Category: Arts & Life

  • Ode to the unsung matriarch

    Ode to the unsung matriarch

    Gordon Parks, Ornelle Chimi and Lorne Simpson are among the most renowned photographers of our time. 

    Their works tell intriguing stories that leave viewers yearning for more. In particular, Parks, an icon in the history of black photography, was a prominent photojournalist in the U.S. who is best known for his profoundly touching photos in Life Magazine that illustrated racial segregation.

    In Her Gaze by Bukola Abiodun

    Nigerian art photographer, Bukola Biodun with a strong eye for detail, is charting a similar path in photography. Her works explore human connection, memory and identity. 

    She brings people’s real life experiences into her photography to create work that blends narrative and visual art. Among her recent works include In Her Gaze and Red Echo.

    In Her gaze, a highly detailed and intimate close-up portrait of an elderly woman in deep thought. Her skin texture and expressive eyes are accentuated by dramatic lighting and a warm, reddish-brown tint. 

    The image feels both timeless and deeply human. It captures wisdom not as an abstract ideal but as a presence embedded in skin, wrinkles, and silence. 

    The subject; my grandmother; has seen migration, resistance, joy, and loss. This portrait is a meditation on her resilience. Through this warm and textured monochrome, ‘I hope to return dignity and reverence to everyday matriarchs who shaped generations without ever asking to be remembered.’

    In the mode of Ornelle Chimi, the US-based Cameroonian photographer, who has a collection of breathtaking, unadulterated shots that artistically highlight women of colour, Biodun positions Black woman as the focal point of a non-violent yet powerful resistance. 

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    The old woman symbolises maturity, complex personality that is fully pride in her identity. Her use of light is the most notable aspect of her collection, in which melanin is equally celebrated not only as a visual component but also as a significant symbol of pride and identity. 

    This is a demonstration of her belief in use of natural light and creative composition to make images that are emotional and thought-provoking. 

    Biodun incorporates symbols of femininity, resistance and legacy into her portrait thus fueling her works with the interaction of surface and spirit, beauty and symbolism.

    But in Red Echo, the artist captures a stylised portrait of a man in a soft, spotlighted composition. The young man wears a white beret and a red shirt, his face partially cast in shadow. 

    The use of warm red and stark shadow lends the image a cinematic quality, evoking mystery, pride, and reflection. Such warm colours endear the image to its viewers particularly at close range.

    Red Echo is a meditation on the power of silence. The beret, a nod to revolution and style, contrasts with the gentle introspection in the subject’s stance. It also speaks to the youthful energy in today’s Gen Zs, particularly the Blacks. 

    Biodun isn’t just toying with images or contrasting insinuations and colours. She has a strong reason for such effects. 

    According to her, “I aim to show that Black masculinity holds softness and reflection alongside resistance. The interplay of light and dark speaks to how we navigate visibility; being seen, yet not fully known.”  

  • Yomibas eyes global relevance through arts

    Yomibas eyes global relevance through arts

    Nigerian artists are striving to make their mark on the global stage.

    One artist, Abbas Yomi Segun, popularly known as Yomibas, exemplifies the journey of branding oneself for success.

    Through his experiences, Yomibas sheds light on the transformative power of self-branding and its role in propelling Nigerian artists to international recognition.

    Born in Kaduna State, Nigeria, Yomibas embarked on an artistic journey that has evolved into a distinctive hyper-realistic style.

    His early works, a compilation of random photographs reflecting personal experiences, gradually transformed into captivating masterpieces that speak volumes.

    Yomibas found his voice through portraiture, using the medium to connect viewers with his subjects on a profound level.

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    As Yomibas eloquently puts it, “Art is an important communicator of power, depicting aspirations and societal shifts.”

    He recognises that artists possess a unique ability to sense changes in collective consciousness, and he employs his craft to prepare and inspire for the future.

    With this vision, Yomibas emerged as a prominent Nigerian artist whose visual commentary resonates deeply with his generation.

    The journey to global relevance is marked by challenges, and Yomibas’ path was no exception. He emphasizes the importance of quieting distractions and maintaining authenticity amidst external influences.

    In a society where traditional professions often take precedence, carving a niche as an artist demands unwavering commitment to one’s passion.

    However, Yomibas’ journey also underscores the power of branding. His brand, Yomi bas, which started in a humble space, has evolved into a massive studio known for its exquisitely designed interior works.

    Yomibas emphasizes the value of creating for both private spaces and international exhibitions, collaborating with galleries around the world.

    Yomibas’ journey also brings to light the significance of collaborations. He actively seeks partnerships with influential brands, including interior decorators, furniture designers, and galleries, as a means to extend his artistic reach.

    This strategic approach underscores the essence of leveraging one’s personal brand to forge impactful collaborations.

    Reflecting on his experiences, Yomibas encourages aspiring artists to play the “infinite game.” This concept, he explains, involves embracing a continuous journey of self-improvement and resilience.

    It’s not about the transient wins or loses but about enduring dedication, growth, and the relentless pursuit of excellence.

    In the world of art, Yomibas’ personal motto resonates powerfully: “Let me fall if I must fall. The one I am becoming will catch me.”

    This philosophy encapsulates the essence of embracing challenges and embracing growth as integral parts of the artistic journey.

    As Yomibas works on his next exhibition in France and collaborates with influential brands, his story serves as an inspiration to Nigerian artists seeking global relevance.

    The transformative power of self-branding, authenticity, and unwavering dedication to one’s craft stand as beacons guiding Nigerian artists toward international recognition and success.

  • Wisdom behind creation of Ministry of Creative Economy

    Wisdom behind creation of Ministry of Creative Economy

    The creation of three new ministries from a hitherto single ministry of Information and Culture by the Tinubu government shows the seriousness of the government in unpacking the governance structure to pay focused attention to some areas that have been unduly neglected and therefore performed sub-optimally. In the old ministry of Information and Culture, the culture and tourism arms were like an appendage when it came to government attention and most of the ministers behaved that way: being all over the place attending to the information management aspects of their job schedules and distancing themselves from the cultural and tourism programmes and projects of even government departments and agencies. The institutional and governance oversights they were supposed to maintain on those culture and tourism agencies were abysmal. Most of the agencies had no functional governing boards and where such existed, the chief executives crippled them , thereby leading to poor governance in the sector resulting into lack of real achievements, lack of productivity and lack of government participation in the growth of the sectors.

    The expectation now from the unpacking of the former behemoth ministry is that the information and national orientation aspects will go full stream without the “baggage “of the culture and tourism sectors. The culture sector has now been empowered like it was under the OBJ regime with a stand alone ministry that achieved many cultural milestones for the sector such as the introduction of the Abuja Carnival and the others renaissance witnessed during that era. The new ministry to oversee culture has been extended to focus more on the arts and the creative economy encompassing vibrant private sector-driven areas such as music, film, fashion design, theatre, cultural cottage industries, literature etc. The creative economy today is called the orange economy to foreground its immense potentials for generating jobs, wealth and income for the teeming youthful population. The wealth generating and income diversification levers of the creative economy are not in the hands of government ministries or agencies. The government departments are there to support the active players in the field with policies and strategic alliances that will boost the deliverables of the creative economy. The ministry should not allow its agencies to compete with the field which is often what you see happening. For the new stand alone ministry of tourism, it is a call for a strict focus on the revival of the 2006 tourism development master plan with its updating to fit into the digital economy and its implementation to improve wealth generation in our tourism industry. The creation of that ministry is also a call for the diversification of the way we do tourism in Nigeria. Our tourism is often culture- driven. This is the time to focus on pure tourism business of developing our tourist sites, improving infrastructures connected to tourism and marketing the immensity of the eco-tourism sites and monuments in Nigeria to domestic and foreign tourists.

    Above all, the new ministries and associated agencies should not work in silos, they must engage in strategic partnership among themselves to deliver for the government, the practitioners, the cultural producers and the people of Nigeria the growth, satisfaction and wealth inherent in the cultural, creative and tourist economies.

  • Troys and toys opens at Signature

    Troys and toys opens at Signature

    Edozie Udeze writes on a solo art exhibition by Dauda Mohammed titled Toys for troys. The outing is at the Signature gallery, Lagos and it opened yesterday.

    Artist, Dauda Mohammed generates 3D art of two-wheeler from mixed media, going back in history to excavate the strengths of ancient Greek men, and appropriating it in his art.

     Scheduled to open as his solo art exhibition titled Toys For Troys, showing from September 2-12, 2023 at Signature Beyond Art Gallery, 107, Awolowo Road, Ikoyi, Lagos Island, Mohammed’s two-wheeler themes is expected to expand the scope of art appreciation. The artist said he hoped that his art and its uncommon theme will add freshness to the Lagos art scene.

    “In my work, I aim to explore themes of various dynamic subjects with five or more colours using 3-dimensional objects like wood nails, pushpins, cotton buds, screw e.t.c to make something digital,” Mohammed said during the preview of the exhibition. “I enjoy making work that requires a physical proximity, working from intangible to the tangible by invoking these mediums to generate a dialogue that has something to do with the effort, repetition, focus, discipline, absurdity and love that went into its making.”

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    Mohammed’s works for the exhibition are in mixed media of wood nails on board, with automobile paints and acrylic, as some of the pieces bring the beauty of creativity from two-wheeler. Such works include ‘Harley Bucherer’, ‘Vespa Piaggio’, ‘Vespa Dior’ (New noble scooter), and quite a number of “Harley’ series. The artist’s creative energy revisits the strength of the legendary Troy town of ancient Greek where men left the legacy of great things. For the artist, bringing the past into modern era, he has chosen ‘toys’ for the 21st men on two-wheelers.

    As a favourite outlet that prides itself of showing fresh artistic ventures, Signature Beyond said the gallery is delighted to show Toys for Troys, a theme that “gives instances of fabricated machines for warriors.” The gallery noted that the artist has added his strokes and palette to the legendary Troy, using contemporary art form. Mohammed has shown at Signature Beyond’s many modern and contemporary art auctions since 2019 till date.

    During a preview of the exhibition, Mohammed explained that viewing the works from certain range provides what he described as “homogeneous arrangement of the medium clearly as an object, and when observed from a distance, the medium becomes an image.” He disclosed that his goal is to inspire viewers and followers of his work “to look more carefully at the work from close range also from a distance and feel something in the process.”

    Part of the texts of the exhibition described the theme of the as giving instances of fabricated machines for warriors. It noted that the ancient Greek, where the artist got his inspiration, is known for historical conquests, which have been well documented. “To mention a few of the major warriors in Troy, see with the ancient Greek, (Hector and Archilles) are clear examples of human capability, skills, and strategics that will heroism. Among kings, countesses, princes, emperors and other courtiers, they were the representation of gods to the affairs of mankind.”

    In his contribution to the texts of the exhibition, the artist’s colleague, Ibiok Bright, noted that with warm heart of concern after years of effective studio practice, Mohammed brings forth the collection to harness the awareness of his audience about heroism, invention, and creativity. Ibiok disclosed that the exhibition took Mohammed and Signature Beyond “tremendous two years of preparation.”

    Although Mohammed studied Biochemistry at University of Ilorin; he later launched himself into the creative field with a Certificate in Graphics and 3d Animation from Aptech (Arena Multimedia). He spent a period of 12 years in the banking industry before leaving in 2015 to concentrate on creating art.

    The artist started with painting and drawing with acrylic and oil paints, until recently when his work focus on using 3-D objects like cotton buds, pushpins, screw, nails, bottle tops, drilling on woods and plastics to make amazing artworks. His work combines creativity along with hours of diligent application using some computer graphic applications and photoshop he break an image down to a very low resolution and forces the computer to make the image out of only five colors (red, blue, yellow, black and white), then uses a grid map to show where to stick the object row by row. At first glance, the artwork appears to be a low-resolution portrait, but upon closer inspection, onlookers can see each piece is made up of thousands of colored objects.

    Mohammed’s passion for styles such as Pointillism, Mosaics and 3D art connected him to working for several organizations and individuals using in promoting their brands.  Among many projects of his is the bill board of Lasena bottle Water portrait hung on the company’s building at Ogba, in Lagos.  He used 10,000 yellow, red, blue, black and white recycled bottle tops to make this amazing (Bill board) with dimension of 20ft x 8ft.

  • My period, my pride debuts

    My period, my pride debuts

    A drama series on menstrual health and hygiene debuts this August on Radio Nigeria Bond 92.9 FM. Titled “My Period, My Pride”, the series was conceptualised by a multiple award-winning broadcaster, journalist, author, and foremost social campaigner, Anike-Ade Funke Treasure. According to the multi-talented promoter, the initiative is an advocacy tool to demand free sanitary pads for school girls from the Nigerian governments across all levels.

    “The drama series mirrors the challenges of the girl child as she struggles with education in the face of period poverty. It is a distillation of conversations and stories about menstruation as experienced by many families”, she added.

    “Drama is presently not prominent in the menu of many radio stations in Nigeria, so this is both content and advocacy. We are therefore particularly grateful to the McArthur Foundation Africa office in Nigeria, under the leadership of Dr. Kole Shettima for supporting our work in the menstrual hygiene sector and giving impetus to our media campaign” According to the Senior Programme Officer, McArthur Foundation, Africa, Dr. Amina Salihu, “Period poverty is an equity, human rights, and socio-economic problem. Society and the state lose because we are not able to understand the socio-economic dimensions. She informed that “period poverty is a form of gender-based violence and until policymakers recognise it as such we won’t be able to shift the needle in terms of the right kind of policies and laws.

    A veteran broadcaster, Mr. Ogie Eboigbe states that “With radio, you can be sure to reach more people, because even the mobile phones all have FM radios while drivers and owners of cars as well as passengers are sure to hear and get the message”.

    Funke Treasure asserts that “the drama series is coming at a time Nigerian citizens are grappling with the effects of subsidy removal on family budgets and household needs.”

    Renowned agro-economy expert and former Vice Chancellor, Afe Babalola University, Prof. Sidi Osho, who chairs the Board of Illuminate Nigeria Development Network (INDN) under which the SPMC runs states that: “The series would emphasise for the girl child many essential issues that they should know about, especially, their physiology as females. It would bring to bear the importance of hygiene in menstruation, emphasizing the evolution of eggs during menstruation to reduce the number of out-of-school children who get pregnant.

    Osho adds: “It will showcase the role that caregivers and mothers play in explaining more about sex education to their wards, especially for social growth. We hope that the series will stimulate policymakers, the private sector, and industries to support this vision, by giving sanitary towels to girls through this campaign.

    The 13-week drama series captures the first menstruation, menstrual cramps, anxiety over continued education due to period poverty, menstrual hygiene talk, the effects of corporate and government intervention on schooling through the donation of menstrual items to school girls, the empowerment of women, child abuse and exploitation, the significance of scholarship to indigent students.

  • ‘How visuals can be used to control migration’

    ‘How visuals can be used to control migration’

    Laurent M.J de Boeck is the Chief of Mission of the International Organization for Migration (IOM) to the Federal Republic of Nigeria. In this interview with Edozie Udeze, he makes it clear that part of what IOM does is to sensitise migrants on how to operate legally. He also hints on the need to use films and other forms of visuals, drama inclusive to douse the tension surrounding migration. He spoke in Abuja during the premiere of brain drain, a documentary film on the japa phenomenon in Nigeria.

    Laurent M.J de Boeck is the Chief of Mission of International Organisation for Migration (IOM) to the Federal Republic of Nigeria. IOM is an organ of the United Nations responsible for the well-being of migrants all over the world. De Boeck who oversees the welfare of migrants particularly as it pertains to Nigerians was the chief host a few weeks ago when the film on migration titled brain drain (the documentary), was premiered in Abuja. The film which was produced by Efizzi productions led by Collins Akpapunam dwelt on the main reasons people embark on migration.

    De Boeck took time out to talk to The Nation on the role of IOM and how films or theaters can be used to sensitize the public on the tenets of migration. “My name is Laurent M.J de Boeck and I represent the International Organization for Migration here in Nigeria. I am here today for this programme because what the film represents is part of what we oversee in IOM. We are keen on working with the Diaspora particularly looking at how we can keep a link with the country and the Diaspora. (In Nigeria it is known as the Diaspora Commission). We also look at the policies and how the operation can engage the group in keeping this link and investing in the development. But above all we also look at changes that are necessary to help the Diaspora. The Diaspora need to invest in their countries of origin. This is also part of our concerns. That is one aspect”.

    He goes on to say that it is the concern of IOM to see how Nigerians who left as a result of one reason or the other can also come back home when they deem it fit. “It is also time to change the mechanism by which Nigerians will leave the shores of the land and never come back”. De Boeck is insisting that government should explore ways to enable Diaspora to return home to invest. “You might not necessarily return home completely. But if the atmosphere is conducive you can come and re-invest. Leaving Nigeria therefore does not mean abandoning Nigeria. No. Migration in itself is not a bad idea. What we are saying is that government has to be proactive and involved in such a way to assist those who wish to return home to invest to do so more conveniently”.

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    So the intention is to work with the government at all times to ensure that the Diaspora feels the urge to be in touch with home. So if the policy is good, it is much easier for the willing ones to return home to help the economy grow. Those who also wish to return after many years can do so given a conducive environment”. So the documentary done by Efizzi is showing Nigerians abroad, some Nigerians in Diaspora finding good jobs. You can see some of them are even home sick; they wish to return home. But is the home front conducive for them to return? The documentary is explicit. It is clear on how the movements to other climes by Nigerians have not only prospered them, but also opened their eyes to the opportunities both home and abroad”.

    For de Boeck, it is clear that the lessons in the film are instructive to the call for people to look before they leap. Those travelling out should be ready to look well and ask necessary questions as to where to go to, what to do when they elope. This is necessary so that the issues of regret may not come in. It is clear also from the film that the Nigerians who responded could not have left if the situations were right here in Nigeria. According to de Boeck, “It is now time to dialogue on ways to help the people realign themselves. Where necessary, let us dialogue with those responsible to ensure that the home front is made conducive for the people”.

    All along therefore, the IOM has been working tirelessly to see to it that migrants do not suffer unduly wherever they find themselves. The roles of films, documentaries, plays and dances are to see how people can be made more aware of the exigencies of migration. People should be made to realize that the japa syndrome is not a perpetual sentence to suffering or sleeping on the streets of the host nations. No. In other words, films in which the people are fully represented, talking, saying it from the horse’s mouth can come in handy as an element of enlightenment and education. From the film, however, the respondents stated clearly why they left Nigeria, when and how they did so. It is clear as well that medical doctors and those in the medical line are among the highest number of professionals who have left and are equally doing well abroad. In all these, they all wish to return home depending when government is sincere enough to reorganize the fortunes of the country.

    Film, as it were, goes a long way in transmitting information fast and changing people’s orientation and long formed impression. This is why de Boeck and the IOM are in agreement with the ingredients and  tenets strongly expressed in brain drain. Not only that the information expressed therein are far reaching, they are instructive, well analyzed to keep the dialogue on the Diaspora matters ever effusive and fresh. From the responses of the audience it is glaring that professionals who have left and those still on the verge of doing so did not do so in vain. However de Boeck’s primary presentation is for there to be a symbiotic relationship between those outside and those inside.

    So with the structural changes in the status quo which de Boeck is talking about, it is possible to experience a new dawn in this regard. “We can create Diaspora Nomadic Expertise. In this regard, you may not even need to go abroad. You can be here and create your own job with link with a company in any part of the world. You might not necessarily work for anybody but for the company that has hired you abroad. You can be in Abuja or Lagos or Katsina or Enugu and have link with a company say in the US, Britain or Canada as the case may be.

    De Boeck speaks on the importance of remittances by the Diaspora. It has been noted nevertheless that Nigerians in Diaspora have contributed immensely towards improvement of many lives and investments in Nigeria. This is a welcome development and it is apparent from the development that part of what makes Nigerians excel abroad is an enabling environment; places where citizens do not operate under fear and undue harsh conditions. Nigerians can also work for any company in Nigeria while based abroad. The essence of the Diaspora Nomadic Expertise is to develop such a good link using the latest technology. That way, you may not need to travel abroad or live abroad. “We were discussing that this morning and we feel it is possible to have such arrangement. We need to also create this mechanism. It will help to control incessant movement of people across the globe in search of works to do. All we need is connectivity and also access to electricity. You can also receive the same salary, the same condition of service, the same welfare. Yes we are working on this mechanism because it has double advantage for the people involved. So this is what we are hope to achieve in the areas of migration”.

    It is impossible to stop or even manage to control migration. It is part of human phenomenon. The idea canvased here is how to make it more meaningful for those migrating; information is key in this respect. “It is completely impossible to stop migration”, de Boeck asserts, smiling. “I am working with an organization that deals with migration all over the world and I can tell you that it is completely impossible to stop the trend. It is however important to educate the people so that they do not take the wrong route when they are travelling. This is why this illegal means has to stop because it gives some people the advantage to cheat people, making them suffer unnecessarily. We need to reinforce the idea for people to migrate legally. There are many countries looking for unskilled workers; looking for skilled workers in all professions. So we need to make information available to people to avoid taking wrong decisions.

    “We need also to discourage traffickers who use these lapses to hoodwink people thereby subjecting them to series of hardship and discomfort. We need to discourage illegal networks cheating migrants all over the world”. Using films to do the enlightenment is also necessary, totally imperative. As part of the UN, IOM is therefore fully equipped to discharge its duties more effectively. Even then the Nigerian government is part of the signatories that formed the IOM. IOM has its presence worldwide in about 172 member nations of the world. It has more than 500 offices in the world effectively equipped to handle the issues of migration.      

  • Akubuiro, Gomba, Abideen make NLNG prize final shortlist

    Akubuiro, Gomba, Abideen make NLNG prize final shortlist

    Henry Akubuiro’s Yamtarawala – The Warrior KingGrit by Obari Gomba and Abideen Abolaji Ojomu’s The Ojuelegba Crossroads have made it to the final shortlist for the 2023 edition of $100,000 Nigeria Prize for Literature, sponsored by Nigeria LNG Limited (NLNG).

    The Chairperson of the Advisory Board, Prof. Akachi Adimora-Ezeigbo, made the announcement in a live broadcast on the prize’s social media channels. A total of 143 plays were entered for the competition, which focuses on drama.

    According to the board, the plays stand tall in terms of dramatology, language, performance, story, and structure. The Board also said the plays represent the pinnacle of literary craftsmanship and the artistic convergence that The Nigeria Prize for Literature tirelessly seeks.

    The board stated: “For Grit by Obari Gomba, the judges have applauded it as a great play that transcends its covers. Its pages unfold a captivating narrative that has clearly left an indelible mark and its production quality is nothing short of excellent.

    The Ojuelegba Crossroads by Abideen Abolaji Ojomu has deeply resonated with the judges, who commend its rich exploration of our socio-political fabric. The play’s ability to confront everyday struggles and decision-making conflicts while aiming for a harmonious resolution underscores its significant impact.

    Yamtarawala – The Warrior King by Henry Akubuiro captured the judges’ admiration for its dramatic twists, rendering it not only suited for the stage but also the screen. The narrative unfolds in ways that evoke a profound sense of engagement and excitement.”

    “Our dedicated judges and the Advisory Board over the years have consistently worked together to seamlessly blend the contemporary heartbeat with the essence of Nigerian literature. This Shortlist serves as a testament to this harmonious fusion and the enduring legacy of our nation’s literary landscape,” the Board added.

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    The winner will be announced by the Advisory Board on October 13, 2023.

    Professor Victor K. Yankah from the Department of Theatre and Film Studies, the University of Cape Coast, Ghana, serves as the International Consultant for this year’s edition of the Prize.

    This same time four years ago in the Drama genre, Soji Cole(Embers), Denja Abdullahi (Death and The King’s Grey Hair) and Akanji Nasiru (The Rally) were announced in the 2018 Shortlist of Three. Soji Cole went on to win the Prize. Other playwrights who had been listed in the shortlist  in previous years are Friday John Abba (Alekwu Night Dance), Jude Idada (Oduduwa, King of the Edos) and Sam Ukala (Iredi War – Winner) in 2014; Irobi Esiaba (Cemetery Road- Winner), Ahmed Yerima (Little Drops), and Adinoyi Ojo Onukaba (The Killing Swamp) in 2010; and Emeka Egwuda (Esoteric Dialogue), Femi Osofisan (Ajayi Crowther) and Ahmed Yerima (Hard Ground- Winner) in 2006.

    Other members of the Advisory Board include Professor Olu Obafemi and Prof.Ahmed Yerima. The Nigeria Prize for Literature rotates yearly amongst four literary categories – prose fiction, poetry, drama, and children’s literature.

  • Controversy trails proposed N19.6b Edo five-star hotel

    Controversy trails proposed N19.6b Edo five-star hotel

    The Edo State Government aims to transform the state into a hub for culture and tourism in West Africa. To realise this goal, the government has put forth the Radisson Hotel project as a strategic initiative to facilitate the development of the Benin cultural district. It will encompass museums, moat walks, research centres, and hotels. The proposition to build a N19.6 billion five-star hotel has stirred up controversy and debate in the state, reports, South south Bureau Chief BISI OLANIYI reports.

    In the 70s, there was a Benin-based billionaire industrialist, Chief Napoleon Odia who was into fishing and rubber farming. He was also involved in real estate business. His involvement in real estate enabled him to acquire houses and landed properties in almost all parts of Benin City, the Edo State capital and its environs.

    The entrepreneur registered his company as Napoleon Odia and Company (Nigeria) Limited, which was incorporated in Benin, Nigeria, on April 20, 1977, with registration number RC 21071. The company’s registered office address then was at No. 25, Oyenmwosa Street, Benin City with Chief Napoleon Odia and Igbinifa Odia, among others, as directors of the company. While Chief Napoleon Odia was getting old and sick, he surprisingly decided to sell some of his properties in Edo State and beyond. One such investment was a magnificent building on Golf Course Road, adjacent to the massive Golf Course in the Government Reservation Area (GRA), in Oredo Local Government Area of Edo State. It was very close to the private palatial mansions of the Secretary to Edo State Government (SSG), Osarodion Ogie, a lawyer; and the embattled Edo State Deputy Governor, Philip Shaibu, who are neighbours and one-time friends.

    One of those who approached the founder of Napoleon Odia and Company (Nigeria) Limited for the acquisition of the properties was the Esama of Benin Kingdom, Chief Gabriel Igbinedion, the founder of Igbinedion University. Igbinedion made a good offer, which informed Chief Odia’s decision to sell the imposing building to him. Chief Igbinedion, who is also an industrialist, decided to opt for the luxury hotel business in the newly-acquired building on an expanse of land, which could be further developed.

    In order to have a world-class hotel, Chief Igbinedion decided to invite the management of Sheraton Hotel as a partner in the investment, with top officials and structural engineers sent to assess the imposing building comprehensively and to do intensive soil analyses/tests. Unfortunately, the structural engineers gave an unpleasant report, declaring that the massive building had structural defects, and standing on soggy/waterlogged/swampy land, which could later collapse, in view of so much water underneath. As a result of the unpleasant report, Chief Igbinedion decided to abandon the property.

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    Recently, Edo State Governor, Godwin Obaseki, whose government is interested in the hospitality business, decided to approach Chief Igbinedion for the acquisition of the abandoned property for the proposed five-star Radisson Hotel. However, the defective hotel must first be demolished, the soil excavated, and heavily reinforced before the superstructure could be erected, and to be completed before the expiration of the Edo governor’s second term on November 12 next year.

    While receiving the final design of the N19.6 billion hotel last month, Governor Obaseki said the development of the four-star hotel in Benin would boost Edo’s tourism receipts and bolster the state’s chances at hosting sporting competitions and other international events, including film festivals and art exhibitions. The project, on completion, would redefine the space of the hospitality sector in Edo, creating employment opportunities and boosting economic growth, among other benefits, he enthused. “The reason we have not won the right to host international sporting events is because of lack of accommodation that will pass the standard test of the governing bodies for events like gymnastics, swimming, track, and others. The need for this project cannot be over-emphasised. Our goal as a government is to complete the project before leaving office in 2024. With the right team, procurement processes, and right partners, this is possible.”

    Edo State Commissioner for Communication and Orientation, Chris Nehikhare, declared that Obaseki was resetting the state for a better and brighter tomorrow, in his determination to make Edo great again. He insisted that the administration has a good story to tell, especially with the proposed Radisson Hotel. Nehikhare said: “In line with Edo State Government’s vision to reposition the state as West Africa’s culture and tourism hub, we are developing the Benin cultural district to host museums, moat walks, research centres and hotels. The Radisson Hotel is one of the pieces in the jigsaw.

    “Having a luxury hotel in a town that is trying to build on its tourism potential, host international sporting events and tournaments as well as attract investors can have several benefits. A luxury hotel such as the Radisson brand attracts high-spending tourists, who are willing to pay more for luxurious accommodations. This can significantly boost the town’s tourism revenue and create a positive economic impact.

    “Benin City, with a five-star hotel, becomes more appealing to domestic and international tourists. It will add to the overall appeal of our city as a tourist destination, making it stand out from other nearby locations. It will also improve infrastructure as the construction of a five-star hotel often leads to infrastructure development in the surrounding areas. This can include better roads, transport links, and other facilities required to support the hotel and its potential guests. Such infrastructure upgrades can benefit tourists and local residents.

    “In terms of job creation and economic growth, a luxury hotel requires a substantial workforce to manage its operations, including front desk staff, housekeeping, culinary teams, and maintenance staff. By building a five-star hotel, the town creates job opportunities for locals, leading to reduced unemployment rates and overall economic growth. A five-star hotel will increase investors’ interest. The presence of a five-star hotel can attract other investors such as developers, restaurateurs and retailers, who may want to capitalise on the growing tourism industry in the town. This can lead to further development and investment in the area, thereby boosting the local economy.

    “A five-star hotel will surely attract international sporting events. This is because international sporting teams, athletes, and officials often prefer five-star hotels. By having a luxury accommodation option, the town can increase its chances of being selected as a host for major sporting events or tournaments. This brings prestige, media coverage, and economic benefits to the town. The construction of a five-star hotel may lead to the improvement and development of local facilities and amenities such as restaurants, cafes, shopping centres, and recreational areas. These enhancements enrich the overall experience for tourists and residents alike. Building a five-star hotel in a town with tourism potential, international sporting ambitions, and a desire to attract investors can bring several benefits, including increased tourism revenue, job creation, enhanced destination attractiveness, improved infrastructure, and increased investor interest.”

    The Chief Press Secretary (CPS) to Governor Obaseki, Andrew Okungbowa, also stated that having a five-star hotel in Edo State would bring many economic benefits to the South-south state. Okungbowa said: “Some of the potential advantages of a five-star hotel include tourism and hospitality industry growth as it will attract tourists and visitors from within Nigeria and from abroad. This influx of tourists can lead to increased spending on accommodation, dining, shopping, and other services in the local economy. As the hospitality sector thrives, it creates job opportunities for the locals such as hotel staff, tour guides, drivers and more.

    “Building and operating a five-star hotel requires a significant workforce, ranging from construction workers during the building phase to hospitality professionals once the hotel is operational. This will help to reduce unemployment rates and contribute to the overall economic well-being of the people. The presence of a high-end hotel can boost demand for locally-produced goods and services. Local suppliers of food, beverages, furniture, linens, and other items may benefit from having a prestigious client like a five-star hotel.

    “To support the hotel’s operations, there may be a need for better infrastructure such as improved roads, transportation networks, and utilities. This will, in turn, lead to overall infrastructure development in the area, benefiting not only the hotel but also other businesses and residents. As the hotel generates revenue from its operations, the government can benefit from increased tax revenue. This additional income can be reinvested in public services, education, healthcare, and other areas which will further stimulate economic growth.

    “A five-star hotel, with ample conference and event facilities, can attract business conferences, exhibitions, and meetings. This brings in business travellers who are likely to spend on accommodation, dining, and local transportation, contributing to the local economy. Having a prestigious five-star hotel in Edo State will enhance its reputation and image on national and international levels. This, in turn, will attract more investors and businesses to the region, leading to additional economic growth. If Edo State’s economy is primarily reliant on specific industries, such as agriculture or natural resources, the establishment of a five-star hotel will diversify the economic base. A robust hospitality sector will act as a stabiliser during economic downturns in other industries.”

    However, Edo State Chairman of the All Progressives Congress (APC), Col. David Imuse (rtd), described the proposed five-star hotel as a misplacement of priority, with Obaseki’s second term set to expire on November 12, 2024.

    Imuse said: “Instead of prioritising crucial infrastructural developments, Obaseki has chosen to build supermarkets and hotels all over the state. These actions demonstrate a clear lack of vision, responsibility and a disregard for the well-being of the people of Edo State. It is unacceptable that the governor will prioritise personal interests over addressing the urgent needs of Edo residents’ infrastructure.”

    He also accused Obaseki’s administration of failures and mismanagement, while declaring that it was disheartening to see petty politics being played by the state’s governor when the lives and safety of innocent Edo residents were at stake.

    He said: “Over N16 billion was refunded to Edo State under the watch of Obaseki for the federal roads fixed by his predecessor, Senator Adams Oshiomhole, during his tenure as governor. An additional N21 billion was given to Edo State from the oil derivation funds, intended for oil-producing states such as ours for infrastructural development. What we know is that Obaseki presided over the (alleged) misappropriation of these monies; without recourse to the critical sectors of our living.”

    Imuse also accused Obaseki of abandoning his responsibilities, while playing dirty politics.

    “We urge the people of Edo State not to be deceived by the propaganda and political games of the Obaseki administration. The burning question Edo people should ask Obaseki is ‘what did he do with the N16 billion refunded to Edo State by the Federal Government, as money used by his predecessor to repair federal roads, coupled with the N21 billion derivation funds? We must see through these falsehoods and hold Obaseki accountable for his failures. His lamentation is the last kick of a dying horse. The APC-led Federal Government remains committed to working for the betterment of Edo State and its residents.”

  • ‘Fairs, festivals critical to book sector’

    ‘Fairs, festivals critical to book sector’

    With six books in his kitty, UK-based Nigerian publisher Mr. Sidney Sanni is to undertake a tour of Nigerian cities to create positive awareness about books and how Nigerian authors can market their publications. In this interview with Assistant Editor (Arts) OZOLUA UHAKHEME, he speaks on impact of COVID-19 on book industry, relevance of festivals and fairs in book chain, among other issues.

    UK-based Nigerian publisher and consultant Mr. Sidney Sanni has described editing, layout design and marketing as critical elements in publishing of books. He said there are lots that go into producing a good book, as it is not uncommon for a book to take about 12 months to produce.

    “It’s part of what I call the publishing mix. How a book looks in terms of cover design, layout and writing quality contribute to the reading experience of the reader. There is so much that goes into producing a good book. It is not uncommon for a book to take 12 months to produce,” he said.

    The CEO of Sanscribd UK Limited and author of six books-How to profit from your knowledge by writing a book, What they did not teach you at school, Joy your key to victory, Success skills for teenagers, Winning secrets for teenagers and Lekan Salami (Biography) – described the COVID-19 pandemic as period of furlough in the UK economy, which didn’t spare anyone including the publishing industry.

    He said that during the pandemic, the UK Government underwrote 80 per cent of salaries for many firms who qualified. He added that UK Government also gave grants and bailout loans to qualifying firms.

    “I suspect lots of publishing businesses would have taken advantage of this,” he recalled.

    Sanni, however, identified marketing and sales as the biggest challenge confronting publishers in the UK, whereas the challenge faced by publishing firms that take mainly African authors, is author exposure.

    “There are no special challenges facing publishers in the UK. Most publishers want to increase their list (published books) and increase sales. There are many UK publishing firms who take on mainly African authors; one of their biggest challenges I believe is author exposure.

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    In the publishing space, whether publishers who specialise in African authors or otherwise, marketing and sales are still the task that is probably the most challenging,” he said.

    Speaking on the contributions of book fairs and festivals to the growth of the sector, Sanni said there are different fairs and book festivals at different times in the year in UK, the biggest being the London Book Fair.

    According to him, book fairs and festivals are major parts of the UK book industry. “Book fairs add value because it is a time publishers, authors, agents, translators and industry executives meet; share ideas, examine trends and the future of the industry. At big fairs there are areas dedicated to buying and selling book rights. A lot goes on during book fairs and it is always a book lovers’ delight,” he noted.  

    He observed that not many budding writers are fully equipped on how to translate their talent into tangible and publishable manuscripts or books. As a result of this, beyond publishing, his firm undertakes a 5-week coaching session tagged Preparing to Publish to coach, mentor and help authors develop a roadmap for writing and publishing their first book.

    “We work with writers from the beginning of their writing journey. We just don’t receive manuscripts we work with a writer right from writing their first manuscript. We have a 5 week coaching session tagged Preparing to Publish where we coach and mentor authors and help them in developing a roadmap for writing and publishing their first book. We are also able to offer our authors English to French and English to Spanish translation,” he added.

    On how he engages with intending authors, he said: “The publishing journey of every author is different and so there is no one size fits all. I sit down with my clients, understand their publishing needs and craft a bespoke plan that fits their personal and professional lifestyle. The reason why many leaders or influencers or experts never get their book published is because they try to use only one method to write and publish their book. “One of the secrets to writing and publishing a book is to use a strategy that fits a client’s professional and personal lifestyle.

    Typically, I work with clients through: coaching, training and providing publishing services and consultancy. Though my clients might at the start only see themselves as authors, by the end of our interaction I help my clients become both authors and publishers of their work.” 

    By first quarter of next year, Sanscribd UK Limited will undertake book tours of some cities in Nigeria to among others to create positive awareness about books and how authors can spread a message on a global level. “We will be covering different aspects of the publishing process and provide authors the tools to make their writing and publishing dream a reality,” he added.

  • Amachree hails creation of Tourism ministry

    Amachree hails creation of Tourism ministry

    The recent creation of a Tourism ministry by President Bola Tinubu has continued to receive accolades from tourism operators and stakeholders in the sector.

     The latest being that from father of Tourism in Nigeria, Chief Mike Amachree who commended the creation of a Ministry of Tourism by President Bola Ahmed Tinubu. Describing it as a right step in the right direction, he praised President Tinubu for the ‘bold and progressive’ decision.

    Amachree, a former President of Association of Tourism Practitioners of Nigeria (ATPN), and the proprietor of Brooklyn Group of Hotels, said he was happy that the government heeded to his and other tourism industry stakeholders’ call for a stand-alone ministry. He said: “Before the former President Olusegun Obasanjo created the tourism ministry in 1999, I, as the then President of ATPN, and other industry practitioners were at the forefront of the clamour for the creation of the ministry. President Obasanjo headed to our call and created the ministry. However, for over eight years when the tourism ministry was scrapped by the last Buhari administration, Nigeria lost a lot of grounds in the area of tourism development.   We continued to clamour for the reversal of that decision. We thank President Bola Ahmed Tinubu for listening to us.  

    “You see, tourism is the biggest provider of jobs in the country. All airlines, transportation, and movements of all kinds are under tourism. You can see the number of agents these people are employing. Talking about foreign exchange earnings, maybe apart from petroleum, no sector can attract more foreign exchange than tourism. If we plan our tourism well, people will be coming to Nigeria to visit our tourist attractions.  

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    “With this new development, it is time for us to put more efforts to develop our tourist sites like museum and other attractions to bring in tourists. This is where the tourism ministry becomes key.”

    The business mogul and tourism technocrat also congratulated the new tourism minister Ms. Lola Ade-John on her appointment. He urged her to hit the ground running so that the industry can catch up with the rest of the world in the area of tourism development.

    He called on the new minister to carry the private sector tourism practitioners along in policy formulation and implementation. This, he said, was the only way she could succeed. His words: “All over the world, tourism is private sector driven because tourism is business. While the government makes the law and policies, it is the private sector that does the business of tourism. If the minister carries the private sector along in her policy formulation and implementation, it will be implemented seamlessly with no hiccup. Past failures of government policies had been as a result of the inability to carry the private sector along. I wish the new minister success.”

    Amachree called on tourism practitioners to support the new minister for the success of the industry in Nigeria.