Tag: Marathon

  • The marathon

    The marathon

    The race is not for the swift.” That proverbial wisdom of the great King Solomon came into play in the Lagos Marathon where young men and women had to sacrifice speed for distance. While Governor Akinwunmi Ambode set the athletic figures in motion last weekend, hardly did he know he confronted the nation with a figure of speech.

    Long distance, by its nature, calls for endurance, managing the borderline between athletic and lethargic. The opposite – the 100 metres race – inspires the fleet-footed, the blood afire, the eyes alert, the heart beating like the petulant wall clock. The first is an eagle, the latter a meteor. When Ambode was sworn in, he entered the position with the temperament of the long-distance runner. But he got badgered. The traffic. The crime. The chaos.  His accent. Anything.

    But patience outlasts. Now like a torch light through a fog, the path ahead is clear to many. The cacophony has subsided. Not out of a rush, but out of a methodical working of government. So we see that while one man spent N4.6 billion to placate priests under Jonathan, about the same sum gave Lagosians helicopters, cars, boats, motorcycles and automated gadgets. Result? Crime rate cascades, traffic sanitises, etc. Now Oshodi prefigures a modern 21st century park-and-ride. Road transport workers now bow to a republican ethos, rather than the old, manipulative barbarity. Roads are looking up; some dark alleys are lit up at night. The narrative continues.

    But the marathon that Lagos birthed beckons the national stage to a more intricate matter. Some are saying that law should give way to impunity. They are not saying it in that language but when some commentators are caviling at the courts for releasing Dasuki, they are ignoring the power of law in a democracy. Law is a slow grinder but, to paraphrase poet Longfellow, it grinds small.

    The debate is one of the few where you cannot question the nobility of both sides. Those who call for law want justice. Those who are impatient with the law want to punish the thieves of our patrimony. The war on corruption has revved up the rage in the streets. But it is still a muffled indignation. The Naira figures were stunning, but as billions top billions, we are losing our capacity for shock.

    For many Nigerians, there is no need to try these men. Just jail them. Former Chief of General Staff under Babangida made a public comedy when a business titan was being tried. “We are going to jail him,” he announced in a press conference. His media adviser, Nduka Irabor, crouched towards his ears and noted that he needed to be tried first. In an apparent deference to the advice, Augustus Aikhomu bellowed, “Yes, we shall try him and jail him.” Under the military, it was a laugh act. Impunity bustled in their veins. Even then, we realised the folly.

    It seems this is what some are calling for. I have wondered over DasukiGate. Have we heard from Dasuki? What if Dasuki merely acted on instruction, and what are the details of instructions? Do we convict without being convinced? The worry of many is the corruption of the courts and our lordships. But there is a double standard here among many Nigerians. The courts have not been innocent for a long time. Some are calling of mass action in place of the law. They have stopped short of saying it, reflecting the impotence or lack of rigour of their ideas. They seem to say “we want the law, but the law cannot work.” Is that not a recourse to impunity?

    This brings to mind the new sorry tales coming out of Ekiti polls. New revelations from Tope Aluko have not only reflected the failings of our electoral system, but also the shortcomings of our judiciary. More importantly, they show that many are in office who should have been in jail. The courts fail us. But the mob cannot replace the courts. Neither should official impunity. The Buhari administration was the product of law. It cannot overthrow that same process without enthroning hypocrisy. In a democracy, the quality of the law prospers on equality before the law. In an earlier article on this subject, I noted that only a movement against corruption can make the anti-corruption drive work. It is still a Buhari move, not a mass sentiment. If it is a mass sentiment, it is a muted and callow one at best. The people support Buhari, but they are not sure how to help him other than to encourage him to break the law. He said the judiciary is his headache. It has been the headache of this democracy for a long time.

    Those Marxists and civil society mavens who are angry with the law, should focus not on Buhari but the bench. They should encourage open disgrace of judges. We should also encourage mass protests against unpunished electoral criminals. The Ekiti elections that ousted Dr. Kayode Fayemi as governor ignited lines of prescience from then Lagos Governor and now three-in-one minister Babatunde Fashola, SAN. In his takeaways, he showed how imbecility is accepted as official result. He endured many flaks then. We all know better now that Fayose’s victory has been disgraced in public.

    That is the sort of society that emerges out of impunity. No society has prospered or even prospered for long on impunity. Even in the age of the divine rights of kings, the English under Oliver Cromwell led a revolt that led to a chain of events that brought England back to the full virtue of political liberties, especially after the Glorious Revolution. After the phony glory of Lenin’s coup, Russia grabbed Gorbachev’s coattail out of the impunity of almost a century. Putin is still harking back with agony. Chinese writer Mo Yan recounts the consequences of the Cultural Revolution in his excellent novel, The Garlic Ballads. Its economy groans today because it is at pains to open the country to the virtue of law instead of law and order.

    In the modern era, the First World War ended with the streets exploding with calls to punish the Germans till their “kids squeak.” The Versailles Treaty handled justice cavalierly. It led to the Second World War. The Nuremberg Trials redressed the mistake in the open with fair prosecution even though the world was witness to Nazi butchery. Apartheid ended in South Africa not by subjectivity but by subjection to the law. De Klerk was South Africa’s clerk of change by law.

    The answer is to organise mass movements against the judges and line up scapegoats. It should be carried out as an urgent matter for justice. All the civil rights gains in the United States were sown on the streets and media and reaped in the courts. The U.S. justices also resisted the change. But once the streets screamed, the courts yielded. That is the way of democracy. Buhari is coming round to this virtue even ahead of the irascibility of the ideologues. Witness the new draft laws he sent to the National Assembly.

    The looting of our treasury was massive, but justice must come with imagination. It is, like the work of Allan Sillitoe, the “loneliness of a long distance runner.” We need first to make the law work by holding the bench to account. I won’t ape Shakespeare who said: “The first thing we do. Let’s kill the lawyers.” We cannot do it in a hurry, however angry we are. A Yoruba proverb says, words are the key to unlocking mysteries. Governor Ambode gave us the figure of speech to recover all the outlandish figures and punish human figures who wronged us – the endurance of a marathon. As an African proverb says: “If you want to go fast, go alone. If you want to go fast, go together.” That’s how Americans succeeded in the Progressive Era in the turn of the 20th century. We also can. But the law alone, the bench alone, the president alone, the EFCC alone, cannot do it.

  • Lagos Marathon: Traders bemoan low sales

    Traders who had stormed the starting point of the Access Bank Lagos City Marathon at the Teslim Balogun Stadium, Surulere on Saturday, said  sales were not encouraging.

    They told the News Agency of Nigeria (NAN) that in spite of the large turnout of athletes for the event, they were disappointed with the poor patronage.

    NAN reports that the traders had displayed their wares around the point and along the routes in anticipation of making brisk business.

    Abigail Akintayo, a food vendor, said she prepared a huge quantity of food, anticipating that she would make good sales.

    “The patronage I got was not too encouraging owing to the kind of event and the crowd that turned out for the marathon.

    “I hope other people coming to the stadium for other activities will patronise my food so that I can sell my remaining food,’’ she said.

  • Lagos ready to host  international marathon

    Lagos ready to host international marathon

    The Lagos State Government said yesterday it is ready to host tomorrow’s international marathon race.

    No fewer than 20,000 local and International marathoners are expected to participate in the Access Lagos City Marathon race.

    Commissioner for Information and Strategy Steve Ayorinde in a statement yesterday said all logistics have been put in place.

    According to him, renowned marathoners from Kenya, Ethiopia, Uganda and other countries are in town for the event.

     He said the government has put in place water-tight security measures to protect athletes and other participants

     We have put in place a team of fully-trained and well-equipped medical team that will accompany all the participants from the kick-off of the race to the end”, Ayorinde said.

     He said a combined team of traffic managers will also be on ground to control traffic along the designated routes, while alternate routes have also been provided for motorists during the seven-hour event.

     ”The Lagos State Government is therefore appealing to Lagosians to come out en masse and cheer these athletes and to encourage them during the course of the race,” he said, expressing regret about the inconvenience that will accompany the road restriction.

  • Countdown to Access Bank Lagos City Marathon: 70,000 runners indicate interest

    Countdown to Access Bank Lagos City Marathon: 70,000 runners indicate interest

    • As organizers hope to hit hundred thousand marathoners

    Eighteen days to the much talked about athletics event meant to kick start the athletics calendar in the country, organisers of the Access Bank Lagos City Marathon have stated that 70,000 runners have picked up forms to take part in the maiden edition of the 42km race.

    In a chat with the media officer of the Athletics Federation of Nigeria (AFN), Kayode Thomas, he noted that 51 foreign athletes and 50 athletes were set to take part in the race slated for February 6.

    He said: “We are expecting more foreign athletes to show interest. We already have 51 foreign athletes and 50 elite athletes who have shown interest. We have also exhausted about 70,000 forms for participants and we are expecting to reach our target of 100,000 partipants in the next few days. The media accreditation is ongoing and also  volunteers are expected to come in for  accreditation.”

    Meanwhile, about N92 million  is up for grabs for marathoners who can run from the Old Lagos (National Stadium Surulere) to New Lagos (Eko Atlantic City), a distance of 42.195 kilometres, in less than three hours, Lagos City Marathon is indeed a sure bet cash cow for those who earn their living running road races and marathons around the world.

    Its prize money of $50,000 each, for the first male and female winners, makes it one of the two most lucrative marathons in Africa, the other being the Comrades Marathon in Durban, South Africa. It also ranks among the world’s best.

  • ‘Life is not a marathon’

    ‘Life is not a marathon’

    Debbie Ogunjobi- Ojo is the CEO of the popular fashion label, Everywoman. In this interview with Yetunde Oladeinde, she talks about running the brand for the past twenty years, the things that make her tick and her latest fashion line, Debbs.

    How would you describe life as an entrepreneur in the fashion business?

    The brand Everywoman would be twenty years this year. Not without its challenges. Every endeavour has its challenges but it’s been a blessing for me. The major challenge is the instability of the naira. It is an unfriendly economic climate for businesses to thrive. People keep asking Nigerians to cope and you wonder ‘cope with what?’ Our reality is such that somebody like Aliko Dangote has a net worth that has been devalued by almost thirty percent. His only crime is that he is a Nigerian who believes in Nigeria. So you can imagine what the rest of us feel. In the past eighteen months, the naira has gone from 252 to almost 400 to a pound.

    Let’s talk about the achievements twenty years down the line

    God has given me a name, given me a business and gave me friends that I don’t even know; made me acceptable and I have done well in my service. It has also been able to put food on the table and provide for me. I have enjoyed it and I have been able to expand. Interestingly, I didn’t think it was going to last this long. It was just something that was meant to be a distraction in 1996, then my mother died and it was such a horrible period for me. So, it was just something for me to take my mind off it for a couple of years but here we are twenty years later.

    How would you describe the first few years of the business?

    The first two years were very successful and unrealistically successful. Then, the third and fourth year made me come back to earth. I think the fourth year was the year I declared a loss and it was very humbling. It was a hard lesson to learn because I decided that I was my own customer. I am athletic and slim and I let my taste decide the choice I bought. Unfortunately, not everybody was as lean as I was. In four years time, I will be fifty. I am not the typical Nigerian woman with the typical Nigerian body. So, I had realigned my thinking with the typical Nigerian body. The typical Nigerian body is size 18, which is the average size. The time I was talking about, I was size eight or ten and it was totally unrealistic to buy clothes of these sizes as the main line. So, I learnt the transition women go through with their bodies, and now I am an authority on this.

    I know that there is a body you have when you are young, then there is another body that you acquire when you are making babies, as well as another body acquired when you are taking care of the children and the stress is so much. At some point in life, when you become wife, mother and working woman, you are in the survival mood and you do not give yourself the necessary attention.

    Apart from the feminine figure, what are the other things that you learnt over the years?

    I have learnt not to impose my idea on people. I also found that most women in their late teens and early twenties sacrifice comfort for beauty. We don’t mind being uncomfortable but it is only for a short while. Ideally, a woman of style should be able to marry beauty and comfort. Then you also have to respect where you are going to. It is bad taste for you to go to a religious place and you decide that you dress in a funny way. You have to dress for the audience you expect. I find it funny when people say that I dress to express myself. You have to understand the people that you are expressing yourself to.

    What are the things that we would find in your collection?

    I have designed for years but I never put my name on it. Now, there is a range that I put my name on and it is called Debbs. I am proud of it because it is for women that need their clothes to be a bit forgiven. For those who used to have a flat stomach, it gives you structure and has some elastic in them, so they expand a bit. For the middle aged woman, zip is no longer your friend. Also, a lot of us have the habit of breathing on when the tailor is taking our measurements. So I am designing a range that rarely do you use zip and if you must use zip the fabric must be elastic. It could be cotton with a bit of elastic in it .This is better than to wear something and the zip give way at the back.

    If you had to advice women about looking good, what would you tell them?

    Looking good starts from the inside. For the past two weeks, every night I have a cup of bitter leaf. It is blended and the leaves are sieved and I just drink the water with a slice of pineapple to change the taste. Banana does not work; it is better to get an apple, pineapple or even orange.

    What are the other things that you avoid?

    I don’t do wheat at all. I don’t do fried foods that I do not know where the oil came from. There are times that you get stuck in traffic and you buy plantain chips and I get reactions on my face, which was traced to the oil and so I don’t do it. My favourite snack is gurudi. If I need to clear my system I eat eba with efo riro, then I put okro in it. You can also do okro raw; just soak it in water and drink the water.

    What are the new plans?

    For me, I try not to have plans because it gives you unrealistic expectations and then you come under unnecessary pressure.

    What about the other things that occupy your time?

    I am involved with my church a lot. Children are very happy people, I enjoy their company. I also like to run. Yesterday, I did 6.5 kilometres; it sets my day. I used to like reading a lot. Now, I do audio books a lot. When you listen to audio books, you hear inflections and emphasis. In books, you are your own emphasis; you don’t know what a writer is trying to stress. So it is almost as if you have a debate with the writer. What I do is if I like the book I am reading, I would also listen to the audio book.

    Let’s talk about the type of books that you like to read

    I like books that develop the mind. I am not exactly a romance person. I like Don Guelmuez. He wrote, The Four Agreement. I like books like The Shark, A Thousand Names for Joy, by Kathy Baron. I like books that challenge the mind, books that connect my spirit and soul. I like books that are eclectic, not what you find everywhere. Then I like Mariam Williams; everything that she writes, I am going to buy. Any relationship that you have that does not make you better is not a good relationship. That is why I do not understand people who read horror. I am curious. I like to know what human beings are capable of; I also like autobiographies.

    If you had to talk to young people, what would you tell them?

    Life is not a marathon, conserve your energy, conserve your beauty, conserve your talent and don’t burn bridges. Young people these days are in a hurry for everything. There is no hurry and you would find out eventually. You want so many things and then you get all of this only to realise that success is having what money cannot buy. That is why you see someone driving the best of cars yet feeling poorer than a messenger. I think this is where joy comes from. Happiness momentary thrills. You want to get a car and you get it and the next day you are looking for the next goal.

    Let’s talk about one or two memorable moments in life

    Good ones or bad ones? The good ones are many. The bad ones are few and they are the ones that I actually remember. The first horrible thing that ever happened to me was when my younger sister died. Then the second horrible experience was when my mother died on the 8th of June 1996 and the third was when my brother died in June 2015.

    How did you arrive at the name of your brand, Everywoman?

     You know I wish I could tell you something else. The truth, however, is that at that point, I was driving and then the song talking about everywoman came up and that was it.

     Are you thinking of a male brand?

    Yes, I did at a point. I actually did register the company because I had access to brand that had male stuff in Europe.  While I was thinking about it, there was a store on Allen where some men came in dressed in suits armed and I said ‘no, no, no.’

    How do you relax and what are some of your hobbies?

    I love to cook; I have a flair for cooking. If I come to your place and I eat something that I like, I can guarantee that I would replicate it better for you the next time you visit me. My mum liked to cook too and she taught everyone in the house how to cook. My brothers are great cooks and from the age of ten you must be able to cook in our house. Another thing that my mum did was that whenever we had parties, we were the cooks (Olopos).

  • All set for first Calabar marathon

    The Cross River State has entered into partnership with Active Sports (Nigeria) Foundation and Connect Marketing Services to stage a world class international marathon to be known as ‘Calabar Marathon and Carnival Run’ (CMCR).

    The marathon race is scheduled for April 2014.

    The signing of final agreements and documents, between the government and the partners took place at the Cross River State Tourism Bureau (CRSTB), Okoi Arikpo House.

    The government was represented by the Commissioner for Youths and Sports, Patrick Ugbe,as well as Michael Williams, Managing Director CRSTB. The collaboration between these two departments has delivered a new platform in sports development and tourism marketing for the State.

    Representatives of the partnering companies, Kazeem Abimbola, Executive Director of Connect Marketing Services (CMS) and Ndubuisi Kanu, Managing Director, Active Sports Foundation (ASF) were in the State to enjoy the Carnival Calabar 2013 fiesta before participating in the endorsement of the marathon by the government.

    While ASF has been granted exclusive rights as the sponsorship marketer for CMCR, CMS has also been granted exclusive rights as technical partners on the proposed race.

    Williams explained that the marathon will place Calabar in the league of cities with notable international marathons and mentioned the Reggae Marathon of Jamaica and New York Marathon, as notable events in the sports world with positive impacts on tourism.

    He also said ‘the CMCR will promote the rich heritage of the State and present a platform for sponsors on their products and brands, hence creating greater interest in the State as a life-style sport destination.

    Ugbe believed the product will engage more people in sports through racing, while promoting youth employment and healthier aging for retirees.

    The forthcoming Calabar Marathon and Carnival Run will be funded solely by sponsorship partners while also granting the State another opportunity to test its preparedness for the National Sports Festival 2014.

    The government will provide contributions in kind, to support the project. Such contributions will include: provision of government logistics, provision for medical support, provision for security and crowd control through liaising with the Nigerian Police.

     

  • Marathon: Eyeing a world record

    Marathon: Eyeing a world record

    Marathon, a giant painting measuring 2.4m x120m on canvas (mixed media of oil, acrylic, glue and sand dust) spreads  across the  length of the main studio. Former Ondo State Commisssioner for Culture and Tourism Chief Tola Wewe is at the verge of creating a world record. He has painted over 100 metres of the 120 metres canvas earmarked for  the project. He spoke with Assistant Editor (Arts) OZOLUA UHAKHEME.

    Last month, a controversial Indian American painter, Mr. Gurmej Singh in Kalamazoo, Michigan, US set a Guinness World Record for creating The Transcendental, the “world’s longest painting by an individual,” an entry that coincidentally-was disqualified from a local art competition. The painting measured 11,302 ft. 2.11 in. (3,445 metres) and took Singh 38 days to create.”

    Former Ondo State Commissioner for Culture and Tourism Chief Tola Wewe is close to creating a new world record in creating one of the longest paintings. By last week, he had completed over 100 metres of his 120 metres Marathon he dedicated to humanity. At his Ondo residence, Wewe has deconstructed a section of his home to facilitate his work on the Marathon. In the last two years, work on Marathon has been consistent and progressive. But, don’t count the number of tubes, cans and brushes that have been consumed to do this artwork. Also, forget about the monetary implication of executing the painting project.

    In the beginning

    “Ten years ago, I was at Port Harcourt, Rivers State capital for a group art exhibition organised by the Total Petroleum. Prof. EL Anatsui was one of the exhibiting artists. He called me and said I was capable of doing a giant painting on canvas. Since then, I have been thinking about the project. But, five years ago, when I was appointed Ondo State Commissioner for Culture and Tourism, I decided to start it. Also, at that time, I had little time for serious painting of individual works. I therefore ordered for a canvas measuring 120m and I have been working on it at will. I never shared the though with most of my artist friends because I never wanted to be distracted or discouraged. Also, I did not discuss it with the press until now.

    After hitting the 100metres mark

    After hitting 100meters mark, which is a world record on its own, I decided to expose it to some of my friends. I wanted to do it for humanity and for art lovers. I am happy doing it. The idea was to present my experiences, a kind of visual diary, talking about corruption, kidnapping, celebration etc in Nigeria. Again, the themes are not planned for, and the section I am working on now is about the celebration of my mother’s return from kidnappers.

    Cost of the project

    I have not bothered myself about the cost of producing the painting. I don’t want to cost how many tubes or cans of oil I have used because the result is my utmost interest. The effort is worth it because I have to give account of my existence. All that is there are messages I must deliver to the art world. I do wake up by 1am or 2am to paint and later crashed on my bed. Each time I am done with a section, I carry out the measurement. I have not opened the entire canvas at full length, but I measure each section after completion. I can’t place a value on it now. The collectors will do that when I am ready to sell it. The painting is my life and my footprint, which is a testimonial for my existence. I keep having an inner push gearing me up to continue the work.

    Duration of the painting

    Actively, it took me six years. I have been consistent in the last 2 years when I was done with the government. The painting of Marathon forced me to create an extension in my house to allow for more space and concentration. The work is mainly for humanity, no sponsors for its production but might consider that when I am going to exhibit it. Apart from Mrs Nike Okundaye and Prof. Moyo Okedeji I have not told any of my artist friends, I did not want anybody to discourage me.

    As at today I have done over 100 metre long marathon I don’t know if I am going to stop at 120m. I may go further if I am instructed by my superior forces. If I die after this work, I am fulfilled. My works are in most of the world’s galleries but I needed to do something that has not been done. I will publish a book on the art work and Prof. Okedeji is handling that aspect.

    Showcasing Marathon for art lovers

    The artwork must be viewed by the public. I intend displaying it in my farm in Ondo town, before I will show it around the world. But, I must show it here in Nigeria before taking it outside. I will do a print of sections of the painting for the majority to collect. In fact each of the work will be in form of installation. I have been selling my paintings to buy materials to do this work. I survive and live well on arts. I am also a farmer, I breed dogs, have over 20 fish ponds. When I am bored, I go to farm.

    Leaving Lagos for Ondo

    I left Lagos because I can’t get the same concentration and space I have here in Ondo town. My friends will distract my creative flow. This environment is good for me. I love to be with nature and the local people. I visit and attend cultural events at real shrines and I experienced the real culture. I am more at home with traditional people. It will interest you that I have two chieftaincy titles: I am the Obagbemigun of Ido-Ani and the Bobagunwa of Odo-Owo. If I reincarnate, I will always want to be an artist.

    Dark moment

    The kidnap of my aged mother is the only dark moment in my life. It was a nightmare. I did not sleep for 100 days. I was smoking and drinking gin (Ogogoro). I had nasty experience from the security officials because they keep promising. In fact, my appointment as a commissioner in Ondo State exposed me to kidnappers who were demanding 150 million ransoms. In one of the telephone calls, they asked me if I claimed I don’t have money, how I got my jeep. I then told them to take my jeep and free my mother.

    Creative industry and the economy

    The most thriving sector of the nation’s economy is the creative industry, especially visual arts. Nigeria should invest in its areas of strength, which are arts and sports. Unfortunately, Nigeria keeps investing in wrong areas like sciences.”

  • Is Wewe’s Marathon the greatest painting?

    Is Wewe’s Marathon the greatest painting?

    A great gust of wind ruffles the feathers, and exposes the rooster’s buttock. Adetola Wewe will soon unfurl his new 120 metre-long mythical realism painting: the secret that he has kept for nearly a decade is now in the open.

    For some six years, Wewe has been painting The Marathon, a diary of his encounter with futuristic forces. The painting, to his utter consternation, now measures nearly 120 meters long. He was not computing the dimension, he simply continued to muse along.

    But in a dream last week, voices from another planet asked him to measure what he is musing. He counted 100 meters, and they instructed him to stop at 120, and wait for further instructions. Is Tola Wewe the greatest painter alive? Possibly the greatest painter in history? Has he produced the greatest painting by human hand?

    Apart from the sky, the sea and the ground, is his painting one of the greatest continuous text for sensuous reading? He produced this painting in readiness for the human encounter with forces from other worlds, as the voice of our planet interacts with utterances from other places. It is the diary of a spiritual journey through humanistic configurations beyond mimetic manipulations. He has fabricated one of the greatest mytsh of our era, and redefined the line of intellectual possibilities, and the horizons of mental abilities. The story is that about a decade ago, in a vivid dream, voices from the future asked Wewe to paint The Marathon. He asked them how large should it be. They replied, “Just keep painting. We will tell you when to stop.”

    But they contacted him last week, and said it is now time to stop, after he has done 120 meters. The Marathon is a message from our planet, as we await encounter with beings from other places. When they ask us, “Where is your art work?” we are now ready to show them something substantial. We will bring out The Marathon, and they will nod in agreement that we have something great to show them.

    What makes it one of the greatest painting ever? Is it because of the length, the duration of execution, subject matter, or what? What’s the yardstick I’m using in this value assessment of this work? To pronounce a work perhaps “The Greatest Painting Ever in Human History,” is a serious assertion that shouldn’t be hastily or prematurely done. One could name a number of works that could aspire toward the title of the greatest painting in history. Many paintings of tremendous lengths have been executed. And some artists have been known to have worked on the same canvas for several years.

    This work is excruciatingly painful and immeasurably pleasurable. It is really painful to bear for pretenders to the crown of best painter on earth. And it is indeed deeply pleasurable to behold to those who approach it with an open eye.

    Do we have to wait for a panel of experts to determine if indeed this work is one of the greatest paintings ever made? Art is not a political office that you win by popular vote. “Experts” of art are often politically motivated, which is why African art was once condemned as “primitive,” and when Africanist critics protested, it got upgraded to “traditional,” “tribal” and so on. Is it really worthwhile to wait for the opinion of these same “experts” who sometimes have no idea what they are saying in the context of African art, and are too ethnocentric and politically loaded to know any better?

    Wewe’s The Marathon may be presented as the greatest painting of all time, not because is 120 meters long. Not because it took so many years to accomplish. Not because it incorporates fascinating forms. Not because it treats humanistic themes. But because of all of these factors, and others too mysterious to identify. What convinces me includes the combinations of the aforementioned and the inter-planetary subjectivities of the painting. That it is a humanistic conversation not only among people, but a message to the future and distant planets, complicates all the other extraordinary attributes of the painting, and places it on levels beyond a Picasso, Kandisky or Da Vinci. None of those artists were as ambitious, although volumes have been written about their works. Hardly do we encounter works with similar dimensions, long duration of completion, and trans-planetary futurism.

    According to the Ghana-born artist and critis, Rikki Wemega-Kwawu, “Michelangelo Buonarroti (1475 -1564)’s Sistern Chapel painting at the Vatican in Rome is unequivocally described as the greatest painting ever in human history. The painting illustrates the Christian Bible from the Creation to the Last Judgement. Many factors go to make this painting, indisputably, the greatest ever. He single-handedly executed it in the difficult medium of fresco….It took Michaelangelo over thirty years to complete this painting. In fact, it out-lived three Popes. The initial commission was by Pope Julius. According to Michelangelo himself, he became a hunchback after this work, because he often had to be in obscure and contorted positions to be able to execute certain passages. This painting is huge, monumental, covering the walls and the interior dome of the Sistern Chapel. Michaelangelo could be lying on the scaffolding for months on end without a shower, painting. At one time, he dozed off out of tiredness and he fell off the scaffolding. When he was taking too long in recuperating from the injury from the fall, the Pope who was getting rather impatient with Michelangelo for the slowness of the work, secretly ask Rafael, another giant of a painter, if Rafael could complete the work. Pope Julius wanted to be the one to unveil the painting; he was beginning to have the premonition that he would die before the completion of the work. When Rafael took a look at what Michelangelo had finished so far, he realized the monumentality of the assignment and frankly admitted he couldn’t do it. Rafael went himself to Michelangelo to congratulate him for being the greatest amongst them, and disclosed the clandestine plan of the Pope to take the work from him. Miraculously, upon hearing that Rafael, who was a rival, was being considered by the Pope to complete the work, he was healed overnight and was back to work the following day.”

    Has the time come to look beyond Michelangelo’s painting? First, Michelangelo’s work is a mural, not a mobile painting. Second, it is in the genre of realism, which is now the visual language of our era. Do we now have a work that of a different genre that rivals the greatness of the Sistern Chapel? And it is in a humble studio in Ondo?

    Are the worshipers of imperial art ready to consider this propositions? Probably not. Many may even ignore Wewe’s work, pretending it does not exist. Many may vilify it. Some will condemn it as primitive. I remember the horrible critiques that Fela received after he performed at the Berlin Jazz Festival in 1978. The German press, apparently out of ignorance and ethnocentric sentiments, dismissed Fela’s work. Wewe could receive similar dismissal from western art critics.

    Great works take time to digest. Some works are easy on the eye, imbued with mass appeal. Sometimes, a great work is born in the manger, and only three wise men would fall on their knees before it. Multitudes will crucify it on the cross. It is often the burden of genius to be unpopular.

    But it is really impossible to photograph this monumental work? It is like a scroll. You can read it, but you cannot see it as a single image. About eight feet, you can take a walk in front of it, but you cannot embrace everything at the same time. It is such an alienating experience that is impossible to describe, because it is not narrative. Extensive in volume and intensive in motifs, it stretches out in a limitless expansive, like the line of the horizon. Figuratively, it marks a new horizon in African artistic productions.

    Even the artist, Adetola Wewe, has never seen the whole thing. He sees the portion on which he works at any moment, but lacks the 120 metre-long space to view everything at once. Secretly guarded, it remains rolled up like a scroll, and he keeps writing it from left to write like an unending calligraphic deconstruction.

    I have always wondered how he plans to show it. He does not know. But the last time we spoke, he was considering possibilities of constructing a museum for it on his huge farm near Ondo. Visitors would be able to take a meandering walk through curves and turns, rather than just a straight line, to read from the huge canvas.

    Wewe’s work now defines all great measures of human achievements marking our era. But who could have guessed that underneath those feathers, a rooster is hiding her secret: a monumental and priceless painting of endless dimensions!

     

    •Okedeji is Professor of Art and Art History

    University of Texas, Austin, US

     

  • FCTA to introduce marathon

    FCTA to introduce marathon

    The FCT Administration is to introduce a city marathon for Abuja from this year.

    FCT Minister, Bala Mohammed disclosed this in Abuja while meeting with senior officials of the FCT Sports Council.

    The initiative is aimed at rapidly rejuvenating sports development in the Federal Capital Territory in tune with the Transformation Agenda of the Federal Government.

    Senator Mohammed recalled that in 2012, his Administration, under sports tourism, introduced an FCT PRO-AM Golf Championship, which has remained the highest prized golf tournament in the country.

    There are plans to expand the scope of the championship, especially by attaching prizes that would attract professional players from abroad.

    “Accordingly, the FCT Administration has resuscitated the FCT Minister’s Under-17 Football competition and well over 8,280 students, cutting across over 760 public and private secondary schools within the FCT, competed for the championship since its revival in 2010,” he stressed.

    He emphasised that the outcome of these competitions, especially the Under-13 Primary School competition recently culminated in FCT winning the National Under-13 Football Competition early this year.

    His words: “Approval has been granted for the team to represent the country at an International championship in Europe later this year based on the invitation extended by the Nigeria Football Federation”.

    The Minister noted the pro-activeness and renewed approach of the Sports Department of the FCT Social Development Secretariat to also introduce an inter-organisational tournaments amongst different public and private institutions as well as establishments including the military, para-military, educational institutions and clubs, to replace the hitherto FCT Sports Festival.

    Senator Mohammed revealed that the initiative would no doubt widen the scope of the competitor in preparation for National Sports Festival.

    ”To this end, the six Area Councils of the Federal Capital Territory will now compete along with the organisations for the best representative to be selected for the Elite Games to be introduced soon,” he added.