Category: Arts & Life

  • Where art, culture and nature mingle

    Where art, culture and nature mingle

    A tourist centre, Ogidi in Ijumu local government area of Kogi State, signifies a town where mountains beckon. It is a place where nature dwells and where Nike Okundaye and others have made culture and art the main attraction. EDOZIE UDEZE who was at Ogidi recently writes.

    My journey from Lagos to Ogidi via Kabba was but instructive and a bit lugubrious. The only motor park where one can board a public transport to Kabba in Lagos is at Ojota new garage. That in itself is absurd. My first impulse was to break the journey by going to Ibadan first. But on an instinct, I decided to brave it and to obey the directive given to me by my host, my former boss and editor, Mr. Tunde Ipinmisho. The mission to Ogidi, in Ijumu local government area of Kogi State, was cultural. I was going to attend and report their new yam festival otherwise known as the Ogidi Day Festival.

    I’d not been to Ogidi before. So the journey somewhat became a curious moment for me. Yearly, reports about the festival painted and celebrated a scenario of beauty, razzmatazz and excitement. These were what I fancied and looked forward to. But incidentally the journey from Lagos became slightly hazardous and discouraging. Take off time from Ojota was 11am after I’d spent close to four hours for the vehicle to load. Reason given was that the price was high and most people had decided to stay put in Lagos. Secondly, while half way into the journey, the back tyre of the bus developed a big fault. Almost pulling out on the highway, the driver was practically forced to park after several warnings to do so. Then the issue of a good spare tyre for the long journey arose. After much quarrel and entreaties, the bad spare tyre ended up being our only consolation.

    In the end, we got to Kabba late at night. The bus driver, stubborn and indolent, meandered his way through Ikare instead of going straight through Ekiti. When we got to Kabba it was late to trace my way to Ogidi. Having spent the night in one shabby, airless hotel, the only one that was available that Friday night, early the next money, I headed to Ogidi. In the meantime, there was no network both from my end and that of my host at Ogidi. All attempts to reach him and communicate with him became a utopian dream; a pipe dream so to say. Ipinmisho was worried, obviously, while I was in a dilemma myself.

    When I got to his home early that Saturday morning, Ipinmisho was glad to receive me. The wonders of Ogidi, however, cannot be measured. They are numerous. Its natural beauty is indescribable. No doubt, it is a sleepy village. It is agrarian as well. It is surrounded by mountains, rock formations in different sizes and shapes and valleys. Too many mountains to count but alluring and beckoning to lovers of nature. The valleys serve as succour to the people. Houses are erected within the low lands. The valleys serve as farm land and natural protection to the people. The soil is also fertile and that is why yam is the king in the area.

    The people jolly in their natural environment. They cherish it; they live on the land. The valleys provide security in and around the village while the mountain look so intimidating but familiar to the people. In all these, some of the mountains look frightening to a first time visitor. But it was understood the mountains are safe. All of them are climbable.

    A journey to Ogidi from Kabba, a distance of about nine kilometers is mostly done on motor bike. The roads are in bad shape and terrible conditions. In fact at a stage you’d ask yourself where are you going?. But then you quickly pondered. Yes, I am going to Ogidi, to witness and partake in this euphoric and proverbial fest that has attracted so much interest and attention over the years. That alone became my consolation, an impulsive allure as the Okada galloped and meandered through pot-holes, ditches and bumps. As you then sighted the natural settings of the town, the glow on your face suddenly returned.

    Some prominent indigenes of Ogidi have made it a duty to draw attention to their town. Every year therefore, they ensure that everyone, particularly those that matter in the town contribute to the festival. Since Ogidi has produced many rich and prominent citizens the festival is one plausible and pleasant way to ignite brotherhood, infuse development and breath fresh life into the environment. This also informs the reason the events leading to the festival proper include climbing of the mountains and sitting on the rocks.

    The rock formations on the mountains are unique and attractive. Indeed, they bestride like artistic beauties, well sculpted and arranged.  So in climbing them as part of the festival, visitors, indigenes, big and small, find ample moments to sit on the rocks. They are good for relaxation. On it all sorts of games are played by people in clusters of groups. Ayo game is also played, so also Ludo games and Chess. As these go on the surrounding vegetation, faunas and floras provide soothing breeze. The breeze wheezes endlessly, spilling nature into the skins of people.

    Also some people this year, just like in the years past chose to prepare barbeques of meat and fish atop the mountains. The scenes thus created appear like a picnic. The likes of Chief Nike Okundaye, the world renowned adire artist were on hand to receive and host guests. Fortunately, the mountain behind her art centre in town was where most of the mountainous events took place. So, it was like nature meets and mingles with arts.

    Okundaye’s Art Centre empties into the foot of the mountain. There is an outdoor art gallery. The gallery has more of sculptures and carvings that can survive the vagaries of weather.  That too, is a tourist attraction. It is a fact rumoured in the town that Okundaye will soon solicit for it to be made a UNESCO-designated centre.

    Father of the Day for the festival, Ayodele Afolabi Abudu is one of the guys who have made the town richer through his generous contributions over the years. A bubbling business man based in Lagos, Abudu had in the past attracted musicians to the festival to energise the youths. This year alone, he made sure the celebration held by giving out plenty of money for its successful hosting. In fact he was everywhere alongside his wife Omorinsola to ensure people got the desired attention, maximum feel as it were.

    On his part, the President of Ogidi Development Union, Mr. Kayode Rapheal Eniolorunda was on hand to re-infuse life into the occasion. He was joyous. A retired Assistant controller-general of Immigration, his presence gave an added impetus to the gathering. Also Ipinmisho earlier in the morning drove round the town visiting families, felicitating with all and sundry.  As the progenitor of the festival and its director, his random visits was seen as a source of encouragement to all.

  • Dance to the Forest of thousand words (Contd)

    Dance to the Forest of thousand words (Contd)

    By Evelyn D’Poet Osagie (13/7/2020)

    In the forest of Life, of Trees, of Words   

    His grey Hair mirror his great Exploits

    His strong Stance explains his warrior’s Frame

    Baba is 89 today!

    We celebrate with fine Wine

    The metaphors that herald his fine Lines 

    Dance … Dance …Dance

    Let’s dance to the Rhythm of his Muse

    Like Sprites fashioned by Ogun’s Son 

    Who in spite of Nietzsche

    Thunders against storms

    …of shady Regimes, of Injustice

    Your Words vibrate against corrupt Practices

    Drawing us to the Forest

    Clanging our Pots

    Shaking our Shekere 

    Rolling our Waists

    Stamping our Feet

    We take the celebration to the Forest,

    Your Forest, not of a thousand Daemons

    But of a thousand Words

    HAPPY BIRTHDAY BABA WA

  • Battery Dance returns to Nigeria

    Battery Dance returns to Nigeria

    The Battery Dance Company, famous for captivating choreography and breathtaking performances, returned to Nigeria this month. And the New York-based company is determined to connect cultures through dance.

    It held a live dance performance in partnership with the Society for the Performing Arts in Nigeria (SPAN) last Saturday, at the Eko Hotel & Suites, Victoria Island, Lagos.

    The event, which was part of its Nigerian tour that began July 5 and would run till the 16th, drew dance enthusiasts, emerging dance artists, dance instructors and diverse professionals from Nigeria’s creative industry. The audience were treated to breathtaking choreography and compelling narratives.

    With support from the United States Mission and in partnership with SPAN, the dance company is visiting Nigeria for the “Dancing to Connect Programme”. 

    While in Nigeria, they are offering free workshops in Abuja and Lagos for emerging dance artists, instructors and stage lighting professionals focusing on contemporary dance techniques and cultural exchange.

     In addition, the team of Battery Dance instructors will engage youths in creativity and team building through the art form of modern dance.  Following the workshops, the dance company showcased artistic brilliance through captivating performances in Lagos last Saturday from where the performance train will move to Abuja on July 15.  

    U.S. Mission Counsellor for Public Affairs Adnan Siddiqi noted that the ”Dance to Connect” initiative is aimed at promoting cultural exchange, artistic collaboration, and the enrichment of local communities through the universal language of dance. 

    Siddiqi explained that the company’s tour is not only a great opportunity for audiences to enjoy their artistry, but a key aspect of the U.S. Mission’s cultural diplomacy.

    “The U.S. Mission is proud to bring Battery Dance to Nigeria to showcase American innovation and diversity in the performing arts. The upcoming workshops and dance performances promise to be an exciting, inclusive experience that will expand people-to-people dialogue and cultural ties between Nigeria and the United States,” Siddiqi said. 

    Founder and Artistic Director of Battery Dance Company,Jonathan Hollander, said: ”Coming to Lagos is a dream come true for all of us.  We’ve taken so much inspiration from the talented Nigerian dancers and cultural leaders over the years since our earlier visits in 2011 and 2013.

    “With Sarah Boulos and SPAN in New York and Lagos, we found a parallel mission of artistic excellence and social impact.  We’re grateful to the U.S. Consulate in Lagos and the U.S. Embassy in Abuja for believing in the power of people-to-people engagement through the Arts.”

    Battery Dance Company, founded in 1976, is recognised for its artistic excellence and commitment to cultural diplomacy. The company has performed in over 70 countries and collaborated with various artists from around the globe. Through its performances, educational programmes, and workshops, they aim to inspire, educate, and connect people through the universal language of dance. 

  • Rotary pledges hope in new year

    Rotary pledges hope in new year

    Rotary International District 9110, which comprises Lagos and Ogun states, has promised to offer hope to the less-priviledged in its consituency in its new year.

    President of Rotary Club, Onigbongbo, one of the clubs in the district, Babatunde Adesina Salau, stated this on the sidelines of a Fellowship by the club last Thursday.

    He said the offer was indeed Rotary’s theme worldwide in the 2023/24 service year, which is “Create Hope in the World” and that they would work towards its fulfilment. 

    Salau, a general manager, at the Nigeria Ports Authority (NPA), who was re-elected by the club, promised to execute outstanding programmes and projects.

    He said funds for projects were often raised in-house from members, urging public-spirited Nigerians to support them.

    He also urged the government to assist Rotarians, saying they were helping the government as progress partners to make life better for the people.

    Salau scored the club high in performance in the past year. It would be recalled that the the club won many awards.

    He said: “The Rotary Club of Onigbongbo has done well in attaining its set goals as they relate to the Rotary seven areas of focus. In addition, the club sponsored and also participated actively in the various programmes of our District 9110.”

     Some of the programmes were the District Inter-School Quiz Competition, the Zonal Inter-Club Training Programme, the Disaster Relief Fund for victims of the Earthquake in Turkey, the Medical Mission, the District Team Training Seminar, the District Training Assembly, the President-Elect Seminar, the District Conference and the Women in Rotary Conference. 

     The club, he also said, laid the foundation of its proposed Rotary Health Post at Odo-Ogun Community, Irawo, Ikorodu, Lagos, which German floor has been completed.

    However, he urged his colleagues not to rest on their oars in the new year. Rather, he advised, they worked towards restoring the club to its glorious days. He added: “The reward for hardwork is more work.”

  • Obey rules, Rector urges  students

    Obey rules, Rector urges students

    The Rector The Redeemer’s College of Technology and Management (RECTEM), Redemption City of God, Mowe, Ogun  State, Dr. Stella Mofunanya, has urged students of the College not to take  laws into their hands as any violation of  rules and regulations will not go unpunished.

      She said the College has zero tolerance for cultism and hooliganism, corrupt practices and other vices.

    Mofunanya, who spoke at the fifth matriculation of the College last  week, stressed that the institution will not award its diploma to students who are found wanting in character and learning.

     “I need to advise you to show respect to your colleagues , staff and the Governing authorities in the College to make your stay fruitful and productive,” she said. 

     She reassured the 326 fresh students  admitted into the College that the institution will continue to work round the clock to ensure the security of lives and properties of its students. 

    “You are aware that there is CCTV camera at every nook and cranny of the Redemption City, including your hostel and the lecture arena. You are expected to be security conscious throughout your stay at the Polytechnic,” she added.

    The Rector also urged the students to attend lectures timely and shun deviant behaviours/vices that could expose them to danger.  Assignments and projects, she said, are to be taken seriously.

    “In RECTEM, attendance at lectures, College Chapel programmes and other special events are of top priority; you are, therefore, encouraged to attend all lectures timely and ensure you shun deviant behaviors/vices that can expose you and others to danger.  Assignments and projects are to be taken seriously,” she added.  She urged the students to dress according to acceptable standards.  “Be modest and decent in your dressing. Undue exposure of body parts that have the potential to infuriate the sensibilities of others  is condemned and not cordoned,” she noted.

    Appreciating the great height the institution has attained and the brilliant champions raised, she gave the credit to the vision and mission of the founding fathers in the Redeemed Christian Church of God, which she said, has come to fruition. 

    “I feel highly honoured for the commendable feat RECTEM has achieved. We have been rated as the fastest growing private Polytechnic by the National Board for Technical Education (NBTE),” she said.

  • Fresh fillip for reading culture

    Fresh fillip for reading culture

    How can a country desire development and not read? How can development happen without reading infrastructure like libraries that are well stocked with books?

    These questions formed the conversation at the Dr. Tony Akpokene-led Abuja Book Fair, that ended recently.

    It had as keynote speaker, Mr. Dare Oluwatuyi, who is the President, Booksellers Association of Nigeria (BAN) and Chairman, Nigeria Book Fair Trust (NBFT).

    Oluwatuyi spoke on Towards a Reading Culture Renaissance in Nigeria, a topic in sync with the theme of the book fair. He stated that many things could be done to return to Nigeria’s golden era of reading for book-reading renaissance to be real. The proverbial all hands being deck, according to him, is what is needed to return to a national pastime that has suffered a dysfunctionality and why Nigeria is headed in the wrong direction development-wise.

    According to him, “It (reading) is a task for all. Industry players, the government and the reading public. A lot of deliberate advocacy, lobbying, publicity and awareness are needed. Events like this (Abuja Book Fair) are very welcome part of the mix. We must keep pushing the book in the faces of all of our people, both big and small. This is why NBFT, for example, has, for 22 years without fail, also conducted the Nigerian International Book Fair (NIBF).

    “Governments’ policies pertaining to book development and the reading culture have to be rejigged and given fresh or renewed impetus. Libraries must be better funded to become very attractive go-to centres for the population. The National Book Policy has to urgently and formally come into effect. Given its import as a core directional driver for the ecosystem and reading culture enhancement, NBFT is already contemplating working towards this being done within the next three years. It can even be earlier. We invite all lovers of books and the reading culture in Nigeria to support us in achieving this goal.

    “Librarians, in particular, have to stand up from their chairs and take their front row spot in leading the rest of us into taking the reading culture campaign to the marketplace, to estates, to communities and neighbourhoods.”

    Oluwatuyi harped on the need for book clubs across the country, as a path already being trodden with significant results, and urged stakeholders to take steps to be part of it to broaden the book-reading and take it to communities and neighbourhoods. According to him, “Publishers, booksellers, and again librarians, must become more vibrant and deliberate in the reading promotions arena. One easy route to follow is to key into the activities of Network of Book Clubs and Reading Culture Promoters in Nigeria (NBRP) that has, in the past three years, been uniting book clubs across the country and setting up new ones for even broader field coverage and effectiveness. NBFT and BAN have identified with them and are already working with them. We and other stakeholders were part of their Lagos Book Walk mega-advocacy street reading promotions exercise in April. We need to pull all the stops and grow to become a country that is reading again, a country that has at least one book club and library per LGA, in the first instance, and thereafter, one book club and reading space within five to ten kilometres of all of our geography.”

    Akpokene stressed the importance of books as agents of development without which a society progresses in error, saying that Nigeria was on that negative path. He said he came from a family of readers and teachers, from his great grandfather, his grandfather, his father and mother, and so had no choice but to read books as first commandment in his early years.

    He expressed gratitude to his parents for inculcating in him reading habits, saying he would have become a hoodlum like most of his friends in Obahor Street, Warri, Delta State, who derided school and never progressed beyond becoming ‘area boys’.

    He said his mates who abandoned reading and school were part of those who ruined that once famous oil city with needless civil strife that has made Warri a shadow of itself. Akpokene went on to study petroleum engineering and worked with Shell for many years before venturing into selling books to satisfy an irresistible innate passion.

    Akpokene said any country that neglects book-reading culture is doomed, noting that Nigeria’s problems stemmed from a largely illiterate political class that was yet to imbibe the art of reading books, the only facility that leads to statecraft, which ultimately, drives development.

    He called on like minds to not despair, but  forge on regardless and lead the way to a book reading renaissance to liberate the country from the clutches of darkness and under-development.  

  • WS@89: Exploring prospects of good governance

    WS@89: Exploring prospects of good governance

    As a prelude to the 15th Wole Soyinka International Cultural Exchange (WSICE) that will celebrate Soyinka’s 90th birthday next year, organisers of the event have lined up activities for this year’s edition.

    The theme revolves around good governance and nation building.  The events will be in hybrid format – virtual and on-site.

    Activities will climax tomorrow, at Ijegba Forestage, Abeokuta, Ogun State, the home of the project’s ‘patron saint.’

    Selected students from across the country will write an essay on the aforementioned topic Wole Soyinka: Humanism, Artistry and Nationalism, which is the educational/intellectual engagement of the students on the theme through essay writing competitions.

    Eighty-nine students will converge on the base of the project at the Ijegba Forestage Theatre to write the essay in the full glare of the public, including their parents/guardians, teachers as well as other members of the public. The objective is to deepen their understanding of the dynamics of nation building, especially to think through the examples already established through Soyinka’s personal life and intervention in public discourses and engagements.

    According to WSICE’s Executive Producer and Managing Director/CEO Zmirage Multimedia Company (ZMC), Dr. Teju Kareem, the thematic thrust is to reflect on the mood of the nation, and indeed many nations of the world, dealing with the existential problem of navigating the challenges of nation building through the prisms of good governance, individual and national interests and national development.

    The youth section of the edition will focus on the central motif of the project: mentoring and grooming the next generation of thinkers and eventual leaders who will work for the overall national interest of lifting their country and their society to the great height of human and material development.

    Kareem hinted that this year’s edition is a prelude to the 15th, which is primed to mark Soyinka’s 90th birthday in July, next year. The working theme for that edition would be E.N.I.O.G.U.N, which though, set out as acronym, is the renowned alias of Soyinka, encapsulating his character traits and essences as a patriot, global cultural icon and humanist. A series of events including competitions and public promotion and campaigns will preface the edition.

    Winners of the essay writing contests will be unveiled tomorrow the actual birthday of the patron.The entries in English language will be 800 words minimum in text volume. This is a session of free cultural expressions by participants in the project, featuring storytelling, spoken word, poetry, musical, theatrical performances, and film screening etc.

    According to Kareem, “the youth are the key to bringing about change and prosperity in Nigeria and around the world. It is our duty to engage them and ensure that their thinking and goals are oriented towards progress for the motherland and humanity.

    “The Wole Soyinka International Cultural Exchange (wsice) mission is to reaffirm and elevate the dignity of man through the platforms of literature, arts, and culture. Project WSICE seeks to create unity among mankind regardless of nationality, culture, or religion by focusing on youth as the future of humanity. Other core value propositions of the WSICE are fostering unity, bolstering integrity, and instilling qualities of leadership in the young people.”

    Soyinka, as a ‘Global Humanist’, has “exemplified and advocated for social justice, democracy and cultural preservation through his careers as a writer, rights activist, and teacher. He has been a strong advocate for free speech, fought against human rights abuses locally and globally and paid heavy personal price as a result. His extensive publications, lectures and creative enterprises have all addressed the fervent societal challenges of his time and for his country; a more equitable and just nationhood,” stated  Kareem.

    The WSICE is organised on the platform of Open Door Series Project WS, an international cultural exchange programme designed for the purpose of using the platforms of arts (literary & performing) and culture to affirm and uphold the dignity of man. Organised and sponsored by Zmirage Multimedia Ltd (Nigeria & UK), led by Dr. Teju Kareem, and jointly promoted with Global New Haven, led by Prof. Segun Ojewuyi, who is the Dean of College of Art & Media, Southern Illinois University (SIU), Carbondale, US. The Open Door Series continues to enjoy support from Ogun State Government.

  • All bright…my story of faith

    All bright…my story of faith

    Founder, Rainbow Foundation, Koko Kalango, has unveiled a new book, All things bright and beautiful, at the Alliance Francaise, Ikoyi, Lagos. At the book launch, Kalango was celebrated for her works in promoting reading, particularly, among young people. Her foundation was instrumental in Port Harcourt being World Book Capital 2014. From an ardent promoter of literary resurgence in the country to a woman of great faith, the book chronicles her faith, of relationship, of purpose, of social change and advancing the kingdom of God. In this interview with EVELYN OSAGIE, she shares her relationship with God and more.

    My fascination with the “Rainbow”

    oncerning Rainbow, a pastor actually reached out to me and said All things bright… My story of faith.

    ‘You are using Rainbow, do you know what it means?’ I said I know what it means. It is a sign of covenant that God made with us and put it in the sky. So, I am using my father’s property. Others are impostors. We need to drive them out of that space. So, anything I do is rainbow.

      Inspiration behind All things bright and beautiful

    When the Lord called me out of paid employment around 1992, and asked me to start doing things of my own, he gave me the name Rainbow. The origin of the name is God. God said to man – “When I see the rainbow in the sky, I will remember the covenant that I have made with humankind”. He gave me a scripture – “As long as the earth remains, seed time and harvest shall not cease”. And that is what propelled me.

    When I’m doing the work, not to man but to God, because I know I will stand before God during judgment day. After that I set up the Colours of Life Ministry. So, I just think God has made my life bright and beautiful and very colourful, so that is where the title came from.

      Growing up

    I come from a family that values education. My father was a lawyer, who later became a judge. My mother started one of the oldest nurseries—and it became primary schools in Port Harcourt. So, it is in that environment where I grew up. I always saw my father reading newspapers, and my mother usually read Women’s World and Reader’s Digest. In the evening, you’ll see them having a cup of tea and just reading together. I had so many books all around me and so I grew interested in reading.

      My legacy of Godly contentment

    I have my parents to thank for bringing us up the way they did. Along the way, I’ve heard people say if it is money, they won’t get you money, it can be something else. So I thank God and my parents for that. People keep asking me about the word content. There is a God factor and God uses human beings to teach you contentment. God bless my father and mother for bringing us up not to respect material possessions or respect people because of what they own. We respect you if you fear the Lord and have integrity. It makes you able to cope in any circumstance. The first time I fasted for three days, nobody told me to fast. I didn’t have money for food, but something said why you didn’t call your father and tell him you didn’t have money to buy food. But, I said Pastor Adeboye is always encouraging us to fast. So, I fasted for three days and did not die. And I was this beautiful young lady with guys chasing her. And I said Koko why not take money from these guys to buy food. But no.

       My journey of Christian faith

    In the early 90s, we were at Apapa Parish of the Redeemed Christian Church of God (RCCG). We were little fanatics. We could believe God just for anything. We have been trained so much to give to God. Around that time, we were among the School of Disciples. Pastor Adeboye would train us at the headquarters at Ebute Metta, Lagos. We were very small then. I needed a car and as usual there was no money. I’ve put my money in the church. And I prayed to God to give me a car. There is a joke in the family, my immediate elder sister would say Koko, God knows I have sense I think, I will work hard. But, he knows you will wait for it to jump from heaven and that was what He did. Our other sister believed God was asking her to go to the U.S. to do mission work. Then God came through for her miraculously. She was getting rid of her things and she got rid of her car and she gave it to me. At one point, there was a need at the RCCG headquarters. And I felt the Lord wanted me to give the car. My brother-in-law, Pastor Tony Rapu, was going to see Pastor Adeboye in the camp and I accompanied him with the car. I handed it over to Pastor Adeboye and he asked if this was the only car that I had and I said, ‘yes sir’. And he prayed for me. When I was writing this book, I looked out of the window and counted five cars.

     My message from my book to the world

    This is very important to me. The book is meant to encourage your faith. It will show you how God can move in little things. This book is me pouring out my life as a thanksgiving offering to God. I will speak to my audience. Do I want you to buy the book? Yes! But above that I want you to read it. I won’t be happy even if you paid a million dollars for it and you didn’t read it. So, please read this book and pass it on to someone else. It is God flexing through me. My desire is that this book will go to the end of the earth and touch people for God’s glory.

     Unforgetable memories of dedication to God’s work in the book

    Meeting the Carlings (Old UK missionaries) has remained an unforgettable experience. After our marriage, my husband and I went to the UK for our Masters. It was interesting how God ordered our footsteps. In our accommodation, we had a welcome pack and there was a list of churches. Somehow, we went to an Evangelical Church. When they heard we were from Nigeria, this elderly couple came over to us and said they were missionary workers in Northern Nigeria. They even showed us a video documentary that the BBC did on their work.

    We could have gone to any other church but we chose that one. They took us to their home. And that was how up till date, we’ve remained friends. They visited us in London and in Port Harcourt. They are like parents to us. They are now in their 90s. Before the queen died, they were honoured for their work in Nigeria.

     My word to young couple today

    I will backtrack. Before I met my husband, I was in a relationship. The man was a pastor. But the relationship was a struggle and God delivered me. Then I met him in Port Harcourt. I was working in Lagos. But my parents were in Port Harcourt. I met him at a barbeque and what I noticed was that he was easy to relate with. He took me out for dinner on December 31, 1996. My father asked when he was bringing me home and he said 9 pm sir. And he brought me home before 9pm.

    What I struggled with in my previous relationship became easy. But it wasn’t easy for me to say yes because he moved very fast. As usual, I needed to ask and the Lord spoke to me. He said, ‘behold I come quickly and my reward is with me’. So, I call him my reward. In every marriage there are ups and downs but understanding is what counts. We are opposite in many ways. I am the faith part. He is the work type so he balances me. When we were in England, we had finished school. My husband was working in London and later got a job in the U.S. But it took longer than we had planned for him to get his visa. I was working at the Jamaican High Commission then. So when I get my salary, I will pay my tithe and transfer everything to his account. That was what I did in those four months.

    When we got to the U.S., he had a job because of his visa. I couldn’t work. I was staying at home. He was giving me pocket money but I was getting frustrated. I needed to go to the mall to shop. But, he said he would give me his pocket money. My husband had the password to my account. So, there is total trust.  

  • Of Fate and Rebirth: Reviewing Cheta Igbokwe’s Awele

    Of Fate and Rebirth: Reviewing Cheta Igbokwe’s Awele

    • By, Gospel Okoro

    Cheta Igbokwe’s unpublished play, Awele, is a testament to his writing prowess, cultural ingenuity and more so a daring social commitment to revitalizing the fading notion of rebirth or afterlife evident in Igbo cosmology. Directed by Ugochukwu Ugwu, Awele premiered on the 21st of June at the New Arts Theatre of the University of Nigeria, Nsukka. The play which has a runtime of an hour and twenty-five minutes bewitches one, keeping eyes fixed to the stage in earnest anticipation. The first act unveils the vivid beauty of Awele’s celestial court, which is a symbolic space for the orchestration of man’s destiny. There, Awele’s right-hand man, Olekota, ably dramatized by Dansey Mbah, acts as the narrator of the play, feeding us with the stories of people who died prematurely and left behind unfulfilled lives. Thereafter, Awele, played by Grace Okonkwo, proceeds to judge them and decide their fate. Thus, the plot’s basic premise affirms to the pattern of classical Greek tragedies where the gods—in this case, Awele— wield the powerful authority to predetermine man’s destiny and fate.

    What becomes particularly interesting about the play is the manner with which it not only commits to teaching but also revives a fading tradition of rebirth, reincarnation and the afterlife, especially in relation to Igbo cosmology. Amongst the Igbos, it is a widely held belief that the dead can reincarnate within a different body, especially after a tragic and premature demise. As such, it is not uncommon to see those who believe that departed loved ones have returned to them in the body of a newly-born relative.

    Despite the erosion of this belief over several decades of social, cultural and religious flux, the playwright — Igbokwe, considers this issue of reincarnation important and deftly sets out to dramatize it. One imagines that the unfortunate loss of Igbokwe’s beloved parents was circumstantial towards birthing this play, coupled with the intense curiosity to know their fates in the hereafter. A curiosity that many experience in the aftermath of loss, often with desperate hope. This hope is contained in the dialectical conceptualization of Ilo-Uwa, which means reincarnation or rebirth, enabling the bereaved to believe that all is not entirely lost and that one day, they would be reunited with their loved ones.

    It is on this framework that the basic premise of Awele tells the story of good people returning to the earth after dying prematurely from a first, unfulfilled life. The First Woman, dramatized by Chika Ugorji, is a good woman who unfortunately becomes a victim of religious falsehood. Her so-called pastor deceives her into avoiding antenatal treatments and hospital visits. While this biblically allegorizes the story of the birth of our Lord and Master, Igbokwe subtly satirizes the religious dogmatism pervasive in modern Nigerian society. In a show of deserved mercy, The Great Deity — Awele, sends the First Woman back to the world.

    Other characters in the play are the Second Woman (Lauretta Ikeme) and the Motorcyclist (Toochukwu “Teekay” Oguayo) who were both good people in their first lives, before being betrayed and hurt. To them, Awele also extends her benevolent mercies for rebirth. The play’s plot advances through the actions a pair of twin brothers, Ehi and Mgbada, whose roles are masterfully played by Simon Ugwu and Innocent “MC Onachi” Chisom. Both brothers were “good thieves” who tragically became victims of jungle justice in their first lives. Just like the others before them, they are also offered a a second foray into the world. However, they both plead with The Great Deity to be reborn into upper class families. Although Awele agrees to this, it is at this juncture that the abundance of choices begins to become a curse to the brothers!

    In the progression which follows, Awele further impresses due to its relatability. For instance, those amongst the audience would have seen parts of themselves in the decisions of these two brothers who descend into confusion in their bid to configure their own fates and destinies. This plot twist affirms to the superiority of the wisdom of the gods in rationally predetermining man’s destiny, as opposed to man’s inability to be certain and content.

    Furthermore, Awele comes off subtly as a protest drama. This is because it indirectly offers a narrative which counters the false postulations of the Europeans about African gods being impatient with their children and consequently destroying them. Contrary to such opinions, Awele is patient with the two brothers but warns them against wasting her time. This portrays the largeness of heart the gods have towards men. Moreover, the gods possess good sense of judgement as opposed to what the Europeans falsely painted them to be. In the play, we see Awele masterfully evaluating the unfulfilled lives of each of the dead persons before deciding a new and better life for them. In a way, the play also succeeds in depicting every man to be an imitation of the supernatural; which is in fine concordance with Igbokwe’s affinity to recreate classical art through the eyes of modernity while also satirizing multifarious societal ills to enormous comedic effect.

    Read Also: Awele Elumelu hits milestone

    Singing beautiful odes to Igbokwe’s Awele would not be fair without recognizing the theatrical performances of all the actors which were nothing short of excellent. The stage lightings, costume design by Power Egbogu as well Amazingrace Okonkwo and Roland Odo’s stage management expertise all contributed in easing the audience into the world of the metaphysical while still residing in fleshy temples. On the other hand, a chorus of stirring and sonorous voices provided harmonious melody to affirm, witness and set a grand undertone to the play’s progression. Any questions about the excellence of Awele are immediately rested by the fluidity and cohesion of stage props, costume, lighting, action and music, all interwoven to craft an unforgettable expression of artful magic.

    Ultimately, Awele invites us to reconsider the potency of mysteries beyond this world; to ponder on fate and the conscientious issue of rebirth or reincarnation, especially within Igbo cosmology. After the high-sounding cymbals of praises, the showering of laurels and whatever buzz attends this play, one cannot help but be reincarnated into its self-contained world and likewise, let the play be reincarnated into the heart, soul-deep. Only then can one truly begin to reminisce on the striking lessons and ethereal sensations which Igbokwe gifts us through Awele. And in being empowered by the overall experience, one can become free through art, and charge through life’s vicissitudes with the parting graces of The Great Deity: “Don’t look back! The world is yours!”

    You can see the staged performance of Awele here: https://youtu.be/2yEBtfO7vD0

  • Echeruo: reader is ultimate judge of a good writer

    Echeruo: reader is ultimate judge of a good writer

    In his first collection of short stories, ‘Expert in All Styles’, I.O Echeruo shows class in dissecting a wide range of issues such as cultism, infidelity, love and power from different ramifications. He gives insights into his writing trajectory and more in this interview with OLUKOREDE YISHAU. Excerpts:

    For many authors, the journey to publication is often tortuous. What was yours like?

    It has been an interesting journey. But I must say I have been fortunate. While it has taken about 10 years for the book to be completed and published, I was fortunate to find a publisher, Farafina, that loved the book and made a quick commitment to publication.

    My reading of the collection is that you examined power in different facets, power of love, power of religion, power of choice and more. Did you set out to do that?

    Not consciously. My organizing idea for the collection was to aggregate stories that provided a sense of Nigerian life at the turn of the century – the years between the late 1980s and 2020s, through varying perspectives, points of view and styles. However, your observation on the dynamics of power does resonate. I suspect it is an apt reflection of our human condition and the way it is expressed in the society in which the stories are set.

    How long did it take you to work on this book?

    I wrote the collection over a period of 10 years. It was not a steady effort , with many periods of productivity followed by some years when little work was done.

    A number of the stories are set in the US. Were they as a result of research or experience of living there?

    I lived in the United States for many years, so I had the benefit of that experience. This made it easier for me to discuss the experience of leaving Nigeria and returning to it in two separate stories in the collection.

    The story, ‘We Told Wonderful Lies’, deals with cultists. Did you intend to use it to say they never end well?

    I think for one of the characters it certainly does not end well, but I try not to provide any moral “lesson” in the stories. Characters make choices that are perhaps deplorable. But I trust the reader. I want them to contend with the characters and their choices. I hope this approach makes the stories more revealing, more illuminating and ultimately more relatable.

    Which of the stories is your favourite?

    I actually don’t have a favourite story. I conceived the collection as a work that would be considered as one unit. Each story, with its characters, perspective and style makes its own contribution to the book. However, I am always curious about which stories are reader’s favourites.

    Which of the stories did you write first and what was writing it like?

    The first story in the collection- Aishatu’s Dinner- was the first story that I wrote. I enjoyed writing it immensely. In general, I enjoy writing. I love being immersed in words, other worlds and other lives.

    At what point in your life did you know you can write?

    I have always written. I started to work seriously and continuously at writing about a decade ago.

    What book or books have shaped your writing voice?

    I think the voice is shaped by everything I read, the things I hear and the things characters conjure within; It is also shaped by the novelists that I have loved – Achebe, Soyinka, Mariam Ba, Ayi Kwei Armah, Garcia Marquez, Saul Bellow. The short story writers, Franz Kafka and Bernard Malamud, many others.

    How will you define African literature?

    I suppose it’s the literature of the world. Everything started here. Everything flows from here.

    Does writing pay your bills?

    I am fortunate that it does not.

    Can you walk me through your writing process?

    I start with a concept. Usually its a relationship between characters but sometimes its just a character and perhaps a setting. When I start writing I do so in longhand on folded sheets of paper. I work on the start of the story, usually through many drafts. When I believe that I have the voice right, the mood of the story, the cadence of the words I move to a laptop and continue till its complete.

    Infidelity is a theme in some of the stories. Do you think many people call the wrong person father?

    My response is simply to quote the wisdom in Achebe’s Things Fall Apart: “That boy calls you father. Do not bear a hand in his death.” You can’t call the wrong person father.

    What makes a good writer?

    I have to say its good writing. The reader is the ultimate judge.

    What are your book recommendations for this period?

    In contemporary Nigerian writing, Chika Unigwe’s The Middle Daughter, a novel and Ike Anya’s Small by Small, a memoir. For short story collections, Jhumpa Lahiri’s Interpreter of Maladies and Daniyal Mueenuddin’s In Other Rooms, Other Wonders. A novel I recently reread and thought fabulous is Orhan Pamuk’s My Name is Red. And if you haven’t read it, I recommend that everyone read Franz Kafka’s short story In the Penal Colony.