Author: The Nation

  • Ugbe: A pillar leaves MultiChoice Nigeria

    Ugbe: A pillar leaves MultiChoice Nigeria

    •  By Tutu Akanni

    Leadership is often judged by visibility; the loud launches, the headline moments, the public battles. But the most enduring leaders are rarely defined by spectacle. They are defined by institutions that outlive them. By systems that hold. By industries that function better because they were once in the room.

    John Ugbe’s retirement as Chief Executive Officer of MultiChoice Nigeria, a Canal+ company, marks the conclusion of one of the most consequential leadership tenured in Nigeria’s modern media and entertainment history. Not because he was the most visible executive in the room, but because he was among the most deliberate.

    Ugbe joined MultiChoice Nigeria in 1998, long before the business became culturally dominant or structurally complex. He rose through the ranks. Analyst, IT manager, general manager, learning the business from the inside out. When he returned in 2011 as Managing Director after a short stay away, Nigeria’s pay-TV market was changing rapidly. Competition was emerging. Consumer expectations were shifting. Regulation was evolving. What followed was not just expansion, but consolidation; the careful work of building an ecosystem rather than a product.

    One of the earliest signals of this approach was the introduction of GOtv in 2011. At the time, it was not an obvious move. Nigeria’s economic structure was already showing signs of strain and affordability was becoming a real concern. GOtv was not simply a commercial response; it was a strategic acknowledgement that scale in Nigeria required inclusion. Today, with GOtv present in 52 cities nationwide, that decision reads less like a gamble and more like foresight.

    The same year, Ugbe oversaw the commissioning of the MultiChoice Abuja office, reinforcing the company’s national footprint beyond Lagos. This was followed by the launch of the Africa Magic Viewers’ Choice Awards (AMVCA) in 2013, a platform that would go on to redefine recognition, visibility and validation for African film and television professionals. AMVCA did not just reward excellence; it professionalised aspiration.

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    Throughout his leadership journey, Ugbe demonstrated a consistent belief in infrastructure, not just physical infrastructure, but creative and human infrastructure. Initiatives like GOtv Boxing Night, launched in 2014, were not about entertainment alone. They were about creating ladders. Boxing, a sport long rich in talent but poor in structure, suddenly had a credible platform that rewarded discipline, progression and merit.

    By 2016, this philosophy extended into economic empowerment. The Canvassers and GOtv Sabimen schemes have since empowered over 15,000 Nigerians, offering not just income but dignity through structured participation in the value chain.

    Ugbe was appointed Chief Executive Officer of MultiChoice Nigeria in 2018, inheriting a business already prominent but entering a more volatile era. Global streaming competition intensified. Currency pressures mounted. Consumer loyalty became harder to earn. His response was not retrenchment, but reinforcement.

    Under his leadership, MultiChoice Talent Factory was introduced, a fully funded, skills-based training programme for aspiring filmmakers. To date, MultiChoice has invested over $514 million in local creative talent development, contributing to more than 25,000 jobs created in the past five years through platforms such as Big Brother Naija, AMVCA and Nigerian Idol.

    These were not isolated projects. They were components of an ecosystem strategy, one that recognised that content sustainability depends on talent sustainability.

    Ugbe’s tenure also demonstrated institutional responsibility beyond commercial objectives. In 2020, at the height of the COVID-19 pandemic, MultiChoice Nigeria committed ₦1.2 billion to federal and state governments through sensitisation campaigns, cash contributions and the provision of personal protective equipment.

    His appointment as Chairman of the Broadcasting Organisations of Nigeria (BON) in 2021 further reflected his standing within the industry. By 2023, he had launched The Nigerian Broadcasting Awards (TNBA), creating another platform to recognise excellence and professionalism within the sector.

    Across his eight years as CEO and more than two decades with MultiChoice, Ugbe oversaw the production of over 25,000 hours of content, expanded operations to 11 branches nationwide, and earned over 50 local and international awards. But numbers alone do not capture his impact.

    With his retirement, Ugbe hands over leadership to Kemi Omotosho, as part of a structured and orderly succession process.

    What distinguishes Ugbe’s legacy is restraint. He led through periods of intense scrutiny, regulatory pressure and public criticism without turning the business into a battleground. His leadership style was defined by governance discipline, stakeholder engagement and long-term thinking, qualities often undervalued in environments that reward immediacy.

    In an industry where personalities frequently overshadow processes, Ugbe focused on building systems that could function without him. That may be his most important contribution.

    As MultiChoice Nigeria enters a new chapter under new leadership, his departure feels less like an exit and more like a carefully planned handover.

  • NAFDAC resumes sachet alcohol ban enforcement despite protests

    NAFDAC resumes sachet alcohol ban enforcement despite protests

    The National Agency for Food and Drug Administration and Control (NAFDAC) has resumed its enforcement to ban  the production and sale of alcoholic beverages in sachets and small-volume PET/glass bottles (below 200ml), in line with the recent directive of the Senate of the Federal Republic of Nigeria.

    According to the DG of the Agency, Professor Mojisola Christianah Adeyeye, “This decisive action, ordered by the Nigerian Senate and backed by the Federal Ministry of Health and Social Welfare, underscores the Agency’s statutory mandate to safeguard public health and protect vulnerable populations, particularly children, adolescents, and young adults, from the harmful use of alcohol.

    “The proliferation of high-alcohol-content beverages in sachets and small containers less than 200 ml has made such products easily accessible, affordable, and concealable, leading to widespread misuse and resultant addiction among minors and some commercial drivers”.

    According to her, “this public health menace has been linked to increased incidences of domestic violence, road accidents, school dropouts, and social vices across communities”.

    In a statement credited to the DG of the Agency, she said, “Placing a label to read ‘not for children’ on the sachets and the small containers will not work. It cannot be enforced because of the peculiarity of the society.  Many parents don’t know their children take alcohol in sachets because the pack size can be easily concealed and the sachet is cheap”.

    Narrating the history of six years of moratorium given to manufacturers to reconfigure their product lines, Professor Mojisola Adeyeye said, “In December 2018, NAFDAC, the Federal Ministry of Health, and the Federal Competition and Consumer Protection Commission (FCCPC) signed a five-year Memorandum of Understanding (MoU) with the Association of Food, Beverage and Tobacco Employers (AFBTE) and the Distillers and Blenders Association of Nigeria (DIBAN) to phase out sachet and small-volume alcohol packaging by January 31, 2024”.

    The moratorium was later extended to December 2025 to allow industry operators to exhaust old stock and reconfigure production lines, she stated.

    NAFDAC emphasises that the current Senate resolution aligns with the spirit and letter of that agreement and with Nigeria’s commitment to the World Health Assembly Global Strategy Resolution to reduce the harmful use of alcohol (WHA63.13, 2010), to which Nigeria is a signatory since 2010. The Resolution aims to protect vulnerable populations such as children and youth.          

    The ban on sachet packaging and PET bottles less than 200 ml is to make it difficult for children to access alcohol and its consumption.

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    NAFDAC approves alcohol in bigger pack sizes

    The small size of the sachet makes it easier for minors to conceal from parents and teachers.  Reports from schools show that children conceal the sachets. A teacher recently reported that a student said he could not take an exam without taking a sachet of alcohol. 

    Reacting to the allegations that the Agency sealed some companies that produce alcohol, the DG stressed that “NAFDAC did not close down any company that makes alcohol. The Agency only bans alcohol in sachets and small containers less than 200ml”.

    “This ban is not punitive; it is protective. It is aimed at safeguarding the health and future of our children and youth by not allowing alcohol in small pack sizes. The decision is rooted in scientific evidence and public health considerations. We cannot continue to sacrifice the well-being of Nigerians for economic gain. The health of a nation is its true wealth.”

    NAFDAC reiterates that only two packages of alcoholic beverages are affected by this regulation—spirit drinks packaged in sachets and small-volume PET/glass bottles below 200ml.

    The Agency calls on all stakeholders, including manufacturers, distributors, and retailers, to comply fully with the phase-out deadline, as no further extension will be entertained beyond December 2025.

    The Agency will continue to work collaboratively with the Federal Ministry of Health and Social Welfare, the Federal Competition and Consumer Protection Commission (FCCPC), and the National Orientation Agency (NOA) to implement nationwide sensitisation campaigns on the health and social dangers associated with alcohol misuse.

    “NAFDAC remains resolute in its mission to ensure that only safe, wholesome, and properly regulated products are available to Nigerians,” stressed the DG.

    Meanwhile, employees of companies producing sachet alcohol, alongside some civil society organisations, have hinted at the possibility of a nationwide protest if the ban on sachet alcohol beverages and PET bottles below 200ml is not reversed.

    The employees made this known on Monday when they stormed the Lagos office of the National Agency for Food and Drug Administration and Control along the Oshodi-Apapa Expressway to protest the ban, three days after their last demonstration.

    Last week, employees under the aegis of the Food, Beverages, and Tobacco Senior Staff Association and the National Union of Food, Beverages, and Tobacco Employees besieged the NAFDAC office to express their grievances over disruptions to their companies’ operations.

    They warned that no fewer than five million Nigerians would be affected, directly and indirectly, by the ban.

    Following last week’s protest, the Director-General of NAFDAC  engaged with the leaders of the protesters. However, Adeyeye insisted that the ban would remain until there was a change in legislation.

    At the protest on Monday, employees under the aegis of FOBTOB and NUFBTE, joined by members of the Coalition for the Protection of Consumers’ Rights, were seen carrying placards and singing solidarity songs.

    Speaking with journalists, the National President of FOBTOB, Oyibo Jimoh, said engagements with the House of Representatives were aimed at developing a national alcohol policy that would cater to the interests of all stakeholders without an outright ban.

  • Patjeda Group advocates strategic CSR for sustainable development

    Patjeda Group advocates strategic CSR for sustainable development

    The Group Managing Director of Patjeda Group, Chief (Mrs) Joy Ehiagwina Joy Patrick, has called for a strategic, structured and value-driven approach to Corporate Social Responsibility (CSR) as a tool for driving sustainable national development in Nigeria.

    She made the call during a policy dialogue on Corporate Social Responsibility and Sustainable National Development in Nigeria, held in Lagos, stressing that CSR must go beyond charity and token gestures to become a people-centred development instrument that complements government efforts.

    Ejedawe said Nigeria’s growing socio-economic challenges, including youth unemployment, education gaps, food insecurity and infrastructure deficits, require stronger collaboration between government, the private sector and civil society.

    “CSR should not be seen as charity, but as a structured, impact-driven development tool capable of strengthening communities, de-risking business environments and building long-term social capital,” she said.

    She explained that Patjeda Group, a Nigerian-owned conglomerate with interests in transportation and logistics, hospitality, oil and gas, security support services, retail, agriculture and education, has institutionalised its CSR programmes through the Patrick Ejedawe Empowerment Foundation and the Heart of Gold Support & Care Initiative.

    According to her, the company’s CSR focus areas include entrepreneurship development, education support, food security and community infrastructure.

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    She disclosed that over the past two years, no fewer than 50 individuals have been empowered to start and grow small businesses, while scholarships and educational assistance have been provided to economically disadvantaged students.

    Ejedawe added that the Group’s Food Bank Programme supports vulnerable households, while its intervention on the Uromi axis of the Agbor–Auchi Expressway recently improved road conditions and boosted economic activities in the area.

    She further announced that the company plans to double its CSR interventions in 2026, including expanding its Back2School initiative to reach 500 pupils, empowering at least 50 beneficiaries under the Empower to Bloom programme, and sustaining its Feed the Widow initiative in Ikeja.

    Ejedawe urged corporate organisations to adopt long-term CSR models aligned with national priorities, while calling on government to provide enabling policies and incentives that encourage sustainable private sector participation in social development.

    She said, “At Patjeda Group, success is not measured solely by profit, but by lives empowered, communities strengthened and opportunities created.”

  • Terra building community, beyond market share’

    Terra building community, beyond market share’

    For brands, building a sense of community and connection with consumers takes focused effort. It must be earned over time. Terra’s approach in 2025 reflects this understanding, as the brand moved beyond conventional marketing to building genuine connections with consumers.

    More than just competing for shelf space or market share, Terra has made a deliberate shift toward building a community rooted in shared experiences, joy, education, and everyday relevance.

    Over the years, Terra’s consumer engagement has gone beyond traditional advertising.

    The brand has focused on showing up where its consumers already are – online, in kitchens, in conversations about food, during moments of joy, and togetherness. One of the strongest expressions of this commitment was Terra’s partnership with Big Brother Naija (BBN). Rather than simply sponsoring the show, Terra leaned into moments that encouraged shared experiences such as mealtimes, game night, viewers engagement, and social media conversations that brought people together over food.

    Another major pillar of Terra’s community-building efforts has been the Unwrap Joy Squad activities.

    Designed as a people-first initiative, the Unwrap Joy Squad brought Terra closer to consumers through on-ground activations, surprise moments, and genuine interactions. These were intentional touchpoints that celebrated everyday Nigerians and the small joys that food brings into their lives. By focusing on joy as an emotional connector, Terra reinforced its role as not just a seasoning brand, but a part of daily living.

    Digital food communities have also played a central role in Terra’ strategy. Through recipes, cooking videos, and relatable food content, the brand has consistently empowered consumers with knowledge and inspiration. From quick weekday meals to festive cooking ideas, Terra’s content has encouraged experimentation, confidence, and creativity in the kitchen. This approach has helped foster an active community where consumers don’t just watch content but engage, recreate, and share their own experiences.

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    According to Probal Bhattacharya, Chief Marketing Officer at TGI Group, “At Terra, we believe strong brands are built by creating value beyond the product. When you invest in people, culture, and shared experiences, you build trust and loyalty that no discount or promotion can buy. Our goal is to be present in meaningful moments, not just purchase moments.”

    Terra has demonstrated that market leadership is not just about numbers alone, but about connecting and building a community with consumers where it matters most. In building communities around food, joy, and shared experiences, Terra is setting a new standard for how Nigerian brands can grow, not just bigger, but closer to the people they serve.

    Terra Seasoning Cube is made up of wholesome, carefully sourced essential ingredients specially designed to meet the discerning Nigerian consumers’ needs in every meal, offering great taste, flavour, and aroma for that unique cuisine experience.

    Every meal cooked with Terra guarantees an enjoyable meal and a rich signature homemade taste experience.

    Available in Beef, Chicken, and Jollof flavours, in various consumer-friendly pack sizes nationwide.

  • Winning AFRIMA ‘life-changing,’ say Juma Jux, Folex

    Winning AFRIMA ‘life-changing,’ say Juma Jux, Folex

    • Stakeholders meet in Tanzania

    Fresh from their victories at the 9th All Africa Music Awards (AFRIMA) in Lagos, Nigeria, Tanzanian stars Juma Jux and Folex have described the platform as a major driver of global visibility for African creatives, as industry stakeholders met in Dar es Salaam to review the impact of the awards on the region’s music industry.

    The award-winning artistes shared their views during a Media and Stakeholders’ Parley hosted by AFRIMA’s International Committee, which brought together artistes, regulators, music executives and the media to examine opportunities created by the awards and how East Africa can better harness them.

    Speaking at the event held at Urban by City Blue Hotel, Dar es Salaam, Tanzania, Juma Jux, winner of East African Artiste of the Year (Male) at the 9th AFRIMA, described the experience as career-defining.

    “Winning AFRIMA changed a lot for me,” Jux said. “People who never spoke to me before now reach out. Being on a stage watched in over 84 countries gives you a new level of visibility and responsibility.”

    He also called for stronger partnerships between platforms like AFRIMA and government agencies in Tanzania. “When institutions work hand in hand with platforms like AFRIMA, artistes benefit more through exposure, training and knowledge sharing,” he added.

    Also speaking, Tanzanian music director Folex, who won Best Music Video of the Year for his work on Juma Jux’s Ololufemi video, said the recognition had changed his life. He explained that the Lagos experience opened doors to new networks and learning opportunities.

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    “Being nominated alongside international names like Pink and TG Omori and then winning the award was life-changing for me. It showed that East Africans can compete and win at the highest level. This award validates the work of music video directors in Tanzania and brings more confidence to our creative industry,” he said.

    Associate Producer of AFRIMA, Victoria Nkong, said the awards had grown beyond a celebration of talent to become a strong development platform for African creatives.

    “AFRIMA is designed to build an ecosystem for African music,” Nkong said. “Beyond the trophies, we focus on talent promotion, industry development and creating pathways that help African artistes move from local recognition to global visibility.”

    She added that the engagement in Tanzania was important for deepening collaboration with government institutions and industry stakeholders.

    “Tanzania and East Africa have rich musical identities. AFRIMA is committed to working closely with institutions and creatives here to ensure that their music and talent are well represented on the global stage,” she said.

    Also speaking, Selemani Mabisso, Acting Assistant Director of the Music Department at the National Arts Council of Tanzania, BASATA, reaffirmed the council’s willingness to partner with AFRIMA and other international bodies.

    “BASATA is open to collaborations that will help grow and strengthen Tanzania’s music industry,” Mabisso said. “We are ready to support initiatives that will position our creatives competitively on the global stage.”

    The 9th AFRIMA was held from January 7 to 11, 2026, in Lagos, Nigeria, and was organised by the African Union Commission and the International Executive Committee of AFRIMA, in partnership with the Lagos State Government as the Official Host City.

    The five-day celebration of African music featured seven major events, including a Welcome Soiree, the Africa Music Business Summit, the AFRIMA Music Village at Ikeja City Mall, where over 25 top artistes thrilled more than 30,000 fans, and a grand finale at the Eko Convention Centre, Lagos, Nigeria which was broadcast to audiences in 84 countries worldwide.

  • Band continues Akiin Shuga’s legacy with classic tunes for Valentine

    Band continues Akiin Shuga’s legacy with classic tunes for Valentine

    Nigeria’s popular premium live music ensemble, Shuga Band, is leveraging on a strong brand resilience to navigate its post-founder phase with the unveiling of a new structure and the release of exciting mashup tunes for the Valentine’s season.

    The highly sought-after band has released a nuanced medley of classic tunes to usher in the 2026 romantic season for lovers and music tastemakers. The special rendition, its first post-founder release, includes a mashup of Nigerian and foreign classics. The new release goes live on all digital streams on February 1st, 2026.                 

    For the band, the new offering is not just another release but a clear signal of the continuation of the legacy of its founder, the late Akiin Shuga.

    The management of the band has also constituted a high-calibre board of trustees to provide more structure and give strategic direction for its new phase.

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    The band has continued to wax stronger, honouring a slate of bookings that continues to come from its new and existing premium clientele of the crème de la crème of society. Shuga Band stole the hearts of its fanbase with its deft mastery of different genres of music. It’s well-loved for its flawless performance of classical music and everything in between, contemporary, gospel and African traditional sounds.

    After its successful performance at the recent special Christmas live edition of Arise TV’s flagship ‘This Morning’, its third in a row, the band earned an endorsement from media mogul, Prince Nduka Obaigbena. The media baron publicly committed to supporting Akiin Shuga’s legacy by pledging that the Shuga Band will continue to perform at his media Group functions.

    The band is consolidating on the qualities of technical proficiency, music flair, stage craftsmanship and audience engagement laid down by its highly-revered founder.

    According to Jerry Odeh, the band’s business manager, “Our late founder, Akiin Shuga ran so that we could fly. He didn’t just build a band structure but also established a culture of excellence woven into the very fabric of the Shuga Band DNA. We will continue his legacy and continue to make him proud one gig at a time. With the support of a board comprising distinguished persons, we now have an extra backbone layer to navigate our post-founder phase.”

  • I have songs I’m keeping for right time – Mavo

    I have songs I’m keeping for right time – Mavo

    Rising Nigerian Afrobeats artist Marvin Oseremen Ukanigbe aka Mavo has revealed that has several unreleased songs that he’s keeping for the right time to release.

    The 23-year-old, who has featured Wizkid, CKay and Davido expressed that the songs will be released when God says it’s the right time.

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    In a recent interview, he said, “I feel like I have, like I already said, I’m so blessed, so like it’s not something to be surprised about, but I have like a lot of songs I haven’t put out. I can’t say I’ve put out my top 50 best songs. I have songs I’ve been working on since 2023, 2022, songs I really feel like these are songs that are going to be good. But I just like keeping them for the right time.”

    Continuing, he said, “I feel like when it’s the right time, God tell me put it out. I have projects coming really soon, in a couple of months and it’s really solid. Then after that, I have another one as well. It’s back to back, it’s back to back. It’s going.”

  • Berlinale 2026: Organisers unveil star-studded jury

    Berlinale 2026: Organisers unveil star-studded jury

    Organisers of the Berlin International Film Festival have unveiled the international jury for the 76th edition of the prestigious global film event.

    The festival, popularly known as the Berlinale, will run from February 12, 2026, to February 22, 2026, at the Berlinale Palast in Germany, where jurors will determine the winners of the coveted Golden and Silver Bears.

    According to the organisers, renowned German filmmaker, writer and photographer Wim Wenders will preside as jury president for this year’s competition.

    Other members of the main jury include Nepalese director and producer Min Bahadur Bham; South Korean actor Bae Doona; Indian director, producer and film archivist Shivendra Singh Dungarpur; American filmmaker Reinaldo Marcus Green; Japanese director and screenwriter HIKARI; and Polish producer Ewa Puszczyńska.

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    A total of 22 films have been selected to compete in this year’s official competition lineup.

    In addition to the main jury, the festival has also announced jurors for its Perspectives, Documentary, Generation and Shorts sections.

    “The Perspectives jury comprises Moroccan filmmaker Sofia Alaoui, German director Frédéric Hambalek, and Polish-Canadian programmer Dorota Lech. The panel will select a winner from debut fiction features screening in the Perspectives section, with the award carrying a €50,000 prize funded by German collection society GWFF and shared between the director and producer,” the statement reads.

    Judging the Berlinale Documentary Award are directors Lemohang Mosese and Shaunak Sen, alongside renowned film scholar and critic B. Ruby Rich.

    Meanwhile, the Generation International Jury features Indonesian filmmaker Khozy Rizal, German actress Lena Urzendowsky and Sundance Film Festival’s Director of Programming, Kim Yutani.

    The International Short Film Jury include Ameer Fakher Eldin, Stefan Grissemann, and Gabriele Stötzer.

  • Wizkid, Davido, Asake top ‘Detty December’ artists

    Wizkid, Davido, Asake top ‘Detty December’ artists

    Nigerian music stars have led a long list of global artists that were mostly streamed on Apple Music during December 2025.

    According to a statement from Apple Music, the listed artists and songs defined Detty December, spotlighting the sounds that powered celebrations, cross-border collaborations and viral moments on the continent.

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    At the forefront were Wizkid, Asake and Davido who emerged as the most-streamed African artists across Sub-Saharan Africa.

    The three giants were closely followed by Young Jonn, Mavo, Seyi Vibez, FOLA, Burna Boy, Gunna, Rema, Drake, BNXN, Himra, ODUMODUBLVCK, DJ Tunez, Olamide, Shallipoppi, and DJ Maphorisa.

    Others on the list include Omah Lay, Black Sherif, Lil Baby, Future, Tems, Ayra Starr, and Dave.

    The statement further highlighted the season’s biggest song as Davido’s ‘Mavo’ and Ecool’s ‘Galorizzy,’ while South African breakout artist Al Xapo claimed the most-identified song on Shazam in December with ‘SNOKONOKO.’

  • Princess Chineke makes positive impact

    Princess Chineke makes positive impact

    Nollywood actress in Nigeria, Princess Chineke, who opened the floodgate as the first Nigerian actress to join the United States of America’s military, is also making a great impact in her work.

    Feelers have it that her dedication to duty in the U.S. army is top notch. Regardless of her beauty as a former beauty queen, who represented her state at the prestigious Most Beautiful Girl pageant in Nigeria, her skill and commitment has been met with constant commendation.

    Not forgetting home, Chineke who runs an NGO (Voice Initiative) paid a surprise visit to Nigeria last year and had a fruitful meeting with the basketball team she supports in her neighborhood. It was an interesting interactive session where some of them asked how they can join the U.S. military.

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    She planned to continue in assisting indigent students with scholarships as she has been doing before she left the shores of Nigeria.

    The former Miss UNIBEN who studied Computer Science has in no small measure made a tremendous difference in the lives of some students in her alma mater.

    Chineke is also a graduate of the Federal Radio Corporation of Nigeria (FRCN). She later went to the New York Film Academy, Los Angeles, to further her acting skill.

    Her career trajectory has been a surprising pivot from her successful acting, modeling, talent management to enlisting in the U.S. army.