Author: The Nation

  • A voice for the oppressed

    A voice for the oppressed

    Book review

    Title:      Billy Bisa’s Secrets and Other Stories

    Authors:       Dulue Mbachu;

    Reviewer:    Uzor Maxim Uzoatu

    Publisher:    The New Gong Publishers, Lagos

    Pagination:           143

    THEart of the short story is a very delicate form to master. The great masters of short fiction such as Guy de Maupassant, Anton Chekhov, Isaac Babel, O. Henry etc. are as relevant today as when they put pen to paper back in time. Dulue Mbachu, with his debut short story collection, Billy Bisa’s Secrets and Other Stories, displays qualities that stand him in good stead to be read for years on end.

    The eight stories in the collection  “were written between the mid-1980s and the end of the 1990s” but they are still apt in this day and age. Some of the stories had earlier been published in anthologies and magazines like West Africa and BBC Focus on Africa.

    Every of the story published in the collection is preceded by a verse that somewhat emblematises the theme. In the first story “Say Sorry”, the eccentric 25-year-old Nath living in “a provincial university town” raises hell when a professor’s wife driving a Renault 16 car “brushed his trousers past him, tearing it and a bit of his skin without even noticing him as she pulled up a few metres ahead.” The matter is taken as far as to the police station where Nath’s only demand goes thusly: “I just want her to say sorry!”

    The next  story, “The Magic Ring”, is set in the university town of Nsukka where two young friends, Chidi and Paul, are caught up with the shenanigans of a magician selling a magic ring until Chidi ends the friendship by throwing away the magic ring, and after earning admission into the university he sees that his erstwhile friend, Paul, who had gone to learn a trade in Onitsha “had acquired two more rings…”

    The police can get into all kinds of caper in Nigeria, and in Dulue Mbachu’s story “Arrested for Wandering” two friends, Chuks and Bad Joe, attending a party in a nearby street end up wasting almost two hours of their time and paying bribe after being spuriously arrested by some policemen.

    The story “A Great Debate” is Mbachu’s adroit reprisal via personal terms the Nigerian national debate over taking the IMF loan during General Ibrahim Babangida’s regime of Structural Adjustment Programme (SAP).

    In the story “The Blood Donor”, a man whose wife is about to deliver in hospital is asked to look for two pints of blood in case his wife may have to undergo caesarean section witnesses a woebegone man collapse in the bid to earn some quid as a blood donor.

    The police again come in for crooked mention in the story “Joji and the Police” this way: “In all his 25 years in the police, Sgt Aduboni had never heard anything like this… That someone could walk into a police station, tell the police that he wants to go and steal, and was proposing to the police to help him steal and share the loot with him.”

    The human rights lawyer, Femi Soares, springs a happy ending surprise.

    “Paapa’s Modernisation” deals with the eponymous old man.

  • ‘Making of Out of Love was tough’

    ‘Making of Out of Love was tough’

    Canada-based Nigerian filmmaker Tomide Bamigboye, 23, speaks with Olamide Fred-Ahmadu on her career and her short film, Out of love, that won awards at the Toronto International Nollywood Film Festival, including Best Student Film, Best Female Filmmaker, Best Director and Best Short Film awards. It also won the Emerging Artist Film Festival’s Best Drama award.

    How was life growing up in Nigeria?

    Well, I like to think I was more on the privileged side of life. So, a lot of things that would affect the average Nigerian child didn’t affect me. I was always inside when I wasn’t in school. If I ever went anywhere, it would almost always be with my parents. I never really used public transport and all that. I just had a pretty normal, guarded childhood that anyone with super-protective parents would have. My parents were devout Christians and I am a Christian as well. I attended Christian schools as well. For primary school, I went to Kingdom Heritage. For secondary school, I went to Faith Academy. I started my university education at Redeemers’ University but after my first year, I moved to Canada where I had to start all over again but well I didn’t mind.

    When and how did you pick up interest in film?

    Well, I guess I have always had it. My mum and sister have always told me that right from primary school, I had a knack for performing, acting and such arts. My mum said I was always doing impressions and I was good at it. I would always participate in the fashion parade segment of my inter-house sports in primary school and I would always win. My dad is also an artsy person. He’s a good artist, loves to draw and all that. We are the artistic people in the family.

    Was your family very supportive of your inclination to the arts?

    Oh yes, they were especially my dad. My parents are the “do what you want to do” type. They didn’t force any of us into any profession we didn’t want to be in. They have been incredibly supportive throughout my journey. When I wanted to start in film, I wasn’t very enamored with the acting part. I was more inclined to the writing and directing parts of the industry. It was my dad who told me that it was important to learn the acting part as well so I could fully understand what needed to be done and what I had to expect from actors when I directed. That was when I decided to study Theater arts.

    Who is your role model in the industry?

    Well, my dad obviously. But in all seriousness, I have some people whose works I like from both Hollywood and Nollywood. So, from Nollywood, I like the works of Kunle Afolayan and Tunde Kelani (I grew up watching their works as well). From Hollywood, I like the works of Jason Reitman who worked on the 2021 Ghostbusters movie. I was privileged to work on that project with him for a day. Even though it was just a day, it was a whole experience.

    What genre of film do you work on?

    Well, mostly drama, romance, life. I am a huge fan of movies that highlight social and racial issues, mental health, and neurodiversity. I plan to bring more of these types of movies to life. I worked on one earlier in the year about the day-to-day life of an autistic young adult. It’s currently in post-production.

    Is Out of love your first film?

    Honestly, I like to think of it as my first film but it is not really my first film. I have done two films before it. At the university, I had a film class where we had to make a short film for a project. So, I did that but you know what, it’s so horrible. I never wanted to see it. You know back then I didn’t really know a lot about filmmaking, directing, and all that. So I like to just erase that from my memory.

    What was your motivation for Out of love and how did you come up with it?

    I wrote and directed this film. Well, for me (and I’m sure it is the same for most film directors and writers out there), there is always a little element of my life in my work. Even if it isn’t your life, it could be the life of a loved one or an experience. For Out of love, it was vaguely about these two people I knew from high school (Faith Academy) who were best friends but the girl has feelings for the guy. He was one of the “big boys” and was always going for the “big girls” so he never looked at her that way. By the way, he wasn’t aware she had a crush on him. She eventually gave up on the crush for the sake of maintaining their friendship which she cherished. Years went by, they grew up, and he finally realizes she has been the one for him but when he professes his love, she shuts him out. He realized it too late. She had spent a lot of time trying to get over him and she wasn’t about to let him just waltz into her life like that. I’m actually developing a feature film about these two but it’s going to be exclusively about their relationship. I will be adding some other elements to it.

    How did you feel when your film won many awards?

    I’m genuinely surprised because the whole process of making this film was tedious. We shot on a low-quality camera (it was a Sony FS5). I have just four crew members handling the sound, lights and camera. It was really tough. Even when it came to post-production, I was looking at the film and I was like “what is this?” I almost didn’t submit it because I thought it was horrible but then I just decided to try my luck so I submitted to a couple of festivals. Most of them picked me and I’m lucky to have won the awards. It definitely taught me a lesson that even when you doubt yourself just take one step at a time, you’ll never know.

    When and where will we get to see Out of love?

    Well very soon it will be uploaded to YouTube. It just finished its festival route.

  • NLNG flags off 2023 Nigeria Prizes competition

    NLNG flags off 2023 Nigeria Prizes competition

    The race for this year’s edition of The Nigeria Prize for Science, The Nigeria Prize for Literature and The Nigeria Prize for Literary Criticism is now open for contribution. The Advisory Boards for the prizes, sponsored by Nigeria LNG (NLNG) Limited, have called for entries for the prizes, flagging off this year’s competitions.

    The Science and Literature prizes, which are now in their 19th year, come with a cash prize of $100,000, while the Prize for Literary Criticism has a prize money of $10,000. The Science Prize, which recognises outstanding scientific achievements by Nigerians and non-Nigerians, will focus on Innovation for Enhancement of Healthcare Therapy this year.

    The Literature Prize, on the other hand, focuses on drama. The prize, which honours the author of the best book by a Nigerian, rotates among four literary genres – Prose Fiction, Poetry, Drama and Children’s Literature. The Literary Criticism Prize, which also aims to promote Nigerian Literature, will receive entries on works in literary criticism of Nigerian Literature, especially critical essays on new writings in Nigerian Literature.

    According to a statement signed by the General Manager, External Relations and Sustainable Development, Andy Odeh, the call for entries for the literature prize and literary criticism will close on March 31, while the window for the science prize will close on April 30.

    Prof. Ameh Dennis Akoh will chair the panel of judges for this year’s Literature and the Literary Criticism competition. Prof Akoh is a Professor of Drama and Critical Theory at the Alex Ekwueme Federal University, Ebonyi State. Other panel members include Prof Osita Catherine Ezenwanebe and Dr. Rasheedah Liman. Prof Ezenwanebe is a professor of Creative Arts, the University of Lagos. Dr. Liman is a Senior lecturer at the Department of Theatre and Performing Arts, Ahmadu Bello University (ABU) Zaria, Kaduna State.

    The Advisory Board also announced Prof Victor K. Yankah from the Department of Theatre and Film Studies, the University of Cape Coast, Ghana as the International Consultant.

    The winners of the Nigeria Prize for Literature and the Nigeria Prize for Literary Criticism, if any, will be announced at an award ceremony in October 2023 to commemorate the anniversary of the first LNG export from the NLNG’s Plant on October 9, 1999. The Science Prize winner will be revealed earlier in the year. The Nigeria Prize for Literature and The Nigeria Prize for Science are part of Nigeria LNG’s contribution towards helping to build a better Nigeria.

  • ‘Why Lagos is entertainment, tourism hub’

    ‘Why Lagos is entertainment, tourism hub’

    Lagos State Commissioner for Tourism, Arts and Culture Mrs. Uzamat Akinbile-Yussuf, in this interview with KUNLE AKINRINADE, speaks on issues affecting culture, entertainment and how the tourism sector in the state has been transformed in the last three years. Excerpts:

    Tourism and entertainment are part of the THEMES agenda of Lagos State. Give us an overview of some of the activities of the ministry since you assumed office and what you intend to do this year?

    I resumed duty on January 18, 2020, as the Commissioner for Tourism, Arts, and Culture in Lagos State. Ever since then, the second “E’ of the THEMES agenda (entertainment and tourism) has had its own share in the development of Lagos State. Unfortunately, in 2020, we had the challenge of the COVID-19 pandemic that brought everything down across the globe.

    Fortunately, however, we did not allow that to deter us from achieving our desired goals.

     Immediately after the pandemic, we had a review of what post-pandemic would look like in Lagos, and we had a committee chaired by actress Joke Silva and some other people from different areas of tourism, arts, and entertainment in Lagos State, including Mrs. Nike Okundaye of Nike Arts Gallery. At the end of the day, one billion Naira was voted to assist that sector and bring it back to life after the pandemic.

    In 2020, we inaugurated Glover Memorial Hall. Also in 2021, the master plan for tourism (in the state) for the next 10 years was presented. In the master plan, we have the immediate, medium, and long-term programmes that we believe need to be done were included.

    Now, I can tell that all the immediate in the master plan has actually been achieved, like community-based tourism. In Lagos State today. In all the 57 councils and Local Council Development Areas (LCDAs), there is a tourism desk office. And we have five particular local governments that we are using to drive tourism in the five divisions of the state, along with tourism desk offices in the 57 council areas and LCDAs. We believe we can achieve the best of tourism when we localise tourism, not only at the state level. And we have decided to partner the local governments to drive tourism.

    Recently, Mr. President Muhammadu Buhari was here to inaugurate one of our new edifices: John Randle Centre for Yoruba Culture and History. I will tell you that the edifice is not just a museum as many people think; I call it a knowledge-sharing centre.

    It is a place where we can do a lot of research about our culture, about who we are, and about what we need to be doing as Yoruba, not only about Lagos State. It is about the Yoruba race because we are not promoting our culture as we need to be doing. But, with this centre, we can learn so many things about our culture, especially in the olden days.

    One of our best programmes is the training with the Lagos State creative industry. The programme was initiated in 2020 and the lessons began in 2021. As of today, we have trained over 3000 with different partners. We have four major partners that we have worked with. We have EbonyLife Academy, DelYork Film International, Ogidi Studios, and AMMA. These are institutions of international repute that partnered the Lagos State government to train many youths in different areas like video editing, script writing and fashion among others.

    I am happy to let you know that one of their movies has been premiered even at the international level.

    When we went to the Toronto International Film Festival, one of our students had her movie premiered. And it is a pride that the state government is doing what it should do to assist and empower the creative industry because we are blessed with many creative talents. All we have to do is to harness these talents, polish them and make them shine in a way that the world would be able to see them because Nigeria is the soul of entertainment in Africa and Lagos is the hub of entertainment in the country. So, when you talk about entertainment, most of the Nigerians making waves across the globe are from Lagos State, both in comedy, music and acting. They are shaking the entertainment scene across the globe and we are proud to associate with them and everything they are doing.

    Lagos State recently hosted the National Festival of Arts (NAFEST). So, what has the state benefitted from hosting the festival?

    We hosted NAFEST between November 7 and 13, 2021. About 31 out of the 36 states in Nigeria participated in NAFEST. Over 7000 participants were at the festival and many commercial activities took place during the event. We had people engaging in buying and selling and you cannot imagine the amount of money that exchanged hands at the event including transactions on hotel booking and food sellers. We were able to celebrate our cultural diversity and promote peaceful co-existence among ourselves. There were people from the north eating what the people from the south are eating and helping in exchanging our diverse cultures and values during the period of the festival. Rivers State came to the festival with huge contingents but Lagos was able to beat Rivers State to clinch the first position during NAFEST because this is Lagos, and we are always ready to be the first at all times.  

    What is your assessment of the performance of the state government in the development of the tourism and entertainment sectors in Lagos?

      Governor Babajide Sanwo-Olu has been performing creditably well in the tourism and entertainment sectors by creating an enabling environment for the sector and practitioners to thrive. We had the end-of-the-year Greater Lagos concerts during the Yuletide in December last year attended by people from far and wide who applauded the state government for organising the shows. You cannot imagine the billions of naira that exchanged hands during the events held across Lagos State. We are actually putting together data to inform the public about the number of people that attended the statewide end-of-the-year concerts; Wizkid, Kizz Daniel and Asake were there and many others. Ali Baba also had his own show that was grand, so which other state in the country was able to do what Lagos did in the entertainment sector and promotion of tourism?  We also hosted about 7000 delegates during NAFEST. This shows that Lagos is secure and that the government is working efficiently in the areas of tourism and entertainment sectors and if we are to rate the performance of the state in this light, I will say that we have done more than 80 percent in terms of performance.

    How are you going to use the entertainment sector to sensitise youths against drug abuse?

    Not long ago, one of our prominent drummers, Ara, held a meeting with us and went to meet Mr Governor along with the Ministry of Youth and Social Development to discuss this very pathetic story of our young people being into different kinds of drugs and how they can use the entertainment platform that promotes it in the past to speak against it.

    In the past, I was the Commissioner for Youth and Social Development and we wanted to start a project called Acada before I left. The project was about finding a way to inculcate the people in the entertainment industry to speak against illicit drugs and their usage.

    We are looking at partnering with the Ministry of Youth to come together with the Ministry of Tourism and Entertainment, to have that Acada project because the issue has eaten deep down into the minds of the youth and children of less than 10 years, smoking different kinds of drugs and it is something that we need to look into.

    We would also be involving the Ministry of Health; we need to know where they are getting these drugs, so we can make it so difficult for them to access the drugs, and do different kinds of rehabilitation and civic engagements to make the public start speaking against it. So, it is going to be an inter-ministerial project for us in the state.

    What is the plan to make the John Randle Centre for Yoruba Culture and History attractive to visitors and how do you intend to keep it functional?

    The operational module has been well conceived. As we speak, we already have in place the board of trustees chaired by Governor Babajide Sanwo-Olu. We already have the legal team in place and we already have the management team in place. In fact, we are partnering with the British Museum for the training of all the employees. We have the human resource and a competent consultant handling the recruitment of the staff. Also, the National Commission for Museums and Monument are ready to work with us because we all believe in it and we must ensure that we take absolute control, and in another 20 to 30 years, that centre will still be there and will still remain the best in Africa. 

  • Coping with fluctuating palm oil prices

    Coping with fluctuating palm oil prices

    Palm oil is one of the essential ingredients in food preparation. It is also used in the production of soaps, cosmetics, magarine and many others. Its price has been rising and falling. Right now, it is down, making it easy for users to keep cost of products down. But stakeholders say there is the need to stabilise the price through increased production with high-yielding seedlings and better techniques. DANIEL ESSIET reports.

    THE price of palm oil rose last year. According to the National Bureau of Statistics (NBS), the price of a bottle of palm oil went up from N775.11 in November 2021 to N1,006.64 November last year. Also, the bureau said the Southwest recorded the highest average price of palm oil at N1,174.30, followed by the Northwest at N1,129.63, while the Northeast recorded the lowest price at N765.04.

    Early last year, two largest palm oil producers, Okomu Oil Palm and Presco Plc., grew their revenue by 83 per cent to N82.47 billion in the first-half from N45.09 billion in the corresponding period of 2021. However, in the fourth quarter, there was a 29.2 per cent pullback in palm oil prices on the back of increased supply from Malaysia and Indonesia, the two largest producers of crude palm oil (CPO) and an expected slowdown in demand from China and India, hence, the quarterly decline in revenue reported by Okomu Oil Palm and Presco Plc.

    However, both companies’ revenue declined by 36.47 per cent to N26.91 billion in the third quarter from N42.36 billion in the second quarter of last year; therefore, bringing total revenue to N59.84 billion in the second half of last year, 27.43 per cent down from N82.46 billion in the first-half of 2022 (January to June).

    Notwithstanding, revenue reported by Nigerian palm oil producers grew by 68 per cent to N142.31 billion in 2022, from N84.82 billion in 2021, thereby bringing total profit for the year to N38.81 billion, a 26 per cent increase from N30.86 billion in 2021.

    While vegetable oils were the highest on record last year, the Food and Agriculture Organisation (FAO) said the prices fell for nine months in a row.

    The FAO Vegetable Oil Price Index averaged 144.4 points in December, down 10.3 points from November and hitting its lowest level since February 2021.The decrease in the index was driven by lower international price quotations across major vegetable oils such as palm, soybean, rapeseed, and sunflower oils. While world palm oil prices dropped nearly five per cent, led by sluggish global import demand and world soybean oil, rapeseed, and SFO international prices dropped on account of ample global supplies and subdued import demand.

    In the next three months, the Chief Executive, James Energy and Construction Limited (Jemas Palmoil), Mr. Jerry Sam Etukapan, said the  price of palm oil would be on a downward trend, attributed to low purchasing power occasioned by the currency squeeze. He said that 25 litres of palm oil now sells for N4,000 because people were not buying as before.

    He explained that the price spike is caused by the enthusiasm to purchase oil palm. He has been working with local farmers in Akwa Ibom State, where he buys their palm fruits and processes them  into oil.

    Etukapan exports and others are integrated into palm oil derivatives including frozen pizzas, chocolate and hazelnut spreads, cookies, and margarine. He, however, said it had been difficult for those involved in growing palm fruit and converting palm fruit into oil.

    He expects the edible oil prices to rise again after June as palm oil production is not expected to increase due to non-availability of manpower required to produce theoil. This, according to him, has impacted palm oil production.

    Palm oil is used in manufacturing various products ranging from cakes, frying fats, vegetable oil, cosmetics and cleaning products.  Following Indonesia’s ban on palm oil exports from April 28, last year, prices of edible oil in most countries in Africa rose   due to shortage of supply.

    Indonesia accounts for more than half of global palm oil supply. The ban led to an increase in the price of major edible oils, including palm oil, soy oil, sunflower oil and rapeseed oil, for consumers in Asia and Africa. Consequently, manufacturers of cooking oil were buying palm oil, the main raw material, at between $1,760 and $1,980 per metric tonne. Before the escalation of Ukraine-Russia conflict, the commodity retailed at $1,490 per tonne, having more than doubled from $700 per tonne before the onset of the pandemic in March 2020.

    For Etukapan, seasonal palm oil price fluctuations have a significant effect on farmers’ gross margins. According to him, in the lean palm oil seasons, farmers get good prices, but gross margins are not good during the peak/high seasons between January and March.

    He noted that the country would face a wave of high prices of vegetable oil in light of the supply shortage, during the summer season when harvest is low.

    He acknowledged small-scale farmers face a myriad of challenges, including experiencing low oil palm yields because they use minimal input and crop maintenance.

    Etukapan put the issues and challenges in the business in perspective: “Our palm oil is more expensive than that of countries such as Indonesia and Malaysia. Few days ago, I lost business to an Indonesian company because our palm oil was costlier than others. After harvesting their palm fruits, they will collect N600 per bunch. It takes 20 bunches to produce 25 litres of oil. If they collect N600, you will be paying N12,000 to produce 25 litres of oil. This makes oil very expensive.”

    It is easy to see the implications of this price difference on the local palm oil industry.

    He explained: “With this (the prevailing price structure), we cannot compete with exporters in the international market because they use sophisticated machines that make the process cheaper for them.

    “We are using crude methods and ancient machines. Today, we still use those machines that our forefathers were using.The other thing is that the cost of purchasing oil palm processing machines is high. We cannot afford it here. It is one or two companies that have been able to afford such machines in Akwa Ibom.

    “If these machines are made available to local farmers, production level will expand and at the end of the day, the oil palm prices will go down. We cannot compete favourably with our counterparts in Indonesia and Malaysia. We should take note of this.”

    Experts are positive that the federal and state governments, as well as the private sector, can work with research institutes and universities to produce and use improved seedlings, techniques, and storage to realise optimal output from the three million hectares of farmland said to be available for palm oil cultivation in the country.

    Nigeria has an unmet demand of 500,000 tonnes of palm oil. According to Statisca, a research portal, palm oil consumption in Nigeria amounted to about 1.72 million metric tonnes. The Economic Community of West African States (ECOWAS) sub-region has an unmet demand of two million tonnes. This presents an opportunity for Nigeria to scale up production of the cash crop to satisfy local and regional demand for much-needed foreign exchange.

    Increasing oil palm production

    For instance, the National President, Palm Produce Association of Nigeria, Alphonsus Inyang, said the industry had the potential to close the domestic demand as well as capacity to produce for export. He has been driving a two million seedling project and urged Nigerians to embrace the project and vision of the association. He made a passionate call for the local palm oil industry to be protected. He said local producers have more than sufficient capacity to refine and bottle palm oil to meet local demand. He said Nigeria had several thousands of acres with high potential for palm oil development that could be cultivated with foreign investors. He said oil palm products made in Nigeria could find ready export markets in the United States and Europe.

    Inyang urged the government and the private sector to plant one million oil palm trees in four years. He wants policymakers and business actors to discuss how to ensure Nigeria played a big role in global palm oil supply to meet demand for edible oils.

    In doing so, one of the issues that will engage the attention of policymakers and business actors is, perhaps, the traceability for much of the palm oil produced in rural areas, as larger companies depended on middlemen to source palm fruits in the rural areas.

    There is also the issue of the ease of doing business in Nigeria. “The ease of doing business is not there,” Etukapan pointed out, accusing the Standards Organisation of Nigeria (SON) and the National Agency for Food, Drug Administration and Control (NAFDAC) of making it difficult for entrepreneurs to get certifications.

    “Sometimes, it can take you more than three years to have one certification. Before they give you that paper, they will come to your office 10 times, collecting money. At the end of the day, if they don’t collect enough money, they will not release the paper to you. When it happens like this, people cannot do palm oil exports. As far as oil exports are concerned, I want to say that the Nigerian Exports Promotion Council (NEPC) is really trying. If other agencies can do like NEPC, we will make a headway.”

    Renewed hope

    The average yield of oil palm farms in Nigeria is five tonnes of fresh fruits per hectare per annum, representing 25 per cent of potential production— a yield considered very low and attributable to poor agronomy and limited knowledge on best management practices for oil palm cultivation.

    There is hope of a rebound of Nigeria’s palm oil industry, following recent global partnerships to deal with shortages of fertiliser and workers, for instance.

    The price of fertiliser makes up about 40 per cent of palm oil’s production cost. So far, oil palms in Nigeria have not reached their full potential because of the lack of fertiliser input and farmers cannot get certain types of fertilisers

    According to the Chief Executive, Oil Palm Research (NIFOR), Dr. Celestine Ikuenobe, oil palm requires a steady diet of nutrients and minerals. Malnourished trees produce less, which leads to lower oil extraction rates.

    However, to ensure Nigeria’s palm oil production rises beyond two million metric tonnes per annum (MMTA) in the next three years, OCP Fertilisers Nigeria Limited and NIFOR are working on trials for the specialised fertiliser that will increase production by 40 per cent per hectare.

    The Nation learnt that researchers at the Institute of Agricultural Research and Training (IAR&T) and NIFOR are testing fertiliser formulation at various agro-ecological situations across oil palm production states.

    Deputy Managing Director, Programme Incubation, West Africa, OCP Africa, Mr. Caleb Usoh, said the company, in partnership with NIFOR and IAR&T, had conducted a soil mapping survey, to facilitate the development of specialised fertiliser recommendation for oil palm nationwide, to address complaints of low yields by farmers.

    Ikuenobe explained that oil palm output had failed to keep pace with rising demand, so millions of dollars on imports had put a strain on state foreign currency reserves. He noted that characterising soils of the oil palm belt had helped to determine limiting nutrients based on new fertiliser formulations tested on farmer’s fields in validation trials across the country.

    He noted that the soil test-based application of nutrients would help oil palm farmers to realise higher response ratio and in turn, higher yields.

    The President, Federation of Agricultural Commodities Association of Nigeria (FACAN), Dr. Victor Iyama, believes that the sector could achieve a lot in increasing domestic and export production of palm oil if the government worked with producers to ensure that smallholder communities living in the production belts enjoyed higher incomes and a better quality of life, and improved rural infrastructure.

    According to him, oil palm offers an opportunity to support rural livelihoods. He said as the palm oil industry expanded, so too would opportunities for the private sector to tap into the demands, particularly with regard to export.

    He said the projected unprecedented growth in national income would be largely driven by unlocking opportunities in agriculture.

    For Etukapan, there is the need for the government to provide the necessary support and an enabling environment to increase the competitiveness of local businesses to meet the demands of the sector.

    He noted that while there has been a growing interest in strengthening and intensifying local oil palm production to capture the global market over the years, measures need to be implemented to mitigate the adverse effect of operational volatilities.

    He added that the impact of a vibrant local oil palm value chain on the economy is huge and must be harnessed through a proactive approach to promote the growth of the production of sufficient palm fruits. This, he said, will make the country not only self-sufficient but also a net exporter of palm oil products into the sub-region.

    Sustainable West Africa Palm oil Programme (SWAPP)

    The Federal Government is collaborating with Solidaridad West Africa (SWA), a Non-Governmental Organisation (NGO) to ensure that the Best Management Practices approach to oil palm production at both the farm and mill levels .SWAPP is implemented in Ghana, Nigeria and Ivory Coast with a focus on increasing the productivity and profitability of the Small to Medium-Scale Enterprises in the palm oil sector. Since its inception, SWAPP has produced quality palm oil onto the market and also trained more than 2000 farmers across the three West African countries benefiting from the programme.

    This year, ministers from 10 African countries signed the Africa Sustainable Commodities Initiative (ASCI) Declaration, a single set of principles for the responsible production of agricultural commodities in Africa.

    ASCI puts producer countries in Africa at the forefront of defining the principles for the sustainable development of cocoa, rubber, palm oil, coffee and other commodities in a way that protects livelihoods and protects natural resources, including forests.

  • International Women’s Day: Retirees, others laud PenCom DG

    International Women’s Day: Retirees, others laud PenCom DG

    Retirees have lauded the Director-General, National  Pension Commission (PenCom), Mrs. Aisha Dahir-Umar, for her commitment to pensioners and the advancement of pension in the country. 

    In statements sent to The Nation to commemorate the  the International Women’s Day today, some retirees and stakeholders described Mrs. Dahir-Umar as a woman of vigour, integrity and incorruptible.

    A retiree, Mr. Adeyemi Adeosun, said the PenCom DG’s efforts to ensure retirees were not subjected to untold hardship on retirement were  appreciated.

    He said: “I sincerely express my joy to the DG of PenCom. The commission has ensured that retirees and workers are not exploited by their Pension Fund Administrators (PFAs).

    “Some of the policies introduced by the commission has made the industry to do things right.”

    Citing the Transfer Window that enables workers and retirees to change their PFAs when they are not pleased, Adeosun said the policy has transformed the industry.

    “The PFAs come down to the level of the contributors of the scheme to offer them good services and I just want to thank the DG for promoting transparency and accountability.’’

    Another retiree added, Mr Mustapha Dogara said: “PenCom has proved to be an outstanding national asset. The commission has indeed made Nigeria’s generation young and old to be very proud. I salute PenCom for attending promptly to complaints from retirees.

    Emeke Ikemefuna, also a retiree, said: “I sincerely express my joy to the commission, especially Mrs. Dahir-Umar, who has been steering the ship well.

    Another retiree, Mrs Georgina Ezenwa on her part said the DG has shown that women are hard workers and are always dedicated to duty.

    Ezenwa advised the DG to continue to be upright and ensure the sanctity of the Contributory Pension Scheme (CPS)

    It would be recalled that the National Association of Nigerian Students (NANS) inducted the Mrs. Dahir-Umar into the association’s ‘Hall of Fame’ in recognition of her service and purposeful leadership in the industry.

    NANS commended the director- general for her hard work, exemplary lifestyle, contribution to nation building and the advancement of the pension industry.

    The Senate President of the apex students’ body, Comrade Attah Nnalue, at the awards in Abuja, said the NANS Merit Award is presented to those whose exemplify the ideas of living for others and dedicate themselves to national building and service to humanity.

    He said Mrs Dahir-Umar had been part of the journey to reform pension administration and management in Nigeria, adding that under her leadership, PenCom attained significant milestones in its implementation of the Pension Reform Act (PRA) 2014.

  • 532 retirees in Lagos get N1.2b

    532 retirees in Lagos get N1.2b

    By Nimotalahi Awoniyi

    The administration of Governor Babajide Sanwo-Olu has paid another set of 532 retirees N1.2 billion their past service benefits prior to the commencement of the Contributory Pension Scheme (CPS) in 2007.

    The Director-General, Lagos State Pension Commission, Mr. Babalola Obilana, made this known at the 99th Batch Retirement Bond Certificate Presentation at NECA, Ikeja.

    Presenting the certificates to the retirees of the Lagos State Public Service, Obilana said the state had been working in line with the ideals of the CPS.

    He stressed that the administration of Sanwo-Olu had been ensuring the consistent payment of pension liabilities and first-class service to its retirees.

    He said: “This administration is committed to improving the welfare of our senior citizens and has initiated various programs to secure the financial freedom of our retirees. Today, we are here to celebrate your dedication and service to Lagos State.Your labour while in the public service has not been forgotten. Thank you for your contribution to the dream of a greater Lagos.

    “We appreciate our stakeholders, the PFAs/Insurance companies for their relentless efforts towards the success of the CPS. I also want to enjoin retirees to take very good care of themselves because health is wealth. Be prudent with your expenses,” he advised.

  • Pension complaints and solutions

    Pension complaints and solutions

    EFE: Good day, my name is Efe from Warri. Your efforts to ensure retirees are not subjected to untold hardship on retirement are highly appreciated. I want to know if you only attend to issues concerning federal employees because I am a retired state worker of the local government service commission, Asaba.

      I retired in October 2020. I have not been able to access my RSA even though my PFA, Trustfund Pension sent me a text that I can access my RSA account but at the same time requested a letter from Asaba.

      I am confused. I don’t know what to do. Please do advise me.

    PENCOM: Please send your PIN to enable the Commission investigate your complaint.

    MOMODU: Hello. On December 16, 2022, I received a text message from Access PFA, formerly FGPL. Its management apologised for the delay in paying my benefit. They said it was due to the upgrading of their systems.

    I am waiting to hear from them.

    HAMADU: Greetings to the Director-General of PenCom. My name is Hamadu. I retired from the Independent National Electoral Commission (INEC), Abuja as Deputy Director on grade level 16/9 in November 2017.

    My pension administrator is Stanbic Ibtc. My complaint is on the nonpayment of 2.5 per cent and arrears.

    PENCOM: Please, provide your PIN to enable the Commission investigate further

    ADOGA: Dear Omobola, my name is Adoga from Makurdi, Benue State. I retired from the Nigeria Railway Corporation in February 2015.

    My PFA is Premium Pension. In 2016, I joined Leadway Pensure for Annuity, but my 2.5 per cent is yet to be paid. When l visited the PFA’s office in Makurdi, I was asked to apply for the payment, which I did since July 2022.

    Please, help me.

    PENCOM: Payment has been made into your Retirement Savings Account (RSA). Please contact your Pension Fund Administrator (PFA).

    ANNONYMOUS: I have a problem with my pension. I am a police officer. My pension has not been paid into my pension account since 2017. I have been on this for the past three years by moving from one office to another, but all my efforts proved  abortive. Kindly help me.

    PENCOM: Kindly provide your name and PIN.

    ABUBAKAR: Hello, my name is Abubakar, a next of kin. The president’s approval of outstanding pension said something about 2014 retirees.

    My father died in 2013. Will his  benefit also be paid and what is consolation? How long does it take on average? Thank you.

    PENCOM: Please note that for your late father’s benefits to be paid, you must submit some  documents to his Pension Fund Administrator (PFA) for processing.

    If you have done this, please forward to the commission the following details: his RSA PIN, full name, name of PFA as well as other vital information to enable the commission expedite action. Thank you.

    ANNONYMOUS: I am retired Inspector Isah.

    I retired on January 15, 2020 from the Niger State Police Command when I attained 60. But I was paid only 25 per cent lump sum in February 2021 out of what was due to me. I was also put on monthly pension of N31,758 from March 2021 to date.

    My complaint is that I deserve to be paid at least 50 per cent. I am really aggrieved.

    PENCOM: You are entitled to 25 per cent lump sum

    MOHAMMED: Dear madam, we are the administrators of our late father Mohammed. He worked at the Nigeria Immigration Service (NIS) from 1987 and was asked to go by the Presidential Taskforce in 2006.

    Since then, we have not collected one Kobo from the National Pension Commission (PenCom) or NIS. We don’t know where to go or what to do. Help us.

    PENCOM: Please, provide the PFA and PIN to enable the Commission look into your complaint.

    DENNIS: Dear madam, my name is Dennis and my Pension Fund Administrator (PFA) is FGPL.

    I retired from the Nigeria Police Force on June 1, 2008 and my monthly pension is N26,451.84.

    I have been receiving this amount for 14 years and six months and it has not been enhanced. Please, can you tell me why? Thank you.

    PENCOM: The pension enhancement is only for Retirement Savings Account (RSA) holders who have received significant growth due to return on investments over the years.

    AKPUDOGWU: My name is Akpudogwu and my Pension Fund Administrator (PFA) is Veritas Glanvill Pension. My compliant is that I have been running around for my 25 per cent benefits since my appointment was terminated in April. I have concluded everything and submitted all my documents. Accoding to my PFA, my documents has been sent to PenCom but they haven’t approved the payment. Emails have been sent to them as a reminder, yet no payment.     

    PENCOM: Please, provide your PIN to enable the Commission investigate your complaint

    AJAYI: Hello, my name is Ajayi. I was born on July 14, 1985. I worked with Prudential Guards and was posted as a guard to Adeola Odeku Ecobank, Lagos, between January 2014 and April 2015.

    I was later posted to Civic Centre, Victoria Island, Lagos, between April 2017 and November 2018. But none of my pension is remitted into my Leadway Pensure.

    Please, persuade the company to remit my pension for the aforementioned years. Thank you.

    PENCOM: Send the complaint to the Commission with copies of the following documents – Letter of Appointment, Payslips for all or some of the period and Letter of Termination/Resignation.

  • Court summons Wike, PDP, INEC over motion seeking suspension of Saturday’s polls

    Court summons Wike, PDP, INEC over motion seeking suspension of Saturday’s polls

    A Federal High Court sitting in Port Harcourt, Rivers State, has summoned Governor Nyesom Wike, the Peoples Democratic Party (PDP) and the Independent National Electoral Commission (INEC) to appear before it and explain why it should not grant a motion ex-parte seeking suspension of Saturday’s elections and Executive Orders 21 and 22.

    The motion ex-parte was filed by the African Democratic Congress (ADC) and its governorship candidate in the state, Chief Tonte Ibraye.

    In the ex-parte motion, the applicants also asked the court to give an order restraining the state government from enforcing its Executive Orders 21 and 22 enacted in 2022.

    The plaintiffs said the orders, if given, should subsist pending the determination of the motion on notice.

    Although the suit was initially filed in Abuja, it was returned to the Port Harcourt judicial division of the court.

    The presiding judge, Justice A. T. Mohammed, yesterday said upon reading the 13-paragraph affidavit deposed to by Solomon Shoyemi and after hearing from the applicant’s lawyer, H. V. Chukure, asked the applicants to put the respondents on notice to appear on March 8.

    He said: “The applicant shall put the respondents on notice to appear on March 8 at 1pm and show cause why the application should not be granted.”

    The ADC had instituted the substantive suit to challenge the legality of the executive orders and their attendant consequences on the electioneering process and political atmosphere in the state.

    The suit dated February 21, claimed that the implementation of the orders “created a total case of disorder, political crisis and wanton breach of peace in the polity atmosphere of Rivers State.”

    “This has hampered the ability of the first plaintiff (Ibraye) and members of the second plaintiff (ADC), as well as other political parties, except the third defendant (PDP), from assembling freely to carry out political activities such as campaigning, holding rallies, processions and meetings within the state.

    “There is a reason to believe that a serious breach of peace is likely to break out in Rivers if the fourth defendant proceeds with its plans to conduct the forthcoming governorship election scheduled to hold on March 11 in Rivers,” they said.

    The plaintiffs said in the interests of justice and fairness, INEC should be restrained from conducting the election pending the determination of the substantive suit.

  • Abia commissioner, PDP publicity secretary trade words

    Abia commissioner, PDP publicity secretary trade words

    • Over deputy governorship ticket

    THE controversy surrounding the substantive deputy governorship candidate of the Peoples Democratic Party (PDP) took a twist yesterday, as the Commissioner for Information, Eze Chikamnayo and the party’s Publicity Secretary, Abraham Amah, engaged in war of words.

    Okey Igwe, the running mate to the late governorship candidate Prof. Uche Ikonne, was reportedly replaced with Uche Jasper after the emergence of Chief Okey Ahiwe as the standard-bearer.

    PDP claimed that Igwe was dropped because of his dual citizenship.

    Sources within the party said Igwe had engaged a Senior Advocate of Nigeria (SAN) and a former Attorney General of the state, Umeh Kalu, to challenge the decision of the party to drop him for Jasper.

    Chikamnayo, in a statement obtained by our correspondent, accused Amah of speaking against the position of the party.

    He said: “As it stands, Dr. Jasper Uche, whose name has been duly submitted to INEC after the fresh primaries of the party, occasioned by the painful death of Prof. Ikonne, remains the authentic deputy governorship candidate of the party.”

    But in a swift response, Amah said: “Chikamnayo arrogated the power to speak for the Abia PDP to himself, which in every imaginable circumstance is a misnomer. He is not at liberty to speak for the party, unless otherwise instructed. The matter is a party issue, for which he has no authority to delve into.”