Category: Midweek Magazine

  • ‘Benin art market still evolving’

    ‘Benin art market still evolving’

    Benin-based fine artist Blessing Odigie has said despite its famous bronze works that scattered across museums and galleries in Europe and America, Benin art market is still evolving, unlike Lagos. She stated that notwithstanding, there are strong indications the art market is picking up considering the recent developments recorded in the sector. She observed that in no distant time, Benin art market will be at par with those of cities like Lagos and Abuja.

    “It’s not really there yet, but we are getting there soon. There are abundant of talents from different Arts Schools in Edo and Delta states who are making waves in the country and across the globe. So, all we need is adequate infrastructure, the enabling environment and some level of supports from both government and artists community,” she said.

    Odigie, who participated in the recent Benin Art Fair organised by Thought Pyramid in Benin City, however noted that unlike Lagos, not very many people in Benin are exposed to contemporary art business apart from bronze sculptures. She observed that some see art as photograph that you buy and hang somewhere, adding that very few know the real value of paintings. “So, I think they need to be more exposed to art appreciation and business…

    Some Benin people only know the bronze works at Igun Street. They don’t know other forms of art. Some don’t even know that there is textile art. They don’t know painting could be art. The only thing they know is bronze casting.” she noted. Odigie who is also a makeup artist, specialises in landscape painting said she was attracted to landscape painting because she grew up around nature. “So, I started to exhibit what I saw on a daily basis while growing up as a child. Yes, that’s it,” she hinted, but sets her eyes on big art shows across the globe to showcase her talents.

    “Actually, I’ve always wanted to feature in big shows and maybe one day, I might be exhibiting in Art X or somewhere around the world. So, let me start from somewhere.

    Though I’m exhibiting at the maiden Benin Art Fair and showing two paintings, but I have been to other art shows,  like Art X Lagos and other exhibitions in Abuja and Ghana,” she said. Her two paintings address issues of environment and love for nature. They portray the fact that nature is alive and art is life.

    On how to grow the art business in Benin, she said: “Government and artists community should invest in promoting art through social media.  I think we can start from there because a lot of people don’t really know what’s going on in the art world today.”

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    To her, the Benin Art Fair is like Art Lagos to Benin people and must be supported to grow. “My expectation is, through increase awareness, the people will get to know more about art than before. The turnout at the fair has not been bad, but subsequently we will get there. For now, I hope people get to know more about art and the more they come, the more they know. I hope it goes well.

    “I believe if the art business gets the support of the state government, it will do better. There’s a high level of ignorance when it comes to art appreciation and business in the state. So, when the awareness is high, the business will thrive.”

    Odigie a graduate of engineering from Ambrose Alli University, Ekpoma, Edo State, disclosed that if she had not taken to art, she would have been a nurse.

    “I would have been in the medical field. Yes, because I’ve always seen myself to be a nurse. I just have this nurturing spirit. I like to take care of the people who can’t take care of themselves and nurse the wounded,” she noted.

  • Rain of tributes for visionary leader

    Rain of tributes for visionary leader

    The Nigerian Institution of Estate Surveyors and Valuers (NIESV) has paid its final respects to Elder Olatunde Adegbemile, who passed away on December 25, 2024, at the age of 89. A founding member and the 10th Chairman of the Royal Institution of Chartered Surveyors-Nigeria Group, Elder Adegbemile was widely regarded as a visionary leader and a distinguished professional. Alongside his peers, he played a pivotal role in establishing the institution, which today stands as a pillar of excellence in the profession. Known for his vast knowledge and expertise, he co-founded Adegbemile, Akinlosotu & Co and served as its Managing Partner until his passing.

    NIESV President and Chairman of Council, Victor Alonge, praised Elder Adegbemile’s unwavering dedication, integrity, and commitment to the profession. He highlighted Adegbemile’s exemplary service as Honorary Secretary of the Lagos State Branch, Honorary National Secretary of the institution, and Chairman of the Estate Surveyors and Valuers Registration Board of Nigeria.

    “His contributions to the growth and progress of the institution will forever be remembered. He was a beacon of selflessness, integrity, and forthrightness. We are grateful for the life he lived, the service he rendered, and the indelible mark he left on our profession”, Alonge stated.

    Reflecting on his legacy, Alonge added: “Though he has embarked on his final journey, his essence lives on. He leaves behind undeniable legacies—an embodiment of humility, inspiration, and dedication. His life remains a model for all to emulate”.

    Elder Adegbemile dedicated his life to expanding the influence of the estate surveying profession, upholding its highest ideals, and demonstrating a relentless commitment to excellence. Alonge urged members of the institution to embrace the values Adegbemile embodied and let his legacy inspire future generations.

    To his family and loved ones, he offered words of comfort, affirming that Elder Adegbemile had merely answered the call to eternal glory and now rests in the presence of the Almighty.

    The Chapter President, FCAI Akin Opatola, described Elder Adeghemile as a visionary leader and a pillar of excellence, highlighting his dedication, expertise, and leadership. He emphasised that Elder Adeghemile’s unwavering commitment to excellence and professionalism profoundly impacted the field, inspiring countless individuals and leaving an enduring legacy within the institution.

    His steadfast dedication to integrity, ethics, and best practices served as a guiding light, offering hope and inspiration to many. He mentored numerous professionals, generously sharing his vast knowledge with humility. Always approachable, his counsel was highly regarded, and his influence will continue to shape future generations, motivating them to strive for excellence.

    According to Opatola, Elder Adegbemile was a trailblazer who recognised the profession’s growth potential and worked tirelessly to advance its interests. His contributions were invaluable, and his efforts yielded lasting benefits in many ways.

    “We remember him as a man of wisdom, compassion, and kindness—a loyal friend, a trusted colleague, and a devoted family man. Though his passing leaves an irreplaceable void, his memory will forever remain in our hearts and minds,” Opatola expressed, vowing to uphold the high standards of professionalism that Elder Adegbemile championed.

    Chairman of the Estate Surveyors and Valuers Registration Board of Nigeria (ESVARBON), Dosu Fatokun, described the late ESV Olatunde Adegbemile as a distinguished professional whose career exemplified the long-advocated model for sustainable growth in the profession. He noted that Adegbemile’s extensive tenure as a partner at the reputable firm of Fox and Company laid a strong foundation for the firm’s eventual indigenization, transitioning into Adegbemile, Agangan, Akinlosotu and Co under his leadership.

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    Fatokun highlighted Adegbemile’s reserved nature, emphasising his significant contributions behind the scenes toward the orderly development of the profession through quality counsel and active participation in developmental programs.

    “As the 5th Chairman of ESVARBON, serving from 1990 to 1996, he set an exceptional standard of dedication and professionalism. His tenure was marked by an unwavering commitment that continues to inspire us all. His passing is a profound loss to our profession, and his contributions will always be remembered,” Fatokun stated.

    He further noted that Adegbemile’s leadership was defined by vision and steadfast dedication. His tenure saw a remarkable 110.27per cent increase in the number of registered Estate Surveyors and Valuers, rising from 448 to 942 by 1996. Additionally, he successfully lobbied the supervising Ministry of Works and Housing to release the professional subventions allocated to ESVARBON in the national budget.

    As the Board’s longest-serving Chairman, Adegbemile’s influence extended far beyond his official duties, fostering a culture of integrity and excellence that remains foundational to the profession. Fatokun described him as a mentor who was always willing to share his vast knowledge and experience, with a passion for estate surveying and valuation that was matched only by his dedication to the profession’s growth and evolution.

    Acknowledging the significant milestones achieved under Adegbemile’s leadership, Fatokun reaffirmed the Board’s commitment to preserving his legacy and continuing to shape the profession’s future in his honour.

    •           

  • A new vision for Valentine’s Day

    A new vision for Valentine’s Day

    In a world where Valentine’s Day often celebrates romantic love and fleeting pleasures, the Centre for Defence of Morality (CDM) offers an alternative vision. Through its annual Chastity Parade, CDM challenges young people to embrace sexual purity, moral integrity and abstinence, fostering a generation focused on lasting values and self-discipline, reports Associate Editor ADEKUNLE YUSUF

    Every year on February 14, millions of people around the world celebrate Valentine’s Day with flowers, chocolates, and declarations of romantic love. It is a day that has traditionally symbolised affection between lovers, often culminating in expressions of physical intimacy. However, for some, the day is beginning to represent a different kind of love—one that is rooted in moral integrity, sexual purity, and abstinence. This shift is being driven, in part, by the Centre for Defence of Morality (CDM), a non-governmental organisation (NGO) in Lagos, Nigeria, which is striving to change the narrative of Valentine’s Day from “Lovers’ Day” to “Morality Day.”

    At the core of this transformation is CDM’s Chastity Parade, an annual event aimed at mobilising teenagers and youth to declare their commitment to sexual purity and moral values. The 2025 edition of the event, held at the weekend at the National Theatre in Iganmu, Lagos, brought together over 3,000 teenagers and young adults. These participants gathered with one singular purpose: to reaffirm their commitment to chastity and resist the temptations of sexual deviance and social vices. CDM’s objective is clear—to create a society where young people are empowered to make responsible decisions about their bodies, relationships, and future.

    While the Chastity Parade may be seen as a radical response to the hedonistic culture often associated with modern celebrations of Valentine’s Day, it is an effort that has gained significant traction over the past 13 years. In his address at the event, Mr. Nkem Chima, the International President of CDM, reiterated that the goal of the Chastity Parade is to reframe February 14 as a day that celebrates sexual abstinence and moral clarity rather than transient romantic encounters. By mobilising youth to take a stand for sexual purity and moral integrity, CDM aims to create a counter-narrative to the widespread celebration of romantic love that often promotes premarital sex, teenage pregnancies, and sexual exploitation. “The essence of the Chastity Parade is not merely about abstaining from sex; it is about promoting the values that will empower young people to make decisions that will serve them well throughout their lives. By changing the meaning of Valentine’s Day, we hope to instil in our youth the importance of focusing on their futures, setting goals, and working toward them without the distractions of sexual immorality,” Chima remarked.

    Since its inception, the Chastity Parade has become a powerful force in advocating for sexual morality. The event, which draws youth from across various Nigerian cities like Lagos and Aba, as well as international locations like Ghana and Ivory Coast, represents the culmination of CDM’s year-long campaign. The movement’s growth has been significant, with the event convening as many as 6,000 teenagers and youths annually across its different chapters. This is a notable accomplishment for an NGO that was founded with the mission of combating moral decay and sexual deviance in Nigerian society, particularly among vulnerable young people. Through educational programmes, counselling, and moral nurturing, CDM has worked tirelessly to raise awareness about the dangers of early sexual activity, teenage pregnancies, and sexually transmitted diseases (STDs).

    The Chastity Parade isn’t simply a symbolic event. It is part of a broader moral education strategy that CDM employs to ensure that young people stay committed to their vow of chastity. Each year, new members are inducted into the movement and make solemn pledges to abstain from sex until marriage. This process serves not only as an educational experience but also as a public declaration of their values. Beyond the parade itself, CDM has created follow-up programs that include boot camps, mentorship, and workshops aimed at helping young people develop the skills they need to thrive in various aspects of their lives.

    According to Peter Udekele, the Associate Convener of the event, these programmes are a critical part of the moral and personal development of the youth. “The Chastity Parade is not a one-time event. It is part of an ongoing commitment to ensure that young people are equipped with the tools and knowledge they need to stay focused on their future goals. Whether it’s through mentorship, vocational training, or digital literacy programmes, we provide comprehensive support to guide their journey,” Udekele said.

    CDM’s focus on empowerment goes beyond moral teachings. It includes preparing the youth for economic independence, professional success, and personal fulfilment. As Chucks Adike, CDM’s International Director, explained, the NGO’s vision includes not only a morally sound generation but also a productive and well-rounded one. The goal is to ensure that youth have access to the resources and opportunities they need to succeed without succumbing to the pressures of society.

    CDM’s efforts have not been without their challenges. In a society where sexual liberation and individual freedom are often promoted in the media, CDM’s advocacy for sexual abstinence and moral purity may seem out of step with contemporary cultural norms. Yet, despite facing criticism from some quarters, CDM’s message is resonating with many young people who are seeking alternatives to the increasingly permissive attitudes toward sex and relationships.

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    One of the key successes of the Chastity Parade has been its impact on reducing teenage pregnancies and sexual abuse. In his speech, Chima noted that CDM has recorded a significant reduction in these social issues as a result of the organization’s ongoing outreach. “Over the years, we’ve seen tremendous progress in tackling the negative consequences of premarital sex. Through our educational programmes, we’ve been able to raise awareness and instil new values among the youth.”

    By helping young people understand the importance of abstinence and self-discipline, CDM has successfully empowered them to take control of their lives and make informed decisions about their bodies. This empowerment has led to a decrease in the number of teenage pregnancies, drug abuse, and sexual exploitation—issues that have historically been significant challenges for Nigerian society.

    Despite its growing success, CDM’s Chastity Parade has not been immune to criticism. Some argue that the organisation’s focus on sexual purity is overly conservative and fails to address the complexities of modern relationships. Others claim that CDM’s messages of abstinence may not resonate with young people who are already immersed in a culture that prioritises instant gratification.

    Moreover, critics contend that programmes like the Chastity Parade should also include discussions on consent, healthy relationships, and sexual education, rather than simply focusing on the avoidance of sexual activity. In response, CDM leaders have emphasised the importance of teaching sexual responsibility while upholding the values of self-control and moral integrity. Nevertheless, CDM’s advocacy continues to gain momentum, and its influence is expected to grow, especially as more young people become disillusioned with the consequences of sexual promiscuity and moral decay.

    As February 14 continues to be celebrated as a day for romantic love, CDM’s Chastity Parade offers an alternative vision—one where love is defined by respect, self-control, and the commitment to future goals. By promoting sexual abstinence, moral education, and youth empowerment, CDM is helping to shift the conversation about Valentine’s Day from temporary pleasure to lasting value. The organisation’s efforts have already made a tangible impact on young people’s lives, and as more join the movement, it is clear that the Chastity Parade will continue to play a significant role in shaping a morally conscious, empowered generation.

    In the years to come, perhaps the true spirit of Valentine’s Day will be about more than just romantic love—it will also be a celebration of the strength, purity, and integrity of the next generation of leaders. Through initiatives like CDM’s Chastity Parade, young people are being given the tools to navigate a complex world while remaining true to their core values. This is a movement that stands not only against sexual deviance but also for a better tomorrow for youth everywhere!

  • Triumph for Nigerian music

    Triumph for Nigerian music

    The 2025 Grammy Awards were a defining moment for Nigerian music, as Tems made history by winning her second Grammy. This achievement not only celebrated her extraordinary talent but also highlighted the global rise of Nigerian and African artists, reinforcing their dominant presence in the international music industry, Associate Editor ADEKUNLE YUSUF reports

    In the glittering world of music, where the lights of the Grammy Awards shine brightest, a new star had emerged, blazing a trail that would forever change the course of Nigerian music. Her name was Tems, and her journey to the stage where she would claim her second Grammy Award is a tale of passion, perseverance, and dreams realised against all odds. The 2025 Grammy Awards held at the Crypto.com Arena in Los Angeles would become a monumental chapter in her story, as Tems did not just win an award—she made history.

    Born Temilade Openiyi in Lagos, Nigeria, Tems’ rise to fame was not a mere stroke of luck. It was the result of years of hard work, self-belief, and an unwavering commitment to her craft. Her debut single “Mr. Rebel” in 2018 was a taste of what was to come, a soulful expression of her distinct sound that resonated with listeners both in Nigeria and abroad. But it was her 2019 hit “Try Me” that marked her breakthrough, a track that solidified her position in the African music scene. Tems had something different: her voice was a tapestry of vulnerability and strength, weaving together Afrobeat rhythms with contemporary R&B elements. Her storytelling, laced with both emotional depth and power, gave her an edge that set her apart.

    However, it wasn’t until 2021 that Tems truly stepped onto the global stage. The song that would change everything was “Essence,” a collaboration with Nigerian superstar Wizkid. The track became an international sensation, topping charts across the world and earning her several award nominations. Tems was no longer just a star in Nigeria; she was a global force, her voice a bridge between cultures and continents. By the time the 2025 Grammy Awards came around, Nigerian music had already made undeniable strides in the global music industry. Burna Boy, Wizkid, and Davido had already opened doors, with their unique sounds and massive fanbases, creating a global stage for African talent.

    Tems, however, was poised to leave her own indelible mark. Her single “Love Me Jeje,” from her debut album Born in the Wild, would be the track to propel her to even greater heights. “Love Me Jeje” was a beautiful fusion of Afrobeat rhythms and contemporary R&B, a reflection of Tems’ ability to bridge genres effortlessly. The song, which sampled the 1997 Nigerian classic “Love Me Jeje” by Seyi Sodimu, quickly became an anthem, with over 125 million listens on Spotify and 21 million views on YouTube. It was the song that would not only earn Tems her second Grammy but also her first in the newly introduced Best African Music Performance category—a category that was already brimming with other Nigerian superstars, including Burna Boy and Asake.

    As the night of the 2025 Grammy Awards approached, there was palpable excitement in the air. Tems was nominated in three categories, including Best Global Music Album for Born in the Wild and Best R&B Song for “Burning.” But it was the Best African Music Performance category that had everyone talking. Burna Boy, who had already won the Best Global Music Album Grammy in 2021 for Twice as Tall, was a strong contender. Asake, a rising star with his blend of Afrobeat and street pop, was another favourite. The competition was fierce, but Tems stood tall, knowing that this moment was bigger than herself—it was a victory for Nigerian music, for Africa, and for the generations of artists who had come before her.

    The Grammy ceremony itself was a blur of glamour and excitement. Celebrities, musicians, and fans alike filled the Crypto.com Arena, all eagerly awaiting the moment when the winner of the Best African Music Performance would be announced. Tems, clad in a stunning ensemble that spoke of both elegance and confidence, sat with her team, her heart racing with anticipation. She had worked for this moment, but like all great artists, she remained grounded.

    When her name was finally read aloud as the winner, there was an eruption of applause. Tems, breathless and overwhelmed, stood up to make her way to the stage. Her hands trembled slightly as she took the microphone. The magnitude of the moment was not lost on her. “Dear God, thank you so much for putting me on this stage and bringing me this team,” she began, her voice breaking slightly with emotion. The crowd fell silent, captivated by her authenticity and humility. Then, in a moment that brought tears to many, Tems turned to acknowledge her mother, who was in the audience, her birthday falling just one day before the Grammys. “Tomorrow is my mum’s birthday, and this is her first Grammys. I just want to thank you, mum, because you’ve done so much for me and my brother,” she said, her voice filled with gratitude. Her eyes welled with tears as she gestured toward her mother, who was visibly moved by the acknowledgment.

    It was a beautiful moment of connection, one that encapsulated Tems’ journey from the streets of Lagos to the global stage. She was not just representing herself; she was carrying the hopes and dreams of her family, her country, and her continent. The victory was monumental for Nigerian music. Tems became the first Nigerian artist to win the Grammy for Best African Music Performance, a category introduced just a year earlier, underscoring the growing influence of African artists on the global stage. Her win also marked her second Grammy, having taken home the Best Melodic Rap Performance in 2023 for her collaboration with Future on “Wait For U.”

    As Tems stood there holding her Grammy, her mind drifted back to the journey that had brought her to this moment—the long hours in the studio, the sacrifices, the challenges she had faced, and the unyielding belief she had in herself. She had overcome every obstacle in her path, and now, she was basking in the glow of her success. But Tems knew this moment wasn’t just about her. It was a victory for the Nigerian music industry. Over the years, Nigerian artists had worked tirelessly to break down barriers, to show the world that African music is not just a fleeting trend but a cultural movement that is here to stay. The success of Afrobeat artists like Burna Boy, Wizkid, and Davido had paved the way for others, and now, Tems is a shining example of what is possible when talent, determination, and culture converged.

    Tems’ win is also a triumph for women in Nigerian music. In an industry that has often been dominated by men, Tems had risen to the top, not through compromise, but by staying true to her unique sound and vision. She had become a role model for young women in Nigeria and across Africa, proving that with passion and resilience, they could achieve anything. Her victory is not just about the recognition, but about the doors it would open for future generations of African artists. The world is now listening to Nigerian music in a way it had never done before, and Tems’ Grammy win is a testament to the power of African voices in shaping the global music landscape.

    Read Also: Top 10 Nigerian music videos with most YouTube views

    President Bola Tinubu, along with music stars Davido, Ayra Starr, and many other fans, extended heartfelt congratulations to Nigerian music sensation for winning the Best African Music Performance award at the 67th Grammy Awards. In a statement issued by his Special Adviser on Information and Strategy, Bayo Onanuga, President Tinubu, on behalf of the nation, praised the artist’s unique artistry that continues to elevate Nigeria’s pride on the global stage, marking this as her second Grammy victory. He also celebrated the emergence of a new generation of young, multi-talented Nigerian musicians who have propelled Afrobeats to international acclaim, further cementing the country’s status as a global hub for musical innovation, creativity, and cultural influence. “From Africa to Antarctica, Asia to Australia, Europe to the Americas, the Nigerian music industry, particularly, Afrobeats has become a source of national pride, promoting a sense of identity and self-expression while uniting people across borders,” he said.

    Mr President also extended his congratulations to other Nigerian artists nominated for this year’s Grammy Awards, including Yemi Alade, Asake, Wizkid, Lojay, Davido, and Burna Boy. He expressed his gratitude to these exceptional talents for placing Nigeria firmly on the global map of musical achievement and for showcasing the country’s creative brilliance. “You are all an inspiration and role models to countless young people. The nation is deeply thankful for your contributions to music, job creation, and the promotion of tourism. I wish you all continued success in your musical journeys,” he added.

    As she left the stage, her Grammy in hand, Tems and other Nigerian super stars – Burna Boy, Wizkid, Davido, Femi Kuti, Seun Kuti, Santi, and Mr Eazi who have all earned Grammy nominations or wins – couldn’t help but reflect on the long journey ahead for Nigerian and African music. For them all, the night at Los Angelis had been historic, yes, but it is also a reminder of the work still to be done. As the whole world has attested time and again, the future of Nigerian music remains very bright, and the music icons are just getting started. With Tems’ win at the 2025 Grammys, her victory is not just hers—it is

  • ‘How aspiring African entrepreneur can suceed’

    ‘How aspiring African entrepreneur can suceed’

    Demi Samande is a trailblazing Nigerian entrepreneur and podcaster, who expertly blends cutting-edge technology with traditional craftsmanship in Africa’s manufacturing sector. Driven by a passion for eco-friendly, scalable solutions, Samande empowers artisans across the continent, promoting sustainable practices and economic development. As the founder and creative head of Majeurs Chesterfield, a leading furniture company in Nigeria, she has turned a passion into a thriving enterprise. In her insightful book, In Her Hands: Shaping the Future of Manufacturing in Africa, Samande offers aspiring entrepreneurs practical guidance on overcoming gender barriers, building sustainable businesses and driving responsible investments for long-term success. Associate Editor ADEKUNLE YUSUF and EMMANUEL CHIDI-MAHA report

    Africa, with its rich resources and burgeoning population, is often touted as the next big growth economy. But with this immense potential comes a set of challenges that cannot be overlooked—especially concerns about exploitation from outside forces eager to tap into Africa’s untapped markets. In Her Hands: Shaping the Future of Manufacturing in Africa emerges at a critical time, offering an empowering blueprint for aspiring African entrepreneurs while serving as a guide for responsible investors seeking to foster real, sustainable growth.

    Written by Demi Samande, a trailblazing entrepreneur who built a successful luxury furniture brand from the ground up, this book provides a detailed roadmap for creating impactful businesses in Africa’s diverse and evolving manufacturing sector. Samande’s first-hand experience of overcoming challenges—from starting her company in a small London flat to becoming one of West Africa’s leading manufacturers—makes her an invaluable voice in today’s business discourse. Her journey is not just one of business acumen; it is a powerful story of perseverance, vision and navigating the unique hurdles that African entrepreneurs face, particularly women. In In Her Hands, Samande shares her real-world experiences, from the early days of hustling for clients to scaling a manufacturing empire that caters to both local and international markets.

    The book is more than just a memoir; it is a practical guide designed to equip the next generation of African entrepreneurs with the knowledge and inspiration to navigate the complexities of starting and sustaining businesses. With insights drawn from her own entrepreneurial journey, along with interviews from a diverse range of successful business leaders, creatives and executives, the book covers the essential steps for overcoming business challenges. Samande provides a thorough and practical guide for anyone interested in launching a business on the African continent, particularly in the manufacturing sector. One of the standout aspects of the book is its deep dive into the nuances of building a business from scratch in Africa. Samande doesn’t just outline general entrepreneurial principles but focuses specifically on the challenges and opportunities of starting a business in this diverse and dynamic market. She discusses the importance of understanding local economies, regional differences, and the need for flexibility in business strategies. She stresses that while funding can often be a challenge, innovative solutions can be found through local partnerships, creative financing, and an understanding of Africa’s unique market needs.

    The successful entrepreneur also emphasises the significance of scalability and how businesses must build a solid foundation to grow amidst fluctuating political, economic, and infrastructural conditions. Additionally, Samande offers practical advice on market-entry strategies, including how to identify local gaps and tailor products or services to meet the specific demands of African consumers. The theme of sustainability runs throughout the book as a core principle for building successful businesses in Africa. Samande argues that businesses must go beyond profit maximisation and consider their impact on local communities and environments. She explores the complexities of local and regional markets and how entrepreneurs can navigate these complexities while ensuring that their operations are sustainable in the long term. The book stresses the importance of creating resilient companies that can weather economic and political fluctuations while simultaneously fostering positive social and environmental impacts. Samande provides real-world examples of businesses that have successfully integrated sustainability into their models, demonstrating that growth and environmental responsibility can go hand in hand. She calls on entrepreneurs to create business models that provide lasting value to both their customers and the broader society, thereby contributing to the long-term prosperity of Africa.

    A key aspect of Samande’s journey as an entrepreneur has been navigating the gender-specific challenges that women face in the business world, especially in Africa’s male-dominated industries. As a female entrepreneur in the manufacturing sector, she offers a candid look at the obstacles that women often face when trying to break into leadership roles. From limited access to funding to societal expectations and gender biases, Samande shares the personal challenges she has faced and how she overcame them. She discusses how crucial it is for women to find support systems, build self-confidence, and take strategic steps to carve out their space in the business world. She provides advice on how women can overcome these barriers, including mentorship, networking, and actively seeking opportunities to lead. Samande also emphasises the importance of solidarity among women entrepreneurs, encouraging them to support each other in their journeys toward leadership and success. This section is not only valuable for women looking to thrive in business but also serves as a broader call to action for societies to empower women to take on greater roles in shaping Africa’s economic future.

    Another major theme of the book is responsible investment. Samande dedicates an entire section to educating investors about how to identify ethical and responsible business opportunities in Africa. She highlights the importance of long-term, sustainable investment strategies that benefit local communities, rather than quick-profit schemes that exploit Africa’s resources. She stresses that for Africa’s business environment to thrive, investment must be approached with a mind-set of partnership, not exploitation. She outlines how investors can work with local entrepreneurs to create businesses that serve both the investors’ financial interests and the well-being of the community. This approach, according to Samande, is crucial for ensuring that investment leads to true development rather than reinforcing cycles of dependency or inequality. She emphasises the importance of ethical business practices, transparency, and local involvement in decision-making to create a more inclusive and sustainable economic model for Africa. This section is vital not only for entrepreneurs seeking to attract responsible investment but also for potential investors who want to ensure their investments contribute positively to Africa’s growth and development.

    In In Her Hands, Samande opens up about the challenges she faced in building her company, starting from a small flat in London and navigating the complexities of establishing a manufacturing empire in West Africa. Her narrative takes readers on a journey through the intricate dynamics of business-building in a region characterised by limited infrastructure, unreliable access to capital, and pervasive bureaucratic red tape. Despite these overwhelming challenges, Samande’s story is one of resilience, vision and an unwavering commitment to the socio-economic upliftment of her community.

    A significant aspect of Samande’s journey is her role as a female entrepreneur in a predominantly male-dominated industry. In Her Hands goes beyond a business success story to become a powerful reflection of the gendered challenges that African women face in the business world. Samande’s perseverance in the face of these challenges serves as an inspiration, especially for young women entrepreneurs striving to break into industries that have traditionally been controlled by men. Her story underscores the need for Africa’s economic future to involve empowering women in business, as they continue to face unique barriers such as limited access to capital, markets, and leadership roles. Samande’s experience offers both a guide and a call to action for women to break down these barriers and take charge of their entrepreneurial destinies. Through her lens, readers see that empowering women is not just beneficial for gender equality but is essential for the continent’s economic growth. In many African societies, women continue to be marginalised in business, yet Samande’s narrative shows that when women are empowered, they can drive economic change, build sustainable businesses, and create opportunities for future generations.

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    For anyone aspiring to start a business in Africa, Samande’s insights on building a company from the ground up are invaluable. She highlights that entrepreneurship in Africa presents unique challenges, from funding difficulties and poor infrastructure to regulatory hurdles and the lack of a robust entrepreneurial ecosystem. Samande’s experience navigating these issues provides aspiring entrepreneurs with practical guidance on securing capital, forging strong networks, and understanding the market nuances in various African countries. A central theme in her book is the importance of understanding local contexts and adapting business strategies to the specific needs and realities of different African markets. For instance, what works in Nigeria may not necessarily work in Kenya or South Africa. Samande emphasises that flexibility, adaptability and contextually relevant strategies are key to thriving in Africa’s diverse and evolving business landscape.

    One of the most important pieces of advice Samande offers is the importance of patience and persistence. Unlike in many Western economies, where businesses can scale quickly due to better access to resources and infrastructure, Africa’s entrepreneurs often have to take a slower, more deliberate path. However, as Samande’s journey illustrates, perseverance, coupled with a clear vision and the ability to adapt, can ultimately lead to remarkable success.

    The book also places a strong emphasis on sustainability—not just in environmental terms but also in creating long-term, resilient businesses.

     Samande discusses how entrepreneurs can build businesses that not only profit but also contribute positively to the communities they serve. She believes that true entrepreneurship in Africa should be about more than just making money; it should be about creating jobs, improving living standards, and promoting positive change. Entrepreneurs must ensure that their businesses engage with local communities, support ethical sourcing, use local materials and invest in human capital development.

    In addition, Samande offers an exploration of how businesses can leverage Africa’s rich natural resources in ways that are economically profitable and environmentally sustainable. Africa is endowed with vast resources, including timber, minerals, and agricultural products, and Samande stresses that African entrepreneurs have a unique opportunity to tap into these resources while fostering sustainable development for the continent. A major theme in In Her Hands is responsible investment. While Africa’s immense potential makes it an attractive destination for foreign investors, Samande stresses the importance of ethical, long-term investments. Instead of seeking short-term profits, she advocates for investments that contribute to sustainable growth, ethical practices, and local empowerment. She educates investors on how to identify responsible business opportunities in Africa, urging them to partner with local entrepreneurs to create businesses that benefit local communities and align with the continent’s long-term development goals.

  • Traces of Time spices up Calabar Carnival

    Traces of Time spices up Calabar Carnival

    For 30 days, Calabar’s tourism landscape particularly this year’s carnival activities, received a big boost with the hosting of Traces of Time, a group exhibition held at Calabar Old National Residency, Museum Exhibition Hall, Calabar. The group exhibition, which was held between December 1 and 30, captures the 16th to 21st Century art of Calabar, featuring seven artists; Prof Christian Echeta, Sukanthy Egharevba, Enotie Ogbebor, Joseph Iyala, Edim Okon, Joy Eroma-Momoh and Lucky Paul, the youngest of the artists.

    Running simultaneously with Calabar Carnival, Traces of Time  provided tourists, collectors and art enthusiasts a fresh window to savour the rich culture of Calabar and its environs as captured by the different fine artists. The group show, no doubt, was not only an authentic slice of the visual tapestry of the peoples’ life, but also a celebration of centuries old heritage.

    Organised by France-based curator, Bose Fagbemi, in partnership with Cross River State Carnival Commission, headed by Sir Gabe Onah, the exhibition is in its second edition and coming shortly after Urban art exhibition held in September at Ogoja Council Hall, Ogoja, Cross River state. The Urban art featured artworks from Bekwarra, Obudu, Yalla, Obaniku and Ogoja areas of the North Senatorial Districts of Cross River State.

    Thematically, Traces  of Time focuses on tapping from the past to the present and leaving a trace for the future. What the participating artists’ works have in common is the reflection both historic and social processes.  Traces of Time 2024 is another group exhibition of renowned local and regional arts whose works that allows the viewers to submerge and travel into time and space, culture and cultural identity.

    Also, it is homage to the late Oba Ovonramwen, a Benin monarch, who fought against the British oppressive colonialists in the 19th century, but was deported to Calabar after his defeat, but died in 1914. 

    The exhibits on display are as varied as the number of artists. Prof Echeta, Head of Department, Fine and Applied Art, University of Calabar, brought his wealth of experience to bear in the collection with his ceramic pieces, which he uses to express his thoughts and opinions while making social commentaries. In Our Village Home, Echeta recalls the serene beauty of the village where peace was taken for granted and men and women share thoughts freely at the village squares without fear of kidnapping or violence.  He recreates homes with open doors, unlike today’s high rise iron gates.

    Read Also: It has been my wish to watch Calabar Carnival, says nonagenarian

    For Ogbebor, he uses acrylic on canvas, cloth and paper to interrogate the conditions of the internally displaced people that spread across many states of the country, no thanks to Boko Haram attacks. In displaced, he captures the Internally Displaced People (IDP) status and showing their near hopeless and helpless situation.  Other of his works are the exodus and Ovbiagele.

    lyala, a sculptor, uses fibre glass, metal and wood as main media to document and make social commentaries about goings on in the society. In His Deceptive Smile, lyala provides a visual paradox of alcoholic enjoyment and death signified by smiling human skull, mocking his victims with a sinister smile.

    One of the female exhibitors among the seven artists is David-Eroma, a textile expert who is prolific in her production rhythm. She picks up her emblems and symbols from social beliefs and issues. In her steps, she captures the Ekpe masquerade dance steps reminiscent of dancing patterns in festivals.  The Insibidi writings are seen punctuating the pictorial narratives of the work. She also uses The beauty of nature to depict flora of strong greens with patches of reds and blue waves at the background.

    David-Eroma who is a Senior Technologist, Textile Unit Department of Visual Arts Technology, Cross River State University of Technology, Calabar described her works as direct reflection of life experiences interrogated through design. “Art offers an escape route to occupy an alternative space from whence to offer subjective interpretation of the universe and contemporary existence. Thus, as an artist I explore challenges and nature as inspiration to create designs in order to transform adversities into aesthetics into aesthetically pleasing and warmth radiating piece of art using marbling and different types of tie and dye, batik and printing methods, exploring diverse lines and colours on fabrics in unique patterns,” she added.

    Another female artist, Egharevba is a Sri Lankan born Nigerian painter, showed Feminine Perspective 2020 to express her love for colours. Feminine presence saturates the entire image space, yet diverse in their enjoyment mode. In their joyous display, the images glide colourfully in their chosen directions with undiminished intensity in space in their airborne mode. She also exhibited female exuberance, inspired by nature and rhapsody in reds.

    Her work, Female Exuberance 2020, (Perspex, ropes and acrylics on canvas) is a mixed media composition with fabrics, Perspex sheets and acrylic to explore female exuberance.

     The choice of materials and the deliberate use of fabrics effectively convey the idea of a “female overtly conspicuous personality.” The interplay of textures and colors suggests the richness and complexity of women’s experiences and contributions to society.

     The incorporation of Nsibidi motifs, along with Uli, Tiv, and Tamil elements, reflects the artist’s diverse cultural background and highlights the interconnectedness of different traditions. The artist’s decision to feature Nsibidi motifs is particularly significant, as Nsibidi is a rich and complex visual language used by various communities in Cross River State. By incorporating Nsibidi into her work, the artist pays homage to her Nigerian heritage and acknowledges the deep cultural roots of the region. The portrayal of women as strong and empowered figures is a central theme in Female Exuberance. The artist’s depiction of Calabar women as custodians of their culture, epitomes of beauty, and guardian angels of their homes is a powerful and inspiring statement. This portrayal challenges traditional stereotypes and celebrates the multifaceted roles and contributions of women.

    In her remark in the exhibition brochure, Fagbemi said the history of art will be incomplete without having a balance from the natives and the ‘les passagères,’ noting that ‘we all have a story to tell and one of the best forms is without words but art.’

    To her, Cross River State is known for its hospitality, tourism and the home to the biggest street party in Africa, The Calabar Carnival, and its different festivals in other parts of the state.

    “Having spent almost four months in Northern Cross River, exploring and celebrating its rich cultural heritage, the cassava and new yam festival, we had the Urban Art exhibition, which has been educative; telling our stories through visual art.

    What all the exhibiting artists have in common in this exhibition is their artistic narratives through different forms of medium from different passages of time,” she said.

    .

  • Excellent mentorship: UNILAG celebrates Dr. Iroanya

    Excellent mentorship: UNILAG celebrates Dr. Iroanya

    • From Janesfrances Chibuzor

    The Faculty of Science, University of Lagos, has honoured Dr. Onyekachi Iroanya of the Cell Biology & Genetics Department for her exceptional mentorship, which led to an unprecedented achievement in the university’s history: two students Samuel Badekale and Haroun Adebekin, graduating with a perfect CGPA of 5.00 in the 2023/2024 academic session.  This marks the first time two students from the same department will attained such a feat.

    Also, of the 122 students in her cohort, apart from two that graduated with a perfect CGPA of 5.00, 14 achieved First Class honours, 49 earned Second Class Upper, and 35 secured Second Class lower. Only three students had third class, while others were on various academic standings.

    The award was presented on Monday at the Unilag 55th convocation ceremonies at Staff School Hall, under the leadership of the Dean of the Faculty of Science, Prof. Olayinka Asekun, who commended Dr. Iroanya’s commitment and innovative teaching methods. “This recognition is well-deserved. Her contributions have set a benchmark for mentorship and academic excellence at the University of Lagos,” he said. In appreciation of the recognition, Dr. Iroanya said: “The success of this class is unprecedented. I am proud of each one of them.”

    Reflecting on the journey, Dr  Iroanya said: “Their performances were above excellent. These students were not just brilliant academically; they also excelled in other areas. One was the head of the football team, and the other served as a coach. They were involved in several community projects and initiatives, which shaped their discipline and character.”

    She attributed the success to creating an enabling environment for the students, adding, “From the very beginning, I told them where others stopped should be their stepping stone. I wanted them to understand that while excellence is challenging, it is achievable. They saw this as motivation and worked hard to reach for the skies.”

    One of the strategies she implemented was organising the students into small study clusters of five or six, fostering peer learning and accountability. “Each group had a WhatsApp platform where daily discussions and revisions took place. I was part of every group to guide them and ensure consistency. It was challenging, but the results made it worthwhile,” she explained.

    Dr Iroanya also secured access to a postgraduate laboratory, Lab 217, where students gathered for tutorials and study sessions. “I signed up for the responsibility of that lab and handed them the keys. It became a space where they could collaborate and grow academically.,” she recalled.

    Acknowledging the importance of motivation, she introduced a reward system for academic excellence. “After their first exams, I gave gifts to those who scored 4.5 and above. By the second semester, many students achieved this, and although I couldn’t sustain giving big gifts due to the number, the encouragement had already taken root. The idea was to reward their semester GP rather than CGPA, so even students with lower initial scores stayed motivated,” she said.

    Read Also: UNILAG to confer 561 First-Class degrees at 55th convocation

    Beyond academics, Dr Iroanya emphasised the importance of fostering a sense of family among her students. saying they weren’t just students; they were my children. ‘I cared for them as I would for my own. This bond started early when I guided them during their first semester exams, ensuring they didn’t face undue anxiety or long waiting hours.’

    She recounted an instance where she intervened when a student was harassed by her landlord. “When one of my girls was molested and slapped by her landlord, we immediately escalated the issue to the Dean of Student Affairs. The university found on-campus accommodation for her and her peers. It was important to me that they felt safe and supported,” she said.

    Dr Iroanya reflected on her approach to mentorship, reiterated sincerity and empathy. “I never told them I was the best student in my time. Instead, I shared my challenges and regrets, urging them to learn from my experiences. It’s like breaking a glass plate—once it’s broken, it can never be the same. I wanted them to understand the consequences of their actions and the importance of making the right choices.”

    She also highlighted the role of collaboration among the students. “There was no unhealthy competition. Everyone worked together to improve themselves and supported each other. This spirit of togetherness made all the difference.”

    In her remarks, Dr Iroanya expressed gratitude for the recognition and reflected on the challenges and rewards of her journey. “I thank God for the strength, wisdom, and resources to guide these students. Their success is my greatest reward, and I am deeply proud of them. Mentorship goes beyond academics; it’s about shaping lives and futures. I am grateful to have been a part of their journey.”

  • Lifted: Odyssey of an ex-VC

    Lifted: Odyssey of an ex-VC

    Lifted is a 521-page narration of the fascinating life of Peter Olufemi Adeniyi. Written in flawless, simple, flowing, sometimes musical English, “Lifted” is an account of toil, pain, excitement, challenge, ups and down, success, celebration, reflections, consciousness, timeliness, discipline, tribulation, triumph and trust in God.

    It tells the story of a determined young man, who took his life in his hands, struggling to claim his inheritance; a young man who met love, missed love and found true love and family. He remains a loving husband, a devoted father to all, from far and near; a mentor, teacher, leader, workaholic, humane, urbane yet down-to-earth.

    A community man, social worker, philanthropist, all fused together, with intellect, passion, devotion, and faith.

    I have been lifted by reading “Lifted”. It is a compelling read. Should I then not congratulate the author for this epic work that is given to lift humanity, indeed, all of us. 

    Chapter One reveals the humble beginning of the author, devoid of the guiding light of education. The journey unfolds through the narrative of his family background and early life, offering a glimpse into the formative years that shaped the path of his life. It is an account of his parenthood, family tree and the missed opportunities of learning from a mystic father with special healing powers. The reader is entertained by the tales of Papa’s adventures with young Olufemi. Mothers will always be mothers, loving, caring and protective.

    This thrilling chapter ends with an explanation of the origin and preference for the name “Adeniyi” to “Adeluyi”, and in place of “Ajibaiye”, the original family name.

    Chapter Two narrates the trials, fun and triumphs of secondary school days at Egbeoba High School, Ikole-Ekiti and Abeokuta Grammar School, laying the foundation for the divine intervention that paved the way for undergraduate and postgraduate education, covered in Chapters three and four. If you want to explore the foundations of the author’s everlasting discipline, especially timeliness, look no farther than the narrations of his life experiences at these important life stations. Talk of the inspirational resumption assembly bible passage, Roman 12: 1-21 that became the hallmark of Abeokuta Grammar School.

    He said “these words guide and keep guiding and guarding my life. I lived that life as the chapter had said it…(the passage) kept on instructing us to do good and recognise that we all have limitations”.

    The chapters complete the story of the early life. Chapter three is a narration of grit, resilience, lost hopes and miraculous divine intervention in the journey to the university, first, University of Ife at Ibadan, then later at Ife. The miracles and luck continue to his postgraduate sojourn in Canada, now with his God-given wife. 

    Make sure you do not miss the “convocation dreams of the University of Waterloo, Ontario, Canada” that hunted Prof from 1978 (after he missed the 37th Convocation at which he should have been conferred his PhD, till several years later in 2010 when he was invited to be conferred with a honorary Doctor of Environmental Studies by the same University. It was only then that the dreams stopped! Very fascinating.

    Chapter Five narrates the joys and pains of raising a young family, while studying overseas, after finding true love that was once denied. Very few men survive such jilting and jolting, much like a stab in the back. However, every aspect and facet of young Olufemi’s life was a lesson. From how he found true love, you are then treated to “the evolution of an accommodating nuclear family”, which is a true confession.

    Mama Anike has remained a quintessential virtuous woman, wife, mother, friend, comforter and Prof’s “jewel of inestimable value” and virtue. Hear what he said: “This Anike has remained a source of light in my life”.

    As a “father to many children” from far and near, prof’s family’s generous disposition allowed many to live with them and their house helps (guards, driver, etc) could not be distinguished; they are integral to the family.

    However, the episode recorded on page 82 of this chapter forces me to  affirm that “life without tribulations must be a fake or fairy tale life”. How could a driver and a guard that were so treated as part of the family have plotted to hire kidnappers against Mama Anike for ransom? The answer to why, how and the full story are in the book. This is the country we now live in.

    Chapter Six is on “The Challenges and Joys of Becoming a University Lecturer” and

    Researcher, while Chapter Seven: captures the author’s “Reminiscences as Managing Director at UNILAG  Consult”. Chapter Six narrates the author’s return to Ife after obtaining his PhD in Canada, only to be returned to the job market, with a young family of tough boys. His divine helper is, however, always at hand, and so University of Lagos came to his rescue, and he made the most of opportunities that came his way and blossomed, rising rapidly through the ranks and leaning on the shoulders of giants. He cleverly lodged himself into the labyrinth of the UNILAG ecosystem and prospered from one administrative position to another, till he was found worthy to serve as the MD of UNILAG Ventures. His managerial, professional and academic stars are shown even in daylight, thus becoming a goldfish with nowhere to hide his enormous talents.

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    Chapter Eight then narrates his “Journey to Becoming a Vice Chancellor” at the Federal University of Technology, Akure (FUTA), without previously serving as Head of a Department, Dean of a Faculty/School or Deputy Vice-Chancellor (which were the usual requirements of becoming a Vice-Chancellor in Nigerian universities). He was searched and (divinely) lifted to become the Vice-Chancellor of FUTA, for five statutory years of meritorious and audacious service captured in Chapter Nine. If you want to know why, how Prof stopped smoking (that is if you knew he ever smoked, and I wonder if anybody in FUTA knows, and that FUTA caused it), and who stopped him from smoking, this Chapter 8 is where you will find the answers.

    Praise God, it is Thanksgiving time. The same FUTA where he was stopped from entering the campus on reaching Akure from Lagos, and was kept outside in a hotel room in Akure city for almost three weeks, is where we are celebrating him today. Hallelujah. He serves a God that answers passionate prayers! Against all threats by the staff unions, he arrived in Akure on January 2, 2002 to take up his new appointment but was not allowed into this campus till Monday, January 21 … but triumphantly.

    Chapter Nine: which is the longest of the chapters at 78 pages, narrates his impactive and transformational tenure at FUTA during which he could be called Mr Projects, or a reformer, a university governance guru or a miracle worker. Don’t forget that though he refused to learn those tricks from Papa, there is no way he would not have inherited some of the trademarks, and much evidence point in this direction.

    All the restiveness of workers disappeared, “enemies and foes”became friends and there was peace on campus; no single students’ unrest was recorded.

    Finally, his exit after five meritorious years of service was in contrast to his eventful arrival and resumption. FUTA had been transformed with a solid foundation of future leadership, and here we are today basking in that glory and euphoria.The good of it was that Mama was still alive then to share in the Joy of his success and triumph.

    This book is a must read to capture his flowing analysis (in words and deed) of what makes a successful university governance. The account in this book, up till this chapter, represents the definition of “An Ideal 21st Century Vice Chancellor”. Talk about the simple but delicate matter of the appointment of Heads of Department. FUTA leaned to the radical left who argues that HOD’s must be democratically elected.

    The author’s counsel after tasting the pudding is thus: “A system that allows junior staff academics to head Departments in the presence of senior colleagues automatically denies them the mentorship and cooperation of the senior ones”, with which I fully agree. It is not good for the junior staff and definitely not good for the system.

    Oga Adeniyi was to, afterwards, become a leading authority in the management and governance of universities, hence, apart from serving in two Federal Universities (UNILAG and FUTA), he was also elevated to serve in one State University (University of Ado Ekiti, now Ekiti State University) and two private universities (Elizade University, Ilara Mokin and Chrisland University, Abeokuta), as captured in Chapters 10 and 11).

    His insights into the complexities of university governance and leadership has become legendary. I must say that I was quite fascinated and enthralled by his understanding and narration of his similar experiences in helping to establish and guide the development of private universities. I consider this a mentorship and great lesson for proprietors and founders of private universities, who tend to feel a priori that such institutions are for money making from Day One. This viewpoint is wrong and accounts for the mushrooming of several underperforming “glorified university colleges” in Nigeria.

    At this juncture, let me complain that, perhaps, Prof had too many tales to tell that he forgot to include a fairy-tale encounter which paired us together on an NUC Committee that was set up to inquire into why Plateau State University (PLASU) had not graduated any student till 2015, though it was established in 2005.

    Prof was the Chairman of this risky committee that saw us sneaking into Jos and Bokkos, and were hurriedly evacuated back to Jos before nightfall, as neither the governor nor SSG of the state welcomed our mission. The committee succeeded in rescuing the university from the brink of collapse because we had an experienced, non-quitting and resilient chairman, whose whole life is guided by his faith.

    I should not fail to note that Mama passed on gloriously on Saturday, October 11, 2008 when Prof was serving as the Pro-Chancellor/Chairman of the Governing Council of UNAD.

    Let me pause here to reflect that this blockbuster of a book is actually a 3-part thriller that could have been conveniently split into two volumes: “Growing up, Family and Academic Tales” and “Professional Exploits and Contributions”. However the resonating thread of being “Lifted” (divinely or mysteriously) and being a passionate vessel to Lift others on his way or path beautifully weaves and nests the entire volume into a whole that it may be hard for you to know that “you are getting two books in one”.

    This talks to the mystic, the humaneness, the generosity and the considerate mien that together hallmark the life of the author since he came out of his mother’s womb. The running thread talks to the trials and tribulations, envy, treachery, greed, disappoints, injustice, deadly and toxic intrigues that run in the underbelly of every lizard that we assume is doing well because we cannot feel its pain, yet on the flip-side, are also stories of mysterious glorious and triumphant escapes, victories, celebrations and joys unlimited. They were all there growing up, at adulthood through the schools, including the university and the graduate school. How and where will you not encounter and interact with human beings, hence it continues even in professional life, in government, at the university classrooms, everywhere. Ori eni ni nko ni yo, ka dupe lowo ori (it is our heavenly being that saves us from the vicissitudes of life, hence we must thank our stars), the mystic that guards and guides us through the storms, hills and valleys. Today, we are celebrating Olufemi Adeniyi’s victory, as we thank God for his life. That includes his lovely family. 

    The later chapters, but one (12 to 17), which I dubbed Volume II, detail and illuminate Prof’s professional life of selfless service to humanity and country, featuring a diverse array of experiences, from contributions to remote sensing education, practice and application in Africa to involvement in rural development programmes in Nigeria. These include service in DFRRI, NALDA, and the unfinished businesses of PTCLR and the NRDC that remain still-born in the underbelly of Nigeria (I deliberately kept the acronyms so you will be compelled to seek their full meaning in the book).

    The engagement and solid professional and expert contribution to land reform initiatives and collation of the inventory of community-based infrastructure projects in Nigeria and specifically, closer home in Ekiti State, underscores a commitment to societal progress and transformation. All these with considerable challenges, deadly encounters with greed and corruption, but also with an oasis of successes, such as when help came from unexpected quarters after all hope was lost. Such was when the then SGF came to the rescue of the National Inventory of Community-based Infrastructure Projects.

    To God be all the Glory.

    I will then leave you to find out in the last Chapter 18, what the author called “a poignant turn” as he reflected on the misadventure into a business partnership, that generated many lessons of pitfalls, wrong assumptions and risks.

    This chapter underlines the author’s commitment to truth, honest engagement and patriotism, which in today’s Nigeria exposes such persons, who are very few, and getting fewer and fewer, to risks, danger and exposure to trick-stars and scammers.

    In all, for a big volume of 521 pages with a well detailed index, three or four typo errors mean nothing, the most glaring is taking Mrs Margaret I. Omosule to be a male on page 348.  This autobiography of Adeniyi is highly recommended as a treasure that everybody should have. Be ye Lifted. I have been thoroughly enriched reading through its pages. I congratulate the author for the great painstaking recollection of all the stories so beautifully narrated.

     Actually, I feel challenged and immensely Lifted to emulate this great dedication to diligence and excellence.

    Get your copy now, and buy for friends, relations, classmates and anyone that you want to be Lifted.

  • Honouring Onome Umukoro’s vision

    Honouring Onome Umukoro’s vision

    The recent opening of The Art of Grief: Honoring Onome Umukoro’s Final Vision marks the quiet yet powerful return of an artist whose untimely passing earlier this year left a void in the contemporary art scene.

    The exhibition, which opened at the Adam and Eve Homeware, Ikeja, Lagos, with the theme, Insanity and Madness as a result of Grief, was a posthumous tribute, revealing the deep, personal journey Umukoro had begun before her death, offering an intimate exploration of the emotional landscape of grief and also was in fulfillment of the dreams of the late Onome, who was also an artist.

    While still bearing the pain of her loss in their minds, the friends of the late 25-year-old student of Law School Abuja, decided to immortalise her with a posthumous art exhibition.

    The one-day exhibition entitled, A light called Obaro,’ reflects the grief of a group of her classmates at Law School Abuja.

    Before passing on, the young and enterprising Onome was at the cusp of becoming a lawyer as she was studying at the Nigerian Law School, when she succumbed to death following a brief illness.

    Speaking at the open one-day exhibition, the organisers noted that the theme, Insanity and Madness as a result of Grief reflects Onome’s exploration of deep emotional and psychological landscapes through her art.

    The exhibition lived up to expectations with rich collections on display including; Canvas Art – a collection of Onome’s paintings and mixed media pieces; Photography -photographs taken and curated by Onome, highlighting her perspective on the theme and Digital Art-Digital creations that Onome was passionate about, showcasing her ability to merge technology with traditional art forms.

    Diben Dodo, her law school classmate, recalled speaking to Onome while she was still working towards the exhibition. He said that, although the environment wasn’t too conducive for an artist to strive as there were not too many sources of inspiration, Onome still tried to multitask, juggling law school and art.

    “Whilst the art that surrounds us are Onome’s expressions and creations, they are extensions of her, and are also her. As you are seeing the art, you are also seeing Onome. Just as art is subjective, the internal conversations we will have with Onome while viewing her art are also subjective and personal based on each person’s unique connection with her,” he said.

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    Co-organiser and post graduate student, Aribim Bristol, expressed delight at welcoming Onome’s friends and family as they all celebrate her incredible legacy.

    According to her, the event served a twofold purpose: showcasing her remarkable artistry and fulfilling her long time desire to host her very own art exhibition.

    She said that since her passing, countless people have shared stories of how she inspired and touched their lives—a testament to her enduring impact.

    “Onome was a visionary, excelling as an artist, lawyer, writer, and philanthropist, with dreams of creating meaningful change for everyone around her. The UMK Foundation, which is a foundation her friends and family will launch in her name in the new year, will carry her passion for uplifting young people and helping them fulfill their creative dreams. Special thanks to everyone who made today possible—your support means the world,” she said.

    Father of the late Onome, Ufuoma Umukoro, expressed his excitement to the posthumous honour, saying “I think we have been able to make her proud today”.

    “She was an aspiring lawyer who also combined as an artist. She was a painter specifically. She had always wanted to organise an art exhibition in Lagos in December when death snatched her away from us. She died in a hospital in Abuja. She was doing very well as a student of law and had passed one of her examinations prior to her death,” he said.

  • Festival champions culture for economic growth

    Festival champions culture for economic growth

    The 8th edition of the Asa Day Festival brought Yoruba culture to the forefront with a resounding call to preserve and promote its rich heritage. The event, themed Raising the Bar of Lagos Indigenous Cultural Heritage, was a celebration that transcended entertainment to a clarion call for cultural preservation and economic transformation.

    Held at the Blue Roof in Agidingbi, Ikeja, Lagos the festival featured His Royal Majesty, Oba Joel Olaniyi Oyatoye, the Oloro of Oro Kingdom, as its keynote speaker. Oba Oyatoye emphasized the economic potential embedded in Nigeria’s cultural assets. “I believe in the future through culture. We must embrace our heritage, which is slowly being eroded by modernity. Despite Western influences, there is growing global appreciation for our traditions. It is time to harness this cultural power for economic growth,” he said.

    The Asa Day Festival, held in collaboration with Asa Day Worldwide International, Canada and the Lagos State Ministry of Tourism, Art and Culture, aimed at highlighting Yoruba culture as a unifying force and a potential driver of development. This year’s edition marked the second time Lagos hosted the event, underscoring the city’s role as a melting pot of cultures and the importance of celebrating its indigenous roots.

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    The festival offered an immersive cultural experience, featuring music, dance, art, and traditional performances that showcased the vibrancy of Yoruba heritage. Guests traveled from across Nigeria and China to witness the celebration, reaffirming the universal appeal of Yoruba culture.

    Oba Oyatoye’s advocacy was echoed by Fuji maestro Dr. Saheed Osupa who described the festival as a vital initiative to preserve culture for future generations. “Culture is a treasure. We must do everything to keep it alive,” he remarked.

    Veteran Yoruba Nollywood actor Saidi Balogun stressed the role of families in sustaining cultural traditions. “Charity begins at home. “Let’s teach our children who we are and where we come from. If we don’t, our culture may disappear,” he said.

    Lanre Hassan, popularly known as Iya Awero, added her voice to the call for cultural preservation. “Our culture defines who we are. It is our duty to protect and pass it on to the next generation. We must all be part of this movement,” she said.

    The festival was more than a celebration; it was a platform to advocate for economic potential of cultural heritage. By showcasing the value of Yoruba traditions, Asa Day highlighted culture as a tool for tourism and national development. The Lagos State Government’s support in hosting the event was acknowledged with promises of a more elaborate edition next year. Plans include a comprehensive cultural exhibition to underscore the importance of heritage in contemporary society.

    Oba Oyatoye called on the Nigerian government at all levels to invest in cultural preservation as a means to bolster the economy. He believes the revival of Yoruba culture can foster national pride, attract global interest, and create economic opportunities.

    The success of this year’s Asa Day Festival demonstrated the growing recognition of culture as a valuable asset. As the event drew to a close, the message was clear: Yoruba culture is not merely a link to the past but a beacon for the future.