Author: The Nation

  • Rotimi Salami: I was prepared for gossip before stardom

    Rotimi Salami: I was prepared for gossip before stardom

    Nollywood actor, Rotimi Salami has revealed that he had prepared for gossip around him and women long before he attained stardom.

    In a recent interview, Salami said he had prepared for the gossip long before he attained stardom because he knows people will always talk and attach him to one lady or the other.

    In his words, “I honestly do not know, maybe because I am a spiritual person and I know so well that people will gossip and if they don’t gossip about you then you are dead. I already prepared myself that once stardom comes in, people will gossip about me and outside stardom, I am a fine boy and I attract the opposite sex.

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    “So, I was ready for the gossip and rumours but the only person I believe I am answerable to is my wife and since my wife understood the terrain, I don’t care what people think. As long as it’s not going to stop the endorsement or my source of livelihood, I don’t care. In fact, it was even Allwell that called me saying Rotimi, did you hear what people are saying about us and I said, so what? And she asked if I wasn’t bothered and I told her that I wasn’t bothered except you were no longer supporting me and guiding me and she did that till her death.”

    He also weighed in on his relationship with Allwell Ademola, who passed on recently, saying she’s a sister without blood relation,

    He said, “When people ask me about my relationship with Allwell Ademola, I ask them back what do they think because I know that whatever my response is will not hold water as many people who ask the question already have preconceived answer for it, so my response will not change anything but for the sake of the question, I will simply say she’s my sister.

    “There are people who are not related to you by blood but because of the relationship you share with them, you can call them bloodline, so I would say Allwell Ademola is a bloodline, my sister and everything.”

    Allwell Ademola passed away on December 27, 2025 at the age 49 years old.

  • Cannes Film Festival calls for entries ahead of 79th edition

    Cannes Film Festival calls for entries ahead of 79th edition

    Submissions is currently open for films seeking consideration in the Official Selection of the 79th edition of the prestigious Cannes Film Festival.

    Otherwise known as Festival de Cannes, the event is scheduled to hold from May 12, 2026 to May 23, 2026 in France.

    The festival will bring together filmmakers, actors, producers and creative minds for nearly two weeks of premieres, screenings and industry activity.

    According to the organisers, deadlines for enteries are vary by categories, with February 15 set for school films under the La Cinéfondation (La Cinef) selection, March 2 for short films and March 13 for feature-length films.

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    “All debut feature films selected across the festival’s major sections, including the Official Competition, Un Certain Regard, Out of Competition, the Directors’ Fortnight and the Critics’ Week (Semaine de la Critique), will be eligible for the Caméra d’Or, which honours the best first film.

    “The festival also highlighted opportunities beyond the main competition. The Short Film Corner, a professional networking and screening platform distinct from the official competition, is exclusively reserved for short films. Submissions to this section are paid and must be completed online via the Cinéma de Demain platform.

    “Meanwhile, the Marché du Film, Cannes’ international film market, will once again allow producers and sales agents to organise paid market screenings for buyers and distributors. Further details are available through the Marché du Film’s official channels.”

  • Heartbeat: Tensions rise as love show enters Episode Two

    Heartbeat: Tensions rise as love show enters Episode Two

    Episode two of Africa Magic Heartbeat picked up exactly where the premiere left off, with Ken and Queen Latifa still wrapped in the intimacy they sparked on night one. If there was any doubt about whether Latifa wanted that moment to end, her body language quickly cleared it up. The connection was still very much alive.

    As the episode unfolded, most of the pairs settled into getting to know each other better, easing into conversations and shared moments. However, while the house seemed to be finding its rhythm, Hilda and Igwe stood apart as the only pair still struggling to properly connect.

    Elsewhere, new dynamics began to surface. Chidera and Kena shared a surprisingly serious conversation about future marital plans, hinting at intentions beyond surface attraction. At the same time, Igwe shifted his focus, turning his attention toward Queen Latifa as he continued exploring his options. Alvin also had a moment of honesty with Shekinah, openly addressing what he felt was a confrontational tone during a conversation that revealed early cracks beneath the flirtation.

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    Things took a sharper turn during a group truth game, where confessions flowed freely, and emotions sat closer to the surface. But the real tension arrived shortly after.

    When Queen Latifa asked Ken to step away briefly to get her water, the mood shifted almost instantly. In his absence, Igwe appeared to be flirting with her, a moment that did not go unnoticed. By nightfall, a divider had been placed on Ken and Latifa’s bed, signalling the first visible fallout of the season. Ken, meanwhile, wasted little time redirecting his attention toward Toria.

    Attention levels became even clearer during the wall of messages task. Hilda received none, while Igwe, Queen Latifa, and Toria each received three messages, confirming where interest was building and where it was fading.

    The episode’s biggest moment came with the “Score the Kiss” challenge. Blindfolded, the men took turns kissing each woman, who then scored the kiss based purely on how it made her feel. The winner, Igwe, earned the power to choose a woman to spend the night with at the Love Nest.

    Faced with multiple options and no shortage of attention, he hesitated over his decision, reinforcing his growing reputation as both the most desired and most indecisive man in the house.

  • SuperNowa: What exactly goes on in a child’s mind?

    SuperNowa: What exactly goes on in a child’s mind?

    Sonia Irabor’s SuperNowa, recently released on Prime Video, may sound modest by title, but it ventures into the landscape of a child’s mind. The film leans heavily into anxiety as its central theme, exploring how it shapes perception, and family dynamics.

    Visually, the film is carefully put together. There is striking cinematography and fairly convincing sci-fi elements. While the plot itself is straightforward, it gains emotional depth through the use of flashbacks and symbolic references. That said, the portrayal of anxiety—though well-intentioned—sometimes feels overstated, slightly diluting its realism.

    SYNOPSIS

    Nowa Ohini, fondly called “SuperNowa,” is a quiet yet exceptionally bright 12-year-old girl already in SS2. Beneath her academic brilliance lies a struggle with anxiety that manifests as more than a passing phase—it is treated as a condition. Unknown to her family and caregivers, it’s grief that’s calling on her.

    SuperNowa is a great movie for every Nigerian family. African family to be precise. The movie shines light on this rarely explored subject within the Nigerian film space, particularly when it concerns children.

    STRENGTHS OF THE FILM

    One of SuperNowa’s strongest assets is its simplicity. The narrative flows gently, making the film easy to settle into while still carrying emotional weight. The exclusive movie screening room was both as quiet as a whisper, and as loud as a siren. A testament of how immersive the movie is.

    It thoughtfully examines themes that are often overlooked, especially within the Nigerian context. Anxiety in children is frequently misunderstood, dismissed as laziness or unseriousness, with little effort made to ask deeper questions or seek therapeutic help.

    Sonia Irabor, made SuperNowa as a tool to emphasize how family as a crucial support system—imperfect but ultimately essential. This grounding perspective adds warmth and relatability, allowing the story to feel sincere and human.

    Read Also: Nigeria on ‘healing journey’ to $1trn economy by 2030 – Presidency

    Casting is another strong point. Each actor fits seamlessly into the story, contributing just the right amount of energy without overplaying their roles. Darasimi Nadi delivers a standout performance as Nowa Ohini, carrying much of the film’s emotional load with impressive instinct and restraint. Her on-screen chemistry with Nonzo Bassey, who plays her brother Junior, is particularly outstanding, portraying a believable sibling bond that anchors the film emotionally.

    Supporting performances from Onyinye Odokoro and Bimbo Manuel are solid and engaging, while Carol King and Harriet Akinola further enrich the narrative with grounded, relatable portrayals.

    Visually, SuperNova is aesthetically pleasing. The use of color—from room designs to costumes and sci-fi effects—works cohesively with the cinematography and color grading. The result is a visually immersive experience that enhances the storytelling. It is, at its core, a family-friendly film.

    The story also briefly addresses the Nigerian education system, highlighting gaps in school care and acknowledging that children learn differently and possess varied forms of intelligence.

    WEAKNESSES OF THE FILM

    The film’s most notable shortcoming lies in its conclusion. While emotionally charged, the ending feels rushed and leaves several narrative threads unresolved. Additionally, the absence of Nowa’s other siblings during key moments is noticeable. It gave room for acutely developed characters. Also, the school competition that drives the story was not taken care of properly. At the beginning it was. But later on it was more of a passive depiction. It felt rushed.

    FINAL VERDICT

    SuperNowa is a visually appealing and emotionally driven film that courageously addresses childhood anxiety. It’s a must watch for every home. Even if it stumbles in its execution toward the end, it’s a convincing movie.

    Rating: 6/10

  • Attah and journey of new era

    Attah and journey of new era

    Book Review

    Title: Attah : Architect of a New Democratic Dawn

    Author: Dr Dele Sobowale

    Reviewer: Udeme Nana

    Many book reviews focus on the title, pagination, number of Chapters, Publisher, Author, themes, structure and technical faults but it is equally important to draw out lessons in books to attract readers, inspire and empower them especially if the subject of the Book, like in this case, is exemplary. Biographies are often written to reveal the life of the subject in raw form apart from serving as a family chronicle. In Attah: Architect of a New Democratic Dawn’, written by Dr Dele Sobowale, readers will discover that a young Victor Attah, although born into a family that was one of the ‘Joneses’ in Akwa Ibom State took his destiny into his own hands by hawking ‘nwo nwo’ – small pieces of cooked meat – around the circus of Uyo in the 1940’s,  a location which he adopted as the centerpiece of his urban renewal project as Governor of Akwa Ibom State from  1999 ! He actually redesigned the Ibom plaza as a flea market with hundreds of stalls to stop street trading by minors. His resort to hawking ‘nwo nwo’ was typical of one with an activist DNA who would not throw up his arms in defeat when faced with an obstacle. The challenge that time, reared it’s head when their house – keeper left him and his junior brother without a “penny” to feed. Attah had to find a way out just as he worked out a solution,  when as Governor, President Olusegun Obasanjo denied his State allocations from the Federation Allocation Accounts Committee ( FAAC ) because of Obasanjo’s designation of Akwa Ibom as a non littoral State underserving of the full payment of derivation funds as prescribed by the 1999 Constitution. During that time, the government of Akwa Ibom State was paid a miserly monthly hand – out of N600m only by Chief Obasanjo’s federal government.

    The seriousness with which Lagosians and perhaps the Yoruba race attach to their indigenous culture is captured in the Book by the story of a High Court judge who participated actively in an annual cultural show as a Masquerade. One imagines how dignified such a Masquerade would have gone about his outing along the streets. A lesson here is that our traditional Masquerades should be refined to present themselves majestically and honourably.The episode teaches that cultural plays are not exclusive to the dregs of society as professionals and respected high net worth individuals can also wear masks. On page 39, an Eyo Masquerade, after lifting his veil said to Attah’s eldest brother ‘go and report to the Police that I beat you. I am a Judge. They will bring your case to me’ !

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    The biography also sheds light on the strong bond in the extensive Attah family tree. A chapter titled ‘Sons rise in the East’ is devoted to the “Siblings like twins’ although Attah’s immediate elder brother, the world renowned pathologist, Professor Edward ‘B Attah, OON takes seventeen pages !

    The life story reveals Obong Attah’s strategy for attracting a lady’s attention. Getting the attention of his late wife, Alison wasn’t a short walk in the park. He had to think outside the box before he successfully won her heart and subsequently, her hands in marriage. It is a timeless lesson which bachelors and anyone soliciting for the hand of a woman in love should adopt.

    The book reveals Obong Attah as a bold and courageous person who speaks his mind once he is convinced about the correctness of his facts and rightness of a cause.  He doesn’t hide his punches and his strident, bold and insistent advocacy for True federalism, derivation, resource control in the face of stiff opposition brings that into sharp relief.

    As a youth, he disagreed with his father and changed his Church denomination.  As a young student in Zaria, he fought for the rights of students even though he didn’t benefit from the reward of that fight and as the Governor of Akwa Ibom State, he fought for the payment of 13 % derivation funds to mineral bearing States in Nigeria without dichotomy. He fought for the abrogation of the onshore – offshore oil dichotomy. As a Professional Architect, he fought against the decision of the Management of the Nigerian Deposit Insurance Corporation, NDIC, to tamper with his architectural design of the headquarters complex of the Organization. He rather opted to lose his commission than compromise on the integrity of his own professional design.

    The work presents Obong Attah as an ethical purist, a lover of his chosen field and one who is very proud and passionate about the professional standards of his profession. Little wonder he returned to practice his profession after serving for two terms in office as the executive Governor of Akwa Ibom State.

    Another lesson from the profile is how Obong Attah leveraged on his network and friendship with President Ibrahim Babangida for the creation of Akwa Ibom State and the site of Uyo as the capital city of the state. Relationships matter even in times of critical and momentous decisions.

    Furthermore, the Book tells the story of Agriculture in Nigeria, the various plantations which his father,  as one of Nigeria’s pioneer experts in the field helped to nurture. Attah also took after his father as a big time farmer.  There’s a lesson in how Obong Attah’s personal investments in farming through his Alvita farms in Cross River State, long before he became a Governor, has evolved from the cultivation of pineapples, oil Palm, rubber, cassava and back to rubber plantations. The biography seems to promote the argument that Nigeria could do much better in agriculture.

    In addition, the publication has shed light on the famous incident in the 1950’s where the late Dr Nnamdi Azikiwe lost out from emerging as the first Premier of Western Region. As captured on pages 30 and 31 of the Book ‘Azikiwe, could have contested the election into the parliament from the East, if he had wanted. But the NCNC was so sure of winning the election in the East, it was decided that Zik , as he was fondly called should contest in the West and become the Premier of Western Region. According to the calculation, the NCNC would have controlled two out of three regions in Nigeria…the NCNC won by a wide majority in the East, but the election in the West failed to produce a clear winner between the three parties ; the Action Group, the NCNC and the Ibadan Peoples Party… Ibadan Peoples Party was led by Chief Adisa Akinloye, a scion of Ibadan ruling family…it was the coalition ; the Ibadan Peoples Party and the Action Group which gave Chief Obafemi Awolowo, the Premiership.The often – told lie that Azikiwe was robbed of the Premiership of Western Region, after winning the election as Premier, was a deliberate falsehood….The carpet crossing, meaning the NCNC parliamentarians declaring for the AG, came afterwards as some of them sought to be appointed Ministers.

    The Book disclosed that “Chief Adisa Akinloye, the man who altered the course of Western Regional political history… explained the entire episode in an interview he granted the Daily Times on Saturday, October 5, 1996 ! The full account is on page 31 of the Book.

    Obong Attah’s biography has also revealed that a Public officer can ”fight” the Economic and Financial Crimes Commission, EFCC, and claim victory if the public officer is spotless and on very solid ground. The appendixes on pages 351 – 363 of the account present documentary evidence of how Obong Attah fought the Federal Government and the EFCC in the Federal High Court, Abuja Judicial Division and prevailed. He won the case and the Federal Government had to apologize to him! That is a profound lesson in probity and accountability for political office holders because only one who has no skeletons in his cupboard would take on such a fight to clear his name and preserve his reputation.

    Attah’s biography shows his deep faith in God. The Attah family prayer which is the first item in the Book seems to guide the Statesman throughout his exciting and purposeful trajectory in life. The family prayer helped to mould him and serves as his compass in life. That prayer is forged into his psyche.

    Obong Victor Bassey Udo Adiaha Attah was born in Uyo, attended the Practicing School in Uyo in Akwa Ibom State. He proceeded to Calabar in the present Cross River State for his Secondary School education and then traveled up North to Zaria for training as an Architect. He honed his professional skills in the Americas and the United Kingdom before returning to set up his professional practice in Kaduna, once the political heartbeat of Northern Nigeria. He moved to Lagos from where he joined the political train which culminated in his election as the second Civilian Executive Governor of Akwa Ibom State in 1999.

    At the presentation of the Book in the NAF Conference Centre Kado, Attah who had served as Chairman of the Nigerian Governors Forum drew a large number of his former brother Governors, political and professional associates, former appointees, men and women of goodwill across the world to the event. A soundbite that will continue to resonate and remain as one of Attah’s enduring legacies was the testimony by the Chairman of the occasion, Dr Goodluck Jonathan, GCFR, former President of Nigeria who pointedly declared that the humongous billions which the State governments in the Niger Delta region and others are enjoying as derivation funds today is the outcome of Obong Attah’s bold fight for it’s implementation. The life history of Obong Attah is rich and a nice treasure to have in personal and public libraries. It is recommended for students of history, political science, public administration, politicians and the general public. Those who would like to model their lives after His Excellency, Obong Victor Attah should pick up the Book for inspiration. Published by Agbo Areo Publishers, Ibadan, the 437 pages Book is dedicated to the G – 34, led by the late former Vice President of Nigeria, Dr Alex Ekwueme, GCON; who risked their lives to confront the late General Sani Abacha.

    The well designed book has benefited from excellent editorial work.

    •Dr NANA, FNIPR who served as Attah’s Media Adviser is the Founder of Uyo Book Club

  • Day Obey the musical stirred Muson

    Day Obey the musical stirred Muson

    Ebenezer Obey Fabiyi is also known as one of the great founders of Juju music in Nigeria.  Simply known as Ebenezer Obey on stage, he has used his music renditions, both juju and gospel, to rule the entertainment industry far and near.  Last Yuletide, a stage musical called Obey, the musical, was written and staged to celebrate his numerous achievements.  The play was written by Emmanuel Adejumo and produced by Edgar, Duke of Somolu.  Edozie Udeze writes on the waves made by the show at the Muson Centre, Lagos, last December.

    Ebenezer Fabiyi Obey otherwise known as Ebenezer Obey is one of the most celebrated Nigerian musicians, singers and entertainers.  For many decades he sang, he composed, he entertained with musical lyrics that appealed to the generality of the people.  He started out as a juju maestro.  Then later he graduated into a gospel composer and singer.  It was stated some years ago, that God called him to use his musical talent to spread and preach His gospel.  And so heeding that divine call, Ebenezer Obey Fabiyi shifted his attention to gospel music, giving it as much energy as he gave to juju music even in his early years on stage.

    In his honour and to bring his works into stage musical drama, Emmanuel Adejumo, son of Baba Sala, has chosen to pen down the history of Obey into a stage drama.  Simply tagged Obey the musical, the drama went on stage throughout the 2025 Yuletide period at the Muson Centre, Onikan, Lagos.  Produced by Edgar, the famed Duke of Somolu, the play saw a big crowd of people trooping into the hall for the two days it lasted.  They were moments to have a clearer glimpse of the life and times of Ebenezer Obey the miliki master.  As people trooped in, his music played constantly in the background.  It was like a welcome salvo.

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    Most of the tracks played were his old tunes that moved Lagos and its environs to their knees in the 1970s and beyond.  People reflected on those memorable days when Obey used his alluring music to wake up owanbe, made social clubs rise to the occasion.  Fortunately, Adejumo who goes by the name Boi Sala while writing the play consulted Obey.  Obey gave him all the books written on him, on his career and his switch from juju to gospel.  With this and all the interviews he conducted, Adejumo was able to produce a huge dossier on Obey that made the stage output rich and highly acceptable.

    On stage, the musical eulogized and honoured Obey more than expected.  The roles some characters played on stage made thespians to wonder why Obey was able to control the music scene in Nigeria for so long and so convincingly for that matter.  But Adejumo is a wizard.  He took his time to zero into the deeper recesses of Obey’s musical career and journey.  His method worked.  His concentration mainly was on those favourite, all time tunes.  Those lyrics that made people forget themselves at night and social clubs in the days of yore.  Indeed Obey held the society in the jugular with his memorable tunes of old.

    On stage, Adejumo also replicated Obey on his guitar, with his piercing voice, dishing out stories, calling on names of celebrities, society men and women of caliber.  He sang their praises and earned their respect.  The songs manifested his control over others.  He composed and rendered with accurate precision that he was termed Ariya repete.  For him on stage, enjoyment has no equal.  Music, this food of love, must continue to play on.

    In writing the play, Boi Sala placed emphasis on those who could act the roles to the full.  As family members of Obey strolled into the hall, they were surprised to see the lead character replicating Obey on stage.  Not only that they commended the show and those that acted but asked Boi Sala where he got some of the old tunes that were not available to the family.  All these helped to add beauty to the Obe show that thespians came out with praises for a job well done.

  • SNAPSONG 223

    SNAPSONG 223

    All hail NEPA Nigeria’s God of Darkness

    The bond between Nigeria and  Darkness 

         Only the drastic word can break.

    One minute of flimsy flashes

         Then, a thousand hours of lightless groping

    Wingless fans mock our misery

         From powerless ceilings

    The aircon coughed into silence

         Many unhappy seasons ago

    Failing factories feed our hunger

         Our laptops run on the heat

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    From our feverish groins.

         With the rays of the kindly moon

    We pen the nation’s epics

         While libraries and laboratories suffocate

    In the lampless anguish of our benighted Academies.

         So wonderfully endowed, we count our blessings

    Halfway through the surgical task

         A medieval darkness engulfs the theatre

    The surgeon’s scalpel veers beyond the veins

         Close by, reeking mortuaries with their restless doors

    At our ultramodern airports

         Darkness taxes faster

    Than the speed of light: blind landing gambles

         Announce the welcome to our Blackout Country

    •Formerly published on July 7, 2024; compelled into re-use here by the persistence of the same Nigerian problem.

    NEPA: National Electric Power Authority; now re-named Power Holding Company of Nigeria (PHCN)

  • Super Eagles striker Moffi joins FC Porto from Nice

    Super Eagles striker Moffi joins FC Porto from Nice

    Nigerian striker Terem Moffi has completed a loan move to Porto from Nice, with the Portuguese club holding an option to buy the forward for €8m.

    The 26-year-old Super Eagles striker finalised the transfer on Friday after both clubs reached an agreement earlier in the week.

    Moffi is joining Porto on loan until the end of the season, with the option to make the move permanent set at €8m.

    The deal brings an end to a difficult spell in France for the former Lorient player, who had been on medical leave since the incidents involving Nice supporters on November 30.

    Porto fought off competition from several clubs, including Turkish side Besiktas, which had offered Moffi a more lucrative salary. There was also interest from teams in France and Scotland.

    The Super Eagles striker chose Porto because of the sporting project and the opportunity to work under coach Francesco Farioli, who knows him from their time in Ligue 1.

    Moffi has not played for Nice since November 30, following a defeat at Lorient that was overshadowed by serious incidents when players were confronted by supporters after the match.

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    He was subsequently removed from the first-team picture and had to take the club to a French judicial commission to force them to allow his departure.

    The striker managed just two goals in 10 league appearances this season, a sharp drop from his first campaign when he finished as Nice’s top scorer with 11 goals.

    Despite his club struggles, Moffi remains a recognised figure in Nigerian football.

    He made his Super Eagles debut in 2021 and scored a brace in a 10-0 win over Sao Tome and Principe in 2022.

    He was called up to the 2023 Africa Cup of Nations as a replacement for the injured Victor Boniface, where Nigeria finished second, losing the final to hosts Ivory Coast.

    Porto view Moffi as an immediate solution in attack and will have the option to make the move permanent at the end of the season.

  • Dominant Arsenal thrash Leeds United

    Dominant Arsenal thrash Leeds United

    Noni Madueke wasn’t initially meant to start but was pivotal during Arsenal’s 4-0 win over Leeds United in the Premier League (PL),which is the Gunners’ eighth consecutive H2H win over the Whites.

    Mikel Arteta was dealt a blow before kick-off with Bukayo Saka suffering an injury in the warm-up.

    Leeds tried to ensure the visitors would also be uncomfortable once the action got going at Elland Road, with plenty of intensity on display while Ethan Ampadu smashed a shot over the crossbar.

    Martin Zubimendi hit the game’s first shot on target in the 16th minute, although his effort from the edge of the box was routinely gathered by Karl Darlow.

    Arsenal started to turn up the pressure with balls being relentlessly played into the hosts’ box from corners, long throws and open play.

    That approach eventually paid off in the 27th minute when Zubimendi headed Madueke’s cross past Darlow.

    Read Also: EPL: Chelsea fight back from two goals down to beat West Ham 3-2

    The Gunners remained in control but were left frustrated when nobody was in a position to convert when Viktor Gyokeres headed a Madueke corner back across goal.

    Another corner in the 38th minute inspired more celebrations from the away end, though, as Darlow punched Madueke’s delivery in off the post.

    Daniel Farke responded with a double substitution ahead of the restart, and his side picked their levels back up with Pascal Struijk’s header marking their first shot on target of the match.

    Joe Rodon then impressively denied Gyokeres at the other end before Jurrien Timber headed off-target, but the Dutchman was booked for catching Gabriel Gudmundsson with his arm as the Whites left-back embodied Leeds’ determination going forward.

    The hosts were undone again in the 69th minute, though, as Gyokeres met Gabriel Martinelli’s pinpoint cross ahead of Jayden Bogle to net his first PL goal in seven appearances.

    Gabriel Jesus then worked space from Struijk and clinically finished to add a layer of gloss to the scoreline in the 86th minute, as Arsenal emphatically recovered from back-to-back winless PL games to go seven points clear at the top of the table, at least for the evening.

  • BRAWL AT THE BRIDGE!  West Ham star is sent off for grabbing Pedro by the THROAT in stoppage time

    BRAWL AT THE BRIDGE!  West Ham star is sent off for grabbing Pedro by the THROAT in stoppage time

    There were extraordinary scenes at the end of Chelsea’s thrilling comeback win over West Ham, with Adama Traore on the rampage, handbags galore and a red card for a throat-grab.

    Chelsea had just knocked the stuffing out of the Hammers by completing a stoppage time comeback from 2-0 down to lead 3-2.

    And then chaos was ignited when Traore lost his cool and threw Cucurella to the ground by the scruff of his neck like a ragdoll.

    That sent the home fans into a furious frenzy and their team followed suit, piling in. Pedro tried to confront Traore who bull-rushed him and the Brazilian quickly retreated.

    Jean-Clair Todibo then came steaming forwards, grabbing Pedro by the throat and pulling their faces close together before his grip was wrestled loose.

    At the same time, there was a melee involving seven players shoving each other in close proximity.

    When the camera panned back to a furious looking Todibo, Gary Neville on commentary said: ‘The eyes have gone. You’d better stay away from him in the tunnel as well if you’ve got a blue shirt on. He’s not calmed down yet. His head has gone.’

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    There was also a smaller incident involving Cole Palmer and Konstantinos Mavropanos, who gave the Chelsea star a faint slap but avoided being sent off, unlike Todibo, who was given his marching orders by Anthony Taylor following a VAR check.

    When Neville watched the replay again he said: ‘At one point he’s got hold of his neck and looks like he’s trying to eat him!’

    Pedro received yellow cards for his part in the incident but it will matter little to him.

    He scored the first goal in the comeback and later laid on the assist for Enzo Fernandez to snatch the three points.

    After play finally resumed, Chelsea had to defend a corner from the nine men and did so successfully before Taylor had seen enough and blew the final whistle.

    Replays would suggest a number of players were lucky to escape without further sanction from the fracas before full-time.

    Traore in particular, only picked up a yellow card for his WWE-style wrestling move on Cucurella, who was flung to the turf having wound up the Spaniard with some gamesmanship.