Category: Arts & Life

  • Co-founder of Filmhouse Group to launch media, entertainment firm

    Co-founder of Filmhouse Group to launch media, entertainment firm

    Moses Babatope, the co-founder of Filmhouse Group and former managing director of FilmOne, is on the verge of launching his own media and entertainment company.

    Babatope’s new venture, which is expected to focus on film production, distribution, and cinema, has generated considerable anticipation among industry observers keen to see his next move.

    While the public launch of his new company is still pending, Babatope has addressed speculations regarding a non-compete agreement with Filmhouse Group.

    “There are rumours of a non-compete with FilmOne and Filmhouse, but that is untrue,” Babatope stated, debunking the circulating misinformation.

    “The plan is bigger than Moses Babatope; it’s not just another entertainment venture. The plan is to grow the industry ten times bigger. We’re innovating, disrupting, and creating new revenue lines for the industry,” he added.

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    Babatope’s reputation as a dealmaker and his extensive industry experience have already attracted considerable interest from both local and international players in the film sector.

    His track record of keeping promises and his vision for industry growth have positioned him as a key figure to watch in the evolving landscape of African cinema.

    Babatope’s journey in the film industry began with over two decades of experience in cinema operations and management.

    As the co-founder of FilmHouse Group and the pioneering Managing Director of FilmOne Entertainment, his leadership has led to the production and executive production of more than 40 of Nollywood’s biggest titles, contributing significantly to the industry’s growth and international recognition.

    His role in pioneering the distribution and exhibition of African films worldwide has been noted by industry experts, with major international distribution deals secured under his tenure, including partnerships with Hollywood giants like Disney, Warner Brothers, Sony, Netflix, Prime Video, and Warner Brothers.

    He also spearheaded the first-ever corporate financing of films through the creation of the West African Film Fund partnering with Huahua Media of China and Empire Entertainment of South Africa to fully finance or co-finance 15 titles.

  • Happy hair…happy you

    Happy hair…happy you

    When you hear it’s time to shine, we often think of fashionable outfits, make-up to die for, glitz and glam jewelry, shoes and the likes. Let’s not forget that a woman’s hair is her pride – in short, happy hair…happy you.

     So, when was the last time you pampered or gave your hair a break? Wait. Don’t let your imagination run wild…and you don’t need to start wondering how much it would cost your pocket. You don’t need to visit your hairstylist and rush to the market for some fresh supplies. You have what you need at home.

    Your hair care routine can sometimes feel like a tiresome task. Let’s help you turn it into an invigorating routine as we walk you through this comprehensive hair pampering care that’ll  help relax you, while leaving your hair feeling happy and healthy.  

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    •Take down your hair with care and when detangling

    •Deep condition with any oil (olive or castor oils) of your choice

    •Massage your scalp

    • Cover your hair with a shower cap

    •Avoid heat

    •Kick out your shoes and relax with a book, a movie or a short nap for 15 or 30 minutes

    •When you are ready wash out, condition and do a protective style

    For some hair mask recipes and more, visit https://www.wikihow.com/Do-Hair-Spa-Treatments-at-Hom

  • ‘Every woman is a mentor’

    ‘Every woman is a mentor’

    Ifeoma Theodore Jnr E. is a writer, arts and culture enthusiast. She has made it her life’s mission to ensure young people live in a better society. She is the founder of a not- for- profit outfit ‑ Knowledge Education Empowerment for All (KEE) Foundation. The author of Trapped in Oblivion, and My Daughters and I, among other books for young people believes every woman is a mentor. EVELYN OSAGIE writes.

    Woman with a sunny smile

    You can call her the woman with a sunny smile. Ifeoma Theodore Jnr. E is one woman whose smile lights up the room. She faces life squarely with warmth and loads of positivity. Ifeoma, as she is fondly called in the literary world, is a writer and sex education awareness advocate, who sees life as a gift that should be valued, and most importantly, enjoyed to the fullest.

     Her thoughts on womanhood

     Ifeoma believes women and the girl-child are already empowered by their nature. She says: “The greatest challenge of the girl-child is not knowing and understanding that she is already empowered from the day she was born, as against what the belief is, that you have to fight to be empowered. You can’t fight for what you were born with. As soon as they know it’s in them, they begin from the very outset to understand that every other thing they achieve in life, is to complement and add to what they have always had.

    “She has to accept and understand who she is, not just by her gender, but by her name. As soon as she starts seeing people not as genders, or stereotypes attributed to genders, but their names as beings, she becomes limitless in the course of achieving her life’s purpose. That is the most important hurdle for any girl-child to cross; every other thing would simply fall in line.”

    For the writer who is also a mother, women are born counselors. Hear her: “Every woman is a mentor. Stay-at-home mothers, who sacrifice a lot to organise the running of their homes, working mothers who have to go out there to earn a living, food peddlers in the market who have to stay under the scorching sun to put food on the table, teachers who we have to entrust our children with, domestic helps who help us reduce our already occupied workload. The list is endless. For me, every one of these women makes a great impact on how I see the world.”

    Such thoughts have influenced her creative writings.

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     Her advocacy for the young

    Ifeoma takes pride in writing books that educate, as well as, entertain. “I am not just an author but also the voice of adolescents, teenagers and young adults. My mission is to ensure these young people live in a better society.”

    She is the founder of Knowledge Education Empowerment for All (KEE) Foundation, a not- for- profit, targeted at educating, especially adolescents and young adults on well-being and self-empowerment. She advocates that parents and leaders in positions of authority sahould address the plight of young ones on time.

    “I decided to take the bull by the horns and address issues, like sex education, teen pregnancy, molestation, cyber bullying, and STDS to enlighten everyone, especially the younger generation. It is unfortunate that the society as a whole has relegated the interest and well-being of adolescents, teens and young adults to the back burner, which is detrimental to the society and the lives of the young ones concerned.”

    Her literary works

    Ifeoma has created beautiful literary pieces that have defied age limitations, culture and traditions, and have gone as far as breaking down barriers put in place by the society. She has authored many works of fiction, English textbooks, poems and colouring and illustration for children.

    Commendably, her books, Trapped in Oblivion and My Daughters and I have garnered recognition and endorsements from notable organisations, including UNFPA, UNICEF, DFID, NACA, NERDC and the Federal Ministry of Education. They have also been approved for use in schools,

    Both works which are notable for addressing the well-being of adolescents and young adults have been recognised and endorsed both here at home and internationally. This speaks well of how impactful her works are.

    Trapped in Oblivion, which is her first novel, set in Africa, Nigeria to be precise, reflects the negative impact some societal norms and traditions cause the young generation. Some of the traditions of old, which are today detrimental to the choices people make, are still being upheld. The book focuses on teenage characters on a quest to know more about their wellbeing. She brought out the uniqueness of teenagers and the different relationships some teenagers have with their parents. While some parents have discarded the age-old mantra, to educate their children better, others like the protagonist’s mother still held on to the mantra which brought about a sad but avoidable end in the story.

     My Daughters and I, which is a self-help book, comes across as a need to know necessity. It introduces topics that every parent shies away from discussing with their daughters terming it “uncomfortable”.

    Ifeoma seeks to bridge that gap between parents and their daughters through her work. Topics range from puberty, hygiene, to STDs, boys and much more.

    Her writing comes from an understanding and non-judgemental point of view, of someone who can relate to what adolescents are going through when they experience puberty. She acknowledges that puberty comes with certain self-awareness and that young girls need guidance at this point in their lives.

    The piece uses warm tones with jokes as interjections to relax the reader.

     Ifeoma is not limited to a particular genre. She has also published Ginger and other stories, about the role of parents in the life of children. There is also a collection of poems, which come with illustrations.

     Her creativity can also be seen in her colouring works, like The Nigerian Tribes Colouring Book, which have no words, but speaks “unity in a diverse country” to any child that picks it up.

    Her colouring books are ideal for toddlers. She says: “Art is a language that breaks down barriers and unites the continent. The important thing is creating awareness in the society, in a way that can speak and bring comfort to everyone.”

  • ‘NEPA’ separation: Diobu women protest sequel

    ‘NEPA’ separation: Diobu women protest sequel

    ‘Oh-oh-oh! What is going on? No light again, tonight? This power outage killed a person o. Hello Evelyn… Tamara…  Are you ladies there,” Tinu the geologist called out to us as she strolled towards Tamara’s flat where we were seated last Saturday evening.

    Tamara’s flat has two balconies – one in front and another behind. The one at the back is the coolest spot in our estate. It is fast becoming a potential Women Corner’s place. The array of trees there gives it a very captivating feel that leaves one relaxed, just sitting and enjoying the cool breeze there. In recent times, we like converging there during the evenings, especially now that her hubby has gotten a job on a rig.

    Last week’s sun was so terrible that we found ourselves gathering there every evening. Everyone was complaining of heat rashes; and we’ve also been experiencing power outages like never before.

    That Saturday evening, I was there with Christabel, and the girls, when Tinu strolled in. As if knowing the topic of our discussion, she muted her displeasure on the lack of constant power supply.

    “Wo, Tinu, it was just what we have been discussing. Our husbands, I beg your pardon…let me be specific…,” began Lola, who lowered her voice and continued, “my husband is now citing the heat as an excuse not to hmmm…”

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    We all laughed at her statement. And while pretending not to understand what she meant, Ada asked, “what do you mean by hmmm?”

    “Are we children here… Say what you mean jare. What is hmmm,” Christabel added.

    “What I meant to say is, my husband has not touched me for some time now,” replied Lola.

    “Me too, o. My husband was constantly complaining before he travelled last weekend to Abuja,” Mummy Fawaz retorted.

    “Well, it looks like everyone has been experiencing the same thing. The problem is NEPA or PHCN or whatever they are now called. The question is, what are we going to do about it. How are we going to end this ‘NEPA’ separation’,” queried Lola.

    “I suggest we form a protest group and take the protest to their head office or their office close to us. Evelyn, you can help us organise the media and I’d get my lawyer friends to join us in the protest,” suggested Ada.

    I laughed and said, “so, you want to hold a sequel to the Diobu women protest of February, abi?”

    “Yes, na! Remember we were laughing when we saw the report. But look at it, it is now our turn. Should we begin to rape our husbands, now? Something has to be done, we cannot continue like this. Look at my body,” she pulled up her blouse to show her skin even though we couldn’t see how badly the rashes had spread, we nodded in understanding. For each of us has had our own share of heat rashes.

    “Even though I don’t support the incessant power outages we’ve experienced in recent times, I think what we are seeing is the effect of climate change and global warming. It is high time we all paid attention to our environment. Remember, Evelyn was complaining about them cutting those trees behind you people’s block. Haven’t you noticed the heat has increased ever since,” asked Tinu.

    “Yes, o,” we all agreed. “Then let’s make some drastic changes in our lifestyles among other aspects of our lives,” Tinu added. 

  • Kanwulia’s Lagos tour ends at Jazz Festival

    Kanwulia’s Lagos tour ends at Jazz Festival

    In a blend of soulful tunes and vibrant rhythms, Kanwulia’s Amerikana Who’s That Girl!? Lagos tour reached its climax at the prestigious Lagos International Jazz Festival 2024. Hosted at the Live Lounge Victoria Island, Lagos, the event stood as a beacon of musical excellence and cultural fusion.

    Spanning nearly a fortnight, Kanwulia’s tour swept through Lagos, captivating audiences with her dynamic performances and infectious energy. From the lively media rendezvous at The Rhodes BBQ in Alausa, Ikeja, where she received her PMAN Work License Card from PMAN Lagos Governor and legendary African Female Drummer, Aralola Olamuyiwa, to the mesmerizing jazz ambiance of Scotch Bonnet Jazz, and the scenic waterfront setting of The Bay Lounge Lekki, her presence resonated at every stop.

    Highlights of the tour included an engaging appearance at the Umutu Jazz Immersion Show and a poignant tribute appearance at Freedom Park in honour of the late arts and culture luminary, Jimi Solanke.

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    Official meet and greets with music industry icons like Pretty Okafor, the current PMAN National President, and Collins Enebeli, father to ace Nigerian producer Don Jazzy further enriched the tour experience.

    At the LIJF 2024 showcase, serving as the tour’s grand finale, Kanwulia commanded the stage as the headliner, delivering a captivating performance that enthralled the audience. Other acts in the event lineup included the talented 10Strings All Stars Band and an array of guest acts like Ire, Chiamaka, Akan, Alessandra from Panama, as well as Inioluwa, Champion and Prince Charles. Special appearances by renowned DJ Jimbo and the Jazzahead Bremen Germany-bound AFRO4 superband added to the night’s allure.

    Packaged by the innovative minds at Inspiro Productions with support from the dynamic Volkano Productions crew, the tour and its LIJF 2024 Showcase underscored the transformative power of music and the enduring impact of Kanwulia’s musical prowess.

     As the final chords echoed, it was clear that Kanwulia’s tour had forged a lasting connection between music, culture, and community.

  • Nigeria, Norway and UK re-write Ibsen’s play

    Nigeria, Norway and UK re-write Ibsen’s play

    After an opening performance and follow-up workshops in Abuja, by the Norwegian–British duo, Kate Pendry and Audun Aschim, who in collaboration with Jos Repertory Theatre is re-creating and re-writing the works of Norwegian playwright Henrik Ibsen. The workshop will attempt to come up with two scripts in the oeuvre of Ibsen – The Master Builder and Ghosts which will be translated into Pidgin English for a 2025 performance.

    The Norwegian performing duo of British actress, Pendry and Aschim hosted a landmark performance in Abuja of Henrik Ibsen’s Little Eyolf that was staged as Cripplewolf. With the sponsorship of SYV MIL and the support of the Norwegian and Brazilian Embassies, the performances were accompanied by drama and music workshops for one week leading up to a collaborative performance at the 16th Jos International Festival of Theatre 2025.

    The performing duo of Pendry and Aschim will be involved in the preliminary re-writing and re-reading of Henrik Ibsen’s The Master Builder and Ghosts, two works by the Norwegian writer and philosopher that have continued to resonate in the world decades after their Norwegian premiere. The plays will be re-read and re-written in Pidgin English by the workshop participants leading to full blown adaptations in the coming year before the Jos festival. Studio musical recordings are also being planned with the scripts in attempts to make the plays more accessible and readable to the Nigerian public.

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    The performance combines scripted and improvised music and text. Pendry’s voice acts like another instrument while Aschim provides a filmic soundtrack through his guitar. Together, they create a mythopoeic space through sonic shadows from just two performers on stage.

    Pendry and Aschim have distinguished themselves as a creative duet through trans-disciplinary stage works to comment on the disharmonies of contemporary society. Together they have produced several successful productions that blend “unperformable” subjects on stage with an accessible modern musical expression, taking the narratives into unpredictable spaces.

    The workshops will find an intersection between local music and genres that will apart from emphasizing Ibsen’s provocative theatre and progressive thought give rise to a resurgence of performance and dialogue on Ibsen’s plays in a country where such plays though available have not been regularly performed.  The performances of Cripplewolf are critical because of human challenges that seem to create a complex fusion and vision of life at the most elemental level. The play while exploring issues pertinent in the days of Ibsen will equally explore a diversity of issues pertinent to our lives including friendship, family, conflict and societal pressures. In the end it is envisaged that we will engage and dialogue with our audiences using the power of Ibsen’s drama. Workshops will be held to share experiences and chart a new revival in the production of Ibsen’s plays in Nigeria. In performing these plays we will be engrossed by the ways of the individual mind, by the clash of personal temperament, by the endless and tragic conflict between the calls of duty and the search for happiness within the individual psyche. It is also envisaged that Ibsen’s plays will help to rekindle the spirit of community and dialogue as the basis for his existentialist thoughts and his philosophy so well embedded in our society especially his exposure of establishment folly, the castigation of social abuse and a cursory look at people who control others while looking at the nature of power to influence and impose.

    In their first trip to Nigeria, the performing duo of Pendry and Aschim will be exploring themes of love, parenthood, sexuality and death based on Ibsen’s play Little Eyolf now re-staged as Cripplewolf. In Cripplewolf, Pendry and Aschim push the boundaries of their artistic expressions.

    They reinterpret Little Eyolf in a way that allows the female characters more nuance and complexity beyond traditional readings of Ibsen’s work. 

    The week-long interaction promises to be a memorable one with expectations of an album recording and laying the groundwork for Raise Am!  in an Ibsenique, Nigerian and Norwegian-British theatre traditions and cross-cultural exchange. It would be interesting to find out how Ibsen’s works will resonate and read in a Pidgin English setting. The workshop will set the tone for what to expect.

    The performances and workshops will take place during the week of 15th to 20th April in different venues in Abuja. The first public performance of Cripplewolf at the Brazilian Embassy was last Monday while the second performance will be a command performance for the diplomatic community at a different venue.

  • Jimi Solanke: Unsung hero of Nigerian arts

    Jimi Solanke: Unsung hero of Nigerian arts

    • His biography set for launch

    Multitalented folklore musician and dramatist Olujimi Adeboye Solanke may have passed on at 81, in February, but his contributions to the growth of Nigeria’s cultural landscape remain indelible. Until his death, he was an accomplished folk music artiste, dancer, playwright, actor, visual artist and poet.

    And as a legend that told legendary stories, he used his iconic baritone voice to narrate folk tales of icons to children on television. Little wonder UK-based Nigerian author Oluwatoyin Sutton dared the odds to write a biography on the talented unsung artiste. In spite of the many challenges, it was a decision inspired by the need to preserve and celebrate all Uncle Jimi meant to the Nigerian arts, music, poetry, theatre etc.

    In a chat in Lagos, at the weekend, Sutton disclosed that the new book on Jimi; Jimi Solanke: The Indestructible published by Bookraft meant much to her because Jimi’s story is a metaphor of an unsung hero of Nigerian arts scene. She stated that it also allowed her to celebrate the existence of theatre, historical development, highlife in Ibadan, and the growth of theatre at the University of Ibadan among others. The book is a 10-part biography of 354 pages.

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    “Having Jimi’s story gives us the opportunity of knowing him better. Also, it tells the stories of his peers, working with Prof Wole Soyinka, and his best friend Wale Ogunyemi. In fact, the book gives us a snippet of his close relationship with Soyinka, the Mbari Club and other major activities that shaped his life as a consummate artiste,” she said. Jimi’s trajectory will be incomplete without the inputs from his Ibadan years both as a budding act and a star.

    In fact, if Jimi was a creative seed, the city of Ibadan was a fertile land of bubbly cultural activities that shaped and nurtured his talent into stardom. The late Jimi literarily drank from the wealth of intellectuals at Ibadan who inspired him and honed his numerous talents at the iconic Mbari Club founded in Ibadan by Ulli Beier, the late German author.

    Recalling how she got interested in writing the biography of Jimi, Sutton said she got a phone call from a friend in 2016 who sold the idea of preserving the stories of Jimi to her. Interestingly, Jimi according to her was a father figure as he was part of her growing up at Ile-Ife. “Jimi used to play in my father’s Club on Ondo Road at Ife then on every Sunday, she recalled with nostalgic feeling. 

    She then undertook the task of taking notes about and on Jimi before approaching him on the biography project, which he was so excited about.

    “The book has to be done. Jimi was an amazing person. His responses to my enquiries were non-stop. In fact, I was just a vehicle to bring the story out. We need the world to read it,” Sutton said, adding that in spite of the many hurdles, the late Jimi got some copies of the book before he passed on.

    Why indestructible as part of the biography title? Sutton said that the word ‘indestructible’ wasn’t part of the working title at the onset but that it was appropriated along the line.

    “The word is from a foreword written by Prof Wole Soyinka to one of Jimi’s books. Unknown to many of his admirers and fans, Jimi had a lots of downs, but he was very resistant at all times. To me, there is something indestructible in Jimi. Indestructible, again, is a metaphor,” she noted. 

    Putting the biography together didn’t come easy for the author who shuttled London and Nigeria to interact with the late Jimi. Beyond reading up archival materials on Jimi and sending questions to the legendary dramatist, the author also interacted with some of Jimi’s close friends and colleagues in the arts in order to enrich her findings, especially the likes of Prof Soyinka. These, according to her, weren’t the big deal but funding, which was the major challenge. 

    “My major challenge was funding right from the onset.  Before the COVID-19 pandemic that shut down the world, I was visiting Nigeria twice a year to source information and meet with Jimi on the project. He was responding to all my questions but I still wanted to be around him. He was a strong man at that age. In fact, he fuelled my commitment and continuation of the biography. And again, I wanted to do him real justice, n       ot just write a book. Happily, some copies of the book were given to him before he passed on. But for COVID-19 delays and other setbacks, we had agreed to do the public presentation of the book by summer this year,” she said.

    However, the news of the sudden death of Bab Agba, as Jimi was fondly called, was greeted by Sutton with disbelief. “I felt disbelief that Jimi was no longer alive. I will miss his laughter and encouragement. It was sadness. Unfortunately, when our legends are alive we don’t do enough to appreciate them. We need to put something on ground to that effect so that when the legends are old, they can be taken care of through such scheme. In fact, we need to push for such a foundation,” she advised all stakeholders and governments.

    According to her, one big lesson she took away from her encounters with Jimi is that she harbours no fear on any issue in life as she will take on anything. “This is what I took away from Jimi.  I also learnt that passion is the greatest asset to achieving your goal,” she said, declaring that Jimi said he had no regrets as his paths in life were God ordained.

  • Alliance Française Lagos, Society for Performing Arts in Nigeria set for International Dance Day

    Alliance Française Lagos, Society for Performing Arts in Nigeria set for International Dance Day

    Alliance Française de Lagos and the Society for the Performing Arts in Nigeria (SPAN), with the support of the French Embassy in Nigeria, have announced joint celebration of the 2024 International Dance Day (IDD).

    Both organitzations are passionate about celebrating the universal language of movement as International Dance Day, observed worldwide every April 29, honours the art of dance and its cultural importance. 

    To mark this year’s occasion, a series of activities will be held from April 24 to April 28 at the Mike Adenuga Centre, Ikoyi, leading up to the main event on World Dance Day.

    “These events aim to showcase diverse dance styles and foster unity within the dance community,” according to a press release issued on Sunday.

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    Activities include workshops, dance film screenings, movement therapy sessions, and performances by over 25 dance groups and solo artists, creating an unforgettable experience celebrating the global impact of dance.

    Under the theme “Win or Fail, No Regrets,” the initiative seeks to unite dancers from different backgrounds through collaboration and education. Dance gatherings, like the guinguette, will provide platforms for cultural exchange and performance.

    Event highlights include a Pop-Up Jazz Session with Agocha Davies on April 24 (Ticketed), and a Salsa Guinguette Night with Bammy on April 26 (Free entry).

    The International Dance Day Finale, on April 28 (Ticketed), will feature electrifying dance performances from around the world. More information and tickets available on AFLagos website.

  • Nigeria’s Cultural Influence Shines at ‘Fabric of Courage’ Exhibition

    Nigeria’s Cultural Influence Shines at ‘Fabric of Courage’ Exhibition

    The Fabric of Courage exhibition, unveiled in Lagos, is not just a display of art but a celebration of Nigeria’s rich cultural heritage and its impact on the global stage. Somi Kakoma, the artist behind the exhibition, emphasised the importance of the event in commemorating the memory of FESTAC 1977 and its archive.

    Speaking at the event, Kakoma highlighted Nigeria’s position as a cultural giant in Africa, which according to her, is evident in its influence on music, literature, fashion, visual arts, and other spheres of life. She expressed her admiration for Nigeria’s ability to inspire and encourage creativity not only among its citizens but also across the continent and the world.

    Kakoma said, “I have lived in Lagos over the last 10 years, and one of the things that I always find challenging is realising that despite so much art making and cultural production, there are these sacred spaces like where we are standing right now. Nigeria has always been in a position to be able to inspire, guide, encourage other people, other, not only national Nigerians, but across the continent and the world to continue to do this type of work. I have always been interested in going across the continent and taking historic cultural sites of cultural production and reactivating them.”

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    Also speaking at the event, FESTAC 77 photographer, Marilyn Neves, shared her excitement about participating in the event, marking her first return to Nigeria since FESTAC 1977.

    “The interesting thing about attending the FESTAC 77 is that I have been steeped in pan-African ideological political training before coming to Nigeria. So, when I came to Nigeria, I am already an African and I met other Africans too. We were admiring on another’s faces because our faces were familiar. It is like we had an African consciousness. Today, people are using photography to tell the story of Africa to the outside world because when Africa is talked about, the impression that is created in the minds of people is an ancient African; they don’t think about the young people of the continent who are breaking new grounds in different spheres of life. The best way to tell the African story through photography is to document what you see,” she said.

  • It is Eldorado for Niger Delta literature – Adesi

    It is Eldorado for Niger Delta literature – Adesi

    In this interview with Edozie Udeze, at Sagbama, Bayelsa State, Dr. Akpos Adesi, the Registrar of the University of Africa, located at Toru Orua, Sagbama local government area of the state, took time to explore the issues that inform the various literary offerings from the Niger Delta. Adesi is also a playwright, dramatist, poet and actor. A thorough-bred theatre impresario and administrator, he has produced a number of books on pollution, environmental degradation and other topical issues that dwell on the theatre of the area.

    DR. Akpos Adesi is the Registrar of the University of Africa, located at Toru Orua in Sagbama local government area of Bayelsa State. He is an artiste, a playwright and actor. He is so passionate about the sentiments that inform the Niger Delta literature. Over the years, he has devoted all his career life writing on the issues that shape the Niger Delta. As a playwright and poet, his works dwell on the people, essentially on those salient problems that trouble the people and their environment. These problems include the never-ending environmental degradation, water pollution, activities of oil companies and the ecological disasters that have come to remain indelible in the socio-economic lives of the people.

    Adesi is now home to these problems. He now pays more attention to them as he writes more drama books and poetry to dissect and seek for succour. He said, “Yes, my works take critical look at the situations in the Niger Delta. These include environmental degradation, political situation and all that. Literary works are such that harp on issues that concern us. Like you said, it is like guerrilla literature. The works are reactionary so to say about the issues that bother us here in the Niger Delta areas. These have made poets, story-tellers, dramatists and others to espouse themes surrounding these situations. In it all, they have all helped to expand the frontiers of the Niger Delta literature. This is so because there are so many issues to tackle, so many issues to harp on in order to bring to the fore all the troubling issues that face the people day in day out”.

    He went on “For me, I have also contributed in my own little way to this body of literature on the Niger Delta. I have written poems and plays on some of these themes. For me, poetry has not really taken an upper hand. If you say so because poetry is a spontaneous reaction to issues, you may be right. But you must also realize that we have more than enough plays and prose fictions on the issues of the Niger Delta. Our writers do not relent. They address all the genres of literature and then we have younger writers also who have taken up the mantle with renewed conviction”.

    Adesi does not allow his administrative calling at the newly established university to deter him. Even his role as a Registrar is an opportunity to further espouse his zeal as a writer. The university, established by former governor of Bayelsa State, Senator Henry Seriake Dickson, the university serves as a potent legacy to open the eyes of the younger ones to the real values of knowledge. This is why Adesi comes in handy as a worthy Registrar whose love for theatre, for writing, and for acting and so on has come to strengthen the prospects of literature beyond the confines of the Niger Delta.

    He said more, “Sometimes some people claim to be poets even though what they write do not seem like poetry. But we know the real poets. Prose fiction has not taken the backstage here. For me, drama, due to its technicality is the one that may be said to have taken the backstage. Maybe, but for me, prose and poetry are more espoused here. Drama is somewhat neglected here. But in my own little way, I have written some plays on the issues of Niger Delta. At the moment, the Theatre Arts students of the university are rehearsing one of my plays as part of their festival of plays for the session”.

    Adesi has produced the Agadagba Warriors, a play that captures the real essence of the people. The play is punchy; it is profound, hitting the nail on the head. He said, “Yes, my play the Agadagba Warriors is the one that really captures contemporary Nigerian situation in terms of thematic performance. We have had issues that affected Niger Delta which JP Clark and others represented in their works. Even Ola Rotimi whose mother was Ijaw also did same in his own time. But in terms of contemporary issues, Agadagba Warriors is the one you cannot ignore or overlook. This is because it harps on some issues that affect the Niger Delta of today. It is a play that tackles the oil pollution. It tackles the pittance being paid to oil producing states and areas in Nigeria. The issues are poignant and we need to readdress them now. This is what the play situates and presents to the public. It exposes a lot. The oppressive tendencies of federal government against the Niger Delta and all that are fully represented in the play. The play has the reactions of the people in terms of protests, in terms of militancy, in terms of people’s reactions to exploitation and exploration of oil and other resources. The people’s reactions are also tied to insurgency and all of that”.

    The play reflects the role of local leaders play in all these. It situates how some of them corner the largesse given to the people. Indeed Agadagba Warriors is all encompassing in terms of demonstrating on stage the issues that bedevil the people; that make some of the communities always at loggerheads with the government. “In my yet to be published work titled Eldorado Without Oil, some of the issues are also elaborated upon and made much clearer. These problems seem to be endemic but we have to continue to use theatre and literature to draw world attention to them all. It is our duty as writer to do so, to look into the problem areas of our people, the needs of the various communities who have been mowed down due to oil problems and oil related issues”.

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    He said, “In fact, Eldorado Without Oil is a futuristic work. It goes on ahead into the future, into what these situations may look like in the future. We can survive without oil. The play says that we can equally ignore oil and move on as a people, as a society. That is what the book is implying. We have natural resources in abundance in all parts of Nigeria. What if oil is not there, can’t we survive?  Instead of it breeding headache and pollution for the people, we can divert attention elsewhere. There are plenty of resources we can tap in to survive. Nigeria is so blessed and it mustn’t be only oil which now leaves the people more polluted and degraded in terms of health and environmental challenges.

    “In the play I suggested that the revenue coming to the oil producing areas has to increase. Thirteen percent derivative is not enough. Instead it should be the other way round.  The play is harping on all that and then moves on to suggest more ways to keep the environment clean and less polluted. As writers, it is our role to go deeper into all these in order to help our people live, glowing inwardly and enjoying what nature has bestowed on them”. In all his plays, Adesi has been audacious, using local props and familiar sentiments to whip up emotions. The plays take you down to the creeks, into the faunas; deeper still into the waters where fishes have disappeared and the waters have since remained poisonous to the aquatics. His plays are representatives of what the current social, economic and political lives in the whole of Niger Delta epitomize.

    It is for those who did not know or understand the true situations to watch and see what can be gleaned from those plays to make amends or rather appease the gods for the wrongs of the past. Plays give a leeway into a society’s many foibles. Ditto: The Agadagba Warriors, Eldorado Without Oil and lots more. For now, the Niger Delta literary offerings in the contemporary world is not far from same indices of Espionage, Cold War, World War II, Nigerian Civil War and indeed such other epoch making events that have kept literature afloat.