Category: Arts & Life

  • 300 exhibitors to secure deals at West Africa Trade Show

    300 exhibitors to secure deals at West Africa Trade Show

    Over 300 exhibitors in the food retailing , hospitality and supply value chain  from 40  countries will be exploring opportunities to secure business deals for their products as the Food & Beverage West Africa Trade Show gets underway in Lagos next month.

    Participants from Italy, Indonesia, Thailand, Turkey, India, USA, China, Egypt, Dubai, Pakistan, and Russia, will also utilise the programme to engage business activities with 

    buyers/importers/distributors from across the region.

    Besides, the West Africa Trade Show will also provide a window for businesses across the world to access key decision makers across the continent on how to grow the food and beverage value chain, especially how to grow the export of coffee, tea, sauces, spices, condiments, meat and poultry, rice, machinery, packaging and equipment in an efforts to contribute significantly to the gross domestic product (GDP).

    Speaking in an interview, Exhibition Manager of BtoB Events,  organisers of the West Africa Trade Show, Brad Smith  said the forum will provide a window for entrepreneurs to explore avenues for backward integration as over 40 Nigerian business exhibitors will feature in the Small Medium Enterprises (SME), Zone  in the food and beverage. 

    Smith said over  5,000 industry professionals from the food retailing, hospitality and supply sectors, will offer participants the opportunity to  see new products being launched into Nigeria as well as secure business deals on food and drinks.

     Smith said: “We  are bringing the global food and beverage industry to West Africa, with the show consisting of exhibitors from over 40  countries worldwide, spanning five continents and all with incredibly exciting products, looking to do business within the West African market.”

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    He said many organisations including :  Restaurant and Food Services Proprietors Association of Nigeria (REFSPAN), Association of Professional Food Service Providers of Nigeria (APFSPN), African Business and Exporters Network (ABEN), Conference of All Agri Business in Nigeria (CABIN), Hotel Owners and Managers Association of Lagos (HOMAL), Gambian Chamber of Commerce, Nigerian Association of Chamber of Commerce, Industry, Mines and Agriculture (NACCIMA), and African Business Enterprise Network , (ABEN) will participate in the trade show.

    He listed others to include : Association of Food Vendors in Nigeria,  Eziukwu Market Food & Beverage Dealers Association, Aba,

    National Association of Supermarket Operations of Nigeria( NASON), Ogbaru Main Market Traders Association (OMMTA)

    Oki Arin Traders Association ss well as Onitsha Market Traders Association (OMMATA)

  • The strange way of the world

    The strange way of the world

    Title: It Could Have Happened to Anybody

    Author: Ben Ezumah

    Reviewer: Denja Abdullahi

    MAZI Ben Ezumah’s literary excellence for years predates this new offering being reviewed here as it will be made manifest soon in the course of this short piece. All the same, this short story published in a multilingual creative writing book/journal , #14 Novum, Volume 5 , 2023,  in Germany and contributed to by 33 authors from different nationalities, bespoke the literary adroitness of the author. The short story was published when the author was on his second sojourn for a Master’s degree in education at the University of Huddersfield in England(2023), after having bagged the first at Walden University, Minneapolis, Minnesota, USA(2015); and of course the foundation B.A. in English at the University of Jos in 1990.

    The short story of 10 published pages entitled “ It Could Have Happened to Anybody” tells the story of Oko , a fisherman from a fictional Mkpa village, of which the author’s cosmological description  situates as a character that can be  from any part of Eastern Nigeria coursed through by a river. Oko, a character garbed with so much psychological depth that belie the literary form it inhabits, is in the story propelled by existential concerns of a large family of 15 persons waiting to be fed daily, to continually fish “in troubled waters” as it is said.

    The detailed description of the Ntu river of the Mkpa village where Oko regularly plies his trade, the natural environment, the mythical ascription about the malevolent forces surrounding the river that has seen to the death of many in “boat mishaps or swimming,” forebode that it is a story that may not end well for the major character. Hear this: “ Mkpa folklore is replete with stories of strange sightings and paranormal activities around the Ntu river; mermaids, imps, hobgoblins, anomalous fiendish critters, ghosts, and eerie fish-like creatures, all ostensibly activated by certain enraged evil spirits, frenetically dance on the bank of the river every market day, only to skip back into their watery abode once humans approach them.” (217).

    The antidote to the possible machinations of these malevolent spirits ,in order to allow for humans like Oko to ply their trades connected to the river, is to make propitiations and sacrifices , which the community do with animals of various kinds; but the river keeps claiming its victims all the same. Oko, a determined man with huge family responsibilities within a world in which “to grovel and stoop and sprawl for bread before a fellow man…. is to die a certain painful death;”   cannot but damn any foreboding danger or omen to continue fishing in the river. The alternative to that is unfathomable.

              And so Oko, rises as usual some minutes after midnight to make his way to the Ntu river to check his nets, egg on by whirling thoughts of mouths to feed, fees to pay and overdue indebtedness to the town’s union. Even a portentous omen such as his stubbing his toe against a tree stump that leads to its bleeding does not deter him from his fishing expedition, after all, he is a skilled fisherman of about two decades ,very knowledgeable about aquatic creatures and their weird dispositions. Oko paddles his canoe into the river, checks his nets and it happens that one has inadvertently entrapped a monstrous crocodile of about twenty five feet in length. Even in his epic battle with the crocodile that eventually cost him his left leg, Oko inner  thoughts go thus: “ As he battles the monster  while keeping himself afloat, he also thinks of how  he’ll use the proceeds from it to take care of his immediate needs. The skin alone would yield a fortune at the local tannery shop while the meat  could be sold to restaurants in the neighbouring town.

    The Thought of the gains to be made from the haul energises him to no end and he keeps pulling with all his might.”(223).  At the end , Oko with his near-death experience of hauling a huge fighting crocodile in his net to the bank of the river , lost his left leg, became an amputee and a folk hero to the appreciative villagers,holding court in his compound, feasting the villagers with palm wine and crocodile meats. The villagers in turn give Oko numerous presents , with the union resolving to take care of his children’s education, forgive his debts and continue to support his family,  as what happened to him could have happened to anyone.

    A reading of the short story by anyone will reveal that it is coming from the stable of a master storyteller steeped in the African traditional ways of storytelling. The story itself evokes the aura of the world of the African folktales where family heroes go to  great lengths to provide for their families in the most honest ways they can in spite of impossible and extenuating circumstances. Even the description of Oko’s seeming tug of war with the crocodile in the net as he drags it to the shore reminds the reader of the ubiquitous African folktale tortoise’s contrived tug of war between two huge animals who pull from opposite ends without really identifying who they are tugging with until they become extremely exhausted and passed out.

    The communal approbation and support to the folk hero , Oko, who meets with misfortune as he braved to feed his family can be said to be the stuff of folktales if placed against the mindless individualism and apathy towards the welfare of the less privileged ones or those who have met with misfortunes in our society of today. The short story itself, placed against the existential problems of an average man in Nigeria of today and the world over working to fend for himself and family is relatable and contemporary. Oko may be a fisherman living in a bucolic and superstition- ridden African village but his fate, as vividly painted in lean and highly descriptive prose, is not different from the average public servant, artisan or peasant farmer in an urban area of modern Nigeria: honest fending for a family of whatever number can lead to unexpected daunting occurrences that may not be reversible

    The short story is a well told one with the right suspense, though linear in narrative structure but with the psychological introspections into the central character adding to the creation of a well-rounded character.  The sociological and cosmological description of the world inhabited by the characters and events in the story foreground the richness and diversity of the narrative world of the story. The story in its telling seems to have no superfluous word or one put there for the purpose of mere embellishment. Each word moves the story along its course and adds something to making the world of the story believable and enthralling. Reading the story as a whole gives a feel that it is an excisable part of a whole somewhere or an excerpt from an extensive piece.

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     This leads us to our secondary concern in this review. The writer, Mazi Ben Ezumah, is someone who is known to me personally and to most of us who schooled with him at the University of Jos in the last years of the 1980s, as an intensely creative person and a literary gadfly whose writings were highly regarded way back then. He led us then in the students’ Writers’ Forum and once edited the famous “Weaverbird Magazine”, the literary journal of the then Department of English, University of Jos. As I have stated in another write-up about him, we together learned creative writing and literary criticism under legendary teachers in an intellectually fervent atmosphere that he captures so well  in an essay entitled “ Denja: My Co-Traveller” in the festschrift on me “Of Foot-Soldiers and Hybrid Visions…” (2020: 653-657). He said the following about me in that piece which I will forever cherish: “Denja is at peace in the garret, as he is in the palace.

    He can cavort with the peasant, as he would effortlessly dine with prince or king….He is always conference ready….As a team player, he believes in creating the necessary synergy across multidisciplinary divides so as to allow fresh ideas to thrive…. Denja is peace-loving and has no space for animosity or grudge. He is always far above the fray of pettiness and rancour that in the end renders worthwhile relationships ineffectual and unprofitable”(657).We have indeed been co-travellers since our undergraduate days. After graduation, we kept in touch by exchanging long literary letters written in the fashion of “ From the table of Lord Gordon Bryon to his friend and colleague Alfred Lord Tennyson.” Those letters both ways are literary masterpieces in their own rights and are still nestling in my archives. Of course, the world happened to both of us, we trod different paths, but remained united in our continued love for the arts , letters and enlightenment. He has read nearly all what I have written, sometimes doing a review of my writings and being there whenever I put up a public show of presenting my books and other such outings. He has been a friend who will do more than just being there by assisting also with the economic sides to friendship. Together, we have substantially mentored in ideas, experience and in finance young students from our alma mater over the years.

    My Co- Traveller,Mazi Ben Ezumah, has done monumental works in the non-fictive area such as the trilogy he co-wrote on “Perspectives on Aro History and Civilization” Vol.1-3. I was on hand as the book reviewer at the presentation of his play “The Wedding Bell That Never Rang “ to the public in Abuja on the 13th of June, 2013. In my review which I titled “The Artist in Search of the Ideal” and which was published in several newspapers, I wrote thus on the play: “A reading of the play whets your appetite for a performance that is bound to call back the mind to the re-appraisal of the role, place and the survival instincts of an artist in today’s society. It is also an un-nerving exploration of how idealism or the lack of it and the supernatural still affect the affairs of men and women.”

    Beyond this published play, I am unaware of any other published creative text of Mazi Ben Ezumah, though I have read many astounding poems of his since our school days right to the point when the instantaneous publishing pathways of the social media came on board and still thrive. I have watched his drama skits right from the Unijos days and read a full length published play as observed above but me and others may have been denied gems from this reticent master storyteller because many of what he has written are still in his closet. I am aware he has tomes of completed manuscripts; he showed me some dog-eared, brittle papered ones recently.

    The literary fame( permit me to call it that with all sense of modesty) some of us had hugged could have been his too; the difference is just that we put ourselves out there while he held back, maybe subjecting himself to undue self-criticism or waiting for the right time to come. Some of our colleagues from way back then who knew him to be even a great writer then that nudged some of us to take to writing, at a point were asking around “ where the hell is Ben Ezumah,is he no longer writing?”  Mazi Ben Ezumah, the ancient literary mask , it is you I am calling with this Oja flute ! This dance at the literary square will not be complete without you taking your own nimble and thunderous steps.

  • Afrobeat Crooner, Sugarbana’s Winner for release soon

    Afrobeat Crooner, Sugarbana’s Winner for release soon

    The stage is gradually getting set for Afrobeat crooner, Sugarbana to take the music scene by storm anytime soon with “Winner.”

    It was reported that the upcoming Afrobeat Crooner Sugarbana’s “Winner” is billed for release shortly as he is working around the clock with prominent acts in the studio to ensure that he comes out with a bang in his maiden album, Ashes.

    Highly talented Sugarbana who has been taking his time to give a different meaning to Afrobeat music, is featuring Mr Real and Smangori in “WINNER” and Afrobeat music lovers are going to fall over themselves when the LP, Ashes containing “WINNER” is released.

    WINNER serves as the lead single of Sugarbana’s upcoming Ashes album. 

    While leaving no stone unturned to satisfy Afrobeat music lovers, Sugarbana has had sleepless nights in his determination to take the Music industry by storm and the PG Records Frontman,  Sugarbana is  working hand in hand with top African artists, Mr Real and Smangori in his Brand New Single, WINNER to ensure its success in the Entertainment industry

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    WINNER is a high-tempo, inspirational, and positive vibe celebrating the beauty of success that comes after struggles and hardships.

    It serves as a preview of some new music Sugarbana has for his teeming fans in 2024.  WINNER is going to be a big bang and very explosive from Sugarbana.

    Produced by Smangori, the Song is filled with catchy choruses as well as amazing vocals from Sugarbana and Mr Real.

    After a stint of working behind the scenes with some of the biggest names in the Nigerian music industry, it is now time for Sugarbana to take the spotlight with his highly anticipated debut, album, Ashes

    Top music acts like Kel P and others have also been working with Sugarbana on some upcoming music.

  • Navigating Life’s Challenges in Abby Kesington’s ‘Finish Line’

    Navigating Life’s Challenges in Abby Kesington’s ‘Finish Line’

    By Ibrahim Sadiq

    Life is an amalgam of rough roads. This is one message that is inherent in ‘Finish Line’, Abby Kesington’s debut collection of poems, which is home to well-crafted poetic pieces that delve into the complexities of life, the desire for understanding and acceptance, the essence of inner strength and the ability to find peace amid life’s storms among others.

    The first poem in the collection, “Counting to Ten”, a succinct portrayal of the challenges faced in managing anxiety and the resilience required to confront inner demons, captures the intense emotional struggle of dealing with despondence and anxiety. The imagery of a lonely, sickening plight and a melancholic lullaby sets a somber tone from the beginning. The repeated motif of counting to ten reflects the speaker’s attempt to regain control and find calmness amidst overwhelming fear and desperation.

    The poem effectively conveys the physical and mental manifestations of anxiety, such as the deafening silence, racing heart, and the feeling of suffocation. The use of metaphors like “Texas-sized fright” adds a powerful sense of scale to the emotions being experienced.

    The structure of the poem, with its rhythmic repetition and escalating tension, mirrors the internal struggle of the speaker. It progresses from a state of despondence to a frantic battle for composure, ultimately seeking a glimmer of hope and light in the darkness.

    There is also “They Made A Promise”, a thought-provoking and emotionally resonant piece that skillfully captures the complexities of human relationships and the aftermath of broken promises, explores the disillusionment that can arise from broken promises and unfulfilled expectations in relationships. The imagery of dancing on the edge of promises and breathing in their sweet whispers creates a sense of intimacy and anticipation, only to contrast sharply with the cold reality of promises evaporating like morning mist.

    The metaphorical comparison of being the cornerstone of someone’s world to being discarded like a soiled diaper depicts the emotional upheaval and sense of betrayal experienced. The imagery of orbiting someone like a faithful moon, bound by false hope, deepens the theme of longing and disappointment.

    The poem conveys the journey from trust and belief to realisation and introspection. The closing lines, highlighting the hollow nature of promises and the scars left behind, leave a lasting impact on the reader, emphasizing the bittersweet wisdom gained through painful experiences.

    The poem titled “I Come With a Baggage” explores themes of avoidance, communication barriers, and the weight of personal struggles. 

    The poem unwraps the emotions and experiences associated with carrying emotional baggage. The use of metaphors like “rolled into my woes like a burrito” and “wobble like a ship tossed at sea” adds depth to the portrayal of the speaker’s burdens. The imagery of avoiding commitment and seeking refuge from struggles is relatable and resonant.

    The poem maintains a consistent tone throughout, blending introspection with a hint of resignation. The repetition of “I get it…” emphasizes understanding and acceptance of the situation, even amidst the pain it brings. The rhythm and flow of the poem contribute to its readability and emotional impact.

    In “Peace, My Mind Knows Peace”, the poet powerfully evocatively delves into the theme of finding inner peace amid life’s challenges and chaos. 

    The imagery in the poem is vivid and striking, especially the depiction of life as a force that “screams,” “drums the beat of war,” and “roars like a speeding truck.” These metaphors effectively convey the tumultuous nature of existence and the constant onslaught of challenges one may face.

    The use of personification, where life is portrayed as a relentless adversary with “crimson-stained banners” and “furious sea,” adds depth to the poem’s emotional impact. It creates a sense of conflict and struggle that the speaker must confront.

    The poem’s structure, with each stanza building upon the previous one, creates a sense of progression and resilience. Despite life’s relentless attacks, the speaker’s mind remains a bastion of calm and peace, symbolized by the repeated refrain of “my mind finds peace.”

    The ending of the poem portrays the speaker emerging from life’s assaults with resilience and defiance. The imagery of “emerging on the shores of resilience” suggests a journey of growth and strength from adversity.

    With “Phase of Peace”, the poet reflects on the tumultuous nature of life’s journey, beautifully captured through personal experiences and emotions. The poem begins with a sense of anticipation and optimism, symbolised by the last day of the year and the hope for a new beginning. However, this optimism quickly gives way to unexpected challenges and hardships, depicted vividly through metaphors like being “pushed over the cliff” and facing “tidal waves of betrayals and disappointments.”

    The turning point of the poem lies in the realisation that amidst the chaos and turmoil, there exists a “phase of peace.” This phase is characterized by courage, resilience, and surrendering control to a higher power. The speaker’s struggle with the storm of life is palpable, expressed through heartfelt prayers and cries for respite.

    The imagery of God throwing a lifeline and providing renewed hope is particularly powerful. It signifies a sense of divine intervention and guidance during times of difficulty. The theme of faith and perseverance shines through as the speaker learns to navigate the waves of life while finding solace in the belief that the storm will eventually subside.

    The poem “The Voice” captures the journey of finding one’s voice amid doubt, fear, and inner battles. The theme of self-discovery and empowerment shines through the poem. It delves into the struggles of losing one’s voice to doubts and disappointments but ultimately reclaiming it with confidence and strength.

    The use of metaphors like “trampled in the hay sack of fear” and “spirits descended with a heavy dose of confidence” vividly portrays the internal conflicts and the eventual triumph over them. The imagery of being on stage and roaring like a tigress adds to the sense of empowerment and courage.

    The poem follows a clear narrative arc, starting with the protagonist’s initial loss of voice and culminating in the triumphant moment of reclaiming it. This progression creates a sense of journey and transformation for the reader.

    The message of resilience, looking for strength in difficult times, and not letting inner doubts overshadow one’s potential is powerful and relatable.

    The language is evocative and emotive, effectively conveying the emotions of the protagonist’s struggle and eventual victory. The use of repetition (“I heard my voice,” “I shouted,” “I screamed”) adds emphasis and reinforces the theme of finding one’s voice.

    The titular poem, “Finish Line” encourages resilience and positivity in the face of challenges. The poem effectively uses the imagery of the skyline and sunshine to convey a message of hope and perseverance. The repetition of the phrase “Stop! Look at the skyline,” creates a rhythmic structure and emphasizes the importance of taking a moment to appreciate the beauty around us, even during difficult times.

    The metaphors used, such as “life storms like a feline” and “no help from the bloodline,” add depth to the poem’s theme of overcoming obstacles. The line “Remember the sun still shines!” serves as a powerful reminder to stay optimistic and focused on the brighter side of life.

    The progression of challenges mentioned in each stanza, from external weather conditions to personal worries and setbacks, culminates in the idea that everything is part of a greater design leading us towards our “finish line.”

    In “Air Beneath the Flames”, the poet explores the relationship between fire and air as metaphors for passion and sustenance, respectively. The poem beautifully captures the essence of struggle, self-sabotage, and redemption through vivid imagery and emotive language.

    The opening lines set the tone by questioning the essence of fire without air, cleverly juxtaposing the destructive nature of fire left without its essential counterpart. The imagery of “embers after a raging inferno” and “grey plumes a vestige of past glory” paints a picture of faded strength and resilience.

    The poem delves deeper into themes of self-doubt, pride, and the desperate search for renewal. The lines “You push air aside; says all is fair” encapsulate the defiance and eventual realization of the importance of external support and sustenance. The use of personification, especially with air as a compassionate entity, adds depth to the narrative.

    The climax of the poem comes with the plea for air to reignite the dying flames, symbolizing a moment of surrender and acceptance of help. The final stanza brings a sense of resolution and hope as the fire embraces the support of air, allowing for regeneration and growth.

    “Flowers and Cities” juxtaposes the delicate beauty of flowers against the backdrop of bustling urban life. The poem captures the contrast between the natural elegance of roses, tulips, daisies, carnations, lilies, jasmines, and violets with the harshness of city life. The imagery of soft velvety petals, pure and bright colours, and fragrances whispering amidst concrete creates a vivid picture of nature thriving amidst the urban chaos.

    The poem also touches on the resilience of nature, as seen in the flowers’ ability to bloom despite the gritty streets and urban glare. However, it doesn’t shy away from acknowledging the bittersweet nature of this beauty, such as the painful beauty of pollen and the reminder of nature’s cruel ingenuity.

    Through “Exam Fever”, the author captures the essence of the anxiety and pressure that students often experience during exam periods. The poem effectively conveys the racing thoughts, fear of forgetting studied material, and the constant worry about meeting expectations. It delves into the emotional turmoil of exam preparation, showcasing the mix of fear, worry, hope, and determination that students go through. This emotional depth makes the poem relatable to anyone who has experienced exam stress.

    The use of imagery, such as “clock ticks on” and “weight of expectations,” paints a vivid picture of the pressure and passing time during exam preparation. The metaphor of drowning under expectations adds a layer of intensity to the feelings expressed.

    Despite the anxiety portrayed, the poem ends on a note of resilience and determination. The speaker acknowledges their efforts and growth, expressing confidence in facing the exams.

    The collection also has poems about places. One of such is about Las Vegas. Titled “A Secret Called Vegas”, it beautifully captures the allure and complexity of Las Vegas, known for its vibrant lights, extravagant entertainment, and the blending of various iconic elements from around the world. The poem effectively uses imagery and references to famous landmarks like the Statue of Liberty, the Empire State Building, and the Bellagio fountains to create a vivid picture of the city’s unique atmosphere.

    The contrast between the secrecy implied by the phrase “what happens in Vegas remains in Vegas” and the city’s flamboyant display of lights and attractions is compelling. The poem delves into the paradox of trying to keep secrets in a place designed to dazzle and captivate, where every corner seems to whisper tales of indulgence and extravagance.

    The mention of the Venetian’s palatial halls, the allure of Paris, and the grandeur of Caesars’ palace adds depth to the portrayal of Vegas as a mirage, a larger-than-life fantasy world in the midst of the desert. The poem’s conclusion, with the speaker unable to contain the secrets of Vegas any longer while enjoying gelato, effectively conveys the irresistible charm and temptation the city embodies.

    The last poem in the book is also about a place, this time, New York. Unlike the one about Las Vegas, this one titled ‘Who Cast A Spell?’ is critical of the city. It reflects a critical view of New York City’s current state, juxtaposing its past grandeur with present-day challenges. The poem uses imagery to portray the contrast between the glamorous image of New York City and its grim realities. Phrases like “squalid streets and dingy subways” and “Lady Liberty silently weeps” create vivid scenes in the reader’s mind. There is a strong emotional tone throughout the poem, especially evident in lines like “silently weeps for your slip” and “pray this spell shatters like confetti.” These lines evoke a sense of concern, sadness, and hope for change. The poem serves as a social commentary on various issues plaguing the city, such as crime, decay, and political turmoil. It highlights the contrast between the city’s historical identity as a sanctuary and its current struggles with lawlessness and decay.

    The poem flows smoothly, with well-structured stanzas that build upon each other to convey the poet’s message effectively. The use of repetition, as seen in the refrain “New York, my New York,” adds to the poem’s rhythm and emphasis.

    All in all, Abby Kesington has delivered a collection that will resonate with millions and she has done so in a language that hums.

  • The Nation correspondent, 12 health journalists receive ADReF Fellowship

    The Nation correspondent, 12 health journalists receive ADReF Fellowship

    The Niger state correspondent of The Nation Newspaper, Justina Asishana, and 12 health and science journalists from Nigeria, Rwanda, Ghana, Liberia, Kenya, and Burundi have been inaugurated as the pioneer Fellows of the Africa Disease Reporting Fellowship (ADReF).

    The six-week fellowship programme organised by the Africa Disease Prevention and Research Development Initiative (ADRAP) which began on March 18th and ended on April 28th, 2024 had a five-week intensive online session and a week of physical immersion programme held in Abuja.

    The Chief Executive Officer of the Africa Disease Prevention and Research Development Initiative (ADRAP), Dr Joseph Enegela at the induction ceremony said that the fellowship is targeted to empower journalists on decolonizing African health reporting stressing the need for African journalists to report and tell the stories of Africa in the African perspective.

    He stated that a lot of culture and heritage of Africa are lost and going extinct because there is no good reportage of them underlining the importance of having African health journalists telling African health stories in African ways

    Enegela explained that ADRAP took a decisive step to combat the misconception about African health systems by building the capacity of journalists to effectively tackle biases often associated with disease reportage in Africa.

    “It is important for African journalists to report on health issues from the African perspective. I believe this fellowship which would be annual would drive the needed change that the health sector needs on the continent.

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    “One of the key objectives of this fellowship is to bridge the knowledge gap in health reporting by exposing you to the latest tools and techniques. With this you will begin to understand the social aspects of diseases, scientific developments, management strategies, policies, and research focus, all from an African perspective,” he said.

    The Nation correspondent, Justina Asishana said that the fellowship programme has been all-encompassing and that it was worth applying for, describing it as one of the best fellowships she has attended.

    She commended the organisers, facilitators, and other fellows for the collaborations and interactions which made the fellowship to be exciting and educative.

    Njeri Murigi from Kenya said the fellowship helped her to decolonise her mind as she has been able to identify issues in Africa and learned how she can report them using the African perspective.

    The fellows were lectured on several topics including tackling misinformation, disinformation, and fake news in health reporting, reporting during health and humanitarian crises, Africa’s major diseases and health challenges, dismantling collaboration barberries between journalists and scientists, and creating stories from research and other scientific publications amongst others.

    The fellows were lectured by Onche Odeh, Odoh Okenyodo, Professor Steve Abah, Dr Lanre Olaiya, Moherr Alabi, Dr Joseph Enegela, Ochieng Ogodo, and other health professionals.

  • Storytelling Academy unveiled to empower entrepreneurs

    Storytelling Academy unveiled to empower entrepreneurs

    Renowned entrepreneur and storyteller, Dr. Ella Chioma Ezeadilieje, also known as Veronica’s Daughter, has unveiled an initiative aimed at equipping businesses and brands with the power of storytelling to enhance their influence and growth.

    The launch of ‘Dr. Ella’s Storytelling Academy’ took place at a summit in Port Harcourt, Rivers State. It marked a significant milestone in the city’s entrepreneurial landscape.

    The event, which attracted a diverse audience, quickly reached full capacity within minutes of commencement, underscoring the high anticipation and interest surrounding the academy’s debut.

    Ezeadilieje emphasised the pioneering nature of the summit in Port Harcourt, positioning herself as a trailblazer while elevating the city’s profile as a hub for innovative business ventures.

    Attendees were treated to a wealth of knowledge and insights from industry experts such as Jennifer Awirigwe, Folake Kehinde, Zuwaira Isah-Ikharo, and Victoria Onyeacholem, who covered topics ranging from financial management to personal branding, providing invaluable guidance for aspiring entrepreneurs.

    Distinguished personalities including Esther Nwogwugwu, Emeka Nobis, Weneda Gift Prince-Amahd, Dr. Stephanie Oarhe, Rev. Christie Bature, Mrs Tara-ela Okene, Pst. Favour Osiri and actress Matilda Lambert graced the occasion, enriching the summit with their presence.

    The summit fostered meaningful interactions and networking opportunities among attendees from diverse backgrounds, facilitating the exchange of ideas and experiences essential for personal and professional growth.

    A highlight of the event was a dynamic panel discussion moderated by Dr. Ezeadilieje, featuring prominent figures such as Nelly Agbogu (“Naijabrandchick”) and Chioma Ifeanyi-Eze, founder of Accounting Hub Ng. Together, they shared invaluable insights into building successful businesses and cultivating supportive networks in Nigeria’s challenging business landscape.

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    The summit also underscored the importance of achieving a harmonious balance between business pursuits and personal well-being, with insightful panel sessions addressing this critical aspect of entrepreneurial life.

    Furthermore, the event paid tribute to its sponsors and partners, recognizing their indispensable contributions with prestigious award plaques, a testament to their integral role in the summit’s success.

    As ‘Dr. Ella’s Storytelling Academy sets sail on its mission to empower and inspire entrepreneurs, its inaugural summit has undoubtedly left an indelible mark on Port Harcourt’s entrepreneurial ecosystem, paving the way for a future filled with innovation and growth.

  • Foundation unveils empowerment programme

    Foundation unveils empowerment programme

    To equip young entrepreneurs with essential skills for building sustainable businesses, the Rose of Sharon Foundation has unveiled a programme aimed at promoting technology adoption, innovation and financial literacy among aspiring business leaders. The programme, which was designed to improve the capability and upscale skill of the youth, could not have come at a better time than now when unemployment is at all-time high.

    Speaking at the first edition of the foundation’s 2024 Youth Empowerment Programme (YEP), held at the Grillo Auditorium, School of Arts, Design and Printing, Yaba College of Technology, Lagos (YEP) penultimate Saturday, experts have charged the youths on the need to embrace technology and innovation.

    The event, titled Technology, Innovation, Financial Management, and Investments: The Key Interplay for Career Growth and Sustainability, featured four guest speakers from diverse fields who shared invaluable insights and best practices for navigating today’s dynamic economy.

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    The guest speakers shared valuable insights for harnessing opportunities from the fundamental connection between the thematic concepts and utilising best practices for sustainable career advancement in today’s rapidly changing economy. 

    One of the speakers, Head of Customer Finance at Piggyvest, Ibukun Akinola offered practical strategies for fostering career development and success through innovation. He encouraged participants to embrace failure as a stepping stone towards overcoming life’s challenges and achieving personal growth.

    Akinola spoke on Embracing Technology and Innovation for Career Growth and Business Success, and urged every youth to know how to channel their zeal in the right direction and to be successful.

    According to Akinola, one of the greatest advantages of this generation is the internet, which provides instant access to an endless supply of knowledge in any field.

    “A person must not be afraid of failure because failure is a teacher and it is another opportunity to learn better ways of doing things, and how to take calculated risks. To be successful, a person must find simpler, easier, or cheaper ways of getting things done, be ready to experiment, be creative and ready to think outside the box, different from what has been done by others.

    “Successful people must build a habit of continuous pursuit of knowledge, to consistently improve existing knowledge and skills, which are needed to see things in a new light and remain competitive in today’s global marketplace. Be focused – Take time to understand yourself, explore your strengths, skills, talents, passions, values, and goals,” Akinola noted.

    Dr. Olumide Emmanuel who spoke on Investment Opportunities and Financial Management Strategies for Career Growth, said everyone must understand the financial pyramid and be able to recognise where they are on the pyramid, which are financial freedom, financial independence, financial stability, financial instability and financial crisis. 

    “A person must take personal responsibility to plan a structured ascension on the pyramid to be able to attain financial freedom, which is the place of financial rest, which cannot be done on a person’s behalf. Understanding where you are on the pyramid informs the level of investment needed to move up the ladder. Investment mentality is the multiplication of all that a person has, acquisition of assets and not liabilities. Also, it is fundamental to understand the laws of wealth creation,” he added.

    Mr. Kehinde Omiyale highlighted the importance of acquiring essential life skills and understanding the realities of the world. He emphasized the need for individuals, particularly those within the university system, to have a clear grasp of life beyond academic pursuits to effectively navigate their career paths.

    “Starting first, it is important to know the reality of our lives back to the present. And it is important because, especially for a lot of people who are working in the university and in the university system, it is important for us to know the reality of things beyond that,” he said.

    The youth empowerment programme organised by the Rose of Sharon Foundation is a significant effort to empower young entrepreneurs with the tools and knowledge necessary to thrive in the competitive business landscape, promoting a culture of sustainability and innovation within the entrepreneurial community.

  • Rotary Club spends N2.5m on 50 widows, youths

    Rotary Club spends N2.5m on 50 widows, youths

    As part of its empowerment scheme, Rotary Club of Abule-Egba has donated bags of rice and cartons of cooking oil to 50 widows. It also gave out fumigation machines to youths to enable them to be self-employed.

    In all, the club spent N2.5 million on the gifts, said its President, Raphael Oyebamijo, at the presentation in Ikeja, Lagos. He described the gifts as their ‘star’ project.

    He added that they have been empowering members of their community in the past 40 years. “We will execute more projects in the future. Thus, we are looking forward to getting donations from our friends and families to enable us to do so,” he said.

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    District 9110 Governor, Rita Ifeyinwa Ejezie, whose official visit to the club coincided with the presentation, expressed satisfaction with the club, saying that despite the economic downturn, they were able to give a good account of themselves.

    She said: “Rotary Club of Abule-Egba is a good club. Indeed, it is one of the good clubs in the district. I am happy that they are doing well.

    That is what Rotary is known for: doing good to the world. They should continue the good work.”

  • ‘La Campagne Resort beacon of creativity’

    ‘La Campagne Resort beacon of creativity’

    The Minister of Tourism, Mrs. Lola Ade-John has described La Campagne Tropicana Beach Resort, Ikegun Village, Ibeju Lekki, Lagos, as ‘a beacon of creativity and ingenuity, a testament to Nigeria’s richness and diversity.’

    She made this known when she visited the resort recently and pledged her commitment to the preservation and promotion of Nigerian cultural heritage.  Founder and President, La Campagne, Otunba Wanle Akinboboye took her and the team on tour of the resort.

    Ade-John had an immersive experience of the rich resort, climaxing with a musical performance by Atunda Entertainment, a musical group founded by Akinboboye. The star artiste of the group, Ara Thunder, a naturally gifted female talking drummer, put up a well-choreographed performance to the delight of the Minister.

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    Enamoured by the beauty, resourcefulness, creativity and rare offerings of the resort, the Minister commended Akinboboye for the treat, noting, ‘for allowing us to immerse ourselves in the vibrant tapestry of the Nigerian culture and heritage visible everywhere at the resort.’

    According to the Minister, La Campagne Tropicana Beach Resort is a beacon of creativity and ingenuity, a testament to Nigeria’s richness and diversity.

    “Through its intricate presentation of architecture, cultural practices, cuisine, and entertainment, the resort encapsulates the essence of our unique identity, inviting visitors to discover and appreciate our heritage.

    “As we gather amidst the breathtaking beauty of this resort, let’s reflect on the significance of our shared cultural heritage. Nigeria, with its myriad traditions, languages, and customs, is a treasure trove of diversity, a mosaic of experiences waiting to be explored and celebrated.

    ‘‘This resort serves as more than a destination for leisure; it’s a platform for cultural exchange and dialogue, a space where people from all walks of life can come together to learn, share, and celebrate what makes us uniquely Nigerian,” she added. 

    She disclosed that as part of her agenda of putting Nigerian tourism on the global map that she would pursue with vigour the preservation and promotion of Nigerian cultural heritage as signposted by the resort, which she said fully embodied what Nigeria stands for as a bastion of unique cultural tapestry.

    “Through initiatives like La Campagne Tropicana Beach Resort, we harness tourism’s power to showcase Nigeria’s beauty and diversity while fostering economic growth and sustainable development.

    ‘‘I urge all stakeholders present to continue supporting endeavours that celebrate our Nigerian identity and promote cultural tourism, ensuring places like La Campagne Tropicana serve as beacons of pride and inspiration,’’ she noted.

    Akinboboye expressed his appreciation to her for the visit, stressing that tourism is not just about sites and destinations but also about the culture and traditions of the people.

  • My Father The Emir…on screen

    My Father The Emir…on screen

    The documentary, My Father The Emir A Portrait of Ado Bayero chronicling the life and times of the late Emir of Kano, Alhaji Ado Bayero, one of the most powerful and influential monarchs in Nigeria’s history was screened last Monday at Freedom Park, Lagos. It was written, produced and directed by his daughter Princess Zainab Jummai Ado Bayero.

    Freedom Park, venue of the screening, a historical site itself was a great setting to showcase this historical and cultural documentary movie about a man of peace and culture who played a pivotal role in Nigeria’s socio- political and economic landscape for half a century.

    The screening began by 7:15p.m and ended by 9:30p.m followed by a question and answer session that provided further insight into the production.

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    The event was attended by filmmakers and movie fans, including director of Kiss of Death Terry McMahon, The Dutch High Commissioner in Lagos, Mr. Michel Deelen, The Director of Alliance Francaise Mr. Marc Brebant who were all captivated by the story of the monarch brought to life on screen.

    The documentary was recently screened at the just concluded IREP film festival on Sunday, March 24th. The filmmaker believed the project deserves a global audience and hopes to get it on streaming platforms depicting a great African icon and black history.