jim Iyke’s claim that single mothers cannot raise proper men. According to her, what truly defines a good man is not family structure but values.

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    “Proper men are not made by the number of parents in a home, but by the values they are raised with. I’ve seen single mothers raise kings, leaders, and visionaries. To say otherwise is to undermine the strength and resilience of countless women who are doing the work of two. A good man is raised by love, not just a ‘perfect’ family structure,” she explained.

    On the subject of love, the actress added that romance in Nigeria is often expressed in practical ways rather than through dramatic gestures. “Nigerian men can be romantic, but romance here is often more practical than dramatic—less candlelit dinners, more showing up when it matters,” she observed.