Tag: dance

  • Globacom begins registration for Dance with Peter

    Globacom begins registration for Dance with Peter

    The much publicised Globacom-sponsored dance reality show, Dance with Peter, anchored by Peter Okoye of the P-Square group, has begun registration of prospective participants.

    The indigenous telecommunications company has asked that ‘those interested in participating in the show can register by sending ‘DANCE’ to the short code 55517 in Nigeria and 3030 in Ghana through their Glo lines.”

    The cost of registration, according to the organizers, is N100 for Nigeria and 0.5GHc for Ghana. “Once they send the SMS to the short code, they will then be requested to send their details such as Name and Location at no extra charge. All successful registrations will get a confirmatory SMS with instructions on what to do next,” the company said in a statement.

    As advertised, the best dancer in the competition will go home with a brand new Toyota RAV 4 with N3million and the rare opportunity of featuring in P-Square’s next music video.

    On the other hand, the first and second runners-up, will receive a brand new Honda Civic car, N2million and a brand new Kia Rio car with N1million respectively and a chance to feature in a top Glo Ambassador’s music videos.

    The audition train led by Okoye is expected to start the show in Abuja on Friday, August 28, at the Shehu Musa Yar’adua Centre, Central Business District. And from Abuja, the next set of auditions goes to Ghana, at the National Theatre, South Liberia Road, Accra, on Tuesday, September 1.

    Oba Akenzua Cultural Centre, Airport Road, Benin City, the capital of Edo State is the next stop on Friday, September 4 while Lagos will host the audition team on Tuesday, September 8, at Bamako Studios, 1 Bamako Street, Ojodu, Lagos.

    Organisers say final audition for Dance with Peter will hold in Port Harcourt on Thursday, September 10, where prospective dancers in the show will be auditioned at the Atrium Event Centre, Stadium Road.

    The show will feature legends such as Peter, Kaffy and Flex as judges, while Ehis Okoegule of MTV Base will be the host.

  • Dance With Peter reunites Okoye family

    Dance With Peter reunites Okoye family

    Evidence of normalcy in the purported troubled relationship among siblings of the Okoyes, family of popular twin singers, PSquare, emerged Saturday during the launch of Dance with Peter.

    The show, which is another entertainment offering by Globacom, and anchored by Peter, one-half of PSquare, had friends and the Okoyes at the event, which held at Silverbird Galleria, Victoria Island, Lagos.

    An elated Peter shared the good news on the social media, saying “And it was a great unveiling of DANCE WITH PETER with family. It’s fresh and new.”

    Fans have been posting comments, commending the family for coming together to show their support.

    Interestingly, one person that seems to have everyone’s attention at the event was Lola Omotayo-Okoye, who has been commended for her simplicity and humility.  Jramzeei said: “@lolaomotayo, I must say she’s humble, simple and gentle. She didn’t crave for the limelight; she just stood with the crowd downstairs. I admire that. But I didn’t see @rudeboypsquare yesterday, he didn’t come on stage.”

    Tiwacutie said: “@jramzeei so true they even asked her to come forward but she said she was okay very humble.”

    Organisers say Dance with Peter is a Reality TV dance show that aims to change the generally perspective of dance.

    The vision, conceived out of the need to redefine dance and its competitiveness, brings on board Peter Okoye, an experienced dancer who is a role model to many youths.

    The show will have Peter making his debut as a judge/mentor in a Reality TV series. Dance Queen, Kaffy, Flex and an international superstar guest are expected to compliment him.

    According to the organizers, the show is open to solos, duets and groups of four from different dance backgrounds.

    However, contestants will be selected as individual performers, and will be mentored in the house as such.

  • Dance contest thrills poly students

    Hundreds of students trooped to the Aluta ground of the Federal Polytechnic, Offa (OFFA POLY) to witness the maiden edition of Xceptional Dance Marathon (XDM) organised by Jennifer Umeh, a ND II Mass Communication student and CAMPUSLIFE reporter.

    The show was to promote students values, bond and sportsmanship. Many students showed interest to participate in the show. About 50 students were initially admitted to take part in the dance marathon but they were shortlisted 10. The successful dancers thrilled their colleagues in the grand finale, with songs and dance steps.

    Remilekun Olayioye was declared the winner of the marathon dance. She was presented with standing fan, DVD player, a pack of Indomie and free slot to partake in WAZOBIA Dress Competition.

    Yusuf Olaoye, who clinched the second position, also went home with a DVD player, a cartoon of noodles and a free slot to participate in the dress contest.

    Mutolib Hussein came third and was rewarded with an Indomie pack and a free slot to participate in the dress contest.

    The union president, Festus Adedeji, described the dance marathon as an effective platform for students to showcase their abilities. He urged students not to hide their talents but use them to improve the lots of the people around them.

    The host, Jennifer, said the Xceptional Magazine crew was commitment to discover students’ talents and position them for ventures that would make them grow and network among students.

    Remilekun hailed the organiser, describing the show as innovative.

     

  • Dance champions

    Dance champions

    Nigerians have crowned the Utere family from Port-Harcourt, Rivers State winners of the 2014 edition of Family Dance TV show, Maltina Dance All 8 (MDA), at a colourful ceremony, NNEKA NWANERI writes.

    After weeks of suspense, drama and excitement which kept millions of Nigerians glued to their television screens, the Utere’s went home with the star prize of a whopping N10 million after securing the largest number of votes in the keenly contested competition. The show which is reputed for promoting family values, bonding and happiness and sponsored by Maltina, a premium malt drink from the stable of Nigerian Breweries Plc took place at the Eko Hotels & Suites Victoria Island, Lagos.

    Apart from the grand prize of N10million, the family also earned the title of Nigeria’s number one dance family while the Uzodinma family who claimed second position went home with N3m. The Odigie family, who came third, were rewarded with N1m.

    It would be recalled that 10 families were initially admitted into the famed Maltina dance academy after which they were subsequently whittled down to the four families – Utere, Uzodinma, Odigie and Unanka – that took part in the grand finale.  As anticipated, the show which was beamed live across select TV stations was filled with excitement. The four families that made it to the grand finale competed in two dance styles – Rhythm of Naija and Hip-hop.

    The families first competed in the “Rhythm of Naija” dance style. The Utere family, who were first on stage, set the tone for an awesome night with a dazzling performance to Shake Bodi by Skales much to the delight of the audience. The Unanka family who were next also impressed with their performance to Mavin’s Dorobucci hit song. Their performance was followed by that of the Uzodima family who danced to Lil Kesh’s Shoki and Odigie family who performed last, danced to Ukwu by Timaya.

    The next dance style performed by the families was the hip-hop style. The order of performance saw the Uzodinma family perform first while Utere, Unanka and Odigie followed suit respectively.

    At the end of the entertaining displays showcased by the families, tension in the hall was palpable as the final votes were awaited. After the voting process ended and the results certified authentic, Utere family was announced winner as voted by Nigerians while the Uzodima and Odigie families came second and third respectively.

    Speaking at the event, Senior Brand Manager, Maltina, Mr. Adewole Adedeji, stated that the Maltina Dance All platform has been very effective in audience engagement. He said “the MDA platform has been sustained over the past 8 years because we are a consumer-centric organisation. We will continue to invest in the things that create positive experiences for consumers to connect with each other and also with our brand. The reason why we have sustained it this far is majorly because it connects with consumers”. He also described this year’s MDA as the best ever and revealed that next year’s edition would be more exciting.

    Wilfred Utere, the family representative of Utere family, who was visibly filled with joy, expressed his excitement for winning this year’s MDA competition. He said, “My family and I are short of words to describe how we feel now. It is so overwhelming to be crowned winners tonight. We have really worked hard to be here today. I want to thank all those who have supported us all the way. I want to also thank Maltina for giving us a platform to showcase our talents and to also be rewarded with this huge amount of money.” On what the family plans to do with the N10 million, Wilfred stated that amongst other things, he would open a dance studio as well as further his education abroad.

    As Nigerians wait for what next the brand has up its sleeve, they will not forget in a hurry the fun and excitement that was the hallmark of the 2014 edition of the MDA tagged “Rhythm of Happiness.”

  • Arogbo-Ibe Day… Ijaw festival of colour, music, dance and talks

    Arogbo-Ibe Day… Ijaw festival of colour, music, dance and talks

    For several reasons, including the presence of dignitaries, including Bayelsa State Governor Seriake Dickson, Minister of Culture Edem Duke, Amnesty Programme Chairman Kingsley Kuku, Alhaji Mujahid Dokubo-Asari and Nollywood stars, this year’s Arogbo-Ibe Day will linger in the minds of sons and daughters of the Ijaw town for a long time to come, reports OLUKOREDE YISHAU

    It is day two. Friday was the first day of festivity. Time is some minutes past ten in the morning. It is Saturday, September 27. The speed boat berths at the jetty in Arogbo. It is a five-minute ride from Agadagba. The vegetaion and aura tell you this is simply Niger Delta in Ondo State.

    A first time visitor cannot but notice the floating NNPC filling station, which services the needs of boat engines.

    An old woman sprinkles water on those willing with palm front. It is said to be a purification exercise for people coming into the town. It makes you clean and whole! Non-indigenes dodge it though.

    It is immediately obvious the riverine Ijaw town is in festive mood. It is the Arogbo Day.

    Men, women, boys and girls are dressed specially. The town square is extra busy because of visitors that are expected to come in from other Ijaw enclaves in Bayelsa, Delta, Rivers and so on.

    It is soon obvious the town is a typical riverside community: few cars brought in through the sea; houses made of woods; a chunk of modern structures scattered like china wares; and women selling fresh or fried fishes.

    Solar-powered street lights line the concrete roads, which only came to be some months ago courtesy of the town’s most influential son, Kingsley Kemebradigha Kuku (K3), who is President Goodluck Jonathan’s Special Adviser on Niger Delta Affairs and Chairman, Presidential Amnesty Programme.

    Some years back, the nice shoes on feet would have been booths because the roads were marshy then. The concrete-slab roads are complete with culverts. The jetty also looks better than before. Few Niger Delta communities boast of these infrastructure. It is just unprecedented.

    Walls bear allegiance to the fact that the 2015 elections are here. Aspirants’ posters for House of Assembly and sundry positions adorn painted and unpainted walls.

    Ijaw songs blare out from giant speakers in a number of outstanding edifices.   A floating hotel also supplies music for whoever cares to listen.

    In a part of the town, canopies take over sizeable space on a road complete with chairs and a live band. On another street, hip hop songs blare out of giant speakers, with boys dancing their hearts out.

    At the river bank, the boat regatta starts around 1pm. Many gather to look at the regatta teams dressed in native attires singing and dancing to drums beaten by experienced Arogbo drummers. Women bear their kids to the river bank to witness the colourful display. Traditional rulers are not left out. They are here with their entourage to see the display by the regatta teams.

    Cheers break out from time to time when any of the team is seen to have performed spectacularly. The rain comes from time to time. But, the show continues.

    The regent and Tarabiritorhu of Arogbo Kingdom, His Highness Amos Sofiyea, takes a break from a programme to bear his mind about the festival. He says it is an opportunity for the people to come together and remember their culture and traditions. He adds that it affords them the opportunity to chart the way forward for the Ijaw Nation.

    His words: “It is a great day for Arogbo kingdom and its people. We come together to merry and also display our culture.”

    The views of the chairman of the Organising Committee, Kennedy Eperetei, are not so different.

    He says:”It is a day for our people to come together for us to remind ourselves about our culture and traditions. It also affords us the opportunity to meet people we have not seen for a long time.”

    It is soon time to talk about the ‘environmental terrorism’ afflicting the Niger Delta. A lecturer at the Lagos State University (LASU), Prof Didi Moro, gives a lecture on “Nigeria and the Question of Development in Coastal Niger Delta Areas”.  He takes the place of Alhaji Mujahid Dokubo-Asari. He has harsh words for the government which, he says, has failed to address the Niger Delta question over the years. He likens the failure to address this question as man’s inhumanity to man.

    Moro says efforts to develop the Niger Delta have fallen short of the people’s expectations, adding that interventionist efforts, such as Niger Delta River Basin Authority and the Oil Mineral Producing Areas Development Commission (OMPADEC), have all failed. He urges the Niger Delta Development Commission (NDDC) to be more proactive, adding that until the Niger Delta is given its due, development remains a mirage.

    He wonders how development will come to the coastal communities when there are no roads and electricity.

    Moro queries why the coastal road that will link Lagos to the coastal areas of the Niger Delta in record time is not receiving the required attention.

    The Environmental Biology expert says the people drink water that can harm their health. He adds that diseases, such as cancer, can be contracted by drinking the water in almost all the coastal communities.

    Moro also says coastal communities lack tertiary institutions and have to go elsewhere to get educated.

    “The Niger Delta has not got its due from anybody. It has suffered enough alienation, enough deprivation and it is time for us to ask for what belongs to us without fear. We must ask for our right. Posterity will not be fair to us if we refuse to ask for our rights,” he concludes.

    After the lecture, the rain assume a frightening dimension. It pours on and on. But, the shows continues. As it rains, speakers react to the points in the lecture. Many dance to the Ijaw band’s rendition. One or two even dance inside the rain as if daring it to do its worst.

    One thing that keeps coming up during the ceremony is Kuku’s name. Speaker after speaker praise him for his efforts in developing the town.

    It all appears all has come to an end after the regent gives a closing remark.

    Asari’s arrival at some minutes to 5pm increases the tempo of the dance in the rain. Dressed in all white buba and sokoto and white slippers, he participates in the vigorous dance after exchanging pleasantries with a few on the high table and waving at others. His presence seems to encourage more to dare the rain. At this time, the rain means almost nothing again. It can as well go on for all they care. And then music goes on. Dance. Dance. Dance. And more dance. It seems no end in sight again. Then an all-night show in honour of a late Ijaw music icon, Bozimo, ensures day two rolls into day three, with music and dance and merriment.

     

    Last day

    The festival’s programme starts at 6am. Not even church can stop many from basking in the last day’s glory. The people are not in their Sunday best, but in their ceremonial best.

    Like at some point the day before, fireworks boom. You can mistake it for guns booming. It is all part of the celebration.

    The ogele procession sees women, men, boys and girls marked with white chalk on their faces and white scarfs on their foreheads circling the town. Others wear blue dresses and tie blue scarfs on their foreheads for the ogele procession. Some just do it with no specific kind of uniform, but with painted face. Another group even adds a band singing Christian hymns to their procession.

    The crowd the day before soon becomes a child’s play. Bayelsa Governor Seriake Dickson arrives with his entourage. Kuku receives them at the jetty and leads them through the water from Agadagba to Arogbo. He visits the palace of the regent and speaks about the Ijaw people.

    His words: “This Arogbo day celebration is very unique and I am here to underscore the importance of our culture, the need to continue to strive  and uphold our culture and preserve our land. I am happy with what is happening in Arogbo. I came here to express our appreciation of what Arogbo kingdom is doing, ensuring that the tradition of our land is preserved  even in this environment that they have been staying for 100 of years. This is a fast developing community and as I said earlier, Arogbo-Ibe needs more support from all levels of government.

    “ I shall take it up with my friend and brother, the governor of Ondo state, Governor Olusegun Mimiko and I can assure the people of Arogbo that other government agencies will  also come in. There are lots of  things that Arogbo-Ibe can do better. There is a lot of determination on their part, a lot of good things are happening here and with what my younger brother, Kingsley Kuku is doing, I believe working with him, I think we can do better. Arogbo-Ibe needs more support and we will surely live up to expectation whenever we are called upon.”

    Minister of Culture Edem Duke soon comes in and stays till the night to participate in the award night.

    Duke says: “Warm greetings from President Jonathan who would have loved to be in Arogbo personally but for the 54th independence anniversary church service holding in Abuja today. He wanted me to represent him here not only because I’m  the Minister of Culture or because I am going to a territory where tradition has become a lasting heritage of a proud Arogbo Nation. For me, more importantly, it is a home coming because as some of you will know, thirty six years ago, I was a teacher in Ondo State. Therefore, for me to come to this wonderful kingdom and meet these wonderful people and faces, in fact, in the whole of Nigeria, I don’t think we can have as many beautiful women as much as I have seen in Arogbo today.

    I salute the women, mothers and youths. Let me reiterate  that the president of the biggest black nation of the face of the earth is an Ijaw man. Upon becoming President, the biggest problem confronting him  was solving the problem of the Niger Delta youths and of all the 170 million Nigerians that are resident in Nigeria and over 20 million that are resident outside Nigeria, he found a worthy son from Arogbo kingdom to perform this onerous task. I think it is a matter of pride to Arogbo. Mr President has equally asked me to tell you people that one of the greatest success this administration has recorded is to have used Kuku to solve the challenges of the Niger Delta. Today, many youths of the Ijaw nation have traveled far and wide to places, such as U.S.A, Japan, Britain, Malaysia courtesy of the Amnesty Office headed by Kingsley Kuku.  There is no where on the face of the earth that Kingsley Kuku has not facilitated the visitation of the Niger Delta people. Therefore, it is proper that we celebrate this young man. A man of  dignity, courage, passion  and a humble Arogbo young man. I salute you on behalf of Nigeria and on behalf of the Mr President on the historic recognition by your community.”

    The award night also sees Nollywood stars, such as the President of the Actors Guild of Nigeria (AGN), Ibinabo Fiberesima, Victor Osuagwu, Patience Ozokwo and others, identifying with the Arogbo people. Ace comedian Julius Agwu also witnesses the event.

    By the people’s admission, this year’s festival is one like no other and will forever linger in their memories. But, with a son like Kuku, next year’s festival may even be better. Who knows what magic in terms of infrastructure will be added by then?

    t is day two. Friday was the first day of festivity. Time is some minutes past ten in the morning. It is Saturday, September 27. The speed boat berths at the jetty in Arogbo. It is a five-minute ride from Agadagba. The vegetaion and aura tell you this is simply Niger Delta in Ondo State.

    A first time visitor cannot but notice the floating NNPC filling station, which services the needs of boat engines.

    An old woman sprinkles water on those willing with palm front. It is said to be a purification exercise for people coming into the town. It makes you clean and whole! Non-indigenes dodge it though.

    It is immediately obvious the riverine Ijaw town is in festive mood. It is the Arogbo Day.

    Men, women, boys and girls are dressed specially. The town square is extra busy because of visitors that are expected to come in from other Ijaw enclaves in Bayelsa, Delta, Rivers and so on.

    It is soon obvious the town is a typical riverside community: few cars brought in through the sea; houses made of woods; a chunk of modern structures scattered like china wares; and women selling fresh or fried fishes.

    Solar-powered street lights line the concrete roads, which only came to be some months ago courtesy of the town’s most influential son, Kingsley Kemebradigha Kuku (K3), who is President Goodluck Jonathan’s Special Adviser on Niger Delta Affairs and Chairman, Presidential Amnesty Programme.

    Some years back, the nice shoes on feet would have been booths because the roads were marshy then. The concrete-slab roads are complete with culverts. The jetty also looks better than before. Few Niger Delta communities boast of these infrastructure. It is just unprecedented.

    Walls bear allegiance to the fact that the 2015 elections are here. Aspirants’ posters for House of Assembly and sundry positions adorn painted and unpainted walls.

    Ijaw songs blare out from giant speakers in a number of outstanding edifices.   A floating hotel also supplies music for whoever cares to listen.

    In a part of the town, canopies take over sizeable space on a road complete with chairs and a live band. On another street, hip hop songs blare out of giant speakers, with boys dancing their hearts out.

    At the river bank, the boat regatta starts around 1pm. Many gather to look at the regatta teams dressed in native attires singing and dancing to drums beaten by experienced Arogbo drummers. Women bear their kids to the river bank to witness the colourful display. Traditional rulers are not left out. They are here with their entourage to see the display by the regatta teams.

    Cheers break out from time to time when any of the team is seen to have performed spectacularly. The rain comes from time to time. But, the show continues.

    The regent and Tarabiritorhu of Arogbo Kingdom, His Highness Amos Sofiyea, takes a break from a programme to bear his mind about the festival. He says it is an opportunity for the people to come together and remember their culture and traditions. He adds that it affords them the opportunity to chart the way forward for the Ijaw Nation.

    His words: “It is a great day for Arogbo kingdom and its people. We come together to merry and also display our culture.”

    The views of the chairman of the Organising Committee, Kennedy Eperetei, are not so different.

    He says:”It is a day for our people to come together for us to remind ourselves about our culture and traditions. It also affords us the opportunity to meet people we have not seen for a long time.”

    It is soon time to talk about the ‘environmental terrorism’ afflicting the Niger Delta. A lecturer at the Lagos State University (LASU), Prof Didi Moro, gives a lecture on “Nigeria and the Question of Development in Coastal Niger Delta Areas”.  He takes the place of Alhaji Mujahid Dokubo-Asari. He has harsh words for the government which, he says, has failed to address the Niger Delta question over the years. He likens the failure to address this question as man’s inhumanity to man.

    Moro says efforts to develop the Niger Delta have fallen short of the people’s expectations, adding that interventionist efforts, such as Niger Delta River Basin Authority and the Oil Mineral Producing Areas Development Commission (OMPADEC), have all failed. He urges the Niger Delta Development Commission (NDDC) to be more proactive, adding that until the Niger Delta is given its due, development remains a mirage.

    He wonders how development will come to the coastal communities when there are no roads and electricity.

    Moro queries why the coastal road that will link Lagos to the coastal areas of the Niger Delta in record time is not receiving the required attention.

    The Environmental Biology expert says the people drink water that can harm their health. He adds that diseases, such as cancer, can be contracted by drinking the water in almost all the coastal communities.

    Moro also says coastal communities lack tertiary institutions and have to go elsewhere to get educated.

    “The Niger Delta has not got its due from anybody. It has suffered enough alienation, enough deprivation and it is time for us to ask for what belongs to us without fear. We must ask for our right. Posterity will not be fair to us if we refuse to ask for our rights,” he concludes.

    After the lecture, the rain assume a frightening dimension. It pours on and on. But, the shows continues. As it rains, speakers react to the points in the lecture. Many dance to the Ijaw band’s rendition. One or two even dance inside the rain as if daring it to do its worst.

    One thing that keeps coming up during the ceremony is Kuku’s name. Speaker after speaker praise him for his efforts in developing the town.

    It all appears all has come to an end after the regent gives a closing remark.

    Asari’s arrival at some minutes to 5pm increases the tempo of the dance in the rain. Dressed in all white buba and sokoto and white slippers, he participates in the vigorous dance after exchanging pleasantries with a few on the high table and waving at others. His presence seems to encourage more to dare the rain. At this time, the rain means almost nothing again. It can as well go on for all they care. And then music goes on. Dance. Dance. Dance. And more dance. It seems no end in sight again. Then an all-night show in honour of a late Ijaw music icon, Bozimo, ensures day two rolls into day three, with music and dance and merriment.

    Last day

    The festival’s programme starts at 6am. Not even church can stop many from basking in the last day’s glory. The people are not in their Sunday best, but in their ceremonial best.

    Like at some point the day before, fireworks boom. You can mistake it for guns booming. It is all part of the celebration.

    The ogele procession sees women, men, boys and girls marked with white chalk on their faces and white scarfs on their foreheads circling the town. Others wear blue dresses and tie blue scarfs on their foreheads for the ogele procession. Some just do it with no specific kind of uniform, but with painted face. Another group even adds a band singing Christian hymns to their procession.

    The crowd the day before soon becomes a child’s play. Bayelsa Governor Seriake Dickson arrives with his entourage. Kuku receives them at the jetty and leads them through the water from Agadagba to Arogbo. He visits the palace of the regent and speaks about the Ijaw people.

    His words: “This Arogbo day celebration is very unique and I am here to underscore the importance of our culture, the need to continue to strive  and uphold our culture and preserve our land. I am happy with what is happening in Arogbo. I came here to express our appreciation of what Arogbo kingdom is doing, ensuring that the tradition of our land is preserved  even in this environment that they have been staying for 100 of years. This is a fast developing community and as I said earlier, Arogbo-Ibe needs more support from all levels of government.

    “ I shall take it up with my friend and brother, the governor of Ondo state, Governor Olusegun Mimiko and I can assure the people of Arogbo that other government agencies will  also come in. There are lots of  things that Arogbo-Ibe can do better. There is a lot of determination on their part, a lot of good things are happening here and with what my younger brother, Kingsley Kuku is doing, I believe working with him, I think we can do better. Arogbo-Ibe needs more support and we will surely live up to expectation whenever we are called upon.”

    Minister of Culture Edem Duke soon comes in and stays till the night to participate in the award night.

    Duke says: “Warm greetings from President Jonathan who would have loved to be in Arogbo personally but for the 54th independence anniversary church service holding in Abuja today. He wanted me to represent him here not only because I’m  the Minister of Culture or because I am going to a territory where tradition has become a lasting heritage of a proud Arogbo Nation. For me, more importantly, it is a home coming because as some of you will know, thirty six years ago, I was a teacher in Ondo State. Therefore, for me to come to this wonderful kingdom and meet these wonderful people and faces, in fact, in the whole of Nigeria, I don’t think we can have as many beautiful women as much as I have seen in Arogbo today. I salute the women, mothers and youths. Let me reiterate  that the president of the biggest black nation of the face of the earth is an Ijaw man. Upon becoming President, the biggest problem confronting him  was solving the problem of the Niger Delta youths and of all the 170 million Nigerians that are resident in Nigeria and over 20 million that are resident outside Nigeria, he found a worthy son from Arogbo kingdom to perform this onerous task. I think it is a matter of pride to Arogbo. Mr President has equally asked me to tell you people that one of the greatest success this administration has recorded is to have used Kuku to solve the challenges of the Niger Delta. Today, many youths of the Ijaw nation have traveled far and wide to places, such as U.S.A, Japan, Britain, Malaysia courtesy of the Amnesty Office headed by Kingsley Kuku.  There is no where on the face of the earth that Kingsley Kuku has not facilitated the visitation of the Niger Delta people. Therefore, it is proper that we celebrate this young man. A man of  dignity, courage, passion  and a humble Arogbo young man. I salute you on behalf of Nigeria and on behalf of the Mr President on the historic recognition by your community.”

    The award night also sees Nollywood stars, such as the President of the Actors Guild of Nigeria (AGN), Ibinabo Fiberesima, Victor Osuagwu, Patience Ozokwo and others, identifying with the Arogbo people. Ace comedian Julius Agwu also witnesses the event.

    By the people’s admission, this year’s festival is one like no other and will forever linger in their memories. But, with a son like Kuku, next year’s festival may even be better. Who knows what magic in terms of infrastructure will be added by then?

  • Two families dropped  from Maltina Dance All

    Two families dropped from Maltina Dance All

    IT was like an anticlimactic end when the Leonard and Maisamari families had to drop out of the race for the whopping sum of N10 million in the family-group dance show, Maltina Dance All.

    The two were evicted from the show because of their inability to creatively satisfy the judges, comprising Muyiwa Osinaike, Comfort Fedoke and Jeffery Page, with their performances of the Wazobia (Nigeria’s indigenous dance) and Jive dance routines.

    The first eviction showdown had four families locking horns to remain in the Academy. The Dide and Leonard families had earlier been placed on possible eviction list after their Wazobia performance show, while Oladapo and Maisamari could not impress the judges after the Jive performance, a situation that made the judges give them an order to redeem their image and justify their stay in the Academy.

    The Oladapo Family set the tone for the Wazobia performance at the eviction night with Nkpokiti dance from Eastern Nigeria, Maisamari and Leonard families rocked with Owigiri/ Agene and Dide family nailed it with Bata dance from the South West.

    The Jive performance, which turned out to be a night of emotion, opened with an energetic display by the Dide family with a song titled ‘This head I hold.’ They left the floor for Leonard family with ‘One way or another.’ The Maisamaris hit the stage with ‘Living La vida loca’ while the Oladapos closed the night performance with ‘Don’t stop me now.’

    In the end, the judges decided against Leonard and Maisamari families.

    The show, which also promises the first and second runners-up N3 million and N1 million respectively, airs on AIT, Silverbird and Ebony Live TV.

  • I stil jump, swim, dance at 80 – Subomi Balogun

    I stil jump, swim, dance at 80 – Subomi Balogun

    The Otunba Tunwase Court residence of Otunba Subomi Balogun sits magnificently on an expansive land on Obalende Street in the ancient town of Ijebu-Ode. Balogun, the Chairman of First City Monument Bank, no doubt intended the palatial home to serve more purposes than just a residential building from the outset. And that much came to fore at the occasion of his annual prayer and thanksgiving service held late January, this year.

    Although the ceremony was intended to be a low-key religious activity in which clerics from various denominations would conduct prayers and thanksgiving sessions for the host, it later turned into a carnival of sorts, featuring scores of eminent persons, including the Awujale of Ijebuland, Oba Sikiru Adetona, who graced the event with many of his high chiefs.

    To a man whose professional calling has attracted men and women of high calibre, seeing so many eminent persons at the event could not have come as a surprise to many. In a chat he had with media men at the occasion, Balogun spoke on a wide range of issues, including his plans for his 80th birthday celebration, which comes up in Lagos tomorrow (The Ijebu-Ode version will hold next Friday). The occasion, according to him, will feature the launch of a museum that centres on royalty and history of Ijebuland.

    The Otunba Tunwase Annual Prayer and Thanksgiving Service has grown from just a parlour gathering of family and friends to a big show that now draws the who is who in Ijebuland without leaving out the ordinary people of the town. Initiated by Otunba Balogun as a family affair nearly 30 years ago, it later became his own way of giving thanks to God for His mercies.

    He said: “It is my own little way of thanking the Alpha and the Omega for all He has done for me, my community, my people and the nation. It is also designed to start the year on a religious note, asking God to be our guide and guardian.

    “It is an annual event which I started just before I was made the Asiwaju of Ijebu-Ode. Since then, it has been a very big event and a platform for giving thanks to the Almighty for His mercies in the past year and also praying that He would be with us continuously, particularly in the New Year.”

    Although he is an octogenarian, he is aging gracefully with good looks and excellent sight. With his gaits still straight, the founder of First City Monument Bank danced to the podium in a manner that reminded one of the biblical King David, as he made to deliver his welcome speech after pastors had taken turns to deliver sermons and offer prayers for the Otunba and his family.

    At an age when many of his contemporaries are battling with senility and other age-related ailments, Otunba Balogun remains cerebral as depicted by the clarity of his thoughts and articulate expressions. “With sight still very good, arms and hands still firm and I’m still able to lift well, isn’t that something enough for an 80-year-old to thank God for?” he asked.

    For his 80th birthday celebration, he has already completed a monument built to commemorate the landmark event.

    He said: “Among the other things I’m doing to mark this important landmark of my life is to show my appreciation to my God and also put a sense of history. I look round and ask what can I do? Yes, God has endowed me with the wherewithal to do certain things in the house of God, but I still felt that we should leave a legacy that will be unique, permanent and useful to future generations; an embodiment of the ethos and all that we stand for in the community.

    “The large Fusegbuwa Ruling House, with me as the Olori Ebi (head of clan), would like to be having meetings. I just felt that my royal pavillion would be too small for that, and I didn’t just want to build mortar and brick, I wanted a sense of history. So, I asked for the location where some of the legendary Awujales were buried; if there were matters of history that have been preserved; if there were ways of authenticating the correctness of what we claim to be; if there was an opportunity of leaving a legacy of genuineness.

    “So, I spoke to His Royal Majesty, Oba Sikiru Adetona, that I was not just going to build a meeting hall where there would only be an event centre; I wanted a museum where we could keep all the archives of royalty; where we could have an authentic history of royalty in Ijebuland; where we can talk about the people around the time this royalty was reigning and up till today.

    “So, I chose the name of the Awujale through whose lineage I was made Otunba Tunwase. He was known as Oba Adesimbo Tunwase. He reigned between 1886 and 1895. He was the Awujale who fought the war against the British, and later invited the British to his palace, and signed the treaty of protectorate. And in return, he agreed that Christianity could be preached.

    “Before then, some people had come from Lagos and Abeokuta, trying to smuggle Christianity into Ijebuland. But this was the first instance an Oba said ‘come and preach,’ and even got some of his children converted.

    “He also went further by giving a land on which the first church was built. The same Awujale also gave the land on which the Muslims built their first central mosque. And for that reason, the Ojude Oba event started for him, and Muslims could go to him.

    “The museum is part of the heritage of Ijebuland. It will also take care of all the gray areas about Ijebu history, like who belonged to whom.”

    Knowing the enormity of the task involved in building a museum, the Otunba has enlisted some professors of History to be part of the project. They would serve as both curators as well as historians digging out the authentic story.

    “I do think that if we do this, it will be the first of its kind and it could lay to rest any doubts about our history. As a symbol of that, I went to the royal family and they gave me all the places I wanted, including the final resting place of the legendary Awujale, Oba Adesimbo.

    “So, we have it and it is very big; much bigger than this Otunba Tunwase Court. The final resting place of Oba Adesimbo will be specially marked with a glass screen so that people can view the place where the king was laid. The other places will just have marble tablets. The place will also be a meeting point.

    “To maintain it, a particular section can be used as an event centre. It will also be a students’ meeting place for the history of Ijebuland, headed by university professors. I have named it The Oba Adesimbo Tunwase Museum of History and Hall. It is a project I want to complete and commission in commemoration of my birthday in March. That can ginger everybody to be interested in authentic true story and not oral tradition of ‘my father or my mother told me this.’ Let there be records. It is part of my ways of giving back to people and to God.”

    Reflecting on the past 80 years, Otunba Subomi believes the high point of his life was when he asked God to “let me do something that is original; what other people had not done, relying mainly on God to achieve it. And that is the creation of a financial institution which, in those days, even government could only do with the support of foreigners. I went to my God, prayed in my chapel, and from the chapel I started, singing: ‘Hallelujah, I cannot fail, I cannot fail. Because of Jesus, I cannot fail.’

    “It is the most endearing part of my life, the can-do attitude; the acceptance that ‘with God, nothing is impossible’ worked for me. Like the Yoruba would say, Oluwa ni n sola (only God makes one excel). I totally submitted myself to the hands of my God and my Maker and God made possible what we thought an individual could not do.

    “I had the courage and faith to do what other people thought was impossible. Apart from building the FCMB brand, the good health I am enjoying is also a high point. I still swim, I still jump, I still dance. The only thing is that I am not looking for women again.”

    The Otunba admitted that he “confronted many obstacles, but with faith in God, we broke through. The FCMB foundation was laid with God actively involved in every stage. As such, nothing would have made it fail. Yes, you don’t succeed without having to climb a hill. I have gone through crucibles and I have emerged with a smile at the end of the tunnel.”

    32 years of FCMB

    This year marks the 32nd anniversary of FCMB. Prodded to make known what he expects from the bank in the coming years, he said: “FCMB has about 300 branches and 27 others are being added in Lagos, while many more are being added nationwide. I’m expecting that FCMB will be the safest bank for all to keep their money. FCMB will be the first place for all of you to go and ask for financial assistance. It will be the best place for all of you to seek to work. It will be the best to carry all the ideals that have taken people where I am.

    “FCMB will continue to be a place of God, where all will go there, do godly business and succeed. So quoting our boss, Mr. Ladi Balogun (laughs; one thing is that if your son becomes an Oba today, you will still pay homage to him and address him ‘Kabiyesi’), FCMB will be among the first five.

    “But there are certain areas in which the bank will excel and will not be compared to any other bank; that is the culture of excellence. If you see bankers being smart today without a sense of arrogance, I was the first who introduced complete suit and smartness. Being distinctive in the culture of excellence, that is FCMB.

    “When FCMB staff show up in any gathering, people would say ‘I’m quite sure you are from FCMB.’ I want everything about FCMB to elicit confidence and pride in our customers everywhere, so that when any customer carries our card, they will show it off and say, ‘Yes, this is my bank, FCMB.’ We are already on that path and I believe that with God on our side, we are breaking many other grounds.”

  • Dance as a way of life

    Dance as a way of life

    Edozie Udeze takes a look at the rise in the number of dance troupes in Nigeria and how they have been creating jobs for the youth, thereby contributing to the economy of the nation

     

    Call it contemporary dance, African traditional dance, aerobics or choreography, the truth of the matter is that stage dance has begun to catch the attention of the world at the moment. Over the years, many Nigerian artistes have chosen to create their own world; their own dance styles and patterns out of the many traditional African stories based mainly on folklores and moonlight stories, people’s beliefs and lots more.

    However, some other artistes have elected to take dance higher than it had always been. The result is that today dance has been revolutionalised in such a way that it has begun to catch world attention not only in Nigeria but elsewhere. As more people go into it to create jobs, they also use it to make money, entertain people and make statements.

    Adedayo Liadi, known as Ijodee, is one of the pioneers of modern African dance patterns. When he began about twenty-seven years ago, not many people thought him serious. By naming his outfit Ijodee Dance Company, he was able to register it with the Corporate Affairs department. Thereafter, he moved on into the world to learn and incorporate styles from different parts of the world to form his own dance technique called Ijodee dance technique.

    In an interview, Ijodee explained that if you need to be a professional dancer, you must train yourself to be different. “It is not movement for the sake of movement. It has to be professional dance, for the love you have for it, for entertainment and to also make money. For me, dance is a natural thing. If you are a born dancer, no matter other offers you get as you grow up, you will feel something is missing in your life.”

    When Ijodee discovered he could only be a dancer, he decided to put himself into it. “Whenever I am dancing and making people happy, I am also happy. It shows also that people are not only appreciating what we do, they also pay good money to get themselves entertained. Yet, it is that appreciation that I am glad about,” he mused.

    Although, Emmanuel Adejumo, the founder of House of Dance, and Ijodee agreed that dance is a money spinner, they warned that one has to prepare and work very hard before money begins to roll in. In his own reaction, Adejumo, son of the popular comedian, Baba Sala, intoned: “As at the moment, not too many Nigerians appreciate dance, but for those who do, they pay us to perform and entertain them. It is for this reason that we are in business and we try to promote, project and propagate Nigerian masquerade dances, folklores and music.”

    Even though stage dance is now a big employer of labour, Blessing Akpofure, owner of Ward One Productions, another dance group based in Iganmu, Lagos, said that “we give life to total theatre. Ours is to use music, dance, instruments of all types to ensure that total theatre production is alive.” At the moment, he has twenty-five dancers in his company and the idea is to allow dancers exhibit their talents as well as use it to make ends meet. “This is why we go for shows where we are paid for our performances,” Akpofure stated.

    Most of the dancers confessed that the high point of what they do is not just to earn a living but to also engage themselves in what gives them total satisfaction. “You see, I have over twenty artistes working with me. There are three university graduates among them. We travel out of the country most times for cultural exchanges because people appreciate what we do. But beyond that, we also struggle at home to make people see us as who we really are. Most times, it is mainly multinational companies that patronise us. They tend to see more value in what we do. All it boils down to is that if you package yourself very well, you’ll make plenty of money from dance,” Adejumo declared.

    For Ijodee whose international exposure is unparalleled, the total beauty of dance is to be able to mix what you have locally with those of other cultures and then create your own peculiar movement, style and form. “By the time I finished learning from some of the best dancers in the world, I discovered that my own pattern is different from the rest. This is what I call total packaging that gives you your own individual style.”

    Ijodee is not only accepted world-wide as a dancer and choreographer who has invented his own idea, he is the most sought-after dance consultant and producer in Nigeria today. “What I do is to combine what I learn from Asia, South America, Europe and so on to produce series of dances that no one has ever done. Everywhere I travel to, I imbibe different cultures, different ideas, different concepts and features to form my own dance styles. I give dance its natural flavour, dwelling more on how people live, how people eat, how people react to different issues and so on. At the end of the day, what comes out is the type of dance you can call modern or contemporary dance,” he said.

    Just like Akpofure branched off from other groups to form his own, and Adejumo graduated from the National Troupe of Nigeria, even other dance groups have been formed out of Ijodee. They include Siadi Gigital Studios, Jimbay, Frankly Speaking, Sharpview Productions. Others are Jade Entertainment, Edijo Dance Company and Cocksure. Each of these groups has been waxing strong in terms of variation of dance styles and patterns it creates to keep the business alive, thereby generating money. Almost every day, new talents are discovered and some young school leavers who feel they can dance are also given the opportunity to develop and practice what they believe in.

    “When such set of people join us, we try to put them through the elementary aspects of dance so that they can fit in,” so said Adejumo, whose group has been in the field since 1994. “They come with the enthusiasm to explore the world of dance and we do the best we can to encourage them,” he further stated.

    Segun Adefila who formed The Crown Troupe of Africa has equally been using his own outfit to create lots of stage dances that appeal to the initiated. Known essentially for creating weird and absurd dance dramas that attack the norms of the society, Adefila once described his journey into dance production as gradual and tough. But still it is one profession that has enriched him in terms of his reach out to the world and the amount of clouts it has created for him.

    “Dance is one business you need to give your best creativity,” he once said. “And when you do that and allow it to ferment, you’ll get the best out of it. This was how we began to create and imagine while still undergraduates at the university of Lagos,” Adefila, who has established himself so well in the business, explained.

    As more dance groups now emerge, they help to boost the sector as more artists show more interest in the profession. This is healthy for an economy that does not have much hope for the youth. This is why wherever there’s dance competition now or talent hunt, there’re plenty of young Nigerian youths who besiege the place to display their talents. This is not just a healthy development, but also goes to show that even some corporations and business concerns have come to realise the essence of dance as a therapy, a way of life and a means to stardom. Above all, dance is one of the ways to promote their corporate image and then curry for more customers.