Category: Arts & Life

  • The Command that uprooted terrorists

    The Command that uprooted terrorists

    Title: Duty Call Under Buratai Command

    Author: Jibrin Baba Ndace

    Number of pages: 281

    Year of publication: 2020

    Review: Edozie Udeze

    The title is apt. In this book, Duty Call Under Buratai Command, the author, Jibrin Baba Ndace, is concise. He goes beyond the era of Buratai as the Chief of Army Staff to delve into the early years of Nigeria’s statehood to situate a nation that has come a long way. The book is like a treatise, well researched, documented and properly presented on the political and other issues that have helped to form a nation. But above all, Ndace is critical on those salient but sensitive areas and deeds that helped Gen. T.Y. Buratai to come out tops in his onerous tasks and responsibilities to uproot terrorism from the land

    But in order to fully comprehend the sentiments expressed and embedded in the book, it is better to still pick a copy. It is a book that is deeper than the subject matter. It is history reiterated to suit the mood of the nation. It is history that is well replicated, re-enacted to teach, to remind, to remold the minds of the people. Apart from a lengthy acknowledgement that has helped to reveal and know the people that assisted to appreciate the efforts that made this publication possible, the author is equally unwavering in his research efforts. He is painstaking. He is thorough.

    His call to join in the reportage of the fight against terrorism in the different fronts where the battles were fought was prompt, immediate, yet Jibrin, as a journalist, quickly embraced this call pronto.  This is the opening of the story. This provides the enabling zeal and foundation for this book to be muted and executed. “That was it. Preparations for Sallah became preparations for departure to Maiduguri at the briefest notice. Thus began my story which is something close to a travelogue, in the shadows of Lt. General Tukur Yusuf Buratai, Nigeria’s Chief of Army Staff”. Page XXVI. However, this book is more than a travelogue. It is deliberate, more profound and seriously treated to open people’s eyes to the nitty-gritty of the nation state. Indeed, this is a compendium, a collector’s item.

    This is why the book is divided into sections, within fifteen broad chapters. Each chapter treats much broader issues that pertain to Nigeria, to the roles of individuals, army, civilians, all, to enable Nigeria grow or otherwise. Chapter one entitled Sad Tribute of a nation at war with itself, suddenly becomes a leeway into the core basis of the entire book. “A nation divided against itself cannot prosper”, page 1. This anathema or truism summarizes the nation called Nigeria. But the author is quick to stress the role of Britain, the colonial overlords, the responsibilities or lack of it played by Nigeria’s early leaders that resulted to the Nigeria of today. As you make your bed, so you shall lie on it, seems to be the author’s mantra concerning the state of the nation Nigeria, indeed the Nigeria of today.

    On page 2, he makes it explicitly clear: “The country is blessed not just with natural resources, but the exploits of her people all over the world across all sectors, speak volumes of her massive human resource endowment”. With this, he goes into some remarkable offers and statements by previous leaders to lead Nigeria aright. What the author is saying invariably is that it is the errors of leaders past and present, that bred and keep breeding the terror of today. Yes, because “Despite hope by founding fathers since independence Nigeria’s journey to nationhood has been turbulent and tumultuous due largely to her internal contradictions and inability of the political players and other influential stakeholders to safely and adequately address their differences for a more united and prosperous country”. And so on and so forth. Page 4.

    In chapter two, captured: New enemy, new challenge, the author is clear as to how the issue and the roles of army and indeed the military generally have pointed the way forward for Nigeria. A nation breeds the kind of military that tackles its numerous internal problems. Even then conflicts have been part and parcel of humanity over the years, but how has Nigeria tackled its own problems over time? Books have been written, ideas canvassed and espoused, but have these helped to suppress or prevent wars and crises?  Ditto: World Wars I and II and the Nigerian civil war and others across the globe.

    On page 31, it is made clearer, “What was however unknown to or not noticed by many Nigerians was that while the arm forces of Nigeria and other security agencies were battling militancy in the Niger Delta, communal clashes, political thugs, armed bandits and other forms of criminal tendencies in the country, a deadly group was establishing its roots in North eastern Nigeria”. Thus, Boko Haram was born. Jibrin thus hits the nail on the head as he sets minds racing into the past.

    In chapter three, we encounter a recurrent theme in the Boko Haram’s adventures in Nigeria. Entitled: The Chibok nightmare, the author opens it with a mind bogging quote. “Terrorists are masters of mind control”. This was the strategy they employed from the onset to upstage the scene and put Nigerians in a state of anomie, fear and disarray. It was then time for the military to act promptly and decisively. The abduction of the Chibok girls, the serious siege on Yobe and Bornu States set the nation and the entire military on edge. In the face of reckless and ceaseless bombings and killings in many parts of Nigeria by Boko Haram, the issue of the Chibok girls became a time to rise to the occasion. On page 39, “Clearly, 2014 was the year of Boko Haram… It also intensified its suicide attacks on major towns and villages in the country, including the federal capital Abuja… The Chibok abduction occurred the same day with another deadly attack on Nigeria’s capital, Abuja”. Thus, began the tortuous journey of these teenage school girls into the belly of Boko Haram.

    Shouts of chei there’s God and so on, have since rented the air, yet, the girls are still in the dragnet of Boko Haram. For one thing, this book is provocative, bent on making history come alive, become renewed and topical in the annals of Nigeria.

    In chapter four, we have the theme- The return of a ‘Seventh time loser’. With the coming of President Muhammadu Buhari, the tide suddenly changed for good. As soon as he appointed Lt. Gen. T.Y. Buratai, this brutish and no nonsense army general as a Nigeria’s Chief of Army Staff, he took the war straight to the home of Boko Haram. Jibrin, a close participant in this story is clear when he says that the emergence of Buhari after losing several times at the polls was a blessing in disguise. His coming into office thus became an albatross for terrorists in Nigeria. After tracing the history of Nigeria’s military since the colonial days, he gives unreserved credit to Buhari for his tenacity of purpose and prompt wisdom in tackling terrorism to its logical end.

    On page 63, the book says “Like the armed forces, President Muhammadu Buhari’s trajectory is intrinsically linked to the history of Nigeria…” So when he became Commander-in-Chief of the armed forces of Nigeria in 2015, it was critical he rooted hoodlums out of the land. And this, in other words, commences the next stage of this book.

    In chapter five, and with the Eagle Square Declaration, President Buhari noted: “Boko Haram is a typical example of small fires causing large fires”. He made the military trigger ready with this critical observation. As he drove into the Eagle Square for his inauguration, keen on his mind was how to free Nigeria from the foyers of insecurity. Also he quickly responded that Boko Haram was not the only security issue bedeviling our country. On page 80, he was deeply troubled when he says: “We are going to erect and maintain efficient, disciplined people-friendly and well-compensated security forces within an over-all security architecture”. And so he set the ball rolling with immediate effect. As an

    embedded reporter, Jibrin knows how to critically background each chapter in order to send the necessary message across to the reader. This is one of the reasons this book is a must read for all well-meaning peoples of the world, particularly Nigerians.

    In chapter six, Buhari is now in the saddle of leadership. Buhari in his usual characteristic way did not immediately change service chiefs. But when he eventually did, it was not just phenomenal, it was most effectual. Before this decision he had ordered the military command to move deeper into the North East for more effective counter-insurgency. This done, on July 13, 2015, he promptly appointed new service chiefs with Lt. Gen. T.Y. Buratai taking over as the Chief of Army Staff. Henceforth, Buratai took over with full force, swinging into action. Without wasting time he shows he is a man of destiny. On page 87, Jibrin refers to him as a man whom some of his course mates simply refer to as a cat with nine lives. Or a rejected stone that became the head cornerstone. A native of Biu, in Bornu State, his appointment as the son of the soil offered him plenty elbow room to swim within a familiar terrain to uproot and destroy the strongholds of Boko Haram.

    No doubt, he comes from a community of warriors when his own father was also a soldier. Enamoured by his background, Buratai dares where angels fear to go.

    His appointment, alongside others, is well enumerated in this chapter and this leaves no one in doubt that Jibrin is a talented chronicler, a historian in all sense of the word. Indeed he is a crack reporter.

    Since the book is divided into parts as well, part two of it opens with A New Sheriff. And who is this Sheriff, so revered and feared and respected? This is chapter seven-Soja go! Soja com! Barracks no go empty! It is not just a slogan; it is the way of the military. It shows that no position is permanent. And so on 16th of July, 2015, Buratai officially took over the mantle of leadership with changes here and there in the army cadre. Ndace also reveals his own family history of soldering as a career. No wonder therefore he feels at home with his call to duty as embedded defence correspondent.

    All in all, the author embellishes this part and chapter with appropriate glossary pictures of his exploits and those of his principal and all the people that are involved in this crusade. It is a glorious section.

    And “Where do you think we are going”? This is the title of chapter eight of the book. Starting with an epoch quote by General Baron De Jomini that states that “If a general desires to be a successful actor in the great drama of war, his first duty is to study carefully the theatre of operations so that he may see clearly the relative advantage and disadvantage it presents for himself and his enemies”. Bearing this in mind, Buratai did not waste time to head towards the core inner areas of the North East to see first-hand where and how to tackle the insurgents. He needed to understand the geography better. While doing this he took along the military and civilian personae that mattered to him in this patriotic assignment. That was how the journey ended at night in Damaturu, the Yobe State capital. This was when the Boko Haram upsurge was intense, indeed at its hottest peak, tormenting the public to no end.

     In chapter nine, attention is now focused on Damaturu. Entitled Damaturu: Walking on a battleground, we see a Buratai who is battle ready; who has chosen to surprise everyone with his unannounced entry into the town. It was a big blow to the enemies of the state. For this reason the soldiers who had been out there in the cold were happy to receive the Chief of Army Staff with an open arm. Page 139, “A soldier who told me he had been in the North East for four years expressed his delight. This will really encourage us. When your number one officer visits you and stays with you, eats with you, there is nothing more than that”, the soldier said.

    It was in the midst of all these that all marched through landmines. In chapter Ten, entitled marching on landmines, emphasis is on courage. Here Buratai serves as an example. The author notes that two days after being embedded his mind is made for the battles ahead. Not only that, he is imbued with renewed vigour and courage, Buratai is included as he also encourages others to fall in line.

    Chapters eleven to the end, to twelve, thirteen through fifteen all hammer on the different places and locations where the battles were fought and won. The stories traverse the whole gamut of the North East, laying open the troubles on the way and tactics employed by Buratai and his team to rout out and destroy the last strongholds of the insurgents.

    It was tough, rough and terrifying. Most especially the journeys through Maiduguri to Gamboru, Nigeria’s border with Chad, the terrain of the routes, the abnormality of the roads, further sent signals of how horrible the areas were. Yet the brevity of Buratai and his team became overriding in all these. In the end, his command overcame and it became duty call under General Buratai. The author notes, in the end, that it is good for every honest man, soldier or civilian to be called to duty just like Buratai was. That way, the nation will be saved, remain in safe hands, and peace and tranquility will return

  • Time up calls for patriotism, celebrates national heroes

    Time up calls for patriotism, celebrates national heroes

    The docu-drama, Time Up play production, has continued to draw reviews from theatre entusiasts for its thrust which celebrates Nigeria’s heroes.

    The  two-man play meant for Terra Kulture Theatre on the Lawn is gracing the stage on all weekends in June in Lagos.

    Witten by the award-winning broadcast journalist and playwright, Ola Awakan and directed by Ifeanyi Eziukwu, the docu-drama utilises thought-provoking dialogue to dissect the political, social and economic situations of Nigeria in such a unique manner.

    The joint production of Just Theatre House and Artswax Communications runs all through the weekends in June at Terra Kulture in Victoria Island Lagos.

    Read Also: Fuel subsidy and masses’ self-proclaiming heroes

    According to the playwright, the script was written in 2008 and updated to accommodate some of the current situations that have shaped the existence of the Nigerian society. The play creates characters that caricature the various vices that have combined to negatively affect the growth of Nigeria, politically and economically. Time Up can also be seen as a play that embraces history from the dimension of celebrating national heroes, both living and dead. Ifeanyi Eziukwu of Just Theatre Production gave a brilliant directorial approach to the play, hence making the actors to breathe into the audience in such a unique manner.

    For some of the art lovers who have seen the play, their reviews have been awesome. They talked about the power of research deployed by the writer to help preserve the history of Nigeria and document some of the major situations that have contributed to the present status of the country. 

    “I got an in-depth history of Nigeria. I also learned about the amount of suffering that has been happening in this country for so long. As a professor myself, I thoroughly enjoyed it,”says a member of the audiences

    Others describe how timely the play is at a time that Nigeria really needs the input of Nigerians to correct the wrongs and not wait for the government at all times.

  • When culture drives product re-launch

    When culture drives product re-launch

    There couldn’t have been a better time than now to re-enact the culture of hard work, prayer and belief as Nigerians yearn earnestly for a new dawn. With different dance drama performances by Segun Adefila led Crown Troupe of Africa and other talking drummers, the tone for the gathering at Marriot Hotel, Ikeja, Lagos was set.

    It was the re-launch of International Distillers Limited’s Eagle Aromatic Schnapps campaign tagged: Journey with authentic prayers unveiled to promote hard work and dedication among Nigerians.

    Speaking at the event, the company’s Managing Director, Mr. Patrick Anegbe, said the campaign was launched to remind Nigerians, especially the youth of the age-long cultural value of hard work and prayer, especially against the backdrop of current realities.

    He said: “You may recall not too long ago we invited you to witness the rebirth of the Eagle and like the eagle bird, Eagle Aromatic Schnapps has been rejuvenated, coming in a trendy sleek bottle and majestic new pack. Since the re-launch, there have been positive reviews and wide acceptance from the market.

    “Today, we embark on a new journey with the authentic prayer drink, to inspire and to bring hope to our target audience with our new initiative. From generation to generation, our elders have passed on a recipe for success. The ingredients they say are – hard work, prayer and belief.”

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    The company’s Head of Marketing, Mobolaji Alalade, said, “After a wide acceptance of our new look Eagle Aromatic Schnapps by our consumers, we unveil an exciting initiative, themed ‘Journey with Authentic Prayers’, which aimed at revolutionising the way the target audience interacts with the brand.”

    The company’s Head of Marketing, Mobolaji Alalade, said that the initiative was a follow-up to the re-launch of the brand, which was recently repackaged.

    “After a wide acceptance of our new look by our consumers, we unveil an exciting initiative, themed Journey with authentic prayers which aimed at revolutionising the way the target audience interacts with the brand.

    “It seeks to inspire individuals to work hard, pray and believe knowing that life itself is a journey. These ingredients; hard work, prayers and believe form a winning recipe for success. This push comes on the backdrop of the harsh economic realities. It will instill age-long values in our working class youths and motivate them to succeed,” Alalade added. As part of the campaign, Eagles Aromatic Schnapps will embark on market storms, road show, festival and palace visitation across cities and regions of the country. 

  • Akinyemi unveils poetry on financial system

    Akinyemi unveils poetry on financial system

    History beckons as talented Nigerian poet, essayist, storyteller and children’s book author, Tolu’ A. Akinyemi emerged the first to publish a collection of financial crime compliance poems titled, Architects of a Cleaner Financial System.

    With 20 published books, the writer has indeed etched his name in the literary hall of fame, showing the inimitable power of the written word and how writers can break boundaries using literary powers.

    The Newcastle, UK-based author cum financial crime compliance consultant, who has over a decade of experience working within the financial services sector, has set a precedent that not a few will seek to emulate in many years to come.

    Architects of a Cleaner Financial System is a collection of poems that x-rays inherent risks within financial crime compliance and how we can mitigate them. The poet addresses subjects such as Compliance Programmes, Know Your Customer, Sanctions, Anti-Money Laundering, Due Diligence, Politically Exposed Persons, Risk Assessments, and Screening among others.

    Read Also: Financial Relief in a Struggling Economy

    Filled with evocative language and demonstrating a mastery of the subject, this collection is the first in living memory that uses poetry as a tool to dissect issues within financial crime compliance.

    “To be the first writer, poet and personality to achieve this phenomenal feat gives me immense satisfaction. I hope this body of work becomes a reference point for many generations to come. Writing this book was spontaneous and never planned, but the publication is a testament that dreams are truly valid,” Akinyemi enthused.

    In his remarks, Nisha Joseph said, “This compilation of poems by Tolu’ will be a great resource for professionals within financial crime compliance. They show a true reflection of the enormous talent Tolu’ possesses, and his wealth of knowledge in the field of financial crime compliance.”

    Fondly called ‘Tolutoludo’ and ‘Lion of Newcastle’ by friends and fans, Akinyemi is co-founder of Lion and Lilac, a UK-based arts organisation. He also sits on the board of many organisations.      

  • Ajaka: Naija animation film ignites hope

    Ajaka: Naija animation film ignites hope

    Ajaka: Lost in Rome, a groundbreaking 20-minute animation film held its highly- anticipated screening at the Alliance France in Ikoyi, Lagos.

    The film, which has as director, Ayodele Elegba, revolves around Yoruba historical characters of the Oyo Empire but also makes a journey to Europe (Rome).

    The film screening proved to be an enchanting experience that left audiences spellbound with its captivating storytelling, stunning visuals, and profound themes.

    The event saw the presence of representatives of cinemas, major distributors and the state government in attendance. Also present were the crew behind the film. They shared their insights into the creative journey.

    Attendees were enthralled by the unique narrative, delving into the untold story of ‘Ajaka’, the former king of the old Oyo Empire, whose rivalry with his younger brother, Shango, had its consequences.

    Ajaka, a king longing for constant peace, was considered weak by Shango, who cunningly usurped the throne.

     Shango betrays Ajaka and exiles him from the Oyo Empire, leaving him vulnerable and displaced. The film follows his extraordinary journey as Ajaka endures the horrors of slavery and eventually finds himself as a gladiator in the grandeur of Rome. Determined to return home, Ajaka fights valiantly, seeking a way back to Oyo.

    The film mesmerises the audiences through its breathtaking animation, meticulously crafted characters, and a narrative that resonates with themes of resilience, love, brotherhood, and the unyielding pursuit of home.

    The immersive visuals transport viewers through the Yoruba and Roman culture and lifestyle through the rough roads of the old Oyo Empire and the vibrant streets of ancient Rome.

    According to Ajaka’s producers, the film screening was held in order to bring the film project before investors, saying their ultimate goal is make it into a feature-length masterpiece.

    “With the successful screening of the short film, we are seeking investors to help transform this remarkable story into a feature-length animation. This expanded version of the film will delve deeper into the journey of Ajaka to Rome, further exploring the rich historical context and the universal themes it embodies,” the film director and CEO of Spoof, Elegba, said.

    Read Also: Osinbajo highlights opportunities in Nigeria’s animation industry

    Before now film companies from Europe and America have partnerships with animation and comic creators from Nigeria, making animation sector the new frontier for Nollywood’s continuous growth in the global film market. Given the trend, Elegba said that the sector has a global investment value not just for the private sector but for Nigeria’s economy as well. He stated: “We are confident that the movie has the potential to capture a global audience and leave a lasting impact that will start conversations on identity, history and the power of the human spirit. By investing in the feature-length adaptation, supporters will contribute to an extraordinary animation and play a crucial role in promoting African storytelling to the rest of the world”.

    Spoof was founded based on the principle that Africa can make quality animations, so since 2016, Spoof has built a place that houses the best animation artists who have worked with clients from around the world since inception.

    Besides from Ajaka: Lost in Rome, Elegba, publisher of Spoof Comics, is also the producer and director of several highly acclaimed short film animations, such as Lost Dreams, Strikeguard, Voyager, and many more. Fondly known as “the Dreammaker” among Nigeria’s comic/animation industry insiders, he has also been the brains (both producer and directing of production) of several television animated series such as When I Grow Up, Area Daddy, and Roli Tales Animation.

  • ‘Why Alaafin’s throne is attractive’

    ‘Why Alaafin’s throne is attractive’

    Dr. Ajibade Adeladan, a United States-based psychiatrist and neurologist, is one of the candidates interviewed for the Alaafin of Oyo’s throne. Born to Prince and Mrs. Samuel Adeladan of the Agunloye Ruling House in Oyo, Adeladan studied Medicine & Surgery at the University of Ibadan, worked in some hospitals in Lagos before moving to the Caribbean Islands where he worked as a surgeon, and later to the U.S. In this interview with Southwest Bureau Chief BISI OLADELE, he speaks on his plan to transform the town through medical and agricultural revolution.

    When did you join the race to become Alaafin?

    I registered my intention shortly after Oba Adeyemi III passed on. I have participated in the process. We were about 89. Actually, we were initially about 119 candidates, then it dropped to 89. Then, 65 of us were interviewed. 

    Why are many Princes interested in becoming the Alaafin? and what is special about the throne? 

    The Alaafin throne is special in many ways. First, the Alaafin ruled the whole of Yoruba land and its environs during the old Oyo empire.

    Other kings were and are subject to him. His domain extended from River Niger in the North to the Atlantic Ocean in the South, then to parts of Ghana in the west, and down the Niger river to the east.

    The Alaafin and his government were the most sophisticated in Yorubaland, if not the entire continent of Africa. The Alaafin was recognised as the emperor in Yoruba land. The British recognised him so. They paid him almost double of what the next king to him was paid. An Alaafin was one of the six Nigerians that signed the Amalgamation of Nigeria in 1914. There were other kings, but they were not consulted because they considered them much lesser to the Alaafin.

    He is the first among the first class kings in Yoruba land.

    The Alaafin throne is so highly exalted that members of the Oyomesi only bow/prostrate to the Alaafin. They would not bow to other kings.

    Why do you want to return to Nigeria at this time that many young people are relocating abroad for greener pasture? Why do you want to abandon your beautiful career? 

    My co-workers in the U.S. asked me the same question every time since I made my intention known. Just before I came, they asked me why I wanted to leave California for Nigeria. But, I always tell them that Nigeria is the biggest economy in the whole of Africa and there are many opportunities in Nigeria. Also, there are many people, I think, I can be of help to, in Nigeria. With all my experience, with how I have seen how things are done, even though I have been on the medical field, I am very much interested in agriculture because I worked in Nebraska. Nebraska is an agriculture state. I have interacted with farmers, I interacted with ranchers and I come to Nigeria regularly. I know that those things are not here, those things are not readily available and farms are small. In Nebraska, you can drive for about 100 miles, and all you see are corns, wheat for more as very large farmlands by the road. 

    Read Also: US-based surgeon joins Alaafin’s race

    So, I said, we can do all these too in Nigeria. We may not be able to build planes, build rockets or submarines, but we can at least do all those things. We should be able to generate electricity, we should be able to grow enough food, especially in Nigeria. And now came the opportunity, biologically, I belong to the royal family and it is the turn of our ruling house and I see myself as eminently qualified to do it and my family is also in support of that. So, I said well, I think, I can do this and my interest has been growing since then. 

    Now, I am more confident that it’s something I ought do to be of help to people. If you are in the western world and you are comfortable, it’s okay. But if you come back home, with the experience that you have and the idea that you have, you can begin to do things differently, you can begin to do things that will be of benefit to your people when you are back here.

    I feel that with all those experiences I have had, I should be able to be of help. I should be able to contribute my own quota. And I think that being an Alaafin, it is going to be an Alaafin that is experienced and it is going to be of huge benefit, not only to the people of Oyo but to the people of Oyo State, Southwest and Nigeria as a whole.

    Have you started doing anything in agriculture in Oyo?

    We are on it. We have already identified the land to use. My father is an agriculturist, we talked about that. We are coming up with plans. Even things like palm oil and all that, we are already working on them. We are already planning on things like palm oil, maize and other things.

    How do you intend to bring your medical experience to bear on the people of Oyo? And what does Nigeria need to stop emigration of medical doctors? 

    Oyo is a university town. There are three universities there. One of them, Ajayi Crowther University,  is well-established. All of them are well established, but I see that university as an institution that can have a medical school. When you have a medical school, you always have doctors. There may be staff like 20 doctors every year and that will be very helpful to the community. That’s a long-term plan for me. 

    There is no country in the world that has enough doctors. But in Nigeria, there are doctors that will complete NYSC and they say they cannot find a job. That tells you that there is something wrong with the system.

  • Hotel managers converge on Owerri

    Hotel managers converge on Owerri

    • By Kehinde Abayomi

    The Hotel Managers Conference (HMC) will hold on July 13 and 14, at Swiss International Beland Hotel, Owerri, Imo State.

    The event, themed Performance Management: Managers and Owners Dilemma, will feature eight speakers and 10 panelists.

    They are Prof Wasiu Babalola, chairman, Institute of Hospitality UK-Nigeria chapter; Dr. Michael Pinder, General Manager, Ogeyi Place Hotel, Port Harcourt; Dr. Belinda Nwosu, Faculty Member, Lagos Business School; Alhaji Sunmonu Dauud Gbenga, Managing Consultant, Complete Hospitality Services Limited and President, Nigeria Hotel and Catering Institute (NHCI); Benedicta Ogar, Lead Consultant and Chief Executive Officer, CityBee Services; Dr. Eric Mekwuye, Chief Executive Officer, HoReCaBB Mentors (HM Group)/Chief Faculty, Hospitality Business School, Lagos and Dr. Omopeju Afanu, a serial entrepreneur; she sits on the boards of various organisations and is the founder of Cooperhouse Hospitality Limited. 

    Read Also: Police hold Osun hotel manager for allegedly raping NYSC member

    The two days’ conference would climax with Hotel Managers Awards Night on July 14. 

    The panelists include Justina Ovat, Principal Consultant, Calabar Hospitality House, and Vice President, South-South, Federation of Tourism Associations of Nigeria (FTAN); Uloma P. Danjumbo Udeh, Regional General Manager, BON Hotels International West Africa; Allen Effeh, Lead Consultant, Footprint Hospitality; and Funke Olusoga-Ogunlade, Hospitality and Customer Experience Consultant.

    Convener of HMC, Mr. Olugbenga Omotayo Sunday, who is also the Managing Director of Tojum Hospitality, noted that this year’s event would challenge investors, hotel  

  • ‘Art-based loan introduced’

    ‘Art-based loan introduced’

    Nigeria’s leading digital bank managed by VFD Microfinance BankVBank and Artsplit, an art trading technology company, have unveiled a new Art Based Loan (ABL) offering in Lagos.

    The innovative financing solution is intended to empower art collectors, galleries, and dealers by allowing them to access capital for various by leveraging the value of their artwork. It provides collectors, corporate bodies and individuals an opportunity to gain access with the right level of flexibility to a financial solution that works for their various needs. 

    VBank Chief Executive Officer Mr. Gbenga Omolokun described the offering as a product that bridges the gap between art and finance. 

    “We are thrilled to introduce our Art-Based Loan (ABL) offering, which bridges the gap between art and finance.

    “Our ground-breaking solution enables art collectors and businesses to maximise the value of their art assets while maintaining ownership and control. We are confident that with Artsplit and AAM’s expertise and customised financing options, we can help our clients thrive in the dynamic art market,” he added.

    VBank’s Art-Based Loans provide a unique opportunity for art enthusiasts and businesses to maximise the value of their art collections without having to sell valuable assets.This financial product allows borrowers to keep ownership of their artwork while obtaining a loan backed by the appraised value of the artwork.

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    VBank will offer the loan facility at 30 per cent yearly with loan limits of N12 million and N60 million for individuals and corporates. Artsplit will validate provenance, value the artwork and guarantee the loan at three per cent fees, custodian fee of 0.5 per cent and additional one per cent insurance charge.

    This first-of-its-kind offering has several advantages, including flexible financing: Borrowers can obtain loans based on a percentage of the appraised value of their artwork, giving them the flexibility to access capital; (ii) Tailored Loan Terms: Each loan is individually structured to meet the borrower’s unique needs; and (iii) Preserved Ownership: Borrowers retain ownership of their artwork throughout the loan. (iv) Diverse Use of Funds: Loan proceeds can be used for a various, including the acquisition of new artwork, the expansion of art businesses, the support of exhibitions, and the meeting of short-term liquidity needs.

    Art-Based Loan is accessible to anyone who possesses an investment grade/high value artwork that can be put up as collateral.This could be HNIs, art collectors, corporate bodies, gallery owners of high investment grade prestigious artworks, among others. 

    On the authenticity and preservation of the collection, he said: “We will reach out to the sources of the artworks for authentication, be it auction house, collector, artist or late artist’s estate through legal route. We have a partner, Anchoria Asset Management (AAM), that will cater for the preservation and storage of the collection till repayment is fully done.” 

  • ‘Why Chimamanda Adichie’s Notes on Grief  was the best’

    ‘Why Chimamanda Adichie’s Notes on Grief  was the best’

    In the realm of literary brilliance, Chimamanda Ngozi Adichie stands tall as an influential voice, captivating readers with her exceptional storytelling and profound narratives. Once again, she has stirred hearts and minds with her latest work, Notes on Grief, which received the esteemed honour of Best Title of the Summer at the 2023 Indie Book Awards.

    Announced on  June 23, during the culmination of Independent Bookshop Week (IBW), Chimamanda triumphed in the Non-Fiction category with Notes on Grief (published by Fourth Estate), a poignant essay on the profound loss of her beloved father in 2020.

    Mel Griffin, the chairman of the judging panel, expressed the collective sentiment behind the selection of Adichie’s book.

    “It was a privilege to chair the 2023 Indie Book Awards, and the whole panel agreed that the shortlists were particularly strong this year, making the decision-making process challenging. However, in the end, we unanimously selected Notes on Grief by Chimamanda Ngozi Adichie as the non-fiction winner.”

    Griffin continued, describing the power and impact of the award-winning book. “This utterly beautiful essay says so much in very few pages, and we found it extraordinarily powerful. Although it focuses on one individual’s experience of grief, we felt that it would speak to many people, transcending culture and circumstances, with one judge describing the reading experience as ‘cathartic.’”

    In a video post on her Instagram, Chimamanda graciously accepted the accolade and expressed her heartfelt appreciation.

     ”I have always felt like there is nothing more life-affirming and meaningful than going into an independent bookshop because you know that the people there actually love books. So, I think independent bookshops are the best things ever,” she said.

    Overwhelmed with gratitude, Chimamanda shared: “I am so grateful, I am so moved, and I am so pleased to have Notes on Grief honoured with the Indie. And it is mostly because I love independent bookshops and also because this book is so meaningful to me. I hope that it brings some kind of comfort to other people who have experienced grief. Thank you.”

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    The recognition of “Notes on Grief” highlights Chimamanda’s exceptional storytelling prowess and underscores the evocative power of the book’s title. The pages of “Notes on Grief” invite readers on an emotional journey, where they contemplate the multifaceted dimensions and stages of loss and healing. Chimamanda’s ability to resonate with readers on such a deep level further solidifies her status as a literary icon whose words leave an indelible mark on readers worldwide.

    Aptly given the chieftaincy title “Odeluwa” meaning “she who writes for the world”, Chimamanda’s literary achievements have garnered global acclaim, cementing her place among the most influential voices of our time.

    Her previous works, including “Purple Hibiscus,” “Half of a Yellow Sun,” and “Americanah,” have garnered numerous accolades and captivated readers worldwide. Her TED Talk titled ‘The Danger of a Single Story’ has received more than 34 million views, becoming one of the most viewed TED Talks of all time. With “Notes on Grief,” Adichie once again seamlessly combines social commentary with exceptional storytelling, offering a powerful and enduring impact.

    Established as the largest international awards program for indie authors and independent publishers, the Next Generation Indie Book Awards spotlight the most exceptional independently published books across 80+ categories. Now in its seventeenth year, the award represents a celebration of literary talent and is presented by the Independent Book Publishing Professionals Group in cooperation with Marilyn Allen of Allen Literary Agency.

    Through the pages of “Notes on Grief,” Chimamanda Ngozi Adichie offers solace and understanding to those navigating the intricate terrain of loss. Her words resonate deeply, transcending the boundaries of culture and circumstance. As readers delve into her masterpiece, they embark on an introspective journey guided by Chimamanda’s artistry and empathy. With each turn of the page, “Notes on Grief” imparts a profound realisation — that amidst the pain, healing can be found, and through literature, we can find solace in shared experiences.

  • An Evening of Art, Spirituality and Cultural Exchange

    An Evening of Art, Spirituality and Cultural Exchange

    On a magical evening at the Tribal Gallery, art enthusiasts and cultural connoisseurs gathered for the much-anticipated exhibition, “Flares of Enthusiasm Dash Between,” featuring the extraordinary works of Nigerian artist, Aize Muhammed Paul.

    The event was a feast for the senses, immersing attendees in a world of captivating artworks, delectable Nigerian cuisine, and engaging conversations, leaving an indelible mark on the collective memory of all those fortunate enough to attend.

    As the sun descended below the horizon, the Tribal Gallery transformed into a kaleidoscope of colours and emotions.

    The gallery space, thoughtfully curated to enhance the aesthetic appeal of Paul’s creations, served as the perfect backdrop for the evening’s festivities. When guests stepped inside, they were greeted by an ambience that exuded warmth and excitement.

    Guests experienced the cultural richness of Nigeria through the tantalizing taste of jollof rice, suya-spiced kebabs and Nigerian-infused canapes.

    The art of gastronomy effortlessly merged with the art of visuals, setting the stage for an unforgettable evening of cultural exchange.

    As guests mingled, their conversations intertwined with an appreciation for the breathtaking artworks adorning the gallery walls.

    Aize Muhammed Paul’s creations, a fusion of vibrant colours, intricate details, and evocative themes, beckoned viewers to delve deeper into their narratives. Each piece told a unique story, inviting the audience to interpret and connect with the artist’s vision profoundly.

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    Amidst the captivating artworks and cultural immersion at the gallery, the air carried an enchanting fragrance courtesy of the exquisite scents curated by the artist. The carefully curated aromas wafted through the gallery, creating an olfactory symphony that heightened the sensory experience.

    A highlight of the exhibition was the virtual reality room, where attendees were transported into an immersive world, experiencing the artist’s creations in a whole new dimension.

    Numerous persons donned virtual reality headsets, losing themselves in a realm where imagination melded seamlessly with reality.

    This interactive experience allowed art enthusiasts to engage with Aize’s work on a deeply personal and introspective level, further solidifying the emotional impact of the exhibition.

    As the night progressed, guests were treated to an enchanting outdoor experience under a starlit sky. Nightlights illuminated the surroundings, casting a soft glow accentuating the convivial atmosphere.

    The ambience provided the perfect backdrop for shared memories, stimulating conversations, and forging new connections.
    The event’s vibrant energy reverberated through the night, leaving an enduring impression on all present.

    Flares of Enthusiasm Dash Between” was more than an art exhibition; it celebrated creativity, cultural diversity, and the power of artistic expression.

    Aize Muhammed Paul’s awe-inspiring works, complemented by the delectable cuisine, immersive virtual reality experience, and engaging conversations, created an extraordinary evening that will be etched in the annals of Nairobi’s art scene.

    The Tribal Gallery and Aize deserve commendation for their remarkable contribution to the cultural fabric of Nairobi. “Flares of Enthusiasm Dash Between” served as a reminder of the transformative power of art, bridging gaps and fostering a deeper understanding of diverse cultures.

    This captivating exhibition exemplified the essence of artistic expression and left an indelible mark on all fortunate enough to witness it.

    In a world where creativity knows no boundaries, “Flares of Enthusiasm Dash Between” illuminated the path for future artistic endeavours, sparking renewed enthusiasm and appreciation for the arts.
    Aize’s captivating works will continue to resonate with art enthusiasts, serving as a testament to the enduring power of artistic expression and its ability to inspire, provoke, and unite us all.