Category: Saturday Magazine

  • Travails of  pensioners

    Travails of pensioners

    Pensioners are supposed to be enjoying their lives after years of toiling for their country. But, in Nigeria, the reverse is the case, as the monthly dues of many of them are delayed for months and at times years, writes LEKE SALAUDEEN

    HE knew he did not have the strength. So, he sent his son to the Pension Office in Abuja from his base in Benin, Edo State. But despite the fact that his son was armed with a letter of authority to receive the money on his behalf, he was ignored by the officials in charge. He had to return to Benin to fetch his aged and sick father, a decision which proved fatal.

    Elder Michael Igiebor Okhokpa had worked with the National Youth Service Corps (NYSC). He died on his way to Abuja to receive his pension. He died inside the vehicle conveying him to Abuja. In frustration, the son took his father’s body to the pension officers. There was pandemonium when they arrived, as angry onlookers, including other pensioners, nearly caused a riot. The hitherto recalcitrant officials promptly paid the dead man’s pension.

    Certainly, this is not how to treat a senior citizen who had served his country meritoriously. It shows how callous and insensitive the Nigerian system can often times be.

    Getting gratuity and pensions in Nigeria has become a nightmare for senior citizens. Often, these men and women who spent their youth serving the country are compelled to make long journeys to Lagos or Abuja or state headquarters for some officials to ascertain their continued existence. In some cases, the pensioners, where they enjoy good health, do not even have enough funds to make the trip.

    Retirement is a period workers should look forward to with hope and pleasure. After many years of hard labour, a worker is entitled to some peace and security in his old age. It is for this reason that many people once considered a career in civil service safe and secure. But that is no more. The life of an average pensioner is now insecure and generally, senior citizens are treated shabbily. Help does not come from the state either, and the future is uncertain.

    Last Wednesday, the National Union of Pensioners (NUP) was to hold a peace protest. The Nigeria Labour Congress (NLC) had directed all members of the congress, who work in Abuja and Lagos, to stay off work on that day in solidarity with the pensioners. But the protest has been suspended till April 30 to allow government to address the issues at stake.

    The Ag. President of the congress, Comrade Promise Adewusi, had, before the suspension, said that NLC would not rescind the decision unless the Federal Government “considers the inequities in the pension fund administration in the country, particularly as they affect our members.”

    He had said: “The issues in a nutshell are non-payment of outstanding arrears to scores of pensioners, non-enrolment of thousands of pensioners on the Federal Pension Payroll , non-payment of death benefits to deserving next of kin.”

    He added that other issues at stake are the non-implementation of payments to pensioners to reflect the 53.4 per cent salary review and payment of pension in line with relevant increases in the Minimum Wage to N18,000, withholding of the NUP statutory check-off dues for over a year, and the slow pace at which pension payment is being processed by the Office of the Head of Service of the Federation.

    The NLC recalled that the administration of pension funds has been enmeshed in unprecedented corruption with some public officers, institutions of government and banks generously helping themselves to the said fund, and in the process, deny pensioners their pension.

    This, situation, said Adewusi, has thrown majority of whom are members of NLC into penury, with some dying in queues of protracted and unending verification exercises that yield little or no result.

    The congress noted that government’s undignified silence on the matter in spite of the shrill cries and agony of the victims and the criticism of concerned citizens has been shocking.

    According to the Ag. President, the congress had tried to intervene or mediate by writing several letters to the presidency and reaching out to the government through other channels.

    He said the NLC also made public pronouncements on the pension saga in the hope of getting the government to do something to ameliorate the trauma and sufferings of pensioners, all to no avail.

    The congress submitted that “the government did not as much as acknowledge any letters, let alone respond to the issues Congress had publicly raised, lending credence to its indifference and complicity.”

    To avert the impending peace protest, NLC therefore called for immediate restoration of the withheld check-off dues to NUP, accelerated payment of all arrears of pensions to the deserving pensioners.

    The NLC President, Abdulwaheed Omar, and the Acting General Secretary, Chris Uyot, announced in a communique signed by them on Tuesday, that Federal Government, at a joint meeting held with the NLC and TUC, had accepted to restore the check-off dues of the NUP which had been withheld for a year.

    The case of NITEL staff

    Three years after disengagement, hundreds of ex-workers of the Nigerian Telecommunication Limited (NITEL) and its mobile arm, M-tel, are left in the lurch over non- payment of their pension entitlements. Life has not been the same for the retirees.

    Mr. Oghevbode Otaghogho cannot understand why he was being denied his entitlements after serving the country for 28 years. “The psychological trauma I’m going through is beyond imagination. Before I left Bauchi where I served, I was engaged in petty trading that was fetching me money to feed my family. But insecurity has forced me to relocate to Abuja. I have exhausted the little capital for petty trading on feeding due to high cost of living in Abuja. In fact, I’m contemplating returning to my village in Delta State. For how long will I continue to depend on people to survive?”

    Mr. Amos Alagbe retired in 2005. His plan was to use his pension entitlement to complete a house he was building in his home-town Ogbomoso, Oyo State. He’s living in a two-room apartment in Bauchi with his family.”Even if I decide to go home now, where will I stay? The joy of a retired worker is to have a roof over his head. It has been hectic for me and my wife to survive in the last eight years. The treatment being meted on us by government is unjust.”

    Mr. Enong Okey relived his experience: “It has been very tough living without pension. I thought they would pay immediately going by the content of the letter stating our pension entitlement. Since 2010, it has been promises upon promises. At a time, we were told that the money had been paid to the bank. We went to the bank for confirmation. To our surprise, the bank said there was nothing like that. The bank officials said we should demand a copy of pay mandate from the Accountant General of the Federation’s office if it is true they have paid. But the officials in AGF’S office said they can’t release it because it is an official document. When I was evicted by my landlord, I have to squat with my relations together with my wife and children. It was a clergy man in my church that gave me N100,000 to secure accommodation out of sheer sympathy.

    ‘The money could pay for six months. The rent will expire next month. I don’t know what to do. I hope those who are making life difficult for retirees realise that one day they will retire from the civil service and they would not pray to undergo this kind of experience.’

    Mr. Igili Gregory Edekin served in Jalingo, Taraba State, before his retirement. He lost his wife recently because of lack of medical care as he could not afford to pay hospital bills. Even after her death, Edekin could not foot the burial bills of his beloved wife. Now, he has been evicted from his residence owing to accumulated rents. He was forced to relocate to his village in Edo State.

    Similarly, Mr. Ahuka Lawrence Iheanyi may be ejected by his landlord who is tired of stories that he is awaiting his pension to be paid. His children have stopped schooling because of unsettled fees. His concern is how to raise money to send his children back to school.

    For Mr. Umana Umana, the only regret he has serving NITEL is the failure of the management to pay him his entitlements after serving the country for many years. The non-payment of his pension is affecting his family. He finds it difficult to feed his wards let alone paying his children’s school fees. This is not how to reward people that have used their productive years in serving their fatherland, he said.

    Investigations by The Nation revealed that the 7.5% were deducted from the staff salaries as pension contribution between 2007 and 2010. Both the employees’ contribution and the other 7.5% to be contributed by the management as required by the new pension scheme were not remitted to the Pension Fund Administrators. Hence, the accounts of some retirees at their respective PFAs show they have not contributed anything.

    Whereas, when the workers were laid off in 2010, they were issued letters indicating how much each of them is entitled to as pension. The packages, according to our findings, were worked out by the NITEL management, the Bureau of Public Enterprise (BPE) and the Office of the Accountant General of the Federation (AGF).

    One of the affected retirees said: “NITEL retired about 90% of its workforce in 2010. We started contributing to pension scheme in 2007. Deduction for pension contribution is reflected in our pay slips. The management through a letter informed us that our pension benefits were to be drawn from our PFAs.

    “On the strength of the letter, I went to my PFA- IBTC with the hope of getting paid. To my surprise, my account and that of other colleagues show that we have not contributed anything. That is to say that our accounts were not funded by NITEL. In IBTC alone, 1,031 retirees are affected; IBTC is just one of the PFAs that manage the pension fund of NITEL workers.

    “We learnt that IBTC had written NITEL that some of the accounts were not funded by it. Since 2010, we have been struggling to get our entitlements. The questions we keep asking are: What happened to our pension contributions? Where are the government’s contributions?”

    Expressing displeasure over the development, the National leader of the Association of former Telecom Employees of Nigeria (ATEN), Mr. Godwin Alajemba, told our correspondent in an interview that “there is record that all staff of NITEL between 2007 and 2010 paid their own quota of the 15% contribution (being 7.5% as specified by the PFA requirement). This is so because these monies were deducted from source before the salaries were paid or collected by the staff. But one is sad to note that although that of the staff were deducted and some paid to their respective PFAs, the other 7.5% that is to be contributed by NITEL was not inclusive in the monies so far remitted to the PFAs, that is in the case of those who have been paid, let alone those yet to be paid.

    “On several occasions, the Association of Former Telecoms Employees has taken up the matter with NITEL and the AGF’s office with the occasional results of the AGF paying a few numbers of persons and once again putting on hold the payments. With this action, it is clear that the AGF’s office is responsible for the delay in payments”.

    On whether there was fraud in the management of the pension funds, the ATEN leader said: “I would want to be careful asserting fraud here on the reasons that from my findings, the AGF directed that monies (released in October 2012 to banks who were in turn to credit the account of the respective PFAs) be returned to the Central Bank of Nigeria (CBN) in November 2012; their reason being that some banks were under merger process.

    “Our concern now is that the merging process has long been completed and so the monies should have been released to the banks for onward transmission to the PFAs. Largely affected was Access Bank and unfortunately, they are the bank paying or remitting to IBTC. We are getting information that the banks have been contacted to produce proof of their remittance to CBN so that they can be repositioned to receive the money back for the PFAs within the next few weeks. We understand IBTC has written NITEL on the delayed payment.”

    Alajemba, however, attributed non-payment of retirement benefits to various factors such as submitting wrong account number, error in computation of peoples data at the Accountant General’s office, omission of names both at NITEL and AGF ends and wilful withholding of money transfer as directed by the AGF.

    Frowning at the bureaucratic procedure, Alajemba said: “it is quite a pity that a lot of people placed in government offices are there not really putting their best even when they know that the life of others is largely affected by their unserious attitude to work. Most of the pensioners in question served NITEL for 35 years, thus giving out the most useful part of their lives for the service of their fatherland. If the economy is in good shape, we would not rely on pension money. By the circumstances of their age, most of them are no longer relevant in the labour market. Government should expedite action on this matter.”

    Enquiries at the AGF’s office, however, confirm that the pension deductions of NITEL workers were paid to their respective PFAs in August 2011, two years after the disengagement of the workers. An official, Mr. Sunday Adamu, explained that those who have not received their pension are those who have problems with their accounting details.

    He said the pensioners are not helping matters by storming AGF’s office in pursuit of their pension. “It is a breach of protocol because the AGF’s office does not recognise individuals but the PFAs. It is the responsibility of PFAs to come and find out the cases of their clients not individuals.”

    Adamu said NITEL and BPE are responsible for computing their pension details not AGF. They are still compiling names. As soon as they are through with the compilation and forwarded to the AGF’s office, they will be paid, he said.

    A spokesman of IBTC, Mr. Magnus Ekwueme, told The Nation: “We pay former staff once NITEL sends their names along with Retirement Savings Account (RSA) and Pencom Pin Number as well as the amount due to the Office of the Accountant General of the Federation. They have been doing this in batches.”

    Asked how many have been paid, Ekwueme said quite a number have been paid, emphasising that as long as the ex-staff provide the statutory documentations Pen Coms approval would be sort and the client will receive their pay.

    What Pension Commission Act says?

    The National Pension Commission Act stipulates that all pension funds and assets shall be transferred to licensed operators.

    Section 39(1) of Pension Reform Act 2004 which deals with penalties for non-compliance with funding of existing Pension Scheme states that the pension scheme has to be fully funded by the employer at all times and any shortfall to be made up within 90 days.

    After the expiration of 90 days and there is no compliance, the commission will write a letter of advice to the defaulting employer. One month after, the recalcitrant employer gets letter of caution. Thereafter, a fine not more than N250,000 and N500,000 is imposed every month, Section 44-46 0f the Act provides that all pension funds and assets shall be transferred to licensed operators.

    The revised regime of sanctions and penalties for non-compliance states that: “Upon discovery of non-transfer by the commission letter of caution will be issued. Two months after, letter of advice will be written. One month after, letter of warning. A month after, letter to pay fine of N250,000 for every month of default will be issued.

    Pension system encourages corruption

    An expert in pension administration has described the pension system in the country as lacking care and respect for the senior citizens. Mr. Kunle Ajibade told our correspondent in an interview that except pensioners receive fair and prompt treatment, the country is unwittingly strengthening the temptation of civil servants to be corrupt.

    According to him, any society that cannot treat its elderly citizens with care and respect advertises its disregard for values. Stressing that retirees should be paid their entitlements without any stress, he said the present practice where civil servants at both federal and state levels have to wait for four to five years before they get their gratuity is not ideal.

    He noted that some ministries are notorious; they seem to derive pleasure from the hopelessness of retirees. Proper records are not kept. Unscrupulous officials demand different documents from bewildered retirees.

    On the new pension scheme, he said: “The expectation was that the private sector-driven national pension scheme introduced by the Obasanjo administration would fast-track payment of pensions to retired civil servants and that the emergence of Pension Fund Administrators (PFAs) will eliminate inefficiency and corruption in the system; this has been counter- productive in some cases.

    It’s not because the new scheme is not good but the Nigerian factor is at play. Many employers have circumvented the Pension Act by deducting pension contributions from the salaries of employees without remitting them and the employers’ mandatory contribution to the pension administrators. It is when the employees disengage and approach their PFAs for their pension entitlements that they realise that there is nothing in their accounts.

    “The employers particularly in the private sector breach the rule with impunity. Despite the prescribed sanctions in the Act, how many employers have been brought to book? It is because we don’t value the contributions of retirees in this country. In other climes, the welfare of senior citizens is accorded high priority.

    “The pension payment system, with regard to retired civil servants who are not covered by the new system introduced by the Obasanjo administration, must be reviewed. Humiliating and maltreating persons who had spent a better part of their lives serving the country is unacceptable. It is curious that the usually discourteous pension payment officers, who derive joy in humiliating pensioners, hardly realise that they would also end up as pensioners some day.”

  • How I filmed Kano riots  and Orka  coup amid a  hail of  bullets—Nigerian-born CNN  point man Niyi Babade

    How I filmed Kano riots and Orka coup amid a hail of bullets—Nigerian-born CNN point man Niyi Babade

    In recent times, the American Cable News Network, popularly known as CNN, has had them all, from Christiane Amanpour to Sorious Samura to Nic Robertson, Michael Ware and many others. Somewhere in between these names, is our own Niyi Babade who also works with that big media organisation. And unlike the Japanese Mika Yamamoto, who was killed in active journalism war reporting in Syria, these ones have escaped death, sometimes at hair’s breath.
    For his daring ability to cover extremely dangerous assignments, Nigeria’s Niyi Babade, according to him, was severally labelled. “In Reuters, they call me the ‘miracle man of Nigeria’ because of my success in going to war-torn zones to cover wars, dodge bullets, survive or just go to dangerous zones. I remember in Associated Press, they called me the ‘king of Nigeria’ and that was because of my ability to deliver at any point in time.”
    In this interview with PAUL UKPABIO at his Ilupeju Lagos residence, Otunba Niyi Babade, who is the CEO at Niyi Babade Global Network Nigeria, shares with us, some of his journalism memoirs and his vast collection of documented materials on Nigerian history, as he positions to serve his country via politics in 2015.

    IT’S not everyday that we find someone who has chosen covering dangerous assignments as a life style. How do you describe yourself?

    I will describe myself as somebody who is passionate about what he does. I worked for Reuters, The Associated Press, CNN and for almost 16 years, I took charge of Nigeria, and nobody could beat that. I loved taking dangerous assignments that were difficult to tackle: Whether it was in the desert, high sea, mountain or land, I was there.

    I can remember chasing the hostage takers in Forcados outside of Bayelsa State for three hours on the waters. Also up North Kano, where I went to cover a religious riot, I was at the assignment with a colleague from the BBC. Her name is Hillary Anderson. We were hearing gun shots coming from a particular house and as a reporter for radio which was beamed on satellite, she was already standing outside the house, giving live reports. But I suddenly remembered that I couldn’t do that. She could say whatever, but I as a camera man, to report an event to the world, my camera had to be beaming it. I cannot say, ‘I can hear bullet coming from inside a house opposite me.’

    So the next thing I did was to run into the house where the bullets were coming from with my camera without looking back. I saw people there and I was filming straightaway. When I was coming out, I was overhearing her saying on her live report that the Reuters guy she came with must have been killed when he ran into the compound. She went as far as saying, she could not find me any longer, that she was already on her way to the airport. I met her as she was getting into the vehicle. When she saw me she said, ‘you are a very dangerous guy, you must be the cat with nine lives.’

    There were lots of daring moments like that. I recall a Boko Haram incident in Borno recently, how we went to bust their headquarters and all that stuff.

    But how did you get into journalism?

    I had always wanted to attend a college. One day I was on Lagos Island, I went into a photo studio and a lady had just come to photocopy her admission letter into the College of Journalism, Fleet Street, London. There was a bad copy which was thrown into the waste bin. When she left, I looked it over, and saw the word ‘college’. I was excited. So I took it to my aunt, Aunty Tobi. I asked her what journalism was about. She explained that with a certificate in journalism, one can work in Daily Times. I fell in love with the word ‘Journalism’. When I returned to Efon Alaye Secondary School where I schooled, I got a white T-shirt and wrote boldly at the back ‘call me journalist.’

    So in Form Three, people started calling me a journalist. We had a school magazine which I was already contributing stories to. At a point, I became the editor of the magazine. That was where it all began. After that, I continued with the career till I travelled overseas.

    I liked photography too. I kept a camera with me. I was always taking photographs. I remember buying my first camera for N20. I was the leader of the boys scout. We used to go to the highest hills at Efon Alaye to take the pictures of flowers. That was how my love for photography started. Thereafter, I went to attend that college at Fleet Street, London.

    Did you stay back in London?

    No, I returned to Nigeria. I went to NTA Channel 7 to observe the National Youth Service Corps Programme. We were told that we would likely be employed afterwards. I ended up working there for two years without pay. We had our days, those were times when one got sent to juicy assignments like a governor’s event, where you were sure that you would be well favoured. One day my name was listed for such a juicy assignment. We were going with the Lagos State governor to Badagry. But before I could go upstairs to bring out the camera, someone had deleted my name and put another person’s name. I was now re-assigned to go and cover another assignment at Trade Fair complex. I was so upset that I went to the newsroom declining to go out for any other assignment.

    While in the newsroom, I was flipping through the pages of a newspaper when I saw an advertisement, ‘cameraman wanted at Latola Films.’ That same day, I went there and had an interview. I met Kunle Bamtefa there as General Manager and Mr Shittu Fabiyi. I resumed there the following day. Latola Films was representing all the major broadcasting stations in the world then. It was here that I started having my experience of international journalism. Then, people were not just coming to Nigeria to occupy it the way it is being done now. CNN was not in existence then, but there was CBN, Disney, Reuters which did not have television then.

    I later became one of the pioneers at Reuters Television. What the international broadcasting stations did then was that, whenever they needed anything, they called Latola Films which arranged cameramen or reporters to cover such assignments and shipped it to them. That was how I began to learn the process. I grew to become a production manager at Latola Films.

    Somehow, the deal between Latola Films and Reuters soured and one day, I was driving when I got a call that a television station liquidated in Britain. Reuters bought their equipment and started television. They were now looking for a representative in Nigeria and since I had been doing things for them, I joined them. I became the television guy for almost nine years. I was sent to the London office for more training before coming back to work here.

    But you sooner left for CNN

    It was from Reuters that I moved to Associated Press. I told them that if they can pay my salary five times over, I would join them. It was funny. It was from there that I joined CNN. I had a colleague there too, Jeff Koinange, he was in Reuters too. He was my producer in Reuters. Anything I did, I sent to Jeff. So we ended up working together again. He left Reuters before me.

    What do you do now?

    What I do now is commercial stuff for CNN, it gives me an opportunity to do other stuffs for other international broadcasting stations. I am aligned with many of them. For instance, next week, I will be working most of the time for a French company that I’m doing things for. It’s good for me now because I am free to work for any organisation any time of the day. I have built that relationship with most of the foreign organisations that I have been working with. I am also in a working relationship with the Nigerian Army Public Relations Department. I serve as a resource person with them. And they recently gave me an award as their best resource person.

    But with my knowledge of all the rudiments of documentary production, I am more concentrated on doing major documentaries and I got started right with the MKO Abiola documentary, which is now being celebrated.

    Is that the one you dedicated to Governor Babatunde Fashola of Lagos?

    Yes, it is. When I completed the work in 2009, I sent it to the film festival in Doha 2011. It was nominated for award in the film festival in Doha, Qatar in 2011. I was there and I remember how it went. It was big and the MKO film titled: ‘Journey to martyrdom’ stood out at the world event. Now I have started the big work on Late Chief Gani Fawehinmi’s film documentary. I want to celebrate some of the real great people in Nigeria. With work going on the Gani Fawehinmi’s film to be titled; ‘The Senior Advocate of the masses,’ I have been travelling all over the place trying to put it together. I can assure you that the Gani Fawehinmi documentary will go to America film festival and every other place.

    How long did the Abiola film take you to complete?

    It took me three years to complete. I started this present one last year and I thought I could complete it and premiere on April 22. But now, that seems not possible because the work ahead is still much. So I’m presently looking at completing the project in September this year.

    Let’s talk about the MKO film. Where did you get the inspiration from?

    That goes back to my days in Reuters. I can categorically say that I was the only foreign television camera guy who was always on ground during all that period of the struggle. Throughout the election periods, voting and after, I was totally on ground. So most shots on the film and footages, were done by me. It was a realisation that dawned on me one day, that I already have all the materials I needed for the documentary. That gave me the inspiration to go ahead with the project.

    I had MKO’s voting on tape, his legal struggle, his visits to the court and being pushed around by the police and taken away to prison. I knew even then that Nigerians don’t believe in this kind of dream, they associate more with people who are contractors in the oil industry. Nevertheless, I was inspired to document same for posterity. When I was on the project, I can tell you that no one believed in the project. It was after I returned from Doha, Qatar, that the Lagos State government supported me. Governor Babatunde Raji Fashola supported me. As you can see in the film, we have recorded Lagos State government advertisements therein.

    I am presently having the same experience with the Gani Fawehinmi film. I have not been getting the support. But that cannot stop me. I will go right ahead and complete the work and when it wins awards, then I will be vindicated. I am sure that I will have friends then. But I thank God, I have presently got two governors to endorse the on coming Gani Fawehinmi film. Governor Rauf Araegbesola of Osun State has endorsed it and Governor Gabriel Suswan of Benue State.

    Did you cover any of the coup in Nigeria?

    Of course I did. For instance, the night the Gideon Orkar coup took place, it was around 3am that I was called that there was a coup in Nigeria. I don’t know how the information got abroad, but the people who gave me the information were right. I was in Reuters then. I rushed out and started shooting on tape at 6am. I followed the coup plotters everywhere and also caught up with the loyalists when they went to dislodge the rebels. I remember picking the coup announcement tape that was played on the big machine at the radio station. I remember that morning too, when the loyalist soldiers were shouting and demanding to know who was playing the coup tape there.

    They found an operator, who begged for his life, insisting that he was not on duty. I was following the soldier who eventually quelled the coup. He was wearing a blue track suit with ammunition all over. He was not dressed like a soldier! I followed them as they were shooting their way, I was also shooting with my camera. I was just shooting. I remember at Obalende bridge, I was hearing gun shots but since I wasn’t familiar with those particular sounds, I didn’t know that those were actually gun shots.

    It was when I saw four soldiers ahead of me falling down with blood spewing out as I filmed on, that it suddenly dawned on me, how dangerous the assignment was. I ran immediately to the white Mazda bus that I was driving. The assignment I told myself was too dangerous. For a moment there, I was tempted to get into the bus and drive home, but something told me from inside, that I was already in it!

    So as an actor, which I convinced myself at that moment that I was, I ran back into the soldiers and followed them wherever they went. And everything I saw, was no joke. It was when I got home and played back the scenes that fear gripped my mind, on how so dangerous I had gone.

    How did you get the information on most of MKO Abiola’s movements after the annulment of the election and his open confrontation with government, being that, everything concerning Abiola then was under exclusive confidentiality to a few?

    What I did was to join the civil society groups. I became a member of the Campaign for Democracy in order to be able to get exclusives. So I was the only foreign media guy who was working directly with the real activists not the jeun jeun ones. So I remember they used to smuggle paper invitations to me which used to inform me wherever they were going to be. But also, I had to contribute my quota, in that, on my part, I used to advise them on what to do to gain international notice and recognition. For instance, they created bonfires which I filmed along with arrival of policemen and that would be on the next flight to London. It was my contribution to the struggle for democracy in my country. And I am proud of that now.

    We, however, planned so many rallies of which the police would have got a tip off and cordoned the place before we got there. I remember the only lady that used to be among us then, Dr. Joe Odumakin, I remember once when we were on the way to the airport in Ikeja. We got wind that the police were already ahead of us. So we moved into a primary school where we quickly had the bonfires and rally. I quickly filmed it and sent to London. The police were waiting ahead, not knowing that we had made another plan. I remember when the Late Dr. Beko Kuti was taking a letter to Governor Otedola, we had to disguise in a Volkswagen car to beat the police. I still have all these on film. I was part of the CDHR, so I had information which got me to meet MKO Abiola; even when he was arrested, I got it on film.

    Were you at the swearing-in ceremony, if yes, what happened?

    I had already got the information that they were meeting at Epetedo. The ceremony itself was hush and rushed. Immediately after his declaration as president, he moved out of that place. Everybody moved out, he went away. When he returned to show his face at Shitta in Surulere, I was just fortunate to get it on tape. This is because I was just in the area when I suddenly saw a crowd. I brought out my camera from the car and before I knew it, it was MKO saying ‘bye to everybody.’ That was his last day of freedom. He went to his house and was taken away. We had the belief then that he was not going to be arrested.

    I still remember that the rumour mill had it sometime ago that IBB wanted to kill you. How did that come about?

    It was after the Abiola documentary got popular that somebody told me that if IBB caught me, he would kill me. Luckily for me, my cousin was working for IBB in the Diaspora. When he came to Nigeria, I told him that ‘They say IBB wants to kill me.’ That was how he took me to IBB. When I got there, IBB told me to sit down. I told him: ‘Sir, I will not sit down, people say you will kill me.’ IBB just started laughing. He told me the story of his life and I was crying because I found out that he is a human being just like everyone of us. I told him to please allow me to do a documentary on him so that the world will see that he is a human being like all of us and he agreed.

    What was your impression of him?

    From what I saw, I know that he is a good person and a gallant soldier. He has been a soldier and will continue to be a soldier. However, there is a human angle to him as well. He may have made his mistakes but he is a good man.

    And why a giant size photograph of you with Asiwaju Bola Ahmed Tinubu in your sitting room? Any special reason?

    Asiwaju Bola Ahmed Tinubu believed in me. When he returned from exile, my friend Tokunbo, took me to him and told him that I work for the international media. Reuters then was representing CNN and every other international medium. We met him at his Ikeja home; he was going out and I quickly asked him for a quick interview which I filmed. He said then that he had returned to Nigeria to participate in the election because he believed the military’s sincerity. CNN ran that same portion for about three days. That was how we met.

    That same evening after the campaigns, I was by his side, when he got a call from the USA informing him that he was on CNN at that present moment. He is someone who believes in people. He took me to his bedroom and gave me his campaign souvenir. That was how the relationship began and through out his government, I had access to him because he handed me over to Mr. Tunji Bello. He is a good man, a visionary.

    You have lots of materials in your archive, what are you going to do with them?

    I will be bringing them out in documentaries. With time, I hope to have the kind of money I need to produce such documentaries. For instance, I have a full coverage of the Lagos Bomb Blast from the time I was inside the army barracks as the bombs started going off. I have on tape when the panic started, with people running into the river and lots more. It’s sad that people don’t appreciate or see that this kind of thing has history and fortune in it. Can you imagine that Daroucha, who was believed to be the richest man in Nigeria and is still talked about in Lagos royal palace, did not leave behind a documentary? We cannot even know to what extent he was rich. Except that people still use him as reference to ownership of enormous wealth. Time will come in future, the names of most of our present leaders will fizzle away too because no books or documentaries to talk about them. I know of many journalists who would love to write books on leaders but are the leaders consenting? No is the answer! And that is painful.

    Politics?

    I am going into politics in Ekiti State. I want to go and support their cause; I want to show them how governance is to be practised.

    Are you presently in any party?

    Yes, I am. I am a member of the ACN and as the party evolves into another, I evolve too. In 2015, I will be contesting, though I am still consulting on the office that I will be contesting for.

  • I named my children before I had them -Top fashion designer Kehinde Ejiogu

    I named my children before I had them -Top fashion designer Kehinde Ejiogu

    It did not come as a surprise when top flight fashion designer, Kehinde Ejiogu, declared recently that she was set to flood her Valerie Davids stores with her new line of clothes. In the last decade, she has enjoyed a meteoric rise in the fashion and style business, catching up with the big names and asserting her signature with awards that presently adorn her office. Exuding incredible talent, she combines her career with the challenge of keeping a home. She speaks with PAUL UKPABIO about the factors behind her rise to the top of fashion business, her lifestyle and her love for music. Excerpts:

    Many people know you as a top fashion designer. How do you describe yourself?

    I’ll describe myself as a bespoke professional tailor who specialises in structured garments. I must confess, my clothes fit excellently because I am a well trained designer.

    How long have you been in the fashion and style business and how did you get into it?

    I have always had a flair for it; I have been a creative person from childhood. I have been into cutting, sewing and designing. I had it in me and I pursued it. As a child, I used to cut anything. I was sewing for young and even for adults. It’s a talent I grew up with and decided to pursue.

    At what point did you decide to take it up as a career?

    I would say it was after I left the university. I wanted to sew earlier than that, but then if I had told my parents that I wanted to be a tailor, it would have been like I was going up against them. Nobody wanted me to do that at that point. So, I went to the University of Benin to study agronomy, though I had always wanted to sew. After UNIBEN, I went to London School of Fashion to brush up on what I had already started here.

    All along, I had been sewing stuff right at the university. For me, University of Benin was exciting, but sewing was great. I studied Agronomy which was based in the Agricultural Sciences Department. I loved the sciences. Biology was the major drive that led me to study agronomy. It was fun. But right there on campus, I was making clothes for my friends. I sold some ready-to-wear tops for ladies, and I remember doing a couple of dresses too. I was exploring and I enjoyed that much then.

    I got out of school and got married. So, by the time I had made up my mind to face the fashion world with my talent, I didn’t have my parents to contend with my decision because I was already married. I actually went back to school after I had my first son. My husband readily agreed and encouraged me.

    London School of Fashion was exciting. I did intermittent courses because of my marriage. I shuttled from time to time. In London, I met students but I understudied Yemi Koshibah. He was a great influence on my life and business. I was an intern with him. He is indeed a fantastic guy.

    What aspect of fashion appeals to you when you work?

    I am a very creative person, I enjoy creating clothes. I don’t limit myself to a box. For instance, I can do a kaftan in a Valerie Davids’ way. I could do a structured, very high end avant garde garment. I just love to create. I could take a piece of article and make an excellent garment out of it. I am not limited to anything; I think I’m blessed and gifted. Beyond having honed my skill, I am naturally a creative person. I pick something and make a new thing out of it.

    How long does it take you to make a new dress?

    It depends. A wedding dress, for instance, like the recent one that was featured in Ovation magazine, took me about two weeks. Ideally, we have a check time of three weeks, but the bride needed it at that short notice. Also on a wedding dress, we usually expect a three-month notice. That apart, I can turn out ten items in two days. I work on cut-and-sew and all that. I do my patterns and I cut. I also have my fantastic machinists who work with me. I cut all my outfits.

    What colours appeal to you?

    Formerly, I used to have favourite colours. But presently, I do not think I have favourite colours any more. However, I love red, purple, olive green. You see, the truth right now is that I love every colourdiamond, bluethough I am not a very bright colour person. But I work with such colours anyway.

    What about fabrics?

    Like I said, I have this thing about fabrics. To me, every fabric has its own language, be it organza, silk or lace, they all speak their own languages. Once I see it, I immediately understand its language and flow with it. I am not one of those designers who are boxed. I work out of the box. I just flow with the fabric. I go right into the fabric and understand what to do with it. I am always ready to play with any fabric that comes into my hand. I don’t particularly like fabrics that limit my creativity. Even when I handle fabrics that I am not very good with, I still work on them and ensure that I arrive well with them at the end of the day.

    Designers make clothes for people. So, what appeals to you to wear as a designer?

    I am extremely simple. My style is very simple. I do not have much personal avant garde things to wear. For me, I love to wear jeans, jackets, T-shirt and basic short dress.

    You create clothes for people to attend social functions. What does your own socials look like?

    I guess it is lying down in bed and watching films (laughs). Oh, my work is so hectic, I don’t like going to parties that I can avoid. I love to be in bed watching films because that is perhaps the only time I do not work. Once I am up from the bed, I am working. So, I only attend socials that are compulsory for me, though I love to meet people. Even then, I rarely find the time to have that cherished moment of lying down in bed.

    How do you cope as a working mother and home maker?

    Oh, I have a supportive husband. I have children who are very understanding and supportive. My children are well behaved and fantastic. I must say that I am blessed. Also with years of experience, I must say that I have been able to juggle everything together and sort things out. I try to get my priorities right at all times, though of course, I get it wrong sometimes. That is because sometimes we are working day in and day out weeks on end, working and staying right there in the office.

    When those times come as they usually do, my husband is usually a very good back-up for me. Otherwise, it would have been something else. So, when I find the time, I try very much to make up for those lost time and be with my family and we enjoy one another.

    How did you come about Valerie Davids?

    My son’s name is David and my daughter’s name is Valerie. We pieced them together and got Valerie Davids. The funniest part is that we had named our children before we gave birth to them (laughs). Valerie Davids actually fully started after the birth of my second child. But I was sewing before we got married. Long before their birth, we had spoken to God on the number of children that we wanted to have, and had even gone ahead and chose names for them before they arrived. Amazingly, our children came that way.

    What memories do you have of your childhood?

    Growing up was very interesting for me. I come from a very large family. My father was a loving gentleman, while my mother was strict. Between them, they molded us. We had our momentsthe good, the bad, the ups and the downs. I have lovely siblings and I am in the middle somewhere. As a child, I recall doing interesting things like cutting papers, drawing things, sketching clothes and sewing. It was interesting.

    Let’s talk about women and fashion. As a designer, what will you say appeals to women?

    The average woman wants to look stunning, no matter her social class or status. Women all want to go out and look comfortable. I realized, however that despite all that, women have different tastes and styles. What appeals to one may not appeal to the other. So, I try to meet them somewhere. My work, however, is personal. So, I try to know the individual. I try to know who they really are and then interpret their style and apply it.

    I don’t use client A’s style for client B. We have clients that will come and say ‘Oh, I can never wear this.’ Meanwhile, another client comes in and says, ‘Oh, this is what I want to wear.’ I try to understand the individual and at the end of the day, I play up your pluses and play down your minuses. I make you look good, no matter your taste or fashion or style. Mine is to interpret a woman and make her look better than she would ordinarily look. We give a woman the Valerie Davids’ look.

    When a new female client knocks on your door, do you get scared or worried about having to meet a new taste of fashion?

    No, I never get scared. I ask a lot of questions which would enable me to interpret the person’s style and taste. I have to know who you are. If you play a little safe by not telling me about your style, there would be questions that I will ask to bring you out of your comfort zone and still make you comfortable.

    Everyone who comes in for me is a new opportunity and a new adventure. Once I’m able to understand and interpret your style, I’m fine. It doesn’t matter who you are.

    Do you stick to women’s clothes?

    Yes, for now. But then, we’ve started doing men’s clothes gradually. We are hoping that in a couple of months, we will be able to do that more freely. As for children’s clothes, I am not into it for now. I do sew for my children once in a blue moon and also once in a while for the children of my top clients. But it is not what I regularly do.

    What is your outlook on total wardrobe change?

    It boils down to what you want and what you want the change to do for you. We, for instance, take into consideration the category of clothes that would get you that new look that you want. Is it casual, formal and so on? So, all these will determine the overhaul that we will put in place to change you with a new wardrobe.

    How expensive are Valerie Davids clothes?

    We actually have different categories. We have the basic, silver, premium and the premium plus. Once you are in, we fix you into a particular group.

    These categories must be based on the divide between the rich and the poor?

    (Laughs) Oh no, it is just a guide for us. No, it is not about how rich or poor you are. We actually have something coming up soon. We call it the Valerie Davids budget clothes. It is something that will be affordable. It will come as dresses,tops, trousers and so on.

    Will it cut across everybody?

    No, I can’t sew clothes that will go for everybody. People come to me to sew for them special clothes. There are people who bring me boxes of clothes. Maybe not everybody can afford what we do, but at the same time, our clothes are top notch. So, we deserve to work in that range and with clients who appreciate that range. I do not compromise on a Valerie Davids clothe, no matter what!

    In recent times, you have not been participating in fashion shows. Any special reason for that?

    I am not a fan of shows. I used to do ‘show’ when I started out, but not these days. I don’t think that they influence much. I was working a lot with a popular human interest magazine at a time. I did some fashion shows for many events too. But what I later noticed was that it took so much of my time and I didn’t understand whether it did that much for me. However, I will have a private show soon.

    But I don’t think I am a show person right now, and that is because my hands are very full. I have been able to build my business more by referrals than any other way. People ask me why I do not participate in the Nigerian Fashion Show too. The truth is that my work is so tasking. I do not think I have that energy now.

    Your business is located in Lagos Mainland area. Does that have much advantage, seeing that more of your clients are based on the Island?

    I get my clients mostly by referrals. I am enjoying my location on the Lagos Mainland because most of my workers are on this side.

    Now that you have a successful business, do you still nurse any dream?

    Yes, I do. I want to soon see my business working without me. I am trying to train people to understand the art of pattern designing. We have a school that we are running here. It is called The Valerie Davids Fashion School. I’m hoping that in the next couple of years, I would have trained cutters, designers who would be back-ups for me.

    Right now, I am doing between 70 and 80 per cent of the whole work. I am hoping to start my ready-to-wear line, which will be very different. I want people to wear my clothes around Nigeria. I want to have people walk into shops like it is done abroad, and get my clothes. However, I will still maintain my personal touch when I get the back-up because my clients recognise my personal touch, and to keep them, I have to be on ground. So, I will instruct but be involved.

    Also, I need time for myself. I need time to travel. But I have to know that I have good hands to take instructions. Even then, I will still be involved because my style evolves regularly. I don’t keep a comfortable style; I change regularly. That is why you see fabrics everywhere around me. The next minute, I am creating a new thing. I have people who give me up to 40 fabrics and they want different things.

    You are not just a designer and bespoke tailor, you are also into music. How did you come about that?

    I am a music minister. I used to sing more before I got married. But now I sing in the choir in my church at High life Bible Church at Oniru Estate, Victoria Island. I am learning to play the saxophone and I love it. I guess creativity is in me and my daughter is like that already. She is nine and already draws very well. She came second in an art competition recently, while my son is more of an IT person. He is good with computers and already writing programmes at 14.

    As a designer, what does beauty mean to you?

    To me, beauty is beyond make up and clothes. When you are beautiful inside, it reflects on the outside. Beauty is being the best God has made you to be. It is about exuding so much that has been deposited inside of you by God. All things bright and beautiful is truly what beauty is about. Clothes should play up your beauty instead of playing your beauty down. I don’t throw fabrics on my clients; I structure clothes on them. My clothes are meant to give my clients a fashion experience. My clothes just have to do something to your beauty. I have seen people come in and wear my clothes and they cry. They cry because of the new look they get, which they didn’t know that they could have. My clothes bring out the best in you.

    For every talented person, there is a source of inspiration. Where do you draw your inspiration from?

    I am a spiritual person. I am born again with the help of the Holy Ghost. The things I do are divine. I believe that God is very creative. I use the scripture that tells me that I have the mind of Christ, and that helps me a great deal to create. I am in tune with the Holy Spirit and that helps my creativity, because left to me alone, I will be burnt out. I found out that my strength is renewed every morning because I have connection with God. It is not about my talent or skill. Those are very good stuff for me though, but the heart of the matter is that daily, I draw strength from God, and that is why I can take every piece and make a master piece out of it.

  • New Frontiers Award’s shortlist announced

    Arabian Travel Market, the leading travel and tourism exhibition in the Middle East, has announced the names of the three global destinations nominated for this year’s New Frontiers Award, the results of which will be revealed at a special roundtable session featuring award recipients from the previous seven ceremonies.

    The three destinations shortlisted for 2013 are New York State, the Philippines and Pakistan, each of which suffered from the aftermath of the devastation wreaked by natural catastrophes in the last 12 months.

    “This year’s award coincides with our 20th anniversary celebrations and it is a poignant moment for the industry as a whole to reflect on the devastation that natural disasters can wreak on human life, habitat and infrastructure, irrespective of their international status,” said Mark Walsh, Portfolio Director, Reed Travel Exhibitions.

    Launched in 2005 by Arabian Travel Market, the New Frontiers Award was created to recognise outstanding contributions to tourism development in the face of overwhelming adversity, supporting the chosen destination by donating exhibition space at the event to the value of US$10,000.

    Now in its eighth year, the one-of-a-kind roundtable session will include previous award recipients, including Phuket, Thailand, which was devastated by the 2006 tsunami and last year’s recipient, Japan.

     

     

     

     

    “Participants will have a chance to share their experiences once again and report on how, in the intervening years, their respective tourism destinations have – quite literally – picked up the pieces and gone on to rebuild and recover,” remarked Walsh.

    “However it’s not just a question of physical recovery. Tourism strategies need to be re-evaluated and revised marketing plans put in place to reposition a destination and to create confidence amongst its target markets,” he added.

     

    The New Frontiers Award is a vital element of Arabian Travel Market’s commitment to support the global tourism industry, and provides a platform to drive awareness and assist destinations in the recovery process through participation at the show.

     

    The 2013 nominees have all had to repair, rebuild and recover, with efforts ongoing in some destinations.

     

    New York State, USA – Hurricane Sandy.

    In late October 2012, Hurricane Sandy spread a trail of destruction across the Eastern Seaboard of the US, leaving businesses and homes in New York State – and its tourism heart, Manhattan – without vital resources and inflicting billions of dollars of cumulative damage on the local economy.

     

    Philippines – typhoon.

    At the end of 2012, Typhoon Bopha caused substantial loss of life and hit the tourism economy hard when it ripped across the country, devastating large tracts of land and communities on the southern island of Mindanao, and sweeping across the popular tourist island of Palawan.

     

    Pakistan – floods.

    September floods, prompted by heavy monsoon rains, affected over five million people and the economy, with damage extending across the country from Southern Punjab and Northern Sindh to North-Eastern Balochistan. Over half a million acres of crops were lost as well as lifestock, critically affecting food supplies.

     

  • My boyfriend releases inside me but am I still a virgin and can I get pregnant?

    My boyfriend and I make love but we do it on the surface of my vagina. I have never seen blood flow and when he releases inside, I take drugs to flush it out. Am I still a virgin and can I get pregnant? Mara from Delta.

    Dear Mara, are you the one fooling yourself that you’re still a virgin or is it your boyfriend that is deceiving you? You have taken play-play sex beyond the vagina and he comes with full force right inside you and you’re still asking if you’re still a virgin! Haba! You may soon become a virgin in the labour room o, if you don’t see a physician soon for the right contraceptives.

    By blood, I’m sure you think that because you haven’t seen any blood stain after sex, then it must mean you’re still intact. Na lie!

    Let me explain to you why women may or may not have blood stain after the first sexual intercourse.  The hymen is a piece of tissue that, during development, blocks some or all of the entrance to the vagina. It exists in many species, and scientists have no real understanding of its purpose in humans.

    Not every woman has the same type of hymen. In some women, the entrance to the vagina is mostly, or completely, unobstructed; in others, a condition called imperforate hymen can block the entire entrance so that not even menstrual blood can escape. There are, of course, variations in between.

     

  • UN agencies to launch campaign against illicit goods, services

    UN agencies to launch campaign against illicit goods, services

    In the presence of the UN Secretary-General, Ban Ki-moon, the World Tourism Organization (UNWTO) and the United Nations Office on Drugs and Crime (UNODC) have agreed to launch a new public awareness campaign, calling on tourists to help reduce demand for illicit goods and services linked to transnational organized crime.

    Preparations for the campaign were set in motion during the spring meeting of the Chief Executive Board of the United Nations in Madrid. A cooperation agreement was signed between UNWTO Secretary-General, Taleb Rifai, and UNODC Executive Director, Yury Fedotov, in the presence of United Nations Secretary-General, Ban Ki-moon.

    The joint campaign, to be launched later this year, aims to raise awareness among international tourists about the types of illicit goods and services to which they are often exposed during their travels and which directly or indirectly fund organized crime groups.

    Travellers can play a key role in reducing demand for these products through ethical consumer choices. The campaign will encourage tourists to make informed decisions and help reduce demand for trafficking in persons, cultural artefacts, wildlife, fauna and flora such as ivory products, as well as counterfeit goods, and illicit drugs.

    UN Secretary-General Ban Ki-moon commended this innovative joint initiative between the two partner UN agencies: “The illegal trade in goods and services often funds unscrupulous people involved in human trafficking, the illicit ivory trade and other areas that cause immense suffering and destruction. Well-informed tourists can make a real difference in turning the tide against these criminal acts.”

    Organized criminal networks generate money wherever there is demand and travellers are often exposed to objects which are illicitly sold. With more than 1 billion tourists now crossing international borders each year, there is a growing opportunity to call on tourists to act and reduce demand for these illicit products which in many cases are providing a funding source for organized crime.

    The campaign drives the message that while some products may seem harmless, the demand created and their sale can, in fact, have devastating effects on the lives of innocent people, on wildlife or on cultural property. The billions of dollars generated through such trade also fund criminal groups who use this money to branch out into other illicit and unethical lines of business.

  • ‘The murder of four UNIPORT students shocked me more than plane crash’

    ‘The murder of four UNIPORT students shocked me more than plane crash’

    Ibifuro Tatua, the publisher of BOSS Africa magazine, is also a member of The People’s Movement, a group that is fighting for equality and good governance in the Niger Delta region. The University of Port Harcourt graduate shares with GBENGA ADERANTI her experience as an activist and why she had to abandon the vocation. 

    Why did you venture into publishing?

    Basically, I like giving out information. A lot of people listen to what I have to say and I believe that information is power. I am passionate about giving it out. I love to write. I grew up as a child who told my mum everything that happened at home. So, my siblings nicknamed me aproko (tale bearer). I would tell her that this or that person did this or that. As I grew up, I always liked to give out information.

    When the social media, Facebook and Twitter, started, I had a lot of followers. So much so that any day I did not post anything, people would call and ping, saying ‘we’ve been waiting to hear from you. How come you have not said anything? We want to know what is happening.’ People ask me questions about issues because they believe that I know or I should know. And because I cannot always be on the social media, I decided to take it a step further. That was why I decided to go into publishing.

    As an aproko, your growing up days must have been interesting. What were they like?

    I grew up in Port Harcourt. It was fun and it was beautiful. I went to school in Port Harcourt. I attended Wesley School, Christ College, MacDonald and later the University of Port Harcourt. I stayed in school, though I was a Port Harcourt girl. School was good. I was into the students’ union politics. We did the aluta struggle. It was good then. People gave you free things which others paid for, because of your involvement in students’ unionism.

    We had protests. There was a time the hostels had no water. We protested and they brought water. The vice chancellor then was Prof. Briggs and I happened to be a Briggs. Although I did not come forward, I mobilised the female students. I told them it was not a fight we could avoid. We made sure we stopped buses.

    Are you the only girl in your family?

    No. There are two girls and two boys.

    You seem to have a lot of confidence. Where did you get that from?

    I’m afraid of a lot of things. It is just that I could be confrontational when I want to. I believe in what is right. I think there is a thin line between right and wrong. I hate injustice and I believe that truth is truth and you should not hide it. You just tell the truth and people take it as being confrontational. Not everybody can tell the truth or stand up for what they believe in. But I stand up for what I believe in, and if that is going to be my end, I take that as believing in the cause.

    Was there a time your stance on an issue has put you in trouble?

    A few times, it has almost put me in trouble. But things change at the end of the day when they know the truth. If I have an issue with you, I don’t say you are mad or you are crazy. Rather, I would say you did not do this or you did not do that; this is what you should do. I do not just criticise you; I tell you the way forward. So, you cannot beat me. You cannot blame me. You cannot put me in any kind of trouble. Because if you consider what I have said, it is nothing but the truth. So, it has not really got me into big trouble. It is just that certain seeming benefits I’m supposed to get like others, I do not get them. But I’m not complaining. I’m happy.

    You have expressed some strong views on some issues in Delta State lately. Why Delta in particular?

    My mum is an Itsekiri. But I do not do my advocacy in Delta State alone. It is not a Delta thing but a Nigerian thing. Last year, it was Bayelsa. We took up the Bayelsa struggle during the (Timipre) Sylva administration. Before then, it was (Rotimi)Amaechi. So, that of Delta is only more recent. They were having a lot of issues. And for the other states, we were not using the print media per se; we were more on the social media. In Delta’s case, we used the print media. That is why we have more information on Delta.

    How do you combine managing your home with activism and publishing?

    It is not that tough. I work for myself. I work my way around the children. I know when they close. Twenty-four hours is a lot of time. I programme that. I know when they close from school. Whatever thing you do in between, you have people to pick them up. Just make sure there is food.

    African culture does not encourage women to be confrontational like you are. How often do you get into trouble with your husband?

    I ask a lot of questions and I’m very confrontational. I would not be forceful, but I would not swallow whatever you say. When you tell me something, I wait for you to finish and I tell you, ‘This is not how I understand it. Why not like this? This is what I know it to be and most people like it.’ I’ve had a lot of cases where people would say, ‘Oh, we need more women like you.’ A lot of women commend me for that.

    And how has your husband been coping with that?

    My husband is really quiet. He is used to that.

    What does your wardrobe looks like?

    I have too many clothes. I’m a shopaholic. I like clothes, shoes and bags. And who doesn’t? Every girl does.

    Which are your favourite colours?

    Black, gold and white. I prefer the white colour for clothes and I do a lot of black and gold for bags.

    What is that fashion item you can’t do without?

    My lip gloss. I can’t do without it.

    How would you describe a trendy woman?

    Any woman who is comfortable in whatever she wears is trendy. Trend is whatever you make of it.

    A girl child is usually known to be closer to her dad than mum. Was that the case with you?

    No. I was closer to my mum. My elder sister was close to my father. The first daughter is always close to her father while the first son is close to his mother. I’m close to my mother. There was no rivalry between my sister and I because she is the quiet and cute type. I’m the lively one. We have different lives, so to say.

    How is your activism affecting your publishing business?

    It is costing me something. It is not usually the way you think it is before you go into it. Sometimes you plan, saying you are going to look at it like an investment. You invest XYZ amount of money, thinking you would sell a certain number of copies and get adverts. You already count your pages of adverts though you have not had them yet. You say by the time this or that company advertises, I will make so much money, and by the time I sell 2000, 3000, 4000 copies, I will make this amount of money. But by the time you go into it, it is not exactly as you thought.

    Meanwhile, you spend more than you have budgeted because you have other smaller things that did not come into the budget. Lately, it has been better. But when I started, the first edition for example, we gave them all out for free. So, that is a dent on my pocket.

    Are you discouraged?

    No, I’m not. It is something I intend to do, and I will do it.

    How did you meet your husband?

    Leave my husband out of this. He is a quiet and a private person.

    How did you arrive at the name BOSS for your magazine?

    BOSS is an abbreviation for Built On Self- Success, because we are projecting excellence, people who have done very well in their different fields and people who have been able to sustain themselves even if they were born into it. Some did not work to get this money; it was passed down to them but they still manage it. Majority of the successful people worked their way to it. So, it is basically built on self-success. We get something to explain our focus. But because it is too mouthy, we just made it BOSS. It rhymed and made a lot of sense, and we stuck to it.

    Are you into modelling too?

    No. I have had modelling activities. I have supported and I have been an underground person in most of the beauty pageants in the country and a few outside.

    Talking about beauty pageants, I still don’t understand why some of organisers define African beauty from foreign perspectives…

    That is because we copy the white people. We measure our standard by their standard. The average African woman is full and fleshy with thick lips, potato nose and dark hair. She is simple; nothing too fantastic. The back, the front, we just like it full. But because we emulate these white people and because they have set a standard, we want it to be like a world class standard, because our models still have to go out and compete with other world class models and you see us lagging behind. Because it has become a global thing, we have to fit in. That is why they pick the slim and tiny.

    Were you at any time a model?

    I was not a model but I have had to partake in some pageants. I cannot really say I’m a model. I was not an official model, so to say.

    What is that thing that makes you so happy each time you remember it?

    A lot of things. I think motherhood; the day I became a mother.

    What about what you had wished you could reverse?

    Not my personal life. Every time I think about the four students that were murdered in the University of Port Harcourt (UNIPORT), it is one thing I don’t think there has been any other thing that has shocked me more. Plane crash had shocked me, but those four students, I wish I did not watch the video.

    If you had the opportunity of changing something about Nigeria, what would that be?

    I just want us to have stable power supply. That is all. I like Nigeria.

    Do you sometimes get scared too?

    Not really.

    You are doing your activism on a dangerous terrain. Do you sometimes think about death?

    I was an activist but not anymore, I have decided to proffer solutions rather than criticise government. Rather than fight, I have decided that if I see anything good, I will suggest it and leave it at that. If they take it, thank God. If they don’t, better luck next time. I cannot really call myself an activist.

    Why did you stop activism?

    I realised that it brings bitterness and anger. It sends a lot of negative messages and we don’t need negative vibes at this point of our growth. For those of us who see and talk, I think it is high time we began to say what will bring unity, constructive and positive ideas for the way forward for this country. By criticising, you make enemies and you blow things out of proportion just because you want to be heard or you want to make a point. I’ve stopped. I want to promote excellence now. If I say this person has done well in his field, other people who want to do well will follow suit. Many people know you as a top fashion designer. How do you describe yourself?

    I’ll describe myself as a bespoke professional tailor who specialises in structured garments. I must confess, my clothes fit excellently because I am a well trained designer.

    How long have you been in the fashion and style business and how did you get into it?

    I have always had a flair for it; I have been a creative person from childhood. I have been into cutting, sewing and designing. I had it in me and I pursued it. As a child, I used to cut anything. I was sewing for young and even for adults. It’s a talent I grew up with and decided to pursue.

    At what point did you decide to take it up as a career?

    I would say it was after I left the university. I wanted to sew earlier than that, but then if I had told my parents that I wanted to be a tailor, it would have been like I was going up against them. Nobody wanted me to do that at that point. So, I went to the University of Benin to study agronomy, though I had always wanted to sew. After UNIBEN, I went to London School of Fashion to brush up on what I had already started here.

    All along, I had been sewing stuff right at the university. For me, University of Benin was exciting, but sewing was great. I studied Agronomy which was based in the Agricultural Sciences Department. I loved the sciences. Biology was the major drive that led me to study agronomy. It was fun. But right there on campus, I was making clothes for my friends. I sold some ready-to-wear tops for ladies, and I remember doing a couple of dresses too. I was exploring and I enjoyed that much then.

    I got out of school and got married. So, by the time I had made up my mind to face the fashion world with my talent, I didn’t have my parents to contend with my decision because I was already married. I actually went back to school after I had my first son. My husband readily agreed and encouraged me.

    London School of Fashion was exciting. I did intermittent courses because of my marriage. I shuttled from time to time. In London, I met students but I understudied Yemi Koshibah. He was a great influence on my life and business. I was an intern with him. He is indeed a fantastic guy.

    What aspect of fashion appeals to you when you work?

    I am a very creative person, I enjoy creating clothes. I don’t limit myself to a box. For instance, I can do a kaftan in a Valerie Davids’ way. I could do a structured, very high end avant garde garment. I just love to create. I could take a piece of article and make an excellent garment out of it. I am not limited to anything; I think I’m blessed and gifted. Beyond having honed my skill, I am naturally a creative person. I pick something and make a new thing out of it.

    How long does it take you to make a new dress?

    It depends. A wedding dress, for instance, like the recent one that was featured in Ovation magazine, took me about two weeks. Ideally, we have a check time of three weeks, but the bride needed it at that short notice. Also on a wedding dress, we usually expect a three-month notice. That apart, I can turn out ten items in two days. I work on cut-and-sew and all that. I do my patterns and I cut. I also have my fantastic machinists who work with me. I cut all my outfits.

    What colours appeal to you?

    Formerly, I used to have favourite colours. But presently, I do not think I have favourite colours any more. However, I love red, purple, olive green. You see, the truth right now is that I love every colourdiamond, bluethough I am not a very bright colour person. But I work with such colours anyway.

    What about fabrics?

    Like I said, I have this thing about fabrics. To me, every fabric has its own language, be it organza, silk or lace, they all speak their own languages. Once I see it, I immediately understand its language and flow with it. I am not one of those designers who are boxed. I work out of the box. I just flow with the fabric. I go right into the fabric and understand what to do with it. I am always ready to play with any fabric that comes into my hand. I don’t particularly like fabrics that limit my creativity. Even when I handle fabrics that I am not very good with, I still work on them and ensure that I arrive well with them at the end of the day.

    Designers make clothes for people. So, what appeals to you to wear as a designer?

    I am extremely simple. My style is very simple. I do not have much personal avant garde things to wear. For me, I love to wear jeans, jackets, T-shirt and basic short dress.

    You create clothes for people to attend social functions. What does your own socials look like?

    I guess it is lying down in bed and watching films (laughs). Oh, my work is so hectic, I don’t like going to parties that I can avoid. I love to be in bed watching films because that is perhaps the only time I do not work. Once I am up from the bed, I am working. So, I only attend socials that are compulsory for me, though I love to meet people. Even then, I rarely find the time to have that cherished moment of lying down in bed.

    How do you cope as a working mother and home maker?

    Oh, I have a supportive husband. I have children who are very understanding and supportive. My children are well behaved and fantastic. I must say that I am blessed. Also with years of experience, I must say that I have been able to juggle everything together and sort things out. I try to get my priorities right at all times, though of course, I get it wrong sometimes. That is because sometimes we are working day in and day out weeks on end, working and staying right there in the office.

    When those times come as they usually do, my husband is usually a very good back-up for me. Otherwise, it would have been something else. So, when I find the time, I try very much to make up for those lost time and be with my family and we enjoy one another.

    How did you come about Valerie Davids?

    My son’s name is David and my daughter’s name is Valerie. We pieced them together and got Valerie Davids. The funniest part is that we had named our children before we gave birth to them (laughs). Valerie Davids actually fully started after the birth of my second child. But I was sewing before we got married. Long before their birth, we had spoken to God on the number of children that we wanted to have, and had even gone ahead and chose names for them before they arrived. Amazingly, our children came that way.

    What memories do you have of your childhood?

    Growing up was very interesting for me. I come from a very large family. My father was a loving gentleman, while my mother was strict. Between them, they molded us. We had our momentsthe good, the bad, the ups and the downs. I have lovely siblings and I am in the middle somewhere. As a child, I recall doing interesting things like cutting papers, drawing things, sketching clothes and sewing. It was interesting.

    Let’s talk about women and fashion. As a designer, what will you say appeals to women?

    The average woman wants to look stunning, no matter her social class or status. Women all want to go out and look comfortable. I realized, however that despite all that, women have different tastes and styles. What appeals to one may not appeal to the other. So, I try to meet them somewhere. My work, however, is personal. So, I try to know the individual. I try to know who they really are and then interpret their style and apply it.

    I don’t use client A’s style for client B. We have clients that will come and say ‘Oh, I can never wear this.’ Meanwhile, another client comes in and says, ‘Oh, this is what I want to wear.’ I try to understand the individual and at the end of the day, I play up your pluses and play down your minuses. I make you look good, no matter your taste or fashion or style. Mine is to interpret a woman and make her look better than she would ordinarily look. We give a woman the Valerie Davids’ look.

    When a new female client knocks on your door, do you get scared or worried about having to meet a new taste of fashion?

    No, I never get scared. I ask a lot of questions which would enable me to interpret the person’s style and taste. I have to know who you are. If you play a little safe by not telling me about your style, there would be questions that I will ask to bring you out of your comfort zone and still make you comfortable.

    Everyone who comes in for me is a new opportunity and a new adventure. Once I’m able to understand and interpret your style, I’m fine. It doesn’t matter who you are.

    Do you stick to women’s clothes?

    Yes, for now. But then, we’ve started doing men’s clothes gradually. We are hoping that in a couple of months, we will be able to do that more freely. As for children’s clothes, I am not into it for now. I do sew for my children once in a blue moon and also once in a while for the children of my top clients. But it is not what I regularly do.

    What is your outlook on total wardrobe change?

    It boils down to what you want and what you want the change to do for you. We, for instance, take into consideration the category of clothes that would get you that new look that you want. Is it casual, formal and so on? So, all these will determine the overhaul that we will put in place to change you with a new wardrobe.

    How expensive are Valerie Davids clothes?

    We actually have different categories. We have the basic, silver, premium and the premium plus. Once you are in, we fix you into a particular group.

    These categories must be based on the divide between the rich and the poor?

    (Laughs) Oh no, it is just a guide for us. No, it is not about how rich or poor you are. We actually have something coming up soon. We call it the Valerie Davids budget clothes. It is something that will be affordable. It will come as dresses, tops, trousers and so on.

    Will it cut across everybody?

    No, I can’t sew clothes that will go for everybody. People come to me to sew for them special clothes. There are people who bring me boxes of clothes. Maybe not everybody can afford what we do, but at the same time, our clothes are top notch. So, we deserve to work in that range and with clients who appreciate that range. I do not compromise on a Valerie Davids clothe, no matter what!

    In recent times, you have not been participating in fashion shows. Any special reason for that?

    I am not a fan of shows. I used to do ‘show’ when I started out, but not these days. I don’t think that they influence much. I was working a lot with a popular human interest magazine at a time. I did some fashion shows for many events too. But what I later noticed was that it took so much of my time and I didn’t understand whether it did that much for me. However, I will have a private show soon.

    But I don’t think I am a show person right now, and that is because my hands are very full. I have been able to build my business more by referrals than any other way. People ask me why I do not participate in the Nigerian Fashion Show too. The truth is that my work is so tasking. I do not think I have that energy now.

    Your business is located in Lagos Mainland area. Does that have much advantage, seeing that more of your clients are based on the Island?

    I get my clients mostly by referrals. I am enjoying my location on the Lagos Mainland because most of my workers are on this side.

    Now that you have a successful business, do you still nurse any dream?

    Yes, I do. I want to soon see my business working without me. I am trying to train people to understand the art of pattern designing. We have a school that we are running here. It is called The Valerie Davids Fashion School. I’m hoping that in the next couple of years, I would have trained cutters, designers who would be back-ups for me.

    Right now, I am doing between 70 and 80 per cent of the whole work. I am hoping to start my ready-to-wear line, which will be very different. I want people to wear my clothes around Nigeria. I want to have people walk into shops like it is done abroad, and get my clothes. However, I will still maintain my personal touch when I get the back-up because my clients recognise my personal touch, and to keep them, I have to be on ground. So, I will instruct but be involved.

    Also, I need time for myself. I need time to travel. But I have to know that I have good hands to take instructions. Even then, I will still be involved because my style evolves regularly. I don’t keep a comfortable style; I change regularly. That is why you see fabrics everywhere around me. The next minute, I am creating a new thing. I have people who give me up to 40 fabrics and they want different things.

    You are not just a designer and bespoke tailor, you are also into music. How did you come about that?

    I am a music minister. I used to sing more before I got married. But now I sing in the choir in my church at High life Bible Church at Oniru Estate, Victoria Island. I am learning to play the saxophone and I love it. I guess creativity is in me and my daughter is like that already. She is nine and already draws very well. She came second in an art competition recently, while my son is more of an IT person. He is good with computers and already writing programmes at 14.

    As a designer, what does beauty mean to you?

    To me, beauty is beyond make up and clothes. When you are beautiful inside, it reflects on the outside. Beauty is being the best God has made you to be. It is about exuding so much that has been deposited inside of you by God. All things bright and beautiful is truly what beauty is about. Clothes should play up your beauty instead of playing your beauty down. I don’t throw fabrics on my clients; I structure clothes on them. My clothes are meant to give my clients a fashion experience. My clothes just have to do something to your beauty. I have seen people come in and wear my clothes and they cry. They cry because of the new look they get, which they didn’t know that they could have. My clothes bring out the best in you.

    For every talented person, there is a source of inspiration. Where do you draw your inspiration from?

    I am a spiritual person. I am born again with the help of the Holy Ghost. The things I do are divine. I believe that God is very creative. I use the scripture that tells me that I have the mind of Christ, and that helps me a great deal to create. I am in tune with the Holy Spirit and that helps my creativity, because left to me alone, I will be burnt out. I found out that my strength is renewed every morning because I have connection with God. It is not about my talent or skill. Those are very good stuff for me though, but the heart of the matter is that daily, I draw strength from God, and that is why I can take every piece and make a master piece out of it.

  • Agm 2013: Atqnews.com partners Nanta

    Atqnews.com, the online travel news portal, will partner the National Association of Nigerian Travel Agents (NANTA) for its 2013 annual general meeting,taking place in Lagos from April 18 as its online media partner.

    NANTA is the largest travel association in West Africa with over 1,000 members all around Nigeria. With Alhaji Aminu Agoha as its president, NANTA is at the forefront of growing the travel and tourism business in Nigeria.

    Promising a worthwhile event, the National Publicity Secretary, Mrs Ngozi Ngoka of Zigonia Travels, said: “There will be an overwhelming and fantastic representation by all travel professionals in Nigeria, especially the airlines beyond what NANTA has had in the past”.

    The partnership will see Atqnews.com propagating NANTA and its AGM to its subscribers globally. According to the publisher of Atqnews.com, Mr Ikechi Uko, “this is the first partnership we are doing in Nigeria. Already we have such partnerships with Zambia and UNWTO programmes in Africa”.

    Atqnews.com , a member of Travel Media Group, is the online platform for African Travel Quarterly (ATQ), the first travel magazine in West Africa which solely focuses on travel and tourism issues.

    Atqnews.com features reports that cover a wide range of topics within the travel and tourism sectors which are intended for an ever-increasing and passionate audience of readers and travellers from all over the world.

    Our reports and stories come from a multitude of professional travel and tourism journalists, experts and enthusiastic contributors who focus on travel corporations, tour organizations and business events and news that relate to our areas of focus; forecasts, market and political analysis which observe developments and in the areas of travel, transport and tourism from a global perspective, and the impact of these on the economies of countries in creating employment, appreciating nature’s blessing on mankind and the need for their preservation for posterity. ATQnews.com specializes on news about Africa and Travels with one of the largest databases of Travel professionals in West Africa. It is your most reliable source of African Travel news.

  • Towards Yorubaland development in Dubai 

    Towards Yorubaland development in Dubai 

    For the Yoruba in the South-West region of the country, one thing that  has become a burning issue  of recent is the promotion of  the culture of  a nation which has its people beyond the confine of  the  African continent  and has been regarded as one of the dominant  ethnic group in the world. This resuscitation is not however limited to the country alone as those in the Diaspora have taken it upon themselves to not only promote the culture of the race but also see to its development.

    Thus when an assemblage of Yoruba people from over  26 countries  recently converged at the Palace Hotel, Burj  Khalifa Souk Al Bahar, Dubai, in the United Arab Emirates, for the Yoruba in Diaspora International Convention, it was aimed at resuscitating the past glory of the race.

    Indeed, the convention which had in attendance Yoruba professionals and technocrats  had as its theme: “ Resuscitating Our Past Glory,” and was held between March 14 and 16, 2013.The convention which could not have come at the right time than now with the happenings all over the world provided an opportunity for the people of a race so rich in culture and human resources to dig trenches in far away Middle East to discuss Development Agenda for Western Nigeria (DAWN), which is a document being promoted by state governors in the South-West geo-political zone. The aim was actually to infuse a road map tagged “ Yorubaland Development Agenda”, based on the experiences garnered over the years from other nations by Yoruba intellectuals, professionals and business men and women into a wholesome worldview acceptable to the geo-political zone.

    Declaring the convention open, the Alaafin of Oyo, Oba Lamidi Olayiwola Adeyemi 111, who marveled at the state of tranquility and developmental progress attained by Dubai in a short space of time which has turned the city into a huge world trade centre, said the South-West region had similar experience early in her practice of culturalization which ensured her rapid growth and development. The  first class monarch added that the region was a pacesetter in the fields of broadcasting, print journalism, banking, sports, accounting, law, medicine and engineering, saying, “till date the South-West region is one of the safest areas in Nigeria to live in.”Oba Adeyemi while enjoining investors that were present at the convention to seize the opportunity of the peace pervading the South-West region to invest in the area, maintained that the pace setting of old is still achievable today given the fact that all the governors in the region shared the same ideal of regional integration, appealing that this “ sense of responsibility “ should continue to prevail.

    He explained that the protection of the Yoruba heritage should be paramount in the minds of all Yoruba indigenes whether at home or in the diaspora, calling on the participants to protect and defend the Yoruba language because any tribe or community that rejects its language cannot be heading towards extinction.

    On her part, the Iyaloja of Oyo Kingdom, Chief (Mrs.) Orija Adesoye, charged the participants to view and fashion out an all encompassing development plan for the Yoruba race which will be relevant to its traditional tenets.

    Indeed, the main thrust of the convention was geared towards taking an immediate advantage of the assurance given by the international experts to develop Yorubaland to similar standards as seen in developed countries of Europe, America  and Asia without taking any money from the governors of the South-West states or people of Yorubaland. Foreign experts that gave keynote presentation at the convention include Mr. Lamar Nathan Jensen, Founder and Chairman  of Worldwide Holdings Limited; Dr. Sidi Larbi Cherif, Executive President World for World and United Nations NGO; Dr. Ulrich Hatiner, CEO, LLC, Director of Developing Markets in Africa and Mr. Sun Seek Cho, Managing Director, Eco Green Energy, LLC.Jensen in his paper spoke of a wide rage of assistance his organization which has as its motto “ The Power of Synergy” and in over 50 countries can offer , maintaining that the experience of organization will rob off positively on the economic  front not only in Yorubaland but also in Nigeria as a whole in order to accomplish substantial needs of humanitarian benefits.

    And while responding to a question posed by the Legal Secretary of the Conveners, Barrister Abiodun Olopade, Jensen emphasized that all the developmental projects agreed on at the convention will be carried out at no cost to the governments and people of Yorubaland, disclosing that about 50billion dollars has already been earmarked  for the projects by international agencies.

    Also, the Alaafin  of  Oyo was asked to approach the Federal Government of Nigeria  for an aviation license for proposed Oduduwa Airlines which the foreign  investors want to start immediately.

    The participants similarly agreed to open Oduduwa Trade Missions in major advanced countries in order to forge economic cooperation between states in Yorubaland and the United Arab Emirates (UAE) in general and Dubai in particular.

     — Prince Fehintola Azeez Aremu , is the Chief Press Secretary to the Alaafin  of Oyo and Permanent Chairman, Oyo State Council of Obas and Chiefs,  Oba Lamidi Olayiwola  Adeyemi 111.

  • How do I cope with my two boyfriends, each asking me to dump the other?

    How do I cope with my two boyfriends, each asking me to dump the other?

    Hi Mrs. Adeola, I am 17 and an undergraduate and I have two love partners. The first guy I met him since my primary school through my childhood friend and we started dating since 2007. He loves me very much but at times he will tell me that it is over between me and him and I’ll forget everything about him. If it passes; sometimes 2 or 3 months, he’ll still come back to apologise and I’ll accept him because I love him, but we broke up since June 16 2011.

    The second guy, I just met him last year July 29. He is based in Benin but my village is his maternal home. He said if I would be able to stay without another guy for 3 years that he will marry me. He is not much caring but I accepted him.

    My first date came back again to apologise and I accepted him again because he is caring, understanding and well-mannered. My first date is older than me with 4 years and the second date with six years. My first date is based in Umuahia with his parents and he is a student of Nnamdi Okpara. He is from the same community with me.

    My second date is based in Benin with his parents and also a student of National Open University of Benin but he is a jealous lover.

    As for me, I’m based in Port Harcourt and schooling there with my uncle and aunty. I am the last born of my family. Please I need help. My first date asked me to tell the other guy that it is over between me and him and my second date also asked me tell my long time date that it is over. Please I don’t know what to do. I need an advice to cope up with them. I reconciled with my first date on December 27 last year, but according my second date, he said he loves me very much but I don’t trust hm.

     

    Dear Girl, if you started playing love games with a boy at age 11, I expect that by now, you should have become a guru in the game of love. To my old-fashioned mind, you are wasting too much time with these guys. These are boys who probably just see you as a form of distraction while their parents ensure they get a get a good degree for a good future. Tell me, what do you expect from boys who still live under their parents, depend on them for food and pocket money and have everything mapped out for them? After their degrees, they still have to think of where to start from in this present day Nigeria, so wake up because you’re not even in the picture at all.

    You see, if at 17, you had told me you were just having your first boyfriend and having problems, I would know I was dealing with an innocent girl who truly needs guidance and I would have risen to the occasion. Instead, you’re that girl who spends too much time thinking about boyfriends and other unimportant things.

    Ask yourself, what profit have you gained from going from one of these boys to the other? Have you received any award so far? To make it worse, they have both turned you into their freebie game – tossing you here and there – and you probably think you’re really hot for two boys to be fighting over you. Forget it! These boys are just having fun at your expense.

    Be the good girl your uncle and aunty would expect you to be and face your studies. If you could give your studies the same amount of time you’re giving to these boys, you will have credits and awards worth celebrating.