The Nation Newspaper

Category: Arts & Life

  • ‘I come to regulate, not to ban’ – Husseini

    ‘I come to regulate, not to ban’ – Husseini

    Recently, there was an uproar in the media that the National Film and Video Censors Board (NFVCB) led by its Executive Director, Dr. Shaibu Husseini had banned some certain scenes in the video industry in Nigeria. A few weeks ago, the board invited art writers and editors to a gathering in Lagos to explain what it described as the new regulations and restrictions meant to move the Nollywood and the creative and entertainment industry forward. Ozolua Uhakheme and Edozie Udeze were there.

    It was a stand that was long overdue. Most Nigerians had waited for years for government to act on certain situations in the Nollywood. Now, that it has finally come to pass, it is hoped that the sanity that is needed to move the film and entertainment industry in Nigeria forward will help create a new lease of life. In recent past, the Executive Director of National Film and Video Censors Board (NFVCB), Dr. Shaibu Husseini had impressed it upon the public that the Minister of Arts, Culture and Creative Economy, Hannatu Musawa had given permission to place restrictions on some aspects of the film and creative industry in Nigeria.

    Part of that mandate was, first and foremost, to place new regulations on smoking, tobacco products, money rituals and ritual killings in movies. And that it should no longer be business as usual where certain obnoxious and offensive scenes in films are either celebrated or glamourized without due regards to the sensitivity of the general public. A few weeks ago, Husseini invited Art Writers Organization of Nigeria (AWON) to intimate them on the stand of the federal government on these issues in the home video industry. Even though Husseini assured that the new regulations and restrictions will not distort or stifle productivity and creativity in the industry, it is now clear that those ugly norms that have put some Nigerian films in bad light have to stop forthwith. Only universally accepted norms have to be followed and obeyed henceforth.

    In the gathering made up of art editors, critics, senior art reporters and others, it was an apt moment for all concerned to listen and agree with him that the time for this long awaited sanitization has come. Husseini, a long time follower, critic, umpire and lover of the Nollywood, was open enough when he said, “I did not ban smoking in Nollywood. I have not stopped such scenes; what we have done is just to announce some restrictions based on new regulations”. His concern and the concern of the Ministry is that if allowed unchecked, some of the scenes bothering on tobacco, on glamourization, on money rituals, and on the powers usually bestowed on native doctors, on juju and such other innocuous scenes in Nigerian films would soon snowball into a norm, with many people thinking it is a normal way of life.

    He said further, “Our decision will not stifle artistic creativity in the entertainment industry”. He explained that the regulations permit producers, where absolutely necessary; to depict smoking scenes in movies, music scenes and skits, especially for reasons of artistic expression and historical accuracy. For him however, such scenes must neither glamourize tobacco or tobacco products nor have been sponsored by tobacco industry. In all intents and purposes, the Minister Musawa who gave the approval allowed it to be titled “prohibition of money ritual, ritual killing, tobacco, tobacco products, nicotine product promotion, glamourization, display in movies, musical video and skits, – regulation 2024.

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    The engagement was organised by NFVCB in collaboration with Corporate Accountability and Public Participation Africa (CAPPA). The event was well attended. As it is now, this regulation is awaiting government approval. Emphatically, the Executive Director said, “I commit to a Censors Board that will move completely from censorship to classification. I commit to a Censors Board that will move from the present analogue stage of classification to a digitized stage. I commit to a Censors Board that will commit itself to be responsive to the society and responsive to stakeholder and of course, the Federal government that set it up

    “I am telling you today that the regulation is not self-serving. I am also telling you today that there is nothing anti-creativity about that regulation. Indeed, there is nothing about suppressing creativity in that regulation. I cannot be on the Censors Board as an artiste and also suppress creativity. I am an artiste myself. In fact in our last meeting about 51 Nollywood stakeholders pledged their support to this new code of practice, insisting that they would do their best to help rebuild the Nollywood”. Time therefore has come to ensure that producers are made to understand that this industry has to follow some moral order. This is what the new regime led by Husseini has come to institute and impose so that the young ones are no longer taught wrong doctrines and habits via films.

    The restrictions on smoking go beyond the blatant display of nicotine and the sort. All over the world the Surgeon General has warned and has continued to warn that smoking is dangerous to your health. Updated statistics has it that over 8 million people die yearly from nicotine related diseases and sicknesses. These are preventable deceases. So why allow such situations to develop and grow roots in Nigeria via the home videos? If the World Health Organization (WHO) in its wisdom is warning people to desist from tobacco, why would Nollywood watched by millions of people, home and abroad, openly propagate such negativity. Open advertisement of tobacco has been abhorred everywhere in the world.

    Apart from the lopsided scripts amateur writers push into the film industry, the new regulation has to zero down on the content of stories. People have to research well into the traditional stories that they push into the industry. There has to be an enlightenment campaign or the sort in the industry to let writers know, for instance, the difference between traditional beliefs and cultism. The two are not the same. Traditions are meant to guide and safe a people and not to hoodwink them as often represented in most stories in the home video genre. Where people are encouraged to use rituals to acquire big wealth and often sacrificing human beings to make money is totally abnormal. It is based on this that most young people go to any length to make money

    A script writer should know also there is a clear cut difference between native doctor and a herbalist. When such nomenclatures are mixed up, the result is a cancerous home video that succeeds only in creating more confusion in the minds of viewers. The new restrictions or regulations should monitor the quality of stories. The journey of a film commences with the script; more so, by the calibre of the person who is writing or doctoring the story. Indeed, sanity and total overhaul are what the industry needs now. Since the Nollywood is the second largest film industry in the world after Bollywood, therefore let the desired professionalism be infused into it.

    When this is done, most people across age and class can safely and confidently sit down and watch Nigerian stories; stories that have depth and lessons to offer. It is time also to start discouraging ignorant filmmakers, more so, gatecrashers into the industry. This is an industry that has increased the GDP of the industry. It has engaged a lot of Nigerians by offering them meaningful employment. Emphatically, Husseini is saying “I have come to do what is necessary to encourage creativity”. This is the time to take the industry to the next level.

    The man Husseini

    A long time film critic with The Guardian Newspapers where he ran a column for years, Husseini finds unbridled passion in following the development and growth of Nollywood. Ever since its inception in the 1990s, he has chosen to be one of its most passionate and the greatest promoters in ways of writing, offering guidelines and advice, joining in judging awards, prizes and quality of films and more.

    So, when his appointment came, it did not come to many by surprise. Husseini is a scholar/civil servant. He started out as an artiste, in fact, as a professional dancer. Today he has a PhD in Mass Communication from University of Lagos after making a First Class Honours in the same course in his first degree. He has brought his zeal into the film and video board where he has since swung into action.

  • National Theatre resonates with World Cultural Day celebration

    National Theatre resonates with World Cultural Day celebration

    It was just a day to remind the society about the nuances of culture. Tagged World Cultural Day, and celebrated across the globe yearly, it was time for the management of National Theatre, Lagos, in collaboration with National Association of Nigerian Theatre Arts Practitioners (NANTAP) to celebrate varieties of Nigerian cultural elements and ingredients. This was on Tuesday 11th June and EDOZIE UDEZE was there as the arena was ignited with the presence of artistes, stakeholders, culture eggheads and more.

    It was a bubbling day for all theatre lovers. Artistes were in joyous mood; while staffers of the National Theatre, Iganmu, Lagos, trooped out in their numbers to grace the celebration. This was on June 11th, when the World Cultural Day was celebrated. Venue was the Abe-igi section of the National Theatre and the celebration was organized by the management of the Theatre in collaboration with the National Association of Nigerian Theatre Arts Practitioners (NANTAP). The theme of the celebration was: Harnessing cultural diversity to foster unity and drive economic growth.

    It was an apt theme that helped to define the new mission and vision of the Ministry. It also goes to elaborate a fresh mandate handed down to the Theatre management which implores them to be up and doing. In other words, the moment to keep theatre premises alive through the organization of cultural and theatrical programmes every now and then has come. And so, as artistes gathered with the hope of a new era, it was also a moment to recreate the sector through versatile activities. While this went on artistes wore broad smiles on their faces showing in truth that time for economic growth and creativity is here.

    The Black Edge production opened the floodgate of cultural displays. As the dancers and singers took over the stage, the atmosphere was set agog. With people, both children and adults adorned in different colourful wears and attires, it became obvious that varieties of native wears can give meaning to what makes the people stand out in the world. While the dancers entertained on stage, the drummers raised the tempo of the arena. For a while it seemed the booming of Bata and Gbedu drums would keep the arena ever steamy. The sounds rose and fell, slowly seeping into the embers of guests. Even then most people almost got on their toes to join them on stage. Soon after this first phase of dance, Ogun, a sensational solo dancer and social media influencer took her turn. Her sensational outing further defined the real essence of creativity as part of the growth of an economy.

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    Her sassy movements on stage, with easy body movements, she showed that her bulky frame was no deterrent. She showed that fluidity is real and an added advantage to a dancer. Not done yet, Mrs. Tola Akinlere, the General Manager of National Theatre stepped elegantly onto the stage to welcome guests to the occasion. She was graceful in her carriage. Her elegance was not only electrifying; her classical poise was filled with the confidence of a lady ready to take Theatre and cultural matters to the highest level. She said “It is with great pleasure that I stand before you today on this auspicious occasion as we the National Theatre in collaboration with NANTAP celebrate World Cultural Day. Our gathering here is not merely a celebration of our diverse cultural heritage, it is also an opportunity to explore how we can leverage diversity to foster unity and propel economic growth in our beloved nation, Nigeria”.

    With an impeccable smile on her face, Akinlere went on: “Nigeria, our great nation is like an Adire, a George or babariga woven from countless threads of culture, language and tradition. Yes, from the rhythmic beats of Yoruba drums to the colourful masquerades of the Igbo, from the captivating storytelling of the Hausa to the exquisite beadwork of the Niger Delta and the unmistakable acrobatic ensemble of the Atilogu dancers, our cultural wealth is a testament to the resilient, creativity and ingenuity of our people”.

    With this stunning statement, the stage was set for greater performances by different artistes. The ever ready National Theatre choir soon went on stage. It was not surprising as they adorned themselves in different styles of local attires, men and women, all colourfully made as they represented the 445 ethnic groups of the nation. Their songs magnified the unity of the nation, they hinged on diversity, on love and cohesion. They sang in Hausa; they gestured in Yoruba and they heralded in Igbo, all in conformity with the acronym: though tribe and tongue may differ, yet in brotherhood we stand. Those who could not dance openly easily shuffled their legs and tilted their heads to the rhythmical flow.

    One could see in truth and in spirit how cultural ingredients and properties can be used to diversify love even to the point of a crescendo. Spicing the stage with innuendos, slogans and metaphors and in some cases wise sayings and all, artistes put up their best postures and displays ever. It was a moment to cherish, a time to actually fall in love with Nigerian cultures. Suddenly people were taken down to Owo, Ondo State, where Shekere dance holds sway.

    The Black Edge dancers were not done yet. With slow, steady and rhythmical movements of their legs, the dancers came on stage again. The songs were solemn and provocative, the style was shekere, this popular and award-winning soul- searching dance of the Owo people. With the tempo rising steadily now, the lead singer prowled in a frenzy on stage. She mesmerized the audience with candid smiles and dance steps. The shekere form of dance belongs to Owo people and it is styled on native sentiments. It synchronizes with the trendy nature of the people. There is plenty of love and accommodation in the songs; even the drums said it all as they went more frenzy in their sounds and evocation.

    As expected the rhythm of the songs softened the arena, while some people familiar with the dance showed their approval. Just in conformity as well, the costumes made of deep purple with dangling red beads on their necks and ichaka and horse tail in their hands further lent beauty to the outing. As they dazzled uncontrollably, people lost count of time. It was like the arena stood still as their voices rose high resounding into the cool afternoon atmosphere.

    More performances followed however. The presence of some artistes and lecturers from different universities, more so, the University of Lagos, added more impetus to the occasion. Artistes also came from sister parastatals and some nearby artistes’ settlements within the National Theatre complex. Now with Ben Tomoloju, one of Nigeria’s foremost culture activists, teachers, playwrights and writers handling the keynote address, the occasion soon regained its flavour. Tomoloju themed his speech: Exploring the role of multiculturalism in promoting entrepreneurship and innovation in Nigeria, he went into the areas that have to be properly harnessed for culture to meet the desired mandate in Nigeria.

    He said “it is a morally daring effort to address the subject, “multiculturalism”, these days in Nigeria because there are some factors on grounds which negate the sense of the subject in our sociopolitical life. Inter-ethnic-cum-religious conflicts which jeopardize the occupational activities of the rural populace are major amongst these factors. And, obviously, our authentic cultures are best expressed from the traditional perspective of which the rural communities are the greatest custodians. The bloodshed and incendiary executions happening in the name of religion and ethnic rivalries are what prompt one to submit that addressing multiculturalism in Nigeria is morally daring because they are internal contradictions in the affairs of the country which show traits of frustrations of the various attempts to foster a true sense of multiculturalism in Nigeria.

    “Nigeria, without doubt, is “a very ethnically diverse country with about 370 ethnic groups each with its own indigenous language and cultural peculiarity. This accounts for the much-vaunted rich cultural heritage of the country because the sheer variety, based on the huge number of ethnic nationalities cited above, is quite intimidating. So much is it that a single produce somehow reflects the resourcefulness of the country. The potential and resourcefulness of Nigeria can be metaphorically illustrated by one of its major cash crops; the oil-palm tree. So productive is the oil-palm tree that it is being put to not less than thirty different uses by members of the Nigerian rural communities as well as other African countries where it is grown”.

    He explains further, “here are a few of such uses. The spines of palm leaves are used to produce brooms for sweeping. Palm oil is produced from its fruit as a major food ingredient. The shaft of palm fruit once the oil is extracted is used for making fire. Traditional body lotion is extracted from palm kernel.

    Palm wine, one of the most popular alcoholic drinks is tapped from the palm tree. Even at a higher grade, ogogoro, otherwise known in some other parts of the country as akpeteshie, another popular alcoholic drink in the gin category, is produced from the palm tree. The trunk of the tree is used for the building in the rural areas”. And so on and so forth.

    A panel was set up on the long run to address certain knotty areas of Nigeria that are diverse but can be used to unify the country. These are languages, religion, attires and hairdos and so on. Members of the National Theatre team who addressed the themes did well to pinpoint areas for peace and harmony. On that note however, the celebration ended in a grand style.

  • A jolly ride on Abuja Metroline

    A jolly ride on Abuja Metroline

    The rhythmic hum of the Abuja Metro Line has become the heartbeat of the Federal Capital Territory (FCT), connecting the vibrant city centre to its bustling suburbs. As the train glides smoothly across the tracks, it carries with it stories of joy, convenience and discovery. Assistant Editor JIDE BABALOLA writes on delightful experiences of travellers who recently embarked on this urban adventure.

    For Ahmed Bello, a young professional, commuting from Lugbe to his office in the bustling Central Business District, the metro line has transformed his daily routine. “Before the metro, I spent hours in traffic every day, but now my commute is a breeze. The view of the city waking up in the morning through the train window is simply breath-taking,” he shares, smiling as he recalls his first ride.

    The Ayodeji family, with their two young children, decided to explore the metro line as part of their weekend outing. “The kids were thrilled to ride the train,” says Mrs. Ayodeji. “It was their first time, and they couldn’t stop talking about the experience. The convenience of hopping on the metro and reaching our destination without the hassle of driving made our family day out even more enjoyable.”

    Then there’s Grace Okonkwo, a university student, who frequently travels from Kubwa to the city centre for her studies. “The metro line has been a game-changer for me. It’s safe, reliable and allows me to use my travel time productively,” she explains. “I can study, listen to music, or just relax before a busy day of classes.”

    These personal stories highlight the transformative impact of the Abuja Metro Line, making it more than just a means of transportation but a cherished part of daily life for many. Whether it’s simplifying commutes, creating memorable family experiences, or providing a peaceful space for students, the metro line is a testament to the progress and connectivity shaping Abuja’s future.

    The 40-minute train ride from Abuja’s Metro Station in the bustling Central Area to Nnamdi Azikiwe Airport offers a refreshing perspective on Nigeria, even for the most sceptical. Happy families enjoying a free excursion, giggling teenagers, and the idyllic landscapes on either side of the tracks reveal the often unseen and underappreciated beauty of the Federal Capital Territory. For those returning from the airport, the cleanliness, smooth ride and clear security measures enhance the pleasure of re-entering the capital city.

    The growing number of cars rolling into Abuja from various satellite towns every morning has been a concern for years. Urban planners, transportation specialists and many others have wondered why Nigeria has been slow to embrace the integrated advantages of intermodal transportation. In Nigeria, the transportation system is predominantly uni-modal, with over ninety per cent of goods and passengers transported by road. Rail lines, shipping corridors, and the prohibitive costs of air transport have made road travel the dominant choice.

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    Intermodal passenger transport, as explained by Wikipedia, “involves using two or more modes of transportation in a journey. Mixed-mode commuting is often used to combine the strengths (and offset the weaknesses) of various transportation options. A major goal of modern intermodal passenger transport is to reduce dependence on the automobile as the major mode of ground transportation and increase the use of public transport.” The history of Nigeria’s train transport system and the Nigerian Railway Corporation dates back to 1898, when the first railroad was constructed by the British colonial government. However, the lack of political will by the nation’s leaders has significantly stunted the growth of Nigeria’s railway system, reinforcing the population’s reliance on road transportation.

    On November 30, 2006, while launching Nigeria’s ambitious $8.3 billion rail project, then-President Olusegun Obasanjo underscored the government’s commitment to expanding intermodal and multimodal transport services, aiming to leverage the strengths of each system. Yet, for years, this grand vision made only modest progress. The Abuja Rail Mass Transit (ARMT), also known as the Metro Line, was developed in six phases and funded by loans from the China EXIM Bank. The Obasanjo administration awarded the contract in 2007, and former President Muhammadu Buhari commissioned it on July 12, 2018. Although trial operations were set to commence from September 2018 to March 2020, the project stalled soon after Buhari’s commissioning due to vandalism, low public patronage, and other challenges.

    Making a difference

    President Bola Tinubu and Vice President Kashim Shettima’s administration has pledged a transformative policy thrust known as the ‘Renewed Hope Agenda,’ aimed at repositioning Nigeria as a prime global investment destination and positively impacting citizens’ lives. As part of these efforts, Minister of the Federal Capital Territory, Nyesom Wike, inaugurated the ARMT system during the celebrations marking President Tinubu’s first year in office.

    Wike described the inauguration as a practical demonstration of the government’s ‘Renewed Hope Agenda.’ Despite the Metro Line Rehabilitation contract being awarded at $30 million in 2018, funds were not released until President Tinubu took office. In September 2023, Tinubu directed the Central Bank of Nigeria, the Ministry of Finance, and the Accountant-General of the Federation to facilitate action by the contractor, China Civil Engineering Construction Corporation Limited, towards completing the project.

    As a result, twelve train stations with car parks were constructed at a cost of N21.4 billion. Additionally, Wike renegotiated the $128 million earmarked for manpower training by the previous administration down to $75 million, saving taxpayers $53 million. The ARMT system now boasts 12 diesel multiple units, each capable of transporting approximately 700 passengers. Designed for a minimum of 14 trips per day, the system can transport around 9,800 passengers daily. This development marks a significant step forward in Nigeria’s journey towards an integrated and efficient transportation network, fulfilling a long-awaited dream.

    On Wednesday, May 29, President Tinubu inaugurated the re-launch of the Abuja Rail Mass Transit (ARMT) commercial operations with a heartening announcement. Originally promised a two-month period of free rides by FCT Minister Nyesom Wike, commuters will now enjoy complimentary train rides for six months. “Our dear Landlord, the Minister of the Federal Capital Territory, I have heard you say that there will be free train rides for two months. I want to appeal to you to make it until the end of the year. Let us give the people reasons to celebrate,” President Tinubu declared, drawing enthusiastic applause.

    Shortly before boarding the train for a ride from the metro station to the airport, President Tinubu described the operations on the Abuja Metro Line as a symbolic milestone of enduring progress for the country and the Federal Capital Territory. “As we gather to commemorate the first anniversary of my administration, we are also celebrating the fruits of collaboration, dedication, progress, and foresightedness,” he stated. This extension of free rides until the end of the year underscores the administration’s commitment to improving the quality of life for Nigerians and enhancing the transportation infrastructure. It provides not only a practical benefit but also a reason for citizens to feel hopeful and proud of the advancements in their nation.

    Joyful rides

    Interest in the FCT’s train service is gradually increasing. Falmata David and Yakubu Mohammed, two young reporters from a popular online news medium, were on the train to capture passengers’ impressions. For families and society, the sheer delight that lights up the faces of children and young ones is significant. A recent train ride highlighted that students and other young people appear to be particularly engaged and excited about the experience, echoing the joyful sentiments expressed by President Tinubu.

    The late English writer Agatha Christie once said, “Trains are wonderful… To travel by train is to see nature and human beings, towns and places of worship and rivers, in fact, to see life.” For those on this 40-minute train ride, it was indeed a delightful experience, even though train transportation is not yet as popular in Nigeria as it could be. Waiting for the 3:30 PM ride from Abuja Metro station to the airport provided an opportunity to interact with two very courteous FCT staff members – Dunke Yusuf and Samuel Oriade. Both declined formal interviews but were polite and informative. Currently, the train service offers four trips out of town and an equal number of trips into the city, with people traveling to or from Kubwa using the Idu train station as a junction to change trains on their journey. Plans are underway for more coaches and additional daily trips.

    When it was time for departure, men and women lined up in separate queues. The young security personnel explained the necessity of their screening and checks for everyone’s safety. Downstairs, passengers boarded the newly-commissioned coaches, which were clean, well-lit, and well-ventilated. Each of the four coaches has a seating capacity for twenty-four passengers, with provisions for standing passengers. Among the happy crowd in the fourth coach were the Ayodeji Kosamot family. Surrounded by three children and other family members, Ayodeji explained that they came for the fun of the ride, which the children found delightful as part of their mid-term school break. When asked if he had ever been on a train before, one of the children gleefully responded that he was on one at that moment. The family planned to disembark at Idu station and connect another segment of the free train ride to Kubwa.

    As the train rolled along from Idu, passengers appreciated the expansive stretch of peaceful, idyllic landscape, with a brief pause at Bassanjiwa station. After sixteen years in Abuja, some were hearing the name for the first time. The train continued its journey towards the airport, moving along tracks that split the village in two, revealing mud houses and temporary ‘bachas’ or ghetto structures. Despite this, new mini shops and economic activities indicated an infusion of better living conditions. Clearly, the people in this rural part of the FCT are industrious.

    Shortly after Bassanjiwa station, the metro train reached Nnamdi Azikiwe Airport station. It took only two minutes after passing through the validator machines for the lively boys from Kubwa suburbs to shout excitedly at the sight of an airplane on the tarmac in the distance. For many, it was their first time seeing an airplane up close, a memorable experience for these potential frequent travelers of the future. The connecting glass doors to the airport grounds were locked, but there was an entrance door for travelers to exit or enter from the airport.

    As the train pulled into the final station, a sense of unity and hope filled the air, echoing the words of Nelson Mandela: “It always seems impossible until it’s done.” The revitalised Abuja Rail Mass Transit system stands as a testament to this spirit, bringing together families, students, and daily commuters in a shared journey that not only connects destinations but also hearts. Amidst the laughter of children and the awe of first-time riders, it’s clear that this train is more than just a mode of transport; it’s a moving symbol of Nigeria’s unwavering progress and the boundless possibilities that lie ahead.

  • Brands unite to reduce carbon footprint

    Brands unite to reduce carbon footprint

    In celebration of the 2024 World Environmental Day (WED), leading brands across various sectors have revealed how they champion environmental action by adopting eco-friendly practices in their daily operations. From launching recyclable packaging and introducing energy-efficient solutions to cleanup campaigns, these companies say they have designed innovative programs and products to reduce their carbon footprint and support ecological conservation.

     The brands leading this charge on environmental sustainability are One Million Tree Initiative (OMTI), a non-governmental organisation, LG Electronics Inc, CE Power Solutions, SMP Media Group, and GSR 360 Ltd. These companies are also championing tree planting campaigns, not only to combat climate change but also to support local ecosystems.

     WED is celebrated annually on June 5, aimed at encouraging awareness and action for the protection of the environment.

     This year, the theme – ‘Land restoration, desertification and drought resilience’ was coined by the United Nations Convention to Combat Desertification. This is because up to 40 per cent of the earth’s land is degraded.

    Hence this year’s celebrations did not only show a diverse array of actions aimed at promoting eco-friendly practices, but it also witnessed a seamless partnership of top brands and environmental groups to amplify their awareness efforts on the need to adopt more sustainable lifestyles.

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    Speaking at the WED tree planting event held at Omole Phase One in Lagos, Josfyn Uba, co-founder of OMTI said that they have been at the forefront of environmental stewardship, implementing projects that aimed to transform the way people think about the environment. “Our group is focused on planting one million trees to preserve the earth”, she said. “Various acts of pollution and degradation have exposed our planet to dangers. Destroying the earth is like destroying your lungs, so we must create awareness on the impact of trees on the environment for people to understand and support the initiative for earth preservation.”

    Also, Washington Uba, OMTI founder, affirmed that planting trees plays a crucial role in regulating regional and global climates by influencing patterns. Uba also disclosed that his organisation has embraced the usage of only eco-friendly materials in its work.

    He said, “Using Polystyrene (single-use Styrofoam packs) is very bad for the environment. It is slow to degrade, and if disposed of improperly, the foam can leach dangerous chemicals into our water sources. Polystyrene creates an enormous hazardous waste and contributes to global warming. And that is why we have switched, and calling on everyone to switch to eco-friendly alternatives like biodegradable plastics, aluminium foil, wooden cutleries, and brown paper bags.”

     Electronics giant LG Nigeria also highlighted its consistent drive to plant trees. Moses Osime, the brand’s Public Relations Officer assured that environmental sustainability is a topmost priority to them. “At LG Electronics, tree-planting is one of our major CSR projects. It’s an initiative we started in 2011 at Alausa, where we planted over 200 trees. That project got us great recognition from the Lagos State Government and they gave us an award. We have not rested since then and have continued to plant more trees to save our environment.

    “The health of the nation is important, so we plant trees because of the huge benefit to the people. We have planted trees at Magodo, Maroko and also at Pan-Atlantic University, in the Ibeju-Lekki Area of Lagos State. And we want to assure Nigerians that LG is not resting because we will continue to support the campaign to plant more trees to protect our humanity,” Osime said.

     Another partner, CE Power Solutions, also backed moves to reduce carbon emissions which destroys the ozone layer and environmental degradation,

    Executive  Director – Legal, ESG, HR & Admin, Lady Cheta Nwabuike said that her company is spearheading the use of eco-friendly power-generating solutions that run on solar, and compressed natural gas (CNG).

    “In CE Power Solutions, we use solar and compressed natural gas to generate power because it is cleaner and more environmentally friendly. We also believe in the land restoration drive through tree planting. That is why we appreciate the opportunity to partner in the WED tree-planting event with OMTI. One of the benefits we derive by planting trees is that we’ll have a lot more oxygen to breathe in,” Nwabuike said.

    For GSR 360, a business conglomerate involved in engineering, media and brand development, the quest for zero carbon emission in their operations has led them to switch to CNG-powered engines in their operations.

    The company’s representative, Mr Misty Uba, also urged all hands to be on deck to ensure that the dignity of the earth is restored through tree planting. “In GSR 360 our corporate social responsibility has always been focused on environmental projects. In 2010, we worked with the Lagos State Government to monitor waste from industries. It was on until 2016 when we teamed up with Reggae Republic on a tree planting project, and from there we moved on to join the OMTI.

    “Also we are moving forward to adopt CNG in running the engineering section of the company. Presently we already have two CNG machines in our lagos and Port Harcourt offices. And I urge everyone to join the effort in restoring the dignity of the earth because we have nowhere else for humanity to live in,” he said.

    Executive Director, of SMP Media Group, Emeka Ikade also encouraged organisations to go green in their operations. “If we don’t take care of our environment, it will not take care of us. The only way to protect the environment is to be involved in tree planting. The message is clear because we now experience unusual heat, and rains at unusual times. This shows that something is happening to our environment, so every little thing we need to do, must be done,” he said.

    In the same vein, Kingsley Uranta, a media practitioner and co-founder of OMTI tasked the media to also champion environmental sustainability and Climate Change awareness through consistent storytelling and highlighting news reportage on the matter. He also expressed delight at the keenness exhibited by OMTI along with their partners to save the earth.

    “As we celebrate World Environment Day, let us remember that our actions today determine the future of our planet. So as individuals, communities, organisations and nations, we have a shared responsibility to take action against climate change and protect our land,” Uranta added.

    The WED event at Omole Estate saw the planting of over 50 tree saplings in major areas of the community. The newly planted trees will not only enhance the beauty of the estate but also help to improve air quality, provide habitats for local wildlife, and combat the effects of climate change.

    Speaking on behalf of the residents, Honourable Bimbola Osikoya, Chairperson of the Omole Housing Estate, expressed joy at the successful event, saying that it has inspired residents to continue their efforts in promoting environmental sustainability in their community.

    She said, “I know the role tree planting plays in the environment. The benefits are much and we are ready to support it because it’s a good course. So we urge other communities to embrace the tree planting initiative because it would help protect the earth, and create a cleaner and healthier environment for us city dwellers.

  • Boost for Nigerian-Korean cultural exchange

    Boost for Nigerian-Korean cultural exchange

    Amidst plans to promote collaboration of Korean Pop (K-Pop) and Nigerian Afrobeats, The Korean Cultural Center, in collaboration with LG Electronics hosted the 12th anniversary of the K-Pop world festival (Singing and Dancing competition) and grand finale of the regional preliminary round for the 2024 K-POP World Festival in Nigeria.

    The event, which was held at Terra Kulture, on Victoria Island, Lagos recently, was hosted jointly by the Ministry of Foreign Affairs, Ministry of Culture, Sports and Tourism of the Republic of Korea and Korea Broadcasting System (KBS) and is held through preliminary rounds in many countries around the world.

    Consul General, Lagos Office of the Embassy of the Republic of Korea, Lee Sang-ho acknowledged the unique potentials, talents and the artistry of the Nigerian youths, especially their exceptional passion for dance and music, which is recognised globally.

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    He said that the event is important as it affords a significant value for cultural exchange between Korea and Nigeria which established diplomatic relations in 1980. “Since 2011, with the opening of the Korean Cultural Center Nigeria (KCCN), the first in the African continent, which commemorated the 30th anniversary of diplomatic relations between both countries, this cultural exchange has witnessed the expansion of modern Korean waves like K-POP, K-Drama,

    K- Foods, K-Beauty, K-Fashion, and even K-Music led by BTS, Blackpink (these artists are very popular among Nigerian youths).

    “Among the Korean Wave Cultures, the K-POP is trending, becoming more popular these days among many young people, especially Nigerian youths. K-POP beats and dance steps are tunes that the Nigerian youths can easily dance, sing, relate and vibe with as it keeps their hopes, aspirations and dreams alive making it more enshrined among teenagers,” he said.

    He commended the support of the Managing Director, LG Electronics Nigeria, Mr. Jihun Sub for sponsoring the prizes for the event.

    Jihun Sub expressed excitement lauding the efforts of the KCCN in promoting cultural exchange and nurturing talents. He said that the purpose of the competition is not just to celebrate the cultural exchanges, but also to recognise trained talents in Nigeria.

    “We come together, not only to celebrate the culture of Korea but also to recognize trained talents of Nigerians.

    To all the participants, your dedication inspires me, whether you’re a singer, dancer or musician, your passion shines in all your performances. We’re here to celebrate your achievements,” he said.

    First time winner of the Singing Competition, Victory Mbagu, said that it is a privilege for her winning in the competition as this wasn’t her first time competing without winning.

    “I have always loved to sing. When it comes to Korean music, it moves me. I feel ecstatic, this is not the first time I’m competing in the Korean singing competition, winning the first time today and winning this cup means a lot to me. It’s amazing. Thank you” she said.

    First time winners of the Dance competition, X-MOB (eXtremely Made of Beat) a team of 5 passionate dancers from Port-Harcourt, spoke on how challenging it was for them preparing for the competition and how grateful they are that their efforts paid off. 

  • Kurunmi returns to Lagos stage

    Kurunmi returns to Lagos stage

     Fifty-three years old Kurunmi, a play written by Prof. Ola Rotimi,  returned to stage in Lagos last Thursday and Friday at the Alliance Francaise, Ikoyi, Lagos, courtesy of Stagecraft Studios & Film Productions Limited. Kurunmi is a historical tragedy that centres on the exploits of Kurunmi as an African chief of the 19th century Yoruba kingdom. It recounts Kurunmi, as a war general, who fought a war to maintain a dying tradition.

    It is directed by Nollywood actor, Muyideen Oladapo (Lala), and produced by Stagecraft Studios & Film Productions Ltd, the performance will also hold at Terra Kulture, Arena, Victoria Island, Lagos, on July 20th and 21st.

    The play has Adefila, as choreographer, and featuring talented actors such as Tunji Sotimirin, Philippe Leporcher, Toyin Buraimoh, Pascale Oluwamayowa, Wale Lanpejo and several others.

    The highly anticipated performance promises to thrill audiences with riveting tales of courage, intrigue and resilience. Kurunmi is a historical tragedy that centres on the exploits of Kurunmi as an African chief of the 19th century Yoruba kingdom, a war general, who fought a war to maintain a dying tradition. Set against a backdrop of Nigeria’s pre-independence struggle, Kurunmi explores the complexities of power, loyalty, and love in the face of colonial rule.

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    The play centres around Kurunmi, a fearless leader of the Ekiti Parapo alliance, as he fiercely resists British encroachment on Yoruba land.

    Production Manager, Michelle Adebola, disclosed that Stage Craft Studios & Film Production is a production house that started in 2024, and is about telling the African story and keeping our cultural heritage. She noted that times are changing and there are generations that have forgotten our history.

    According to her, what a better way to launch out than using Ola Rotimi ‘s Kurunmi? “It is important for us to know our story and where we are coming from.

    The play is centred on Kurunmi, according to the tradition, when the king dies, the first son is buried with the king. This was at the advent of religious era. And all of a sudden he rose up to change the narrative saying his son will not die.”

    Director of the play, Nurudeen Oladapo (Lala) who spoke at a rehearsal session in Bariga, said: “Kurunmi is an epic story; it has been staged severally. We they are staging it play because of what is going on in our society, same thing keep repeating itself. There are plays that address issues in the society, so we picked Kurunmi. I have staged the play personally when I was in school, my final year project 2015.

    “I picked Kurunmi because I majored in directing. When I was called to direct the play, I thought of what to add to make it different from what others have been staging.” He noted that in theatre now there is fusion of technology, “we have to make use of technology: screen and stage. I know much about screen and stage , how are we going to merge the two together. I want people to be watching the play live on stage and be seeing some parts on the screen. We picked all the war scenes in the play, we went to Oyo Kingdom to shoot all the scene, when they are preparing war on the stage, war will be happening on the screen as if you are in cinema hall. I have that approach. The audience will see that the war actually happened and the people were killed, children were killed.”

    Veteran actor, musician and broadcaster, Tunji Sotimirin, who will be playing multiple roles said Kurumi will always be current, in the sense that it is a narrative that essentially ‘explores the subject of how you tenaciously hold on to what you believe in, and in this sense we are talking about culture and it is also about patriotism. Kurumi is someone who rose up to uphold his culture in spite of the intervention by Western people and the argument by other chiefs.’

    Sotimirin noted that the young minds that are put together for the performance have done incredible work and have given all their all in the rehearsals.

    “I can tell you there is no point expressing any anxiety but of course you know it’s normal when you want to put up a play and the audience, and it is the very first one, first in the sense that you are showing it to that audience for the very first time this particular version of Kurumi by fresh team of people, there is a tendency to feel how are they going to receive it, but I can tell you the food is done.”

    “I accepted to be on the cast list because of the wealth of knowledge that the director who is richly endowed with traditional, cultural orientation, is bringing to it. It is not as if Ola Rotimi and the rest didn’t do enough but he is well vast with the knowledge of Yoruba culture and has also acquired education at the university level, the combination of these two is what will come to play in this performance. As someone from the great Ife, and someone who has worked with various producers from Yoruba culture, he can sing, dance, and he can deploy the arsenal of that Yoruba cultural background into the production.”

  • Nostalgia: Stepping out with master strokes

    Nostalgia: Stepping out with master strokes

    Unlike many art exhibitions held at the National Museum, Onikan, Lagos, Nostalgia, a group exhibition organised recently by Mesh Gallery was a rare one. Beyond presenting a mix of 12 old, not-too-young and the younger generation artists, the organisers treated collectors and art enthusiasts at the VIP opening to scintillating cultural performances as welcome package. The select audience also got a rich dose of sumptuous snacks and wine for the evening.  But, the exhibition is much more than merry-making.

    Nostalgia, which featured no fewer than 25 master pieces (paintings and sculptures) by 13 renowned Nigerian artists, was not only a refreshing collection that leaves nostalgic feelings among viewers, but also a strong reminder of the quality of art and artists that featured in the group show.

    As nostalgic as the collection, most of the works still throw up some recurring socio-political issues about Nigeria, which continue to threaten the unity of the country. In particular, Josy Ajiboye’s Breaking Kola is a painting that addresses the consequences of ethnic profiling in the course of identifying culprits of kidnapping or banditry in many parts of the country.

    Breaking Kola though reflects Ajiboye’s strong affinity with culture, it shows an elderly Fulani man Baba Aminu, breaking kola nuts with his teeth. Inspired by the positive traits of the Fulani people that he knew while growing up, the painting is Ajiboye’s expression of sadness over the negative stereotypes about the Fulani today, emphasising that the violent individuals are not representative of the Fulani he knows.

    The artist who is a legendary cartoonist urged young and aspiring artists not to be in a hurry while practicing, but take their time to refine their skills. He also exhibited the portrait of a Benin queen. “Art is not something you do quickly. You need patience and knowledge to be the best.”

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    Mufu Onifade’s Kofeso is a satirical piece on how some locals perceive the seeming ‘arrogance’ of academic who attained the level of Professor in their teaching career. Using his distinctive art technique (Araism) that entails the use of palette knife or brush in creating different tones and shades with a batik-like cracking effect on canvas, the artist captures the bust of a professor in his academic head gear. To him, a professor always remains on top of academic and never wants to come down from his high horse, hence the name Kofeso.

    Similarly, Ben Udeze’s Rough Play speaks to the many agitations and conflicts that continue to affect the overall development of the country. 

    Other artists that featured in the show are Bruce Onobrakpeya, Edosa Ogiugo, Tony Enebeli, Duke Asidere, Kehinde Balogun, Odogwu Fidelis, Steve Ekpenisi, Bolaji Ogunwo, Alao Luqman and Greg Onyeka. Going by the pedigrees of the 13 artists, the exhibition leaves no one in doubt that it truly showcased the timeless beauty of the old masters such as Bruce Onobrakpeya and Josy Ajiboye alongside the innovative creations of contemporary visionaries Edosa Oguigo, Mufu Onifade and Duke Asidere. The exhibition, which set out to bridge the past and present, is a celebration of Nigerian art history and innovation as it offers a unique platform that explored the profound cultural heritage and dynamic evolution of Nigerian art. Interestingly, each piece in the exhibition tells a story, capturing the essence of tradition while embracing the spirit of modernity. From Onobrakpeya’s low relief etching entitled Good Governance to Ajiboye’s Breaking Kola, and Onifade’s Kofeso (Professor), the collection mirrors a wide range of contemporary issues in Nigerian socio-cultural landscape.

    Ogiugo’s After Hours, which depicts colourfully dressed eastern women returning from an August meeting, is a testament to the rich heritage of contemporary Nigerian culture, while Enebeli’s Durbar Procession celebrates the fascination of the regal outfits that characterize the Durbar in the north. Onyeka’s semi-abstract painting is a bold representation of the face of a female figure rendered in many colours. The eye balls and red lips are focal points of the painting that constant stares at viewers.

    Thematically, Nostalgia is a visual journey delving into the rich tapestry of Nigerian contemporary art, capturing the essence of art in the cultural space. It equally explores the trajectory of contemporary art in Nigeria.

    To the curator, who is also exhibiting, Mufu Onifade, the paintings are a collection of nostalgic pieces – a tip of the artistic iceberg that reintroduces us to the refreshing beauty and priceless nature of contemporary Nigerian art. “This collection is a gathering of the greats who cut across generation. It is a convergence of colours and creativity. It is a festive mood that permeates ages and mood. Indeed, it is a great pleasure bringing these fascinating and impressive talents together in a pool of appreciation and celebration. Titled Nostalgia, this group exhibition of masters of various cadres and categories is a testimony to the richness of Nigeria’s aesthetic legacies.

    “This exotic collection of 25 exquisite and alluring art pieces is not only nostalgic but also a reminiscent of the limitless beauty of Nigeria culture. Like a sweet ripped kola nut, Mesh Gallery has brought to you, a combination of life and peace to relish,” he said.

    According to Onifade, Nostalgia reflects the daily experiences in Nigeria and the selection of artworks was intentional, focusing on seasoned professional artists to ensure a high-quality exhibition. He noted that showcasing the works of master artists was a deliberate choice to bridge the past and present, exploring the timeless beauty of old masterpieces alongside the innovative creations of contemporary artists. “When you look at the works, the materials used, the title, the theme, and the message, they are nostalgic because they are about our daily experiences in Nigeria. We thought if we are going to do a professional exhibition why not start with the masters,” he asked.  Proprietor Mesh Gallery, Mr. Ademola Meshioye, organizer of the exhibition, stated that the exhibition was set up to showcase both old and new visual art collections. He noted that the 7-day event is expected to give visibility to seasoned artists, some of whom have been painting for over 30 years but have not gained much recognition. Meshioye shared that his love for art was inspired by his father, Bode Meshioye, a trained painter with many artworks who successfully ran an advertising and marketing firm. The family has over 100 pieces of visual art in its private collection.

    “My father was an artist, this is just in the DNA. It wasn’t something that just began today. It is something that I have been doing over time. Then my father has this ritual, every Saturday morning, we sit down, drink, eat, and paint.” According to him, ‘this is my first exhibition and I am passionate about this project. I want to do something that when we reach the level we planned going to, the Nigerian government will ask who are these people doing this thing, let’s get to know them.’

    The maiden exhibition by Mesh Gallery would not be complete without the involvement of some esteemed art collectors/ curators such as Alex Osho and Tope Oladeji, the exhibition officer. Osho who is renowned for his expertise in art and entertainment, serves as MC/Actor with several award nominations, is also a Curator at National Museum, Onikan Lagos, and worked with Oladeji on the just-ended exhibition.

  • ‘Museums not mere repositories of artefacts’

    ‘Museums not mere repositories of artefacts’

    The Director General, National Commission for Museums and Monuments, Mr. Olugbile Holloway, has said museums are not mere repositories of artefacts but invaluable institutions that serve as hubs for learning, exploration and enlightenment.

    Holloway who spoke at this year’s International Museum Day held in Lagos, said that in an era marked by rapid technological advancements and globalisation, museums play a pivotal role in fostering a deeper understanding of our past, present and future.

    This year’s theme is Museums for research and education.

    The Director General who was represented by Curator National Museum Lagos, Mrs Nkechi Adedeji noted that museums serve as platforms for education offering immersive experiences that transcend traditional classroom settings..

    “Museums are crucial hubs for research, providing scholars and enthusiasts alike with access to invaluable resources and insights. Through rigorous study and analysis, we uncover hidden truths unravel mysteries and piece together the rich tapestry of human history,” he added.

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    He reaffirmed the commission’s commitment to harnessing the power of museums for the betterment of the society. “Let us strive to make our museums more inclusive and accessible and engaging for people of all ages and background.

    I am immensely grateful to all the museum professionals, volunteers, and supporters who work tirelessly to preserve our cultural heritage and promote lifelong learning. Your dedication is truly commendable and I am confident that together we can continue to make a meaningful impact on the world,” he tasked the commission management and staff.

    According to him, the theme of this year’s International Museum Day (IMD) resonates deeply with the core mission of the commission, which he said, is in tandem with the Renewed Hope Agenda of Mr. President in the area of education, cultural and creative economy.

    Every May 18, is set aside by International Council of Museums (ICOM), to celebrate museums across the globe as well as create awareness on the preservation, protection and appreciation of the rich cultural and natural heritage of humanity. However, this year’s celebration was held on May 31 due to some logistics.

    Guest speaker at the event, Mrs Victoria Okoloagu described museums as vital spaces where education and research converge to shape the understanding of the world. In her paper titled Museum for education and research, the former Assistant Director, National Museum, Onikan Lagos said the objective of the IMD as stated by ICOM, is to raise awareness about the fact that museums are important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among people.

    “Each year since 2020, the International Museum Day supports a set of goals from the sustainable developments goals of the United Nations. In this year, it focuses on Goal 4: quality education-this ensures inclusive and equitable quality education and promotes life-long learning opportunities for all.

    “For IMD 2024, the aim is to invite people to rethink education and imagine a future where knowledge sharing transcends barriers, explores the wealth of knowledge museums have to offer, and together build a more informed and inclusive world.

    It also draws our attention to one of the very important roles of museum, which is providing educational opportunities and resources for students and researchers,” she said.

    Then event also featured presentations on museum and its objectives by some students drawn from schools in Lagos state.

  • Jimbo hosts old skool at Rhapsody’s

    Jimbo hosts old skool at Rhapsody’s

    deejay and style icon, Dj Jimbo, celebrated for his exceptional ability to blend world music, old skool, and modern tunes, will host his highly acclaimed Old Skool & Style remix sessions. These events, powered by Effrakata Entertainment and Inspiro Productions, will hold every Friday at Rhapsody’s located in The Palms Mall, Lekki, Lagos. It  began last Friday, June 14.

    After building a dedicated following and crafting unique musical experiences at various venues, Dj Jimbo aims to elevate the experience in this larger and more dynamic space. Known for his stylish appearance and energetic performances, he has earned a reputation for attracting a diverse crowd of music enthusiasts, party-goers, and dance aficionados. The new weekly event promises an exciting atmosphere where guests can dine and wine from 7-9pm with selections from the well set Rhapsody menu. Following dinner, guests can dance to a carefully curated playlist featuring hits from the 70s to 90s and more.

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    Rhapsody’s at The Palms Mall, Lekki, is a new branch of the contemporary Rhapsody’s chain, celebrated for its lively atmosphere, delicious food, and top-notch entertainment. The venue’s modern ambiance and state-of-the-art sound system provide the perfect backdrop for Dj Jimbo to showcase his talent, taking the audience on a nostalgic journey infused with a fresh twist. Attendees can expect an unforgettable night filled with nostalgic tunes, energetic beats, and a seamless fusion of old skool classics with modern hits.

  • Five animators, 15 Nigerian animation studios for 2024 Annecy International Film Festival

    Five animators, 15 Nigerian animation studios for 2024 Annecy International Film Festival

    Omoyefe Majoroh, Sagir Carpenter, Esen Unukogbon, Michael Eneje and Jonathan Oyiriaru, have been selected as the top five finalists with the best creative animation projects in Nigeria to pitch their works at the 2024 edition of the renowned Annecy International Film Festival taking place in France.  

     The festival is the world’s top reference for animation films and holds yearly in the city of Annecy in the French Alps and welcomes over 14,000 industry professionals from all around the world.

    In the wake of its 2024 edition, Annecy and the MIFA (Animation Film International Market) expressed interest in Nigeria, by offering young talents the opportunity to develop their projects. 

     This focus on supporting creatives within Nigeria is hinged on the growing impact of the animation sector on the job market and the Nigerian economy.

    Ahead of the upcoming Film Festival, in partnership with Animation Nigeria, the French Embassy and the Institut Français in Nigeria, organised a pitching workshop in a competitive format for five selected Nigerian animation studios. 

    They won an all-expense flight and accommodation trip to participate in the festival. Each of them will have the opportunity to pitch their project at the international event as part of a focus on Nigeria, in front of an audience of international professionals.

    Head of MIFA, Véronique Encrenaz and new Head of MIFA Talent Projects, Sylvain Grain, said: “For several years now, MIFA has been closely following what is happening in animation in Africa and have noticed the energy that was particularly evident in Nigeria. 

    “The International Mifa Campus workshops we have been organising with local and French players confirmed the presence of talented and promising creators on the territory, but also the need to accompany them in a demanding and competitive sector so that their projects get prepared enough to face the market.

    ” We, therefore, bring them to question themselves so that they can find their own aesthetic and narrative path and come out of this experience stronger.”

    For the consecutive third year, the Embassy of France in Nigeria will be supporting Nigerian Animation Studios by providing them with an umbrella at the market. Coordinating with Animation Nigeria, this stand will be hosting over fifteen animation studios who will pitch their projects to French and international industry stakeholders.

       Regional Audiovisual Attaché at the French Embassy in Nigeria, Christophe Pecot, affirmed: “It is the third time our support to the Annecy Film Festival and the Nigerian Animation Industry was made possible thanks to specific funds. This year, the program, called “Creation Africa” enables us to support entrepreneurship in the sector of cultural and creative industries. This fund has been entrusted to us for 18 months by the French Ministry of Europe and Foreign Affairs, and aims at stimulating capacities building, amongst other areas.”

     Mbuotidem Johnson of Animation Nigeria said: “Animation Nigeria as an association of skilled professionals is grateful for the partnership with the French government in enabling the growth of the local animation industry and the opportunities the partnership has created for its members. In the past, this partnership has granted us a platform to showcase our work globally and has been greatly instrumental in placing Nigerian animation on the world map.

    “It has also trained talent in critical skills while stimulating greater connectedness among the players in the industry. Through its various initiatives, it has helped drive a more positive narrative about the Nigerian animation space and the world is noticing. 

    “This progress has all led to this point where at ANNECY, there is a focus on Nigeria and our member studios are once again being granted a chance to showcase their work on a global platform. This development holds significant potential to further drive attention to this nascent industry. As the African proverb says; It takes a village to raise a child, we realise that you have been a major part of our village, and for this, we are truly grateful. “