Category: Arts & Life

  • Ti Oluwa Nile: Baba Wande, Tunde Kelani reunion will advance Nigerian culture, film industry – Dotun Taylor

    Ti Oluwa Nile: Baba Wande, Tunde Kelani reunion will advance Nigerian culture, film industry – Dotun Taylor

    Dotun Taylor, President of Aroba Groove, an international cultural organisation, has said the reconciliation between Kareem Adepoju ‘Baba Wande’ and Tunde Kelani would pave the way for the advancement of Nigerian cultural heritage globally.

    Taylor, also the Asoju Asa of Ooni of Ife, Adeyeye Ogunwusi, noted that the longstanding feud between the two veterans had an effect on the growth of the Nollywood industry in one way or the other.

    A statement by the filmmaker said the reunion of the duo after about 30 years of disagreement marks a significant milestone in the promotion and preservation of the nation’s culture and tradition.

    “The three-decade-long dispute revolved around royalties from the 1993 hit film Ti Oluwa Ni Ile. The Ooni also told me how great the film was and that’s why he chose me as agent for the reconciliation.

    “Delegates from the palace, at the behest of the Ooni of Ife (Ojaja II), visited Tunde Kelani at his Abeokuta home in Ogun State to seal the settlement.

    “This historic reunion is a testament to Ooni’s commitment to promoting Nigeria’s cultural heritage and the core aim of Aroba Groove in preserving the rich cultural history of the Yoruba lineage.

    “The Aroba Groove successfully mediated the reconciliation which has given birth to the seamless production of ‘Asiyanbi’, the stage adaptation of Ti Oluwa Ni Ile,” Taylor revealed.

    ‘Asiyanbi’ Ti Oluwa Ni Ile is produced by Aroba Groove in collaboration with House of Oduduwa, with Ooni’s endorsement, to enable the new generation to learn from Yoruba culture’s rich history.

    Taylor praised the exemplary leadership displayed by Tunde Kelani and Baba Wande, citing their willingness to put aside differences as a valuable lesson for the industry and beyond.

    He said their actions demonstrated the importance of intergenerational collaboration, ensuring a seamless transfer of knowledge and values between the old guard and the next generation.

    “By working together, we can avoid misunderstandings and misaligned efforts, ultimately driving development in the entertainment industry. The veterans have put aside their differences,” Taylor added.

    Speaking during the reconciliation, Baba Wande described Kelani as a bosom friend, saying: “We will continue to work together for the growth of our beloved industry and Yorubaland.”

    In his remarks, Kelani noted: “This peace initiative is a reminder that the film is appreciated, and we are being watched. I thank the Ooni for his intervention and assure you my full support to Asiyanbi, Ti Oluwa Ni Ile stage adaptation.”

    Read Also: Itire Ikate LCDA holds Artisans’ Day, honours Ooni’s wife

    Ibitayo Akindeji, Producer and Project Coordinator of Asiyanbi, said Aroba Groove was reviving the classic tale through a groundbreaking stage production, a thrilling and innovative theatrical experience.

    Akindeji disclosed that the stage play was set to captivate audiences in major cities in Nigeria, the United Kingdom, and the United States later in the year.

    “While the timeless story of Ti Oluwa Ni Ile remains unchanged, its presentation this time around is nothing short of breathtaking. The production is being presented at a moment when Nigeria is navigating its current challenges.

    “With unwavering belief, the team affirms that Nigeria is God’s beloved nation, and this land is indeed God’s own – Ti Oluwa Ni Ile.

    “Following a teaser released, Aroba Groove has announced that drama enthusiasts can look forward to a treat from October as the ingenious production tours cities across the country and abroad,” he added.

    The talented cast for the stage play featuring Baba Wande, Aisha Lawal, Ozain, Lekan Agba Inaki, Jude Chukwuka, and Dele Omo Woli, among others, will bring the production to life, promising an unforgettable experience.

    The iconic film, released in three parts, remains one of the best-selling Yoruba movies of all time, and the reunion of the legends marks a new chapter in the industry’s history.

  • Nigerian visual artist Zinno Orara dies

    Nigerian visual artist Zinno Orara dies

    Nigerian contemporary Visual Artist, Zinno Orara, is dead,

    He was 60.

    Orara’s colleagues, Gab Awusa, disclosed this on his Facebook page on Wednesday.

    Awusa wrote, “My friend, my brother has gone home to be with the Lord….Rest in peace Zinno Orara.”

    Also, Biodun Omolayo, Founder of Omotayo Art Gallery, took to his Facebook page to mourn the deceased saying, “WE LOST A GEM – ZINO Zinno Orara

    A Graduate with distinction!

    A brilliant visual artist!

    A Philosopher!

    A Painter of Philosophy!

    A gentleman per excellence!

    One of the cleanest Artists in Nigeria!

    A lover of family!

    A gentle mentor to children & teenagers!

    “Zinno Orara thank you for adding colours to the lives of others even when you were going through your own silent pains!

    “Young at Art Creative Workshop appreciates you, especially for coming to groom them on our 20th anniversary last year!

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    “Who would have imagined that your DIALOGUE at the National Museum, Lagos, this year was going to be your last major outing!

    “Hmmm, life is so ephemeral!

    Zino, we love you but the Lord loves you more!

    Good night, finally, dear brilliant fine artist and friend! May the Lord rest your soul and grant your family the strength to bear your exit!.”

    The News Agency of Nigeria (NAN) reports that Zinno Orara was born in 1964 in Benin, Edo.

    He graduated from the School of Art and Design, Auchi Polytechnic in 1988 and had been a full time studio artist since then.

    Orara had his first independent exhibition, Metamorphosis, at Didi Museum in 1991. Since then he has had 13 independent exhibitions and over 20 collaborations.

    His works are exhibited all over Nigeria and overseas including South Africa, Germany, United Kingdom, Sweden, Spain and United States of America.

    (NAN)

  • Foundation urges cleaner blue sea

    Foundation urges cleaner blue sea

    • From Janefrances Chibuzor

    The Lekan Bakare Foundation (LBF) has called on federal government and organised private sector to take concrete actions in ensuring sustainable development to boost the environment. Chief Ganiyu Olalekan-Bakare, chairman of  the foundation made this call at the World Oceans Day 2024 celebration organised by Nigerian Conservation Foundation in Lagos.

    The foundation which is dedicated to enhance marine ecosystems in Nigeria and West Africa, has been committed to fostering a harmonious relationship between humanity and ocean for many years.

    Olalekan-Bakare, who is Founder, LBF said the theme for this year’s celebration is ‘Catalysing Action For Our Ocean and Climate’ which underscores the urgent need to accelerate efforts to preserve the nation’s marine environments and address climate change issues.

    Emphasising the pressing need for climate actions in Nigeria, he advised participants to adopt green innovation such as investing on renewable energy and  rewarding recycling waste for achieving a robust atmosphere.

    “We need to change our mindset and also teach the young ones and let them have the mindset that we need to dispose our waste properly and we need to understand that gravity is real.

    He applauded environmental enthusiasts for integrating environment sustainability into their corporate agenda. “The ocean’s health is inextricably linked to our own well-being. By championing marine conservation, we safeguard not only the vibrant ecosystems beneath the waves but also the future of our planet,” he added.”

    Read Also: Igboho: Caught between the devil and the deep blue sea

    The schools in attendance included Bulky Depth School, Igando, Blooming Watercress School, Satellite Town, Okun-Ajah community Senior Secondary School, Okun-Ajah, Gbara Community Secondary School, Lagos State University and Federal College of Fisheries and Marine Technology, Victoria Island.

    According to M/s Stella Okotete, Executive Director, Business Development Nexim Bank, Nigeria has the best streams along the waterways and the lack of data has been a major problem. She said the people are actually recycling to export and not to give back to the Nigeria even though they make over 100 million dollars in two weeks.  She however added that the ocean can create a lot of jobs for teaming youths.

    Fumilayo Lawore, Head of Pampers School in Lagos spoke on inculcating recycling in the school curriculum, as such would make them become environmental ambassadors.

    Benita Afolabi, Managing Director Keystone Global Resource Ltd noted that ’we need to start from the grassroots to get it done. We are neglecting the grassroots. We need collaboration from government and investors, among others, to achieve sustainable blue sea.’

  • With ‘AREWA?’, artists push against stereotypes

    With ‘AREWA?’, artists push against stereotypes

    As part of its move to showcase the artistic and cultural diversity of Northern Nigeria, the Yemisi Shyllon Museum of Art of Pan-Atlantic University (YSMA) has determined to use art to drive the movement. To do this, it has pulled together over 40 artists in a group art exhibition tagged “AREWA?”, which explores the arts of Nigeria’s northern region. The exhibition is curated by Aisha Aliyu-Bima.

    Northern Nigeria, commonly regarded as a homogenous entity, is in fact a multi-layered region with rich arts and cultures that attest to the creativity and innovation of its peoples, according to the curator. “Hence, “AREWA?” is not only offering a nuanced tour of the North, but also explores the region’s modern history, evolving physical and socio-cultural landscape, identities and its significance within the broader Nigerian and African discourse; while celebrating and highlighting the invaluable contributions of its artists to the wider Nigerian arts scene,” said Aliyu-Bima at a press briefing in Lagos.

    The exhibition opens to the public on Tuesday, July 8, 2024, at the Yemisi Shyllon Museum of Art of Pan-Atlantic University. It consists of works, by about 40 artists including Jerry Buhari, Jimoh Akolo, Fati Abubakar, Williams Chechet, Aisha Augie, Blaise Gundu Gbaden, Imran Tilde, Dhlimi Munza, Tonie Okpe and Kaltume Gana, among others.

    Commenting further on the exhibition, the curator, Aliyu-Bima, said: “It is a privilege to put together this exhibition that explores the stories and practice of contemporary artistic practitioners from the North. It invites viewers to look deeply into the works, and I think they will find many points of commonality and wonderful stories. While this exhibit focuses on Northern Nigeria, it also seeks to create more pipelines between the art practitioners in the North and the mainstream art space in Nigeria, Africa and beyond; and to bring important issues like cultural preservation in an ever-evolving world to the fore.”

    On his part, the Manager of the Shyllon Museum, Michael Oseghale, hinted at the briefing, which was held at the Goethe Institute in Lagos, that the AREWA? exhibition is made possible by the grant awarded to the museum by Africa No Filter, an organisation that supports the development of nuanced and contemporary stories that shift stereotypical and harmful narratives within and about Africa.

    “With the support of Africa No Filter, we are glad to show AREWA? to our audiences, especially in our nation’s current socio-cultural climate. The YSMA seeks to advance knowledge about a diverse range of topics through art, and with AREWA?, we are not only able to contribute to learning, but also to nation-building. These opportunities to positively impact the society we are situated in are what justify our mission as a museum,” he stated.

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    With about 80 artworks in the exhibition lineup, this showcase will bring together generations of artists, as well as a variety of subjects and identities, with the goal of engaging viewers beyond perpetuated stereotypes and cliched narratives about Northern Nigeria, it was stated.

    “To extend its impact, the exhibition will be complemented with workshops for curators, journalists and teachers, featuring panel discussions on the role of art in challenging stereotypes, and the future of arts in Northern Nigeria, as well as advocacy training sessions on better representation. A comprehensive exhibition catalogue including essays on key issues surrounding the arts and culture in Northern Nigeria will also be published,” the Director of YSMA, Jess Castellote.

  • Towards making Nigeria drug-free

    Towards making Nigeria drug-free

    Last Saturday, over a hundred officers and men of the Nigerian Army, DSS, Nigeria Police, National Drug Law Enforcement Agency (NDLEA), Lagos and other paramilitary personnel converged on the Nigerian Army Giwa Barracks, Falomo, Lagos for an enlightenment and sensitisation walk from Falomo to Obalende amid drumming and counseling. The advocacy walk led by Assistant Commander General of Narcotics in charge of Operations and Investigation, NDLEA Headquarters Annex, Lagos, Mrs ArchieAbia Ibinabo, was part of activities of the agency to educate, sensitise and enlighten the society on the consequences of drug abuse and illicit drug trafficking on the family, health, economy and security of Nigeria.

    Also on the enlightenment train were Nigeria’s Olympic Gold medalist, Chioma Ajunwa, Amara Chukwu and Oparaocha Margery of Vixa Pharmaceutical Company Limited, who participated actively in the sensitisation exercise at the busy Obalende bus stop. It lasted over two hours.

    The long walk, which witnessed sharing of flyers and counseling in Yoruba, Ibo, Hausa and English was a prelude to a symposium holding at the Officers Mess, Nigerian Army Giwa Barracks Falomo on Saturday June 29 by 10am. It is part of the agency’s strategies to bring the message concerning the menace of drug trafficking and drug abuse to the general public. 

    “This sensitisation walk is part of our organisation’s strategy to bring the message concerning the menace of drug trafficking and drug abuse to the general public, balancing the supply reduction and demand reduction approach in drug prevention.

    “The theme of the United Nations Day is apt, the worrisome consequences of drug trafficking and abuse is clear. Therefore, there is a dire need for prevention and all hand must be on the deck to make a Nigeria that is Drug free,” she said.

    Chioma Ajunwa observed that trafficking and abuse of drugs by the youths was becoming alarming, which informed the sensitisation walk. “That is why we decided to come out and let each and every one know that abuse of drug is very dangerous to their health. The impact is not only to them, but also to their unborn children, their wives and families as well. That is why we’re saying NO to illicit drugs, and NO to trafficking because they have impacted negatively on the nation’s economy,” she added.  

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    According to her, drug kills the muscles, the brain and everything in the body. “Drugs are very bad, that is why it is illicit. Anything that is illicit has nothing good to offer. It is high time the youths, men in the villages, women that indulge in all types of drugs should run away from it,” she noted.

    For Oparaocha, the sensitization walk is to educate the public to stay away from drugs as well as give the public the mindset that stigmatisation can work against the whole effort.  “Stigmatisation in the sense that someone who is on drugs and desires to come out needs to be given the opportunity to access help, access people who have the knowledge to counsel, to wean the person off the drug. At the same time, we know that, the control drugs are actually meant to be drugs that are useful in some sense, and so when the abuse is on the increase and the control is getting tighter, there are some genuine needs of such drugs that may be denied the individuals. So we’re here to strike a balance, and we implore every sector of the government to ensure that the balance is strong,” she added. The event is in collaboration with UNODC, with support from Vixa Pharmaceutical Company Limited to commemorate this year’s World International Day Against Drug Abuse and Illicit Trafficking with the theme The evidence is clear, invest in prevention.

  • Artistes seek freedom of expression

    Artistes seek freedom of expression

    Stakeholders from various fields of the creative sector, especially the filmmakers recently converged on Kongi’s Harvest Art Gallery, Freedom Park, Lagos to chart a new path for policy reforms that address issues and concerns about government actions and policies that are capable of undermining creativity and threaten artistic freedom. The one-day summit organised by Unchained Vibes Africa (UVA), in conjunction with the Nigerian Bar Association (NBA), Media and Creativity Committee, and Elixir Trust Foundation specifically focused on pivotal issues bordering creativity, censorship, and policy reforms within the Nigerian creative industry.

    Do artistes have the right to use police, armed forces, and other security agencies’ uniforms as costumes in their productions? Do artistes really need permission before they can portray them in their productions? What is the position of the law?  Are there exceptions for artistes? Which area does the industry need reforms? These are some of the pertinent questions that form the thrust of the summit, which has as theme Safeguarding Creativity on Digital Platforms.

    Also of interest at the summit was the recent pronouncement by the National Film and Videos Censors Board (NFVCB) with regards to a new regulation that would restrict smoking and ritual scenes in movies, skits and music videos.

    Executive Director of UVA, Ayodele Ganiu, recalled that in recent times, there has been a ban on using uniforms of law enforcement and security agencies in movies and skits. He noted that according to the police, it is illegal under Section 251 of the Nigerian Criminal Code and Section 133 of the Penal Code to use police uniforms in movies and skits without permission.

    “The police also say that wrong portrayal of the police institution undermines the integrity of the force and dampens the morale of its personnel. Therefore, permission is required before the portrayal, failure of which leads to arrest and prosecution. These threats have created fear in the minds of many artists who want to use their works for correcting the ills in our society,” he said.

    Head of Research Advocacy and Secretariat of UCA, Shola Alamutu, spoke of art as depicting society, emphasizing that film makers and the media’s responsibility is to depict society in their movies, hence their need to imitate the characters of the armed forces. She added that creating restrictions to what the film makers can imitate means suppressing creativity.

    “If you see somebody wearing a force uniform, the Nigeria police uniform for example, the person does not even need to talk. We know who they are from their uniform so if I want to tell a story or I want to shoot a movie depicting that scene and you say I cannot wear my uniform, then you are telling me I cannot show what is happening in the society and that alone means you are suppressing my creative juices, and as a creative person, what i do is create,” she said.

    Alamutu stated that whatever actions the forces carry out in real life is what will be depicted in movie scenes, thereby urging them to be of good behavior in real life in order to avoid wrong depictions.

    “If they are not doing wrong, they will not be shown. If they are doing right, they will be shown. What they should be doing, is more of right, so that they will show more of it. Don’t say, don’t wear the uniform or don’t use the gadget; it’s not only about the uniform. I will have to start looking for creative ways of showing that and by doing that, because you have already made me upset by telling me not to use what is going to make my work easier, you might not like what I’m going to show. I will be so upset. I will not even try to show anything nice about you. It’s just human nature,” she said.

    She advised that the government should come to a better understanding on what needs to be done if they want good depictions from film and skit makers.

    One of the guest speakers, National President of the Directors’ Guilds of Nigeria, Victor Okhai spoke on agenda settings as he described the event as eye-opening and an opportunity to bring in synergy towards advocating for their rights as film makers.

    He said that the action of depicting the Nigerian forces in movies doesn’t need any permission as they are trying to create awareness on what they are actually doing in the real world.

    Read Also:UGOCCIE: Collaborations with female artistes not challenging

    “The police might not like their depictions in movies and have in recent times, sought to prosecute. We also have a right and unfortunately, we might not even be aware of it. Under the law, there are exceptions. You do not need permissions to depict the Nigerian force. If you want propaganda, we would give propaganda. The truth is we remain the conscience of the nation and the people, we will not seat aside and watch things go on. If we seek to bring to the fall, some of those things they may not be aware of, I don’t think we should be looked at as if we’re doing anything wrong. Far from it, we should be commended. What we’re doing is creating awareness. We don’t want our government to go naked on the street. We want the truth be told. We need to speak truth to power,” he said

    Another guest speaker, Nigerian Hip-Hop artiste, Eedris AbdulKareem, in his defence said that there is need for a balance between the Nigerian government and the entertainment industry.

    “Today’s event is a very inspiring one, in the sense that, based on the accusations of skit makers that made videos about the corruptions in the Nigerian police. We know there are some bad eggs in the police force that do these things that were shown. They even go out of their ways to kill citizens and steal their money. We all know that. You cannot affirm that what the skit maker said is a lie, its reality. I think there should be reasonable balance from both parties; the federal government and the entertainment industry. We should have a round table talk and tell us what you don’t like,” he said.

  • Reviving spiritual essence of drumbeats

    Reviving spiritual essence of drumbeats

    The spiritual prowess and essence of Awhagbahun drumbeats in the doctrinal ethos of Celestial Church of Christ (C. C. C) Worldwide, which have been eroded for decades, are being strengthened by the church. As part of plans to resuscitate and reintegrate Awhangbahun orchestra back into the choirs of Celestial Church of Christ globally, an annual Awhangbahun Festival has been approved by the church headquarters, and it will hold next month in Badagry.

    The approval was communicated vide a letter Reference No. CCC/EMF/PD/AD-11/04-24, dated 15th April, 2024, by the Spiritual Head of the church, Pastor E.M.F. Oshoffa in which he described Awhangbahun as a gift to humanity and not only for Celestial Church of Christ family alone.

    Initiated by Special Superior Evangelist  Folahan Oke Samuel of the Celestial Church of Christ, Mother Parish Sowhe, Badagry, Lagos State, the 3-day celebration is described as a festival of victory and conquest analogous to the narrative of Jehoshaphat and the children of Moab and Ammon in the Holy Bible (II Chronicle 20:1-26) where the children of Moab and Ammon rose to wage unprovoked war against Jehoshaphat and children of Juda.

    Chairman Steering Committee of the festival, Superior Senior Prophet Dr. Olaide Mesewaku said that the objective of the church apart from the basic deliberate spiritual essence is to turn Badagry to the Jerusalem of Nigeria, where Christians all over the world will converge to worship God and seek His face annually. Speaking at the Mother Parish Sowhe, Badagry at the weekend, Mesewaku disclosed that the festival, which has as theme: Preserving the Ethos and Tenets of Celestial Heritage, will run from July 25 to 27 at the Badadry Grammar School Complex, Badagry. Activities include symposium on etymology and the existential essence of Awhangbahun, command music performance by Mass Choir of 250 choristers, spiritual exhibition and consultation, prize and award presentation.

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    “And by so doing C.C.C is effectively spearheading the development of Religious Tourism in Lagos State and Badagry in particular. Badagry as you are probably aware was the watershed for the propagation of Christianity in Nigeria. The first Gospel of our Lord Jesus Christ was first preached here in 1843, the First Christmas in Nigeria was celebrated the same year in December in Badagry; the first Storey building which served as the official residence for the Anglican vicars was also built in Badagry in 1845. These highlighted tangible historic antecedences already position Badagry as having the potential to become Nigeria’s Jerusalem.

    “We are expecting average estimated number of about 10,000.00 participants from within and outside Nigeria. The socio-economic impacts of this cannot be over-emphasised. Within the short period of the event employment will be created for the youths, local economy will be greatly stimulated and enhanced in terms of local food vendors, local transporters, hotel bookings and other service providers and life will be full in Badagry,” he added.

    He recalled that Awhangbahun, which denotes the drumbeats of victory and conquest and by extension blessings, was the spiritual orchestra first constituted by the Founder C.C.C. Worldwide, the late Rev. Pastor S.B.J. Oshoffa as a powerful spiritual weapon to set free the afflicted under any form of spiritual oppression or witchcraft attacks. He noted that Awhangbahun, from historical account, was used by Pastor Oshoffa during open air crusades, church services and evangelism.

    The festival website was unveiled at the briefing, which had in attendance top leaders of the church and representative of the spiritual head who will be at the festival opening. 

    According to him, the festival will have Oba Adeyeye Enitan Ogunwusi Ojaja II, the Ooni of Ile-Ife and Oba Oladele Kosoko JP, MPIC, Ogundeyi II, The Oniworo of Iworo Kingdom as the Royal Fathers of the Day.  Also expected at the festival is Superior Reverend Mother Esther Ambimbola Ajayi (Iya Aladura), the General Overseer the Love of Christ Generation Church Worldwide as the Mother of the Day, Cardinal James Omolaja Odunbaku, Head, Christ Ambassadors Soulwinners Ministry as Chairman of the occasion and Pastor C.O. Ojelabi, Chairman All Progressive Congress Lagos State as the Father of the Day. His Eminence, Rev. E. M. F. Oshoffa will be the Chief Host while Hon. Joseph Gbenu Henugbe, the Executive Chairman, Badagry West Local Council Development Area is the Co-Host.

    Chairman, Marketing, Promotion and Publicity Committee, Evangelist Louis Gabriel Whenayon stated that the festival is a celebration of Egun rich heritage; a showcase of our vibrant tenets, and a testament to our celestial spirit. This festival, he said, has been a beacon of joy and a symbol of togetherness, bringing together people from all walks of life to celebrate, share, and learn. It’s a festival of victory, conquest and blessings. “We believe that through this festival, we can create a deeper understanding and appreciation of our heritage, especially among the younger generation,” he added.

  • ‘My father prostrated for me when I was chosen as Oba’

    ‘My father prostrated for me when I was chosen as Oba’

    In this interview with Oba Peter Oluwole Ipadeola Ilufemilolye Akinyooye III, the 35th Olufon of Ifon Osun and Aremo Obatala of the universe, we delve into the tapestry of his ascension to the throne and the challenges he faced. His journey from a reluctant contender to a revered monarch is intertwined with mystical encounters, spiritual revelations and encounters with fraudsters. His narrative provides insights into the timeless traditions, rich heritage and unwavering commitment to progress that define Ifon Osun. He speaks with TOBA ADEDEJI

    How he ascended the throne

    We’ve transcended the need for admonishing my fellow contenders, as harmony now prevails amongst us. Many have joined hands, contributing ideas and efforts towards our shared goals. There are no losers; we are all winners, collectively propelling our town forward. I adhere to my blueprint for development, focusing on initiatives that will uplift our community. I believe our town’s sons and daughters don’t necessarily need to return physically to contribute; investing in their homeland can drive progress.

    We’ve laid the groundwork, fostering peace with our neighbors to prevent further conflict. Through this approach, many are already considering investing in our town. While I assumed this throne only six months ago, it’s premature to expect everyone to relocate immediately. We’re engaging with our diaspora community, encouraging them to participate in our town’s growth.

    Regarding the unfortunate incident with the Ilobu community, it’s incomprehensible that violence erupted over land disputes. Such actions defy logic and decency, warranting intervention and psychological assessment. Despite our historical ties and intermarriages, they trespassed and incited violence. Despite our pleas for assistance, some authorities underestimated the severity, allowing the situation to escalate.

    Engaging in armed conflict with neighbors is unacceptable, especially considering our close relationship. It’s disheartening that instigators remain unpunished, while our communities suffer. It’s imperative that those responsible face justice, ensuring the safety and well-being of all.

    How Osun State government resolved Ifon-Ilobu the communal war

    I commend Governor Ademola Adeleke’s commitment to peace, even in the face of discomfort for stakeholders. His dedication to maintaining peace is admirable and underscores the importance of peace in fostering development. Ifon Osun is known for its inclusivity, hosting diverse communities including the Hausa, Igbo, and Fulani in significant numbers.

    During the recent Salah celebration, our community welcomed visitors from across Osun State and beyond, attracted by the presence of over twenty trucks of rams brought by northerners for sale, all of which were sold out.

    While the issue with Ilobu has received attention, it’s important to note that Ifon has ceded land to several other communities, with documented boundaries dating back to the 18th century, as evidenced by the Captain Rose Boundary document. Any further land requests should be approached through civilised means, such as consulting with the Olufon. It’s concerning when individuals attempt to claim ownership of land through deceitful means, as seen in instances where properties purchased from Ifon are falsely labeled as belonging to Ilobu. Such actions disregard established laws and undermine communal harmony.

    Casualties of the communal war and compensation process

    We’ve compiled the names of those affected by the recent unrest. Since assuming my position, I’ve made efforts to obtain the list and provide assistance to those in need. With the resources available to me, we’re doing our best to support them. I’m grateful to Senator Ajagunla, who generously contributed bags of rice directly to the palace for distribution to the affected individuals. We’ve been methodically distributing aid, ensuring each person receives their share.

    However, the scale of the damage is extensive, with many suffering losses such as looted and burnt shops and homes. As a traditional ruler, my resources are limited. We’ve reached out to organisations like NEMA through the Ifon Progressive Union, but assistance has been slow to materialise. I appeal to both the federal and state governments to intervene, providing grants and loans to help rebuild the lives and livelihoods of those affected.

    I am honored to serve as the 35th Olufon of Ifon Osun, and I hold the esteemed title of Aremo Obatala of the universe. Ifon is steeped in ancient history, and its influence extends far beyond its borders. Not only do we have other Ifon towns in Ondo State, such as Sepeteri and Ago Amodu, but we also have a presence in Cotonou. These towns serve as reminders of our ancestral migrations and the rich heritage we carry with us. As custodians of our core traditions, it is incumbent upon traditional rulers to deeply understand the responsibilities of the throne they seek to inherit. Every religion finds its place within our realm, for they all offer paths to our revered ancestors. A king must embrace all faiths, for in doing so, he honors the diverse spiritual beliefs of his people.

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    A traditional ruler should not espouse a particular religion but rather serve as a father figure to all faiths. By maintaining this impartial stance, the throne retains its spiritual power and relevance. Conversely, straying from this principle risks diluting the sacred essence of kingship. I meticulously studied the intricacies of the throne before assuming my rightful place as its guardian. Through this process, I gained invaluable insights into the duties and challenges that lie ahead, guiding my actions as I navigate my reign.

    Regarding my ascension to the throne, I believe that we are all guided by spiritual forces in our journeys. At times, I felt a stirring within me, hinting at a future intertwined with royal destiny. However, I initially resisted these inklings, hesitant to embrace the weighty responsibilities of kingship.

    Yet, one fateful morning, following the passing of our esteemed monarch, I encountered a profound omen that would alter the course of my life. Three pristine mushrooms emerged inexplicably before my home—a symbolic occurrence deeply rooted in the lore of our town. Upon sharing this extraordinary sight with my father, his reverent reaction affirmed the significance of the moment. Subsequently, I received spiritual signs reaffirming my destined path to the throne, providing solace and resolve during the tumultuous contest for kingship.

    These mystical experiences serve as reminders of the sacred bond between our earthly realm and the divine, guiding me as I fulfill my duty to uphold the ancient legacy of Ifon Osun.

    To be honest with you, ascending this throne is one of those things I didn’t want to do, but I have been ordained and called for service. When my father told me that I am going to be the next king, I rejected it. I told him to contest for it and I will back him up with all that I have. He said he had seen a lot of things that I would be the king.

    I prayed about it and started having dreams that I am on a white throne. I told the wife of my State Pastor about it, Mummy Akinrinade, she said I should give her three days to pray about it. The following morning, she called me and said ‘Kabiyesi’. That was when I entered the contest. Yes, my father was the first person to prostrate for me. That was when he told me that only one person saw mushrooms like I did during the time of Ilufoye and he did not survive it because he was killed before the time. That was why he cautioned me not to tell anybody about it. You know when your father is talking to you, you must take heed.

    I wish I could share a story about my encounter with fraudsters on my journey to the throne. Some people who are fraudsters came through one of my loyalists during the contest, they penetrated him and told him that there are some things that we need to do if I am serious about the throne of Olufon. One of them said he is the son of the late Esa of Ifon and his father told him certain things that anybody that wants to become the Olufon must do ahead of other contestants. I was persuaded to heed to them unknowingly. So I met those people at Ara junction, and a boy came to pick us up, he said we need to visit a place where all past Olufon used to visit. I wondered, what kind of shrine he was taking us to because I went with some of my friends. I told those people that I won’t make any covenant nor take any oath.

    I was told that the place is only meant for prayers. We entered through bushy paths and upon my arrival, I discovered it was a shrine. We got there and they started to tell us the history of Ifon Osun, those people were very smart because they presented the history in a very chronological way. They mentioned all the Olufon that have reigned. They were eulogizing all the past kings, when they mentioned Olufon Kesa my head was swollen and heart was touched. They showed us the acclaimed seat of the immediate late Olufon at the shrine.

    After that, they said we have another meeting with the ancestral world which will happen by 8PM. It is good to hold unto God and have faith in him. Don’t look for what is not yours, when you do that you will be entangled and caught in traps. I lost only N60,000 to them but I showed them pepper! My eyes see many things on my way to become the Olufon.

    Experience before ascending the throne

    They said they will send a boy called Ifayemi to me by 8PM to take us to the ancestral world because we can’t go during the day. They said we need to buy a white ram, and I gave them the money, that was the N60,000 I said I lost to them. By 8pm., he never showed up until 9pm at my hotel, I thought he would give us something to use that would take me from the hotel to the ancestral world or make some incantation and I would travel from there. He said we should prepare to go, and I asked if we were going in our car and he said ‘Yes’. I wondered where they used to go in the ancestral world with a car. He bought one bottle of Schnapp alcohol. We waited in a place till the dead of night.

     Around 11PM, he took me to Osun Osogbo groove with my friends. When we got there they said we should go and pray at the river bank. Thank God I know the place, I am conversant with the place. They said I should go and pray. I am saying this so that other people won’t fall prey to them that is why I am exposing them now. I prayed by the river, while I finished and about to leave the riverside, I started to hear very strange and loud noises. The noises were terrible; birds were making sounds terribly, the kind of noise that will make you cover your ears.

      When I was coming out, I saw women numbering about 40 with this local light called fitila. Nobody can pass through such and won’t fall for their antics. When we were going to the river, they were not there but when I was leaving, I saw them, they were wearing white, calling my father and mother’s names. They were organised fraudsters! They already prepared a mat for me and told my friends who followed me to the place to leave while I stayed. One of them was jittery whether I would return home. This was around midnight. I sat on the mat, they told me to look at the back of a tree close to where I was standing, I moved closer and saw Yoruba cooking stone. There was an empty pot on top of it. When I opened the pot, I saw nothing inside, so they told me to pour the alcohol that Ifayemi had bought inside it, which I did.

    Then they told me to make fire underneath with the help of Ifayemi. I closed the pot and stood there watching. After some minutes when vapor was coming out of the pot, they told me to carry the pot and open it. I saw cooked meat inside it. The leader of those women instructed me to stand up, which I did, I was told to move to another side of the area, when I got to the place, I saw the pictures of all the contestants in the place except mine. They said that all those that their pictures were there have visited them but they do not have a crown on their head but they see from the spiritual realm that I have the crown that is why they looked for me. They said they are ready to back me. They asked me of my age and told me to bring things for sacrifice that amount to my age.

      From those things they demanded, that was when I got them that they were 419. For example; they asked me to bring 60 cows, 60 rams, 7 horses, 60 chickens and many others. They now said with N20,000 they will transport all of those things. How is that possible? Haba! I felt they were compassionate with me over the N20,000. I think they felt that the bill was too much. At one point, I started making fun of them, they were angry and I denied that I was making jest of them. I told them that I am serious as they are because I am a businessman.

    That was how I got them, they were telling me to monetise those things they demanded from me and send it to an account. So I lied to them that I had transferred the money. I already told my friends that if I told them that I had transferred the money they would cut communication with me because they would rush to the bank to go and cash out. So after my claim, they cut contact with me, they were not waiting again. They headed to the bank.

      So that is why I want to advise that, when you are looking for something, don’t close your inner and spiritual eyes. If I had looked for this throne desperately, I would have seen many troubles. I know they will read this interview, if they are sure of themselves they can come and greet me in the palace. After that, around 11 pm, he took me to the Osun Osogbo grove with my friends. When we arrived, they instructed us to pray at the riverbank. Fortunately, I was familiar with the area, which prevented me from falling victim to their schemes. I prayed by the river, and as I was leaving, I heard strange and loud noises, accompanied by unsettling bird sounds.

      As I exited, I encountered about 40 women wearing white, holding traditional lamps, and calling out my parents’ names. They had prepared a mat for me and urged my friends to leave. Despite their efforts to intimidate me, I remained composed. They directed me to a cooking stone with an empty pot on top, instructing me to pour the alcohol inside and ignite a fire underneath. After a while, the pot revealed cooked meat, and the women guided me to another area where they displayed pictures of all the contestants except mine. Claiming they saw a crown on my head in the spiritual realm, they pledged their support and requested offerings equivalent to my age.

      Their demands, including 60 cows, 60 rams, 7 horses, 60 chickens and more, raised suspicions. When they proposed transporting all these items for just N20,000, I realised their fraudulent intentions. Pretending to comply, I claimed to have transferred the money, causing them to abruptly end communication and rush to the bank. This experience taught me to remain vigilant and discerning, especially in pursuit of aspirations. If not for my cautious approach, I could have easily fallen into their trap. I extend this caution to others, urging them not to overlook the signs and to trust their instincts. Looking at the time we came on board, there are a lot of things on the ground that are begging for attention but definitely, sport will be taken to the highest altitudes. We will build our stadium and many other things in sport.

  • The Premiere: Honour for masters

    The Premiere: Honour for masters

    No fewer than 12 art lecturers drawn from different arts schools across the country are expected to showcase their collections at a group exhibition series My Lecturer Art Show tagged The Premiere 2024  at Iwalewa Gallery of Art, Lekki Lagos on July 1. 

    The show is a rare gathering of accomplished artists drawn from different Arts Schools across the country’s universities and Polytechnics.  

    They are Yaba College of Technology’s Kunle Adeyemi and Adeola Balogun, Auchi Polytechnic lecturers such as Omodamwen Eguasa, Wale Ajayi, Shola Kukoyi, Emmanuel Ikoro, Samuel Viyaje, and Kent Onah. Others are Lagos State University of Science and Technology’s Olojo K. Kosoko; University of Benin’s El Dragg Okwoju; University of Nigeria’s Oluwafemi Oloidi; Niger Delta University’s Timipre Willis Amah and University of Lagos’ Bolaji Ogunwo.

    Considering the caliber of artists for this show, it is expected that it will provide a rare collection of works of diverse movements and styles for collectors and art enthusiasts. Many of them are known and familiar faces in the academia as well as in exhibition circuits and have produced an army of creative students that are doing well too. 

    According to a statement by the CEO Ogirikan Gallery, Mrs Adeolu Tahouf the group exhibition is meant to ‘accord them their due and rightful recognition through the platform.

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    “While some have retired and others continue to grace us with their presence, the legacy they leave behind is profound, rich, and indelible. With each passing day, we witness the infusion of creativity from both past and present masters; this continues to be a tribute to their enduring influence and awesome legacy,” she said. 

    She said the exhibition is a collaboration between her gallery and Femi William’s Iwalewa Gallery of Art, Lekki, Lagos specifically to provide platform for art lecturers of over 10 years in practice to showcase their collections.

    “We decided to give them a platform to elevate them more while bringing them to the fore. It will be an annual show. In this forthcoming show, we have photographers, painters and sculptors,” she added. 

    Mrs Tahouf recalled that the two galleries have collaborated in the past to organise the miniature art fair in Lagos in 2018. The group exhibition, which will feature paintings, sculptures, mixed media, prints, photographs and fabric, will run till August 30. The premiere show, which opens for private viewing on June 29, is primarily to celebrate Nigeria’s art educators.

    In the foreword of the exhibition catalogue, lawyer and art collector, Dapo Otunla said: “As educators, our artists have nurtured countless students, guiding them on their own creative journeys. …Now, we have the privilege of witnessing their own artistic expression, which serves as a reminder that teaching and learning are a two-way street.” 

  • Dreams models hosts carnival dance fame in Lagos

    Dreams models hosts carnival dance fame in Lagos

    Dreams Models has celebrated its 15th anniversary with the hosting of Lekki Carnival Dance Fame.  Dreams Models is an international media platform which was founded in December, 2008.

    The event which took place at the Lekki Miami in Lekki Phase 2, Lagos State attracted dignitaries from the entertainment industry and from within and across the globe. The event was covered by several Television stations, social media influencers and other online platforms.

    Dreams Models has featured in many Magazines, Newspapers, TV stations, and other social media platforms. Besides, Dreams Models has also produced movies and season titles including “Agatha of Jezebel Country” currently showing on YouTube channels @Kingdaniel6451.

    According to the MD/CEO of the brand, King Daniel popularly known as   Kingmodel, the entertainment platform has trained and promoted over 200 upcoming boys and girls in Modeling, Dancing, Music, Comedy, and Acting.

    The several awards winner on Media and Entertainment, who is also a film maker and an editor, has obviously made strong impact in the entertainment industry as some of his students have been exposed to international platforms thereby helping them to realize their dreams.

    Currently, some of them are brand ambassadors to reputable organizations in both Nigeria and abroad. Kingmodel is also an entrepreneur with interest in several other businesses beside entertainment.