The Nation Newspaper

Category: Arts & Life

  • Monarch marks anniversary, reiterates quest for community development

    Monarch marks anniversary, reiterates quest for community development

    For riverine folks of Ladaba community of Epe, Lagos State, who witnessed the first year coronation anniversary of HRM Oba Nureni Odedina, Ward C1, Epe division, the Oniladaba of Ladaba kingdom, the fond memories of the joyous occasion will last longer still.

    Hints that the day was going to be a momentous one was apparent as friends and well-wishers who thronged the palace auditorium were treated to the best of local dishes, choice wines even as traditional and contemporary musicians serenaded the audience to a medley of songs.

    Upbeat, Oba Odedina, who also doubles as Alugbin I of Ladaba kingdom, was effusive with praises, as he expressed profound gratitude to his subjects for their support and cooperation thus far, noting that this was self-evident in the steady progress recorded during the past 12 months of his reign as the paramount ruler of the town.

    “When I ascended the throne of my ancestors over a year ago, I had mixed feelings about what fate had in store for me. But looking back now, I can only thank the good people of Ladaba for their steadfast commitment to the peace and stability of our ancestral home.”

    While appreciating all his subjects for their overwhelming support and cooperation thus far, Oba Odedina, however, said, it was very disheartening to note that some criminal elements, especially land speculators operating under the shadow of darkness, have been perpetuating all forms of heinous crimes capable of breaching public peace, a development, he stressed must be put to an end.

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    He said, “I hereby sound a final note of warning to all old and new landowners to come forward for proper verification and identification of their property from now till the end of May, or risk forfeiture.

    “These measures have become inevitable to weed out all the criminal elements within and around our neighbourhood.”

    Oba Odedina, who reiterated his commitment to the socioeconomic growth and development of the town, hinted of plans by the traditional council of chiefs to collaborate with some private sector partners to set up cottage industries in the town in order to provide gainful employment to the teeming youths population.

    “If our youths are gainfully employed, they will have no room to get involved in any form of vices for as they say an idle mind is the devil’s workshop. So, we are going to ensure that all our youths have something meaningful to do and ultimately be able to contribute their own quota to the development of our community,” Oba Odedina stressed.

  • Art economy talk, workshop, competitionto boost AMIAF’s Sculptor’s Odyssey

    Art economy talk, workshop, competitionto boost AMIAF’s Sculptor’s Odyssey

    Themed Sculptor’s Odyssey, the 2024 edition of Art Miabo International Art Festival (AMIAF) 2024, which holds from April 29-May 1, 2024, at EbobyLife Place, Victoria Island Lagos, boasts of many sub-events aimed at enriching the creative economy.

    Founder of AMIAF, Miabo Enyadike unveiled the programmes of the 2024 edition, which takes off on the opening day with Special Interactive Session on ‘Art Economy’.

    “We are pleased to gather at this year’s Artmiabo International Art festival AMIAF 2024 to discuss the Art Economy as it relates to the Nigerian Art Ecosystem,” Enyadike stated. “With an unusual twist to the discussion, the Panel is diverse in age, experience and profession.”

    She assured that each one of the panelists is bringing something fresh and unique to the discussion regardless of experience.

    The list of exhibiting artists include Pius Waritimi, Kunle Adeyemi, Adeola Balogun, Ato Arinze, Dotun Popoola, Adeniyi Adewole, Aromire Wahab, Fidelis Eze Odogwu, , Shola Kukoyi, Muraina Akeem, Adebisi Adebayo, Djakou Kassi Nathalie, Ibrahim Afegbua, Nkwocha Ernest, Luke Osaro, Adisa Juliet Nzekwe, Obinna Adiele and Ebriel Afegbua. Other exhibiting artists include Nelson Edewor, Ayooluwa Akinrinola, Oladapo Afolayan, Tolulope Sobowale, Simon Chidiebere, Fatai Abdulkareem, Exodus Aluyia, Adebor Etsekhumhe, Abdulqadir Ojelade, Ugherebe Godwin, Hakim Dipeolu, Ojegoke Pelumi, Azeez Kausarat, Samuel Akintiitan, Blessing Proven and Ifeoluwa Odushe.

    Interestingly, AMIAF 2024 is also giving posthumous award to Ben Enwonwu, a 20th century Nigerian sculptor. The Sculptor Odyssey’ Award will also be given to Waritimi, Balogun, Popoola and Adebayo.

     Among the panelists for the Art Economy session is Emeka Enyadike who will be discussing the strategy for the best media fit for art growth globally for the Nigerian artists. Experienced in management and marketing, in the Oil industry both downstream and upstream, Emeka is currently a Sports Executive Media Strategist, International Football Pundit and Sports Digital technocrat.

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    One of Africa’s leading art collector, Omooba Adedoyin Yemisi Shyllon, is also on the panel to discuss the importance of Nigerian Art and Artists in the global economy. Other discussants include Mathew Oyedele, Art Historian, artist, curator and art critic, who will elevate the discussion with his experience on how the Nigerian economy directly affects the sustainability of Art development in Nigeria and beyond; and sculptor Dotun Popoola, who presents a Pitch Deck on the 4 Ps of Marketing as relates to Fine Art and artists presentation on how to attract the right global audience.

    Popoola will add a presentation of slides that is meant to have a mind shift and a broader view of what is lacking and what is possible in today’s art environment. He will discuss the role of ‘Packaging, Price, Presentation and Place’ in elevating artists. The Art Economy” talk will be moderated by art and media consultant, Tajudeen Sowole.

     After the main exhibition opens on Day-1, other sessions of AMIAF include Morning Workshops (Skills) “Sculptors Den” an active wood sculpting workshop by Waritimi and Adebayo; Interactive Sessions with festival goers by the media crew,  including Hope Board, Photo Sessions and Life Art; and Family Art Competitions, holding on the last day of the festival.

     To be curated by Yusuf Durodola, AMIAF 2024 derives its theme from a celebration of the sculptor’s spirit—a testament to the transformative power of raw materials shaped by the artist’s hands, carving stories into stone, wood, metal, and imagination, Enyadike stated. She explained that the Sculptor Odyssey’ theme  represents a voyage that transcends the physical and delves into the metaphysical, inviting artists and enthusiasts alike to traverse the rich tapestry of sculptural expression.

     Speaking on the sessions, Enyadike said the gatherings will explore the idea of sculptors embarking on a creative journey, pushing boundaries and exploring new artistic territories, incorporating environmental or ecological aspects. She assured that “Sculptors will explore the relationship between art and nature, creating pieces that reflect environmental concerns, sustainability, or the impact of human journeys on the planet.”

    Enyadike who is also an artist and gallerist disclosed that the exhibiting artists, mostly will engage with non-representational idea that loft the Odyssey focus of the festival. “The theme lends itself to interactivity and engagement with abstract interpretations, allowing sculptors to explore non-representational forms and concepts related to odyssey, journey, or exploration.

    Ultimately, the inspiration behind “Sculptors Odyssey” is diverse and open to interpretation, providing artists with a rich and imaginative framework to explore and express their creativity.”

    Curator, Durodola assured that the artists seek to engage audiences and encourage personal interpretation of the three-dimensional art forms being exhibited. 

    “AMIAF stands as a distinctive platform adeptly navigating the diverse realm of art and its creators, committed to breaking down barriers that hinder visibility,” he stated in a curatorial note. “The festival proudly acknowledges the pivotal contributions of industry trailblazers, celebrating their indispensable role in shaping the artistic landscape.”

    Enyadike announced that AMIAF 2024 VVIP Night holds, featuring DJ Raybee, Afrobeat artist, Mádé Kuti and Port Harcourt-based musician, Jikume Bethlehem. She expressed gratitude to AMIAF’s partners, Multichoice Nigeria, Ebonylife Place, JCDecaux, WakaEvents, July 1st Studios, among others for always supporting the festival.

    AMIAF had its debut edition themed ‘Remake the World’, which showed 24 artists from Africa and Europe, with gallery representation from France and South Africa. At the second edition, last year, AMIAF converged visual arts and music, with specific focus on Afrobeats, by escalating the global influence of the genre.

  • Bobrisky

    Bobrisky

    Man who dresses and acts like a woman in the eye of the storm. GBENGA BADA, Assistant Entertainment Editor, unveils the person of Idris Okuneye

    Bobrisky, the flamboyant figure whose name is a fusion of “Bobo,” signifying his status as his father’s youngest child, and “Risky,” embodies a persona shrouded in controversy. From debates about his parentage to speculations regarding his complexion, age, sexual orientation, and financial background, each aspect of the crossdresser’s life seems subject to constant change and scrutiny.

    Amid the swirling uncertainties, two elements remain steadfast in the narrative of Okuneye Idris Olanrewaju. His late father, Alhaji Musbau Kunle Okuneye, hails from Ijebu Igbo in Ogun State, and he is the youngest of 11 siblings.

    The saga of Bobrisky’s mother unfolded in 2019 when a publication, Enquirer Magazine, stirred controversy by asserting her existence. According to the report, Bobrisky’s mother, known as Alhaja Bollington, resides in the Magodo, Shangisha area, where she oversees a provision store, challenging prior narratives surrounding her whereabouts.

    Contrary to previous speculation, Bobrisky, in an Instagram post dating back to 2020, asserted that his mother passed away in 2008 while on a pilgrimage to Mecca, Saudi Arabia. This declaration echoed sentiments expressed during an Instagram live session with followers in 2019, where Bobrisky fondly reminisced about his late mother’s understanding and unwavering support. This revelation adds another layer to the enigmatic persona of the crossdresser, highlighting the complexity and evolving nature of his personal narrative.

    “When I was small, I used to behave like a girl. So, my dad asked my mum why I was behaving like a girl and she said that was how she saw me. She said that is how I am and that nobody should judge me because I was still very small. So after my secondary school, I opened up to my mum that I would love to be a woman. At that time, my mum used to have plenty of boyfriends. So, after I told her, she said I should be whoever I want to be and she would never judge me. After she died, things were a bit harder again because there was nobody to open up to.”

    Bobrisky made these statements forgetting a 2016 interview with the Punch Newspapers. In the interview, Bobrisky said, “When my mum noticed my feminine side, she used to beat me. At some point, she hired some hoodlums to manhandle me because she felt I was bringing shame to the family. Later, she let me be because she noticed the beating did not yield any result…My mum got to love me so much before she died because I’m hard-working. I cooked for her when she was alive; I cleaned her shoes and picked her outfits. Before she died, she stopped bothering about Bobrisky.”

    Amid the intricate web of claims surrounding Bobrisky’s personal history, the controversial figure asserts his birthdate as August 31, 1991, and boasts of secondary education at both King’s High School and Okota High School, followed by a purported BSc degree in accounting from the University of Lagos. However, discrepancies arise from a report by Enquirer Magazine, suggesting Bobrisky’s birth in the mid-80s, not the early 90s as stated. Allegations further detail Bobrisky’s attendance at his alleged mother’s 60th birthday celebration in November 2016, casting shadows on his proclaimed timeline. Notably, while Alhaja Kudirat Okuneye is often portrayed as Bobrisky’s mother, she is, in fact, the widow of Bobrisky’s late father, Alhaji Musbau Kunle Okuneye.

    Bobrisky’s sexuality

      Over the course of nine years, Bobrisky has risen to infamy as a social media sensation, amassing a substantial following on platforms like Instagram, Snapchat, and Twitter. Among the myriad of questions posed by followers, fans and the public, Bobrisky’s sexuality has remained a hot topic of speculation. Rumours have swirled, with some asserting that Bobrisky is gay, others suggesting transgender, and still others proposing bisexuality. Yet, the truth remains known only to Bobrisky himself.

    In a revealing 2016 interview with the Punch, the self-proclaimed transgender adamantly denied being homosexual.  “Because I wear make-up does not mean I am gay. In fact, there is no law that can prevent me from wearing make-up. Interestingly, I apply the make-up myself and I do it well and better than most women. Even if I dress and talk like a woman, does that mean that I am gay?” This statement reflects Bobrisky’s firm stance on his identity and challenges societal norms and assumptions about gender expression and sexual orientation.

    The crossdresser’s alleged gay relationship story was further denied as Bobrisky said, “None that I know of.” To further ascertain that Bobrisky remains a male, Idris Okuneye, who only applies make-up and sells toning creams, the crossdresser said, “I have a girlfriend that I’m in a serious relationship with. I keep her away from the media for personal reasons.” Continuing, Bobrisky said, in the 2016 interview, “I have yet to meet with her parents but I have met with two of her older sisters. I have explained every area of my personality to them because they wanted to be clear on certain areas. I have a plan and I don’t need any kind of negativity to distract me. Bobrisky is going to be as rich as Dangote. I want to expand my business. I would love to have my own manufacturing company. Also, I would love to have a good wife and good children.”

    The evolution of the enigmatic persona known as Bobrisky traces back over a decade, but it was the advent of widespread social media usage that catapulted this figure into infamy. Bobrisky himself provided insight into the genesis of his rise to prominence during a 2016 interview with the Punch, recounting, “I posted videos of me dancing on Snapchat. A lot of people saw the videos and then people began to follow me on Snapchat so they could watch my videos.”

    With the burgeoning following on social media platforms came the birth of Bobrisky, and the crossdresser revelled in newfound fame. However, along with the increasing notoriety came revelations about Bobrisky’s past. In the early stages of his emergence as a crossdresser icon, an image surfaced online showing Bobrisky after an arrest. Vanguard Newspaper corroborated this with a report detailing an incident where Bobrisky was apprehended at a bar in Surulere, Lagos, accused of deceiving men into believing he was female at the age of 19. Subsequently, Bobrisky was arrested and publicly identified as male. The report quoted Bobrisky explaining that he entered the business to raise funds for university education, shedding light on the motivations behind his unconventional path to fame.

    As Bobrisky’s fame soared, the controversial figure, despite previous denials of being gay or intending to transition, made a bold move to further transform his appearance by altering his skin tone. “A few years ago, I travelled to Dubai to shop. I got a particular cream from Dubai to tone my complexion to caramel or fine chocolate. After using the cream, some areas on my body looked lighter than the rest, so I decided to brighten up my entire skin. I noticed the lightning cream worked for me, so I started to sell it to people. The cream is quite expensive but it gives you an even tone,” said Bobrisky in the 2016 interview.

    In 2020, Bobrisky offered a candid glimpse into the motivations behind his decision to bleach his skin in Beverly Naya’s debut documentary, ‘Skin.’ In his engaging seven-minute interview featured within the hour-long documentary, the crossdresser provided both entertainment and insight. Bobrisky revealed that bleaching served as an escape from the confines of his former identity as ‘Idris Okuneye,’ offering a pathway to the attention he craved. “I sat down and I thought of what I could do to get people’s attention… it’s about differentiating your brands from other brands so I wanted to bleach because I wasn’t getting the attention I needed.”

    Continuing, Bobrisky said, “People are desperate to use creams because when they see the natural fair, light-skinned girls, they see them as a threat. Insecurities are among the things that make people bleach, you are not fully proud of yourself… and they believe that light-skinned girls get more attention. The most common reason is – you don’t love yourself, you don’t appreciate yourself, how you’ve been made from God.”

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    In a surprising contradiction within the same documentary, Bobrisky revealed the arduous reality of maintaining his bleached skin tone. Despite initially citing bleaching as a means of escape and attention-seeking, Bobrisky candidly admitted to the immense stress involved in daily skincare routines. “If I can change one thing about myself,” he shared, “it is going back to my original complexion.” He elaborated on the meticulous effort required to ensure uniformity in skin tone, lamenting the demanding nature of the process. This admission offered a glimpse into the complexities and challenges behind Bobrisky’s transformation journey.

      Nollywood’s romance

    With Bobrisky’s rise to fame came both adulation and adversity. The crossdresser navigated through the social echelons of affluent areas like Lekki, Ikoyi, and Victoria Island, forming relationships with prominent socialites and Nollywood stars. Notably, Tonto Dikeh was the first Nigerian celebrity to openly embrace Bobrisky, urging others to withhold judgment. Their public camaraderie, branded as ‘Best Friends Forever,’ became a fixture on social media platforms, particularly Instagram. This alliance significantly bolstered Bobrisky’s social media presence and followership, as their friendship garnered widespread attention. Bobrisky’s circle expanded to include figures like celebrity stylist Toyin Lawani, musician Skales, and other celebrities, further solidifying his status as a prominent figure in both entertainment and social media spheres.

    However, the once seemingly harmonious relationships with Tonto Dikeh and Toyin Lawani soured irreparably, leading to messy fallout and even Bobrisky’s arrest and detention at one point. Despite these setbacks, Bobrisky continued to forge connections within the Nollywood community, even securing roles in Asaba-produced films. Alongside his role as a social media influencer and crossdresser, Bobrisky emerged as a catalyst for event attendance and social gatherings, wielding significant influence and drawing crowds wherever he went.

      The decision by actress and producer Eniola Ajao to invite Bobrisky to the premiere of her film, ‘Ajakaju: Beast of Two Worlds,’ proved to be a strategic move aimed at generating buzz and attention. However, the impact far exceeded expectations, as Bobrisky’s presence not only elevated the event but also garnered significant publicity for both the film and Eniola Ajao herself. The highlight of the evening came when the self-proclaimed transgender was unexpectedly awarded the title of Best Dressed Female, a moment that caught many by surprise. The award, presented by Femi Adebayo, further solidified Bobrisky’s status as a fashion icon, despite the controversies surrounding his persona.

      Interestingly, this wasn’t Bobrisky’s first encounter with best-dressed accolades. Reflecting on his past, Bobrisky revealed, “I won the award for the Best Dressed Male in my faculty and the Best Dressed Male in the University of Lagos. I first got popular on campus.” This revelation sheds light on Bobrisky’s early beginnings and his journey to fame, demonstrating his longstanding penchant for fashion and style recognition.

      Transgender or gay?

      The enigma surrounding Bobrisky’s sexuality has persisted for years, with speculation ranging from gay to bi-sexual to transgender. While Bobrisky aligns himself with the LGBTQ+ community in Nigeria and beyond, his actual orientation remains a mystery. Nevertheless, Bobrisky has established himself as a prominent crossdresser and aspires to embrace a transgender identity. Much like the journey of Caitlyn Jenner, formerly known as Bruce Jenner, Bobrisky openly displays feminine attributes on social media, including cleavage and buttock enhancements.

      Considering Bobrisky’s evolution from Idris Okuneye as a crossdresser to a self-proclaimed transgender individual, the possibility of fully transitioning to female is conceivable. According to the standards of care outlined by the World Professional Association for Transgender Health (WPATH), transitioning typically involves a series of steps, including psychotherapy, hormone therapy, living publicly as the identified gender, and potentially undergoing gender-affirming surgery. Hormone therapy, involving the administration of estrogen and anti-androgens, can induce physical changes such as altered musculature, skin texture, and fat distribution, contributing to a more feminine appearance. Gender-affirming surgeries, such as vaginoplasty, may also be pursued to further align physical characteristics with gender identity.

    However, it’s worth noting the contrast between Bobrisky’s public appearances, such as attending his late father’s burial in Ijebu Igbo and appearing in court in Ikoyi, and the provocative images frequently shared on social media. These disparities underscore the complexities surrounding Bobrisky’s persona and the multifaceted nature of his identity journey.

  • Ekiti seeks Fed  Govt’s support for tourism

    Ekiti seeks Fed  Govt’s support for tourism

    Dozens of rock climbers mainly youths led by Governor Biodun Oyebanji and other top government functionaries explored the rocky hills of Abanijorin Cave and Mountain at Iyin-Ekiti last Monday. It was part of activities marking this year’s Mountain Hike Ekiti 2024 tagged Mountain Safari 6.0 orchestrated by the Discover Ekiti Tourism Club in collaboration with the Ambassador Wale Ojo-Lanre led Ekiti State Bureau of Tourism Development, Assistant Editor (Arts) OZOLUA UHAKHEME reports

    For over an hour, Ekiti State Governor Mr. Biodun Oyebanji undertook a rare adventure on the enchanting landscape of Abanijorin cave and mountain at Iyin-Ekiti, Ekiti state. He led enthusiastic team that included Senator Babafemi Ojudu, wife of Oluyin, Olori Adeniyi Ajakaye, Speaker, Ekiti state Assembly, Mr Adeoye Aribasoye and other hikers on the hillwalking. Also at the event was the Minister of Tourism, Mrs Lola Ade-John.

    The Governor did not just go on hiking, but also demonstrated his strong passion for culture and tourism promotion by pounding yam on the mountain top. The event was this year’s Mountain Hike Ekiti 2024, which was preceded by a 2-day intensive training workshop at the Ikogosi Warm Spring Resort and Conference Centre organised by the National Institute for Hospitality and Tourism (NIHOTOUR) for tour operators in the state. 

    Speaking on return from the hilltop, Governor Oyebanji sought Federal Government’s support in the development of Ekiti State’s Tourism Development Master Plan targeted to reshape the economy and improve the revenue base of the State. He described tourism as the next revenue earner after oil and agriculture, adding that Ekiti has the potentials to re-awake the economy of the nation. Governor Oyebanji explained that the multiplier effects of the Ekiti Development Master plan are enormous as it would create more job opportunities for the people, a healthy environment and as well improve the revenue base of the state. The Governor expressed pride in witnessing the boundless enthusiasm of participants as they delved into the scenic marvels of the Abanijorin Cave and Mountains, reaffirming his commitment to promoting Ekiti as a premier tourism destination.

    But, the high point of the hiking was the pounding of yam on the hill top by Gov. Oyebanji, which is a demonstration of his love for Ekiti culinary. This symbolic act not only highlighted the governor’s connection to his roots but also underscored the significance of food tourism in promoting and preserving Ekiti’s unique culinary traditions.

    Interestingly, pounded yam, a delicacy made from boiled yam tubers holds a special place in the hearts and palates of Ekiti people. It is not just a meal but a symbol of communal identity and unity, often shared during festive occasions, gatherings and ceremonies. The choice of Abanijorin Rocks, as the setting for this culinary spectacle adds another layer of significance to the event. As one of Ekiti’s natural wonders, the rocks stand tall as a testament to the state’s breathtaking landscapes and adventurous spirit. By bringing the traditional practice of pounding yam to such a majestic location, Governor Oyebanji not only paid homage to Ekiti’s agricultural heritage but also invited locals and tourists alike to appreciate the beauty of their surroundings while indulging in the region’s culinary delights.

    The Ekiti Mountain Hike served as a platform to promote food tourism and recognise the economic potentials of showcasing Ekiti’s gastronomic offerings to a wider audience. In an era where travelers seek authentic cultural experiences and unique culinary adventures, Ekiti’s traditional cuisine, with its emphasis on fresh, locally sourced ingredients and time-honored cooking techniques, presents a compelling draw for visitors seeking to explore the rich tapestry of Nigerian culture.

    Again, beyond its cultural significance, Gov. Oyebanji’s act of pounding yam atop Abanijorin Rocks sends a powerful message about the importance of preserving and celebrating indigenous food in the face of modernisation and globalization.

    The Minister for Tourism, Mrs Lola-Ade John who flagged off the training workshop at Ikogosi on Sunday, said her visit to Ekiti state was to encourage and promote the Eco-tourism sector of the state. She observed that the beauties of Ekiti tourist sites needed to be tapped and explored to the world, promising Federal Government’s collaboration. According to the minister, the future of tourism in Ekiti looks promising and urged participants to use the opportunity to develop the sector in the state.

    She commended the collaborative spirit demonstrated in orchestrating Mountain Safari 6.0, emphasizing its significance in spotlighting Ekiti’s tourism potential on a global scale. She stressed the imperative of preserving the region’s natural habitats and cultural landmarks for future generations, noting that events like these are catalysts for sustainable development and cultural preservation.

    Ekiti State Deputy Governor Chief (Mrs) Monisade Afuye, Deputy Governor, expressed delight in witnessing the infectious enthusiasm of participants as they immersed themselves in Ekiti’s natural wonders. She lauded the organisers for their dedication to showcasing the region’s diverse landscapes and promoting eco-friendly tourism practices. She reaffirmed government’s unwavering support for initiatives that strengthen economic growth and environmental stewardship.

    Speaker of Ekiti State House of Assembly Rt. Hon Adeoye Aribasoye appreciated the inclusivity of Mountain Safari 6.0, which brought together individuals from diverse backgrounds to celebrate Ekiti’s rich heritage. He stressed the pivotal role of collaboration between government, private enterprises and local communities in harnessing tourism’s potentials as a driver of socio-economic progress and cultural exchange.

    For Senator Babafemi Ojudu, the adventurous spirit displayed by participants was commendable as they traversed the trails of Abanijorin Cave and Mountains, while extoling the significance of events like Mountain Safari 6.0 in promoting outdoor recreation, health and wellness, emphasizing their positive impact on individual well-being. Senator Ojudu commended the organisers for their commitment to showcasing Ekiti’s natural treasures and fostering community engagement. Earlier, Governor Oyebanji in company of the Minister of Tourism and her team had visited the Palace of Oluyin of Iyin-Ekiti, Oba Adeniyi Ajakaye. The Palace briefed the delegation on the great potentials and the historical facts about the mountain “Okuta Aba ni Jorin” while seeking government’s development.

    In his remark, Director General Ekiti State Bureau of Tourism Development, Ambassador Wale Ojo-Lanre said the economic importance of hiking cannot be belittled saying it boosts tourism revenue and also promotes employment opportunities for people. He added that hiking would also preserve the natural heritage for future generations to enjoy. Ojo-Lanre who implored the people to explore the Abanijorin Mountain, said it has seven caves, rock tunnel, Amphitheatre and breathtaking vista. He appreciated the State Governor, Minister of Tourism, Director General of NIHOTOUR saying their presence signifies a shared commitment to advancing the growth and development of tourism sector.

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    On Sunday at the opening ceremony of the intensive training programme for tour operators, which attracted over 45 participants, Alhaji Kangiwa disclosed that tour operating alone contributes more than 118 million jobs across the globe, which translates to 3.8% global employment as reported by World Travel and Tourism Council (WTTC). He said that records also have it that for every 30 new tourists created, one new job is created in every industry of the sector. “In fact, it is estimated that tourism will continue to grow to 414 million jobs and 11.6% of total employment by 2028,” he added. 

    Kangiwa noted that the choice of Ado-Ekiti to host the intensive training programme for the Nigeria Tour Operators is symbolic owing to the endowed tourism resources of Ekiti state’s cultural heritage. This, he said, includes hospitality, cuisines, natural beauties of Ikogosi Cold and Warm Spring Resort, Abanijorin Rock for sightseeing, mountaineering, hiking, conservation research, eco-tourism and agro- tourism amongst other human benefits.

    “From the foregoing, the National Institute for Hospitality and Tourism (NIHOTOUR)  being the apex body backed by the Act of the Parliament to pursue and professionalise the sector, is poised to pursuing its mandate to train, certificate and register sector operative and practitioner personnel towards creating jobs, generating employment for self-reliance, reducing unemployment, restiveness and improving national economy,” he said. 

    He urged the sector workforce to take advantage of NIHOTOUR training programmes to start a professional career or up-skill and advance from craft to managerial levels to build individual and organisation personnel capacity. Our training modules, he added, are stakeholders validated to meet challenges of specific occupational trades skills standards and quality service delivery for the tourism sector.

    Continuing, he said: “It is my desire that at the end of this intensive training programme, the participants will put the additionally knowledge, skills and competence acquired to practice to identify tourist destinations, package tours, link up with international tourist destinations managers and tour operation consultants to put Nigeria on global tourist map.”

    Among corporate bodies that supported and sponsored the mountaineering included Rite Foods as the lead sponsor, VOKI, Sterling, Midas FM, Pulle, GOGE AFRICA, atqnews.com, Tribune and People.

  • ‘Fuji will soon be toast of the world’

    ‘Fuji will soon be toast of the world’

    CEO, Huntarz Lifestyle Ltd, King Jubal Dati (aka JahBi) has called on federal and state governments to create policies that will facilitate creative entrepreneurs’ access to soft loans instead of doling out money as last minute intervention. He said such policies should among others include protection of intellectual property and health insurance for artistes. The health insurance policy, he said, will redress the shameful trend of legendary artistes who turn to begging when ill at old age. It is disgraceful, he added.

    JahBi who spoke on his new12-tracker entitled Fuji No.1, his first and last album as a recording artiste, said that in no distant time, Fuji music will become the favourite music across the globe, dwarfing Pop, R&B and Afrobeat.  JahBi who runs an entertainment outfit that repackages Fuji, Juju and Highlife music for better acceptance, especially among younger generation said: “I am sure in no time the whole world will dance to Fuji music like never before. Europeans, Blacks, Asians, Arabs etc will all choose Fuji music as their favourite dance music. I know Sikiru will be happy in heaven!” 

    He stated that he created a sub-genre called Urban Fuji, a high-tech, free flow, and urban cut out of Fuji music, which is what dancehall is to root reggae. “I like to do what no one is doing, and I also saw a need for my services in Fuji music, and I decided to step in and fill the void. Fuji music is a way of life for the Yoruba people. It’s like the entertainment arm of their tradition, an expression of the faaji culture. We can’t just let it be at the mercy of a floating trend. So, I created Urban Fuji to serve the purpose and target the youthful army called Gen Z. I created an urban, high-tech, jazzy kind of Fuji music. Something similar to what Dancehall is to Reggae music,” he explained.

    In his desire to make the album berth well and globally accepted, he worked with great producers like Cobhams and Keyz. Already, two tracks are enjoying air play on the radio with first track Tosibe Again, featuring his record label artistes, G-Nxt (Generation Next), a group comprising three young performers between ages 20 and 21. According to him, second track Ijo Fuji (Fiesta), features late Fada U-Turn, Jupiter, and G-Nxt.

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    He disclosed that his ongoing pet project is meant to serve as an entertainment city for artistes and executives in creative industry. “It will be a place where they can be at home with themselves and focus on their creative works; a city for entertainers and entertainment executives,” he said.

    Recalling what influenced his love of fuji music, he said he got attached from the first day he listened to the late Dr. Sikiru Ayinde Barrister’s Fuji Extravaganza, who almost became his idol. “I was just a boy with so much innocence but I fell for the music and musician. The musical creativity, depth of lyrics, composition and personality of Dr. Sikiru arrested me. I even accepted to be converted to Islam just because of his creative use of Islamic verses in his songs and his depth of wisdom.

    “My Muslim name was Malik. Sikiru had so much resemblance with my late father, who I lost when I was 12. So, then I always told people I was his musical last born, and K1 is our first born. That was my initiation into Fuji music. Later, I got exposed to K1 songs, and he took my love for Fuji to another level,” he said.

    Though he acknowledged the duo of Bob Marley and Notorious BIG as the greatest lyricists of the time, JahBi described the late Dr. Sikiru Ayinde Barrister, K1 and Alhaji Obesere as his greatest influencers in music. “So, when I decided to do music, these three great musicians were my great influences,” he declared unequivocally,” he noted.

  • Global body inducts Remi Dairo

    Global body inducts Remi Dairo

    The World Confederation of Productivity Science (WCPS) has inducted Mr Remi Dairo into the prestigious World Academy of Productivity Science (WAPS).  

    WCPS is the premier global body dedicated to the promotion and development of productivity towards achieving worldwide collaboration and sustainable growth.  

    Dairo said: “I thank our global leaders for finding me worthy of this honour from Africa! “

    The event, which took place on April 5, was attended by renowned productivity experts such as John Heap, Mike Dillon, Peter Watkins, Dr. Sunil Abrol Anita, and Leon Bian Thomas Tuttle.

    Twelve other experts from the United States, Turkey, Italy, Canada, the United Kingdom, Finland, Slovakia, Singapore and so on were also inducted fellows. 

    Dairo, the only African and Black man who made the Fellowship, is the Chief Operating Officer of Productivate Plus LLC, headquartered in Houston, Texas. 

    He is the president of the Institute of Productivity and Business Innovation Management (IPBIM), a distinguished African institution with global outreach. 

    Renowned as a Productivity Expert and UK Certified Life Coach, Dairo boasts a rich educational background, including a Diploma in Workplace Psychology and certification in Neuro Linguistic Programming (NLP). Over 15 years, he has spearheaded over 1,000 bespoke projects on coaching and workplace productivity strategies for an illustrious clientele, ranging from the Federal Government of Nigeria’s Amnesty programme to Fortune 500 companies like Walmart, Chevron, and Microsoft.

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    His expertise has garnered international acclaim, with features in esteemed media outlets such as Channels Television, The Guardian, and Business Day. Dairo has been a distinguished voice from Africa at prestigious gatherings like the Nigeria/UK Diaspora Conference and the World Productivity Congress, where he was the sole African representative in Bahrain in 2017.

    A distinguished alumnus of the University of Ibadan and the University of Lagos, Dairo has further honed his skills through specialised programs at institutions like the Copenhagen Business School and the University of Illinois at Urbana-Champaign. He holds memberships in prominent professional bodies such as the Association of Productivity Specialists (USA) and the International Coaching Federation (USA), underscoring his commitment to excellence. With accolades, including the Global Productivity Researcher award and the Master Coach Award, Dairo continues to shape the coaching landscape in Nigeria and beyond. His recent appointment as a Fellow of The World Academy of Productivity Science further cements his status as a preeminent figure in the field.

  • Oshara: Musical maestro pioneering empowerment through artistry, innovation

    Oshara: Musical maestro pioneering empowerment through artistry, innovation

    Oshara’s journey as an artist is marked by a diverse range of musical experiences and influences, stemming from his upbringing and exposure to various genres of music. His debut album, “Sent: The Commission,” in 2011 set the stage for a decade-long career characterized by experimentation and growth. With subsequent releases, such as “Ten of Me” and “Highness,” Oshara has demonstrated versatility and a willingness to explore different musical styles.

    “VibeRation” stands out as a testament to Oshara’s creative evolution. Inspired by his fond memories of gyration music from his secondary school days, the track represents a departure from his previous works and showcases his ability to push creative boundaries. Its comical and satirical nature allows Oshara to address societal issues with wit and humor, touching upon themes like living beyond means, gambling, and the importance of positivity.

    Collaborating with producer TDurst and the Ekiti State Ministry of Arts and Culture, Oshara brings “VibeRation” to life with a blend of traditional percussion and contemporary production techniques. The creative process reflects a synergy of talents, with each contributor adding depth and richness to the final product. Oshara’s decision to retain the rawness of his initial recording adds authenticity to the track, capturing the spontaneity and energy of his performance.

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    Beyond his music, Oshara’s “Proudly Ekiti Project” exemplifies his commitment to his roots and community. By highlighting the talents and achievements of young people in Ekiti State, he seeks to instill a sense of pride and dignity in legitimate work. Through initiatives like these, Oshara aims to empower the next generation to preserve and promote their cultural heritage.

    Oshara’s multifaceted career as a musician, media personality, and entrepreneur underscores his holistic approach to empowerment and cultural pride. Balancing these roles, he leverages his music as a platform to amplify cultural narratives and inspire positive change. As a role model and mentor, Oshara exemplifies the potential for creativity to drive social impact and foster a sense of identity and belonging.

    Oshara’s craft as a musician extends beyond his ability to create catchy tunes; it encompasses a deep understanding of storytelling and social commentary. Through his lyrics and musical compositions, he weaves narratives that resonate with audiences, addressing universal themes while also celebrating the unique cultural nuances of Ekiti State and beyond. His willingness to tackle complex issues with humor and insight demonstrates a maturity and depth in his artistry, inviting listeners to reflect on societal norms and values.

    Moreover, Oshara’s entrepreneurial spirit complements his artistic endeavors, allowing him to navigate the music industry with resilience and adaptability. By embracing media platforms and leveraging his brand, he expands his reach and influence, amplifying his message of empowerment and cultural pride. Through strategic partnerships and initiatives, Oshara continues to push boundaries and challenge conventional norms, carving out a distinct space for himself in the music landscape while also championing the voices of his community.

    In addition to his musical prowess, Oshara’s dedication to mentorship and talent development further solidifies his impact within the industry. By actively engaging with aspiring artists and providing platforms for their growth, he fosters a sense of community and collaboration. Through workshops, seminars, and collaborative projects, Oshara cultivates an ecosystem where creativity flourishes and innovation thrives. His commitment to nurturing the next generation of talent ensures a sustainable legacy that transcends his individual achievements.

  • My life after winning Nigeria Prize for Literature, by Mai Nasara

    My life after winning Nigeria Prize for Literature, by Mai Nasara

    The 2011 winner of The Nigeria Prize for Literature, Adeleke “Mai Nasara” Adeyemi,works as an editor, science writer and journalist. Adeyemi, who lives in Midwest USA with his wife and three children, is the founder and CEO of The Adjai Center. In this interview with OLUKOREDE YISHAU, he speaks about life after winning Africa’s largest literary prize, writing,and related issues. Excerpts: 

    We’ve not heard much from you since you won the Nigeria Prize for Literature. What have you been up to?

    Well, that’s largely a result of my decision to become a ghost! Pun intended. You know, a ghostwriter. Wait—did I just out myself? (Laughter)

    You can ‘blame’ my visible absence from the literary scene on my winning The Nigeria Prize for Literature. Seriously though, winning the prize opened doors to new opportunities, exposing my work to a wider audience and providing a platform to showcase my writing skills. 

    I’ve landed ghostwriting jobs with high-profile clients, allowing me to make a living doing what I love. The prize has given me credibility and recognition, enabling me to build a successful career as a writer.

    There have also been both pleasant and unpleasant distractions. The former would be raising a family and traveling the country a bit. I suppose I should say not distractions but attractions for this category. My Kàndé (that’s Hausa for a firstborn girl) is 12 and has already written comic books and a graphic novel. She has an animation studio (there goes my office!) and is at work on directing and producing her first series of webisodes. My Tánkò (Hausa for only son; Yoruba: Òkánlàwón) also has a good head on his shoulders. Just like his mama my highly supportive wife (my Áyálukà—that’s Ekiti dialect of Yoruba language; let the reader understand what it meaneth), he also has a head for numbers. He’s into robotics and programming. Along with two of his friends, he represented Indiana at the World Robotics Championships in Dallas, Texas, last year. As for my Àutá (Hausa: lastborn), she has insisted since she was five (that’s three years ago) that she wants to be “a singing chef,” to quote her.

    Now for the latter, that is unpleasant distractions. On April 22 (many Nigerians may remember it as the anniversary of the bloodiest coup in that country’s history), I had a medical crisis that, thank God, was taken care of. The storm is over now; I can see the sunshine! That’s from a song that I so much love to listen to and also sing along to.

    It started with an unprecedented (and, I should add, unrepeated) series of seizures, leading to the discovery of a tumour, which led to my having to be hospitalised and getting brain surgery on May 27, which is Children’s Day in Nigeria. It was my first ever. Well, that’s not counting circumcision! (Laughter.)

    During my month-long stay at the hospital, I prayed with the psalmist—“Take me not away in the midst of my days!”—and also praised along with him—“You brought my soul up from the pit; You gave me life and shielded me!”

    Oh, I almost forgot that I also went back to school to earn an MA. I’d gained admission to Spalding University in Louisville, Kentucky) to pursue an MFA but took that detour, leaving just one residency and one independent study short of an MFA.

    This year’s prize is for books in the children’s literature category, which you won years ago. What are your expectations?

    My expectations are that even better, more reader-worthy books than mine will emerge! I expect that there will be quite a pile of entries that will be submitted by highly motivated writers, for the attention of the highly competent panel of judges—who have the unenviable task of making the call to award or not to award the prize. As you know, the prize is only awarded if there is one (or, under certain conditions, two) entries deemed worthy to be awarded the prize in any given year.

    Your last book is in need of a younger sibling. When are you going to grant this wish? 

    Well put! I recognize that Yoruba turn of phrase. (Laughter.) As is the standard required for submission for the prize, my book was originally published in English. The fact that it is now available in French, Spanish and Yoruba as well means that I’ve been quite busy working with various translators literally all over the world. Surely, you understand how involved I must have had to be, coordinating with translators and editors and reviewers of the book in those different languages.

    As a matter of fact, I even started work on the full-length animated movie adaptation of the book, starting with what’s known as an on-spec screenplay. Actually, I have not one but two versions of it in hand. Well, it’s looking like, with the formidable array of AI tools built for tasks like this, I may be able to get something out sooner than later. So—coming soon!

    You are undoubtedly a huge literary figure. However, your book has only been published in Nigeria. What problems have you encountered in marketing your unique stories to gatekeepers in America and the rest of the developed world?

    I’m not so sure about the preamble to your question, even though The Nigeria Prize for Literature is indeed Africa’s biggest literary award. 

    I did encounter problems in pitching my book first to agents and then to school corporations and also libraries around the U.S. The main problem, according to a couple of writer friends with whom I formed a critique group, is that “your book is not written the way publishers in America want books in this genre to be written to be structured,” as one of them graciously volunteered. One of them (we were meeting weekly in the county library) showed me exactly what that means. She even proposed a way to restructure my story. No, I was not offended in any way. (Laughter.)  For me, it was merely a learning opportunity. 

    What makes a good writer?

    I’m reminded of a quote I grew up with: “Reading maketh a full man; conference a ready man; and writing an exact man.” It’s from Sir Francis Bacon. He went on to say, “Therefore, if a man write little, he had need have a great memory; if he confer little, he had need have a present wit; and if he read little, he had need have much cunning, to seem to know that he doth not.”

    You may know that Francis Bacon is credited with giving the world what’s known as the scientific method, the tool that has been instrumental to scientific discovery after scientific discovery leading to the development of the human race.

    Not many people know that my background is in the sciences (one year of Biochemistry at Obafemi Awolowo University, Ílé-Ife and a degree in Geology from Ahmadu Bello University, Zaria, both in Nigeria), so forgive me for going on a little bit more about this. Bacon’s method, which he developed in the 16th century, begins with a description of the requirements for making careful, systematic observations that are necessary to produce quality facts. Next is the use of induction, which is the ability to generalise from a set of facts to one or more axioms. In order to test potential truths, or hypotheses as they are more accurately defined, Bacon devised a method whereby scientists set up experiments to manipulate nature in an attempt to prove their hypotheses wrong. Yes, that’s exactly right: wrong. Karl Popper built on it, later in the 20th century, with his Falsification Principle: a way of demarcating science from non-science. Here’s how it works: for a theory to be considered scientific, it must be able to be tested and conceivably proven false. For example, the hypothesis, or postulation, that “All cats are white” can be falsified by observing a black cat. How cool is that!

    What does your writing process look like?

    We’re continuing on the trajectory and getting even more abstract now, aren’t we? Many times I wish I am but, to be frank, I’m not an outliner or, as most people say, plotter. I’m more of what Americans call a pantser. You know, from the expression, “fly by the seat of your pants”. I admit: I just plunge into writing the beginning without a plan. And go back to rewrite stuff as I move along. Well, I’m sure you’ve heard it said that all writing is rewriting. Ouch! That was a painful confession to make. (Laughter)

    How did you arrive at your pen name, Mai Nasara?

    I came up with and decided to use it for my very first book so that people will ask me about it, like you just did! Seriously. Well, I reckon it serves as an icebreaker. 

    More seriously, it’s because I grew up Hausa, in Katsina and Kano and Zaria and Kaduna, all in northern Nigeria. It is usually one name but I broke it up into two. It means the same thing—‘the victorious one’—as my given legal first name. As you know, Adeleke is Yoruba, which is the predominant language spoken in southwestern Nigeria.

    How did you come up with the idea of your winning entry?

    Now that’s a very good question! The answer is one that’s really dear to my heart. Like a coin, the idea is two-sided. One one side is something I read in a book—about a boy who quite literally planted a clock—and on the other side is a testimony I heard way back while growing up in Katsina in a gathering of Christians. It was narrated by a university professor. He acted on a clear instruction from God after praying for a financial miracle, he said. This led him to take action on an idea that formed clearly in his mind. That’s faith with works, which is what he did that led to a new lease of life for his family.

    I never forgot about it. I want to close with an excerpt from the report of the panel of judges. It’s so positive and affirming, I now know it by heart. (Laughter.) That is, offhand. Here goes: “The Missing Clock dramatises the importance of growing food and returning to the earth, the sustainer of human life….A gifted storyteller, Mai Nasara explores the consciousness, emotions and actions of a child in a fascinating narrative distinguished by the simplicity of its themes, ideas, language and style….Indeed, this is a loveable and credible novel that endorses family cohesion and responsible parenting that would guide children to become imaginative, well-motivated and balanced individuals…”

    What has winning the prize done for you?

    Do you want the long version or the short one? (Laughter.) OK, not to bore you I’ll hand you the short version. Winning The Nigeria Prize for Literature has opened doors for me. As it has been written: A man’s gift makes room for him, and brings him before great men. Here’s a different rendering of the above truism that I prefer: A man’s gift opens doors for him, and brings him before great men.

    What pieces of advice do you have for young or aspiring writers?

    How about this? Before and during and after you write, please make time to read. A lot. A whole lot!

    As it has been said. writing really is rewriting and doing so regularly—even if it’s just for a few minutes each day. Also, learn how to find your unique voice and style.

    You must find a way to learn and master the basics, such as grammar and punctuation and spelling. Even with AI tools, it is rather easy to get into the rut of sloppy writing.

    Here’s a classic piece of writing advice that many have heard but haven’t really learned or figured out how to do it: Show, don’t tell. One piece of advice I have here is to pick up a book on screenwriting. I took a class in it when I was enrolled in the MFA program in creative and professional writing. 

    Here are just a few more: It should be self-evident that you have to revise and edit your work, after seeking feedback from people who you know can be brutally honest and frank with you. Grow a thick skin. Learn to handle criticism, and rejection if you get to work with literary agents.

    Another is to join or form a writing community or group. Then you have to learn to be patient and persistent.

    You will do well to try to always remember that writing is a journey and not a destination. Keep priming yourself to enjoy the process. It’s hard but don’t ever give up on your passion!

    Are writers born or are they made here on earth? 

    A classic question! While some may argue that writers are born with a natural talent, I believe that writing is a skill that can be developed and honed over time. Sure, some people may have a natural inclination towards writing, but it’s the dedication, practice, and hard work that transforms them into skilled writers.

    Writing is a craft that can be learned and mastered. So, while there may be a spark of natural ability, writers are ultimately made here on earth through effort, patience, and persistence.

    Is it possible to become a writer without some form of talent?

    Yes, it is possible to become a writer without natural talent. Writing is a skill that can be learned and developed.

    While natural talent can be helpful, it is not a requirement. Many successful writers have developed their skills over time, even if they didn’t start out with a natural inclination towards writing.

    Writing is a diverse field with many different types of content and styles. You may find that you have a knack for a specific type of writing. Like technical writing (if you’re from a science or even engineering background), copywriting, or journalism, even if you don’t feel naturally talented at or called to, creative writing.

    Remember that writing is a skill that can be developed with effort and dedication. Don’t let a perceived lack of talent hold you back from pursuing your writing goals!

    Is talent enough to become a writer without some form of training, whether formal or informal?

    No, talent is never enough. Talent can certainly be a helpful starting point for becoming a writer, but it is unlikely to be enough on its own without some form of training or education. Writing is a craft that requires a range of skills, including the following: Grammar and syntax; storytelling and structure; character development; research and fact-checking. Last but not least is self-editing and revising.

    While talent may provide a natural inclination towards writing, it is unlikely to fully develop these skills without some form of training. Writing is a constantly evolving field. Staying up-to-date with industry styles, standards, and genres (I’m looking to break into crafting graphic novels) requires ongoing learning and development.

    Formal or informal training can provide valuable guidance, feedback, and opportunities to develop and refine writing skills. Like writing workshops (and conferences) as well as online courses or tutorials, thanks to the internet.

    Do you have book recommendations? 

    I sure do! How many would you like me to mention—10 or maybe 50? (Laughter.)

    Actually, I haven’t been able to read lately as much as I would like to. Well, I still try but my ghostwriting has meant that I don’t have enough hours in the day to devote to reading. Yet, I’m still able to play catch-up with audiobooks. 

    There is a young Nigerian pioneer in this field that I think everyone should check out. Her name is Ojiugo Uche and the name of her platform is Genti Media. Genti is an audio media platform dedicating to showcasing African audio stories, dramas, educational materials and more in African languages and voices. “Genti” is Ìgbò for “listen!” I should know; my best friend, CNS Prince, with whom I grew up in northern Nigeria, is Ìgbò. It makes me happy to say that, although I had books at home, it was at his home—which I frequented quite often—that I got exposed to so many more books and magazines. Remember that this was before the internet. We didn’t even have TV at my own house.

    Still on audiobooks to the rescue. Interestingly, Ojiugo was one of the beta readers of my book that went on to win The Nigeria Prize for Literature. She graciously agreed to write a preview for inclusion in the book when published.

    Since I do quite a bit of driving, this way I’ve been able to devour quite a few books.

    As for actual, tactile reading I have a few books that I like to dip into again and again. Like Chinua Achebe’s Chike and the River and Mabel Segun’s A Reader’s Theatre; also Akachi Ezeigbo-Adimora’s My Cousin Sammy and Jude Idada’s Boom Boom. Note that each of the last three authors I mentioned is a laureate of The Nigeria Prize for Literature in the Children’s Literature category.

    Another one of my favourite writers is the hugely talented and hard-working, prolific Ndidi Chiazor-Enenmor. Besides children’s literature, she’s also written an outstanding book for grown-ups that I think everyone should read. It’s titled If They Tell The Story. It’s a well-written, fantastic and highly topical book. I do not like the title, but that’s a different matter altogether. (Laughter.)

    There are a few others that I think are worthy to be mentioned. Practically every book by C.S. Lewis as well as the Harry Potter series, by JK Rowling. Also books by Nigeria’s own highly renowned writer, Chimamanda Ngozi Adichie, except for her clichéd feminist drivel. Last but certainly not least is the first novel Stay With Me by another highly talented and hard-working Nigerian writer, Ayọ̀bámi Adébáyọ̀. The book has garnered nearly 60,000 ratings and over 7000 reviews on Goodreads, with an average of over 4 stars. Its audiobook adaptation has nearly 8,000 highly rated reviews. Once I get a breather from a project that I’m working on, I’ll get it. I look forward to savouring it.

  • An art fair that shook Lagos

    An art fair that shook Lagos

    Edozie Udeze writes on the +234 Arts Fair that lasted for ten days in Lagos. It was a show that was not only novel but modern and instructive in all aspects of the visual. Everybody that was involved felt that it was a big show.

    The art fair was big and all-encompassing. It involved all genre of the visual arts. Participants came from all over the world. The idea was to bring to the fore these ideas of the creative economy. Indeed the artists who participated came with their best and for ten days the arena was agog with activities. Artists were happy to be involved in the big show, the show everybody termed show of all shows. And so, all the sponsors from different strata of the economy were excited that the art fair was a huge success.

    It lasted for 10 days. The city of Lagos and Nigeria as a whole, was held spellbound with the debut of a novel but enchanting addition to the yearly arts calendar, the +234 Arts Fair. It is an event which promoted the best of the best in Nigerian contemporary art scene.

    The first of its kind, dedicated to everything arts and creativity, it kicked off on March 22 and ended on Sunday, March 31 and was held on the purpose-built 3,800-square-metre Ecobank Pan-African Centre in Victoria Island, Lagos. The fair brought together over two hundred artists and thousands of art lovers under one roof, where almost a thousand art works were on exquisite display, over the course of 10 days.

    Working with the theme, Nigeria: A New Heritage, the fair offered every artistic experience available; from paintings to sculpted works to photography, handcrafted materials and objects, a children’s art section, art related activities like sip and paint and so on. Working with six curators, Eyimofe Ideh (fine art curation); Tracian Meikle (programmes); Ugochukwu Emebiriodo (Photography) and Arinola Olowoporoku, (lead curator who also doubled as lead for the sculpture exhibits), they brought the vision of the fair to life.

       Boasting not just beautiful artworks alone, the fair also had a series of art-related workshops, masterclasses and panel discussions, featuring the best minds in the art and creative scene. With a vibrant mix of emerging artists drawn from all over the country, art lovers and attendees were not left disappointed with the quality and quantity of works on display. In fact, many were eager for more and wished the fair would be extended.

       Curated by Soto Gallery, in partnership with Ecobank Nigeria, Leadway Insurance and the African Finance Corporation (AFC), the fair was put together to showcase and nurture young talents as well as create new vistas of opportunities for them.

        Founder, Soto Gallery and founder of the +234 Art Fair, Tola Akerele, said the opportunity to showcase more artists is always a welcome one and the partnership with Ecobank made this possible. Speaking on continuity for the artists, she said they are in talks with them on what more galleries can do to make this possible, including residency programmes and grants.

       “Apart from just showcasing art, this was an opportunity to help them know what else they can do locally, regionally and internationally. A lot of artists we have worked with in the past now have strong international careers and this gives us joy.”

       Speaking at the opening ceremony, Project Director of the fair, Toyin Laoshe, said the artists were selected fairly from across Nigeria. “They were then pruned to about 200 artists from different sectors, fine art, sculpture, photography and digital art. We want to see these artists become the future guiding lights of the art world, locally and internationally. We thank our sponsors, who helped in bringing this together together and helped bring this vision to life.”

      Saturday, March 23, saw keynote speaker, Florence Lynch, taking a filled audience on ‘The art of collecting’. Lynch is a New York-based art dealer and a senior director at Marc Straus gallery and professor at Columbia University. Other speakers included Alain Ngann a photographer artist; Kelechi Amadi-Obi; Oluwatoyin Sogbesan; Jess Castellote, the Director of the Yemisi Shyllon Museum of Art and many more.

       The masterclasses took on relevant and practical subject matters such as, African Art in the Global Art Market, The Business of Photography, Bridging Time: Connecting Heritage and Modernity in Nigerian Art, How to Navigate the International Art Scene as a Local Artist, Artistic Research, Grant Writing, Navigating Biennales and Museums in Contemporary Art and so on.

       Lead curator of the fair, Arinola Olowoporoku, said the whole event was for emerging ideas, about and for Nigerian artists and Nigerians; “and even for tenured artists trying out new ideas or narratives, everyone was welcome. There were multiple offerings for different demographics, including a children’s gallery, life painting, interactive works, live performances and authors. There was something for everyone,” she stressed.

        She added that the reward for many artists was the fact that the fair held on a huge scale and exhibiting on such a platform could grow their career significantly. “As a collective, exhibiting here increases the economic value of their works and our market, as well as create visibility and awareness for the artists.”

       On how the artists were selected, the lead curator said there was an open call and selections were made. “I worked with six curators and we picked them with our theme in mind. The fair’s founder, Tola Akerele, is a brilliant and fantastic woman and she keeps taking bold leaps. This has been a humbling and learning process for us and we are thankful to all our sponsors, especially Ecobank, who deemed the arts worthy of such a massive investment.”

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        On longevity for the artists, Olowoporoku said Soto Gallery has over time, consistently developed and supported artists and the fair provided a window into the big world that would be built upon.

        Ephraim Damilola “ED” Adegoke, an exhibiting artist who said his art is figurative expressionism, said the art form allows him put together many forms of art and express himself in different ways. “I am happy with the turnout and how the works were arranged, people positively and actively engaged with the artworks; it is clear the essence of the fair was realised,” he said.

        Ugo Ahiakwo, a sculptor that exhibited at the fair, described his art as post-minimal and said his inspiration comes from everyday living and seemingly mundane things.     “Beyond making sales, it was wonderful to connect with other sculptors. When people think of art in Nigeria, they only think of painting. Sculptors are often overlooked and this fair provided the opportunity to meet more sculptors and expose our works to collectors,” he said.

         Olowoporoku said beyond this fair, they intend to expose the artists to more exhibitions. “We are hoping to have more editions like this in the future as well as other new showcases to accommodate more emerging artists,” she said.

        Akerele also added that with the fair, they are also trying to create an ecosystem where patrons can support an artist through the course of their career. “The government can support us by creating more fairs across the country for artists all over the country. This is a much-needed platform for artists. There are so many artists that have no access to international markets and we want to create a sort of database of artists, whose work can stand in international galleries.”

       She said they intend to do bigger things in the coming years and expose more of Nigeria’s creativity to the world.

  • Salon Africana unveils ‘The Fabric of Courage’: a multidisciplinary exhibition revisiting FESTAC ’77

    Salon Africana unveils ‘The Fabric of Courage’: a multidisciplinary exhibition revisiting FESTAC ’77

    Salon Africana has announced the unveiling of “The Fabric of Courage,” a groundbreaking salon-style exhibition that delves into the cultural resonance of FESTAC ’77 (the Second World Black and African Festival of Arts and Culture).

    Set to take place on Sunday, April 7th, 2024, at the historic Old Printing Press on Broad Street, Lagos Island, this event promises to reconstitute the fragmented archive of FESTAC ’77 while exploring its enduring impact on Nigeria’s cultural landscape.

    Curated by Grammy-nominated jazz vocalist, writer, and scholar, Somi Kakoma, “The Fabric of Courage” showcases large-scale images by acclaimed American FESTAC photographer Marilyn Nance, offering a poignant reflection on the event. Notably, this marks Nance’s first return to Nigeria since 1977. The exhibition also features a singular photograph of FESTAC by the legendary Tam Fiofori of Nigeria, alongside sound installations, film screenings, and text excerpts from literary luminaries Audre Lorde and Ama Ata Aidoo, shedding light on the often-overlooked contributions of women to FESTAC.

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    The exhibition will culminate in an intimate panel discussion led by esteemed arts journalist Jahman Anikulapo, providing attendees with a deeper understanding of FESTAC’s enduring relevance in contemporary discourse. Additionally, Somi and her international band will pay homage to the late South African icon Miriam Makeba, commemorating her influential FESTAC appearances.

    Commenting on the exhibition, Kakoma expressed her profound interest in FESTAC’s history and its significance: “By revisiting the history of FESTAC and activating the Old Printing Press, I hope to inspire new artistic methodologies and contemporary narratives that celebrate the rich cultural memory of this pivotal pan-African gathering.”

    “The Fabric of Courage” will run from April 7th to 14th, 2024, made possible through the generous support of The Mellon Foundation.