Tag: dance

  • DAM Initiative showcases emerging talents in dance, art, music in Lagos

    DAM Initiative showcases emerging talents in dance, art, music in Lagos

    The Dance, Art and Music (DAM) Initiative, a Lagos-based street talent discovery platform, has held the second edition of its talent discovery event, DAM Project 2.0, at Gisajec College, Afromedia, Ojo, Lagos.

    The event provided a platform for young people to express themselves through performing and visual arts, including dance, music, and drawing, while promoting creativity, confidence, and skills development among emerging talents in Lagos communities.

    Speaking at the event, the convener, Sunday Iniobong Stephen, said more than 60 participants took part in the competition across the Dance, Music, and Art categories.

    According to him, Osuocha Dalinton emerged winner of the Dance category, with Unlimited Praise and Anunobi Miracle finishing as first and second runners-up, respectively. In the Music category, Triumph claimed the top prize, while Unlimited Prize and Benny Guesh emerged as first and second runners-up. The Art category was won by Gold Orema, followed by Favor Chilasa and Ubuikejohn as first and second runners-up.

    Iniobong said winners received cash prizes of ₦20,000 for first place, ₦10,000 for first runner-up, and ₦5,000 for second runner-up. He added that first-place winners were presented with prize boards, while certificates of participation were issued to all contestants.

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    He noted that the credibility of the event was reinforced by the involvement of industry professionals who served as judges. Barrister Ademoye Dorothy Ugonwa, a lawyer and Chairperson of the Guild of Nigerian Dancers, judged the Dance category.

    The Art category was handled by Mr Dotun Oluwa, Acting Head of Department, Fine Art and Applied Education at the Lagos State University of Education, while the Music category was judged by Mr Nwachukwu Jeremiah Ugonna, a music director, producer, and coach.

    The event also featured performances by guest musicians NG (Onyeukwu) and Obanla A1 Sound.

    Iniobong said the programme contributed to the discovery of new talents and strengthened grassroots creative engagement within the Afromedia community.

    DAM Project 2.0 was organised by Inistic Multimedia Company, with support from partner organisations including Africa Food Store, One 18 Suit Hotel Ariviah, INKY and Series, among others.

  • Promoting African culture through dance

    Promoting African culture through dance

    Some groups have engaged young Nigerians in indigenous dances at the just-concluded sixth  Festival of African Dance, Danse Afrikana 2023, which held at the NCAC Artists’ Village National Theatre Annex, Iganmu Lagos.

      The groups are Different Aesthetics Arts and Culture Management, the National Council for Arts and Culture, Lagos State Council for Arts and Culture, National Theatre and the National Troupe of Nigeria.

       Managing Director, Different Aesthetics Arts and Culture Management, Mr. Aremo Tope Babayemi, is the brain behind the festival.

      Secondary schools pupils in the state participated in dance contest, portraying dances from the Southwest.

    Bright Achievers’ School, Bariga, Command Day Secondary School, Ikeja, Jubril Martins Memorial Grammar School, and Hope Spring College took part in the competition. 

    A representative of the event’s organising Committee,Stella Uwamanua, said:  “We are bringing young ones together to understand African arts. They would understand the difference between dancing as an Art and dancing as fun. We are looking for a better danse afrikana next year with lots of sponsors.”

    Chairperson, Guild of Theatre Arts Drummers of Nigeria, Lagos State, Seun Awobajo, said the fiesta helped to educate the younger ones especially on the importance of African dance and other aspects of our culture.

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    He said:  “Drum is an integral part of our cultural element. Beyond what we know drum to be, it is way deeper. Drum is powerful to the extent that is a communication tool, spiritual tool, good for therapy. There are people who got healed through drum. Drumming has proven to be one of the psychological instruments that helps develop a child’s brain.

    “Nigeria theatre industry is the best, as far as I’m concerned in Africa. It’s so profesional that we have been recognised home and abroad. Currently, African economy is solely on culture.”

     Isioma William harped on the need to bring up the younger ones to understand indigenous arts and culture at early age. “It’s good we start giving them the orientation about our culture at early age. History, arts and culture should be incorporated in the curriculum.

    “Our culture is fading away because we are not building on it or showcasing it well. Parents and elderly ones have to teach the younger ones our culture. The history of who we are is in our dance. Westerners have seen the beauty of African dance and they are now learning about it,” he added.

  • Dance, Buhari, dance

    The trending news to which Mr President, Muhammad Buhari, reacted a few days ago in far-away Poland, reminds me of the tale they regaled us with in my childhood years.

    Years ago, long before I set my feet on that sleepy village soil, we heard of Ajiran, the town of the dead. I was too young and innocent to know where Ajiran was; whether it was a town set in the sky or tucked under the ocean. But the tale fired my imagination to know if it was indeed true that one could meet a dead relation alive in that town.

    You can then visualise how ecstatic and expectant I was when I saw in the campaign itinerary of Alhaji Lateef Jakande in 1978 – 40 years ago – that we would be stopping on a whistle-stop campaign rally at Ajiran, as LKJ bid for the governorship of Lagos State on the platform of the then Unity Party of Nigeria (UPN).

    “Ajiran, the town of the dead”, I was too eager to know where it was until our landrover – which was the only means of transportation in that Maroko-Lekki axis at the time because of its sandy terrain – screeched to a halt and we stepped on the soil of the place known as Ajiran.

    My eyes started darting from one end of their sockets to the other, to see if I would see my very beloved maternal grandfather long dead and buried in faraway Ijebu Igbo in Ogun State, in that mystic town. Throughout our stay in the town, I looked in vain as no hitherto dead person that I knew appeared to me in the town, now one of the choice living areas on Lekki Expressway in Lagos.

    No one I enquired from could offer any satisfactory explanation why that town was referred to in that manner, so I quickly dismissed it as one of the fantasy tales of our childhood years. That experience of 40 years ago crept back to my consciousness when a fresh story was concocted from goddot that Nigeria’s President Muhammad Buhari had died a year ago and that the gangling man you and I see on TV and other news media these days as our president, is no longer the retired soldier from Daura in Katsina state but a certain Jubril from Sudan.

    Why Sudan and not nearby Niger or Chad? Or, what does anyone gain from such fabrication? That must be imagination crafted from outer space. It makes me wonder why some Nigerians are filled with such murderous imagination, that many wonder why such ingenuity has not yet been converted to positive uses as you have in the more civilised world.

    But why do we from this part of the world prefer darkness to light in several of our dealings with ourselves – lieing without batting an eyelid, malign with murderous motive and assassinate character or even body without caring a hoot? Whoever survives the evil scheming of man, deserves to be happy and be filled with thanksgiving.

    I now see the import and sense in a song rendered by Sikiru Aýinde Barrister, the Fuji music creator, in one of his long playing records, that whoever people “kill” with their mouths but survives the unrelenting assaults deserves to dance for joy. In his exact words, the Fuji king sang:

    O ye ko jo, o ye  ko yo,

               Eni araiye pa pa pa, ti o

               ti o ti e ku;

               O ye ko yo o

    If President Buhari decides today to assemble musician’s like Onyeka Onwenu, Wasiu Aýinde Marshal and Thrace or Dan Maraya’s successor in the North and decides to dance before each of these artistes even before the 2019 presidential election is due, it’s worth it and more, for a man whose only sin is that he has taken it upon himself to set a commendable moral tone for the nation.

    Dance, Muhammad Buhari, Dance and rejoice in your God!

    • This piece first appeared in this column last December.
  • Telling the African story through dance

    As the curtain closed on the renowned Calabar Carnival, Cross River  State Governor, Prof Ben Ayade, has said the state sought to provoke some contemplation about the African  continent through dance.

    He made the statement in the state’s capital while reflecting on the just-concluded carnival.

    With the theme: Africanism, which was chosen by the governor, the streets of Calabar beamed with colours and excitement with participating dance bands, preaching a message of unity in the continent.

    Ayade said: “But above all, the more challenging theme for us this year is the theme of Africanism. The drive here is to see how we can use the festival and the carnival as a uniting force for the African continent.”

    Ayade, who had flagged off the street party, said Africa is the emerging continent. He stressed the need for young men and women to promote Africa in their thinking, dreams, action, conduct and dress sense, and enjoined all to use the opportunity created by the processional dance and drama to tell the African story in a way that all understand.

    According to the judges of the last edition, Passion 4, one of the five competing bands, interpreted the theme better, hence were declared winner after the 12km Carnival that ended at the UJ Esuene Stadium. Seagull Band came second while Freedom Band came third.

    Also speaking on the theme of the carnival, the Leader of the Seagull Band, Senator Florence Ita-Giwa, said last year’s edition was the biggest and most relevant to the society so far.

    Ita-Giwa, a former Presidential Adviser, said they worked tirelessly to interpret the theme of the carnival. Her words: “I am happy the carnival has grown; last edition  was the biggest so far because of the theme Africanism. We told the story of Africa with a mind of moving us to retrace our steps.

    “We tried to shake off the mentality of colonialism and now establishing ourselves and in our efforts, a lot of great people have emerged. Go back through history, go to Mandela, go to Obama that became president of the United States. Even here in Africa, a lot of Africans are doing a lot of great things.”

    “The governor thinks strongly it is doable, he thinks that for everything, it begins with a drop,” an aide, Ken Aklah had said.

     

  • Kids thrill parents with ballet dance at Paddysco Sports event

    Parents, guardians and spectators were treated to ballet dance performed by kids at the Paddysco Sports Academy 2018 sports fiesta and awards last weekend.

    The event, held at the Astro turf Soccer Arena, Festac Town, Lagos, also saw youths from the academy exhibited soccer skills and breathtaking runs to the applause of the audience.

    The academy offers football, athletics, aerobics, ballet dance and other fun games. Others include sports seminars, talent discovery, skills assessment, and drills.

    The academy’s Chief Executive, Mr. Peter Azunnaya Okereke, said the academy, which started in March last year is “a system and structure that strives to engender genuine management of sports talents with a methodology that allows kids to reach their full potential and achieve their goals as well as complement the extra-curricular activities of schools for a well-rounded formation of children’’.

    “Since the kids are all students, we train them on Saturday mornings so that it does not disturb their academic performance. During the holidays, we include holiday programme where they train on Tuesdays, Thursdays and Saturdays. We have from active three years up to 15 years and they have their different categories.

    “This event is an end of the year event and award day. We are looking at these players who have over one year given us reasons to believe in what we are doing here. So we are going to encourage them by awarding them. So some of them will win awards on discipline, neatness, skillfulness. We are also recognising some individuals who are friends that want to come in and see how they can help the academy,” Okereke said.

    Ahmed Tolani, Ogbonna Michael, Onyike Harmony, Chukwumuanya Emeka Daniels were awarded the Most Valuable Player (MVP) Award. Chukwudebelu Chidalu, Onyeharam Chibuike Micheal, Amobi Chimezugo, Ukpe Favour and Afeez Azeez got the Most Disciplined Player Award.

    The Best Goal Keeper Award went to Ihezuru Chiagozie Favour, Onyeanusi Ifunanya and Nwachukwu Lawrence, and the Best Goal of the Year award went to Ulasika Elvis.

    The trio of Chinweze Somtochukwu Joseph, Ogbonna Raphael and Chukwueke King Benedict clinched the Best Striker Award.

    In the Ballerina category, Ekene Micah won the Overall Ballerina of the Year Award; Sophia Uzoamaka got the Most Flexible Ballerina award, while the Best dressed in Ballet kits went to Chukwueke Queen Lucia.

    Similarly,Nlemadim Munachimso received the Most Punctual and Responsive award.

  • Dance, Muhammadu Buhari, dance

    The trending news to which President Muhammad Buhari reacted a few days ago in faraway Poland reminds me of the tale they regaled us with in my childhood years.

    Years ago, long before I set my feet on that sleepy village soil, we heard of Ajiran, the town of the dead. I was too young and innocent to know where Ajiran was; whether it was a town set in the sky or tucked under the ocean. But the tale fired my imagination to know if it was indeed true that one could meet a dead relation alive in that town.

    You can then visualise how ecstatic and expectant I was when I saw in the campaign itinerary of Alhaji Lateef Jakande in 1978 – forty years ago – that we would be stopping on a whistle-stop campaign rally at Ajiran, as LKJ bidded for the governorship of Lagos State on the platform of the then Unity Party of Nigeria (UPN).

    “Ajiran, the town of the dead?” I was too eager to know where it was until our Landrover—the only means of transportation in that Maroko-Lekki axis at the time because of its sandy terrain—screeched to a halt and we stepped on the soil of Ajiran.

    My eyes started darting from one end of their socket to the other to see if I would see my very beloved maternal grandfather, long pronounced dead and buried in faraway Ijebu Igbo in Ogun State, in that mystic town. Throughout our stay in the town, I looked in vain as no hitherto dead person that I knew appeared to me in the town, now one of the choice living areas on Lekki-Epe Expressway in Lagos.

    No one I enquired from could offer any satisfactory explanation why that town was referred to in that manner and I quickly dismissed it as one of the fantasy tales of our childhood years.

    That experience of 40 years ago crept back to my consciousness when a fresh story was concocted from goddot that Nigeria’s President Muhammad Buhari had died a year ago and that the gangling man you and I see on TV and other news media these days as our president is no longer the retired soldier from Daura in Katsina State but a certain Jubril from Sudan.

    Why Sudan and not nearby Niger or Chad? Or what does anyone gain from such fabrication? That must be imagination crafted from outer space. It makes me wonder why some Nigerians are filled with such murderous imagination, that many wonder why such ingenuity has not yet been converted to positive uses as you have in the more civilised world.

    But why do we from this part of the world prefer darkness to light in several of our dealings with ourselves – lying without batting an eyelid, malign with murderous motive and assassinate character or even body without caring a hoot? Whoever survives the evil scheming of man deserves to be happy and be filled with thanksgiving.

    I now see the import and sense in a song rendered by Sikiru Aýinde Barrister, the Fuji music creator, in one of his long playing records, that whoever people “kill” with their mouths but survives the unrelenting assaults deserves to dance for joy. In his exact words, the Fuji king sang:

    O ye ko jo, o ye ko yo,

                       Eni araiye pa pa pa, ti o

                       ti o ti e ku;

                       O ye ko yo o

    If President Buhari decides today to assemble musician’s like Onyeka Onwenu, Wasiu Aýinde Marshal and Thrace or Dan Maraya’s successor in the North and decides to dance before each of these artistes even before the 2019 presidential election is due, it’s worth it and more, for a man whose only sin is that he has taken it upon himself to set a commendable moral tone for the nation.

    Dance, Muhammad Buhari, Dance and rejoice in your God!

  • Dance, political therapy

    Some fellow kicked a fuss about Adams Oshiomhole’s dancing habits at campaign rallies and asked for comments. I would humour him before I replied with a Yoruba church song; “Kole so ori apata”, meaning one should build one’s house on a rock. I remarked that was Nnamdi Azikiwe’s favourite chant at rallies. If he needed an orchestra conductor in those heady, informed and unflattering years of the struggle for freedom, he readily found one in Azikiwe, popularly known by his pen name, “Zik”.

    Zik danced at rallies with market women and the “boys”, especially “Wahala” Benson and team swarming round him in Lagos on the stage. Perhaps, the comrade, helped by his antecedent, is echoing, though loudly, that Nigerians should build their state on a rock. Events of the past 32 years compel him to say it loud and clear in every means imaginable and available, including dancing to pass the message. We were thrown into a social, political and economic cauldron by wicked and insensitive leadership with no integrity; that would not care about our future. Such leadership must never again attend to the lives of Nigerians; wholly wasted years of no development. It was necessary to proceed to report Osagyefo Kwame Nkrumah, sporting the Gold Coast-style “Danshiki” later known as (PG) prison graduate, wearing medium-Afro hair cut, strutting the rostrum and gyrating with Accra Makola market “mammas” and the “Venrandah Boys”, to tunes of E. K. Nyame’s or Onyina’s bands in authentic highlife music.

    After all, Queen Elizabeth II danced to Ghanaian highlife in 1961 at a grand reception in Accra to save the Commonwealth from losing Africa. See how wonderful the rescue therapy of “dance”!

    Did he ever hear of popular politicians like Humphrey Omo-Osagie (alias B2) and Adegoke Adelabu (penkelemes) and their electrifying and crowd-pulling stagecraft and wisecracks? They were not squares. Only “men of the people” are called in politics and not “big men” who are small before the people. They ruminate in their over-estimated self-esteem to fight for spoils of victory, dictating specific offices for persons of their chosen. That is greed and not public service. Obafemi Awolowo danced at political outings, though not as dexterously as the labour leader Comrade. Has Oshiomhole ever committed a faux pas at rallies? No.

    We strode outside Nigeria to Kenya, pointing to the painting of Jomo Kenyatta on stage reeling shouts of “Harrambe”! and “Uhuru”! in measured Kikiyu dance steps at rallies. Remember Mandiba Nelson Mandela on stage in his native jumper and his legendary African dancing mode at political outings, gliding to Zulu and Xhosa music.

    Perhaps, my young prude did not know that they danced at American campaign gatherings, with all the razzmatazz that followed the train. So one reminded him of how at the closing days of Bill Clinton’s march to the White House, he stopped speaking but entertained the ever-growing electorate with his saxophone and his jazz dance as a maestro.

    Al Gore repeated the same fashion to gain more than three million majority popular votes over George W. Bush in the queer American electoral system which he lost. Dance Comrade Adams to rescue us from the grips of the parasites that have sucked Nigerians’ blood for decades. Who would match Donald Trump in twisting the head, neck, hands, fingers and with calculated steps, pacing the rostrum, even on ordinary outings to communicate with his followers?

    The good news in Nigeria now is that the ruling party is being purged of the impurities that kept die-hard Buhari’s acolytes like me at bay. I could not wear the same political colours with many of those locusts who left the party and that is why it is victory that Oshiomhole is stripping those masquerades naked. Well done but there is a lot more to win the war against planlessness and social corruption the “grab-grab” philosophy of SAP bequeathed to Nigeria.

    Those Buhari assembled to help him fight the battle seem to operate without a common ideal. Some still worship the discredited Breton Wood School. Others really do not know why they are in government because they are neutered philosophically.

    This is why while one welcomes the departure of Kemi Adeosun, one is not sure whether Zainab Ahmed, the replacement, has the philosophical and political sagacity for the job. Nigeria needs more than whistle-blowing and plugging leakages to recover from the decay of the lost 38 years.

    Nigeria needs a finance minister that could set targets on various aspects of growth and development-agriculture, manufacturing, public works and manpower needs.

    Festus Sam Okotie-Eboh, Obafemi Awolowo the duo of Etukudoh and Oluleye produced the greatest practical development any African country ever achieved, except the mark reached under J. H. Mensah and Robert Gardener in the early days of Ghana under Nkrumah.

    Then, we employed the whole of Africa and beyond; Europeans and Asians begging for attention. It was then we held tight to the doctrine of “expatriate quota” because we had more than enough local quality manpower to meet our needs.

    One does not feel comfortable with talks of foreign loans for this and that. What are we doing on our part to solve those problems with local men and materials? Have we tried and failed, which is positive approach? One feels humiliated seeing our revered President Muhammadu Buhari participating in China-Africa or USA-Africa or India-Africa or Europe-Africa summits. Have we sunk so badly that we approve all sorts of plots for aid? So also am I disappointed with people talking of foreign exchange parity. What are we producing to sell to the world? We slumped from producing for most of Africa to thoughtless importers.

    Neither China, India, Germany, France, Russia, Japan nor Britain can lift us from our present fall. Only Nigerians can rise on their own with a push and a philosophy that build immeasurable confidence in them. I am happy stars like Mohammed Buba Marwa are returning to the APC to lend a helping hand to Buhari. We need men who believe in “do-it-yourself”. Samuel Ogbemudia, Audu Bako, Lateef Jakande, Esuene, Bisi Onabanjo, Bamanga Tukur and some others of my generation beat the world in solving problems in the past.

    Buhari should be praised for convincing German, French and British industries; which shut their operations in Nigeria, to return to revive their plants. This is the beginning of actual recovery; not the vain talks of foreign exchange parity in a country that was not producing anything for any foreign currency to buy but crude oil. Welcome my Volkswagen.

    Yet we find Nasir el Rufai, Babatunde Fashola and their school always looking for solutions outside our shores. Should not we be able to solve our power problems by building new plants and equipment with local men and materials? Did Chinese, Japanese, Indians and others have better human and material endowments if we had upheld the spirit of the 1960s to 1970s? We have the men, materials and climate to assail those handicaps we now experience, despite the prevailing pinpricks. Men trained in our universities are leading scientific research institutions in America and Europe. We helped to build Saudi Arabia, Dubai and Kuwait. Why one should praise Buhari’s attempts to rebuild our national structure, the absence of thinking persons largely is evident in his administration but for the services of Audu Ogbeh, Ogbonaiya Onu and Onyeama, comparatively older hands, who operate from clear-cut philosophy of patriotism.

    Buhari in three years has shown the way forward. As my friend and colleague, Ted Layiwola Aderinokun, often reminded people, should one opt for a goat as one’s sentinel because one has no dog? This guard dog, Buhari, is good enough for us, not a goat that wasted $411 billion in six years to buy disaster. But Buhari must mobilise all Nigerians for the recovery crusade which should not be for contractors alone as some of his aides would want. After all, the lofty heights we ascended in the 1960s and 1970s were via a mixed economy, not by private sector alone, which has failed after 32 years. So consider direct labour and government participation in industries. What is the contingency for electric power now that the present scheme has failed?

  • Dance, drama light up Celebrate the Comforter in New York

    New York City was virtually lit up in white that day. Members of the Celestial Church of Christ Worldwide, clad in white, literarily brought down the roof with praise at the 2018 Celebrate the Comforter convention organised by Love of Christ Generation Church at the United Palace on Broadway, EVELYN OSAGIE reports.

    Children of God, will you shout Hallelujah… Shout Hallelujah…will you shout 10 times…,” began the Ooni of Ife, Oba Adeyeye Enitan Ogunwusi, as he called for love and unity in the church.

    He was one of the special guests at the 2018 Celebrate the Comforter convention. It was an over six-hour power-packed praise attended by former President Olusegun Obasanjo; the Chairman of Ovation Media Group, Bashorun Dele Momodu; and frontline artiste Jide Kosoko, among other dignitaries.

    It was a beautiful gathering of people – young and old – clad in stylish white robes of various fabrics and designs.

    There were music, drama and prayer ministrations, but people will not forget the thrilling songs that made them dance “like David danced”. The United Palace on Broadway, New York was virtually  lit up in white as thousands of worshippers from the two main denominations of the white garment movement, Celestial Church of Christ (CCC) Worldwide and Cherubim and Seraphim (C&S) Church Worldwide, came together in a unification service. The event was convened by Revd Mother Esther Ajayi, the General Overseer of Love of Christ Generation Church, London.

    The maiden edition was held at the Excel, London last year.

    Led by His Eminence, Prophet Adegboye Alao, Head of the C&S Worldwide and Pastor and Supreme Head of the CCC Worldwide, Rev. Emmanuel Mobiyina Oshoffa, the worshippers literarily brought the roof down with explosive praise and worship songs.

    The power-packed music ministrations were rendered by the 150-man mass choir, which comprised worshippers from C&S and CCC and notable artistes, such as Sinach, Sir Shina Peters, Lanre Teriba (Atorise), Evang. Olatunde Olomola (Baba Ara Jnr. of CCC), Lady Evang Bisi Alawiye, saxophonist Ayoide Mustapha, Bai Yewu, Esther, Muyiwa and Riversongz.

    The event was graced by church leaders from other denominations, such as Prophet Samuel Kayode Abiara of the Christ Apostolic Church (CAC).

    At the event, men of God took turns to  pray for peace in Nigeria and the world.

    With the theme, Celebrate the Unity in the Holy Spirit, the essence of the celebration, according to the convener, was to bridge the gap in the body of Christ because other churches are always invited and carried along. She added that it was also to disabuse the minds of the people about white garment churches, especially “those who are hypocritical about us”.

    “The body of Christ is one, not divided” according to 1 Corinthians 12:1 to end. White garment churches are Bible believing churches and should not be discriminated against,” she said, while stating that the reason behind holding the first edition in the UK and the second edition in the United States was to ensure that the celebration of Christ got maximum world attention.

    “I am happy that our efforts to unite the Celestial Church of Christ and Cherubim and Seraphim Church have started yielding fruit. Both churches came together to proclaim the name of Jesus, evangelise, pray for peace,” Ajayi, who is also referred to as Iya-Adura, said.

    Overwhelmed with the turnout, Iya-Adura linked its success to prayer and fasting before the event, noting that the third edition would hold next year at the Tafawa Balewa Square in Lagos.

    Word on the Comforter was delivered by her husband, Dr. Ademuyiwa Ajayi, while her daughter, Ola Ajayi, who is her personal assistant, was the director of programmes.

    “I have worked with some fascinating characters: from Hollywood royalty to real royalty; pop stars to politicians; presidents and prime ministers; sports heroes, superstar celebrities, captains of industry and everything in between. I have heard every sort of story, told by every type of person, but I can truly say that I have never heard a story like that of Esther Abimbola Ajayi, nor have I ever met anyone like her.

    She is embarking on a full-frontal assault on culture: releasing her book, CRAZY FAITH and much more,” said African American Pastor as he took Rev Ajayi into his Live network programme viewed across the globe.

    He added: “When you first meet Rev Esther, you are immediately struck by her energy; she has real swagger. Not in an arrogant, look-at-me kind of way, but with a self-confidence born out of a clarity of purpose and identity.  She bounds into the room like a ‘force of nature’, and her conversations are punctuated with “It is going to happen at some point!” and “God is in it.”

    Also, Comforter Bibles and other gifts were distributed to all attendees.

  • Oshiomhole: Beyond the song and dance

    Sir: Divine elements, apparently working in harmony with existential considerations as well as the avuncular disposition and approbation by President Muhammadu Buhari culminated in the consensual coronation of former governor of Edo State, Comrade Adams Oshiomhole at the party’s June 23 national convention in Abuja. The magnitude of the strategic political concession that produced the Oshiomhole consensus also bore the obligatory imprimatur of the party’s 24 state governors who provided the essential validation that resolved the previously contentious issue in his favour.

    From the initial audacious notices of intention to vie for the position of national chairman by no fewer than five persons and the acrimonious outlooks that the scramble for the position had assumed, huge pressure had been piled on the party under the leadership of Buhari who had to act expeditiously and sagaciously by making two down-to-earth and back-to-back interventions.  The first was to overrule the decision by the National Executive Committee (NEC) of the party to extend its tenure by a year by calling for congresses and convention, thus obviating a legal conundrum.

    The second and, perhaps, more strategic intervention was the expression of his preference for Oshiomhole to take over from Chief John Odigie-Oyegun as the new navigator of the APC ahead of and beyond the 2019 general election. Significantly, Buhari did not impose Oshiomhole by presidential fiat. His candidature merely and justifiably enjoyed lofty presidential recommendation. That recommendation was shorn of political shenanigans. There was no need for Buhari to dissimulate and vacillate on the issue, having been convinced that the party needed the Oshiomhole persona at this time.

    Beyond the song and dance of his coronation, Oshiomhole’s concern is how to lock in the vast majority of votes required in renewing Buhari’s mandate in the 2019 presidential election. That is how to prove that the confidence reposed in him by the president and the party was not misplaced. That is the burden that Oshiomhole bears. Indeed, having consummated the ultimate leadership deal, Oshiomhole’s immediate task is to chart a trajectory towards a renewed, vibrant and robust political configuration in the APC. He is expected to deploy his persuasive powers and negotiating skills in the execution of his responsibilities and the initial chore is to resolve the problematic issue of the new Peoples Democratic Party (nPDP) that stares the APC in the face like a veritable bugaboo. He is obligated to build a united political family in strategic counterpoises to the dialectics of oppositional politics.

    Oshiomhole is also expected to espouse and expound socio-political and economic issues within the context of APC’s manifestoes and governance philosophies. In driving pro-people national conversations, he will be defining and giving bites to the party’s electioneering onslaught against the opposition ahead of, during and after the 2019 presidential election. With a massive capacity for oration, he is expected to persuasively sell Buhari’s re-election campaign promises to Nigerians by energizing and sustaining narratives that are essentially pro-Buhari and anti the leading opposition party and its presidential candidate.

     

    • Sufuyan Ojeifo,

    ojwonderngr@yahoo.com.

  • One Corner Dance- The darling of parties, events

    One Corner Dance- The darling of parties, events

    Dance forms a very important aspect of our identity as a people. It most times is at the epi-centre of our culture and tradition.

    We communicate and share our essence with global audiences when we dance, especially our traditional dances.

    Although, to be a good dancer you need a lot of practice and training and would be easier if the talent is inborn.

    However, when dance loses its rhythm and essence, it not only becomes a ‘demonstration of craze’, but reduces man to states of bestial tendencies; more or less like a macabre dance.

    Social media have been set ablaze with the trending song called ‘one corner dance’. This song by Patapaa Amisty, a Ghanian musician, requires some level of craziness to flow with it.

    The winning strategy for this song was the introduction of a dance competition online; this meant that the winner carts away with a huge sum of money.

    The dance competition made the song more popular (or should we say – notorious?), because both the old, young, celebrity and ordinary person danced enthusiastically and posts it on their various social media platforms.

    This song has spread like wildfire such that it has become the darling of wedding parties and youth events, not just in its place of origin (Ghana), but also in our beloved country – Nigeria.

    The question that readily comes to mind is – Is there a possessive spirit behind this song or is it an avenue for people to escape from the harsh economic and social realities that continues to stare them in the face like a one-eyed monster?

    Can we say that those who dance to this song in weird manners do so without any sense of reasoning? Please before you start to throw tantrums on the writer…HOLD UP!

    This should be an appropriate point for our regulatory bodies like the National Broadcasting Commission ( NBC ) to step up and take charge of the airwaves because apart from the fact that this ‘alien’ song has been surreptitiously introduced into our country, this song is gradually eating deep into the comportment and perceived sanity, especially among our youths and teenagers who have too much energy to burn.

    The One Corner song is powered by merriment dance, which is hilarious in its notion. It is a sexualized dance movement in the sense that you move your waist in a sexual form.

    Obviously, we (the youths) are already drowning in the ocean of ignorance and have thrown caution to the wind when it comes to ‘dancing.’

    Although culture (dance inclusive) can be a viable source of revenue for the country, however, it is also very expedient that we tell the narrative of our rich tradition in the right way.

    In Conclusion, Nigerians especially the youths should be more innovative and creative, and stop waiting for the chance to feed on another man’s creativity, especially when it is bereft of cultural ideals.