Tag: ANA

  • ANA Niger  honours Achebe

    ANA Niger honours Achebe

    Writers converged on the Cyprian Ekwensi e-library at the Niger State Book and Research Development Agency to honour posthumously one of the founding fathers and grand patron of the Association of Nigerian Authors (ANA), the late Prof Chinua Achebe.

    The programme was organised by ANA Niger branch.

    Alhaji Abubakar Gimba, who was the reading’s special guest, eulogised the late sage, saying Achebe introduced the world to African cultures and traditions. He read a poem Sword he wrote in honour of Achebe.

    “He represented the Igbo people and Nigeria to the world through his writings. He is one of the great writers Africa has ever produced and he deserves whatever honour is accorded him.”

    According to the Chairperson of ANA Niger, Hajiya Farida Muhammed, the writer is supposed to fight for the right of the people in the society, by speaking against ills. She regretted that contemporary writers are less concerned with this very important social responsibility, but are rather chasing after money. Hajiya Muhammed obeserved that Prof Achebe was being honoured with the reading in death, because he was a great writer who didn’t pursue money but fought for humanity.

    Achebe’s first book Things Fall Apart was first published in 1958 and some of the late writer’s other works are: Anthills of the Savannah, Arrow of God, A man of the People, No longer at Ease and There was a Country, his last published memoir, among others.

    ANA General Secretary Baba Muhammad Dzukogi, who read Achebe’s citation with the events that defined the late novelist’s life, said Achebe was a great writer who represented a lot of things for different people.

    Aminu Muhammed, a one-time chairman of ANA Niger, who read a passage from Achebe’s Arrow of God, said he met Achebe like everyone else through his timeless classic Things fall Apart, as a student. He said Achebe not being satisfied with the conditions of his people decided to write about it in his last book.

    “Achebe, after writing as a global citizen in his works returned to write as an Igbo man in his There was a country.”

    Mallam Kamar Hamza a former chairman of ANA Niger and a critic read from Achebe’s Things Fall Apart. He said all Achebe stood for was the liberation of his race and their elevation. After the special reading, there was a brief drama sketch by the Vice Chairman of ANA Niger, Nmahassan Muhammed; Secretary BM Nagidi and Assistant Secretary Paul T. Liam, on the pranks of childhood in contrast to those of adulthood by two friends. The drama sketch was well received by the audience whose laughter filled the hall.

    Mallam Abdullahi Ismaila Ahmed gave a very short lecture on the writings of Chinua Achebe. He said Achebe was a reactionary writer, who responded to the West’s’ stereotyping of Africa and Africans. He noted that Achebe’s writings informed the world of Africa and Africans and projected them as capable of functioning as a people with cultures and traditions.

    Nmahassan Muhammed performed a song from his yet-to-be released album, entitled, Ladaan. The song though in Nupe was “off the hook” as people clapped and danced to its rhythm.

    Yekondunu (Sarkin wasan Nupe) and TV presenter also performed a song in Nupe.

    In attendance were Alkasim Abdulkadir, an international freelancer and former ANA Assistant General Secretary; Almamum Mallam, immediate past chairman, ANA Niger; Mallam Umar Dada Paiko, an Islamic scholar and writer; Awal Evuti, former Secretary, ANA Niger; Bilkisu Abarah; a radio producer and presenter; a one-time Vice-Chairman, ANA Niger, Jalaludeen Ibrahim; Isyaku Bala Ibrahim, Saddiq Dzukogi and Terfa Nenger, among others. Chinua Achebe for writers of ANA Niger, lives forever even in death.

     

  • ‘Civil wars don’t end for a long time’

    ‘Civil wars don’t end for a long time’

    Odia Ofeimun, renowned poet and playwright, worked closely with the late Chief Obafemi Awolowo and seasoned author Prof. Chinua Achebe. He was private secretary to the late Awolowo and General Secretary of the Association of Nigerian Authors (ANA) when Achebe was the President. In his latest book, When does a civil war come to an end? Ofeimun highlights some political and historical falsehoods, the late Awolowo’s philosophies and the civil war questions raised in Achebe’s controversial book: There was a Country. In this interview with Evelyn Osagie, Ofeimun reacts to some issues in Achebe’s book, among which is the divisiveness of ethnicity. Excerpts:

    You’re coming out with the book, When does a civil war come to an end? But debates are brewing over Prof. Chinua Achebe’s publication on the civil war. Is it deliberate?

    Actually, there were two essays that should have been published long before now, but somehow I wanted to do something extra. From the moment we started discussing Chinua Achebe’s book many people thought I was deliberately shirking my responsibilities by not publishing essays that I wrote long ago. They are not new essays. I just revised them in order to help people appreciate an alternative way of seeing what happened before, during and after the civil war.

    We all know Nigeria’s story. It is just a question of how we know the story. For me, there is a particular way of knowing Nigeria that is close to the truth, and does not allow for a certain form of self deceit – self deceit that allows people of any particular ethnic group to imagine that they have a certain uniqueness that others do not have. There are no Nigerian groups that are not unique. That is part of the beauty of this country – the fact that the very differences some people think that is the problem constitute the very basis of the creativity that only countries like Nigeria can proffer.

    Why bring your response out in the face of growing debates?

    I didn’t even need to think about it. I had not read Chinua Achebe’s book when I decided to send it to the media because I didn’t want it to look as if I was replying. I wasn’t replying. Those are facts that needed to be stated. And I wasn’t intimidated by the possibilities of there being some form of information that I do not have, because I knew the information I had was authentic and that in terms of veracity, very unshakeable. I have said if I manage to ever write the history of Nigeria, and I tell you that your father was a thief that he stole three kobo; believe it because until I prove it and only if I can prove it will I let go.

    What is your view on Achebe’s book?

    I have talked so much about that book that honestly I’m beginning to get embarrassed by the constant request to re-explain. Read: When does a civil war come to an end? which was launched on November 16. I think Achebe’s book has played the role that many books should play, which is to say, challenged people to go for the heart of the matter – the truth. If he did not write that book in the way he has done, we probably would not go back to rethinking the civil war because we ran away from engaging the issue as a very serious matter. Once it was said that there were no victor no vanquished, Nigerians thought they could just go and sleep.

    But the issue is, the civil war never ended in the minds of many Nigerians. The propaganda of the civil war on both sides has become natural history where as much of that propaganda was based on pure falsehood on both sides where you hear about genocidal war being played up. Yes, it was a genocidal war because on both sides they were just murdering people and destroying what you normally could not destroy under the general convention. It is no use telling me that you lost a brother because when one think of the problem one thinks only of the Igbo. I lost four close relations in the war, they were not Igbo. If a man says I lost 15 children, they destroy my house, etc; no particular kind of suffering is more than the suffering of other people, to try to raise your quality of suffering is above the suffering of others – it is frankly tolerably irresponsible. A man can only lose his finger; you can’t say because he does not lose his life, he has no right to quarrel or complain; that is actually where the problem is.

    Don’t let us imagine that the future can only be lived on the basis of the falsehood of yesterday. The civil war will not end until when the falsehoods that divide the people and the stereotypes that ruin neighbours have been displaced by a harsher value – the truth. And in my view, it will end when we challenge those falsehoods; lay them bare so that those who used to live by them anytime they want to promote the falsehood will be looking right and left to see who is listening.

    Based on people’s experiences, does a war really end?

    A civil war never actually ends for a long time. And, here, some people believe that until you make an Igbo man a Nigerian president, the civil war will end. It is also a very poor blinded approach to the Nigeria politics even if you have 20 Igbo presidents unless that president is coming into office to destroy all of us, the memory of the civil war will remain because even if the man sets out to win all of us, it will still be the continuation of that civil war. The first thing we need to recognise is that there are falsehoods by which we have lived. The fracas between the Igbo and Yoruba in Nigerian history has led to the underdevelopment of Nigeria. And some people believe, especially around periods when the constitution is being discussed, on throwing stones just to make sure that any possibility of any healthy interaction between the Yoruba and Igbo will not happen. I am telling you Achebe’s book has fallen into this bracket of the book that enters the period of constitutional discussion to make sure that those two nationalities do not have a common ground. So, the fact that Awolowo gave free education and being Yoruba was supposed to be speaking for every Yoruba. Therefore, it is not true that Achebe being Igbo author is speaking for all the Igbo. There are so many people in Yorubaland who opposed Awolowo and all his ideas just as Chinua Achebe does not speak for so many poor Biafrans who could not ride Jaguar during the war.

    Does your book tell a different story?

    One of the seductions of this debate is that I needed to publish this book so that people will not be asking me questions they could just find in a book. If I say I have an alternative history, all Nigerians cannot be coming to ask me about that history. This is precisely why it is important to come out with a book like: When does a civil war come to an end.

    I am lucky that I have followed Chief Obafemi Awolowo’s career fairly closely. In my view, he provides the finest example on how to solve Nigeria’s problems. A man who was so much lied against but never for one moment behaved in a manner that showed he was worried for himself. He was always more worried about people and for Nigerians. He was consistently providing answers that he never changed because until Nigeria accepted what was right, he did not see the point in changing his language. What this book attempts to do is to show how right Chief Awolowo was, in relation to his harshest critics. And I am more concerned about how the writers viewed him. A chapter which answers many of the questions is entitled: “Awolowo’s cultural politics: How Nigerian writers got it all wrong”. It is true that in that chapter, I concentrated on the argument between Awolowo and Achebe. But I am genuinely happy that I wrote it before I even had an idea about Achebe’s book-coming because I would have been tempted to respond to the book. But now, I don’t have to respond to anything because it is as if I had anticipated very many of the questions.

    Also luckily for me, I had gone much beyond the questions raised by his book – because I am not interested in winning a debate. I am interested in concrete steps that can be taken to turn Nigeria into a proper ‘cultural expression’ rather than what Awolowo called ‘geographical expression’. When he called it a geographical expression that was precisely what it was. But over the years, we have all fought hard to turn many of the discordant values within the system into something close to a melting pot and, therefore, it is no longer proper to call Nigeria a mere ‘cultural expression’.

    What is your take on the rumour of Nigeria splitting at a certain date?

    Those, who believe that they would split Nigeria at some future date and then their children will live in paradise, are deceiving themselves. Even if Nigeria was split into several countries and they all supposedly went their separate ways we would just discover that it is impossible to escape one another. If you can imagine the day when the Igbo would not flood the Diaspora, then, you are probably close to the truth. There would never be that day. It is, therefore, in the interest of the Igbo and every other ethnic group in Nigeria and across Africa to design philosophies that would help them live with other people who do not share their ancestors, their religions, their political ideologies – that is how to know civilised people. People who cannot do it are barbaric.

    You can’t go to others people village and want to impose your own traditional ruler on them. If you do that you are a barbarian because you are asking for violence – it would come. There are ways of running a multi-ethnic state. The beauty of it for us is that the whole world went multi-ethnic long ago. God must have a reason for having Nigeria laced with so many differences. Nigeria has more ethnic groups than any other country including those whose population is 10 and 15 times more than that of Nigeria. If we can resolve and make it work, then we are helping the world to solve a problem that every country faces. Even if we are divided and had only a Yoruba republic and Igbo republic, the fights between them will be exactly the way it is with the rest of Nigeria. Bola Ige’s wife from Oyo went to her husband’s state and was rejected because that was not her state. In her state she was asked to go to her husband’s state; that problem has just been repeated again in the swearing in of judges. Igbos in Abia State are being driven away from the Civil Service.

    When you look at such problems, you will see that the uncivilised nature of Nigeria’s leadership is one we need to deal with and they are uncivilised not only towards other ethnic groups but also to their own people. In most cases, it is precisely the inability of the leadership to take care of their own that is the reason they don’t know how to take care of other people.

    You hear everybody talking about creating jobs; we have imported ministers’ of finance from the biggest economic institution in the world to help us do it. There is only one way of creating jobs in the world: you build farms and create factories. It is from that experience that all other things come that deliver jobs.

    Those who are not delivering farms and factories and are pretending that they want to create jobs are deceiving everybody. The very cabals that prevented us from having proper refineries are promising us jobs if they take over. The cabals have taken over in every aspect of Nigerian life: upstream, downstream, banks, electricity, education, name it. The heads of states that destroyed education are the very ones that have built model nursery, primary, secondary schools and universities. I can assure you that they are building on sand; and there will be repercussions. When people hear of repercussions, they think of violence. That is not the only way repercussions can come to a country.

    What other way?

    The very fact that Nigeria cannot produce anything today; and that when you are looking for artisans, you go to neighbouring countries is enough to show that there are repercussions. But what many people do not know is that people who lose skills and cannot acquire skills, who are therefore, uneducatable because of the circumstances of their upbringing since those who should have built the institutions for them did not build the institutions, when those people start fighting back they don’t fight back rationally. The rationality of the disposed can be more dangerous than anything in the world. All it requires is for one clear-eyed and educated person to stay in their front and show them where to throw the stones.

    Nigeria The Beautiful, what is its relevance to all of these?

    The simple story of the Nigeria The Beautiful is that all the differences we talk about are the things that have empowered and given us the creativity we don’t know how to harness. It is not just about our having beautiful things: it is about how the many uglinesses of our society interact in ways that actually make it impossible for really terrible things to happen. Many people can’t see it. But the differences that we talk about are actually not differences.

    There is a book written by a Nigerian professor on when Yoruba and Igbo were one language. It is very difficult to get an Igbo man to agree that it is possible. But if that Igboman has any doubt all you need to do is put the Yoruba and Igbo dictionaries side by side and take the words one by one, you would discover that all the root words are the same. It is actually very easy to determine how close the two people have always been and their behaviours are really not too different.

    Although when I joked about it recently, I realised that it is no longer quite a joke to say that Awolowo should have been the leader of the Igbo and Nnamdi Azikiwe, leader of the Yoruba because Azikiwe was an Oyo man proper. He was even an Ogboni. Awolowo wasn’t an Ogboni, although he was a Yoruba. But there is also this uncanny thing that the Yoruba who may be very corrupt, fun-loving and a womaniser always preferred that man who was not a womaniser, one who believed in speaking the truth even if it hurts him and was generally known to be disciplined. That is to say even the most corrupt Yoruba man knew that such a disciplined leader was best for them. And if you recall, Nnamdi Azikiwe was very much the leader of the Yoruba before Awolowo came on the scene and even after Awolowo came on the scene.

    When you look at the two ethnic groups, they may pretend to be at war with themselves but I think it is precisely because when people want the same thing and have common means of achieving such things, they tend to fight often. Brothers too do it all the time, and, therefore, we should not let them use the quarrels between them to disrupt our capacity as a country to move forward. They have done it for more than half-a-century. The rest of us should not allow them to tell the kind of lies that prevented co-operations between the two nationalities. They were based on bracing lies told by the leaders. I think we should find a way to reduce the capacity of those falsehoods to do harm. Many young people today are dying for the lies told long ago and repeated so often by everybody that some people pretend they no longer know what is true. We know what is true, for instance, the carpet crossing t hey talked about in the western region never happened.

    The so-called 1941 fighting of the Nigerian Youth Movement had no ethnic content. It was just a case of two newspaper magnets fighting over space in society. And all that talk about 1959 general election and how it was rigged: the British out-rigged both sides. They rigged the election in the western region to make sure that there would be a group in the western region that would vote for the NPC; and went to the east to do the same. The truth is that eastern branch of the NCNC actually wanted Awolowo, but Zik had been thoroughly compromised by his other associations and disagreed with his own eastern branch.

  • Writers in search of security

    Writers in search of security

    This year’s Association of Nigerian Authors (ANA) convention in Uyo, Akwa Ibom State, coincided with the 17th anniversary of the death of environmental activist and playwright Kenule “Ken” Beeson Saro Wiwa. Seventeen years after his death, writers are unsure of how secured their means of livelihood is in the face of insecurity and new media – Internet. Evelyn Osagie reports.

    Writers bowed their heads in sad reflection as they observed one-minute silence in honour of one of their own, the late environmental activist Ken Beeson Saro Wiwa. He was remembered as a great activist and writer. But did literature save him from the gallows? The unspoken rhetoric lay heavily on the lips of many.

    The event was no funeral but the convention of writers under the aegis of the Association of Nigerian Authors (ANA) in Akwa Ibom State. Writers defied the odds, including the bumpy roads leading through Abia State to attend.

    The three-day event drew over 200 writers from within and outside the country. The writers’ raffia bags and caps and customised T-shirts gave the occasion a fashionable outlook. It featured book fair, readings, novelty football match, tour and plenary session, among others.

    The wordsmiths brainstormed on the relevance of literature in the age of new media and insecurity. There was no government representation throughout the event.

    Security matters

    For the Dean of Faculty of Arts, University of Ibadan (UI), Prof. Remi Raji, Nigerian literature can hardly secure writers, adding that the government should take proactive steps to encourage writers.

    He said: “Is the literature secured? Is Nigeria author secured? That is the problem that we have, is going to take a lot of proactiveness by Nigeria government which would mean taking the Nigerian writer very serious. This is what writers gain from European countries even in South Africa, where there is a sense of security. There, writers get security: social security and political security, freedom of speech and make their inspiration flow. If there is security, you will not go hungry as a writer, your imagination will be flowered, knowing you have shelter and a residency till next one year. In the political essence, he said, literature has secured the Nigerian imagination. Policymakers should read and apply writers’ ideas.”

    He said the laxity with which writers are treated could be seen at the just-concluded convention that was devoid of government support. He urged writers to look inward for proactive ways of funding.

    “We have come to prove a point in Uyo. This convention is the evidence of the change that we promised and that the Congress desired. No single money has come from government, which is a perennial problem because people do not take writers serious. We are taking ourselves serious so that others would take us serious. We do not claim to be perfect but things are changing very fast. ANA, after 30 years, has come of age. It is an association made up of great minds and professionals. We need to be proactive and realistic actions; and be inward-looking and seek inventive ways of getting funding. Think deeply on how you want ANA to move forward. Everyone that has taken his time to come would have to pass through their state chapters,” Raji said.

    Odia Ofeimun said literature offers a society security. He said: “Writers are the opinion-makers who have made Nigeria look like a country. Literature provides the ultimate security for a society. The business of literature (narratives) in every part of the world is protected and defends the memory of a people. When people lose a sense of how they are living or when the lived-experience of a people is undervalued it is like losing part of your limbs. Literature tells us what is beautiful but showing us how ugliness enters into it because if we are unable to trace from one to the other, you are actually being distant from your true self. If we know our world well then we are able to live in it. Literature does it better than any other religion, politics and any other thing.”

    Prof Pius Adesanmi, the keynote speaker, who spoke on the theme: Nigerian Literature, Social Media and Security, said the nation was not conducive for creative minds.

    “The discontents of nationhood and the self-inflicted madnesses of the Nigerian project have cost us the precious lives of three writers, including a former National President of this esteemed association. We lost Christopher Okigbo. Then we lost Maman Jiya Vatsa. Then we lost Ken Saro-Wiwa. Poetry did not save these three writers. Literature did not secure them. It did not secure Wole Soyinka either. However, which artist has art really saved and secured in the direct sense? When has literature literally stood between the writer and the gallows? The recent kidnapping of Hope Eghagha, one of our notable poets and novelists, is Nigerian insecurity’s way of reminding our literary family that even if she is no longer killing or jailing us, she is still infinitely capable of terrorizing us by whizzing the cap off our creative heads.The modern nation state understands that the personal security of the citizen precedes and gives birth to national security,” he said.

    He urged the government to look into the root cause of insecurity in the country. He added that the Nigerian government should take cue from its American counterpart and seek to protect each citizen.

    On social media

    Calling the Nigeria internet space “Cyberia”, Prof Adesanmi, also said that the new media poses another form of security threat which comes with its own problems.

    “Writer-citizens of Cyberia face border security problems beyond the simple threat to the book. There is a democracy that comes with social media and it has radically transformed the idea of the writer. This new cultural context challenges their very ability to own stories devolving from our national experiences, good and bad, in the global marketplace of creativity.”

    Jerome Terpase Dooga of the Department of English, University of Jos (UNIJOS), and the Chief Executive Officer, Quick News Africa, Monday Ashibogwu, said the new media holds immense prospects for writers. They urged writers to take advantage of its potential.

    Ashibogwu said: “The new media is an open opportunity to pioneer the creation of an innovative business and research based product offering that will ultimately drive and provide strategic business positioning and profit to customers and advertisers. The structure will incorporate a robust framework using relevant media and channels to help deliver on its proposition. Based on gaps highlighted, there is a clear need for an organised system with a framework for supporting business advancement and innovation. Businesses continually seek improvement and are willing to pay for ideas that offer relevant actionable insights.”

    Seeking to enlighten its members on the new media, the association partnered YSGHubs, a major sponsor of the convention. The new e-commerce and mobile applications development company in Lagos, a subsidiary of the Young Shall Grow [YSG] Group, that offers an online media store where users can purchase eBooks, music, videos, event tickets and lifestyle accessories from the convenience of their homes, classrooms, offices and even on-the-go, took writers into its packages. Many writers were signed up immediately, it was learnt.

    And the winner is…

    Seven winners emerged in this year’s ANA prizes. ANA executive have reduced the number of prizes to be won this year to six. A total of 86 works were entered for the six categories out of the nine original ones. However, the prize committee headed by the Vice President, Mallam Denja Abdullahi, said ANA only winners of the three prizes (drama, poetry and prose) sponsored by ANA would receive their cash prizes and certificates because the endowers are not forth coming. Seventeen years old, Nuela Ononye’s Behind the Dust emerged winner this year’s edition of ANA/NECO Teen Author. She could not contain her joy when she was called out, saying: “I don’t know how to express the joy I feel as a winner. I am very happy.”

    Awardwinning author, Odili Ujubuonu’s Pride of the Spider Clan won the ANA Prose Fiction Prize. Umari Ayim’s Inside my Head bagged the poetry prize. The erudite scholar Sunnie Ododo’s Hard Choice got the drama prize. Nnamdi Okose book entitled Children of the River won the ANA/Esiaba Irobi Prize for Playwriting.

    The ANA/Gabriel Okara Poetry Prize was won by Karo Okokoh’s Songs of a Griot; and Nkechi the Heroine by Camillus Chima Ukah won ANA/Lantern Prize. There was no entry merited shortlisting in ANA/Chevron Prize for Environmental Issues.

  • ANA names five winners for literary awards

    The Association of Nigerian Authors (ANA) announced winners for five of its 2012 literary awards.

    It did not name a winner for the sixth category, Children Literature.

    The Vice President of the association, Mr. Denja Abdullahi, told the News Agency of Nigeria on Tuesday in Abuja that a total of 86 works were entered for the six categories of the award.

    Abdullahi said “Pride of the Spider Clan” written by Odili Ujubuonu won the ANA Prose Fiction Prize, while “Children of the River” written by Nnamdi Okose, won the prize for play writing.

    The ANA/Gabriel Okara Poetry Prize went to Karo Okokoh for his work, “Songs of a Griot.”

    Other winners are Umari Ayim for the ANA Poetry Prize while the ANA Prize for Drama was won by “Hard Choice” written by Sunnie Ododo.

    According to Abdullahi, a few older writers sent in their new works for consideration, adding that it was a good sign that creative writing was still thriving in the country.

    He called on publishers to improve the packaging of the materials and editing of the manuscripts.

    ANA did not select a winner for the Children’s literature category because “the entries did not follow ANA’s guidelines.

    Prof. John Sarpong of Ghana, who headed the selection panel, told NAN the entries did not qualify as Children’s Literature because the authors used “big” English.

    To write a children’s book, “one must come down to the level of a child and think like one to get a good result,” he said.

     

  • ‘Akwa Ibom shares ANA’s vision’

    ‘Akwa Ibom shares ANA’s vision’

    All is set for this year’s writers’ convention, which opens November 8. Will it be better than – or full of surprises like – last year’s? In this interview with Evelyn Osagie, the Chairman, Association of Nigerian Authors (ANA), Akwa Ibom chapter, Joseph Ushie, an Associate Professor at the University of Uyo, speaks on the forthcoming convention.

    How prepared is Uyo to host writers from different parts of the country and abroad?

    I think we are prepared enough as we ought to be at this point of closeness to the event. Arrival is November 8, which means we have over one week to go. But we’re working as if the convention were lesser than one week away. I am confident that if things move on as we plan, we’ll be ready ahead of the arrival for the convention of our fellow writers.

    What are the economic implications?

    The economic implications are difficult to summarise. When delegates come, they come with their bodies, which will be nourished with food and accommodated in hotels; they come with their eyes, which will behold purchasable items from shops; they come with tastes for the locally produced cultural items which patronage will boost the makers’ personal finances; and, above all, for writers, they come with their money to buy books that will be available here, and to sell theirs which would have been difficult or even impossible to reach. All these can translate into the economic wellbeing of the state and its people. Besides, there will be increased patronage of transportation and communication businesses and so on. Perhaps I should stress that the raffia industry in the state, which is currently putting finishing touches to the production of the raffia bags that will serve as souvenirs for the delegates, will also benefit economically from the hosting as the Akwa Ibom raffia products are exportable home-made items.

    Perhaps equally very important is the tourism potential of the hosting. I have already mentioned the raffia bags, which range in size and quality from the low profile ones to those that are inimitable and a rare possession to have and display. The beauty of the state, especially the freshly completed flyovers, the Le Meridien five-star hotel in the state where we intend to have the arrival-night Festival of Life, the Tropicana and quite a lot of other state-of-the-art projects and ongoing projects will be any tourist’s special delight. There will, of course, be other aspects of cultural tourism such as dances and shows. Indeed, the tourism potential of the state for the delegates is simply immeasurable.

    What is the selling point of this convention?

    For us in Uyo, the selling points are many. First, this is going to be the very first time ANA annual convention will be held here; and this is very significant for a people that has produced a literary giant such as the late Prof Ime Ikiddeh, who wrote the Introduction and Notes to Prof Ngugi wa Thiong’O’s Weep not, Child apart from his own many under-critiqued and, hence, under-appreciated writings. Besides, don’t forget that although one of Nigeria’s foremost playwrights and medical doctor, James Ene Henshaw had been an indigene of the present Cross River State, he reigned as a playwright when the two sister states were still one; therefore the present Akwa Ibom State was actually within the orbit of his literary climate and influence. There was also the well known N. U. Akpan of the Wooden Gong fame, a novel that ruled the syllabuses of secondary literature in the 1970s. One selling point is, therefore, that this is the convention that will ensure the revival and survival of these legacies and galvanize robust literary activities that will continue and improve on these legacies. Besides, there is a certain rhyme scheme between the present state administration’s agenda for education and some of ANA’s activities. ANA, as you are aware, is a body of writers which promotes, among other ideals, mass literacy through reading; and here in the state at the moment is an administration which has launched, nearly three years now, the free and compulsory education for the Akwa Ibom child. The meeting point between this goal of the government and ANA is the promotion of literacy and, by implication, of a robust literary culture. These are very important cardinal points in the selling of the idea of an ANA convention coming to the state this season for the very first time. So, it’s going to make this an era of a first flyover; a first airport with maintenance hangar in Nigeria; a first free and compulsory education for the Akwa Ibom child; the first Five-Star hotel in the state, the first underground pipe-jacking drainage system in West Africa; the first e-library in Nigeria; and now the first to host an ANA convention in the state, which promises to bring down to the state the who-is-who among the Nigerian literati. These are some of our selling points.

    With what was experienced last year, hope Uyo would come up with surprises?

    Some of our members from Akwa Ibom State were in Abuja where we were honoured with the hosting right. I believe we have the profile of that hosting in mind as we work towards this year’s. As for surprises, I have no comment because if a person announces that he has a surprise, then he may have inadvertently vitiated the element of surprise. But, as I said, we are working with the mind to see how we can improve on whatever standards were attained in Abuja. We will prefer to leave the delegates to decide for themselves during and after the hosting. We have also been aware of the skepticism expressed by members especially in their online communication; but have preferred to work silently rather do more talking and less work. But if you insist on a surprise package, let me say we are also looking at the possibility of ANA having a novelty football match with the state chapter of the Nigeria Union of Journalistic (NUJ).

    How has it been planning and preparing for the convention?

    Planning and executing the hosting has not been easy, but when you make up your mind that this is a labour of love, you cannot but love the labour that comes. Yes, in the course of planning for the hosting, I had the opportunity of interacting with His Excellency, the Governor of the State, Chief Godswill Obot Akpabio. This was on April 17, 2012. The meeting was for some other association we mutually belong with. He was most enthusiastic about the ANA convention and was ready to not only support the hosting, but also to be available to be with us during the event. Indeed, he even began doing a kind of rough estimate of the capacity of hotel facilities in Uyo towards the hosting. Till this moment, I believe, he has remained very committed to the hosting but there have been a few intervening state activities which have inevitably affected the speed at which his Government’s assistance is flowing towards us. Examples of these were the preparations for, and actual celebration of, the 25th anniversary of the creation of the state; the national independence anniversary celebrations; his occasional official engagements outside the state and, sometimes, outside the country; and now the visit of His Excellency, President Goodluck Jonathan. These activities have certainly affected his consciousness of the nearness of the event as he would now depend much on his aides to bring the event to his view. Notwithstanding these hitches, some of his aides have assured us of the Government’s commitment to the ANA event and are working most consciously towards our overall success. I believe, for a serious-minded, purposeful administration that we have here; even one week is enough for them to create another legacy with the hosting.

    Who are the major sponsors of the convention?

    For now, the major sponsor remains the government and people of Akwa Ibom State while we have also had quite some reasonable support from ExxonMobil Producing Nigeria Unlimited. This oil company has been quite supportive. There are also indications of support coming from some financial institutions in the state such as Gufax Bank, the UBA, and also from the State Action Committee on Aids (SACA). We will make more of our sponsors known to the public through the press as they respond to our requests, or reach us on their own. On the whole, I’m confident we’ll get there, and in a big way.

    What would Uyo be expecting from the writers?

    Our vision and mission as the state chapter goes beyond hosting. We are thinking of how we can encourage the youth of this state to put their endowed creative writing talents to use so that in the near future, we, too, can contribute our own Chinua Achebe’s, Wole Soyinka’s, Chimamanda Adichie’s, Niyi Osundare’s, Odia Ofeimun’s, Ken Saro-Wiwa’s, Akachi Ezeigbo’s, Abubakar Gimba’s, Elechi Amadi’s, and others to the great pool of Nigerian writers. We are poised to use the hosting to fossilise literary creativity as a necessary strand of cultural production in this axis of the country. So, thank you.

  • ANA inaugurates teen authorship committee

    ANA inaugurates teen authorship committee

    At age 10, imagine how it would have been if you were holding the world in your hands. Well, even if such a dream had remained a wishful thinking that never came true for a grownup. It won’t be for children between the ages of 10 and 19 in secondary schools.

    “Now children the future is in your hands,” the Association of Nigerian Authors (ANA) General-Secretary, Baba Dzukogi told children at the inauguration of the National Teen Authorship Committee during the Writer-in-Focus organised by ANA Imo.

    “Now, you should not only dream of being a writer but you can now write and be published as a child in secondary school. ANA is out to encourage young creative minds. We are interested in investing in children for the development of tomorrow’s leaders.”

    According to Dzukogi, the major challenge facing a Nigerian child is the inability of leaders to create conducive atmosphere for him to explore his talent. He said while children must grow, teachers should equally be given full recognition to breed the children to a high pedestal.

    ANA executives urged older and established writers to be more involved in the mentoring younger and aspiring ones. Mentoring, they said, would encourage the young and aspiring writers in the development of their talents.

    ANA National Teen Authorship Scheme now gives children the opportunity of enjoying the mentorship from established writers, in addition to having their writings published and read by their mates and others at the young age.

    The scheme, Dzukogi, said, was inspired by its successful implementation in Niger State by the state’s chapter of ANA. Subsequently, he said ANA executives, led by Prof Remi Raji, decided to extend the project across other chapters. The nationwide project is sponsored the wife of the Niger State Governor, Hajiya Jummai Babangida Aliyu, who donated N1 million.

    The fund, according to Dzukogi, is being disbursed to the five benefiting states – Abia, Taraba, Katsina, Kogi and Osun. Each is given N150, 000 to publish anthologies for a selected secondary school in their states. He called for more sponsorship and partnership from corporate bodies and individuals to give boost the association’s various projects such as the scheme, adding that ANA hopes to extend it to other branches in future.

    Hence, he urged the beneficiaries to recoup the fund received. “The schools should see to the anthology of their students, sell to their students and the chapters is to recoup the money so that the money can be increased; and the scheme be extended to other chapters. Teen Authorship Scheme is meant to be in all the schools across the country. School management teams should assist in publishing the works of their students. You can set aside certain amount of money as a revolving scheme to the centre to publish students’ works either in anthology or individually in the name of your school. If you find it difficult to go about getting facilitators, ANA chapters will assist you” Dzukogi said.

    To coordinate the scheme, a four-man committee was inaugurated. It is headed by Kamar Hamza (ANA Niger) as the National Co-coordinator; and has Wale Adedoyin (ANA Oyo) as Secretary; Khalid Imam (ANA Kano) and Camillus Chima Ukah (ANA Imo).

    Hamza urged the children thus: “Creative writing is not magic, but a way of responding to issues in the environment.”

    The Vice President, Mallam Denja Abdullahi said members of the committee have been chosen because of their involvement in the mentoring of young writers. He added that the scheme is meant to ignite the spirit of creativity and culture of reading in children.

    He said: “The committee has been constituted on merit and members contributions to the development of teen authors in their state branches. By active and care mentoring of future writers, they stand inaugurated.”

    ANA, according to it executives, is set on mentoring younger writers. Aside the scheme’s inauguration, they also inaugurated art centres at CRM International College and Creativity Centre at the Logos International School, in the state.

    In their words: “Allowing children to grow creatively is the only way to proffer solutions to some of the problems faced in the country.”

    While inaugurating the centres, Abdullahi said such centres will go a long way in producing literary icons who will take after the elders. He called on the students to start contributing to the progress of the society through creative writing. Guests praised the former ANA Imo chair, Ukah, who established the centres, for his numerous contributions towards the promotion of creativity in schools.

    The event also featured interactions between staff, students and writers.