Category: Victor Akande

  • From Africa to Berlinale

    From Africa to Berlinale

    By Victor Akande

    The 70th edition of one of my favorite film festivals, Berlin International Film Festival (Berlinale) is ongoing, and I am excited to know that Nigeria is making its mark on the world stage. We may not have captured the grounds enough as a leading film destination in Africa, but being represented annually and playing a role at the Africa hub is what sustainability is all about. I look forward to a day Nigeria will maximize the unique opportunities given to Africa by the likes of Berlinale and TIFF.

    Most notable is the much-touted Nigerian documentary film, Eyimofe which premieres at the festival. Revisiting the beauty of 16mm, Eyimofe which tells the story of migrants and their pursuit for better lives in Europe is written by Chuko Esiri and produced by Melissa Adeyemo.

    Berlinale’s record of the synopsis says: “The two parts of Eyimofe are entitled “Spain” and “Italy”. The European countries remain invisible as we follow the stories of Mofe, a factory technician, and Rosa, a hairdresser, in Lagos. A passport, photos and a visa form recurring, yet still marginal elements in each part of the film, which only touch briefly, while the daily lives of the protagonists are described in detail. Their misfortunes are not narrated in overly dramatic fashion and seem normal as such, sketching out the need to leave Nigeria and accompanying problems. At the bottom of the socio-economic ladder, status, money, gender, skin colour and family structures are inextricably connected.

    The film which in 2018 was one of the winners of New York University’s Purple List, an annual selection of the best production-ready screenplays from its Tisch School of the Arts stars local talent including Jude Akuwudike, Tomiwa Edun, Temi Ami-Williams, Cynthia Ebijie, and Jacob Alexander and international act, Goodness Emmanuel among others.

    Interestingly, Eyimofe is said to have landed an international deal with the New York-based Aspect Ratio Sales which has taken sales rights of the film (minus Africa and Asia where GDN Studios will continue to retain the rights).

    On the other hand, the notable Berlinale Talents has Nigerian film personalities, Tope Tedela and Akinola Ogunmade-Davies. The extensive summit programme of master classes and panel discussions with top-notch experts offers a range of Project Labs in which filmmakers can further develop and present their own project. The two Nigerians (Ogunmade-Davies, a British-Nigerian director and visual artist and Tedela, an award-winning actor) join 253 others from 86 countries. The intensive six-day programme features 100 events with internationally renowned experts and acclaimed Berlinale guests holding workshops and talks.

    The Nigerian Film Corporation (NFC) is also following through with its plans by hosting a film business forum at the Africa hub. The interactive session is designed to meet, interact, network and explore partnerships and collaborations with global Film Commissions, Institutional Organisations/Bodies, Investors, Development Partners, Financiers, Content Producers, Marketers, Distributors, Exhibitors as well as Participants who are interested in keying into the activities and programmes of the Nigerian NFC and investing in the Nigerian film industry generally.

    Tagged Film Business to Business Forum (FB2BF), the agency explains that the outing will include training and development, content development/broadcasting, film festivals, co-production, cineplexes/community theatres, investment/multimedia centres, film broadcast, exchange programme and talent hunt.

    One can always trust South African film industry to well represented in the business of film. From ‘Knuckle City’s premiere at the last Toronto International Film Festival (TIFF), South Africa’s ‘Days of Cannibalism’ is contesting the Best Documentary Award at this year’s Berlinale.

    Directed by Teboho Edkins, the cross-genre documentary film is set in the rugged terrain of a remote rural region in the mountain kingdom of Lesotho.

    The film which has its world premiere at the festival focuses on how modern-day pioneers are met with unease by local communities, and how self-made Chinese merchants negotiate their place alongside traditional Basotho cattle breeders.

  • That T.H.E.S.E may continue in Lagos…

     Victor AKANDE

    WHY should any State in Nigeria want to beat Lagos State to tourism power? Has any in France beaten Paris to the game? Has any in Italy beaten Milan to it? Why should small fries take advantage of the advantages that Lagos has failed to harness to fake a leap to lead spots in tourism and entertainment?

    For decades, Paris, a trendy city in the heart of France has maintained its identity as the art and fashion hub of Europe and a leading tourist destinations in the world; so is Rio, the pride of Brazil which is described as the most visited city in the southern hemisphere, known for its natural settings and carnivals, while Dubai remains the business and cultural hub of the Middle East of modern appeal.

    A comedian while wooing his crowd in Calabar last December said to them: “I’m now getting popular in Lagos oo.” Such is the spirit – you have yet to start for real as an entertainer if you have not been ‘bathed in the Lagos waters’. The State remains the entertainment hub, not just for music artistes who have fought their way to stardom, coming from far away Jos, Abuja, Enugu, Bayelsa, Port Harcourt, Calabar, Uyo, Warri, Kaduna and other parts of the country, but also for the Nigerian motion picture industry called Nollywood. Therefore, if Lagos is where the success of music and film start and end, what there is left for rivals to latch on?

    The Gambian economy is predominantly dependent on tourism. But what does the country sell other than beach resorts that thrive on serene environment, clean waters, scorching sun and security for revelers. Lagos has more, with potential even for more when you consider its entertainment centers, historical sites, cultural events, natural landscape and topography traversed by sea and lagoon waters, enormous beaches and waterfronts, sea foods and other numerous delicacies that define a true metropolitan city.

    However, the missing gap has been the inability of leaders to harness these beauties for the all-important social and economic benefits, thereby letting these unique materials to continue to beg for a messiah – now we have one.

    For the first time, a strategic programme of action was pronounced as part of former Governor Akinwunmi Ambode’s entertainment and tourism agenda for Lagos State. It was called T.H.E.S.E, an acronym quite pungent in harnessing the creative sector’s variables that are capable of stimulating the economy through alternative IGRs, even empowering the youths and making Lagos a fun city desirable by all.

    T.H.E.S.E – a Tourism, Hospitality, Entertainment/Arts Sports for Excellence project took off with a new romance being extended to players in the entertainment industry. Shortly after takeoff, the Africa International Film Festival (AFRIFF), for example, had a different experience in Lagos, hosting filmmakers and enthusiasts from Africa and the Diaspora, who explored as many entertainment centers as possible. Also, with the support given to EbonyLife’s Fifty movie by the Lagos State Government and its Ministry of Culture and Tourism, entrepreneurs who had sought succor for their projects in States other than Lagos appear to be returning to base.

    One major event for which Ambode’s government had walked the talk was the One Lagos Fiesta, a five-day concert staged across Lagos communities annually.

    The event which used to hold solely at the Bar Beach water front, probably partly for security reasons was first test run in five communities, including Ikorodu, Epe, Agege, Badagry and Lagos Island, without a single case of violence. Interestingly, Lagos is fast restoring the confidence of revelers in line with Ambode’s campaign promises. No doubt, the level of commercial activities at the One Lagos Fiesta environs is what the traders would wish a monthly affair, even as the success story remains an attraction and sense of belonging to visitors and tourists alike.

    It is not enough that Lagos is the former capital of Nigeria. The will to keep the aquatic state at the forefront of socio-political and economic relevance in the West African sub region has been a major factor of its success, and the prerogative of visionary leaderships that have continued to play the big brother to other states of the federation and the FCT.

    Situations at a recent edition of the annual Festival de Cannes in France lent credence to this position, with Lagos playing Nigeria at the festival. The Lagos State Ministry of Tourism, Arts and Culture had, at the festival, promoted Lagos as Nigeria’s most vibrant city and gateway to the world of cinema.

    Pavilion 210 at the Panteiro-Side of the International Village was home for Nigerian delegates, led by the immediate past Commissioner for Tourism, Arts and Culture, Steve Ayorinde who, as a film festival veteran led the new Lagos-Cannes narrative two times in a row.

    Recall that like a technocrat worthy of his onions, Ayorinde took the first shot barely one year into his former appointment as Commissioner for Information and Strategy, when he led a similar delegation to the Toronto International Film Festival (TIFF) in 2016 where eight films representing Lagos were showcased as part of the city-to-city focus programme of the festival.

    But for a tourism and arts loving governor in Mr. Akinwumi Ambode, these brilliant propositions may not have seen the light of the day. Hence, in the absence of a Federal Government’s articulated and sustainable blue print for cultural showcase at such global platforms, it is important for filmmakers to seek ways of tapping into this big brother goodwill.

    It is in this regard that I want T.H.E.S.E thing to continue in Lagos… under the new leadership of Governor Babajide Sanwo-Olu.

  • Mercy Johnson gets new deal

    By Victor AKANDE

     

    AWARD-WINNING actress Mercy Johnson-Okojie has bagged a deal to become a brand ambassador for Hollandia Evap Milks.

    The company made this known recently when Chi Limited’s Managing Director, Mr. Deepanjan Roy, stated that Mercy Johnson-Okojie’s passion is evident in everything she does and she embodies the qualities that the brand wants to be associated with.

    “We have chosen Mercy Johnson-Okojie to be the face of the Hollandia Evap Milk brand as we believe she will inspire a much larger audience to understand and adopt Hollandia Evap Milk for its quality nutritional benefits, convenience and value for money,” he said.

    “We are thrilled to have her as our Hollandia Evap Milk Brand Ambassador.”

    Mercy is expected to bring her lifestyle choices and influence to bear to represent Hollandia Evap Milk.

  • Chukwunonse Ezekwueche: Nigeria-born fashion influencer in Canada

    By Victor AKANDE

    NIGERIA-BORN Chukwunonso Ezekwueche is presently making waves in Canada as a leading fashion and brands influencer. Fondly called Nonso, Ezekwueche who hails from Anambra State and a graduate of the University of Benin, Edo State, left for Canada after bagging a Doctor of Pharmacy (PharmD) degree.

    Privileged to have worked with several brands, Nonso uses his Instagram page, @nonsky, Nonso to share pictures and videos showcasing brands’ merchandise.

    His tagline, “Showing men how to dress without breaking the bank,” is borne out his desire that men do not ‘big name labels’ to look good.

    “After I moved to Canada, I noticed that the men’s fashion culture is not as remarkable as in Europe or America, so I decided to start a crusade that shows men how to use tiny bits and pieces of what they already have in their closet to create a fabulous look without running into debt.”

    And he deploys his three favourite tools of imagination, the camera and consummate editing apps for creating superlative contents for his faithful audience.

    “First of all, I imagine what would look good on me,” he said.

    “I then select a banging outfit combination to work with and come up with pictures, poses, locations etc. I like to see my posts from the eyes of my audience and this helps my judgment. I hire a photographer to shoot me and I tweak the pictures a little in Adobe Lightroom. The goal here is to as much as possible create visually appealing contents that would resonate with my audience because, as they say, content is king.”

    In the light of approaching brands for collaborations, Nonso stresses: “I would search for the brand’s PR email address and pitch them using my pitch email template and media kit.” Then he adds for good measure: “On the flip side, brands also reach out to me for collaborations.”

    His advice for any fashion influencer starting out is to dive in at the deep end, to take the first plunge without being scared.

    “There is bound to be lots of rejections at first, for sure,” he says, adding: “But staying consistent and creating good content sets you apart from others. Content is definitely king!”

    He continues apace: “I would recommend scouting for brands on Instagram; explore relevant pages as well as top influencers’ pages. This I do all the time. You could also register on Influencers’ marketing platforms like Aspire IQ, Collabor8, Brandbassador, Glambassador. They pair you up with brands when there is a match.”

  • Monalisa, Daniel Amokachi, others for Siju Iluyomade’s ‘Walk for Life’ event

    By Victor AKANDE

    NOLLYWOOD actress, Monalisa Chinda, former Super Eagles players Daniel ‘The Bull’ Amokachi and Garba Lawal and other celebrities will join prominent Nigerians and captains of industries today (Saturday) for the yearly ‘Health for Wealth’ programme organised by Dr Siju Iluyomade.

    The event which holds at the Eko Atlantic, Victoria Island, Lagos is tagged ‘Walk For Life.’

    And it is part of activities to mark the 11th anniversary of Dr Siju Iluyomade’s charity organisation, Arise Women.

    The ‘Walk for Life’ event which precedes the Arise Women Conference slated for Saturday, October 26 will be spiced up with dance, music and other entertainment.

  • MTF and Africa’s young creatives

    By Victor AKANDE

    HISTORY was made on September 12, 2019, as the inaugural class of the MultiChoice Talent Factory (MTF) West Africa Academy graduated 20 students, after a full-year of training in television and film production.

    The students who are of Nigeria and Ghana nationalities, embarked on the fully funded training in October 2018, equipped with the acumen to produce high-quality movies as well as create wealth through entrepreneurial partnerships.

    This was made possible through the institutional support provided by the Pan-Atlantic University (PAU), Lagos. Renowned for its top-quality curriculum and teaching in multimedia and journalism education, they were instrumental in the facilitation of core areas such as ethics, financial management, critical thinking and others of intellectual and entrepreneurial value as well certification for the programme.

    Elaborating on the specifics of the curriculum of the MTF, Dr. Ikechukwu Obiaya, Dean, School of Media and Communication, PAU, said the training would have an enduring influence on the graduates as it strengthened their fundamentals of the film and television industry.

    According to him, “The Nigerian film industry has established itself as a force to be reckoned with and has captured the imagination and attention of the world but now, it must strengthen its hold by perfecting its craft and focusing on greater acquisition of skills. That is the role of training and the role of the Multichoice Talent Factory. The MTF will have a long-lasting impact precisely because it is contributing to strengthening the foundations of the industry by facilitating skills acquisition.”

    Dr. Obiaya also expressed appreciation to MultiChoice Nigeria for partnering with PAU saying: “It is a partnership that has been extremely rewarding and we look forward to more.”

    Giving his charge, Mr. John Ugbe, Chief Executive Officer, MultiChoice Nigeria, noted that the attitude displayed by the students during the PAU-accredited programme was partly due to the ethics in business practice the facilitators taught the students. He also lauded the institution for imparting the principle of ethical entrepreneurship – particularly in money management. He insisted that today’s practitioners must be able to balance their creativity with business acumen in order to remain stable and avoid going bankrupt.

    As part of his efforts to encourage entrepreneurship, Ugbe awarded the sum of $1,000 each to 24-year-olds Kemi Adeyemi and Salma Saliu as the CEO Award for Entrepreneurship, for exhibiting great entrepreneurial skills during the year.

    Ugbe further declared that he is certain that the skills acquired alongside the passion and dedication exhibited by the students during the programme will aid them overcome any obstacle they encounter in the industry.

    “Some of you are probably wondering and perhaps worried, about what life outside the safety net of the Academy will be like. I say to you today – ‘press delete’ on that worry right now because You are ready. Yes, Africa’s creative industry is constantly changing but I believe you have the right mindset, skill, passion and commitment to take on this challenge and get ahead of the change because You are the Future. You are the generation that has the great opportunity to impact this industry,” the MultiChoice Nigeria CEO said.

    On his part, Mr. Femi Odugbemi – MTF West Africa Academy Director, described the training as a landmark programme, noting that the curriculum enabled the students to demonstrate their skills as filmmakers.

    “In the course of the programme, the students expertly honed their raw talent into professional skill. This is the essence of the MTF Academy – giving upcoming talent the chance to hone their abilities thereby increasing the pool of available talent and world class professionals in the industry. This graduation is therefore a landmark moment both for the students and the programme,” he said.

    Also speaking, Mrs Shulamite Olufunke Adebolu, Lagos State Commissioner for Tourism, Arts and Culture, called on private sector and key industry stakeholders to establish world-class training institutions such as the MTF to expand the divergent creative sector. The Commissioner also enjoined local and foreign experts to collaborate with the state government to build capacity in the creative sector.

    The movies produced by the MTF graduates – Life of Bim and Dreamchaser – both aired on Africa Magic Showcase and are available on the DStv Now app.

  • Why Mercy thinks Tacha is a low budget CeeC

    With less than two weeks left till the end of Big Brother Naija, the stakes are higher than ever and housemates are definitely feeling the pressure as we’ve seen in the latest episode of Extra View on Showmax.

    Earlier in the week, housemates were tasked with leaving their mark in the house by painting their unique individual graffiti on the wall. As part of his graffiti, Omashola chose to paint his fellow housemates. However, Tacha wasn’t pleased by this and proceeded to clean off her image after Big Brother’s ninjas led Omashola and Mike away from the house for a Showmax movie treat.

    While Omashola wasn’t happy about Tacha’s move, Mercy found her actions wanting and shared her thoughts with her love interest, Ike. Describing Tacha’s actions as unnecessary, Mercy revealed that the move “weighed Omashola down a lot”.

    Ike, however, suggested that Tacha’s actions sprung from the fact that the show was coming to an end “and she wants to be CeeC”.

    “He [Omashola] told me he’s angry but he already knows that she’s doing this thing because we’re reaching the end and she wants to be CeeC.”

    Fans of Big Brother Naija will recall that CeeC, who was the second runner up of the Double Wahala set, had several heated run-ins with her fellow housemates, which led fans to dub her ‘the real double wahala’, in keeping with the season’s theme.

    Agreeing with Ike, Mercy shared that she was glad Omashola didn’t give Tacha the attention she seemingly sought, and went on to describe her as a low-budget version of the ex-Big Brother Naija housemate. “She can’t be CeeC; she no even hard. She’s forming to be hard, but that is how CeeC is. This one [Tacha] is a wannabe, low-budget CeeC.”

    With less than two weeks left till the end of Big Brother Naija, the stakes are higher than ever and housemates are definitely feeling the pressure as we’ve seen in the latest episode of Extra View on Showmax.

    Earlier in the week, housemates were tasked with leaving their mark in the house by painting their unique individual graffiti on the wall. As part of his graffiti, Omashola chose to paint his fellow housemates. However, Tacha wasn’t pleased by this and proceeded to clean off her image after Big Brother’s ninjas led Omashola and Mike away from the house for a Showmax movie treat.

    While Omashola wasn’t happy about Tacha’s move, Mercy found her actions wanting and shared her thoughts with her love interest, Ike. Describing Tacha’s actions as unnecessary, Mercy revealed that the move “weighed Omashola down a lot”.

    Ike, however, suggested that Tacha’s actions sprung from the fact that the show was coming to an end “and she wants to be CeeC”.

    “He [Omashola] told me he’s angry but he already knows that she’s doing this thing because we’re reaching the end and she wants to be CeeC.”

    Fans of Big Brother Naija will recall that CeeC, who was the second runner up of the Double Wahala set, had several heated run-ins with her fellow housemates, which led fans to dub her ‘the real double wahala’, in keeping with the season’s theme.

    Agreeing with Ike, Mercy shared that she was glad Omashola didn’t give Tacha the attention she seemingly sought, and went on to describe her as a low-budget version of the ex-Big Brother Naija housemate. “She can’t be CeeC; she no even hard. She’s forming to be hard, but that is how CeeC is. This one [Tacha] is a wannabe, low-budget CeeC.”

    With less than two weeks left till the end of Big Brother Naija, the stakes are higher than ever and housemates are definitely feeling the pressure as we’ve seen in the latest episode of Extra View on Showmax.

    Earlier in the week, housemates were tasked with leaving their mark in the house by painting their unique individual graffiti on the wall. As part of his graffiti, Omashola chose to paint his fellow housemates. However, Tacha wasn’t pleased by this and proceeded to clean off her image after Big Brother’s ninjas led Omashola and Mike away from the house for a Showmax movie treat.

    While Omashola wasn’t happy about Tacha’s move, Mercy found her actions wanting and shared her thoughts with her love interest, Ike. Describing Tacha’s actions as unnecessary, Mercy revealed that the move “weighed Omashola down a lot”.

    Ike, however, suggested that Tacha’s actions sprung from the fact that the show was coming to an end “and she wants to be CeeC”.

    “He [Omashola] told me he’s angry but he already knows that she’s doing this thing because we’re reaching the end and she wants to be CeeC.”

    Fans of Big Brother Naija will recall that CeeC, who was the second runner up of the Double Wahala set, had several heated run-ins with her fellow housemates, which led fans to dub her ‘the real double wahala’, in keeping with the season’s theme.

    Agreeing with Ike, Mercy shared that she was glad Omashola didn’t give Tacha the attention she seemingly sought, and went on to describe her as a low-budget version of the ex-Big Brother Naija housemate. “She can’t be CeeC; she no even hard. She’s forming to be hard, but that is how CeeC is. This one [Tacha] is a wannabe, low-budget CeeC.”

  • How Adejuyigbe’s ‘delivery boy’ scooped 12 Amaa Nominations

    Last week, the 2019 African Movie Academy Awards (AMAA) nomination list was released and a particular film, The Delivery Boy scooped 12 nominations across directing, acting and production categories. The film on the backstory of terrorism was written and directed by Adekunle ‘Nodash’ Adejuyigbe and produced by Something Unusual Studios.

    Adejuyigbe, the face behind the film, is a multiple award-winning filmmaker with years of experience producing TV Commercials, Feature Films, Documentaries and TV shows. He worked  for a TV network as Producer, Writer and Director of TV shows and Documentaries, later became the Creative Director and Head of Production of the TV network before he left to start his film production company- Something Unusual Studios.

    Adejuyigbe has made a mark in the Nigerian film industry; he has worked with reputable brands across Africa. In 2015, the Berlin Film Festival selected him as one of the 21 Cinematographers from around the world to look out for. His film, ‘The Delivery Boy’, which has screened in four continents to brilliant reviews at various national and international film festivals, won the best Nigerian Film Award at Africa International Film Festival (AFRIFF) 2018 and more recently scooped 12 nominations at AMAA.

    Nodash who is the MD/CEO of Something Unusual Studios is also the Team Lead of ‘The Elite Film Team’ (TEFT). TEFT is recognised as a production powerhouse and its members have participated in there is hardly any major film shot in Nigeria without a TEFT member on it and it seem to have become a pattern that when Nodash and The Elite Film Team are on a project the project will most likely win awards.

    Little wonder ‘Delivery Boy’ was nominated at AMAA in categories like Directing, Production Design, Soundtrack, Visual Effects, Cinematography, Editing and a host of others.

  • Plaqad launches campus ambassador program

    Influencer marketing platform, Plaqad.com, has announced the launch of its Campus Ambassador Program (Plaqad CAP). The program is an exclusive community of young, smart, and influential students in all leading university and polytechnic campuses across Nigeria.

    The Plaqad CAP which was founded in 2017 by Ayeni Adekunle aims to help 100,000 young Nigerians leverage the opportunities available through digital media.

    According to Gbenga Sogbaike, Plaqad CEO: “Many Nigerian students possess great potentials and seek opportunities to develop themselves. With the advent of technology and digital solutions, there is a need to equip undergraduates with skills required to fully harness the opportunities that come their way.

    “Due to this reason, we have developed Plaqad Campus Ambassador Program to help these students develop digital skills, and earn on the go while belonging to a strong supportive community.”

    Some of the benefits of joining the Plaqad campus ambassador program include: Earning up to N150, 000 ($500) monthly; a gift pack with Plaqad branded collateral; networking and collaboration with other ambassadors from campuses across Nigeria; career advisory, mentorship, and interaction with managers in Plaqad; free tickets to Plaqad events; learn about Plaqad culture and career opportunities; and inclusion of Plaqad campus ambassador experience in their resume among others.

    To join the Plaqad Ambassadorship Program, interested students must be a registered, full-time undergraduate student of any tertiary institution in Nigeria. Interested participants should visit www.plaqad.com/cap for more information.

  • DiReal releases second album ‘Integrity’

    Singer Biodun Savage known as DiReal has released his second album titled ‘Integrity.’ DiReal featured music maestro Oritsefemi in one of the 10 tracks album.

    The album listening party was held on September 21, 2019 at the GreenWall Hotels, Lagos in collaboration with The Music Revolution of Nigeria, MRN.

    According to the CEO of MRN, Paul Yusuf: “We had to bring some artistes to the event to make it more entertaining. And also a way of showing support to their colleague.”

    The evening also witnessed performances from up and coming artistes.

    DiReal, a former Banker and a graduate of Electronics Physics from University of Lagos.