The Nation Newspaper

Category: Arts & Life

  • Revving Edo creative hub

    Revving Edo creative hub

    From the red carpet leading to the entrance of the fair, the ambience did not only reflect the rhythm, symbolism and spirit of the Red City, but also the structure of Benin’s cultural identity. Inside the spacious booths, were contemporary artworks ranging from large size to miniatures, collectibles; knowledge and archives; and sound of Benin, which offers guests a feel of the kingdom’s traditional and contemporary musical heritage.

    Welcome to this year’s Benin Art Fair, which opened between November 11 to 16 at Abstract Backyard on 33 Aiguobasimwim Street, GRA, Benin City. These elements extend the experience of the Benin Art Fair beyond visual art, transforming it into an educational and sensorial journey through Benin’s evolving identity. Little wonder the huge turn-out of guests that thronged the fair for the four days.

    After a successful maiden edition last year, the second edition of The Benin Art Fair, with the theme Legacy and innovation: Celebrating the Past, Present, and Future of Benin Art drew thousands of visitors over four days marking historic moments for Benin’s vibrant art community. 

    The opening began with a welcome and guided tour led by the Fair Director, Olorogun Jeff Ajueshi for delegates from Edo State Government. In attendance were the Chief of Staff to the Governor of Edo State, Hon. Gani Audu, and the Commissioner of Lands and Housing, Hon. Yakubu Musa (Yakson) and the former Commissioner for Arts, Culture and Tourism, Dr. Uyi Oduwa-Malaka.

    READ ALSO; Shettima returns after G20, AU–EU summits

    The Senior Special Assistant to the Governor on Tourism and Creative Economy, Anto Lecky applauded the vision and impact of the fair.

    The government delegation explored the curated booths that featured miniatures and collectibles, knowledge and archives, and the sound of Benin. They also engaged with the interactive Notes To Benin installation. The fair featured over a hundred artworks including sculptures and installations, which included master pieces by celebrated sculptor Ben Osawe, Oka Newton and other emerging and established Nigerian artists across the country.

    The event was declared open by Director of Media and Publicity The Benin Art Fair, Mr. Austin Asemota, while Azieyiosabo Cultural Troupe and two indigenous Benin musical groups thrilled the guests.

    Initiator and Director of the fair, Olorogun Jeff Ajueshi described the fair as an unparalel opportunity for artists, sponsors, and art lovers to engage with the rich artistic culture of Benin while embracing contemporary creativity.

    He said with a growing international reputation for its art and culture, Benin is the ideal location to elevate Nigeria’s art scene and showcase the diversity and innovation of Nigerian and African artists. To him, it is also an opportunity for many artists to expand their visibility and showcase new projects, noting that the fair is to position Benin City as a leading hub for global art and cultural exchange. According to him, the objectives of the Benin Art Fair include to showcase Benin’s art legacy, promote local artists, enhance international exposure and foster cultural dialogue.

    Curator of the fair, Mr. Oluwatosin Jekami said that beyond the celebrated bronzes and royal artistry lays an expansive terrain yet to be fully uncovered; a lane that spans intersections of contemporary art, entertainment, culture and indigenous traditions.

    “The Benin Art Fair was conceived to address this continuum: to document, interpret, and re-present the evolving narratives of Benin’s artistic journey,” he added.

    Jekami explained that this year’s fair advances this mission by emphasizing both legacy and innovation.

    “These are, obviously, two intertwined forces that have always defined Benin’s creative ethos. The Fair recognises that Benin’s past glories were not static achievements but dynamic engagements with creativity, spirituality, and societal order. This year, we extend that engagement into the present, examining how artists reinterpret heritage in dialogue with modernity and global artistic discourse,” he noted.

    Continuing, he said: “The artworks presented at the fair have been deliberately selected to showcase the chain between master and apprentice, heritage and experiment. They include works by renowned masters whose practices have defined the trajectory of Benin and Nigerian art, fast-rising Nigerian artists who bring fresh interpretations of tradition, and emerging Benin originated artists who are actively sustaining and redefining the expectations placed upon them by virtue of their cultural inheritance. “Through these dialogues, the Fair becomes not only a platform for exhibition but also a site of intergenerational exchange and critical reflection.”

    According to the curator, this year’s Benin Art Fair positions itself as both an archive and a laboratory, noting that the curatorial goal for this year is that it becomes a place where memory informs innovation, and tradition encounter transformation. “It is a demonstration of Benin’s enduring legacy and its boundless potential to inspire new forms of expression across time, geography, and imagination,” he said.

    Beyond visual exposition of works of art by different artists, the fair also featured discussion sessions featuring the President Society of Nigerian Artists, Mr. Muhammed Sulaimon, Imasuen Amowie Izoduwa, Princess Nosakhare-Igbinoba Eloghosa. Among dignitaries that visited the fair was Senator Neda Imasuen, law-maker representing Edo South senatorial district, who acknowledged the rich heritage of the Benin.

    Reacting to how to reposition Edo state creative economy, he said that when it comes to creative industry, or the art scene, Lagos don’t come before Edo. He however observed that there has been a neglect of some sort on the part of Edo people for not showcasing what they have.

    “And if you are to look at those who are showcasing their artworks in Lagos, they are mostly Edo artists. And so, it is how do we bring them home to do hold exhibition here? That is where private funding comes in. For some reasons, we don’t seem to be appreciating what we have. And until we begin to do so, the monopoly that we have over art will begin to elude us. I just believe that we must all, as art lovers, in our own little way, support art collections and exhibitions of this sort, so that we can give it publicity and let the whole world know,” he said on the sideline of the fair. 

    The fair was sponsored by The Osa Okunbo Foundation in partnership with Wiki Niger Delta, Heritage Collective, QPIC.NG, and KOPA360Network. 

  • Quintessence @ 50: sustaining quintessential quality services

    Quintessence @ 50: sustaining quintessential quality services

    What started as a medium size musical store five decades ago in high-brow Falomo area in Ikoyi Lagos, reputed for its hi-fi stereo sets and high-end furniture, has evolved into a one-stop Quintessence Gallery, a leading global brand in exotic African arts and crafts. In commemoration of its 50th anniversary, Quintessence hosted friends, relations, collectors, artists and enthusiasts to an exclusive celebration of artistry and cultural excellence featuring art exhibition, spoken word performance and music. 

    It was a gathering spiced with sweet memories of 50 years of Quintessence’s quality services and pep talks on how to sustain the legacy founded by the late Oni-Okpaku and wife, Aino.

    Keynote speaker, Managing Director and CEO Design Group Nigeria, Mr. Bayo Odunlami described the celebration as not just 50 years, but 50 years of quintessential quality services. He called on the management of Quintessence to sustain the quality and legacy of the centre while keeping their eyes on the ball as quality has no other definition, but quintessential. 

    “It is the ability to identify what makes you authentic. And I can see from what is on ground that your vision is still very strong. I was a little bit nervous when you talked to me about this project.  I thought many things will continue the next year.

    But, I’m very happy that what I see here takes me back to how it all began. And we will be with you.  The Lord shall be with you,” he said.

    Odunlami said the challenge before the management is not what it has achieved till date, but how well it sustains the legacy by passing it to next generation.

    READ ALSO; Shettima returns after G20, AU–EU summits

    “It is not what you are doing now because this was handed over to you. What you will achieve in the next 15 years, the Lord will be with you. And you can be rest assured that a lot of us here will support you because there isn’t much of quality around. So, when we see one, we will latch on it. Congratulations for this. It shall grow big, and it shall grow stronger…You should think out of the box and think different. But, without losing sight of the legacy,” he added.

    Recalling the journey so far, he said: “But, I can say one thing for sure. When this talk started, we were very young, but we understood the quality. And I was into music and CDs.”

    CEO Quintessence, Mr. Jude Oni-Okpaku who was touched by the words of encouragement said that there is a lot of pressure involved in moving an institution like Quintessence forward, which is also very rewarding.

    “I have not only inherited a company that is an example of quality, but I have also inherited a company that is a community. And I feel it’s worth all the hard work and all the pressure. It makes it all worth it when you have the whole community with you. We haven’t gotten here by myself but by God and your supports,” he added.

    A close relation to the founders of Quintessence, Mr. Vincent Aruofor felt elated and fulfilled that the legacy started 50 years ago, has blossomed into a global quality brand. 

    He said Quintessence as a brand has transformed over the years, both in location, content and design, noting that the word Quintessence, speaks about excellence and the purest form, as well as beauty in its purest form.

    “I think it has been upheld over the years. Wherever the location is, whoever is in control, it has always aspired to achieve that sort of beauty… And I believe, with what’s going on here, with the developments and new leadership here, that it will only get better,” Aruofor added.

    On the increasing value and impact of creative sector in Nigeria’s economy, Aruofor said: “I think we are in the phase where creativity is going to be the next oil in Nigeria. I’ve watched it since the early 2000s and late 1990s, where creativity has become the main thing. I believe the youths are using that soft power. And I believe it’s the next frontier for Nigeria. Other dignitaries at the celebration were Prof Ibironke Akinsete, Founder, Trinity House, Pastor Ituah Ighodalo, Dr. Adam of Rugby School, Eko Atlantic City, Lagos  among others. The Great Harmonious Band led by Joseph Akinrinade was on stage to entertain the guests.

  • Ecobank partners Yaba Art Museum to strengthen creative economy

    Ecobank partners Yaba Art Museum to strengthen creative economy

    Managing Director Ecobank Nigeria, Mr Bolaji Lawal has reaffirmed the bank’s commitment to pan-African heritage, youth development and inclusive cultural design. He said through exhibitions, photography, arts and cultural impact, Ecobank continues to nurture collaborations, entrepreneurship, and cross-cultural exchange. Lawal who was represented by Head of SMEs, Partnerships and Collaborations, Ecobank Nigeria, Mrs Omoboye Odu at the recent unveiling of Lagos Pop-Up Museum at the Ecobank Pan African Centre Victoria Island, Lagos, said the museum project bridges the gap between art and economic development. He identified talent as Africa’s biggest asset and not oil or gold. 

    “As a pan-African bank, we have always believed Africa’s biggest asset isn’t oil or gold. It’s its talent. It’s her talent…

    “So, our collaboration with the other collective partners is a natural fit. When art meets innovation, and banking provides the room, magic happens. This partnership also supports Yaba Museum’s, Gown to Town initiative, taking grassroots creativity into the real world where it can inspire and create opportunity,” he said.

    He noted that the Lagos Pop-Up Museum offers heightened visibility, deeper community impact, and innovative educational engagement, adding that it advocates for open access to cultural knowledge, creative opportunity, and direct educational support, while revitalising heritage and contemporary relevance.

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    The event, a collaboration between Ecobank, Yaba Art Museum, National Commission for Museums and Monuments, and Centre for Black and African Arts and Civilisation (CBAAC), which is ongoing and runs till February 10, 2026, combines exhibitions, workshops, performances, and innovation labs with community engagement initiatives. It is structured to connect creative expression with social impact, providing an avenue for education funding while celebrating African cultural heritage.

    According to him, the Lagos Pop-Up Museum is not the regular art show, as it’s a living, breathing, cultural experience designed to engage everyone from art lovers to curious minds.

    “It is a creative intervention that bridges institutional knowledge with civic consciousness, proving that art isn’t just for walls. It’s for life, for learning, and for transformation,” he said.

    Art Organising Coordinator Yaba Art Museum, Dr. Deola Balogun hinted that the museum project was informed by the College’s strong desire to collaborate with the Nigerian public, which is one of the cardinal points of Yaba College of Technology’s current administration. He said the Adoption Hall, where art meets micro-philanthropy, is designed to raise funds in support of indigent students in the College. The collection of artworks on display is a donation from artists, old students and collectors, which are adopted or sold to support students in need.  

    “And so far, the response has been wonderful because adoption is going on. Since the show opened on Saturday, a lot of the works have been adopted. And more works are still coming because this will run until February,” he added.

    Conducting journalists round the Deep Blue Hall, the Curatorial Director, Yaba Art Museum, Yaba College of Technology, Dr. Odun Orimolade, explained that the component of the Pop-Up Museum immerses audience in the fantasy, mystery, science, and environmental consciousness of water and waterways.

    She noted that the component flows through contemporary collections and collaborative interpretations that invite reflection on water not only as a resource but as a living, breathing force that sustains all species.

    “This consciousness and disposition from contemporary collections and collaborations is a marker for our collective planetary consciousness and individual environmental responsibilities concerning water that is a seminal sustaining element of our entire planetary species. In this, water becomes metaphor, memory, and message with its rhythms fueling individual responsibilities toward environmental stewardship. It reminds us that the story of water is the story of life itself in its boundless, cyclical, and ever responsive state that reacts to care or neglect. In this aquatic dialogue, water becomes both muse and mentor calling us to listen, feel, and act, as we navigate our shared currents in this aquatic dialogue between art, science, and imagination as it navigates between aesthetics and the realm of applied inquiry in a living ecosystem of knowledge,” she stressed. The exhibition section features archival materials and objects from CBAAC collection on FESTAC 77, some are being displayed in public for the first time.

  • Partnerships, purpose, persistence: My lessons from the 2025 Sahel Conference

    Partnerships, purpose, persistence: My lessons from the 2025 Sahel Conference

    • By Aisha Muhammad Yahaya

    Sitting in the audience at the 2025 Sahel Food Systems Changemakers Conference, I realized that legacy in agriculture is not built through solitary effort — it’s built through connection. Every voice, every idea, and every collaboration shared at the event reinforced one truth: lasting impact depends on how well we work together.

    The conference, themed “Designing for Legacy: Building Resilient and Impact-Driven Food Systems,” brought together leaders and practitioners who are shaping the future of food across Africa. But what stood out most to me wasn’t just the big ideas, it was the call to action for youth and women like myself to take ownership of the change we want to see.

    During the breakout session “Breaking Barriers: Youth and Women Entrepreneurs Shaping Policy Commitment,” hosted by the Mastercard Foundation, I learned that opportunities for growth and participation already exist — we simply need to step forward and claim them. Mr. Kingsley Uzoma, Senior Special Assistant to the President on Agribusiness and Productivity Outcomes, shared insights on government programs designed to empower young people and women in agriculture. His message was clear: policies and platforms are only effective when we engage with them.

    From Mrs. Winnie Lai Solarin, Agriculture Policy Advisor, I took away another important lesson about the power of curiosity. She encouraged us to keep asking questions and using every avenue available, including social media, to understand and influence the policies that shape our work. Knowledge, she said, is a form of power, and informed youth are better positioned to drive meaningful change.

    One of the most inspiring moments for me came from Deborah Shaba, a Mastercard Foundation participant & agripreneur, who shared her journey with honesty and determination. Her story reminded me that persistence is non-negotiable in this field and even in the face of stereotypes or limited access, passion and resilience can open doors.

    Beyond the individual sessions, the biggest theme that stayed with me was collaboration — no one builds lasting systems alone. Partnerships across sectors are the heartbeat of sustainable transformation.

    For me, the conference was more than an event; it was a mindset shift. I left with a renewed sense of purpose to seek partnerships that multiply impact, to stay determined even when challenges arise, and to keep learning and engaging with systems that shape our collective future.

    As I return to my work as a horticulture processor and business facilitator, I do so with a deeper understanding that growth happens when we collaborate, not when we compete. The journey to resilient food systems is a shared one, and the legacies we build today will depend on how well we walk it together.

    —

    Aisha Muhammad Yahaya is a horticulture processor and business facilitator under the Self Help Africa Programme, implemented with the World Food Programme in partnership with the Mastercard Foundation.

  • 9-year-old Ekiti author launches first book

    9-year-old Ekiti author launches first book

    A 9-year-old author, and daughter of the Senior Special Assistant to Ekiti State Governor on farm settlement and agriculture, Adewole Temijopelo, has launched of her debut book titled, “The Struggles of a Girl.”

    The ceremony which took place at the Crest View International School, Lagos, attracted dignitaries including education stakeholders and literary enthusiasts to celebrate the emergence of a new voice in children’s literature.

    Temijopelo’s book tells the story of a young girl, Blessing, who overcome life’s challenges through determination, kindness, and resilience.

    Speaking at the event, the Chairman of the occasion, Chief Abiodun Oniyitan, described the book as a timely reminder that success is rooted in perseverance, not background. 

    “The story of Blessing is a powerful reminder that our circumstances do not define us, but rather our determination and resilience,” he said.

    The launch featured a series of book reviews by Adeife Abiodun Adeyemi, CEO of Ife’ctive Touch (Chapters 1–3); Coralita Yard, CEO of Kovana (Chapters 4–5); and Tony Joy, Founder of Durian Foundation (Chapters 6–10). 

    An inter-class debate added excitement to the ceremony, where Adekunle Jemima emerged Best Speaker and Amarachi Amechi finished as runner-up.  

    The winners received cash gifts from  Mrs. Ehirim & Family and Tony Joy.

    Several guests praised the confidence and eloquence displayed by the pupils, with Mr. Nnamdi Ehirim commending Jemima Adekunle for her outstanding performance.

    The official launching of the book was performed by a lawmaker representing Ado Ekiti constituency 1, in the Ekiti state House of Assembly, Hon. Ayo Adegbite represented by Tayo Abolarinwa. 

    The Proprietress of Crest View school, Lagos, Mrs. Adekunle, expressed pride in Temijopelo’s achievement, noting that her accomplishment would inspire other pupils to pursue excellence.

    Among other notable dignitaries at the event were Otunba Bobakeye of Agura Kingdom, Mrs. Jude, Mrs. Esther O., Mrs. Mazogi Nwakugo (author’s grandparent), and several parents and educators. 

  • Seven top African countries to visit in your lifetime

    Seven top African countries to visit in your lifetime

    Africa is a continent rich in culture, history, wildlife, adventure, and breathtaking natural beauty.

    From pristine coastlines and ancient monuments to bustling cities and wildlife-packed national parks, Africa offers unforgettable experiences for every kind of traveler.

    Whether you’re seeking luxury, cultural exploration, epic landscapes, safaris, or island relaxation, the continent delivers destinations that sit high on the world’s bucket list. 

    Here are the seven top African countries to visit in your lifetime

    1. South Africa

    South Africa, a country with three capital cities, offers breathtaking diversity in its landscapes—from towering ancient mountains and subtropical forests to wide deserts, sweeping grasslands, wetlands, and bushlands. Its legislative capital, Cape Town, is globally admired for its stunning scenery, with the Cape Peninsula providing a picture-perfect backdrop for your travel memories. Visitors can indulge in world-class shopping, pristine beaches, whale watching, delicious cuisine, top-tier wines, and vibrant nightlife. Fossil and history lovers should not miss the Karoo region, famous for some of the world’s best fossil discoveries, including early dinosaur, mammal, and tortoise remains.

    2. Egypt

    Egypt is a timeless travel destination and a cradle of civilization. Home to the Great Pyramids of Giza, the Sphinx, and the Valley of the Kings, it attracts millions seeking ancient history, archaeology, and culture. Cairo buzzes with markets, museums, and authentic Egyptian street food, while the Nile River offers unparalleled sunset cruises and scenic views. For beach lovers, resorts in Sharm El-Sheikh and Hurghada provide crystal-clear waters, diving, snorkeling, luxury hotels, and relaxation along the Red Sea coastline.

    3. Cape Verde

    Cape Verde is the perfect island escape for those seeking sunshine, serenity, and cultural richness. This Atlantic archipelago is blessed with golden beaches, turquoise waters, lively music, and Creole charm. Islands like Sal and Boa Vista are ideal for water sports, while Santiago and Santo Antão offer lush mountains, hiking trails, traditional markets, and historic colonial architecture. Whether you want nightlife, romantic sunsets, or quiet island life, Cape Verde provides a dreamy experience.

    Read Also: FULL LIST: Nigeria, Australia, 8 other countries with most languages

    4. Morocco

    Morocco blends African, Arab, Amazigh, and European influences to create one of the continent’s most exciting cultural destinations. Visitors can explore ancient medinas in cities like Marrakech, Rabat, and Fes—filled with artisans, vibrant souks, and centuries-old palaces. Adventure seekers can trek the Atlas Mountains, ride camels through the Sahara Desert, or unwind at beautiful coastal towns like Agadir and Essaouira. The country’s food scene, ranging from tagines to mint tea ceremonies, is unforgettable.

    5. Mozambique

    Mozambique is a paradise for ocean lovers and adventure travelers. With over 2,400 km of coastline, the country boasts white-sand beaches, coral reefs, luxury lodges, and crystal-clear waters ideal for diving, snorkeling, and kayaking. Islands such as Bazaruto and Quirimbas are known for their untouched beauty. On land, Mozambique offers vibrant markets, Portuguese-influenced architecture, delicious seafood cuisine, and a warm, welcoming culture that keeps visitors coming back.

    6. Tanzania

    Tanzania is one of Africa’s safari giants and home to some of the most famous wildlife destinations in the world. The Serengeti hosts the annual Great Migration, where millions of animals journey across the plains. Mount Kilimanjaro—Africa’s highest peak—is a bucket-list adventure for hikers. For a tropical escape, Zanzibar offers palm-lined beaches, turquoise waters, and historic Stone Town, a UNESCO World Heritage site. From wildlife to beaches and mountain treks, Tanzania is a dream for explorers.

    7. Zimbabwe

    Zimbabwe is a land of magnificent natural wonders and deep cultural heritage. Victoria Falls—one of the world’s largest and most powerful waterfalls—is a must-see and offers bungee jumping, helicopter rides, zip-lining, and river rafting. National parks such as Hwange and Mana Pools provide excellent wildlife viewing, including elephants, lions, and rare bird species. Visitors can also explore ancient stone ruins like Great Zimbabwe, showcasing the country’s once mighty medieval empire. Friendly people, stunning scenery, and rich history make Zimbabwe a top African destination.

  • Lagos set to light up Detty December with culture week

    Lagos set to light up Detty December with culture week

    Lagos, a major tourist destination in Nigeria, known for its vibrant culture, lively nightlife, and diverse attractions, is set for Lagos Culture Week. The event is to celebrate rhythms, flavours, fashion, art, and the limitless creative spirit of residents of the city.

    Lagos Culture Week, a two-day event scheduled for Sunday, November 30, and Monday, December 1 at Victoria Island, is organised by the Ministry of Tourism, Arts and Culture in partnership with Lagos Cultural Mission.

    ‘Tour and Flavour of Lagos’ will be held on Sunday at the Nahous Federal Palace Hotel, V/Island, by 9 am, while ‘See Lagos, See Culture’ will take place on Monday at NAHOUS in the Federal Palace Hotel, by 6 pm.

    Speaking about the Lagos Culture Week, the Special Adviser to Governor Babajide Sanwo-Olu on Tourism, Culture and Arts, Mr Idris Aregbe, said the event is a vibrant celebration of Lagosians’ roots, rhythms, flavours, fashion, art, and limitless creative spirit.

    He said, “Detty December just got louder, prouder, and more cultural! Lagos is stepping out in full colour as we unveil LAGOS CULTURE WEEK—a vibrant celebration of our roots, rhythms, flavours, fashion, art, and limitless creative spirit.

    “This is where tradition meets the now, and where Lagos shows the world that culture isn’t just preserved—it is lived, remixed, and celebrated with pride.

    “Lagos is no longer about music and films alone. The city is also known for culture, arts, food, fashion, and many other things.

    “We want to use Lagos Culture Week to re-echo that as people are preparing for December, they should also plan for some of our best action, music, movies, culture, and arts for Detty December. 

    “We want people to come and experience the energy, feel the heritage, and taste the soul of the city. This December, Lagos isn’t just vibing—Lagos Means Business.”

  • Leading with Arts Fellowship empowers young female creatives in Lagos

    Leading with Arts Fellowship empowers young female creatives in Lagos

    A fresh wave of creativity and social consciousness is taking root in Lagos as 25 young female artists have completed the Leading with Arts Fellowship, a programme designed to use art as a tool for leadership, healing, and community transformation.

    The initiative, organised by Advocates for Health and Rights of Women and Youths Initiative (ADHERI), funded by the Nigeria Youth Futures Fund (NYFF), and supported by Alliance Française, has grown from a modest idea into a vibrant movement driving cultural impact.

    What began as small, intimate sessions soon evolved into immersive workshops blending visual art, performance, storytelling, and activism. Participants were guided by mentors who encouraged them not only to refine their craft but to embrace leadership through self-awareness and self-expression, one of the programme’s key lessons.

    The fellows explored themes of resilience, justice, identity, and community. Through their paintings, sculptures, and performances, they created work that reflected personal stories and broader social issues. Organisers said the goal was not merely to teach artistic skills but to help young women find their voice and use it to effect change.

    Executive Director of ADHERi, Emmanuel Etim, Mr Emmanuel Etim noted that several participants have already launched community art projects, local campaigns, and exhibitions inspired by the fellowship.

    Their works will also feature prominently at the Nigeria We Want Art Exhibition scheduled for November 30 in Lagos. 

    The showcase is expected to amplify perspectives from underserved communities and highlight the role of young female creatives in national discourse.

    According to Etim, collaborations are already emerging among artists, educators, and policymakers, signalling the potential of arts-led initiatives to contribute to social development.

    The fellowship, he added, demonstrates how creativity, when nurtured, can become a catalyst for leadership, empowerment, and long-term community change.

  • Adejumo in London for Kashimawo

    Adejumo in London for Kashimawo

    Emmanuel Adejumo is the acting head of dance department of the National Troupe of Nigeria.  He is currently in charge of dances, dance-dramas and the choreographic nuances of the Troupe.  Last October, he was part of the group that went to the Shaw Theatre in London to stage a play titled Kashimawo.  Kashimawo is a play on MKO Abiola.  Adejumo directed the dance and songs aspects of the show.  He speaks to Edozie Udeze on the indelible impression that has registered in his life as an artiste, dancer and director.

    When the stage play, Kashimawo, was staged at the popular Shaw Theatre, in London last October, Emmanuel Adejumo one of the stage directors of the play was at his best.  Kashimawo is a play on the life and times of Chief M.K.O. Abiola, one man who combined business, philanthropy and politics to win the hearts of the people.  The play, written by Ojo Bakare, a scholar who is grounded in stage theatre, has been staged in different locations within and outside Nigeria.   The London outing in October was to further demonstrate to the world how important and acceptable the play has become not only to Nigerians at home, but to those in the Diaspora.  Produced by Joseph Edgar, Adejuwo’s role on the stage presentation was apt due to his own versatility in affairs of dance, choreography and songs.  In all situations, Adejumo, son of the late theatre guru and legendary comedian, Moses Adejumo (Babasala) has shown the world that he is up to the task.

    As the acting head of dance department with the National Troupe of Nigeria, Adejumo has been up and doing in ensuring that stage plays, dance-dramas and all, put together by the Troupe keep coming out as the best.  So the outing at Shaw Theatre in London further proved him right.  In an interview about the show he said, “It was a good show.  Nigerians from all over England showed up for the stage play.  You could see how much they loved MKO Abiola.  The play itself went deeper into the life of one man who was not just a pillar of sports in Africa but who also was a lover of humanity.  He was a charitable person who died because of his love for the masses, and for what he believed in”.

    Shaw Theatre is one of the greatest theatre stages in London.  For the show to have taken place there, it shows how much the producers, Joseph Edgar and Tayo Elesin put in to make sure it attracted a reasonable audience.  This was why Adejumo had to play a big role when he took charge of the dance and choreographic aspects of the show.  He had to put in his best.

    Adejumo is also a dancer himself, a comedian.  He instructs dancers; he listens to the evocative sounds of the drums.  He uses the voices of the drums to instruct his people.  In London he was in charge of all that as he took the dancers, the actors and all, through all the stages to bring out the best in Kashimawo.  He said “Yes, Biodun Abe played Kashimawo, the lead character.  He was excellent as usual.  He bestrode the stage like a colossus as he stammered in some instances to mimic Chief MKO Abiola.  People were taken in by what he did that some even thought he was the man himself come back to life.

    “Yes, Abe was fully in character.  His role brought back to life what Abiola stood for in the lives of the people.  The audience roared, cheered, clapped and praised him on and on.  Beyond that, Adejumo insisted that it is good to do more plays on some personalities that have helped the society grow in all areas of social, political and economic lives.  People need to support such projects.  That is why we admire and encourage Duke of Somolu, Joseph Edgar who has taken it upon himself to sponsor and produce such plays for the sake of posterity”.

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    Epic plays do not happen always.  But when they happen, they register in the minds of the people.  People learn one or two things from the exploits of epic personalities.  Such has happened in the plays in this caliber that Kashimawo has truly become a reference point.  People relate to it as one of the plays that strikes whenever it is staged.  For Adejumo therefore, it will be more interesting as time goes on when more personalities are made into plays.

    “Shaw Theatre opened my eyes to a lot of things about theatre.  Props, costumes, enough space to navigate on stage matter a lot.  But in all, stage plays can appeal to all manner of audiences irrespective of your class or location in life.  But first of all, the play has to have meaningful message, good plot, excellent cast and crew, good directing, all that make theatre a way of life”.

    The local chant in Yoruba also tripped the people to no end.  Songs were delivered in Yoruba but the audience got the message and immediately fell in line.  “In fact, it was good, a good show that had no equal”, Adejumo said as he demonstrated with his two hands.

    Before Adejumo became the acting head of dance for the Troupe, he was for many years a stage dancer with the Troupe.  He is also an actor and dance instructor and choreographer.  He has been involved in many stage shows by the Troupe within and outside Nigeria.

  • ‘How Elechi Amadi handed over to me’

    ‘How Elechi Amadi handed over to me’

    Adi Wali is a writer, a humanist, someone who has dedicated all his life to literature.  A great advocate of literature as a means to greatness, he was so close to the late Elechi Amadi, author of The Concubine and other great literary works of fiction.  At the just concluded 44th convention of  the Association of Nigerian Authors (ANA) in Abuja, Wali was admitted into the league of ANA fellows.  It is an honour he considers a fulfillment of his life’s dream.  He speaks to Edozie Udeze on this and more.

    Adi Wali is a writer, one of the very firebrand authors from Rivers State.  He was once the chairman of the Association of Nigerian Authors (ANA) Rivers State chapter.  A vocal and great advocate of the rights of every writer, he was one of the authors admitted into the college of fellows of ANA at the just concluded 44th edition of the international convention of the association in Abuja.

    As usual, Wali was happy; he was excited to be so recognised and honoured by Nigeria’s  highest body of writers.  And in an interview with The Nation, he made it clear that what he got is good for him and for the people of Rivers State for whom he worked many years to help build and stabilize ANA in the state.

    “I feel good.  It is a very rare honour bestowed on me at this time.  And this is the dream of everything I have worked for all my life, to be among the people who has been writing to shape the nation, to shape the environment and shape myself.  Indeed, it is a thing of joy.  ANA is a formidable association where you find scholars and nationalists like Chinua Achebe and my late uncle, Elechi Amadi.  ANA is a place where you find intellectuals, people of worthy character who have contributed a great deal to make literature great and ensure that the society keeps afloat.  This is why I am happy today to be among these people.  It gives me a great joy to be so honoured by the leadership of ANA.”

    Wali is not only a great leader of people, he is known to have used his resources to touch lives.  He loves to encourage writers the best way he can.  His leadership style is drawn essentially from one of the masters of the Nigerian creative industry in the person of Elechi Amadi.  Amadi belonged to the early generation of Nigerian authors who used simple stories of the people to craft some of the best novels in Nigerian history.  One of them is titled The Concubine.  So, Amadi influenced Wali a lot and helped to shape his worldview about literature, about story-telling, leadership and relationship with fellow authors.

    He said: “Yes, the story of Nigerian authors proves that it is a historic organization.  Today, my uncle in his grave is a happy man, a happy man for his own son is so honoured.  I think he is happy for he worked hard to see me as a great writer.  Before he passed on, he anointed me.  He said, ‘my son, take up the mantle’.  I never knew he was going to die.  Before then, he invited me to his house to a private session.  He now said to me in our local Ikwerre dialect – ‘do you know you will do more than I am doing?’  Keep writing; keep writing.  Never give up.  So even if I die today, I have left a son.  Not just anybody, but a worthy son who can take over the mantle and take it to far places”.

    Wali is therefore on the right track.  To be admitted as a member of fellows by ANA is the highest honour bestowed on a member who has consistently done well for himself, for the clan and for the sake of literature generally.  “Amadi believed that through my works, I will represent him anywhere in the literary world.  He confessed that my works were better than what he did for literature.  He said I shouldn’t relax or allow anybody to stop or disturb me.  And so, here we are today.  It is a glorious moment for me to have lived to see the blessing come true”.

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    Wali had more opportunities of having several other discussions with Amadi that snowballed into greater zeal for him to write without stop.  “You know we had those sessions over and over”, he said with a smile on his face.  “So, I will say over and over again, today is a great day in my life as a writer.  Yes, it is! That whatever happens, I am happy.  I also want to thank ANA for this opportunity.  I also thank my friends in the media who have always been there for me.  It has been a wonderful journey so far.  So far, so good.

    “I want to tell Nigerians like I have always said, that literature should be taken serious.  Yes, it has to be taken serious by everyone.  We grew up with it; it is here and it will continue to be here.  Read.  Find time to read, to see how literature can shape your life.  Literature is our history.  Literature is life.  It is one thing you cannot control or fiddle with.  It is the conscience of the people.  It is time to continue to read, whether you use electronics or whatever means, please keep reading.

    “Those writing, should keep writing.  There is need to impact reading in our society, in the system generally.  Go to physical and not ICT library.  Get hold of books and read.  Get ideas and issues into your head.  Expand your knowledge-base.  Get to see the world through books.  The world out there is in the books people write.  History does not die when you keep it physical.

    “I have always advocated for it.  Literature should be made compulsory at all levels, from primary, secondary through the university.  I have been a vanguard of reading and promoting literature.  This honour will spur me on to do more, to write more, to also advocate more and write more”.