Tag: Creativity

  • Conference trains youths to monetise creativity

    Conference trains youths to monetise creativity

    By Omolara Akintoye 

    The Africa Creative Market (ACM) 3rd edition is dedicated to strengthening Africa’s creative ecosystem for profitability, sustainability, and global recognition, Co- founder, Africa Creative Market, Dr. Bada Akintunde-Johnson has said. 

    He spoke at the just concluded four-day Business of Entertainment Conference in Lagos organised by the Africa Creative Market (ACM) with the theme: Monetising your art and ideas.

    According to Akintunde: “The entertainment industry in Africa is experiencing significant growth and transformation, driven by a combination of cultural richness, technological advancements, and increasing global interest. To harness this potential, it is essential to develop policies and infrastructure that support the industry”. 

     “This gathering not only celebrates the richness and diversity of African creativity but also offers a gateway to lucrative and fulfilling ventures for both local and international investors.” 

    Consul-General of South Africa in Lagos, Nigeria, Prof Bobby Moroe advised the government at all levels to initiate mentorship programmes that can help harness youths talents in the creative industry that would make them acquire the new global format.

    Director General of the National Council for Arts and Culture, Obi Asika, said it would provide more opportunities for all Nigerian talents. So we can tell our stories by ourselves,the way it ought to be in the global stage.

    Director-General of the National Film and Video Censors Board, Dr. Shaibu Husseini emphasized the need for government to Develop modern cinemas and performance spaces across urban and rural areas to increase access to films, theater, and concerts.

    DG/CEO, Rivers State Tourism Development Agency, Yibo Koko recommended developing initiatives that provide resources and support to marginalized groups within the entertainment industry.

  • ‘La Campagne Resort beacon of creativity’

    ‘La Campagne Resort beacon of creativity’

    The Minister of Tourism, Mrs. Lola Ade-John has described La Campagne Tropicana Beach Resort, Ikegun Village, Ibeju Lekki, Lagos, as ‘a beacon of creativity and ingenuity, a testament to Nigeria’s richness and diversity.’

    She made this known when she visited the resort recently and pledged her commitment to the preservation and promotion of Nigerian cultural heritage.  Founder and President, La Campagne, Otunba Wanle Akinboboye took her and the team on tour of the resort.

    Ade-John had an immersive experience of the rich resort, climaxing with a musical performance by Atunda Entertainment, a musical group founded by Akinboboye. The star artiste of the group, Ara Thunder, a naturally gifted female talking drummer, put up a well-choreographed performance to the delight of the Minister.

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    Enamoured by the beauty, resourcefulness, creativity and rare offerings of the resort, the Minister commended Akinboboye for the treat, noting, ‘for allowing us to immerse ourselves in the vibrant tapestry of the Nigerian culture and heritage visible everywhere at the resort.’

    According to the Minister, La Campagne Tropicana Beach Resort is a beacon of creativity and ingenuity, a testament to Nigeria’s richness and diversity.

    “Through its intricate presentation of architecture, cultural practices, cuisine, and entertainment, the resort encapsulates the essence of our unique identity, inviting visitors to discover and appreciate our heritage.

    “As we gather amidst the breathtaking beauty of this resort, let’s reflect on the significance of our shared cultural heritage. Nigeria, with its myriad traditions, languages, and customs, is a treasure trove of diversity, a mosaic of experiences waiting to be explored and celebrated.

    ‘‘This resort serves as more than a destination for leisure; it’s a platform for cultural exchange and dialogue, a space where people from all walks of life can come together to learn, share, and celebrate what makes us uniquely Nigerian,” she added. 

    She disclosed that as part of her agenda of putting Nigerian tourism on the global map that she would pursue with vigour the preservation and promotion of Nigerian cultural heritage as signposted by the resort, which she said fully embodied what Nigeria stands for as a bastion of unique cultural tapestry.

    “Through initiatives like La Campagne Tropicana Beach Resort, we harness tourism’s power to showcase Nigeria’s beauty and diversity while fostering economic growth and sustainable development.

    ‘‘I urge all stakeholders present to continue supporting endeavours that celebrate our Nigerian identity and promote cultural tourism, ensuring places like La Campagne Tropicana serve as beacons of pride and inspiration,’’ she noted.

    Akinboboye expressed his appreciation to her for the visit, stressing that tourism is not just about sites and destinations but also about the culture and traditions of the people.

  • Centre strengthens creativity among youths, students

    Centre strengthens creativity among youths, students

    • By Tosin Odunewu

    MADHouse by Tikera Africa is thrilled to announce the unveiling of its pioneering cohort for its First Incubation programme which is the Lens-Based Incubator Programme (LensBIP).

    MADhouse is a creativity centre inside University of Lagos.

    LensBIP, which is dedicated to fostering the talents of digital artists, filmmakers, animators, photographers, and creators working in lens-based mediums attracted over 500 applications from across Africa, the UK, and the US. After a rigorous selection process, 20 exceptional creatives emerged as the programme’s inaugural cohort.

    The ceremony, which took place recently at the MADHouse building on the University of Lagos premises, welcomed esteemed guests including Vice Chancellor, Prof. Folasade Ogunsola, Deputy Vice Chancellor Development Services, Prof. Ayodele Atsenuwa, Deputy Vice Chancellor Management Services, Prof. Lucian Chukwu, Deputy Vice Chancellor Academics  and Research, Prof. Bolanle  Oboh, Prof Duro Oni, Director of Academic Planning-Prof Olusoji Ilori, Bursar-Mrs Oluwafunmilayo Adekunle, Ag Registrar-Mrs Olakunle Makinde and others.

    Judges who made the selection process a success comprised: Adeniyi Adenubi, Co-Founder and Executive Director of Institutional Business & Investor Relations at VFD Group Plc, Afolabi Imoukhuede, CEO, PIER Investments Limited, Kola Aina, Founding Partner at Ventures Platform and renowned angel investor, and Oyindamola Fakeye, Executive & Artistic Director of Centre for Contemporary Art.

    Bayo Omoboriowo,  founder of MADHouse,  underscored the transformative power of the LensBIP programme, envisioning it as a catalyst for shaping a new narrative for Africa through the lens.

    “Our objective is to ignite a fresh discourse on Africa by empowering visionary artists who challenge conventions through their profound lens-based expressions.

     “Through financial support, mentorship, and knowledge investment, we aim to cultivate sustainable creative industries globally,” he said.

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    During the ceremony, the VC in collaboration with MADHouse launched the Young Creators Programme, a programme designed exclusively for university students and scheduled to run during academic holidays.

    “If Africa is truly going to be itself then it has to come from our self expressions,” the VC said.

    The unveiling ceremony provided a platform for the cohort members to share their creative visions and experience into the programme.

     Ayomitunde Adeleke, one of the participants said he sees MADHouse as a community of people trying to help creatives scale their ideas and bring them to life.

  • Bringing creativity into learning

    Bringing creativity into learning

    Sir: It is quite amusing that we see creativity everywhere, but outside of the educational system in Nigeria. How can schools even afford to be creative, when they don’t have learning materials and the classrooms are too small to accommodate the number of students admitted yearly?

    How often do we hear such statement as: “However you want to do it, just make sure you finish the syllabus?” This statement is a major reason students do not remember some things they were taught after leaving secondary school. They are being taken through a system where finishing the syllabus is more important than the assessment of what they have learnt. Now when I talk about assessment, I am speaking beyond the realms of the terminal examinations. Interestingly, some students can define the parts of speech but cannot identify these elements in their everyday usage.

    Have we ever wondered what we are doing wrong or probably what we are not doing at all when it comes to teaching and learning? How realistic are our teaching aids to the everyday scenarios these students encounter outside of the school walls? In the quest to ‘finish the syllabus’, how do we bring in creativity into the classroom to aid teaching and learning?

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    Incorporating creativity can be achieved with the introduction of a project-based learning system. Get the students in groups and make them work on a particular project although it is bewildering that students – I am not talking about those at the tertiary level but secondary school– pay people to do their assignments or project for them these days.

    One way to engage the students in these projects is to make them work on the projects while in school. Give them deadlines, tell them to go home daily, read about the projects and bring in the knowledge of what they have learnt to finish up their projects in the school. Students retain more when they can feel or see than when they hear abstract things.

    Someone teaching a language will ask: how do I give my students a project that they can relate with? Then, I will ask you a question in return; have you ever used their best songs to teach a topic in your class? They know the lyrics of these songs than they can identify an independent clause from a dependent clause. Use these songs to teach these topics, start from the place of interest and from there, teach them to listen to the news or tell them to pick out a subject matter from a news item. If they listen to entertainment news more, start from there before moving to the business news. I like when students provide me with sentences or much more I like to use their names, acts or utterances as my examples.

    Avoid being rigid with your lesson plans or the examples in your lesson notes. You might see an attitude displayed in class and that is your cue to take up your topic, going back to previous lesson might be in form of a question during the course of the lesson and not necessarily at the beginning of the lesson. We know so much about student-based learning programme, but what happens most of the time in the classroom is that the teacher talks for 80% of the time and allocates the remaining 20% for questions and this is where the students are allowed to talk. This will not make for “student-based learning”.

     I will end this piece with a quote from John Dewey: “If what interests the child is not in the child’s best interest, then make what is in the child’s best interest interesting.”

    • Olayibowale Mary Sonuga, Federal Government College, Ijanikin, Lagos.
  • Lifting African economies through trade, creativity

    United Bank for Africa (UBA) has marked this year’s Africa Day with a symposium where the continent’s leading minds called on Africans to be mindful of their rich history, be hardworking and united to achieve desired economic goals. Pundits used the opportunity to call on Africans to forge a path towards socio-cultural, economic and political development. It was also an opportunity to reawaken the power of unity, entrepreneurship and wealth creation among Africans. COLLINS NWEZE, reports.

    The past, present and future of Africa and its economies will make interesting reading any day. And the high point of the narrative is that Africa’s over 500 years of suffering and devastating economic tides should not interfere with the great future that lies ahead of it.

    This may have made participants at a symposium held to mark this year’s Africa Day to believe that economic aids will not unleash Africa’s potential, but private-sector development, trade and investment will do the magic.

    “They realised that it will require hardwork, commitment and unity for the continent to rise and dominate global economies,” one of the participants, United Bank for Africa (UBA) Group Chairman, Tony Elumelu, said at the event organised by the lender in Lagos.

    At the event were great African minds and accomplished personalities. Nobel Laureate, Prof. Wole Soyinka; Prof. Djibril Tamsir Niane; Ghanaian politician and Chairman of Ghana’s Convention People’s Party, Samia Nkrumah and famous musician, Femi Kuti, spoke at the first edition of UBA’s Africa Conversations.

    The theme of the symposium was  “Africa’s History Redefined, Our Past, the Path to the Future”.

    Elumelu said: “UBA understands the past- that Africa as a continent has always been united by the struggle for identity. UBA is a symbol for the development of Africa, for the economic empowerment of our people, the Small and Medium Enterprises as well as the big corporations. Thus, identifying with Africa and indeed, Africa Day, is synonymous with who we are as a bank.”

    He continued: “It presents us the opportunity to remind ourselves, the world and indeed, Africa that we owe ourselves the duty of making Africa the continent of our dreams,”adding that it is important for Africans to remember history, as this will help prepare them for the future. “Our past provides a veritable tool to fashioning the continent’s development, renaissance and economic growth,” he emphasised.

    Africa, Elumelu said, is richly endowed and should harness all the potential that make the economy really great. He added that he wanted to see banks, telecommunication firms, manufacturing and other sectors starting from Africa and conquering the world.

    “We see MTN, Dangote Group, United Bank for Africa (UBA), all trying to make history. UBA started in Nigeria, but today, we in in more than 20 African countries. We need to encourage the younger generation through history and the fact that hard work pays. We want people with capital to invest in Africa. We also need African governments to create enabling environment for private sector to thrive,” Elumelu said.

    Prof Soyinka, who spoke strongly on the issue, commended UBA’s initiative for opening up discussions on these pressing topics. He decried the growing erosion of history from the curriculum in African schools. He added that lack of knowledge of our past has truncated children’s growth on the continent. “How can we cope with the modern phenomenon if we do not know the past? We should never forget the importance of history as it is not just an academic exercise,” he enthused.

    Corroborating, Prof Niane opined that reminiscing on Africa’s rich history is important as there are no people without history. “A lot of work has been done by Africans and we have to be happy about it. There is the need to continue the conversation about African unity. Policies have been put in place and our democracy can only get stronger. Peace will reign and Africa will be reunited. Economic transformation is also important, but it is not the only thing we should concentrate on.”

    Samia, a daughter of the late Ghanaian President, Kwame Nkrumah, commended UBA for prioritising African entrepreneurship and called for renewed attempt at African unity, which has to be by collective effort of the people.

    Femi Kuti emphasised the importance of history, saying: “Our children need to learn this history so that they can come up and build the continent. We need everyone, both boys and girls, to work towards this vision.”

    Also speaking, Prof. Djibril Tamsir, who came from Guinea, said Africa should be united despite language differences.  He said Africa should focus on leadership, which benefits the populace.

    The UBA Conversations, an initiative of the Pan African financial institution, aims at aggregating discussions necessary for the growth and development of the continent. It is being held as part of the activities to mark the 2019 edition of Africa Day celebrations by the bank.

    With its presence in 20 African countries as well as in the United States (US), France and the United Kingdom (UK), UBA’s passion for Africa’s growth is part of who they are.

    The bank is set to continue conversations around these important topics that are required to galvanise the African economy with the aim of attracting much needed support that will boost SMEs and support business growth on the continent.

     

    Africa in perspective

    It is estimated that 75 per cent of Africa’s population of nearly 1.3 billion are under the age of 35, with a median age of just 19.4. Nearly half of Africa’s population are under the age of 15 and the incredible statistics do not stop there. By 2050, the continent’s 18 to 35 demographic is projected to reach more than 800 million.

    Unfortunately, Africa remains the poorest continent on the planet. Only two countries in Africa have a per capita income of more than $10,000, while the majority are under $1,000. Most families subsist on less than $2 a day, meaning that about 250 million go to bed underfed every day.

    Fortunately, there are viable solutions that can tap into this growing potential, harnessing it to generate explosive economic growth. It is estimated that Africa’s Gross Domestic Product (GDP) could reach $29 trillion by 2050, a massive leap from the current $7trillion. To achieve that, African economies will need to sustainably grow by more than five per cent every year. The World Bank expects them to grow by three per cent this year, which is a positive sign, but still well below the rate needed to reach that 2050 milestone.

    To accelerate economic growth, Africa will need to rely on its massive labour pool, as well as its wealth of resources. The International Monetary Fund (IMF) predicts that by 2035, Africa’s working-age population will exceed that of the rest of the world combined. As for resources, the continent has 65 per cent of the world’s uncultivated arable land.

    Speakers at the forum also urged  African countries  to address the lack of strong, independent judiciaries. It may seem unrelated, but in matters of investment and the movement of capital, contracts are extremely important, as are the mechanisms that enforce them. It is impossible to generate sustained economic growth without the rule of law — a key factor that affects foreign direct investment inflows.

    The participants at the event also agreed that digital transformations are crucial to sustainably transform informal-sector enterprises into regulated formal-sector entities.

    Africa’s informal sectors are the continent’s largest employer, even though participants do not contribute to public revenues. Governments have attempted to focus on punitive and regulatory measures to “force” formalisation or disrupt informal-sector activity completely.

     

    Diaspora remittances

    Diaspora remittances to Nigeria stood at $24.3 billion last year. It was the highest remittance to any country in sub-Saharan Africa and an increase of more than $2 billion compared to the previous year’s figure of $22.3 billion.

    According to the World Bank’s latest “Migration and Development Brief”, immigrants sent $46 billion to their home countries in sub-Saharan Africa last year, a 10 per cent jump in remittances in 2017.

    The growth in remittances was supported by strong economic conditions in high-income economies, the World Bank said.

    Remittances to sub-Saharan African countries last year contributed significantly to the GDP of these nations.

    Remittances to the Middle East and North Africa grew by nine per cent to $62 billion in 2018. The growth was driven by Egypt’s rapid remittance growth of around 17 per cent.

    The Brief said: “Beyond 2018, the growth of remittances to the region is expected to continue, albeit at a slower pace of around three per cent in 2019 due to moderating growth in the Euro Area.”

    Elumelu said: “Africa is richly endowed to create a great future. Africans should be able to follow up on how technology is changing the face of the world. Technology is good, and we should be talking about rebranding, as we talk about our history. We need to leverage our population to change the world for good. The population of African in Diaspora is around 1.5 billion.”

    He said these Africans in Diaspora are looking for a place to call their own, and African governments should create the right environment to attract such personalities and their investments.

    Elumelu added: “Africa needs history and economic transformation. We want people with capital to invest in Africa, while governments should create enabling environments for private sector to thrive.”

     

  •  Expert charges youths on creativity

    THE co-Founder Next Leaders Initiative for Sustainability (NELIS), Peter Pedersen, has advised youths to look for creative and innovative ways to solve problems facing Africa.

    Pedersen spoke at the Next Leaders’ Africa Summit organised by NELIS at Afe Babalola Hall, University of Lagos.

    The three-day event tagged Connecting for change: Transforming Africa for better was attended by hundreds of young leaders and social entrepreneurs from five countries in Africa. It featured lecture series, panel discussions and breakout sessions.

    Pederson said by 2030, there would be 10 billion people on the planet and it was expected that 80 per cent of the new people would live in Africa and Asia. Thus, ‘’we have to find new ways of coping with the change. I think is that the issue of innovation is important.’’

    He said the youth make up 65 per cent of Africans, adding that this portends great opportunities for youths to look for more creative ways to address the continent’s socio-economic needs.

    Pedersen, represented by founder Anthropulse Limited Mauritius/Barcelona, Meelan Thondo, noted:  “Youths in Africa are the ones exposed to climate change, unemployment, maternal mortality, poverty, inequalities, malaria and Ebola, migration to corruption and lack of essential infrastructure.

    “I firmly believe that issues around health and well-being need to be at the heart of a sustainability transition and, therefore, deserve more attention. We need to find new ways of addressing health impacts of climate change and urbanisation, and of finding synergies with environmental sustainability,” he said.

    Petersen stressed that sustainable development could not be assured with abundant resources alone, but requires the capacity to convert available resources into new value-added products and services.

    Country Coordinator, NELIS Primer, Lawrence Afere said the event was aimed at gathering Africa’s social entrepreneurs and key players to learn and share on the latest of social entrepreneurship trends, on the skills needed to make social change happen on a broad scale, and to make new connections to collaborate for greater positive change on the continent.

  • Diffusion: Celebration of energy, creativity

    Despite producing colourful paintings from opposite ends of creativity and expressions, the duo of Promise Onali and ChibuikeUzoma, two young contemporary Nigerian artists, are thrilling art lovers to a rare collection at the Temple Muse on Victoria Island, Lagos.

    The joint art exhibition tagged Diffusion, which opened on Monday, is featuring 45 paintings that take a critical look at the evolution of consciousness and how individual and communal identity is affected by history and socio-cultural evolution.

    The two artists employ diverse painting techniques and use of materials, which set them apart as adventurous artists. Diffusion, curated by Sandra Mbanefo-Obiago of SMO Contemporary Art, will run till May 17, and is supported by VeuveClicquot.

    Onali, who studied Fine Art at the University of Nigeria, Nsukka, graduating in painting in 2007, uses diverse media to explore scientific questions such as the origin of evolution, which is grounded in strong linearity and embryonic metaphors.  His fascination with the expansion of individual and collective consciousness is evident in the subtle layers of his mixed media works.

    Among his paintings that share common colour scheme and tonal level include Tainted Perceptions, Landscape of Monumental dreaming, Dreaming on a Nebulla, Thin line between Heaven and a Game of Chance, Millennial for Sale,Code of Dharma and Intensions11. His mixed media works are akin to clinical search or approach to painting that examines the anatomy of human parts such as brain and body frame. He uses wire gauze to create void within the canvass thus creating strong effect.

    “My capacity rests in part, on my signature style which manifests as embryos, cells, skins and tissues in my artworks. I use mixed-media to explore the concept of neo-evolution and how it affects socio-political, cultural, economic and social relationships.

    My creative dexterity is hinged on a combination of paper, fibre, wood, metal, wire, fabrics, polystyrene and a careful expressive rendition of colours. My technique is an ambiguous interplay of colours, fabrics, wire gauze, wood and a host of other unconventional materials which tell the stories of the human experience, using Africa’s consciousness evolution as a point of departure.

    As Nigeria passes through a drastic phase of economic and socio-political turmoil, my recent works interrogate how this new wind of change has affected the community in ways like emotions, passion, empathy, spirituality as well as other aspects of modern interpersonal relationships. These recent mixed media works, pull the observer into a world of lineal complexity comprised of careful rendition of lines and swirls that evoke a certain sense of ambiguity,” Onali said.

    He added that “My paintings of circles and embryos are metaphors for the evolution of consciousness, with most of the figures in profile, embedded in circles or laden with embryonic swirls which represent the consciousness bubble of each individual, family, community, nation, etc.  We find ourselves in these bubbles of our own creation and it influences the way we interact with other people and handle sensitive situations. Embryos represent our state of consciousness and it grows every day, but it’s growth rate depends heavily on what  and how we feel it

    For Uzoma,a multidisciplinary artist who is skillful not only in painting, but also in photography and drawing, graduated from the University of Benin in 2013 majoring in painting. Though heading to Yale University for a Masters of Fine Arts degree later this year, Uzomaalso references contemporary politics in Africa and the Diaspora and questions popular culture against the backdrop of global conflict. He creates visual poetry which reflects our universal struggle with identity in a fast changing universe. “I try to make images that express the basic and necessary elements of human experience: freedom, love, joy, possibility, hope, and even tragedy,” he said.

    Professor of art history and theory,Prof. Frank Ugiomoh, said “Diffusion comes against a backdrop of contemporary social consciousness and how it connects to history as certainty lived out. What is evident in the body of work here is the overwhelming import of the place of consciousness, and the cerebral aspects of the human family symbolised in thought processes.”

    According to exhibition curator Obiago,”Uzoma and Onali’s friendship and professional appreciation of each others’ different approaches to art is quite rare and refreshing. Onali’s exact, clinically scientific approach to painting and his commitment to the environment and scientific discoveryis a wonderful contrast to Uzoma’s fluid, impulsive and exuberant style which stems from an intellectual curiosity influenced by thought leaders like Franz Fanon and Chinua Achebe.”

  • ‘How recession has tasked firms’ creativity’

    The current economic challenge has forced many organisations to be creative in doing businesses in Nigeria. One of such creative measures is to engage the services of management and consulting firms.

    Speaking to The Nation, Marcforte Business Consulting Managing Director, Modupe Marc-Dawodu, said  a consulting firm, contrary to the notion held by many people, is not necessarily meant for corrective interventions; it is ideally a partnership and fraternity that every organisation should cultivate in order to prevent organisational deficiencies.

    Also speaking, Corporate Communication Executive, David Oladosu,  with Marcforte Business Consulting, said every organisation needs to train its staff for optimal productivity.

    According to him, management consulting  is the practice of helping organizations to improve their performance, operating primarily through the analysis of existing organizational problems and the development of plans for improvement.

    “Organizations may draw upon the services of management consultants for a number of reasons, including gaining external (and presumably objective) advice and access to the consultants’ specialized expertise.

    “Management consultancy is a key champion, leading the charge for knowledge-driven economy which is critical to a developing nation like ours,” Oladosu said.

    “Management consulting serves as an advisory service contracted for and provided to organizations by specially trained and qualified persons who assist, in an objective and independent manner, the client organization to identify management problems, analyze such problems, and help in the implementation of solutions,”he said.

    According to him, organisations will do better by making use of consulting firms.

    While enumerating the benefits of engaging consultant firms, he said since the consulting firms are experts in this area, they will be able to provide trustworthy suggestions about the best ways to improve the fortune of an organisation.

    “Some problems just cannot be solved by reading a book. A management consultant looks at your business, your numbers and your challenges. Because they are dealing directly with your situation, management consultants are highly effective and provide an excellent return on investment,”he said.

    Good as consultant firms may be, he warned that consultants that cannot keep private company information to themselves will soon find their clients’ lists dwindling. “You can trust an established business consulting firm to keep sensitive information private.”

    He said Marcforte Consulting right now is organising different courses to meet the needs of different organisations.

    Recognising the challenges being faced by many Nigeria, Oladosu said Marcforte recently organised a two-day programme on polishing diction, pronunciation and eleoquence.

    “We have discovered that those who articulate well and speak clearly often find that success comes easily. After all, being able to communicate impeccably is one of the ways to showcase one’s level of intelligence. Marcforte’s programme on Polishing Diction, Pronunciation and Eloquence is designed to help participants perfect the enunciation of certain English sounds in order to enhance speech and attain erasure of all forms of regional or mother-tongue interferences.

    Oladosu said programmes in professional front desk management certificate course, personal & administrative assistants’ certificate programme are essential management skills.

    Though many believe consulting firms are for big establishments, the Managing Director of Marcforte disagreed with this notion, insisting that all organisations need the services of consulting firms. “Saying that consulting firms are only for big establishments is like saying that doctors are only to treat the rich,”he said.

    “We do a lot of work with SMEs, in fact, some of our major offerings to SMEs include: helping them to set up or outsource their human resources functions such as staff recruitment, performance management, compensation and so on.  We also develop standard operating systems and help them to document the operating manuals. Another major offering is our bespoke one on one coaching sessions for SME owners, especially in the areas of management and soft skills, building a personal befitting of business owners,” he said.

    Marc-Dawodu said the effect of consulting firms has been positive on the  Nigeria’s economy?

    He said:“Our sector primarily operates as an organisational development consultancy, providing bespoke interventions aimed at improving staff engagement and performance. As an experienced consultancy, we work across sectors with clients in either product or service industries who require the infusion of world-class standards and best practices into their structures especially as a result of, or in readiness for growth and expansion.

    “A lot of emphasis has been placed on amassing qualifications and credentials, which unfortunately are not converted to performance on the job. Our human resources interventions are aimed at increasing organisational productivity, customer satisfaction, profit margin and cumulatively the Gross Domestic Product (GDP), thereby impacting the economy of Nigeria positively. Also, our recruitment portal which helps to fit right candidates into right roles is helping to reduce the unemployment rate in Nigeria.

    “Our recruitment portal, which helps to fit right candidates into right roles, is helping to reduce the unemployment rate in Nigeria”.

  • ‘Deploy creativity in service delivery’

    ALL political office holders at the local government level have been urged to justify the confidence of the people by deploying creativity in service delivery at the grassroots. Ifako-Ijaiye Local Government Chairman Apostle Oloruntoba Oke dropped the charge while declaring open the second meeting of all Local Government Supervisors for Agriculture, Social Development, Youth and Sports which took place at Ifako-Ijaiye Area Office Events Centre, Bola Tinubu Way, Iju on Friday.

    Oke said the deployment of total commitment to serving the people is the only way to complement the good works of the State Governor, Akinwunmi Ambode, who he said is beating uncommon path of constructive governance across the state.

    He said because of the sensitive office they hold in any local government, supervisory councilors for agric could well be described as the life wire of their respective councils, adding that the success of their chairmen rests squarely on how well the supervisors are able to interpret the policies and programmes of the party and the chairmen. He said: “Your schedule of work transcends agriculture, you four other departments – youth and sports, chieftaincy affairs and community development associations. That means that you are very sensitive to the success of any administration at the grassroots as you help the chairmen to cultivate good relationship with all classes of people at the grassroots.’’

  • When scrap metals meet creativity, what you get is…

    When scrap metals meet creativity, what you get is…

    In his ongoing art exhibition, titled Irin Ajo (the journey), Dotun Popoola makes history with his hybrid metal sculptures at the Signature Gallery in Lagos. Udemma Chukwuma who was at the opening reports

    When you think you have seen it all, Dotun Popoola comes out with compelling collection of sculptures. The artist’s ability to assemble scrap metals and bring them into life is fascinating. In fact, if you are not an art lover, you would definitely fall in love with the artist’s new body of artworks.

    And Irin Ajo features 16 well detailed sculptures, that consist of a fusion scrap iron pieces, bronze and carefully selected metal objects. The large and intricate sculptures depict advanced work which the term has come to identify the unique sculpture style of John Lopez, whom Popoola went to meet in the United States to improve on his talent.

    Irin Ajo he said: “describes my affinity and passion for welding sculptures, which was greatly influenced after my residency training in Lemmon. The experience made me see another side of my creative endowment from God. After this encounter with John Lopez, I got more confidence to explore my art in the way that I find more challenging yet satisfying.”

    The close to life-size sculptures dominate the exhibition hall and walls; greeting viewers who showed up in great number from the entrance to see the revealing show which opened last week. The show provides an amazing and unique experience for art enthusiasts who came to view the pieces. It was indeed an exciting opening.

    “My quest for knowledge especially in art related matters was so deep that I could not see myself becoming any other thing other than an artist. I find it difficult to concentrate my energy on any other profession that the art.”

    One of the works, titled Boer Boel had the most attention. A daring display of strength, hard work, and persistence, the size of the piece is inspiring and shows his immense display of talent. He said, “The dog reflects my personality. The dog is very strong, energetic, brilliant, fine, the most intelligent breed in Africa. Four boer boel can kill a lion and it can protect the owner to any extent. It is so loyal, disciplined and cultured. If you have it, you’re rest assured that nothing will happen to you.”

    The show is a combination of Popoola’s experience in the USA and Nigeria. “Fusing the two experiences together is what this exhibition is all about and calling it hybrid metal sculpture – though I’m not the inventor of hybrid metal sculpture; I just borrowed the term from Lopez who calls his works hybrid sculpture because some of the elements in the works have those elements of hybrid sculpture in using bronze, discarded metals with carefully constructed and carefully controlled metal. I combined all of them together to create the stunning sculptures with my experience in painting, so I carefully selected my works. Some are junks, considering the colour schema and some I painted them with auto base paint because even if the paint fades in the nearest future, the sculpture would still be strong, still remain the way it is and would still communicate.”

    Evaluating the sale of his works in Nigeria and in the USA, he said both are on the same level even though the exchange rate defers. “None of them is greater than one.”

    When asked what his best piece in the show is, he said: “For me, my best piece in this show is The Broken Sax of Abami Eda and followed by the Boer Boel.

    Without doubt, Irin Ajo, would be one of the most talked about exhibitions this year. The multimedia artist with focus on painting and sculptor said his desire to show what he had learnt became powerful and a decision to create the sculptures was made. From September last year Popoola went to his studio in Ile Ife, Osun State, where he resides, to fully explore his sculptural potential. On Saturday, February 24, 2018, he shocked everybody with this solo exhibition. The show runs until March 10.

    The toughest part to creating the sculptures was power supply, he said. And many of his generators in the process were destroyed and were used to create the works. “To practise as a metal sculptor in Nigeria is a journey that takes courage, dedication and self motivation. I woke up with enthusiasm, and great energy to start welding, drove few miles to my studio, but met no power. I sat down and waited for the Power Holding Company to switch on the light for me, but that might be till Jesus comes. The alternative source of power becomes the real power source but generators would not even last long. I have bought plenty generators just to keep working but ended up using them as scrap pieces on my sculptures, to even get the fuel to power the generator is like looking for gold. We are a country blessed with milk and honey and the masses work with creativity without money. Too many factors kill potentials in this nation. It is a sad story, but I refuse to be discouraged,” said Popoola, 36.

    The gallery owner and curator of the exhibition, Rahman Akar said the works are phenomenal in another dimension, direction and “everybody notices much effort which was put in. It is not for the faint hearted. Some of the works are deep and thoughtful, some are very touchy and what the works stand for and that is what I really like. I like people that have compassion, people that can feel, and that are aware of the society and what we go through. Like the parts series, all these things to me are very important.”

    The reason the gallery picked Popoola, according to Akar, “is purely based on what we saw; what this gallery stands for is in ‘Dotun and therefore he is here now and we are quite proud and satisfied to be behind the outing. And because this gallery always stands for the most talented and we like to give them a platform, especially sometimes even the unknown artist because we don’t charge for the space and because we believe in the artist we are more than happy to stand by them.”

    He said Popoola can sell his works more in the states but “this is an artist with aura. I think he is in his comfort zone. I don’t think he is after the money.”

    Some of the works featured includes Esin Oba (the royal horse), Portrait of Adeola, Akuko Gagara II (the rooster)

    Dotun Popoola was born in Lagos and he is from Abeokuta, Ogun State. He majored in painting at the Auchi Polytechnic, Edo State. He proceeded to Obafemi Awolowo University, Ile Ife, where he majored in sculpturing. He holds a master degree in Painting from the same university. Currently he works with the National Gallery of Arts as a curator II in Osogbo, Osun State.