The Nation Newspaper

Category: Arts & Life

  • FGM victim:  I don’t feel like a woman

    FGM victim:  I don’t feel like a woman

    If you think FGM remains a myth ask thousands of women and girls who are still being forced, daily, to undergo the painful process. Kogi State-born Aishat Abdul, a victim, was one of the advocates who thronged Lagos to campaign against the dastardly act when a non-governmental organisation stormed the state with a sensitisation programme, EVELYN OSAGIE reports.

    It’s been many years and several pregnancies, but Aishat Abdul (in her late 30s) has not forgotten. In short, she will never forget her first in a hurry. It was one that forced her into undergoing what she described as a ‘death trap’ – female genital mutilation (FGM).

    The practice also known as Female Circumcision (FC), or Female Genital Cutting (FGC), is the partial or total removal of the external female genitalia for cultural, religious and other non-therapeutic reasons.

    Aishat was in labour and in excruciating pain and her place was far from the closest hospital in Ekiti State where she was residing at the time. Due to labour unbearable pangs, she was rushed to a traditional birth attendant (TBA). That was her undoing. “I was pregnant and labour forced me to seek a traditional midwife,” began Aishat who fought back tears as she recounted her ordeal in Ekiti State way back in 2003 before coming to Lagos.

    “During delivery she discovered I was not circumcised and told me so, insisting that I must be before she took the delivery. I told her it’s not part of our tradition in Kogi State.” Thinking the matter was rested, Aishat relaxed. But nothing prepared her for what was to come. “After the delivery, I started noticing pains and bleeding heavily from my private parts. That was when I discovered when I was rushed to a general hospital that she circumcised me without my approval. For days I couldn’t walk properly with my legs. It was difficult to even close my legs,” she continued.

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    Today, Aishat is part of the women campaigning passionately against the act. The practice has not only maimed her physically and psychologically, it has crushed her emotions along with her sexual life. Hear her: “I don’t feel like a woman anymore. I don’t even enjoy sex till date. And it has been a big problem in my marriage. I didn’t take the issue up because I didn’t know it’s a criminal act. Now, I know and I am absolutely against it. FGM is death trap for women and should be stopped by all means,” Aishat grieved.

    Aishat was part among participants at the CEE-HOPE sensitisation programme on the menace at the Olubori Odunfa Health Centre in Oworonsoki, Lagos. They came with placards reading “Cut out the Cutting Culture…Stop FGM Now!” FGM has no place in Nigeria”, FGM is a crime”, among others.

    According to a WHO report (2020), more than 200 million women and girls alive today have been victims of FGM in Africa, the Middle East, and Asia. “It is important more than ever to intensify efforts to further reduce and eventually abandon the practice, the residents of Oworonshoki. It is, therefore, a welcome feat, when women who have suffered the ordeal join in the fight against the practice like Aishat,” as said by CEE-HOPE, a non-governmental organisation that focuses on the rights and welfare of vulnerable children. And while one is thinking ‘but that was Ekiti and not in Lagos, CEE-HOPE Nigeria Founder and Executive Director, Betty Abah, is of the strong view that ‘FGM still exists and occurs in some tribal, indigenous communities in Lagos like Oworonsoki just as in some other part of the world, including the United Kingdom’.

    She condemned the act in no small words, saying: “The removal of the clitoris is believed to reduce sexual satisfaction in women by some culture and traditions within the nation which have led to death in most cases mostly unreported. It also results to uncontrollable bleeding, infections, conflict in marriage as well as divorce.”

    Leading other women, the NGO is calling for an enforcement of existing Laws against the practice, particularly in the state. “We are here saying FGM shouldn’t be a reality in Lagos State. We are here in Oworonsoki where FGM is been practised secretly, while some still travel down to their hometown to get their children circumcised. We are here to educate the residents of Oworo that female circumcision is a crime and a punishable offence under the Law. We are also saying to the Lagos State government that they should enforce the existing Laws.”

    According to Abah, the group is not stopping in Lagos, stating it is taking the campaign across the country. “We have an ongoing project on ending FGM in Nigeria. We are currently working with children and women in the forgotten communities in Nigeria, especially in Lagos slumps.”

    The executive director of We Campaign against Female Genital Mutilation in Lagos and Cross River State, Mrs. Margaret Onah, spoke of a proactive approach to eradicating FGM; while speaking against the practice. She called community partnership, urging communities where FGM is been practised to get in touch with her NGO so they can educate them “I came across a lot of FGM cases like a certain community in cross-river where all the women in that community have been circumcised and don’t have the right to sexual pleasure. We got there with our campaigns and educated them about the criminal act and advised them to end it by involving the traditional rulers, elders in the community and making sure the men are present as well as arresting whoever is instigating the circumcision. And it worked. I’m against FGM because it has a lot of disadvantages such as labouring for long before delivery which leads to death during childbirth. “.

    The presence of the wife of the traditional leader of the place, Chief Omolara Lasisi, added strong support to the course, while sounding a strong note of warning to the community. She was the mobilizing force behind the residents coming out in their numbers.

    But, in defense of her community, Chief Lasisi, who represented her hubby, Baale Olubori Odunfa, said: “Since my time here as the Olori, I haven’t seen any victim of female circumcision, but I have heard about people doing it secretly who was why I decided to be a part of this community awareness and enlightenment. We got aware of this event by the CEE-HOPE Nigeria representative we bought the idea and help them in the mobilisation of women and men in the community here in Olubori Odunfa, Oworonsoki to get educated on FGM’s negative effects.” 

    For one of the men who joined the campaign Pastor Raphel Olumide, who is also the chairman world health committee of Olubori Mosafejo Ward, “Oworonsoki men need to be involve in the fight of eradicating FGM because men have an edge over all the community affairs and day-to-day activities of the community; while the women need to be educated on issues like this as well as going against such practices.

    “I have been staying in Oworonshoki for over 15 years and I have never heard about female circumcision around here unless it’s done secretly.”

    Child Protection Network (CPN), Kosofe LGA coordinator and the executive director for Peculiar Queens Global Foundation, Mrs Olaoluwa Akinremi, advised women to borrow a leaf from Aishat and sensitise the neighbours of the negative impact of FGM. “Let them know it’s an offence and a health hazard. FGM is a criminal offence under that law and how they can fight against it legally. At CPN, we are here to protect the rights of the children under the law. We rescue victims and survivors,” she told residents.

  • Epe monarch in Antigua, Barbuda

    Epe monarch in Antigua, Barbuda

    The Alara of Epeland, Oba Olufolarin Kayode Ogunsanwo,  accompanied by his aids, made an historic visit to Antigua and Barbuda Island.

    Oba Ogunsanwo is the 55th Alara of Ilara, Epe Division and the Vice Chairman of the Lagos State Council of Obas.

    The visit, dubbed Return to Motherland, is a move led by Nigerian and African tourism developer and investor Otunba Wanle Akinboboye, founder and president of La Campagne Tropicana Beach Resort and Motherland Beckons.

    It was an auspicious moment for the Epe monarch and his team, who were received by the Prime Minister of the island, Mr. Gaston Browne.

    The visit afforded the Alara the opportunity to explore the richness of the island and how his kingdom can use the new vista on the horizon to export its art, culture, heritage and gastronomic offerings, among others for the mutual benefit of his kingdom and the island.

    Through Motherland Beckons, Akinboboye is making historic effort at creating the first- ever Africa Tourism Free Trade Zone on the island.

    The first phase of the historic project, which is to make the island the sixth region of Africa, which will be a playground for Africans and the world to interact and savour, once again, the best of Africa’s art, culture, heritage, music, dance, fashion and lifestyle, has began, with the construction of the first in a series of resorts that would dot the free trade zone.

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    The vision of Akinboboye for the African Tourism Free Trade Zone is, among others, to create a return for people of African descent.

    As he recently noted, “we believe that the movement should begin from where it started – the monarch.

    “It is in this regard that African royalties will form a major part of this Return to Motherland movement on cruise ships and luxury airliners. This is because the monarchs’ visits will be weaved around cultural, economic and educational prospects to help with the growth of the continent of Africa.”

    Antigua and Barbuda will, according to Akinboboye, serve as the neck in this new nexus. He noted that: “Africa is a body without a neck. The heads (Africans) on the continent and the diaspora don’t have a neck to connect them to the body. But now, Antigua and Barbuda, which were the middle passage, will be the neck and connecting link to connect Africans from within the continent and those in the diaspora to the Motherland (Caribbean), where a new marriage is proclaimed.

    “The monarchs will be part of the centrifugal element that will make this happen and when it does happens there will be business opportunities in all spheres to explore because what has been missing before now is that connection, which Antigua and Barbuda now offers,” he said.

    One of the major activities that will herald the new move is Ipada Carnival (The Return), an annual pilgrimage of people of African descent to Motherland. It will feature, among others, live music from 54 African countries, cuisines and fashion from the six regions of Africa and six Caribbean countries, Nefratiti – the Queen of Africa beauty pageant and Ose award – an award to appreciate one African that has made impact in the world and Africa.

    In the coming days, you will be spoilt for choice when you visit Antigua and Barbuda, as you will have the opportunity of exploring endless options in tourism and business. It is this gap that the Alara of Epe is hoping to lash on to promote his kingdom and fuse with the Caribbean.

  • Exploring exploits of an army legend

    Exploring exploits of an army legend

    This volume of Legend of Buratai that has 9 chapters and is 238 pages long was published in 2022. It was preceded by two volumes. However, it was observed that the previous volumes did not quite discuss Lt General Tukur Yusufu Buratai’s (Gen Buratai) military career and the basis of his successes. Although Gen Buratai had planned to discuss his military career in his memoir, he yielded to the desires of his readers and devoted volume 3 to a narrative of the thoughts and principles that guided him on his way to generalship. And so very early in the book Gen Buratai declared that: “In my attempt to take a critical look at generalship and the road to that exalted circle in the military, I shall expound my understanding of what is leadership, types of leadership and the best leadership style that has worked for me, leadership and generalship, steps or things I did that helped me on the road to generalship, and pitfalls to avoid on the road. This is a recollection of my personal experience from the field and also theories I learned in the class” (p.6).

    In effect Gen Buratai’s military career begun in his boyhood days. According to him, he was a born soldier. His father was a World War II veteran and soldiering was his first choice as a profession even though it was providence that got him enlisted into the Nigerian Army. A friend of his at the Teachers College Potiskum that he also attended had intimated him of an ongoing recruitment exercise into the Nigerian Defence Academy (NDA). He quickly applied, sat for the examination, passed, received his father’s blessings and got enlisted into the Nigerian Army as a cadet in 1981. There, begun his military career in earnest although his Indian teacher at the Teachers College Potiskum had noticed something extraordinary in his personality even at that youthful age as he kept referring to him in the class as a ‘great man’ (p.18).

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    As the narration goes, Gen Buratai outlined in details step-by-step the process of his rise to generalship with the sole purpose of guiding his fellow cadets and junior officers what to do for those of them who aspire from their lowly positions to be generals and even to a higher opportunity of the rank of a 3-star general that he proudly attained and served for 66months as Chief of Army Staff before he bowed out of service after 41years of military career. Gen Buratai went on to explain the purpose of writing this volume thus: “It is not an easy feat to rise to the level of a three-star general and Chief of Army Staff in Nigeria. There are principles and disciplines that I developed and learned from others that helped me to succeed in the Army. It will be a great disservice to humanity to keep them to myself and not to share (it) with those coming up; those who want work hard and smartly to succeed in the military” (p.30).

    In his prescriptions on the road to generalship, Gen Buratai laid emphasis on personal development as being very critical to any cadet or junior officer, male or female, who wants to become a military leader, more so, in the mould of general, adding that: “…the best thing to do for any officer on the road to generalship is to be a good follower, imbibe the principles of diligence, loyalty and excellence in all ramifications of one’s life. If you want to succeed as an officer and become a military leader, you must perform better in order to stand out from the crowd. Why? It is because good performance begets more and better opportunities” (p.31).

    As a demonstration of his personal development, Gen Buratai recanted how after qualification as a teacher and graduation from NDA, he proceeded to acquire first Degree in History at University of Maiduguri and a Master of Philosophy in Security Studies from the Bangladash University of Professionals. These are in addition to subsequent professional courses he went through as a military officer.

    In all modesty, Gen Buratai stated that in all this, he performed excellently well. It is on that account that he emphasized the benefit of education and reading which he said allow one to learn from the experiences of people one never met and who were widely reputed to be successful as military officers and as civilians in other professions in Nigeria and other countries. Gen Buratai said: “What usually distinguishes leaders from their peers and their followers is personal development for when others are busy partying and sleeping, the prospective leader is busy burning the midnight oil, reading voraciously, drinking from the fountain of wisdom and knowledge like a thirsty camel in the desert’’ (p.95), stressing that “…reading is to the mind what exercise is to the body” (p.98).

    One should read widely and in-depth, digest or process what one has read, reflect and make concerted effort to practise what one has read, he further advised.

    The rest of the book and more especially Chapter 7, pp. 103 -154, are  devoted to discussions on the leadership principles and citing numerous personalities worldwide who were successful based on critical success factors that include and most importantly the virtues of trust, honesty, influence, communication skill, loyalty, selflessness, diligence, determination, confidence, ambition, commitment, physical fitness, physical appearance, spirit of camaraderie, optimism, alertness, personal character, professional capacity, art of moderation, acquisition of multilingualism skills, style of leadership, leading by example, winning mentality, prayers and avoidance of  pitfalls encountered by others.

    Gen Buratai cited numerous personal and other examples backed by several quotations on leadership of people who had been exceptionally successful in and out of this country and going back into history to include pronouncements by notable contemporary leaders and ancient philosophers of the likes of Confucious (551-479) and a famous military strategist Alexander the Great (356-324 BC).

    It is noteworthy that to underline the importance of self-discipline Gen Buratai, quoting Plato, stated that: “… For a man to conquer himself is the first and noblest of victories” adding that “…the military officer needs to be disciplined in all ramifications of his life, the way he dresses, eats, periods of sleep, talks, walks, and relates with superiors and subordinates. There is no way a military officer can rise to generalship without personal discipline” (p.118).

    It is equally noteworthy that Gen Buratai being a qualified teacher, rendered the entire narration of the book in a style of an instructor addressing his students which in this case are military cadets and junior officers. It is also a credit to him that unlike books written by former fellow military officers, there is not much of the use of military terminologies which sometimes make it difficult for the non-military reader to understand. His was written in simple English all through.

    There is no doubt that not only military officers but anyone else who reads the book stands to benefit immensely from the emphasis on self-discipline in everything one does as well as the imperatives and gains of persistence in development of the body and mind.

    Lieutenant General Tukur Yusufu Buratai who hails from Buratai Town in Biu Local Government of Borno State, North Eastern Nigeria was born on November 24, 1960. He enlisted into the Nigerian Army in 1981 and retired in 2021. Post-military service, he served as Nigeria’s Ambassador to Benin Republic, 2021-2022.

    ·               Usman is a former permanent secretary in the presidency, Abuja

  • Film Festival targets culture, unity

    The ancient city of Kano played host to the maiden cultural films festival from the stables of Legacy of Traditions and Kano Emirate Council. The event drew 23,200 visitors, including celebs from Kannywood.

    The aim, according to the organsers, was to promote our unity in diversity; while showcasing how cultural traditions are an important part of our lives that connect us with our history, values and beliefs, while providing us with a sense of belonging and identity that help shape our lives.

    The festival featured a diverse range of films, including documentaries, short films, and feature-length productions. The films explored various aspects of Nigerian culture, such as traditional practices, music, dance, folklore, and the challenges faced by different communities.

    The whole event lasted for four weeks, featuring over 20 cultural film documentaries, was watched in the two commodious halls of the magnificent Ado Bayero Mall, Kano.

    The opening ceremony attracted cultural displays including the Durbar -a large procession of colourful horses that has evolved with the history and tradition of Kano people. The Durbar thrilled the audience to end for most of the decors. There were Turbans from Zazzau, Sokoto, Katsina as well as saddles, swords, spears and musical instruments in vibrations of the Durbar.

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    According to founder of Legacy of Traditions, Nere Teriba, who is currently the Executive Vice President of Kian Smith Trade and Co, the choice of Kano is because of its rich culture.

    She said: “Kano’s rich history as a melting pot of different cultures the more we hold cultural events like this, the more we will promote our unity in diversity. That was why in partnership with the Kano Emirate Council we embarked on a yearlong renaissance project with series of festivals and events that started in December 2022 that will end in November this year.

    “This initiative focuses on building the cultural economy through celebration of heritage that promotes many industries while developing intra-Africa travel to boost tourism, cultural integration and exchange. For these reasons, the Cultural Film Festival and Experience Journey were set at the backdrop of the historic annual Durbar where visitors have traveled to witness the glorious spectacle of the Kano Durbar.”

    The deputy governor said his principal, “Governor Abba Kabir Yusuf, has indicated interest to partner the organisation in the promotion of culture, traditions and tourist attractions in Kano state.”

    The event was attended by Kano State Deputy Governor Aminu Abdulsalam Gwarzo, who represented the governor. He expressed delight over the successes recorded by the programme. He said: “We thank you for your interest in our culture and for bringing us together.  For the four weeks you stayed here, you registered over 23,000 people who visited to see what you are doing. We thank you for the issues that capture our traditions and cultures.

    We are looking forward for more partnerships with your organisation.”

    The Emir of Kano, Aminu Ado Bayero, praised said the concept will preserve other aspects of the Durbar as a means of developing a “durbar industry” that will enhance economic and financial benefits for the people and the country; while advising:

  • Unity 2023 festival holds in Belgium

    Unity 2023 festival holds in Belgium

    The Embassy of Nigeria in Belgium has disclosed that it has perfected plans to hold the Nigerian Arts and Culture Festival in Antwerp, Belgium next month.

    The festival, which is designed to promote Nigeria’s culture and boost the tourism industry in Belgium, will hold in collaboration with Nigerian community/associations in Belgium, and Nigeria Tourism Development Authority (NTDA).

    According to a statement by the Nigerian Ambassador to Belgium, Mr. Obinna Chiedu Onowu, the festival with the theme: “Unity 2023” will feature arts and culture exhibitions, dance, music, foods, and movies, among others.

    Onowu said that officials of the European Union, Belgium, African Union, Caribbean, and Pacific States, as well as other friends of Nigeria would grace the event slated for Antwerp Cricket Centre on September 2. He added that event is free to the public.

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    “The cultural event will introduce Nigeria, its diverse culture, arts, and music to Belgian, African, Caribbean, and other communities in Antwerp. It also serves as a unifying factor, bringing together, all Nigerian associations to celebrate those cultural values that unite the people of Nigeria, hence the theme Unity 2023.

    He said Nigeria remained the most-culturally diverse nation in Africa, and rich in songs, dance, drama, costumes, arts and craft products adding “many Nigerians have distinguished themselves in the areas of music. Film, art and crafts and have put the country on the global map”

    Onowu said the current administration in Nigeria was committed to the diversification of the economy and the development of the tourism sector.

    In June this year, the Embassy of Nigeria in Belgium in conjunction with Belgium Luxembourg Nigeria Chamber of Commerce (BLNCC), Afrinex, and A-Law organized the Nigeria -Belgium- Luxembourg Business Forum, which attracted over 200 businesses in Europe and Nigeria.

    The event brought together key industry players and government officials and focused on agric-business, renewable energy, health, construction/ infrastructure, financial services, and other sectors of the economy.

  • NCC partner SNA, others 

    NCC partner SNA, others 

    • By Goodness Okoroafor

    With the aim of harvesting the creativity of those behind bars, the Nigerian Copyright Commission (NCC) will partner the creative industry and Nigerian Correctional Services (NCoS). The move, which is in line with its mandate and renewed drive to encourage the use of copyright to grow the creative sector, according to its Director-General, Dr. John Asein, will promote creativity in correctional centres.

    He disclosed this when he visited NCoS Controller-General (CG) Mr. Haliru Nababa.

    Elaborating on the initiative, Asein said the commission had concluded plans to collaborate with agencies, practitioners and associations, such as the Nigerian Publishers Association (NPA), Association of Nigerian Authors (ANA), Performing Musicians Employers Association of Nigeria (PMAN) and the Society of Nigerian Artists (SNA), to facilitate the reformation, rehabilitation and reintegration of inmates through creative activities.

    The drive, he said, will help keep the inmates engaged, inspire hope in them, help to develop positive life-changing attitudes and hone their life-effectiveness skills. In his words, “the programme will introduce inmates to new value systems and role models that would make them more mentally ready and less likely to become reoffenders after serving their terms.”

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    Asein said aside strengthening the creative skills of inmates in various sectors, the Commission will promote reading by working with publishers and authors to donate books to correctional centres’ libraries, and collaborate with NPA and ANA to organise a creative writing competition with the aim of getting the best works from the competition published.

    Nababa appreciated NCC’s efforts at encouraging creativity, describing the Commission as an indispensable gem in the country’s economic growth.

    Represented by the Deputy Controller-General (DCG) in charge of Inmates Training and Productivity (ITP), Sylvester N. Nwakuche, he expressed optimism that the partnership would yield results and boost the redefined mandate of NCoS.

     for the holistic reform, rehabilitation and reintegration of Inmates.

    He noted that there are countless creatives in correctional facilities across the country that would benefit from the proposed partnership, adding that the NCoS has already put in place a Technical Team for the implementation of the partnership.

  • Okachamma Dance Troupe’s Performance: A Riveting Fusion of Tradition and Modernity

    Okachamma Dance Troupe’s Performance: A Riveting Fusion of Tradition and Modernity

    By Kafayat Oluwatoyin Shafau

    Last night, the Okachamma Dance Troupe graced the stage at the National Theatre Lagos, with their latest production, “Roots and Wings.” This ambitious performance aimed to blend the richness of traditional dance with the innovation of contemporary styles, and it did so with remarkable success. As a dance critic, I found the evening to be a compelling showcase of technical excellence, emotional depth, and cultural storytelling.

    The performance opened with “Echoes of the Ancestors,” a piece that paid homage to the troupe’s cultural heritage. The dancers, adorned in vibrant traditional attire, performed a series of folk dances from their native regions. The intricate footwork, rhythmic patterns, and expressive hand gestures were executed with precision and grace. Choreographers Shalom Nwoha and Ifeanyi Akabueze succeeded in capturing the essence of these traditional forms while infusing them with a contemporary sensibility.

    The use of live percussion and traditional instruments added authenticity and depth to the performance. Their energy was infectious, drawing the audience into the rich tapestry of their cultural roots. However, at times, the transitions between different dance styles felt abrupt, which slightly disrupted the overall flow of the piece.

    The second act, “Adornments” showcased the troupe’s versatility with a series of contemporary dance pieces. Here, the choreography by Tobi Emmanuel was a force of innovation and creativity. The dancers moved with a fluidity and dynamism that was both mesmerizing and thought-provoking. The piece explored themes of identity, change, and resilience, with each dancer bringing a unique interpretation to the collective narrative.

    Particularly notable was the duet performed by Shalom Nwoha and Tobi Emmanuel . Their chemistry on stage was electric, and their movements seamlessly blended athleticism with artistry. The choreography made extensive use of lifts and partner work, highlighting their technical skill and trust in each other. The emotive quality of their performance left a lasting impression, drawing a standing ovation from the audience.

    One of the evening’s highlights was “Bridging Worlds,” a piece that expertly merged traditional and contemporary elements. Choreographer Ifeanyi Akabueze crafted a narrative that depicted the journey from ancestral traditions to modern identity. The dancers transitioned effortlessly between classical postures and contemporary expressions, creating a dialogue between past and present.

    The use of multimedia projections added a powerful visual element, illustrating the cultural and historical context of the dance. This innovative approach enhanced the storytelling, making the performance accessible and engaging for a diverse audience. The music, a fusion of classical melodies and modern beats, underscored the theme of continuity and change.

    The Okachamma Dance Troupe demonstrated not only technical prowess but also a deep understanding of the emotional and cultural dimensions of dance. The lighting design was instrumental in setting the mood for each piece, using shadows and highlights to enhance the dancers’ movements. The costume design by Charles was equally impressive, with each outfit thoughtfully reflecting the cultural and thematic elements of the performance.

    The troupe’s ability to maintain a cohesive narrative while exploring a wide range of dance styles is a testament to their versatility and artistic vision. The evening was a celebration of diversity, creativity, and cultural heritage, leaving the audience with a profound appreciation for the power of dance to bridge worlds and tell stories.

    The Okachamma Dance Troupe’s “Roots and Wings” was a triumph of artistic expression, blending tradition and innovation to create a performance that was both moving and memorable. The dancers’ technical skill, emotional depth, and cultural storytelling were on full display, making this an evening to remember. As the final curtain fell and the applause echoed through the theater, it was clear that the Okachamma Dance Troupe had delivered a performance that resonated deeply with its audience.

    In the end, “Roots and Wings” was not just a dance performance; it was a journey through time and identity, celebrating the beauty of cultural heritage while embracing the possibilities of the future. This is a troupe to watch, as they continue to push the boundaries of what dance can achieve.

  • ‘Art is the soul of society’

    ‘Art is the soul of society’

    Moses Ohiomokhare is a curator and art consultant. In this interview with Yetunde Oladeinde, he talks about his experiences in the past three decades, inspiration from Professor Bruce Onobrakpeya, new opportunities with AI, challenges and more

    What inspired your interest in the sector?

    I have been in the arts in the last three or more decades.  I have been working with artists and art has grown up with me. It has become a part of me and I don’t see what else I can do other than this.

    What pushed you in that direction?

    I was in Quintessence  for  more than 3 decades and in the course of it we organised Exhibitions.  We were the first set of Organisations that organised Exhibitions within the country.  I worked with a lady called Chief ( Mrs) Oni- Okpaku . She owned Quintessence and she groomed us up. I  studied sociology and anthropology, then came in there as a green horn. We became virtually interested in the arts and I loved arts. The only thing I cannot do is work with my hands to do artworks. But in my heart it is there.  I can look at works and tell you what to expect  or recommend to you because I  know the depth of the work that is done.

    How would you compare the Quintessence days and now. What has changed?

    A lot has changed. I would say that in those days people were working according to the rules . They practised arts the way every other person would do it. They were moreorless giving us realities and  leaving out abstracts.

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    Of course there were a few landscapes.  What you see today shows that there is a lot of independence in the arts. The  restrictions are no longer there. You don’t practice by the rules. You do what comes out from the heart. It’s more flexible.

    Does this have some negatives?

    No! I think it’s a lot more better.  Today’s art is a lot better than the past. They have created a lot of variety  for people to enjoy.  And I think that what they have done is to challenge the status quo.  I  want to think that there is a lot of influence of the internet.  I want to think that there is a lot of influence of art in the Global village today. People draw strength from various areas they look at. Unlike in the past, when you are restricted to your environment.  It has affected them but has affected them positively because they see what is going on at the other side of the world and they say we can challenge it. That has changed things positively for our arts.

     What do you think that they should be doing differently?

    I think that the government is not encouraging art. They enjoy the art but they are not encouraging it. When you look at the National Assembly, the mace itself is an artist’s concept.  If you go outside the Assembly and you look at the sculptural  pieces out there, it was all done by an artist and they are beautiful. They create a beautiful ambience of the place and you are quite impressed with what you see.But this things are done by artists. Even if you go to Aso rock,you go in and see the artworks that are there. They are quite impressive. So, what is wrong with encouraging our artists. 

  • Walking with a General to freedom

    Walking with a General to freedom

    Title: Walking The War Front with Lt. Gen. TY Buratai – pictorial memoir  of an embedded Journalist

    Author: Jibrin Baba Ndace

    Reviewer: Edozie Udeze

    The books are three in number released as a trilogy by the author, Jibrin Baba Ndace, a journalist. However, the trilogy is all on one man. That man is General TY Buratai. Buratai was Nigeria’s Chief of Army Staff, the man who was appointed at the nick of the nightmarish Boko Haram insurgency in Nigeria. This book is titled Walking the War Front with Lt. Gen. TY Buratai-pictorial memoir of an embedded journalist. The pictures are topical, depicting the remarkable scenes and events that shaped the official responsibilities and roles played by Gen. Buratai and his officers and men to safeguard the Nigerian society. Indeed, pictures do not tell lie, rather they preserve history and prolong memories. Pictures are clear indications of what have taken place overtime in a given situation.

    This book is not just punchy, it is clear that Buratai has gone through thick and thin to give Nigeria’s enemies the toughest fight to liberate the people from the clutches of their enemies. The pictures take the issues stage by stage, from the outset to the last days of the roles played by Buratai in this matter. It is easier therefore to nickname this book Buratai-photo speak, an archival documentation of series of events that came from the ingenuity of an embedded reporter, a committed defence correspondence, an iconoclastic writer.

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    Opening the book with a philosophical statement – “Sometimes you will never know the value of a moment until it becomes memory”, the author truly saw beyond tomorrow by taking the bull by the horns. Then he resorts to providing a broader map of Nigeria where he captured all the states and regions that make up Nigeria. The idea is for the reader to have a better glimpse and understanding of the geography of this entity called Nigeria and how and where the bandits operated. It is to show how vast Nigeria is and how tenacious Buratai and his men were able to traverse the entire gamut to win laurels for themselves and for fatherland.

    The pictures are evocative, deliberate and inviting. There is also a broader indication of Niger, Chad, Cameroon, all to show Nigeria’s neighbours and some of who are comfort zones for Boko Haram and other insurgents and terrorists that terrorized Nigeria for far too long. With these broader back-grounding it becomes easier to see and realize how effective the fighters led by Buratai were able to overcome and make Nigeria safer as it is today. Then you quickly encounter an official handover to Buratai. That ceremony is the first picture in which Gen. Minimah hands over to Gen. Buratai. Both are all smiles with high hopes as they look forward to a glorious new dawn for Nigeria. With this mantle, the spirit of conquest took over Buratai. Now straight to the war front, he walked, worked and triumphed. The rest is now history.

    Then comes the signing of handover, the next is the picture of the decoration of Buratai with his new rank. Here statements were made to reassure the people and re-energise the soldiers for the battles ahead. Very glossary pictures, they are penetrating, inquisitive and reassuring that brings new hope to the society. Here Buhari is also featured where he proudly smiles and decorates Buratai whom he promoted and appointed for this onerous, herculean task. It is of note that all the pictures are now historical materials that reveal lots of facts that the populace were not privileged to know about.

    The decoration of Buratai by Buhari and former vice president Osinbajo is quite elaborate. It shows the level of trust and confidence the leadership had in him before appointing him to take over. The pictures then go deeper and deeper into the theatre of war, where situations become more precarious, strange and incongruous. Yet both the author of the book Ndace and Gen. Buratai himself did not relent or bulge. Attention was totally focused on winning the war, recovering lost grounds and setting the Nigerian captives free. These are all captured and shown in the pictures. For instance, on page 72, is a long meandering group photo of Buratai and the senior officers and the troop ready to swing into action. You can also see how battle ready they were, eager to rout out of the land people who swore to be enemies of the land.

    On page 120, you see Buratai and his men in hard, strenuous pushup exercises to keep body and soul strong enough to battle to finish. It is clearly encouraging to see this sort of heartwarming outing that shows that in the military, you are supposed to be agile all day long to be able to face the rigours of your calling. Always be battle ready which Buratai and his men consistently proved. This attitude equally gave them an edge over their enemies. On page 140, the soldiers are vigilant, brave and alert, more so eager to fire on. They move on into some of the besieged communities worst hit and occupied by Boko Haram. It is time for total liberation. You see soldiers appear trigger happy, trigger ready and joyous to prove their mettle. So also on page 143, Buratai is at the military base in Borno State with Gen. Umaru and others. Here he is being briefed on arrival. It is good to see some of the vehicles and other modern military gadgets and equipment used to subdue Nigerian sworn enemies. These pictures are eye-catching, deeper than the ordinary ones we encounter daily about the military.

    Then the recapture of Gamboru Ngala on page 194/195, elaborate and where also Major Abu-Ali is being decorated. Here also Nigerian flag resonates once more in Gamboru Ngala. Then the hopes of the people were restored forthwith. Gradually smiles began to return to the faces of Nigerian soldiers owing to the fact that victory has begun to be realizable and realistic. This is manifested on page 199 and on and on, like it would never end. You have pictures on woes of war, on the front line, the night in Gamboru Ngala, no water, and no life. There are also others on life goes on, ruins of war, winning and more. In all these it is said that it is all’s well that ends well.  It is only winners who tell the story of victory. Villains rather keep quiet.

    You see communities going back to their lost homes and settlements, now liberated. They smiled effusively, as they carried their loads on their heads and shoulders. You also see the combatant soldiers and their leaders looking more adorable, and hopeful as beautiful buildings, homes and establishments resurface on the scenes. The war is fought and won. The pictures say it all. They say it in more words and prove than one. This, indeed, is an ambitious work, done in 475 pages showing that nothing is impossible for the willing mind. Here also Gen. Buratai’s spirit of valour and conquest, thoroughly depicted in these wonderful photographs show an epoch making history in all sense of the word

  • Calling sociologists to action

    Calling sociologists to action

    Title: Reflection on a World of Hypocrisy, Hypocrites & Intrigues

    Author: Olayiwola Erinosho

    Reviewer: Edozie Udeze

    Year of publication: 2023

    The title of this monograph is catchy and thought-provoking. Reflection on a World of Hypocrisy, Hypocrites & Intrigues by Olayiwola Erinosho, dwells on different socio-political, economic and religious issues that have consistently distorted and bedeviled wheels of progress across the globe. The five themes handled here reflect on different lectures the author delivered over-time at different fora on myriad of issues that trouble the world. As a Sociologist, Erinosho understands the nuances and exigencies of the topical matter and conflicts that have impeded peace all over the globe.

    When Sociology was introduced into the university programmes by the West, the idea was basically to use it to deliberate, study and find solutions to the basic conflicting issues that have stood in the way of peace, love and harmony world over. But so far, has the introduction of Sociology into the societies done any more than it could otherwise have done? The author takes his time to explain the reasons for the topical themes he has handled in this monograph. He is quick to add however that – “One can therefore conclude that there is an interplay between hypocrisy, hypocrites and intrigues on one hand and issues that bring about social conflicts, wars, etc, in/within societies, be they developed or underdeveloped on the other. Sociologists and social scientists have however failed to show appreciation for lack of candor which can enrich our understanding of the incapacity of humans to live harmoniously in societies”. This, in other words, summarises the extent to which the author has gone to waive stories around the themes of these five lectures which bother exceedingly on the common but everyday factors that tend to put the world at a crossroads.

    The first paper, (chapter I) is aptly titled sociology, hypocrisy, and social order, in which the author takes a cursory look at the reasons the West founded what is now termed western sociology. Spearheaded by two notable social scientists – Auguste Comte and Herbert Spencer, the primary concern is that – “emphasis on the application of the scientific method in production of knowledge that would engender peaceful co-existence in all human societies” – hence sociology. Yet, peace has since eluded the world. Solutions for peaceful co-existence have since also remained illusory. The world is painstaking in its quest to distort peace, to prefer war and disorder.

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    It is pertinent to note that the author is profound in the handling of various actions by world leaders across the globe to continually and continuously sue for war rather than peace. Here the theme of the book is clearly defined. From one nation to the other, different forms of hypocrisy and hyperbolic indices are used to curry trouble, invite chaos and embrace intrigues. World leaders, whether of the West or the rest of us are basically hypocrites, involved in all manner of intrigues to outwit or hoodwink one another. This is why the author deftly defines hypocrisy, the West and the rest of the world. He goes into the nitty-gritty of it all, mentioning names, situating places and apportioning blames where necessary.

    One example suffices here: “Thus, it is to the eternal credit of the West that democracy which was hitherto regarded as an anathema in many diverse contexts of human existence is being grudgingly embraced worldwide by nation-states that hitherto treated it with contempt”. And so the human subjugation continues unabated with the West breathing down on the rest of mankind using hypocritical approaches, inventing all levels of intrigues to embellish their hypocrisy. With mind-blowing instances imbued with highhandedness by various leaders and their surrogates, this well-researched lecture takes the reader through many sad situations that have caused many unbearable wars and heartaches to humanity overtime. His conclusion says it all: “Peace and social order will continue to elude humankind unless we interrogate hypocrites in the study of social relations, economy and politics…” (Page 19).

    In lecture chapter 2, titled What Patriarchy and polygamy got to do with Nigeria’s politics? the author poses a thousand and one questions. He begins it very clearly. “This paper is about the interplay between aspects of Nigeria’s social structure namely, patriarchy and polygamy on one hand and partisan politics on the other. One is tempted to clarify key concepts before exploring how patriarchy and polygamy play important roles in trending political behaviour…” In the developed world, people tend to align politically based on same ideologies. This is what is absent in African or underdeveloped societies. Also here in Africa polygamy is allowed or tolerated as against what obtains in the West. So while politicians in the West are firmly rooted in ideologies, here in Africa, politicians behave like ‘herdsmen’. “They are fair weather practitioners who traverse from one party to another in search of greener pastures” (politically) page 24.

    On the other hand, polygamy as against monogamy is home to Nigeria, nay Africa. The West came, distorted it, and yet a typical African man still believes in and maintains polygamy in different guises. Erinosho situates it thus: “Polygamy is a form of marriage in which a man can marry two or more women at a time…” page 25. But in Nigerian politics, the tendency to also dance around two political parties at different intervals of time has necessitated this theme and the analogy thereof. So in Nigeria, it is clear that partisan politics, patriarchy and polygamy go hand in hand and no one seems to frown seriously at it. Perhaps it also proves home-grown, or made in Nigeria, sort of. Like herdsmen, these politicians move from place to place in search of foods, pastures for their cattle (page 40).

    In chapter 3 theme: Socio-cultural organizations and national development, the author goes further afield to clarify serious themes that inform the topic. He says: “Let us begin by clarifying key concepts that are contained in the title of this lecture. First in culture which in defined in social anthropological literature as the totality of a way of life of a group or community…”, Page 42. Therefore, culture incorporates everything about a group/community. And everything here constitutes shared behaviour/pattern, belief-systems, religion, mode of dressing, jokes, value-systems, language, norms, mores, laws, etc, etc.

    So how do all these reflect on national development or even impede it as the case may be? Yes, “The Nigerian state is today bogged down with competitive modernization among her ethnic groups/tribes. Each ethnic group or tribe in the country entered the race of modernization shortly after the British colonized Nigeria. Each would outpace others in the race towards modernity or modernization”. Page 44. Cases where socio-cultural groups came to intervene in forms of development can easily be mentioned here. It all shows how powerfully elements of culture and beliefs can go to develop or hinder steady progress in certain quarters or vicinities across the nation.

    He goes on to mention roles of some of these groups in Yoruba land, in other sub-cultures within. And so with multiple examples he concludes that socio-cultural organizations play and can still play proactive positive roles in societies. “They can certainly become change agents for the restoration of our time-honoured cherished values and norms”, page 68.

    Chapter 4, dwells on political violence in Nigeria, so themed to deal with one of the troubling issues that has punctured democracy in this society over the years. Erinosho defines it thus: “Political violence is the use of violence to cause harm against a group in order to coerce responsible authorities or population in the furtherance of political and social objectives. Political violence therefore may be perpetrated by state or group…”, page 71. In this instance, political violence is known world-over across races, colours and climes. It is not limited to one country or continent.  There have been, for instance, about 326 episodes of armed conflicts in the world between 1946 to 2006. Now in all, civil wars in the world ever since, have claimed about 16.2 million people across the globe. In other words, what does it profit man to engage in violence of any kind that claims and maims lives? In summary however the author says “There is bound to be political violence in the society where the majority of its people are aggrieved, helpless, powerless and frustrated because anger arouses them to revolt against uncaring leaders as was the case in North African countries years back… political violence is nothing more than inevitable response of the masses to bad governance (government)” page 88.

    What has mental health got to do with Nigerian society today? , is the theme in chapter 5. What is the state of health care in Nigeria? Can Nigeria safely and sincerely say that its health sector is good enough to cater for its millions of citizens? Too many posers, indeed and the author is also concerned like most citizens are. Yes, according to the World Health Organisation (WHO) health is a complete state of physical, social and mental well-being and not necessarily the absence of infirmity. Mental health is therefore one of the key components of health…” Nigerians celebrated her 49th birthday a few days ago not with joy, but in sorrows judging by commentaries in national newspapers. Nearly every writer bemoaned the state of affairs in Nigeria, asking over and over again in their contributions, why is Nigeria such a state, marked by weak economy, poor health status, among vast numbers of others…”

    It is a well- researched monograph with the themes properly addressing topical issues. The foot notes, ibids, and references show how deep the author went to get his thoughts properly sorted out. However, minor errors here and there and the inconsistency in the usage of British and American English spellings cannot be excused. It is hoped, that the author will sort these out very soon.