Category: Entertainment

  • Tonto Dikeh advises against rejoicing over others’ misfortunes

    Tonto Dikeh advises against rejoicing over others’ misfortunes

    Actress Tonto Dikeh has urged fans to prioritise kindness and empathy, particularly in the wake of Regina Daniels’ marital issues.

    She emphasised that life is unpredictable and can change in an instant.

    Tonto Dikeh highlighted the importance of treating others with kindness and respect, especially during difficult times.

    She noted that it’s easy to rejoice over someone’s downfall, but one never knows when they might find themselves in a similar situation.

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    She encouraged fans to choose kindness and empathy, as it costs nothing to be kind.

    “I will never laugh at another person’s misfortune, because life has proven to be unpredictable in many ways. One minute, you are rejoicing over another person’s downfall; the next, you are praying for support and mercy that you never gave. Be kind!

    “Be kind, life has a funny way of shifting!! Kindness is so underrated. It costs nothing to be kind,” she said. 

  • Bukunmi Oluwasina slams online cruelty of public figures

    Bukunmi Oluwasina slams online cruelty of public figures

    Actress and filmmaker Bukunmi Oluwasina has urged social media users to end online cruelty and stop celebrating the misfortunes of public figures, especially women.

    In a series of Instagram story posts, the award-winning actress condemned the culture of schadenfreude that surfaces during celebrity setbacks.

    She wrote: “But what I see as very mean and uncalled for, is some of you making a mockery of someone in her lowest moment. Just because “Sebi she used to show off, sebi she was peppering us, why was she doing fake life, misleading young girls to think she is living her best life and she made a good decision.” Now, take a pause, sit down.

    “Ask yourself, if you were in this person’s shoes would you not show off? The truth is, not all of us would love to live a quiet life. Some people’s way of being happy is to be able to convince others that they are happy, and subconsciously it becomes their truth. 

    “It’s like therapy to them. And while at it, they tend to show off every little beautiful moment. Which is very okay. So why blame public figures when they are going through something, saying “You should have done better as a role model” is it not diabolical”.

    Oluwasina, recognised for her roles in films such as Ayomi and Citation, highlighted the dual impact of celebrity influence.

    She noted how some youths adopt harmful habits like smoking after seeing idols glamorise them online, while others draw inspiration to build stable marriages and families by observing positive celebrity relationships.

    She praised fans who choose to settle down and become responsible partners after admiring how their favorites publicly honor their spouses with gifts and affectionate displays before major releases.

    Such actions, she said, are beautiful, enviable, and commendable.

    “I am not going to pretend that I do not know that the way celebrities live has a strong influence on the youth of today. Especially if the celebrity is their fav. We have seen guys who started smoking because their fav always poses with weed in almost all their pictures online, in different locations, including a music studio.

    “So, some young ones started smoking to show off just to feel big, or before recording too just because they feel it gives inspiration as seen. While this negative impact are been picked up by some younger ones, we also have youths who would have thought to be wasting away their time on frivolities, but choose to marry and settle down, be a good husband/wife, just cos they love how their fav show off their women online, buy expensive gift for them, dance with their wives when they are about to drop their new song. Which is so beautiful, enviable and commendable”.

    At the same time, she reminded followers that online personas are selective, stating that no one shares their struggles or failures publicly, making it unfair to criticise public figures during personal crises.

    “Nobody comes online to post their struggles and failures. Now let’s not forget that nobody is perfect. People would do whatever feels right to them. As it’s their lives and no one has the right to dictate to them how to live them. Some people don’t learn by words or advice, but by their own mistakes, which is okay. That’s why they say experience is the best teacher.

    “Once again, celebrities are humans. Life doesn’t come with a manual, so people will always make mistakes. That’s why it’s called life. We live through those mistakes to learn new things”.

    The actress challenged the tendency to idolise strangers on social media while ignoring family members at home.

    She questioned why fans abandon their parents, natural role models, to follow curated Instagram lives, only to condemn those figures when they falter.

    “That you left your own mother and father at home to come and be picking role models on the streets of Instagram? You mean to say nobody is worthy of emulation in your entire family, that you have to start looking up to strangers you don’t know anything about aside from what they show you, and at the end, blaming them when they make mistakes? If it were that easy to live a worthy life, why don’t y’all look up to your mum and dads?” 

    Oluwasina also analysed the roots of online resentment, stating that people harbor subconscious dislike when others fail to suffer as expected.

    Read Also: ‘Women supporting women’ a scam in Nollywood – Bukunmi Oluwasina

    Resentment, she said, is like setting oneself on fire and waiting for others to suffocate in the smoke.

    She encouraged users to engage with more constructive content, pointing out that platforms offer guidance on education, entrepreneurship, and personal growth. 

    “You could choose to be on another page of someone talking about how to learn new trades, how to get scholarships, how to start a small business with little money, how to rebrand your brand… etc. But when you see those posts, you scroll off, and stop at the one showing private jets, boat cruises, dollars, Bentley etc. You see that you are your own problem, and not the people you look up to? As a matter of fact, the people you look up to never even asked you to look up to them”.

    In a direct appeal to women, Oluwasina asked them to stop waiting for peers to fail just to validate prior skepticism.

    “Above all, please you all, Especially women, stop waiting for your fellow woman to fail or suffer. If that gives you joy, then you need to get checked. And if you can’t be anything in this world, please try to be kind. Be kind. Be kind. It won’t kill you. Be kind. Be kind. It costs nothing. Be kind. Please, be kind”, she concluded.

  • Marriage isn’t meant for everyone – Actress Sunshine Rosman

    Marriage isn’t meant for everyone – Actress Sunshine Rosman

    Actress Sunshine Rosman has stated that marriage requires complete dedication and is not suitable for everyone, advising those unwilling to invest effort to avoid it entirely.

    During a recent episode of the Open Up podcast, the actress underscored intentionality as essential to successful relationships.

    She explained that some individuals are simply not suited for marriage, either due to lack of desire or unwillingness to put in the necessary work, and that entering into it should never be forced.

    Rosman maintained that anything worth pursuing must be done wholeheartedly, adding that partial effort undermines the institution.

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    “Some people are just not made for marriage. Not everyone should be married. Some people are not willing to put in the work and some don’t just want it. So, it is not by force. My stance is that anything worth doing is worth doing well. So if you’re going to do something, put your heart into it, if you’re not going to do it, then don’t do it,” she stated.

    The actress shared that her interest in marriage is inspired by the strong, positive example set by her parents.

  • Music Tech Nigeria sets new course for collaboration in Africa’s music industry

    Music Tech Nigeria sets new course for collaboration in Africa’s music industry

    The creative and technology community gathered in Lagos for the inaugural launch of Music Tech Nigeria, a groundbreaking initiative dedicated to bridging the gap between music, innovation, and technology to drive sustainable growth within Nigeria’s creative economy.

    Held at The Colossus Hotel, Ikeja, Lagos, the event brought together creators, policymakers, industry leaders, innovators, and academics under one roof to explore how technology can redefine creativity, strengthen rights management, and unlock new opportunities for creators and music entrepreneurs in Africa.

    Delivering the keynote address, Ashley Immanuel, CEO, Semicolon Africa, challenged Nigeria’s creative and technology sectors to use innovation as a tool for purpose-driven progress in the music industry.

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    Speaking on the theme: ‘Why Music Tech Matters for Nigeria’s Creative Future,’ she emphasised that technology can be a powerful enabler, helping the industry to learn, produce, distribute, and connect with audiences across regions, while democratizing access to financing for creators and entrepreneurs.

    “We can innovate around the music industry’s pain points like intellectual property protection and fair compensation,” Immanuel said. “There’s an opportunity to design systems that get the formula right for rewarding rights holders.”

    In his inspiring presentation, Yvan Boudillet, co-founder of Music Tech Europe, celebrated the launch as “a deeply meaningful milestone for the global music-tech community.”

    He recalled that the idea behind Music Tech Nigeria was conceived in Kristiansand, Norway, during a meeting between himself, Gerome Vanheret (co-founder, Music Tech Belgium), Dr. Chinedu Chukwuji, Founder of PurpleBlue Academy of Music Business, and Michael Odiong, CEO of Premier Records.

    “We started as innovators, researchers, and founders building relationships, sharing knowledge, and opening doors at industry and policy levels not just to attract funding, but to foster partnerships and cooperation,” Boudillet said.

  • Afrobeats culture is beyond just music, says Grand Tycoon

    Afrobeats culture is beyond just music, says Grand Tycoon

    Singer, rapper, spoken word artiste, author, and entertainment journalist, Tofarati Ige, popularly known as Grand Tycoon, has emphasised that the globally celebrated Afrobeats movement goes far beyond the music that many people associate it with.

    According to him, the culture embodies a rich and diverse array of artistic expressions that deserve equal recognition and global appreciation.

    In an interview with our correspondent, Grand Tycoon, who has published two books of poetry, noted that while Afrobeats music has successfully captured international attention and taken African sound to the world, other creative elements within the culture remain underexplored.

    He said, “Many people think that Afrobeats is just about music. But that is only a tip of the iceberg; barely scratching the surface. Afrobeats has other veritable expressions such as spoken word poetry, painting, hyping, dancing, and even fashion. But many people are carried away by the glamour that is associated with music, and neglect those other areas that can also bring in good money.”

    The creative, who also doubles as the Chief Executive Entertainer of Grand Tycoon Entertainment, added that the term “Afrobeats” should be viewed as an ecosystem that reflects the entire African creative identity.

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    “It is more than a sound. It’s a lifestyle, an attitude, a way of telling our stories through different mediums. From the way we dress to how we speak, dance, write, and perform; it is all part of the Afrobeats experience.”

    The ‘Town Crier’ writer, who has been active in both the entertainment and literary industries for over a decade, explained that spoken word poetry, in particular, has become one of the strongest cultural exports of Africa in recent years, yet it does not receive the same level of institutional or financial support as music.

    He stated, “If you look at poetry shows in places like Lagos, Nairobi, or Johannesburg, you’ll see young Africans expressing the same passion, rhythm, and creativity that drives our music. The cadence, beats and storytelling are all interconnected. But because the industry is not yet structured for it, poets and other non-musical creatives don’t enjoy the same opportunities.”

    Speaking further, he observed that Afrobeats has evolved from being a local genre into a global cultural brand, but the benefits have not been evenly distributed across its creative contributors.

     He urged young people to explore other creative paths within the Afrobeats ecosystem. “If you’re good at dancing, painting, hosting events, writing, or creating content, that’s part of the culture too. The same energy that makes a hit song can make a viral dance video or a captivating performance piece.

    Afrobeats has space for everyone who can bring something original to the table. The next global star from Africa might not be a musician. It could be a poet, dancer, digital artist, or fashion designer. We just need to give them the right platforms.”

  • Shakara Festival set to redefine Detty December

    Shakara Festival set to redefine Detty December

    Lagos Is Set To Host Its First-Of-A-Kind Outdoor Multi-Day Music Festival, Shakara Festival, From Thursday, December 18, 2025 to Sunday, December 21, 2025.

    The groundbreaking event will take place at Nautica Beach Resort, Lekki, offering a four-day immersive celebration of music, culture, and lifestyle designed to take African music to the world.

    Shakara Festival is poised to become the ultimate destination for the annual ‘Detty December’ pilgrimage, expecting to host 20,000 attendees daily, from diasporans returning home to music lovers across the African continent. The festival promises a quintessential contemporary African experience, showcasing the vibrant style, sounds, and tastes of Nigeria.

    During the day, attendees will engage with thought-provoking panel discussions featuring industry leaders on the music business, the creative economy, and more. The Shakara Festival grounds will be a dynamic marketplace, called Shakara Junction, with a curated selection of vendors and artisans offering unique food, fashion, and crafts. The afternoons will pulsate with live performances from a diverse lineup of established and rising stars across genres including Afrobeats, Alternative, Soul, Gospel, Alté, and Afro-Fusion.

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    As the sun sets, the energy will transition to Shakara Afterdark, a series of exclusive parties that will keep the celebration going into the early hours of the morning, with collaborations from some of Lagos’ most loved raves and parties.

    “We wanted to build something that was truly groundbreaking for the Nigerian music scene,” stated Godson Oriaku, CEO & Founder of Shakara Festival. “Shakara is about authentic expression and creating a space where different sounds and people can connect. From soul and gospel to the grittiest Alté, we are unifying Africa’s diverse musical landscape in one massive celebration.

    An impressive array of established and up and coming musical talents set to perform at the groundbreaking Shakara Festival will be announced in the coming weeks.

    “Shakara Festival is more than just a music event; it’s a pioneering movement,” said Abiola Francesca Dacosta-Ajayi, Founding Partner of Shakara Festival. “We are creating a world-class platform to celebrate the richness of our culture and the incredible talent that Africa possesses. This festival is our gift to Lagos and a bold statement to the world about the power and influence of our creative spirit.”

  • Review: Rooted and Belonging at The Kinship Art Exhibition, by Sophia Newton

    Review: Rooted and Belonging at The Kinship Art Exhibition, by Sophia Newton

    A UK- based dance and movement artist, Sophia Newton, presented ‘Rooted and Belonging,’ at The Kinship Art Exhibition in London, offering a compelling performance that explored cultural identity, emotional wellbeing and the lived experience of the Nigerian diaspora in the United Kingdom.

    The work opened with Newton dressed in a fitted black bodysuit layered with a simple sleeveless top. Her movements were gentle, cautious, and questioning as she travelled across the floor to the soundscape of Sia’s Breathe Me. This first section captured the internal struggle of a person who carries culture far from home. The body seemed to ask, “Who am I when my roots feel distant?” Her gestures reached outward and into herself, revealing longing, disorientation, and a tender resilience.

    A shift occurred when Newton removed the sleeveless top, exposing vulnerability and placing the audience in a state of quiet attention. On the floor beside her lay an Aso Oke wrapper, a powerful symbol of Yoruba identity. When she finally reached for it and tied it firmly around her waist, the energy of the space changed. Lagbaja’s Konko Below entered the room with bold rhythmic power, and Newton responded with grounded footwork, hip articulation, and the joyful vibrancy of Yoruba dance.

    The crowd responded instantly. Smiles spread, claps rose into the rhythm, and a shared cultural recognition filled the space. Here, Newton was no longer searching. She belonged. The contrast heightened the truth at the heart of the performance: home is rediscovered through cultural memory and embodied connection.

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    Newton later moved to the drum placed on the stage and began playing simple rhythmic patterns while continuing to dance. She shifted between dancing on the stage and moving closer to the audience, bringing them into the experience. The mix of rhythm and movement honoured Yoruba performance practices and added a sense of celebration and community to the moment.

    Newton’s choreographic choices show emotional intelligence and control. She allowed silence to speak alongside powerful rhythmic sections, creating a narrative that was personal and universal. Her work speaks to those who navigate identity between countries, cultures, and histories, especially within the Nigerian diaspora.

    As a practitioner recognised for using expressive movement to support wellbeing, Newton brought a creative health lens to this performance. The journey from isolation into collective joy reminded the audience that dance can restore confidence, heal emotional disconnection, and bring communities together.

    Rooted and Belonging affirms Sophia Newton as a significant voice in culturally grounded contemporary dance in the United Kingdom. With this work, she demonstrates the power of movement as both cultural preservation and creative healing. The performance is a reminder that belonging is not lost. It is remembered, embodied, and reclaimed.

  • O2 Academy partners FG on AI film making, content creation training

    O2 Academy partners FG on AI film making, content creation training

    In a major push to equip young Nigerians with future-ready creative skills, O2 Academy Lagos has partnered with the Federal Ministry of Education under the Innovation Development and Effectiveness in the Acquisition of Skills (IDEAS–TVET) programme, powered by the World Bank, to train youths in AI Filmmaking and Mobile Content Creation.

    The initiative, officially flagged off at O2 Academy Lagos, Ojota, marks a landmark moment for Nigeria’s creative and film industry, introducing artificial intelligence to the core of content production and storytelling.

    For O2 Academy, the training represents more than just a classroom initiative. It is a bridge between traditional filmmaking and emerging technology.

    “Today marked the flag off of a landmark event in Nigeria, this is the first time we are organizing an AI training to empower Nigerian youth on how they can be relevant in the fourth Industrial revolution,” said Ucher Ozor, Associate Provost at 02 Academy.

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    “We are in an era where AI is slowly creeping into everything we do and when it comes to the area or filmmaking we are looking at forward ways to help Nigerian youths catch on this flu before it becomes outdated for everyone. So this is the flag off in collaboration with the Ministry of Education as well as the World Bank with the initiative of wanting to empower 75,000 youths in the aspect of skill empowerment. So we intend to bring 100 out of the 75,000 up-skill them with AI and mobile content video creation. ”

    Speaking at the event, former President of the Directors Guild of Nigeria (DGN), Victor Okhai, described the programme as a game changer for Nollywood and the broader creative ecosystem.

    “These young people are very fortunate,” he said. “The relationship that O2 Academy has built over the years in the industry will open doors for placement and job opportunities. This is a very good initiative by the Federal Government because we’re finally investing in a sector that can rival oil in economic impact.”

    Okhai added that the focus on AI filmmaking signals a new era for Nigerian cinema.

  • ‘There’s no over night success’

    ‘There’s no over night success’

    Nollywood actress and filmmaker Efe Irele has dismissed the popular notion that fame in the entertainment industry is sudden, stating that success is achieved through years of unseen work and consistency.

    The actress, who recently released her first cinema film ‘My Mother is a Witch,’ said many people are often unaware of the long journey that leads to public recognition.

    “There’s no such thing as overnight success,” Irele said. “ A lot of people always say that person is an overnight success, and it even happens with our musicians, and when they see old videos of the artist, they’ll be like Oh, I never knew.”

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    Irele noted that before making her mark as an actor, she had been active in the entertainment industry for years, appearing in several major music videos.

    “I was in Adekunle Gold’s Shade music video, Burna Boy’s Like to Party, I was in so many videos,” she revealed. “I’ve been in the industry, maybe not as an actor, but I’ve been in the industry since I was 15 years old, and that’s a very long time.”

    According to her, fame and professional progression in Nollywood come from resilience and discipline, not shortcuts.

    “It takes consistency and a whole lot of hard work,” she added.

  • How marketer cheated me on my first film project – Keji Yusuf

    How marketer cheated me on my first film project – Keji Yusuf

    Veteran Nollywood actress Keji Yusuf has recounted how she made a significant financial loss on her first self-produced movie, describing the experience as a painful introduction to the business of filmmaking.

    Yusuf, who shared the experience while reflecting on her journey in the industry, said the challenges began at the point of distribution — a long-standing issue for many independent filmmakers.

    “I didn’t make money with my first produced movie,” she said. “Back then, there were lots of challenges in movie distribution, so someone advised me to become an independent marketer. I agreed because I felt that selling the film myself would be better.”

    According to her, just when she had taken steps to market the film independently, the Nigerian Film and Video Censors Board introduced a new regulation that disrupted her plans.

    “I had dubbed 10,000 copies of the movie and also printed posters and flyers. Then suddenly, they said the Censors Board had come up with another rule which at that time wasn’t favorable to me,” she explained.

    In search of a solution, a fellow actress introduced her to a marketer based in Alakuko, Lagos. Yusuf said they reached an agreement including her request to first sell the foreign rights of the film before mass distribution began.

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    However, she later discovered that the marketer had gone ahead to release the movie without her consent and even altered the ownership credits.

    “One day, while watching TV at home, I heard the soundtrack of my movie in an advert,” she said. “This marketer had changed the cover photo, designed another jacket, and even made himself the executive producer. He used my picture very small behind some other actors — on a film I funded completely and had finished before giving him to the market.”

    Yusuf said the situation was eventually brought to the attention of a senior colleague who intervened and insisted that the marketer remit proceeds from the movie sales.

    “In the end, I made only N500,000 from the movie, and I spent over N2.5 million to produce it,” she revealed.